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#a little more than one sentence but— context!
koushuwu · 1 year
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🌹👀
HI PAVLI! i’m running out of wips so i’ll hit you up with another bite from the poly ryoumochi fic! because we love mochi and ryou~ <3
🌹 kuramochi youichi x reader x kominato ryousuke
"ryou-san. you do know, we're not going to share, right?" youichi asked. … "we're both going to be yours. as you are going to be ours. mine. and hers."
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fuck dude i spent the past two days reading the entirety of girls against god and catching up on we lived happily during the war and i s2g it’s the most i’ve cried in YEARS what the fuck bea’s trans niece?? it all must mean so much to bea?? what the FUCK oh my god i am so emotional i have so many feeling ily tysm for your service 🥹 (also BIG fan of footy au. big big fan. you are incredible) THANK YOU
[bea's niece! love her! here u go]
//
you’re thrilled that your parents have decided to spend a few days away in ojai at some winery aunt bea recommended, because as much as you love them, unlimited and mostly unsupervised time with your aunts is pretty much the best thing in the world.
they’d planned to take you to a cool, nice dinner at this trendy place asaad had seen on tiktok, which honestly sounded fun. plus, it’s mexican food, which is basically your favorite other than your nani’s lamb biryani. and it had seemed exciting and fun but then you had looked through your entire suitcase and didn’t love any of the tops you packed, and you want to do your makeup but you’re not that good at it yet, and usually your mama helps you, and —
you sniffle and take a calming breath, wipe the tears from under your eyes. it’s okay, you tell yourself. you can ask for help. your aunts love you, and your big brother loves you, and sometimes, of course, he teases you but not about this. never about this. if you felt bad enough you didn’t want to go out, no one would be mad at you.
you take another big breath and then put on one of aunt bea’s old t-shirts she’d accidentally left in london last year and then had laughed and told you to keep it. you walk down the stairs to your aunts’ bedroom. asaad and aunt bea are tending to the herb garden outside, and you’re not surprised to see aunt ava seemingly emptying a quarter of their closet onto their big bed. you linger in the doorway, your heart caught a little in your throat, but then aunt ava looks up and stills, then offers you a smile that always feels warm, and calm, and you don’t ever wonder why aunt bea fell in love with them.
‘what’s up, kiddo?’
you take a second to compose yourself because you really don’t want to cry; you’ve spent enough time around the both of them that you know aunt ava understands how to be patient and let you arrive at what you need to say in your own time. ‘my mama usually helps with my makeup.’
‘ah,’ aunt ava says, already excited. ‘what’s the vibe your feeling? also, what are you wearing? i can’t decide.’ she gestures to the bed with her cane. ‘as you can see.’
it gets you to laugh, a knot in your chest loosening. ‘um, maybe i can borrow one of your crops? my camo cargo pants, i think, and my new cdg converse.’
‘ooh,’ ava says, ‘love. and yes, of course you can borrow anything you want. i’m still mad you’re big enough they fit you, but i’ll forgive you. growing up is better than the alternative.’
you frown at that but aunt ava doesn’t seem bothered, or sad or upset.
‘hmm. morbid. my bad.’
‘you good?’
‘i’m awesome.’ she smiles and gestures for you to actually come into the room. her hair falls in easy waves past her shoulders, longer than when you’d last seen her for eid, and it’s easy to hug her tightly, to settle into her gentle embrace, to smell the detergent that reminds you of aunt bea, and aunt ava’s subtle light perfume, and the lavender lotion you get to use every time you’re here. you know he understands, in a different way than aunt bea but in a way that matters too, that flows like water and makes you feel like you’re lifting your face to the sun, what it feels like to be bigger than what the world expects of you and your body.
your parents are the best; they’d gotten you hormone blockers immediately when you asked, and your mama and auntie had taken you shopping for pretty bras in the fanciest shops in london last month, and your dad practices your drag routines with you after football practice.
but still: people who feel it, people who know — your family, in the deepest way. you pray five times a day, in thanks, usually. blessings, you know, even now.
‘the vibe is, like, i don’t know. subtle but glitter?’
aunt ava squeezes you. ‘incredible. i’m obsessed already. maybe a glitter eyeliner?’
you relax: aunt ava loves you.
‘do you have your makeup here? i have, like, enough fun shit — uh, stuff — to cover us for any look you want, but obviously not foundation or concealer for you. but if you don’t have any, we can send your aunt and brother.’ she laughs. ‘asaad can be your skin tone match.’
'i have some makeup.' you let yourself take a deep breath, because aunt ava is happy; she wants to do makeup with you, and let you borrow clothes, and go out to a cool restaurant. it's not a duty, or because you're family — when your aunts get to help you be yourself, it makes them happy. 'but it's mostly boring.'
'the basics are very important, though.' she smiles. 'well, go grab any of yours that you want to use, then come meet me back down here. you can look through mine and use any you want. and i'm the prettiest person i know, so i can help.'
'number one?'
'way too like beatrice,' she says, 'mean. for no reason! but i'll humor you.' ava bites their bottom lip in contemplation. 'well, i met janelle monae last year. and shangela comes into my bar often.'
'you live a wild life,' you say, and aunt ava laughs. 'so, third?'
'yeah,' she confirms. 'well, fourth, maybe.'
'who's third on the list, then?'
'you, of course.'
it makes you blush, but you turn quickly so aunt ava can't really see. you know she knows, but, like, it's fine. whatever. maybe she's the prettiest person you've ever seen and she's kind and funny and smart and owns her own bar, but she's also your aunt, who you've watched throw up in a bush after she drank too much champagne at brunch one time, and she always falls asleep on aunt bea's shoulder when you go to a movie. there's no reason to be embarrassed, and there's also no reason, you remind yourself, to not want to feel pretty.
you get your setting spray and foundation and concealer and their respective brushes, and then aunt ava shows you through a lot of makeup. you don't think you'll ever want to own this much makeup in your entire life, and it's kind of funny because aunt ava doesn't really wear much most days, but she just — she loves it. she loves sharing with you, and explaining why she got stuff that doesn't really make sense, and eventually you pick out a gold eyeliner to use. aunt ava makes sure not to cover your freckles completely when she helps with your foundation, and then, when you try to do the eyeliner yourself and mess it up, she hands you a makeup wipe without any judgement or impatience.
you finish with some mascara, and you sit and talk and listen to music in the background while aunt ava does her own makeup. she lets you pick out any crop you want, and she decides, after a fair amount of deliberation, on a sundress that you know is aunt bea's favorite on her. gay, you think, and then say aloud because you're sure aunt ava will appreciate it. and she does: she laughs, and aunt bea kisses her after she knocks on the doorframe and then smiles softly when she sees the two of you.
'you both look amazing,' she says. 'asaad has already freshened up, so i just need to change, and then we can go. i'm confident it we leave in ten minutes, we'll make our reservation time.'
'what if we left in twelve minutes?' aunt ava asks.
aunt bea just ignores her and walks to their closet and lightly closes the door, which seems to delight aunt ava. she snorts.
'love her.'
'you guys are weird.'
'just wait until you have a partner or partners. if you're doing it right, which i'm sure you eventually will, because you're the best, it's all just the best kind of weird.'
they're right, you know. you get to be surrounded by all kinds of love and you've always gotten to see it every day. but still, when aunt bea walks out in tailored slacks and loafers and a loose linen button up with intricate stitching, a little mascara on her face, her hair with a few strands of silver in it now, less than your dad's but mostly the same — you can breathe in another way. you have the careful way your mama helps you wash your hair every week when you told her you wanted to grow it out, and how she always takes you with her to get your threading done together; you have your dad's genuine joy whenever he takes you to women's football matches, and the way he cries at shows with queer storylines that end happily; you have your brother and the way he always, always, makes sure his group of friends never misgenders you — ever since you came out, none of them have treated you any differently at all; you have aunt ava, whose identities are as big and open and exuberant as she is.
and you have your aunt beatrice, you smiles sincerely and, of course, notices your eyeliner. she taught you how to shave your legs when you were too nervous to ask your mama, for whatever reason that seemed confusing at the time in your head. she plays tennis with you and she's never mean but she also never lets you win; if you ever beat her one day, it will be on your own merit. you're pretty sure she could literally kill someone twice her size with one hand, but she has never been anything but gentle toward you, your entire life.
she tucks a pair of sunglasses in the V of her shirt and puts on one of her fancy watches with a thick band. she smiles at you. 'ready to go?'
'mhm. i'm hungry.'
she kisses aunt ava's temple and then puts a gentle hand to the small of your back, ushers you out of their room and to the foyer where asaad is waiting on the couch. it's still warm and sunny and gorgeous. aunt bea makes sure the front door is locked and then takes one last look in the mirror. this smile is all for herself, one you've had so many times, one that, on her, lights you up from the inside. she fluffs her hair and then nods, and you get it, unspoken: she must like who she sees looking back at her.
when she sits on your bed later that night, after you've all eaten more than your fair share and aunt ava had done a lot of moaning over some shishito peppers, after she'd driven everyone home and you had all changed into pajamas and watched half of a movie while she and aunt ava had a glass of wine — you curl into her hip and put your head on her lap.
you want to thank her — for being who she is, for being part of your family, for loving you — and everyone she cares for — in this quiet, stoic, unrelentingly gentle way. but you're sleepy, and you don't want to cry. she runs a gentle hand up and down your spine.
'did you have a good day?'
'yeah, aunt bea.' you think of the beach and aunt ava's laugh and your brother's gentle insistence that he hold every door open for the three of you; how good the food was and how you'd seen bella ramsey at a table and asaad had blushed so hard you had laughed. you think of the quiet way aunt bea had gotten aunt ava her medications in the morning at breakfast, a kiss to the top of her head. a long, long life together. a home, with you included, in any way you want. 'i had the best day.'
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literaryvein-reblogs · 2 months
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Writing Notes: Children's Dialogue
Language is extremely complex, yet children already know most of the grammar of their native language(s) before they are 5 years old.
BABBLING
Babbling begins at about 6 months and is considered the earliest stage of language acquisition
By 1 year babbles are composed only of the phonemes used in the language(s) they hear
Deaf babies babble with their hands like hearing babies babble using sounds
FIRST WORDS
After the age of one, children figure out that sounds are related to meanings and start to produce their first words
Usually children go through a holophrastic stage, where their one-word utterances may convey more meaning
Example: "Up" is used to indicate something in the sky or to mean “pick me up”
Most common first words (among the first 10 words uttered in many languages): “mommy,” “daddy,” “woof woof,” “no,” “bye,” “hi,” “yes,” “vroom,” “ball” and “banana”
WORD MEANINGS
When learning words, children often overextend a word’s meaning
Example: Using the word dog to refer to any furry, four-legged animal (overextensions tend to be based on shape, size, or texture, but never color)
They may also underextend a word’s meaning
Example: Using the word dog to refer only to the family pet, as if dog were a proper noun
The Whole Object Principle: When a child learns a new word, (s)he is likely to interpret the word to refer to a whole object rather than one of its parts
SYNTAX
At about two years of age, children start to put words together to form two-word utterances
The intonation contour extends over the two words as a unit, and the two-word utterances can convey a range of meanings:
Example: "mommy sock" = subject + object or possessive
NOTE: Chronological age is NOT a good measure of linguistic development due to individual differences, so instead linguists use the child’s mean length of utterance (MLU) to measure development
The telegraphic stage describes a phase when children tend to omit function morphemes such as articles, subject pronouns, auxiliaries, and verbal inflection
Examples: "He play little tune" or "Andrew want that"
Between 2;6 and 3;6 a language explosion occurs and children undergo rapid development
By the age of 3, most children consistently use function morphemes and can produce complex syntactic structures:
Examples: "He was stuck and I got him out" / "It’s too early for us to eat"
After 3;6 children can produce wh-questions, and relative pronouns
Sometime after 4;0 children have acquired most of the adult syntactic competence
PRAGMATICS
Deixis: Children often have problems with the shifting reference of pronouns
Children may refer to themselves as "you"
Problems with the context-dependent nature of deictic words: Children often assume the hearer knows who s/he is talking about
AUXILIARIES
In the telegraphic stage, children often omit auxiliaries from their speech but can form questions (with rising intonation) and negative sentences
Examples: "I ride train?" / "I not like this book"
As children acquire auxiliaries in questions and negative sentences, they generally use them correctly
SIGNED LANGUAGES
Deaf babies acquire sign language in the same way that hearing babies acquire spoken language: babbling, holophrastic stage, telegraphic stage
When deaf babies are not exposed to sign language, they will create their own signs, complete with systematic rules
IMITATION, REINFORCEMENT, ANALOGY
Children do imitate the speech heard around them to a certain extent, but language acquisition goes beyond imitation
Children produce utterances that they never hear from adults around them, such as "holded" or "tooths"
Children cannot imitate adults fully while acquiring grammar
Example:
Adult: "Where can I put them?" Child: "Where I can put them?"
Children who develop the ability to speak later in their childhood can understand the language spoken around them even if they cannot imitate it
NOTE: Children May Resist Correction
Example: Cazden (1972) (observation attributed to Jean Berko Gleason) – My teacher holded the baby rabbits and we patted them. – Did you say your teacher held the baby rabbits? – Yes. – What did you say she did? – She holded the baby rabbits and we patted them. – Did you say she held them tightly? – No, she holded them loosely.
Another theory asserts that children hear a sentence and then use it as a model to form other sentences by analogy
But while analogy may work in some situations, certainly not in all situations:
– I painted a red barn. – I painted a barn red. – I saw a red barn. – I saw a barn red.
Children never make mistakes of this kind based on analogy which shows that they understand structure dependency at a very young age
BIRTH ORDER
Children’s birth order may affect their speech.
Firstborns often speak earlier than later-born children, most likely because they get more one-on-one attention from parents.
They favor different words than their siblings. 
Whereas firstborns gabble on about animals and favorite colors, the rest of the pack cut to the chase with “brother,” “sister,” “hate” and such treats as “candy,” “popsicles” and “donuts.” 
The social dynamics of siblings, it would appear, prime their vocabularies for a reality different than the firstborns’ idyllic world of sheep, owls, the green of the earth and the blue of the sky.
MOTHER'S LEVEL OF EDUCATION
Children may adopt vocabulary quite differently depending on their mother’s level of education.
In American English, among the words disproportionately favored by the children of mothers who have not completed secondary education are: “so,” “walker,” “gum,” “candy,” “each,” “could,” “wish,” “but,” “penny” and “be” (ordered starting with the highest frequency).
The words favored by the children of mothers in the “college and above” category are: “sheep,” “giraffe,” “cockadoodledoo,” “quack quack,” the babysitter’s name, “gentle,” “owl,” “zebra,” “play dough” and “mittens.” 
BOYS / GIRLS
One area of remarkable consistency across language groups is the degree to which the language of children is gendered.
The words more likely to be used by American girls than by boys are: “dress,” “vagina,” “tights,” “doll,” “necklace,” “pretty,” “underpants,” “purse,” “girl” and “sweater.”
Whereas those favored by boys are “penis,” “vroom,” “tractor,” “truck,” “hammer,” “bat,” “dump,” “firetruck,” “police” and “motorcycle.”
Tips for Writing Children's Dialogue (compiled from various sources cited below):
Milestones - The dialogue you write should be consistent with the child's developmental milestones for their age. Of course, other factors should be considered such as if the child has any speech or intellectual difficulties. Also note that developmental milestones are not set in stone and each child is unique in their own way.
Too "Cutesy" - If your child characters are going to be cute, they must be cute naturally through the force of their personality, not because the entire purpose of their existence is to be adorable.
Too Wise - It’s true kids have the benefit of seeing some situations a little more objectively than adults. But when they start calmly and unwittingly spouting all the answers, the results often seem more clichéd and convenient than impressive or ironic.
Unintelligent - Don’t confuse a child’s lack of experience with lack of intelligence. 
Baby Talk - Don’t make a habit of letting them misuse words. Children are more intelligent than most people think.
Unique Individuals - Adults often tend to lump all children into a single category: cute, small, loud, and occasionally annoying. Look beyond the stereotype.
Personal Goals - The single ingredient that transforms someone from a static character to a dynamic character is a goal. It can be easy to forget kids also have goals. Kids are arguably even more defined by their goals than are adults. Kids want something every waking minute. Their entire existence is wrapped up in wanting something and figuring out how to get it.
Don't Forget your Character IS a Child - Most of the pitfalls in how to write child characters have to do with making them too simplistic and childish. But don’t fall into the opposite trap either: don’t create child characters who are essentially adults in little bodies.
Your Personal Observation - To write dialogue that truly sounds like it could come from a child, start by being an attentive listener. Spend time around children and observe how they interact with their peers and adults. You can also study other pieces of media that show/write about children's behaviour (e.g., documentaries, films, TV shows, even other written works like novels and scripts).
Context - The context in which children speak is crucial to creating realistic dialogue. Consider their environment, who they're speaking to, and what's happening around them. Dialogue can change drastically depending on whether a child is talking to a friend, a parent, or a teacher. Additionally, children's language can be influenced by their cultural background, family dynamics, and personal experiences. Make sure the context informs the dialogue, lending credibility to your characters' voices.
Sources and other related articles: 1 2 3 4 5 6 7 8 9 10
Writing Notes: On Children Writing Notes: Childhood Bilingualism
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Language Barriers
Based off the idea that Yuu doesn't speak the same language or have the same culture norms in their world!! Got inspired for once
Content Info: GN!, 4.6K words-ish, Fluff/Comedy, Platonic except in Kalim's, Aztec refs in Leonas, NSFW jokes in Heartslabyul, Staff being parents, Trey bullying
Characters: Mozus Trein, Divus Crewel, Dire Crowley, Ashton Vargas, Sam, Riddle Rosehearts, Trey Clover, Cater Diamond, Ace Trappola, Deuce Spade, Grim, Leona Kingscholar, Kalim al-Asim, Jamil Viper, Vil Schoenheit
***
***
Since your arrival in Twisted Wonderland, you have begun to grasp the language and culture of this world. For the most part, at least.
You remember as clear as day when you first arrived, the pure confusion of the Headmage and those around you. Words from your lips were pure gibberish to them. They stared at you like you were an anomaly— and they were right. You are one.
‘Glitchy’ is the term they have used to describe your voice. “It is as though the sound around you warps everytime you speak.” The Headmage— Crowley— said.
The man had given you a necklace alongside an old dorm he housed you in. It was a simple looking necklace. A small mirror charm dangles in the center of it. Subtle enough to not draw attention to it.
It wasn't just a necklace however. It was a translator, a universal one.
The ‘glitches’ from your mouth had stopped and became the strange sounds the natives here spoke. Still, the necklace is just a buffer. Just because you can understand them doesn't mean you know what they're saying.
You still do not know the slang, the culture, the phrases, the grammar. Words still slipped your mind. You swear all you can hear is gibberish at times– and honestly you don’t doubt it occasionally is when students want to mess with you. You still had a lot to learn and there have been many miscommunications along the way. All part of the journey you suppose.
The staff here weren't coddling at all but they were accommodating. They made it clear that they favored no student more than the other. (At least that's what they claim.) But they also understood that holding you to the same standard would be unfair.
Mozus Trein
Professor Mozus Trein was a blessing when it came to learning about this world. His history classes made understanding this place easier. Trein would even give you extra context with his lessons to help you understand the everyday things and universal knowledge that you are unaware of.
His standards for your essays were different. He was no less strict on you but he was reasonable. He could tell that you truly understood the concept and put effort into your papers despite the language barrier and he is not going to punish you for learning.
You would get your paper back with a high grade and a page of corrections with explanations for each one. Why this comma here wrong. Why this was the wrong conjugation of that word. How this sentence could be improved.
“Excuse me, Professor?” You test the words as you speak them, accent slipping out. Trein looks to you from his desk. "Yes?”
“This word here is marked as wrong, but I remember you saying ‘I before E except after C.’” You tilt the paper to him and the older man adjusts himself on seat.
“Let me see here…” Trein paused to read the paper, expert eyes scanning for any potential mistakes. “Ah I see, that word there is an exception. ‘Sovereign’ doesn't follow that rule.” He closed his eyes as he explained and you nodded in understanding.
“I see, so I just have to memorize it. Are there any other words like that?” You didn't like how Trein seemed to frown as he thought about it. He hadn't realized how many there were. “Yes there are. A lot more than I anticipated I’m afraid,” a sigh escapes his lips and he shakes his head.
“I will not hold this against your grade since you have been improving with each assignment. Little mistakes like this will be forgiven so long as they are not repeated. Allow me to adjust your grade accordingly.”
You tilted your head as your B+ went to an A-. A small smile decorates your features. Trein nods to you and hands you your paper back. “There you are then. On to you next class.” You turn to leave but are stopped by when he speaks again.
“You should be proud of yourself, Yuu. You are the hardest working student I've have ever had the pleasure of teaching.” You perked up and your smile grew as you were onto your next class.
Divus Crewel
Professor Divus Crewel’s classes were difficult for completely different reasons. Math and numbers were the same for the most part aside from some minor symbol changes. Word problems were the bane of your existence however. Thankfully Divus can see that you understand the math. He'll often pass you or only take half a point off if you use the wrong equation or misunderstand the question and such.
He also gave you a small private lesson about alchemy as well. Teaching you the basic terms and proper protocols that most students would have learned early in their education. He'd show how to differentiate the effects an ingredient would have by the prefixes of their names or symbols on the vial.
But most importantly he would help you socially. What you should dress like for certain events. The correct way to speak so you could sound like a native. Social cues.
And he would refuse to admit it but you were his prized pup over the rest. He may or may not have slipped you a few perfumes or clothing under the guise of “Crowley not providing enough” or “Taking stress off of you to do better in class.” You knew better though.
After all, how could he play off giving a coat similar to his? It was less flashy and more suited to your tastes. It wasn't obvious to anyone else that you matched him unless they really observed. Perfect to wear in his class.
He's always looking out for you. Making sure you are safe and secure. And should you get injured from another adventure, he is there with a potion in hand.
Dire Crowley
Crowley was the one that gave you the necklace and a place to stay. Though eccentric and a bit well… lazy, you couldn’t deny that this was a good display of his generosity. Even if he does make you work for it.
Crowley was a strange one. He'd gift you some magical object one day and then forget you exist the next. He’d help you with your paperwork for accommodations and then forget to approve of them.
One time he dropped off a stack of paperwork on you to do for him but still left you a huge comprehensive guide that teaches you how to do each one. On top of that there was even a translation card meant to help you. If he put this much effort into these papers he'd be done by now. You assume he made this so he can drop more on you in the future. You swear he mentioned he's doing this to you to ‘prepare you for when you become the new headmage— er headmaster.’ Yeah right.
He'd give you dangerous tasks then become overprotective if any boy dare get too close to you. He'd help with anything but only if you stroke his ego. Yet despite it all he was still, as much as you hated to admit it, generous.
Despite everything, he has taken you in instead of abandoning you in this world. You swear sometimes he acts like a dad to you… When its convenient.
He's so annoying but you can’t find it in your heart to truly hate him. He may get you in trouble, but the moment it becomes too dangerous he steps in without hesitation to protect you and gives you a huge lecture after.
You hope you learn enough of the language to properly scold him.
Ashton Vargas
“Is this really necessary?” You ask the coach in front who re-wraps your hands tightly. “Absolutely it is!” The Coach's booming voice resonates in you as he pats you on your back rather roughly. “Give me another punch.”
You swallow and raise your hands again. You hesitate. “Come on kid you aren't gonna leave a dent in me!” You swallow and swing at his stomach. Vargas was right, he doesn't even flinch as your arm practically vibrates.
“That was a good form! I almost felt it.” A great guffaw rumbles in his chest. “Again!” Another punch, he looks down approvingly.
“Not bad, not bad at all. I sense a lot of potential in you, kid. That's enough for today.” You breathe a sigh of relief as you wipe your brow and unwrap your hands.
“Seems my training regiment is working, you're getting stronger by the day. Still— this on its own isn't enough. You need protein, kid! Lots of it. And you know what a good source of protein is?”
You stare at him for a moment. “Those uh…” the word slips your mind. “Chicken… capsules…?”
“Bingo! But they're called Eggs here Yuu.” Ashton puts a hand on his hip and makes a fist. “You should start with a dozen eggs per day and increase from there. I know that headmage can't be relied on to pay you in time, so I personally will deliver some bulking meals myself!”
“... Why are you doing this for me?” Your voice comes out a bit quiet as you speak. Ashton looks at you for a minute. “Why? Because you’re my student and I want to see you succeed. You got some serious strength hidden in you, and it would br a shame to see it wasted. Besides…”
As he speaks he starts taking down those punchy things, sandbags, you think. “The students here are quite rowdy. I want you to be able to defend yourself, especially since you don't have magic. You have to rely on brawn, Yuu! And I will be the one to awaken it.”
Vargas strikes a pose for a moment before relaxing. “Before you go I need to teach you some vocabulary.”
“Vocabulary…?”
“About your muscles of course!” The coach sat you down for a moment as he went into kinesiology. Micros and macros. Bulking. He broke it all down for you while flexing his muscles to emphasize his points.
“Now off you go Yuu, meet me here same time tomorrow, got it?”
Sam
Sam is a cool dude. You interact with him a lot. He never had an issue when you were first learning to speak. In fact he'd help you find the products you described to him. Of course he'd try and convince you to buy the more premium products but that's just business.
He'd even offer you a gig or two. His shelves don't stock themselves and his shadow friends wouldn't mind some extra help. Just know they can be a bit mischievous. While you were working you'd even get a small employee discount.
Even though your language has gotten better, there is still the occasional mix up.
“Ah, prefect! What can I do for you?” Sam queried while leaning on the counter top, delighted to see one of his favorite customers. “I am looking for… um…” You froze. What was that word again??
“The… white liquid?” You watched as Sam racked his brain for what you meant. “An invisibility potion?”
“No no! It's like… a juice?”
“Ah! I got it! Coconut milk!” The man snapped his fingers and winked. He frowned a bit when you shook your head.
“Wait here.” The shadow man watched as you ventured into the small smack aisle in front of him. Soon you took a bag of beef jerky and pointed to the small symbol on it. “What is this animal called again?”
“That's a cow.”
“Yes! I need the juice from it! The cow juice! What is its name? I forgot.” you perked up and beamed at him, hoping he understood. It all clicked for Sam, and he let out a hearty laugh at the realization.
“Do you mean milk, perchance?”
“Yes! I knew it had that sound! I need milk!” Sam chuckled again and waves his hand, sending a small shadow to retrieve some. “By the way would you be down to do some work tonight?”
“Tonight? Yeah, I can always use some extra cash.” The prefect was always so easy going. Guess they had to be in a place like this.
“Good. I'll apply your discount right now then!”
Heartslabyul
Your favorite Heartslabyul members have invited you to join them. Another Unbirthday party was to be hosted and the stars aligned today for the whole deck to help with the baking. It felt nice to be with them. They were like a family in a way, being with them felt like home. Alongside baking, there was some cooking being done too.
“Geez you really do like your eggs, huh?” Cater asked the spade who stirred his chopsticks with precision. He is determined to make the perfect tornado omelet.
“Oh you have no idea.” Ace tsked. “Whenever we go out to a restaurant it's the only thing he orders.”
“Not true!” Deuce's interjection wasn't as strong as it usually is, much to focused on his creation. “Yeah only if they dont offer any.” Ace retorts.
“Grim, it is unsanitary to touch the batter,” Riddle breaks up the impending argument to chide the direbeast ‘helping’ him stir, “Trey how many egg yolks do I add?”
“Three. You sure got it Riddle?” Riddle pouts a bit. He knows he got a shell in the batter last time but he's trying! “I'll get it right this time, you can count on it.”
“Ooh, give the egg whites to Deuce if you aren't using them!” Deuce mutters a thank you to Cater as he finishes up his omelet. “Does anyone else want one?”
No’s resound across the kitchen aside from you and Grim which makes Deuce smile. “Alright, what kind do you want Yuu? I'm still unsure on what kind you prefer.” Deuce looks a little embarrassed at not knowing despite how long you've been friends.
Before anyone could tease Deuce, Trey asks the worst question he possibly could without knowing. “Actually how do you like your eggs in the morning, Yuu? I rarely see you eat breakfast in the cafeteria.”
You pause for a moment, the pan you were greasing slipping slightly. Then you chuckled. “That's very bold of you Trey, I never expected you of all people to say that… But judging by everyone else's reaction, I assume it doesn't mean anything here?”
“Oh? Does it mean something different where you from?” Riddle asks, looking over at you. “It does actually.” Cater looks up from his phone he was reading the recipe from, noticing your amused expression. “What else could possibly it mean though?” You hold in a laugh. Perhaps this wasn't the best time to bring it up but you can't help it.
“Is that so? I sure hope I didn't say anything offensive. What does it mean?” Poor Trey; he chuckles as he decorates one of the finished cakes not knowing the storm that's brewing.
“You essentially just propositioned me in front of everyone.” The whole kitchen is silent as they stare at you. Trey looks flustered and confused out of his mind as an abundance of frosting squirts out of the bag. “I… pardon?”
Ace speaks first “Huh?! How does that make sense?”
“Proposition? What does that mean?”
“Don't worry about it Grim.” says the diamond. “Still that seems far fetched, it's rude of you to mess with Trey like that you know!”
“I'm not lying! It's actually what it means!” Trey is adjusting his glasses now, embarrassment growing. Riddle looks horrified, trying to find his words. He's trying to rack his brain for a response before deciding to ask about it. His voice comes out a little hesitant and unsure. “Are eggs part of some sort of courtship in your world…?”
“Um… sort of..?” At your words Deuce pales. Ace takes this opportunity to be a little shit per usual. “Wow! Seems like you have a chance then, Deucy!”
“Oh shut it Ace! Wait, have I been propositioning you this whole time?!” His face is red and he's hiding in his hands. He has offered so many egg dishes over the years. Oh God he must have made you so uncomfortable— this isn't what an honor student would do!
“I still don't know what that means…” Grim grumbles.
“No no! Offering eggs is fine, it's just that particular phrase has very different connotations in my world.”
Ace is snickering at the whole situation, but especially at Deuce’s panic. He's also just as confused, however. Trey finally has the courage to speak. “Um, how exactly does that mean…” He trails off, defeated. “I'm sorry Yuu, I didn't mean to make you uncomfortable…”
“You didn't. I'm sorry. I didn't mean to tease you too much…”
“Okay, but how exactly does that mean that?”
“Yeah I'm with Cater on this one…” Ace adds.
“Enlighten me.” Riddle puts his hands on his hips, morbid curiosity getting the better of him.
“So… When someone asks that they essentially mean to say they're gonna invite you to spend the night with them and cook you breakfast in the morning.” Trey looks even more embarrassed but so does Riddle.
“So it's a sleepover? That's it?” Grim asks just to be waived off by Cater again who vibrating with laughter.
“That's a pretty convoluted way of asking…” Deuce looks to the side, also a little flustered. “Yeah it makes no sense for me either, and I'm from that world, but that is what it means…”
“Wow so Trey really is bold!” Cater snickers as Ace joins in with a “I never knew you had it in you.”
“Enough with this vulgar talk!” Riddle commands, clearly demanding the conversation to be over.
“I am never gonna live this down aren't I?”
Leona Kingscholar
I am gonna nerd a lil abt aztec mythology rn and I'm not apologizing
Herbivore is what he called you. It was meant to be an insult but you never took offense. There is no other creature that fights harder than prey that is fighting for their life or backed into a corner. If anything it was a compliment. You've seen how hard they can fight.
Yet today Leona took the title further. “You are honestly like a little rabbit. All this confidence and attitude, yet harmless.” You raised a brow at him. “Thank you.”
Leona's eyes shift ever so slightly. “You're taking it as a compliment?” You tilt your head. “I assume rabbit in this world is synonymous with fragility here…? Odd. They're a symbol of warriors back in my world.”
“Is that so?” Leona speaks boredly, but he doesn't excuse himself or tell you to shut up. “Yeah, rabbits are these mighty warriors that are completely invincible. Children of one of the 5 sin gods too. Nothing can kill them. Centzon Tōtōchtin are no joke. Odd how they're considered weak here.”
You think for a moment. “But they are known to be constantly drunk all the time and play around, so I guess that could be an insult…” Leona just rubs his head. “Take it however you want…”
Kalim al-Asim
“Look at all the stars!” Kalim exclaims, pointing up at the sky. He lands his carpet along the sand dunes, eyes full of wonder. He then looks to you with bated breath, waiting for your reaction.
“It's beautiful…” You whisper, overlooking the patterns of stars decorating the night sky. It was straight out of a painting, vast and whimsical. Kalim was glowing at your happiness. “Aaah, I'm glad you like it! I was hoping you would!”
You lean back against the ground. Shooting stars dart across the sky along the twinkling lights in a beautiful display. Your eyes land on the moon, admiring how different it was from your own.
“The moon looks beautiful tonight, doesn't it?” You freeze for a moment. “Haha, careful saying that to people from my world Kalim, not that you'll be running into anyone else from there anytime soon…”
Kalim looks over to you, brows slightly furrowed. “Eh? What do you mean?” You look back up the moon again. “Saying ‘the moon looks beautiful tonight’ where I’m from means I love you.” There's a moment of silence as Kalim ponders.
“Well then the moon looks beautiful tonight! I love all of my friends!” Kalim grins at you, fist pumped to his chest.
“It's not like that, Kalim. It's for romantic feelings. Funny, since coming here I've had a lot of experiences that would be considered flirtatious in my word…” You laugh a bit before a small frown appears on your features but Kalim snaps you out if it.
“So what you're saying is… it's a love confession?” His eyes are glimmering, the moon reflecting on them beautifully.
“You got it.”
“Then the moon looks beautiful tonight.”
Jamil Viper
So in TWST the languages aren't called the same thing in our world but I couldn't figure out the language of the Scalding Sands so I made one up. Can be a psuedo-prequel to my other fic Missing Yuu. It can be read here!
“Your Arabic is so similar yet so different than my world's version” Jamil pauses his mumbling and hums in question. “Arabic?”
“It's a language where I'm from. It sounds very similar to yours. Like I swear it could be some sort of dialect of it.”
“Scaldic, you mean?” You nod looking over at him from where you lay in his bed. “Is that what it's called? It's a pretty language.” Jamil messes with the stereo in his room, taking out an old CD and browsing for another he wanted to show you. “Maybe once you get more comfortable in this language, I can teach you a bit.”
“That would be lovely, thanks Jamil” As the sounds of shuffling continue from his search and you absentmindedly mess with your necklace before sitting up. “Wait! I know!”
Jamil perks and turns to you, watching as you start to take off your necklace. “Here put this on, you've shown me so much music from your world, let me show you some from mine!”
You offer the necklace over, shaking it a little for encouragement. Jamil takes it gently and examines the necklace. He lifts up his hair and slips it on, feeling a warmth on his chest from where the mirror lay.
You speak, and Jamil braces against the weird feeling of the necklace warping your glitched gibberish from your throat into his native language. “Can you hear me?” The words echoed in his head a bit. He took a moment to fully process them as they reverberated in his head.
He almost replies in his native tongue, but the amulet compels him to speak another language. Your language.“Yes, I can.” He replies, slurring a bit as he feels his words echo and warp. Strange… he knows what he's saying but he can't understand it.
“You have an accent, well that makes sense…” You chuckle a bit as he sits beside you, taking a moment to adjust to the sensation. “I never thought about how the enchantments on these worked. I assumed that it would be instant. Is this what it's like for you?”
“Crowley said it would probably be different for me cause I'm not from this world. See why I ask you to repeat things all the time? … thanks for not getting too annoyed with that by the way.”
You tap away on your phone for a moment. “Here we go, I got some songs in Arabic for you, look.” Jamil watches you press play and takes in the music. It was ethereal, so different yet so similar to his worlds. Uncanny yet compelling. Then the lyrics start and he furrows his brows.
“It really is like Scaldic.” he replies, closing his eyes. “Its like if I focus hard enough I can hear it in my own language, but I cant.”
“See what I mean?” Jamil nods. “I think I'm picking up some words though, but there's no guarantee the meaning is the same.”
“Yeah it's how I feel all the time here… its frustrating at times. Oddly enough there are some words that stay the same, mostly food for example. Like mahalabia or horchata for example.”
“Huh, odd how that works…” the music coursing through his body invigorates him. He can imagine all the potential ways to move to this.
“Yeah. And it's the same dish too— well sort of. It tastes so similar yet so different. I miss my world's food, but I'm slowly forgetting the taste of it. Its just vauge memory.” Jamil peers over to the saddened expression on your face. He never even considered that part of being from another world.
“... How about we listen to your music while cooking, then? I'm sure we can make something that tastes like home.” Your face brightens. “That sounds nice.”
Vil Schoenheit
“Thank you for putting up with my accent, it must be annoying to deal with.” You sip on the tea he offered you, trying your best to abide by the manners in this world. Vil merely looked at you.
“It's not annoying at all. Your accent is fine just the way it is.” He almost seemed disappointed by the insinuation.
“Ah… Sorry I just saw that Epel’s usually not allowed to use his accent around you, so I assumed I shouldn't either.” Vil sighs.
“That's different. You have already proven yourself strong and beautiful enough to be who you are. Epel on the other hand needs to learn to accept himself for who he is first before he can truly be the person he wants to be. He must prove to me he can love himself as he is. If I hated accents, I wouldn't have let Rook speak in his."
“Ah I see… Thank you.” It wasn't everyday that you get praise from the Vil Schoenheit. “Your speech has improved, though I may point out there are some words you may need to work on. Your accent may make it sound like you are talking about something else entirely. Hmm…”
You hold your breath as he thinks. “I want you to grow into the best spudling you can be, so how about you take voice lessons from me?” Vil seems to smirk at your surprised expression. “From you..?”
Vil nods. “Yes. This way you can grow more confident in your speech and vocabulary. That voice of yours is beautiful, it just needs to be tuned.” You look at your tea then to him. “I accept.”
3K notes · View notes
madschiavelique · 1 year
Note
Hi dear, how are you?, could you write an imagine onde reader mentioning offhand how much she would love a whole family. Four, maybe six children? Girls and boys split right down the middle, but the second Miguel hears this (maybe the reader is on the phone, or talking to lyla. or someone at HQ) and Miguel loses his mind
1) Miguel can't help himself and he would grab you and put you on the mattress for a very long time...... or
2) torture himself for two weeks before telling her why he was avoiding her please.
HIHIHI BREEDING BARK BARK (sorry this took so long to write anon zehfrfgh i pulled an all nighter to make this one so also forgive me if there are some mistakes in this gksffgjgbf)
summary : miguel learns you want kids, a lot of kids, so he breeds you
content warnings : SMUT (18+) minors dni, pnv sex - unprotected (be safe kids), breeding kink, soft!dom miguel, obsessive!miguel, no use of Y/N, fem!reader word count : 3,2k
tag list : @fandom-ash @haradasaya
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Miguel was on his way to see you. He'd heard that you were back from your mission and that everything had gone well, so he'd come to get you to take you out for lunch.
He was taking advantage of the little free time he had to visit you, even though he would obviously pass this visit off as work-related in everyone's eyes. He had to always, always remain professional and keep everything under control so that everybody could do their bit.
"Six?!" asked Jess, the word choking in her throat.
Well, you were indeed back with Jess.
"Mhm, six," you affirmed as you both busied yourselves filing a report.
What were they talking about? He leaned against a wall. He knew it wasn't very polite to eavesdrop, but the word got around here. Most of society's building had cameras, and everything that was often said or done was recorded here.
He just wanted to listen to you, wondering if there were any topics of conversation that you weren't having with him and with the other spiders. Yes, he was manic, and probably a little too obsessive.
In any case, he wondered what you could have said to Jessica to make her exclaim like that.
"The more the merrier," you laughed softly.
"I hate this sentence so much," sighed Jess.
"Why so?" your voice was sincerely interrogative.
"In this context, it's really not my preferred idiom one might say," she replied as Miguel heard her tapping on a pad to enter more information.
What on earth could they be talking about? he wondered. What subject could suggest that six was far too high a number for Jess's judgement? He knew that Jess was an oragnised woman like himself, with a lot of tact and a fair amount of authority.
Was it perhaps a consecutive number of days doing an activity? Six days of marathon running might have been a bit much, but six days' holiday was never too much. He breathed in very softly, it had been years since he'd had time for such a thing. Did you want to take him on a holiday? If so, the number of days was inordinate. He would never be able to get away from his work for more than three days.
Maybe it was something else then. What was too much in Jess's mind with six?
Six empanadas perhaps? Miguel would obviously disagree. You can never have enough empanada for his taste. But Jess would probably disapprove.
Six... Six pets? It's true that having six pets might be a bit of an exaggeration, at least in Miguel's eyes of course.
Perhaps six books? No, that didn't make sense. Although Jess wasn't a huge reader, she did have a book in her hands from time to time.
So what was it? He was intrigued, that's for sure.
"You know, in my opinion, one kid is already way too much to handle," she sighed, "but six ? Nah, that's some good way of ending your life while still being alive."
But Miguel had barely heard the rest of the sentence, his mind having been caught by a single word: kid. He immediately froze, his heart skipping a beat.
Kid, like... children ? Like, actual human beings ? Small human beings ?
His eyes were wide, his mouth parted. No, he must not have heard correctly, although he dreamed that it was indeed that word that had been uttered.
"Why not? Surrounding ourselves with life is good," you said softly. "I'd love to see six little heads running around. I want three of each, three girls and three boys."
He wasn't mistaken: the discussion was really about the number of children you wanted. Six, he thought, six, six, the word echoing in his mind. He put both his hands on his hips, as if to hold on to something.
He pictured you, your rounded belly, stroking the hair of a child, your child, his child... both your children.
He swallowed, however, as another, immensely more tantalising vision took hold of his mind.
The vision of your cunt, glistening with your desire as from between its lips dripped little by little his own cum, his own seed leaking from you, your belly full of him...
It made his dick twitch for a hot second, and he couldn't remove that image, he didn't want to get rid of that image. The idea that your belly could be full of him, that he could breed you until he had no strength left was magnificent.
"What an egalitarian spirit," Jess noted wryly, "Well, it's all in order."
His thoughts were riveted on the image. He could almost hear in his own mind the sweet melody your moans would make as he came inside you again.
No, it was now impossible for him to think about anything else, he told himself that maybe he shouldn't be thinking about this. Except it's a well-known fact that if you tell someone not to think about something, they'll think about it.
He knew what breeding was, obviously, but what about you? Did you even have a clue what it was?
He tried to pull himself together, he had to either leave here or come towards you and pretend to come naturally. Would he be able to hold it together and act as if nothing had happened? Did he really have a choice in the matter after all? He breathed in, tightening his jaw as he decided to come towards you.
He walked purposefully, his usual grumpy face set surprisingly naturally as he advanced towards you.
"Ah, you're back," he sighed as if pleasantly surprised to see you both here, "how was the mission?"
"Excellent," Jess affirmed, "we've just finished the report, the anomaly has been taken care of as it should have been since we arrived."
He nodded, his serious face opening a control pad to check what she was saying and opening the file in question, pretending to read its contents. He had the impression that everywhere he looked the image came right back to him, on every tile, on every screen, everywhere in his mind.
"That's good work," he breathed.
"Damn right," nodded Jess. " Well, I'm off to join my own little demon, take care you two."
"See ya," you replied as she headed for the exit.
He wondered by what superhuman strength he managed to remain unwavering and stoic.
You moved closer to him, hugging his back and comforting yourself in the embrace.
"How was your day?" you asked, squeezing him in your arms.
Unwavering and stoic, Miguel, you have to remain unwavering and stoic.
You put your hands on his body, and with one touch his concentration was simply wiped out.
He turned to you, smiling a strange, uncertain smile as he stroked your hair, a little tense.
"You know how it is, just a lot of work," but his eyes were watching yours strangely, a flash of a vision where they were filled with desire looking back at him.
You studied him for a moment, noticing how distracted he seemed, his eyes looking at you in a strange way. You could feel a kind of desire there, a kind of longing, but you couldn't work out what it was.
"Is... everything alright?"
He shuddered, obviously his little show wasn't going to last much longer. He broke away from your embrace, he couldn't keep looking at you like that.
"Hey," you said softly, "you know you can tell me everything, right?"
Could I tell you this ? he wondered. He looked at you for a moment, another flash of you all moaning and covered in hickeys and marks on your body as you breathed his name. He looked away, closing his eyes in the hopes the flashes would stop.
"I'm afraid I cannot speak about this..."
But how he wanted to speak about this, to tell you how much he wanted to fuck you until you were full of him, until the only thing present in your mouth was his name and how much he wanted to see the sight of your round belly.
But you wouldn't listen to his silence. So you walked over to him and took his hand.
"Miguel, look at me. you asked, and he looked at you, his visions mingling with the reality where you were looking at him, worried. "Tell me."
He sighed. He couldn't run away from his ideas forever, run away from these images that he wanted to see in reality and not just in his mind. He wanted to raise his idea from the theoretical to the practical, and it was with an almost guilty breath that he admitted:
"I want to breed you."
There was a slight silence, his eyes plunged into yours, desperate to know what you were thinking. But above all he was met with confusion.
"What's breeding?" You had an idea of the term, usually used animalistically for the subject of... reproduction and maintenance of species. But just to be on the safe side with Miguel, you preferred to ask him anyway.
His lungs swelled like sails, did he really have to go through this?
"Why don't you ask Lyla what it is?" he suggested.
"Because I want to hear it from you, with your words" you assured him, your tone a mixture of strictness and curiosity.
He sighed, biting the inside of his cheek, slightly afraid of your reaction. You were practically hanging on his every word, waiting for him to explain.
"Breeding is... the act of a male and a female animal having sex, also known as mating, to reproduce..." he explained, pausing, "and procreate."
Your eyes widened slightly, and the possibility that he had overheard your previous conversation with Jess came to mind. All the same, you looked at him almost inscrutably, and he couldn't work out what you were thinking.
But now that the words had been said, he could no longer hide, no, he no longer had to hide. His thoughts were finally out, burning on his skin and lips.
He moved forward a little more, his gaze suddenly darkened by the desires he was no longer hiding.
"I want to fill you up with my cum and make sure you get pregnant."
Your lips were parted, your surprised eyes looking into his, black with desire and longing. A silence filled the air, both your hearts beating loudly in both your bodies. Miguel waited for an answer, unaware of the warm cloud that had settled in your lower belly.
He chuckled a little, an understanding smile gracing his lips as he said:
"See, your silence tells me enoug-"
"Breed me," you cut him off.
He stopped moving immediately, the statement immobilising him just like when he had understood what you and Jess were talking about.
Had his mind and his fantasies come together to play tricks on him? Or had you actually agreed with what he'd just said?
"What?" he said, his pronunciation almost slurred as he turned his attention to your next words.
"Breed me, Miguel" you repeated, determined as you swallowed in anticipation. "I want to carry you... in me."
The gleam in his eyes was almost predatory, but after all, wasn't that the very essence of breeding? The raw nature of it, the bestiality, the quenching of the oldest instinct that ever was.
You only had time to see his eyes turn red as he lunged for your lips, kissing you with his mouth wide open as your teeth almost clashed and he attacked your tongue.
The power with which he kissed you made you take a step backwards, but you weren't going anywhere, because Miguel immediately placed his hand in the small of your back to make sure he had you close to him.
He let out grunts between kisses, his hunger for your skin lengthening his canines as they brushed almost dangerously against your tongue.
Then he lifted you in one swift movement, placing you on his shoulder as he headed for the door leading to his quarters, his impatience growing faster than ever. You bit your lip, already swollen from his kisses, his hand gripping your thigh firmly as he led you to the bed.
He laid you down, following every movement of your body as he kissed you again. He stood back for a moment, watching your body.
"Do you have sentimental value for your suit?"
"What?" you asked, confused by the sudden question.
"Just answer," he asked through clenched teeth.
"I mean it's old but I can live withou-"
You hadn't even finished your sentence when he ripped off your suit with an ease that sent shivers down your spine, ripping the fabric covering your cunt, tearing your panties and throwing all the rags into the rest of the room.
"No questions about the sentimental value of my underwear?" you laugh lightly.
"I'll get you some new ones," he breathed, a carnivorous sneer inhabiting his lips, "I'll take great care in chosing them."
You swallowed as he kissed your neck, nestling in and marking your skin with thirst. He straightened to kiss your lips, and whispered against them:
"Turn over, get down on your elbows and knees".
You complied, his instructions increasing the size of the cloud of heat in your belly. You placed your folded arms flat on the sheets, your knees slightly apart.
"Lift your hips for me, nena," he commanded in a tone as soft as cotton.
You listened, arching your back as you lifted your hips, your ass gloriously up just for him to fuck. He swallowed, his hand coming to grip one of your buttocks and pulling it apart, pressing it between his fingers and gripping your skin full hand.
"Already so good and wet for me," he mused, one of his fingers passing between your folds.
Of course you were already wet, the way he had introduced the concept to you making you all fuzzy and warm in your belly. You'd never been against the idea of Miguel being a bit more violent, and to be honest you were excited by the idea of him being so from now on.
Once he'd coated himself sufficiently, he pushed one finger into you, soft moans falling from your lips filling the room. He added another one, and your lust was growing by the second. You were getting impatient too, but you couldn't help noticing that Miguel simply couldn't wait any longer.
Miguel was always very keen about taking his time, preparing you well apart from the few moments when one of you needed a quicky, but here eagerness was getting the better of him, and above all his most instinctive desires buried deep inside him had taken the reigns of all his actions.
The thought of him being in you through your core made him feel so drunk on you. These ideas had already been marinating in his mind for a while, it had only taken this conversation between you and Jess to flip the switch. And he observed in adoration, seeing you like this, underneath him with your much smaller frame, sitting up and ready to take him.
"Hands behind your back."
His orders became more and more urgent, his tone wavering with envy. It was impossible for him to formulate a whole sentence.
So you laid your face on the sheets, cheek pressed to your side as you brought your hands behind your back, joining your wrists together like you were imagining yourself handcuffed. You shivered as his hand, whose fingers had previously been inside you, reached out from between your folds and took both your wrists at the same time, locking them in this embrace. His hand was obviously big enough to hold both your wrists together and prevent you from breaking free from his grip.
He had locked you completely.
He had blocked out any possibility of you making a move other than squirming around him. Miguel would never tire of this control, this hold he had over you right now. You were his, nobody else's, and he would let eveybody know this by fucking his seed into you and get as many babies as you wanted.
That's when you felt the head of his dick coating itself with your juices, preparing to burry himself into you. You couldn't see Miguel like this, but you could hear him. Dark growls vibrated in his throat, deeper than you'd ever heard them before, and it felt intimidating.
He thrust, pushing his tip into you, and you let out a groan of relief that sank into the fabric of the sheets. You breathed softly, letting Miguel's thick, long cock sink into you. No matter how many times you had done it, taken him like that, you still couldn't get used to it.
His lower belly finally touched the skin of your ass, his dick deep inside you. And you felt him pressing against your stomach. You knew that if you brought one of your hands to your stomach, you'd feel the shape of his cock against your skin.
He was so deep in you, an almost bestial growl escaped him as he slowly began to pull back before thrusting in hard.
You let out a little cry of surprise and pleasure that echoed around the room, and he repeated the same gesture. He kept bearing down on you until he touched your slick on his lower belly and pulling away, pushing back in the next second until it'd touch his balls.
Your body was burning, unable to do anything but arch your back more and groan. Your hands were gripping the void, and the impossibility of finding a foothold in all this was making you feel out of control. But you were enjoying the sensations he was giving you, and so was he.
He listened to the symphony of your voice as he picked up the pace, the feeling of your gummy walls wrapping all tight and warm around him was absolute perfection to him.
He knew it wouldn't be long before his first cum would hit, but he needn't have worried. Miguel could go on for a long, long time, and he just hoped that you could keep up, although he had no doubt that his best girl would live up to his expectations.
He could no longer string a sentence together properly, the words he was trying to whisper as he sank deep inside you coming out as if chewed up by his long fangs.
He grunted, his rhythm and the tilt of your two bodies giving you both exceptional sensations. The knot in your stomach tightened, threatening to burst as Miguel came closer.
And the world stopped spinning for a second.
You came together, your walls closing spasmodically around him as you felt him spill into you. Because that's what you wanted, right ? That's the one thing you desired, and he was going to give it to you entirely.
He pulled out, just for the pleasure of seeing the work he had so long dreamed of seeing. And the satisfaction was superb, his white creamy cum slowly pouring out of your wet cunt, still pulsing with desire.
A dark laugh rose from his throat as he sank back into you and you let out a startled moan. He lowered himself, his lips pressing against your ear.
"I hope you thought of six names."
It would be a long, long night.
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Text
Rise Characterizations Pt. 2!!
In the first part I went over my character writing notes for Raph, so we're doing Leo next!!!
Leo Character Notes
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Language Habits:
First the obvious, makes a lot of puns and one-liners. Think corny super hero movies
Does poke at New Jersey often in said one-liners
Mumbles/talks to himself out loud often
Starts a Lot of his sentences with, "Okay--"
Often will add on, "haha, you're hilarious", when he's trying to tease or antagonize someone
Similarly to Raph he will also verbalize his attacks/actions, "kick and punch"/"punch and kick", "land safely"/"and he sticks the landing"
Also will verbalize when he's trying to make a portal, "come on portal", "it's portal time", "portal power jitsu"
We all know "hachi machi"
Tendency to also make noises when fighting, "yah"/"wah!"/"hah!"
That little ohohoho laugh can signify as his battle cry/excitement, or his nervousness depending on context
Same case as the above with "hoh boy"
Will stutter on words to emphasize them, "l-l-l-l-lame!"
The first to jump onto an "I told you so" or "I was right"
Mixes Spanish into his sentences, most notably "bueno", "vamanos", "hermano(s)"
Messes up science terminology, "reprogramulating"
Says "indubitably" when he's up to something (which Raph recognizes)
Out of all the brothers, he does poke fun the most
Refers to himself as "Leon"
Refers to others (mostly strangers/acquaintances) as "bub"/"bud", or "chief"
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Personality:
Dramatic, Leo will always play things up 110%. Sometimes this is to cover up his insecurities, to cheer up his brothers, or to annoy said brothers. Also plays into his extreme responses to stressful situations
The fun brother, aka mikey's advocate. He takes his role seriously as the face man, who keeps things fun and cool for his brothers. It's an easy role, and he gets to make his family laugh or roll their eyes. He's. Sillay
Perceptive, this is why he knows exactly what buttons to push, but he's not a great communicator when it comes to the bigger picture. This also plays into his manipulativeness that he uses to put chaos into his family (i.e. lair games), puppet villains (i.e. Big Mama) into his motives, and change the battlefield
A closet nerd, implied to remember more jupiter jim lore than the rest of his brothers and has a ready to go impression of the reptiles of planet reptilica
Competitive to a fault, he tends to get lost in the competition when it comes to his brothers. Part of his dramatism is showing off, and he's weak to being called or associated with the term "champion". Competition is a way he gauges his self worth
Has a strong desire for the inherent admiration and trust of his peers, more than outright praise (both are wanted) unlike Donnie. This damages his communication skills because he just expects his brothers to trust him while he puts on a persona of nonchalance as protection from failure
Defensive, of himself through being snippy or sarcastic, but also defensive of his brothers' own well-being. He may be the one to poke the most fun, but he's also the one to jump to his siblings' defense out of any of the brothers. Sort of an "only I can do so and so to blank" mindset
Martyr complex, prioritizes the safety of his family over his own safety
Gets attached to people he considers family Quickly, those he doesn't consider a part of his family he has little sympathy for but once that connection is there he's already ready to use his body as a shield
Freeze response, tends to freeze up in response to danger or stress. Often shown to curl into a ball or stand silently (as opposed to his constant chatter)
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Miscellaneous:
The third to unlock his mystic powers
Nicknames: "baby blue" by splinter, "nardo" by donnie
Sweats an ungodly amount
Uses spit to annoy his brothers/enemies (licking an item to claim it as his, wet willies)
Can beat box
Always chooses left in mazes or when lost
Next up will be Donnie :>
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gravity-barbie · 2 months
Text
There's only one bed HCs
Featuring: Luther, Diego, Allison, Klaus, Viktor, Lila, Sparrow!Ben & Sloane
A/N: This isn’t a request, I just had to post the fluffiest prompt I could after s4. Also, the umbrella’s characterisation in this is very s1 inspired.
Masterlist
Luther Hargreeves
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-Luther is immediately very flustered, you’d think he just stumbled out of the middle ages with how concerned about propriety he is in this situation, and he can barely form a coherent sentence
-He offers to take the floor, but if you do the same and/or insist on sharing he’ll quickly compromise on the latter if for no other reason than not wanting to disagree with you, but that decision has his heart racing a mile a minute
-He feels very self-conscious about taking up most of the bed, so any reassurance from you that you’re comfortable, or better yet, like his closeness absolutely melts him
-He stays half awake all night, too afraid of doing something embarrassing in his sleep to get any proper rest, but his contentment to just enjoy your nearness still makes it one of the best nights of his life
-Since he was already awake (and he’s a total sweetheart) he gets up early to scavenge you two up a breakfast in the morning, enjoying this slice of domesticity with you a little longer
Diego Hargreeves
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-Diego says he’ll take the floor, but if you even slightly question that choice he gets embarrassed and defensive, suggesting you two share the bed just to prove that he ‘doesn’t care’
-Obviously he does care, outwardly he keeps his cool, but on the inside he’s swarming with butterflies like he’s a teenager
-As much as he tries to appear aloof, he’s actually being so considerate, checking if you’re comfortable more than once and making sure he isn’t touching you at all
-He’s not the easiest sleeper, tense and alert, and at first lying next to his crush doesn’t exactly help, but as the two of you talk and banter a little, the tension starts to defuse and he actually finds your presence very soothing
-He’s the type to get cuddly in his sleep, much to his shame and annoyance in the morning, he doesn’t let himself enjoy the amazing feeling of holding you in his arms for even a full minute before he’s scrambling back to his side of the bed and pretending to be asleep
Allison Hargreeves
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-Allison can be a grown up about this, there’s only one bed, why wouldn’t you share it? She’s not indifferent but she doesn’t overanalyse the situation either
-She gladly embraces the domesticity of the scenario though, drawing out her nightly routine, and getting chattier than usual, trying to savor this experience that she’s wanted for so long
-She’s also trying to make sure you feel at ease too, figuring if you do feel awkward, that’ll fade as the two of you talk and unwind
-She is prone to nightmares, so don’t be surprised if you’re startled awake in the middle of the night and put in the unenviable position of trying to ease her, but she for one is very glad that it’s you she wakes up to
-Speaking of waking up, sunrise is the peak of this experience for her, feeling yours and her tangled limbs, seeing how peaceful you look while you sleep, it's the kind of moment she understands the importance of cherishing
Klaus Hargreeves
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-Klaus suggests sharing, he’s slept under way more awkward circumstances next to people he’s felt way more uncomfortable around, it’s really no big deal
-He has to remind himself to keep his thoughts PG a couple of times and can’t get through the night without making at least one innuendo but overall he is respectful and won't likely make you uncomfortable
-Though he can keep his thoughts clean it's harder to keep them platonic, the longing he feels being so close to you is nearly overwhelming and he wishes so badly that the context was different
-With you by his side he sleeps more peacefully than he has in… ever, it actually kind of amazes him
-He's in no rush to leave your side in the morning, the sleep clouding his brain making him all too willing to forget his reservations and cuddle up to you for as long as you'll have him
Viktor Hargreeves
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-Ever the gentleman, Viktor immediately offers to take the floor, but he feels quite heart-warmed by you insisting on sharing
-Even platonically the intimacy of sharing a bed means so much to someone as affectionate starved as him, but with the added context of you being his crush this experience feels like a mini miracle
-He's pretty nervous though, triple checking that you're okay with this and minimizing his own space as much as possible when he gets into bed
-He relaxes with some reassurance and the two of you quickly get comfortable, starting up a random conversation that's meant to segway into sleep but could keep you talking all night if you're not careful
-As opposed to the anxious start to the night, waking up next to each other feels like the most natural thing in the world
Lila Pitts
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-Lila's thrilled, she doesn’t immediately suggest sharing but she makes it clear she’s not sleeping on the floor and is all too happy to accommodate you if you won't either
-If you do try to give her the bed and take the floor though she stops playing coy and basically tells you to grow up and share with her, insisting it’s no big deal
-But to her it is a big deal, honestly she can't believe she didn't plan this herself it's that perfect, she can barely fight back an unending smile
-Though keeping things sfw she does lay the flirting on thicker than usual and pays close attention to how you react to that and the situation you're in throughout the night
-As bold as she is she isn't actually used to this kind of closeness and the intimacy of sleeping next to her crush does start making her slightly nervous, but luckily your presence has a way of making her feel better
Ben Hargreeves
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-Ben’s not exactly a go with the flow type, if you’re put in a position where there’s meant to be two beds and there’s only one, he’s gonna try to get his other bed
-Ands it’s only after all his demands fall on deaf ears that he even registers the implications of sharing the one, nervousness quickly sets in but he tries not to show it, avoiding looking at you and giving his usual sass
-He does offer you the bed, sounding more begrudging than he actually is, it’s actually his preferred solution, cause as spoiled as he acts he could never sleep comfortably at your expense
-But of course you insist on sharing and as soon as he’s laying next to you, he confirms what a bad idea this was, he’s just as flustered as he feared he would be, maybe more so
-He pretends to fall asleep as soon as possible so you won’t catch on to how he’s feeling, but actually he’s awake and on edge for hours
Sloane Hargreeves
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-Sloane has encountered this scenario in more than one romance novel before, so her brain just goes wild with the possibilities
-You’re the one to suggest sharing the bed, and it absolutely melts her heart, it's sweet and it's a relief to know you're comfortable being this close to her
-She always has a hard time hiding her crush on you, but she’s never been so flustered before, the butterflies in her stomach verge on painful
-But she's also giddy and her contagious enthusiasm guarantees the two of you will have a good night, your energy is half 'slumber party' and half 'married couple's nightly routine'
-The experience is wonderful for not just Sloane but you as well, because even if you didn't have a crush on her before, spending a night with her surely makes you realize you want to spend many more with her
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gallusrostromegalus · 2 years
Note
Hello this is just to say that I am very interested in that post you mentioned maybe making about indirect communication!
So to define Direct and Indirect communication with a pair of examples real fast:
Direct communication: "Hey, can you do the dishes?" Indirect communication: "There's dishes in the sink." (Please wash them.)
Indirect communication tends to trip a lot of ND, but especially Autistic people up because the implied request in the parentheses... doesn't always come through. So you don't do the dishes, and the Indirect communicator gets frustrated because they thought they had made that request perfectly clearly.
Which, in their defense, they did! ...in their micro-cultural language.
See, the actual purpose of Indirect Communication is to provide some extra verbal personal space and non-aggression measures in micro-cultures where people's personal autonomy has been compromised but there is also a high degree of understood social context.
Hm. That's a weird sentence. Let's try some more examples.
Indirect communication is most common in places or situations where people's ability to stay in their own lane is compromised, but everyone also shares the same base knowledge of what's going on. One example is in large cities, where people are PHYSICALLY up in each other's personal space because they're physically crowded. So cities have etiquette like "Don't make eye contact on public transit unless you actually need to address someone", so that, if people can't stop violating your personal space, they can at least signal non-aggression and give you some privacy. People raised in large cities, or who have lived there for a while all learn these unspoken rules by trial and error, some of us with more errors and trials than others.
Thus, in physically compact situations, "There's dishes in the sink" means "There's dishes in the sink." (I trust that you are already familiar with the social rules that dictate that dishes need to be done, and assume the reason you haven't done them is because you haven't seen the sink yet. I won't insult your intelligence by elaborating on the Do The Dishes Rule, because I know you are smart <3)
Speaking of Privacy, the other place indirect communication is common is in situations where people have Limited Privacy and thus everyone knows what's going on with them, and they know what's going on with everyone else, whether they want to or not. Close-knit families and religious communities often have this shared no-privacy pool, but it can also happen with you and two roommates in a 100sq ft apartment, or on a research vessel in the middle of the Atlantic Ocean. Since y'all are up in each other's business, indirect communication is there to prevent hostility in close quarters.
This, in a low-privacy situation, "There's dishes in the sink." means "There's dishes in the sink." (I know you are a good and responsible roommate who is maybe a little forgetful, and I trust you to have enough context from living in the live feed of everyone's life to know that I need them done. I won't insult you by suggesting your motivation was malicious in any way, and i trust you to do them <3)
So, to an indirect communicator, that was a perfectly clear request to do the dishes because OF COURSE you'd know what they meant- literally everyone else they deal with is in on this shared knowledge of social rules and daily updates. And not elaborating on that request is an affectionate sign of trust in your competence.
Except, you know. You're not.
So, you try to explain to your indie friend that "There's dishes in the sink." only sounds like an observation, and your brain will not auto-fill in the request like theirs does, so if you want me to do the dishes, just ask with words, okay?
And your indie friend understands this! but then instead of going "Hey, can you do the dishes?" they instead don't say ANYTHING until they're really frustrated with the state of the kitchen, and communicate VERY directly at you, and with great anger.
What happened?
So remember how indirect communication exists to prevent hostility and violence? That's because the threat of hostility and violence is VERY, VERY REAL.
Like you, your indirect communication friend made some mistakes while learning The Unsaid Rules and How To Use The Shared Information Pool, and the social hammer came down on them HARD. Ostracization, ridicule, maybe even actual, psychical harm. So they grew very, very afraid of violating those secret rules, and doubly so with people they like, so your indirect communication friend is facing this HUGE EMOTIONAL BLOCK when it comes to directly communicating with you, because to someone who grew up with their boundaries compromised and the threat of hostility if they violate the communication rules, communicating directly with someone they love feels really, really, really mean and they don't want to hurt or lose you.
For real, "Hey, please do the dishes" sounds like "Hey, please do the dishes." (You fucking moron who doesn't give a shit about our home and probably hates me) to them, and they don't want to talk like that to you. It's like how we never like picking the mean dialogue option in video games.
So instead they... just don't say anything at all, rather than risk a potential confrontation, and then the dishes don't get done and it turns into a REAL confrontation.
What a headache.
So what are we gonna do?
Well, you can't control your friend's actions, emotional reactions or interpersonal skills, but you can manage yours, and you're gonna have to meet them halfway, and it's gonna feel like training a skittish cat that coming out from under the couch is safe. Several-pronged approach:
DO NOT PUNISH BEHAVIOR YOU WANT TO SEE. When your friend does manage to say "Hey, please do the dishes?" don't go "UUUUGH IN A MINUTE." even if you are in the middle of something else and their timing sucks, which is probably does. Stick to either neutral responses ("Cool, let me finish this paragraph and I'll get on that") to positive responses ("Oh, sure! Thanks for letting me know!")
REWARD THE BEHAVIOR YOU WANT TO SEE. -and then actually go do the dishes to demonstrate that this approach not only is safe, it's effective. Also, praise your friend when they do a good job communicating with you. "Hey, thanks for actually asking me to do the dishes, that was really helpful." or "You're doing a great job navigating and giving me directions, this is much less stressful than the GPS" or "Thanks for being honest about how I was annoying you and bringing it up before it became a huge issue." This will kind of feel like you're an actor on sesame street teaching big bird how to say please and thank you, but honestly? that was the age most of us learned our communication skills, and we return to that teaching method because BY GOD IT WORKS.
MODEL THE BEHAVIORS YOU WANT TO SEE. Humans learn by copying, so lead by example with the kind of communication that helps you, and explain why it helps. "Hey friend, a question so I can schedule some stuff- Do you have any plans this weekend I should know about, or am I clear to paint the bathroom?"
This is the one that sucks but YOU GOTTA MEET THEM HALFWAY AND LEARN ABOUT THE CONTEXT POOL. Can't make everyone learn, and Indirect communication has it's uses (especially in modern jobs and social media), so you gotta learn their style too. I literally have a discord server that's just me where I keep notes on the life events and conditions of my friends, coworkers, neighbors and loved ones because I know I won't remember that shit, but they will kind of expect me to, and it's been a lifesaver in both not blundering into social faux pas, and actually getting around my crap memory to know them better. You can also model hybrid communication and practice your indirect skills by using an indirect request opener, but then saying the rest of the implied context aloud: "Hey, there's dishes in the sink. I know you'll do that ASAP because you're cool, I just wanted to make sure you knew they were there and needed to be washed, thanks <3"
Accept that some people aren't gonna change for reasons that are beyond their control and probably have nothing to do with you, and decide what you're willing to invest in learning to deal with them. I still have to play 5D words chess with my mother-in-law, who was raised in a close-physical-space-AND-no-privacy culture and is an excruciatingly anxious indirect communicator as a result. I can't make her go to therapy for the anxiety, and until she does, her ability to communicate effectively probably won't improve. It's got nothing to do with me, even if I'm the person she's most frequently at odds with. As a result, I have extremely limited contact with her. I don't see her for more than a few hours at a time, when we have an activity to do together, and only a handful of times a year. More than that, and I get brainworms by proxy, so for my sanity, I've limited what I am willing to do with her. Maybe your indirect communicator is someone worth effectively learning a second language for, like a lover. Maybe they're someone you can cut out of your life entirely without issue, like a manger at a retail job you can quit. You'll have to decide.
Anyway, that's my raised-bilingual ADHD/Autism Direct/indirect communicator ramble, hope it helps.
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beneathashadytree · 2 months
Text
DEVOUT WORSHIPPER - SYLUS QIN X READER
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Warnings : suggestive at most (but not explicit), reader has lipstick applied but still gender-neutral!
Genre : spicy domestic fluff <3
Word count : 0.7K words
Additional notes : Just for context, Sylus and the reader are living together but often go periods without seeing each other due to work🙏🏽 Also, let me know what you think of Sylus being portrayed as Italian/speaking Italian here! Hope you guys enjoy this after the gorgeous new update🫶🏽
Tip jar!
Masterlist
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“You’re exquisite.”
Sylus’ soft mumble was not left unheard. In fact, it was impossible to not notice anything about him when he was this close; so close that they could see every blemish on his fair skin, and count every delicate eyelash that fluttered lazily with every slow, seductive blink of his eyes.
They’d never get enough of his eyes, would they?
Eyes the colors of the richest blood rubies; that bled passion and want so true it warmed them to their very core. Maybe they’d never admit that their flushed cheeks weren’t just because of his enamored compliments, but also as a natural reaction to looking into those eyes they could never resist.
“That so?” they hummed, voice smaller than they thought it would come out. Somehow, there was a sanctity to this moment that meant that only hushed whispers were to be spoken between them, even if they were all alone in the safety of their own home.
Sylus huffed out a laugh that was achingly tender, all parts adoration and worship—and yet there was that same arrogance in his eyes that spoke volumes of his sheer confidence in his words. No one believed what he said more than he did. “Mm. You’ll have to take my word, tesoro.”
How sweet it was to hear from him, the endearment lilting and the syllables curling almost intimately on his tongue. Even sweeter it was, when his finger reached out to smudge at the edges of blood-red lips like his own eyes, his touch almost reverent.
“Silver tongue,” they breathed out, their gaze dropping to his sinful lips, their corners raised in an affectionate half-smile he’d only ever bare to them. Just them. It was their sacred secret to stow away between their ribs. “You’re just trying to lure me into staying at home with you.”
“I can’t say that it would be a bad idea.” The faux innocence on his face as his eyes flickered to their parted lips was almost laughable. “The place would miss you, after all.”
No matter how much they tried to play coy, Sylus could always outfox them in that game of wits—but his desires were always spelled out on his face, and this time they threatened to consume them whole.
Arching their brow at him, they reached out to clasp their hand around his wrist, tugging it away from their lips and instead taking their sweet, sweet time to interlace their fingers in an old, almost-sensuous dance that they’d mastered together, completely in step with each other. “Just the place?” they asked, a challenge hidden between every word and the next.
Something dark oozed through his eyes; a flame sparking to life behind his false composed mask. It made them feel a little smug, knowing that he’d never be able to douse that fire; that he’d always want them so terribly.
“You love making things difficult, don’t you, sweetie?” His voice was a little more gruff now, a sharpness there that reminded them that he was at his wits’ end, and that his nerves were fraying every time he was in their presence—in only the best, most delicious ways possible. “No. Not just the place.” Thumb brushing against the back of their hand, he leaned in to whisper in their ear. “Is that what you wanted to hear?”
“I can’t think of anything else that could convince me to stay,” they began to say as they toyed with the chain on his collar, “After all—”
Sylus pulled them onto his lap as he collapsed onto the bed, without even waiting for them to finish that sentence. It seemed that they’d worn out what little patience he’d had left, and he was too far gone in his amorous haze to comprehend a single word more.
“Mi dispiace,” he managed to say, though his chest heaved with the effort of restraint, and his irises were almost completely black as he stroked the small of their back with a practiced hand that had memorized every curve and expanse of skin. “I’ll come up with a better bargain next time. Now, I’m a little preoccupied with you.”
Well. Dinner could wait, they suppose.
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rafesfavgirl · 5 months
Text
boy, you got her — r. cameron
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part 1. part 2. part 3. here's part 4 (or whatever part this is to you, depending on how much you've read). i just couldn't help myself :)
❝ it's true, swear, scouts honor you knew what you wanted and,  boy, you got her ❞
pairing: rafe cameron x pogue!reader
context: after a fallout at the boneyard with jj and kie, you agree to a date with rafe.
words: 1.9k+
warnings: jealous!jj, mean!jj (kind of), so so SO fluffy.
"look, i know it's kinda sudden, a'ight?" rafe glances over at you, one hand on the steering wheel. "and you don't have to answer right now. just think about it."
when you and jj broke up, the last thing you would've guessed to happen next was getting into a friends-with-benefits situation with rafe cameron. now, you were sitting in the passenger seat of his truck after he just defended you to your ex-boyfriend and asked you out on a date. 
was it too soon? probably. could you really see it working? maybe. did you want to go? yes—as crazy as that sounded.
you turn your head towards him and shake your head. "i don't have to think about it."
a small smile pulls at the corner of his lips, but he fights it, just in case you said no. "you don't?"
"let's do it."
"yeah?" a chuckle falls from his lips, his smile widening.
"yeah," you nod, as he pulls the car to a stop in front of your family's house on the cut. you lean in to place a kiss on his cheek, making them turn the lightest shade of crimson, before opening your door to hop out. "come pick me up at noon tomorrow."
"fuck, fuck, fuckkkkk!" you slam your closet door close, just as your older brother peeks in to see where all the commotion was coming from.
"the hell's the matter with you?" he eyes you carefully, leaning against the doorway, sipping on a can of soda.
you ignore him and begin pacing around the room, tossing clothes from your dresser onto the bed. "what the fuck am i suppose to wear?" you lay out one casual outfit—a crochet top and dark-washed shorts—and one fancier outfit—a short, white floral sundress with pink flowers.
"since when do you care what you wear?" your brother walks into your room and looks at the clothes laid out on your bed.
"since i'm going on a date," you say, nibbling on your thumb, as your eyes shifted back and forth between the two outfits.
"jj's taking you out?" he asks, looking at you, clearly caught by surprise.
jj was never really the "date" type—not that you minded. while the two of you would spend time together all the time, you'd mostly do it with the rest of the pogues. either that, or you'd hang out in your room or the chateau.
"no," you shake your head. "we broke up."
"so who you goin' out with then?"
you pick up the dress from the bed, and hold it out in front of you, while turning to look into your full-length mirror. "...rafe cameron."
your brother almost chokes on his soda as he snaps his head towards you. "rafe cameron? you're goin' out with a kook?"
"is it really that much of a surprise?" you raise a brow and look at him through the mirror.
"nah," he shakes his head and shrugs. "just didn't think kook was your style."
"well i appreciate your insight, y/b/n, but it's time to go," you turn to shoo him out of the room and push him out your door.
"hey, could you—" before he could even finish his sentence, you slam the door in his face and return to getting dressed.
while you didn't clear up with rafe exactly what this date would entail, you figured it’d be better to play it safe than be sorry—he was a kook, after all—so you took off your robe and slipped into your mini sundress, before sitting at your desk to crimp your hair and scatter little braids around your head and do your makeup.
after doing so, your phone dings with a text from him, as you slip on some flat sandals.
rafe: downstairs, your brother let me in.
giving yourself one more glance at the mirror to fix your necklaces, you run your hands through your hair and spray on some perfume, before scurrying out your bedroom door and down the hall to greet rafe sitting in the living room with your brother sitting across from him.
"so what are you intentions with my little sister?" your brother asks, just in time for you to intervene.
"oh my god, y/b/n," you say, as rafe stands to greet you. "hey."
you walk over to him and he squeezes you to his side. "hey, doll."
"where we headed?" you asked, noticing him in a salmon colored polo shirt—which somewhat matched the color of the flowers on your dress—and light grey shorts. 
"a little change of plans, actually," he tells you. "i gotta go to this brunch at the club cause my dad's getting some award. you don't mind, do you?"
"we can totally leave any time you want," he adds, when a look of apprehension crosses your face.
you slowly nod, your eyes meeting his. "okay."
"yeah?" a small smile forms on his lips when you agree.
"yeah, let's go," you nod again, before turning to pull him towards the door.
"don't bring her back too late!" your brother jokingly calls after the two of you, as you walk out the front door.
"you're not dad!" you yell back, closing the door behind you.
the minute you enter a banquet hall at the country club, decked out with several round tables and decorations, full of kooks dressed in designer sundresses and polos, it dawns on you just how different your worlds are.
rafe was the kook king. these fancy brunches were a part of his weekly routine, while the fanciest place you'd ever been was the diner your parents took you to on your trip to new york a month ago.
"you ok?" rafe's hand snakes around the small of your back and he leans into you when he notices you glancing around, your fingers fiddling with each other. "hey," his finger comes under your chin to make you face him. "don't fret, a'ight? they'll love you."
they? who the fuck is they?
"top, kelce," rafe calls out to two of his friends, both of whom are dressed just like him, as he leads you to their table, which also sat two other girls—who you recognized to be rafe's sisters. "this is y/n."
"topper," the blond one holds out a hand to you, and the dark skinned one does too. "kelce."
"y/n," you shake both their hands, as rafe pulls out a chair for you to sit down. "it's nice to meet y'all."
"oh my god," the young girl seated next to sarah widens her eyes at you from across the table. "you're that girl rafe's been sneaking in and out of the house at night!"
"wheeze," sarah throws her a look, before smiling at you. "sorry about her, she has no filter. i'm sarah."
"yeah, i know," you nod at her. "kiara's talked about you."
"oh," the smile on her face drops a little. "you're friends with kie?"
"not anymore," you shake your head, and sarah's smile returns. "we were, but… she's showed her true colors." you reach for the glass of water in front of you and take a sip.
"tell me about it," sarah scoffs. "i had to learn that the hard way."
you continue making small talk with sarah, realizing she wasn't half the bitch kiara made her out to be, while rafe's hand rested on your thigh, as he talked to kelce and topper.
"drinks?" you hear a familiar drawl behind you, and find jj standing over you with a platter of mimosas, dressed like a waiter. "y/n?"
a smirk comes across rafe's lips as he turns his head, eyes shifting between the two of you. "hey, man. just one for my girl."
jj's clicks his tongue, as rafe smiles at you and gives your thigh a squeeze, but does his job, and leans down to hold the platter out to you.
"thanks," you avoid eye contact with him as you grab a drink from the platter, and are thankful when sarah calls on him from across the table.
"i'll take one too," she says and jj rounds the table to allow her to grab a drink, his disappointed eyes meeting yours.
a part of you felt bad—it had only been about a month—but then again, he moved on while you two were still together. so was there really a reason for you to feel guilty? you were just doing what he did—but better. at least you waited until the relationship ended.
"i'm gonna go to the bathroom real quick," you whisper to rafe, who gave you a small nod.
"why?" he asked, concern falling over his features. "you okay?"
"yeah," you assure him. "i just gotta pee. i'll be back."
by the time you got back from the bathroom, applause was erupting around the room, as rafe, sarah, and wheezie joined their dad on stage with their stepmom.
a smile came across your face as his eyes met yours from across the room and you leaned an elbow on the counter of the bar beside you.
"can't believe you stooped this low," jj comes up beside you, placing the platter down on the bar and downing one of the drinks himself.
"no," you turn your head to look at him and shake your head when rafe becomes occupied taking pictures with his family. "we're not doing this here."
you head out of the room, and he follows. "why? scared your new kook friends are gonna realize you're not one of them? i mean, seriously, y/n— how far are you willing to take this? just to-"
you snap your head towards him. "just to what, jj?"
"to spite me," he says. "i mean, have you looked in the mirror lately?" he motions a hand at your dress. "you're dressed like them, you're eating brunch with them, you're with him—this isn't you!"
"no," you hold a finger up to him. "i am exactly who i've always been. you just don't know how i look when i'm not in love with you."
a scoff leaves his mouth. "so our relationship really meant that little to you, huh?"
was he for real?
you narrow your eyes and shook your head. "no. you don't get to use that against me. you meant the world to me, jj. you were the one who screwed shit up the second you decided to sleep with kie. you are not turning this on me."
"oh my god, would you get over it?" he asked, clearly frustrated. "you slept with rafe cameron, y/n! we're even."
"even?" you spat. "after you betrayed me? broke my trust? my heart? oh, you have no idea just how even it's about to be."
"the hell's going on out here?" rafe joins you and jj outside the banquet hall, immediately coming to your side, a hand on your lower back. "is he bothering you?"
"no," you shake your head. "jj's shift just ended. he was about to go."
rafe shifts his eyes between the two of you, you and jj's eyes focused on each other.
your ex-boyfriend scoffs and shakes his head, but walks away, taking rafe by surprise.
"you wanna tell me what that was all about?" he looks at you, after watching jj leave. 
"nothing to tell," you shrug with a smile, tilting your head up at him. "you wanna head back inside?"
"you wanna stay?"
"yeah," you nod, snaking your arm around his back. "i do."
part 5.
i love soft rafe almost as much as i love canon rafe tbh.
reblogs and comments are deeply appreciated <33
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koushuwu · 1 year
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🌹🌹🌹
ITS YOU! MY FAVORITE BRO <3 since you sent me three, i actually gotta give you three right? those are the rules of the game, right? right. aight. i’ll treat you to something nice 👀 (or i’ll try at least)
🌹 hinata shoyo x reader
“oh, she’s cute!” bokuto chirped next to him, effectively pulling shoyo back to the present.
🌹 kageyama tobio x reader
tobio knew that it was partly his fault, for never having the time to meet up. he knew it was partly his fault for not reaching out.
🌹 miya atsumu x reader
“Bet.” That one little word had turned everything on the edge and whether a bet or a dare, the two of you were to act like a couple, to date, for a week to see who was actually the better partner.
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urhoneycombwitch · 5 months
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my baby puts his mouth on me
foreword: okay this is kind of written as a bonus scene for i know what they call you bc that version of reader deals with being quiet, too! (not necessary to read that one first but does provide a bit of context as far as interpersonal setting.) sort-of AU that ignores most s4 events.
cw: discussions of college, shy!reader, oral + fingering (R receiving), R has breasts and a V, weed usage, softdom!Eddie, shifting POV a bit soz 
wc: 2.2k
___
Somewhere between Eddie’s late nights at band rehearsal and your early morning diner shifts, you’ve both been too exhausted to properly fuck when you do see each other, barely time for a spare handjob in the past week. You’re crawling out of your skin by the weekend, missing and craving Eddie in equal measure.
So when your Saturday off happens to line up with his, Eddie makes an afternoon of it- picnic lunch on the shore of Lover’s Lake, lazing around in the August sun while your food settles, then stripping down to your underclothes (even though the spot Eddie scored was totally isolated, you’re still leery about skinny dipping) and cooling off with a quick dip in the lake.
You’re both sprawled out in the blanketed back of Eddie’s van, sun-warmed bodies pressed together, legs dangling out of the open rear door; smoke hangs hazy in the air from the joint being shared. 
“Almost end of summer,” Eddie says, nestling his nose into your neck, arms wrapping around your middle. He can’t look at you, dread unfurling in his stomach but needing to ask, to clear the air, to prepare in case this is one of the last times he gets to touch you like this- “Thinkin’ of going to any colleges?”
”Maybe.” One of your hands slides into Eddie’s hair, scratching gently at his scalp while the other lifts the joint to your lips for a long drag. “They love me at the diner and I make good tips, so I’ll prob’ly keep doing that. Can’t afford anything fancy, anyways- I’ll likely just go to Hawkins Community.”
You still haven’t told him the full story of the mall fire, yet- or about the underground world simmering beneath the surface. He never pushes you to share more than you’re comfortable, which you’re grateful for, but he knows something happened: something that paints your sleep with dark night terrors, something that causes you to slip in the middle of conversations, mind spiraling where he can’t follow. 
For reasons you can’t fully explain to Eddie, college is real low on your priority list- you’ve dedicated this summer to reconnecting with base instincts (weed and Pretty Boy being at the top of the list).
Meanwhile, Eddie tries to still the vibrant thrum of his heart at the news of you staying local, possibly for the next few years; he lifts his head to press his lips against your collarbone. “You should go to college. Jus’ try it out, at least. You’re certainly smart enough.”
“Mmm-” you hum around the joint, another inhale-exhale of smoke before murmuring, “So are you. For the record. We could apply to be nerds together, if you want-”
With a sharp gasp, your sentence drops out of midair when Eddie kisses over your nipple, already peaking through the thin material of your bra. In his hair, your grip tightens, and Eddie groans.
In one fluid movement, he props himself into his elbows on either side of your torso, bottom half of his weight pinning you in place, plucking the smoldering joint from your grasp to dampen it into a nearby ashtray.
“Gonna be my little student,” Eddie says, wet kisses trailing down your neck, flash of teeth making you squirm. “Get you some academic… skirts. The ones with the pleats. Maybe some stockings…”
“You’re so- oh, fuck- dirty…” It’s hard to keep the admonishment in your voice as Eddie noses between your thighs, bumping at your clit through the thin cover of high-cut cotton.
“Mm-hmm.” He seems pleased with the already-visible wet patch, your core leaking steadily as he burrows deeper, until all his senses are blacked-out with nothing but the sharp tang of your honeyed arousal- who needs weed. He could get high off your smell alone.
Eddie suckles at your throbbing clit, purring encouragement low in his throat when your hips jolt forward. “And you love it.”
He’s one deep inhale from being completely pussy-drunk, mouthing sloppily at the junction where thigh meets pelvis, nibble fingers toying at the band of your underwear. He slides them down and off your legs, and you let him, wiggling in anticipation against the pressure he’s keeping you pinned with.
“Could take an electrician course.” Well aware of how close to the wire this conversation is sliding, you let the crown of your head tip back, staring at the van’s ceiling, handfuls of the flannel floor blanket squeezed into fists as you try getting one last word in- “You’re good with your h- hands.”
Said hand is cupping your bare sex, warm and wide between the V of your legs, other hand pushing your thigh back to spread you wide, obscene and on display how Eddie likes; embarrassment blooms hot in your chest as he runs a finger through your folds, slick practically loud against the far-off backdrop of forest sounds.
“What was that about my hands?” He’s teasing now, can hear it in his voice even though you can’t see the lazy grin it’s paired with; a long middle finger breaches your entrance, wet warmth swallowing the length greedily.
Your eyes flutter shut, sighing. There will be a time for arguments again but right now, with a second finger addition and Eddie’s mouth working you up, there’s no room for speech.
On your end, at least- Eddie’s proven on multiple occasions to be a master at multitasking, talking you through it while managing your pleasure, and this afternoon is no exception. His fingers curl expertly into the gummy front wall of your cunt, mouth running every second it’s not latched on to your pulsing button, dirty talk smooth and easy in his low timbre.
“Yeah, honey, that’s it. Fuck, you’re so hot. Can feel you squeezin’ around my fingers, y’so tight, angel, shit… like that- there you go…”
Etcetera. Until he’s bullied his way completely into the cradle of your legs, lying flat on his stomach to get as close as possible; until your cunt is spasming around the push and pull of his fingers, wet dripping and pooling into his palm and down your ass to the blanket below.
There’s a familiar tightness coiling in your stomach, thighs bracing around Eddie’s ears in anticipation of the unraveling. A pleasure-soaked sob gets caught in your throat, dull whine escaping instead through clenched teeth, grip on the flannel doubling until your knuckles creak in protest.
“Hey.” 
There’s a confusing lack of authority or command in Eddie’s voice; you sift through the brain fog of arousal, propping your weight up into your elbows to look down at him.
Eddie looks crazy. Debauched. Lips pink and spit-soaked, chin shimmering, pupils blown out with lust as he presses a chaste kiss to the wiry curls at your mound. “Kinda quiet up there. Everything okay?”
His thumb sweeps a comforting path up the soft skin of your thigh, the abrupt switch from animal to gentleness making your head swim. He’s still looking at you with those puppy-brown eyes, fingers still buried to the hilt but unmoving; you stammer out an excuse.
“Um- yeah. M’sorry. It’s just been awhile, since you’ve had me… like this.”
It’s the truth; over the last busy week in your lives, time has eroded some of what Eddie’s been working on building with you, bravery at making noise faded with the lessened practice time.
“No one else out here, ‘cept you and me, sweetheart.” Eddie’s coaxing his fingers back into steady rhythm, watching your face carefully for any signs of withholding. “Can make as much noise as you want. Lemme hear. Please?”
Usually, Eddie’s not so soft- a sharp crack of palm to ass, flesh jiggling as he draws all the noises he wants from you- but here, in the back of the van, heady weed and warm sun an intoxicating mixture as he asks you to melt for him. 
You obey. Let the floor take your upper body’s weight again as you fuck yourself on his fingers, hips lifted and seeking release. His mouth seals over your clit again, tip of his tongue lashing quick and precise against it, frizz of his curls tickling the insides of your legs as he shakes his head.
The weed is certainly a help as trapped noises heave from your chest, mouth falling open, lax and pliant with moans. “Oh, my god, Eddie. Fuck. Holy shit. Hah- right there, please, don’t stop-”
As if he would. Eddie moans in tandem with you, his own hips chasing the maddening pressure of the floorboards against the hard jut of his cock, leaking through the front of his boxers as he adds a third finger, spurred on by the fountain of breathy words this pulls from you-
“Oh god, oh god- f-fuck- Eddie, Eddie Eddie Eddie-”
Your speech devolves into a mindless, babbling chant of his name. That coil pulls taut, has you crunching forward in a half sit-up, hands fisting at the roots of Eddie’s hair to hold him in place (perhaps harsher than you intend but based on the way his hips stutter and grind, you can safely hazard a guess that he’s into it). 
The pattern breaks when he grazes his teeth against the pulsing nub in his mouth; you have just enough time to gasp out, “I- I’m coming, Eddie, shit, m’gonna come-” before the orgasm hits you full-force.
There isn’t room in your brain to hide all the noise that threatens to suffocate, so you let them all out, muscles tightening and flexing around every bright point of pleasure that he fucks you through. High-pitched whines, panting that wracks your lungs, a moan to top it all off that feels like it comes from your toes. 
“Jesus christ.” Eddie swipes the back of his hand over his mouth, sounding wrecked himself as he climbs back over your body, silver chain necklace and dark curls swinging in front of your blissed-out face. “Fuck, princess. That was so hot.”
“Yeah?” Bashfulness hasn’t fully settled in yet, you’re still loopy from the force of your pleasure, arms slipping over the boy’s freckled shoulders as he leans down to kiss you.
His tongue has a bright tang of you, as you lick into his mouth, one hand leaving his shoulder to trail down his chest. Dark ink whorls beneath your fingertips as you reach the scratchy trail of hair just before his boxers-
“Shit.” Eddie hisses, forehead thunking into yours when you palm the hard length of him, precum soaking through the fabric, softness of your palm contrasting with the damp and rough drag of cotton. His long lashes tickle your cheek, eyes fluttering closed, soft exhale magnified by close proximity as he slowly pushes into your hand. 
You’re mildly surprised he hasn’t come, yet- usually Eddie gets off on getting you off, then uses the rest of his energy to make you both come again, together. 
What Eddie hasn’t told you yet is that he’s done some prep of his own, this week: every night you haven’t spent in his bed, his own spit-slicked fist has taken him right to the edge, stopping just short of coming with a choking grip at the base. The idea was to build up his stamina a bit, to take advantage of lonely evenings in service to a future you.
A very noble cause that is quickly being forgotten as your hand moves with more intent and pressure against his aching cock- the drug haze is almost enough to have him completely at your mercy, to tuck his nose into the curve of your neck and find sweet release by way of your pretty palm.
But he recovers. Get just enough distance from the warmth of you to clear his mind and snake his own hand down between your bodies to capture your twisting wrist. 
The protest dies on your lips when Eddie brings your hand to his mouth, sucking your middle and index finger against the pad of his tongue, saturating your digits in spit.
“Here’s what you’re gonna do.” His eyes stay locked on yours, even as he guides your newly-wet fingers back down your bodies to rest atop your cunt. “You’re gonna touch yourself until you come. Again. And if I feel like you’re holding out on me with your noises, I’m gonna make it real difficult for you to make any noise. At all.”
A thrilling shiver races up your spine, goosebumps prickling in response to the shift in Eddie’s tone. His eyes flick to your lower lip, which he bites, unable to help himself, before following the path of your hand south.
There will be time for unwinding the past, for dreaming about the future. For now, there’s a boy between your legs and the feverish glow of summer calling your name. 
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dannyphannypack · 1 year
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Writing ASL: Techniques to Write Signed Dialogue
Hey, guys! I've been reading a lot of DC Batfamily fanfiction lately, and in doing so I realized how little I see of ASL being represented in written text (love you, Cass!). I wanted to briefly talk about tactics to writing American Sign Language (ASL), and ways that these techniques can help improve your writing in more general contexts!
SOME THINGS BEFORE WE GET STARTED
I will be discussing everything in terms of ASL! If you have a character who uses Chinese Sign Language or even British Sign Language, the same rules will not necessarily apply! Don't be afraid to do some extra research on them.
Do not let this dissuade you from writing a character who signs ASL! This is by no means the end-all be-all to writing ASL dialogue, and I do not intend this post to insinuate that by writing ASL the same way you write English you are deeply offending the Deaf community. If this is something you're interested in though, I highly recommend experimenting with the way you write it! Above all, have fun with your writing.
Related to 2nd rule, but still very important: not everyone will agree that sign language should be treated/written any differently than English. This is a totally valid and understandable stance to take! I do not hope to invalidate this stance by making this post, but rather to introduce an interested audience to how ASL operates in the modern world, and how that can be translated into text.
ADDRESSING SOME MISCONCEPTIONS
ASL is the same as English, just with gestures instead of words.
Actually, no! There is a language that exists that is like that: it's called Signing Exact English, and it's an artificial language; i.e., it did not come about naturally. All languages came from a need to communicate with others, and ASL is no different! It is a language all on it's own, and there is no perfect 1:1 way to translate it to English, just as any spoken language.
2. But everyone who signs ASL knows how to read English, don't they?
No, actually! Because it's a completely different language, people who sign ASL and read English can be considered bilingual: they now know two languages. In fact, fingerspelling a word to a Deaf person in search for the correct sign does not usually work, and is far from the preferred method of conversing with Deaf people.
3. Because ASL does not use as many signs as we do words to articulate a point, it must be an inferior language.
Nope! ASL utilizes 5 complex parameters in order to conversate with others: hand shape, palm orientation, movement, location, and expression. English relies on words to get these points across: while we may say "He's very cute," ASL will sign, "He cute!" with repeated hand movement and an exaggerated facial expression to do what the "very" accomplishes in the English version: add emphasis. Using only ASL gloss can seem infantilizing because words are unable to portray what the other four parameters are doing in a signed sentence.
4. Being deaf is just a medical disability. There's nothing more to it.
Fun fact: there is a difference between being deaf and being Deaf. You just said the same thing twice? But I didn't! To be deaf with a lowercase 'd' is to be unable to hear, while being Deaf with an uppercase is to be heavily involved in the Deaf community and culture. Deaf people are often born deaf, or they become deaf at a young age. Because of this, they attend schools for the Deaf, where they are immersed in an entirely different culture from our own. While your family may mourn the loss of your grandfather's hearing, Deaf parents often celebrate discovering that their newborn is also deaf; they get to share and enjoy their unique culture with their loved one, which is a wonderful thing!
YOU MENTIONED ASL GLOSS. WHAT IS THAT?
ASL gloss is the written approximation of ASL, using English words as "labels" for each sign. ASL IS NOT A WRITTEN LANGUAGE, so this is not the correct way to write it (there is no correct way!): rather, it is a tool used most commonly in classrooms to help students remember signs, and to help with sentence structure.
IF THERE'S NO CORRECT WAY TO WRITE IN ASL, THEN HOW DO I DO IT?
A most astute observation! The short answer: it's up to you. There is no right or wrong way to do it. The longer answer? Researching the culture and history, understanding sign structure, and experimenting with description of the 5 parameters are all fun ways you can take your ASL dialogue to the next level. Here are 3 easy ways you can utilize immediately to make dialogue more similar to the way your character is signing:
Sign languages are never as wordy as spoken ones. Here's an example: "Sign languages are never wordy. Spoken? Wordy." Experiment with how much you can get rid of without the meaning of the sentence being lost (and without making ASL sound goo-goo-ga-ga-y; that is to say, infantilizing).
Emotion is your friend. ASL is a very emotive language! If we were to take that sentence and get rid of the unnecessary, we could get something like "ASL emotive!" The way we add emphasis is by increasing the hand motion, opening the mouth, and maybe even moving the eyebrows. It can be rather intuitive: if you mean to say very easy, you would sign EASY in a flippant manner; if you mean to say so handsome, you would sign handsome and open your mouth or fan your face as if you were hot. Think about a game of Charades: how do you move your mouth and eyebrows to "act out" the word? How are you moving your body as your teammates get closer? There are grammar rules you can certainly look up if you would like to be more technical, too, but this is a good place to start!
Practice describing gestures and action. ASL utilizes three dimensional space in a lot of fun and interesting ways. Even without knowing what a specific sign is, describing body language can be a big help in deciphering the "mood" of a sentence. Are they signing fluidly (calm) or sharply (angry)? Are their signs big (excited) or small (timid)? Are they signing rushedly (impatient) or slowly? Messily (sad) or pointedly (annoyed)? Consider what you can make come across without directly addressing it in dialogue! Something ese about ASL is that English speakers who are learning it tend to think the speakers a little nosy: they are more than able to pick up on the unsaid, and they aren't afraid to ask about it.
Above all, don't be afraid to ask questions, do research or accept advice! New languages can be big and scary things, but don't let that make you shy away. Again, there is nothing wrong with deciding to write ASL the same as you write your English. I've personally found that experimenting with ASL dialogue in stories has aided me in becoming more aware of how to describe everything, from sappy emotional moments to action-packed fighting scenes. Writing ASL has helped me think about new ways to improve my description in more everyday contexts, and I hope it can be a big help to you as well, both in learning about Deaf culture and in pursuing your future writing endeavors. :)
P.S: I am quite literally only dipping my toes into the language and culture. I cannot emphasize how important it is to do your own research if it's someting you're interested in!
P.P.S: I want to apologize for my earlier P.S! What I meant by “I am … dipping my toes into the language and culture” was in direct regards to the post; what I should have said is “this post is only dipping its toes into the language and culture.” While I am not Deaf myself, I am a sophomore in college minoring in ASL and Deaf Culture, and I am steadily losing my hearing. Of course, that does not make me an authority figure on the topic, which is why I strongly encourage you to do your own research, ask your own questions, and consult any Deaf friends, family, or online peers you may have.
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noaestheticacademic · 10 months
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On the Identity of "Chat"
Like all the linguistics folks on Tumblr, I've been sent the "chat is a fourth person pronoun" post by a bunch of well-meaning people and and I've been thinking waaay too much about it. @hbmmaster made a wonderful post explaining exactly why "chat" ISN'T a fourth person pronoun, and after reading it I wanted to go a little deeper on what it might actually be doing linguistically, because it is a really interesting phenomenon. Here's a little proposal on what might be going on, with the caveat that it's not backed up by a sociolinguistic survey (which would be fun but more than I could throw together this morning).
On Pronouns
Studying linguistics has been really beneficial for me because understanding that language is constantly changing helped me to become comfortable with using they/them pronouns for myself. I've since done a decent amount of work with pronouns, and here are some basic ideas.
A basic substitution test shows that "chat" is not syntactically a pronoun: it can't be replaced with a pronoun in a sentence.
"Chat, what do we think about that?"
"He*, what do we think about that?" (* = ungrammatical, a native speaker of English would think it sounds wrong)
Linguists identify pronouns as bundles of features identifying the speaker, addressee, and/or someone outside the current discourse. So, a first person pronoun refers to the speaker, a second person pronoun refers to the addressee, and a third person pronoun refers to someone who is neither the speaker nor the addressee (but who is still known to the speaker and addressee). This configuration doesn't leave a lot of room for a "fourth" person. But the intuition people have that "chat" refers to something external to the discourse is worth exploring.
Hypothesis 1: Chat is a fourth-person pronoun.
We've knocked this one right out.
Hypothesis 2: Chat is an address term.
So what's an address term? These are words like "dude, bro, girl, sir" that we use to talk to people. In the original context where "chat" appears - streamers addressing their viewers - it is absolutely an address term. We can easily replace "chat" with any of these address terms in the example sentence above. It's clear that the speaker is referring to a specific group (viewers) who are observing and commenting on (but not fully participating in) the discourse of the stream. The distinction between OBSERVATION and PARTICIPATION is a secret tool that will come in handy later.
But when a student in a classroom says "wow chat, I hate this," is that student referring to their peers as a chat? In other words, is the student expecting any sort of participation or observation by the other students of their utterance? Could "chat" be replaced with "guys" in this instance and retain its nuance? My intuition as a zillenial (which could be way off, please drop your intuitions in the comments) is that the relationship between a streamer and chat is not exactly what the speaker in this case expects out of their peers. Which brings me to...
Hypothesis 3: chat is a stylistic index.
What's an index in linguistics? To put it very simply, it's anything that has acquired a social meaning based on the context in which it's said. In its original streaming context, it's an address term. But it can be used in contexts where there is not a chat, or even any group of people that could be abstracted into being a chat. Instead, people use this linguistic structure to explicitly mimic the style which streamers use.
And that much seems obvious, right? Of course people are mimicking streamers. It doesn't take a graduate degree to figure that out. What's interesting to me is why people choose to employ streaming language in certain scenarios. How is it different from the same sentence, minus the streamer style?
This all comes down to the indexicality, or social meaning, of streamer speak. This is where I ask you all to take over: what sorts of attitudes and qualities do you associate with that kind of person and that kind of speech? I think it has to do with (here it comes!) the PARTICIPANT/OBSERVER distinction. By framing speech as having observers, a speaker takes on the persona of someone who is observed - a self-styled celebrity. To use "chat" is to position oneself as a celebrity, and in some cases even to mock the notion of such a position. We can see a logical path from how streamers use "chat" as an address term to how it is co-opted to reference streamer culture and that celebrity/observer relationship in non-streaming mediated discourse. If we think about it that way, then it's easy to see why the "fourth person pronoun" post is so appealing. It highlights a discourse relationship that is being invoked wherein "chat" is not a group but a style.
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cheapshrimpysheep · 10 months
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You Will Stop the Wedding! - Jamil Viper
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SUMMARY: YOU were the one being kidnapped by Princess Eliza to marry her. How would he react and how would he save you? With the aggravation of he already having a crush on you.
CHARACTERS: Jamil Viper x Reader
TAGS: Fluff; GN Reader; Declaration
WORD COUNT: 1.260 words
Riddle Rosehearts / Leona Kingscholar / Azul Ashengrotto / Jamil Viper / Vil Schoenheit / Idia Shroud / Malleus Draconia
Rescuing You - Deuce Spade; Jack Howl; Floyd Leech; Kalim Al-Asim
COMMENTS: What have I done? Why did I commit to writing this? And why did I write so much? Why was I so inspired? There were seven of them! Why do I do this to myself? So yeah, this took me a long time. But I hope it was worth it, for me and for you.
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CONTEXT: Someone was kidnapped to marry some ghost princess and might end up turning into a ghost too. And they just found out that someone was you.
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Jamil was not present at the Housewarden's meeting, since he isn't one. But it didn't take long for Kalim to tell him, especially because he was panicking. He starts saying loose sentences about ghosts, kidnapping, marriage and especially your name. Jamil gets very serious and asks Kalim to stop for a few seconds, calm down a little and explain things clearly. And if that doesn't work, he has a plan B: ask one of the other Housewardens. Riddle would be an excellent choice.
After fully understanding what is happening, he himself panics for a moment. But then he clears his throat and calms himself down. He asks, no, he orders Kalim to stay safe in Scarabia while he joins the others in the rescue groups. When Kalim tries to convince Jamil to let him help them, Jamil gets straight to the point and says it's dangerous, both for him and for you. Does he really want to risk ruining everything? It's your life that's at stake here! Jamil was being harsher than usual, but Kalim knew why, and promised that he would stay in Scarabia hoping that everything would go well. He would behave well for Jamil and for you.
However Jamil is too cautious to simply believe him. So most likely, without Kalim noticing, Jamil will put him to sleep or something with some spell or with his Snake Wisper. You know, just in case.
Jamil asked to be in the last group. A little like Azul, he is the type to first analyse all angles of the situation before forming a more appropriate plan.
When it's the last group's turn, whenever someone needs to stay behind to tie up the ghosts, Jamil tells one of the others to do it. He always managed to show himself as a good strategist and someone who conveys the confidence of a leader, so the others just followed this order without questioning much. His behavior showed that he seemed to have a plan in place. He ends up being the only one to arrive at the ceremony hall.
He could follow the plan, but he knew himself well in this regard. He is good at hiding his true feelings, but he is not good at showing feelings that are antagonistic to his true ones. The princess would definitely notice this as she noticed some of the others' strategies. For these reasons he had a plan B, but still wanted to try the original plan.
“Your majesty, you must stop this wedding. You are taking with you someone who doesn't want to be with you. If you don't marry someone who loves you back, both of your lives... afterlives? will be miserable. And that's why I'm here. Please accept me as your husband and I promise to do everything in my power to make your afterlife wonderful.” Everything was going well, until he proposed to her husband.
The princess said out loud the same thing that you also noticed. In these sentences his emotion almost disappeared, showing that he was lying. And she accused him of trying to deceive her.
Jamil sighed. He was now forced to follow plan B, which he never really likes to follow. Be honest.“You are correct, your majesty. I was lying. But-” Before he could continue speaking the princess ordered the guards to catch him. And he had a plan for that too.
He managed to dodge all the ghost guards and was heading towards the altar where you and the princess were. But one thing wasn't part of his plan: One of the guards turning into a giant ghost. Obviously he still tried to fight and did his best, but he still lost against the guard. As soon as the guard caught him, the princess wasted no time in slapping him, she didn't want to hear his excuses.
However, Jamil remained able to move. Everyone gasps, including the princess. When the guards ask what's going on, the princess says it can only mean one thing. The thing is that her slap is capable of petrifying anyone, except those who have already found their true love. The reaction from all NRC students is like "What the F-?!" And Jamil’s reaction was to lower his head to try to make his hair hide his face.
Then he lifted it again, with an upset and slightly obscured expression on his face. He really hated exposing himself like that, but at that moment, it was his last shot to save you. “Do you want the truth? I'm here for someone, yes, but not for you. I'm here for the person you kidnapped to force to be your partner.” She starts to say that she didn't kidnap or force anyone. “Your delusion disgusts me.” The guard shakes him, threatening him not to insult the princess.
But now the princess is interested. He was there for you? So why did he ask to marry her? “Because we had a plan.” Jamil admits, as if he's had enough and just wants to resolve everything once and for all. “Making you accept one of us as a husband to put a ring on your finger that would send you to the afterlife.” The princess is offended and feels attacked by that. And while she and the guard start to say how outrageous that is, Jamil looks at the princess again, but this time with a condescending look.
“If you're going to take someone with you, take me then. Let (Y/N) go. Let me go in their place. From a young age I learned that part of my job would be to be willing to give my life for someone. Let me give my life for someone I lo... care about, then.” He couldn't fake something like this that well.
And, out of nowhere, the princess started to feel sorry for herself and jealous of you. Having someone willing to give their life for you like that. This was the greatest proof of love anyone could give. How she wished she had someone like that for herself too. And this was the opportunity that the guard who was in love with her found to declare himself and say that he would give his life for her, after all, technically, he had already done so.  And that whole ending of the princess realizing that she loved him too happens, they get married and happily ever after.
As soon as the guard releases Jamil, he runs to you. “Are you well? Are you hurt?” You were petrified, but shortly afterwards you could move again. Jamil never left your side until the ghosts left.
After everything and while the first-years were getting ready to tidy up and clean the cafeteria, you asked Jamil to wait a bit. You leave the room so you can talk alone. He couldn't look at you, and he was trying to hide his face with his hands or his hair. He had practically already declared himself to you during all that madness. So you decide it's your turn to tell him that you feel the same way about him. He looks at you in surprise and you can see how flattered he was.
Knowing now that your feelings were mutual, he becomes kind of smug. “Does that mean you would give your life for me too? That you would serve me if necessary? *chuckle* Don't worry, I'm just messing with you. Unless you don't mind.” You say you would, at least, kiss him right there and then. He holds you by the waist. “Be my guest.”
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If you would like to read more from me, you can find it in my pinned post: INDEX
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onsomenewsht · 7 months
Text
Darling heart, I loved you from the start
About when she got her introduction and you got a dog’s toy thrown at you
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》 Alexia Putellas x Reader
》 words count: +1k
》 every dog has its day [idiom]: said to emphasise that everyone is successful or happy at some time in their life
“What the fuck is that?!”
You both barely make it into your apartment, hands leaving the handle to hold firmly around each other’s clothes.
Alexia’s defined figure is pressed between your body and the shut door, her thigh shamelessly pushing on you and her lips attacking your jaw and pulsing points.
At least it is until something distracts her.
You look around your dark apartment, quite annoyed about the interruption, spotting the cause of her sudden hesitation.
“Alexia, meet my dog Oliver. Oliver, meet my fuck buddy Alexia”
The blonde’s reply comes in the form of a smack on your arm, eyes still fixed on the pet.
“He’s not a dog, he’s a bear”
“Are you calling my sweet boy fat?”
“He’s taller than you!”
She’s not completely wrong, the German Shepherd can look quite intimidating. The fact he’s somehow still put in the middle of the room, imposing on his four muscular legs with a curious tilt of his head, does not work in his favour.
The light is now switched on, you leave Alexia by the door to take the steps toward Oliver and greet him with affection. He relaxes at the attention, eyes still fixed on the new guest, but he’s definitely enjoying your hands on his dark fur.
“What’s the matter? You knew I have a dog”, the starring context is starting to ruin your mood, “You too─”
“Nala’s a cute little bubble of fluff, he’s─ not”
“Oliver is as sweet as Nala, aren’t you?”
Finally able to please your dog enough to get his full attention, he jumps on your front excited to have his favourite person back home and you have to put a great effort to avoid his wet greetings.
“Now I’m definitely not kissing you again, maybe ever”
“Bold statement for someone who could barely wait for the car to be parked before slipping her tongue in my─”, she finds a dog’s toy lying around to throw at you before you can finish your sentence.
Wrong move, Oliver decides that Alexia’s worth his attention and takes her action as an invite to play.
You have to recall all your dog’s training hours and hide your amusement to make sure the blonde doesn’t leave your apartment traumatised by Oliver’s enthusiasm and that he doesn’t destroy the place.
You manage to leave him entertained in the living room as you lead Alexia into your bedroom, hoping to get back to business.
When you try to kiss her, she covers your face with her hand and lightly pushes you toward the bathroom.
“No, wash your face first!”
“He will grow on you”
~
Oliver grew on Alexia. Slowly, but he grew on her.
On the other hand, your relationship grows a bit faster. Late meetups once or twice a week turn into daily texts and sleepovers, quick coffees on the way each to your own separate lives turn into dinner dates and breakfast in your friends’ favourite places.
That’s how you find yourself on the stand of a football camp, watching two dozen or so women dressed in colourful kits running around a ball and trying to kick it better than one another.
The open-door training day allows you to observe Alexia in her natural habitat without pressure on either of you.
She knows you understand close to nothing about football, the sport never able to grab your attention for more than a couple of minutes.
You met Alexia in a club during her off-season, not impressed at all when a mutual friend tried to let you realise how famous she actually is. You were more focused on her exposed stomach and her quip remarks, to be honest.
However, since you started with the Catalan whatever it is you two started, you managed to find some interest in the sport.
Alexia looks stunning in that ridiculous kit, toned legs and imposing manners on display for you to enjoy. Oliver, beside you, seems pretty involved in the all commotion too, barking loudly whenever a familiar blonde has the ball.
When the session comes to an end, her team takes the time to thank the fans for showing up and for their support. It’s only a matter of time before Oliver takes the spotlight on himself, letting young boys and girls pet him eagerly and gathering some of Alexia’s teammates around him.
“Best wingman ever”, you say to the blonde, loud enough for one of her friends to hear as she laughs and nudges her.
“If only they knew how annoying he actually is”, Alexia whispers directly to your ear.
Both of you take advantage of the distraction created by your dog, walking a couple of steps away from the crowd. Oliver doesn’t get overwhelmed easily and he’s good with kids, so you trust him enough to let him enjoy the praises for some moments.
“He lives for the attention”
“He remembers me of someone, no less with a royal title”
“You’re so lucky there are kids around”, she says as she smiles at a little girl and drops to her height for a picture.
You have the decency to wait for the young mind to leave before taking a step closer to Alexia and whispering, “I’m sure I’m gonna get luckier once there will not be kids around”.
Oliver’s barks stop any comments from the captain.
~
When you come back from an early walkout with an overexcited dog at your heels, you find Alexia in your kitchen wearing just an oversized top and a smug smile.
“Mamá wants to meet you”, she covers her mouth with her self-proclaimed mug.
She’s getting more and more comfortable around your apartment lately, so you let her have the mug and a designated spot on your sofa and you don’t point out her vintage t-shirt collection taking up more space in your closet.
“I met her”, your eyebrow rises in challenge as said mug hides her red cheeks.
“Properly, idiota!”
You both can agree that the woman rushing into the blonde’s apartment, happily bringing a freshly made dinner, but finding you in a compromising position on top of her daughter is not the best way to be introduced.
You still don’t know how to introduce each other in the first place.
“Do you want me to meet her?”
“I met Oliver”
Your dog is currently lying on Alexia’s feet, you catch her giving him bits of her breakfast despite repriming both of them multiple times.
She still insists on saying she doesn’t like him, his excited nature and imposing form too much to deal with. Oliver, as the naive huge animal he is, seems not to care about her initial detachment, always happy to have the Catalan around.
Almost as the Catalan herself.
“You throw a toy at me and won him over, he is a simple boy”
“I think if you do the same, mamá will be as amused”
“Are you gonna introduce me the same way I introduced you?”
“How about we make it official?”
“I’m not sure”, you try to look sceptical as you catch your dog’s attention, “What do you think, Oliver?”
Enthusiastic barks and open laughs fill the room at your question.
fine.
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