#abusive relationship story

[amu-says-hav-says]

I can’t believe I went through all of Season 2 assuming Nina was the stand-in for Crowley when you actually pay attention it’s so CLEAR that she’s Aziraphale. I was tricked by her spiky, sarcastic, cynical outer shell and lulled into a false sense of security by Maggie’s bubbly optimism and wholesome goodness, because on the surface they reflect the ineffable husbands perfectly, in their personalities, their aesthetics, even many of their actions and morals. but not, and this is the real key, when it comes to their “relationship”. but those first impressions really had me damn fooled. 

I missed the blatantness of Nina’s “we’re just friends. actually we’re not friends. we barely know each other.” the same thing Aziraphale said in season 1.  the way he still struggles to quantify their friendship when Nina asks. Nina’s sarcasm when Crowley asks about rain and awnings because it worked for him (we all know it LMAO). hell, that whole convo the girls have in the rain is so AziraCrow (“I know. I’m not your type” “...You have no idea” hits so much harder the second time, help meeeee.) “Lindsay” maybe being symbolic of Heaven and Aziraphale’s toxic relationship with them and their abuse? (the handwritten text messages in red pen make me think of angry notes on paperwork, anyone else?) because Crowley has never actually cared about what Hell thinks of him, just not getting into trouble (or him or Aziraphale getting hurt). Maggie is always chasing Nina. NINA NEVER GOES IN THE RECORD STORE. Just like Crowley always goes to the bookstore, to Aziraphale, Zira NEVER WENT TO THE FLAT (apart from The Swap but that doesn’t count imo). Crowley has always chased Zira, not the other way around. Always there to rescue him, always going to him for company, always relying on their shared connection, always US. OUR SIDE. All through season one, he comes to Zira every time to work together, never trying to work alongside Hell in any way that isn’t to save their skins or Earth, while Zira hides things from Crowley because he STILL thinks Heaven is ultimately good and will do the right thing if he can just show them. fix it from the inside. 

Maggie working up the courage to finally say something, to put herself out there, while Nina is utterly oblivious and then when she does realise Maggie has feelings, becoming standoffish, putting up that barrier, fighting it, denying it, ITS SO CROWLEY AND AZIRAPHALE IN THAT ORDER. the way I was fooled into thinking Nina’s trust issues are Crowley because he does have trust issues ofc he does BUT Crowley has ALWAYS TRUSTED AZIRAPHALE. has always relied on him. has always been hurt when Aziraphale doesn’t immediately reciprocate the way he expects (the holy water request, the bandstand, the “off in the stars” etc). he’s always the one putting himself forward. Aziraphale has always been the one to second guess everything, to fight their connection, their similarities, their friendship. the girls really made me think it was going to be okay when they sat Crowley down, even as my inner sirens were going haywire about Metatron interfering, they were telling Crowley he just needs to open up and it’ll all work out BUT HE’S ALREADY AT THAT POINT. he may not say it, and by gosh is that part of their damn problem, but he’s always SHOWN IT. he’s not Nina who needs time to heal and recover from her broken trust, he’s always been Maggie believing it doesn’t matter, they’ll end up together in the end anyway AND I WALKED RIGHT INTO THE TRAP THAT THIS MEANT THEY WERE GOING TO BE OKAYYYYYYYYYYY

[cienie-isengardu]

Zuko and Azula in "The Beach"

Lately I think a lot about "The Beach" episode [x], especially about this small detail of great teamwork Zuko and Azula have during the game.

Zuko is looking ahead, directly facing their rivals (who had the control of the ball at this moment) but his body is clearly lowered to the ground, left hand most likely touching the ground, legs bent and widely spaced - a clear contrast to Mai standing near and how he stood before on two separate occasions

which is why I think Zuko willingly create an opportunity for Azula, so she could jump higher - something she definitely used to their team’s advantage. If Azula simply jumped on her brother’s back when he wasn’t expecting it or wasn’t ready, he would probably just fall face down from the impact but as the scene shows, he had no such problem nor was angry about it in the following scenes.

During the game sequences there was no dialogue shown between our protagonists, so it is hard to determine if Azula in advance called Zuko to give her a “lift” or Zuko offered on his own, or did they were that much in sync they just acted without thinking. Regardless I like this few seconds long interaction, because for me it implies how they trusted each other despite all the rivalry and bitterness from previous episodes. Like Zuko trusted Azula won’t use that moment to hurt/humiliate him by overuse of force, the same as Azula trusted in Zuko’s strength and that he won’t mess up by losing his balance. It is a small thing but no less sweet to see them working well together when fighting for the same goal - what reminds me a bit their teamwork from the previous season finale.

Interestingly, it was also the second time Zuko assisted Azula in scoring against their rivals while not scoring himself any point on screen. The first time happened almost right at the beggining of the game (second from total five sequences)

while each girl have the solo sequence of winning a point:

Azula's first attack,

later Ty Lee landing on the net

and Mai kicking the ball (and presumably scoring)

while Zuko’s two actions are shared only with his younger sister while there is no sense of competition between the siblings, something contrasting a lot with some previous and later episodes.

Azula is bossy and competitive through most of the episode and her brother lets her be that without a complaint. Azula and Zuko get along pretty well and A) do not argue (with the exception of the campfire scene and then they argue not even for the whole scene itself) and B) don't get on each nerves the way they do in the palace, with Ozai's presence looming in the back of their mind. I absolutely adore this episode, as it humanizes all our Fire Nation characters by showing them as teenagers outside the war zone but also giving us a bit of insight into what Azula and Zuko could be if Ozai didn't pit them against each other. And they could be a great team!

[urfavcrime]

dsmp is still SO insane to me. still not completely convinced it wasn't a social experiment. it is something that can never be replicated again due to the really specific circumstances that attributed to it's creation and popularity

[hawkogurl]

[asthedeathoflight]

It has always really rubbed me the wrong way how people wave away any harm Louis has done to Armand over the course of their relationship because Armand is older and stronger than him. To be clear im not arguing that their relationship can or should be viewed as "Louis is the abuser and Armand is the victim" but people act like Armand cannot ever be on the receiving end of any mistreatment from Louis just bc hes stronger than him. Like essentially your argument is that nobody can ever be abused by someone who they could take in a fight. Which is crazy. Thats the most surface level shallow understanding of the dynamics of abuse ever and yet i see it EVERYWHERE in this fandom. "Armand is 500 years old! He can fly!" Yeah and lifting weights famously makes you immune to domestic violence. Abuse, whether physically violent or not, is largely psychological. It's almost never going to be a matter of the abuser just being physically stronger than the victim. The end conclusion of this logic is that everything fucked up Louis ever did to Armand is Armand's fault, actually, because he should have just vampire powered his way out of the situation, which is literally textbook victim blaming. Can we please have a teensy bit of critical thinking here.

[hannahs-quirky-moments]

“All humans make mistakes. What determines a person's character aren't the mistakes we make. It's how we take those mistakes and turn them into lessons rather than excuses.”

— Colleen Hoover, It Ends with Us

[quecksilvereyes]

oh, sister, I am sorry. your eyes are sunken and your skin is bruised. your lips are chapped, your nailbeds bitten raw. your husband's hand on your waist is a ghost's touch held by the band on your left ring finger and I-

I am dead.

I got on the train, Su. Nevermind your tears, nevermind the plea you could not shape with words, nevermind your fingers on the pulse point of my wrist. "stay", you'd said, as you have always done, dictionary in hand and baby teeth yet lodged in your jaw. "don't go where i cannot."

I step through a wardrobe and you follow, damned be reason. I slay a wolf and you follow, I cling to the little ones and you follow, I am crowned and you follow, I am-

I go past a lamp post, and you follow, damned be dread. I go to a train station and you follow, trembling hands and tender heart. I go, and I go, and I go, and you follow. Sun of my skies. Light of my life.

I go. you stop.

are we too old for stories, now? ten-and-four and ten-and-three, budding bodies and steel bones, we are cast from our home. i hold the little ones until i drown in them. you grip your skirts until no iron can press the shape of your palms from them. and you have ever been, cruelly reasonable and logically callous.

say you, glass shard eyes and rouge-red lips: we are english. we are children. she thinks she has found a magical land in the upstairs wardrobe.

say I, trembling hands and coiling guts: we are narnian. we are monarchs. if she's not mad and she's not lying, then logically she must be telling the truth.

my sister Susan, beautiful as folk tales are and twice as sharp, did you intend every invitation you took for me to twist the knife a godly animal once thrust into my guts? perhaps it was the way your eyes turned blue, or the sound of your laughter losing its bells. perhaps it was just my trembling fingers at the back of your legs, drawing stocking lines where no stockings had ever lain.

the line came out shaking, and you rubbed it off until your skin cried red. the hem of your dress still dripped wet when you left that day, turning on heels too narrow for you to walk in.

do you remember? it took you days to come home, and mother wailed for all of them. you crawled into my bed that night, as you did when we were parents to our little ones, those terrible months. your head on my shoulder, your breath in my ear, I held you until morning.

your mouth in my throat, eyes heavy with sleep, tongue heavy with champagne: we are here now. we must make the best of it. he cannot have all our lives, and all our joys. i wish you would laugh again.

doesn't little lucy, shrieking mouth and tumbling legs, laugh enough for us all?

lucy's manic. if she didn't laugh she'd cry.

i think sometimes, in the parts of my guts that are still a schoolboy, and are mean and cruel to match, that the alcohol makes you softer than the daylight ever could. i do not tell you.

i press my lips to your forehead. i wrap my arms around you. the year between us rings heavy, and when I get up in the morning, you do not follow.

I tried, Su. I did. I applied for university, I saw that girl with that smile. with those eyes. I let you take sections from the paper before I ever touched it, I held the little ones in my arms, and I made coffee in the morning. I sat all my exams.

I smiled when the little ones came back smelling of home.

Aslan's wounds, did I try. but-

I have ever been a thing made for stories. brave the way knights are, bloody knuckles and buckling pride. a horse between my calves, a sword in my hands.

I think, sometimes, that I was born for my sword, for the hollow ringing of my heart when I first held it. a part of me, even then, ten-and-three and soaked to the bone.

such bravery is not made for real world boys and real world taunts. there is a map, I think, from the summits of my knuckles to the jaws of every boy who ever looked at me and bared his teeth.

I am sovereign. I am the skies for your sun to burn in.

I am made wrong, for this england, and I cannot take this life you want. I belong, I think, into myths and legend, the star-studded shards of our home.

so I went on the train, Susan. so I died, and I named what you have chosen. so I banned you from their scorning mouths. so you grip your husband's hand, realest of us all, and you cry. you do not follow.

Forgive me.

[mxtxfanatic]

Luo Binghe really was entirely too forgiving about the whole abyss thing. Y’all talk about how the peak lords must have felt going through hell and high water for Shen Qingqiu, just for the man to still end up with Luo Binghe? Imagine if Luo Binghe had friends and they knew exactly what Shen Qingqiu had done to Luo Binghe over all those years 😬

[unreal]

My Name Is Kanaya Maryam

You Fucked My Wife

PREPARE TO DIE

[bonefall]

Feel free to ignore you've probably got a lot going on right now, but considering you know a lot about DOTC and Clear sky, I had a question...

We know that he's a terrible, misogynistic, woman beating and war mongering lunatic who was excused of all his actions because his equally misogynistic brother said " But-But he's nice! Deep down! This isn't the real him! "

But! In a world where the Hunters could write such a character, what do you think Clear Sky would look like as an actual sympathetic villain?

Idk if that makes sense, but what I've thought of doing is taking purely cannon Clear Sky and attempting to change him enough that he's still an antagonist, but not too far where only Reddit defends him.

I don't think he works as a sympathetic villain, on any level, ever. I think you're making a huge mistake to even try, and I have never seen an AU where it was done well nor am I interested in entertaining the thought.

Characters. Are. Tools. They exist to tell a story. The story that people tell me, by obsessing over some alternate universe where he was "ACTUALLY sympathetic and had a REAL redemption arc," is that they're not fucking interested in his dozens of victims. Nor do they actually care about the abusive impact he had on the minds and feelings of his family. They're JUST interested in Clear Sky himself.

Just like the Erins. Everything that happens in DOTC revolves around him. Everything. All his wives die so he can be sad about it. His brother defends all of his actions and BEGS you to sympathize with his pain so he can be 'redeemable.' One Eye comes out of nowhere so that there can be an example of "real" evil to contrast Clear Sky so he's less bad in hindsight.

The first three books of DOTC are bad, but the last three are fucking insufferable because SUDDENLY all that Gray Wing apologia pays off, and they take their main villain and throw him out a window. You CAN'T have "redeemable" Clear Sky and the plot of DOTC without dragging in someone else to drive the conflict, to BE the bigger threat to "unite" against. Slash and One Eye have to be conjured up out of thin air so Clear Sky can WHINE about how people only suck his toes instead of deepthroat them after he killed all their friends.

And yet, in spite of this absolute failure of an attempt, we continue to see this bullshit "redemption" be a mistake because Clear Sky is a fantastic villain, with major antagonist roles in nearly EVERY bit of follow-up material for DOTC that came after.

He's the most consistent monster in all of Warriors.

He's a fragile, egotistical, self-absorbed megalomaniac who ALWAYS sees himself as the victim, REFUSING to self-reflect and blaming everything else for all of his terrible choices. He will USE your love of him against you like it's a chain through your nose, step out of line and he will yank you into place with guilt trips, manipulation, public shaming, and violence.

He's a child abuser. He's a tyrant. He abandons the sick and disabled as soon as they're of no use to him, with grand speeches about "illness" and "weakness." He's a murderer who stands above the shredded corpse of his victim and bellows, "I'M NOT GREEDY! I'M JUST STRONG!"

And you'd write a "good" redemption arc for this, why?

Why are people so chronically unable to accept that there are LOTS of people like him, and you can't save your abuser? Why don't you ask yourselves why you're not interested in exploring Thunder, or Petal, or Gray Wing, and how his toxic influence impacts them? Why does the sympathy fall on Clear Sky? What about the DOZENS of victims who are dead by Book 3, and how THEY could have been saved?

Why ruin a perfectly good villain?

What's behind this trend where a billion people say to me, "Yes Clear Sky is a walking cavalcade of fucked up abuse apologia, and an incredibly realistic depiction of an abuser, but how would you change this while keeping it all the same?"

I wouldn't. You can't. It wouldn't be the same story, or it wouldn't be the same character. Never seen it done well, and I have seen it a lot. So I don't entertain this deeply frustrating "Well What If Clear Sky But Nice" impulse.

[bananasfosterparent]

I find it funny sometimes when people suggest lamenting on your consort Tav being depressed and mopey over what and who they could have been if only they hadn't done that darned ritual *shakes fist*

But like... Efenity was... broke. Penniless. Homeless. Living on the streets in an abandoned house just outside the city that she shared with another criminal. She'd break into someone's house just to use the bathtub every other day. Agreeing to situationships with shady men who really only liked her for the dommy mommy vibes. Convincing herself that opening up and getting "official" with anyone was a mistake. That only leads to more grief, more pain, more loss.

Pre-game events, Efenity was working on a plan for stealing/skimming millions in gold over time from a charity organization run by a rich family. While she had high hopes to reach her goal of living in a mansion and living lavish (and alone) with her own criminal ring to support her... in reality she would have just gotten caught and arrested. Probably would just stew in her rage, angering the wrong people and winding up dead.. or defeated so much that she wishes she was.

Getting kidnapped and having a worm shoved in her eye was the single greatest thing that could have ever happened to her and there isn't a single thing in her journey that she regrets--except manipulating Shadowheart. But that's literally it.

If she's lamenting while sitting on a chaise with hand done embroidered demask designs and gold filigree backing, wearing her fluffy feathery robe while her Lord lays his head on her lap and she strokes his hair and ears about what "could have been" it ain't gonna be about something better.

While I totally understand the angst angle and would actually be comfortable checking out other people's versions of it, if I didn't associate it with such horrible negativity and discourse there's such a great power fantasy and positive dark romance here that gets ignored and poopooed by so many, without even the slightest consideration that maybe... just maybe... it's actually pretty darn valid and cathartic too, once you take off your Bias Goggles.

I wish more people were once again willing to let themselves explore their creativity in fiction enough to not care about the opinions of others not in your head, not developing your Tav, and not writing your story. YOUR Tav has their own unique story and it's ENTIRELY in your hands.

[dairyfreenugget]

(Alt text under read more)

I think "one or more of them is in danger or almost fucking dies, in the process discovering their child's impurity, and then after a lot of emotional turmoil they just pass the fuck out the second they're safe and calm again thanks to the awful, exhausting day they've had" is a scenario I write weirdly often for this messy as hell family

Anyway. Family cuddles. My babygirl is exhausted and deserves to be held for once

ID start: A black and white doodle of the Pale King, White Lady, and Pure Vessel from Hollow Knight as humans. The three of them are covered in bruises and scratches. They're sleeping in a pile of blankets with the Pure Vessel tucked in between their parents, with only their face showing. The Pale King is hugging them with both sets of his arms, his face buried in their hair, while the White Lady lays beside them with her arm drapped over the both of them and roots coiling around them. End ID.

[themanfromeire]

Would y'all be interested if I wrote a fic about either James or Sirius being in a toxic relationship before meeting their s/o? (definitely not a vent fic based on my own experiences) and they just try to heal?

[ruminate88]

”The pain of realizing everything you felt and cared about was all a lie. You’ve been played and now you don’t know your own reality.”

[glow-in-the-dark-death]

The Night Security

Danny decides to tag along with Dani and travel around the world. With him now being in his late twenties he decided he could use a break from all the craziness back home, and he's been wanting to spend more time with Dani.

Dani despite it being years still looks the same, they had gone to Frostbite to make sure nothing was seriously wrong, Dani was completely healthy but it seems Vlad's messy attempts at cloning alongside her also being a halfa had made it so Dani would age a lot slower than a normal human would.

Danny until that point hadn't realized that he also looked very young for a man who was almost 30, but he could just get away with it by just saying he had a baby face.

To gain money for their travels Danny decided to start doing random jobs normally he would end up with being night security since those positions weren't very popular and always had a position open or where willing to have an extra pair of eyes on the job.

With that being said Dani and his sleep schedule were completely flipped over now being practically nocturnal. They would go out shopping or have fun while the moon was still high in the sky.

Now with that being said, he had no clue why there always was at least that one person at whatever job he would have that seemed to believe he was a vampire,

Yes a vampire, and he could brush it off if it had only happened once or twice but no! This has happened in the majority of his jobs.

And look he gets it, he only gets night jobs, he hangs out with Dani outside only when the sun is nowhere in sight, and yes both he and Dani were sensitive to the sun but that was normal for people with pale skin they would burn easily and considering that pale blue eyes tend to struggle seeing with too much sun clarity especially since they're not used to being around the sun as much as before.

See he gets all those can kinda be vampire things but they where also just very normal and common human things as well.

So yes he was out here fighting vampire allegations instead of ghost ones like when he was young.

~

" Mr.Kent sir you dropped this."

Clark turned around slightly spooked he hadn't heard the young man a moment ago, which should be impossible with his super hearing. Focusing on the man In front of him he realized that the heartbeat he was now hearing was... too slow, unhealthily so. If he had just been hearing the heartbeat he would have been sure it was from someone dying, but the man In front of him showed no struggle or weakness in spite of that.

"Sir?"

Clark snapped back into the present. "Oh! Right sorry about that, it's been a very long day usually I'm out of here long before the sun sets."

"No worries man I totally get that, I just saw that you dropped your glasses case near me and wanted to quickly return it."

"Well thank you Mr.?"

"Fenton, Danny Fenton I work the night shift here."

~

Danny doing his job

His coworkers spraying holy water to prove he's a vampire:

~

check my tags for some extra ideas I had on this

~

Just an Idea

[mirrorhouse]

putting this all under a readmore and not tagging i just wanted to put my thoughts down somewhere .. talking about marius and his fans & tw for mentioning csa / sa

personally. i understand that the marius/armand relationship has been a popular part of the book series for decades and it's fictional and yes i get it. but. i dont understand those fans who encounter people who find it purely horrifying or upsetting and then get mad at them for it. just because of how it's framed in the books as a beautiful gothic love story (filtered through both the author's intention & the skewed perspectives of the two characters involved in it) doesn't mean EVERYONE has to romanticise it and it's only babies or idiots or show only fans who "can't handle gothic fiction".

and then the people who try to convince everyone marius is armand's saviour who only ever treated him with love and kindness really confuse me. like, is it a wholesome relationship built on mutual love? or is it abusive and awful AND loving and caring at the same time? aren't the people who deny marius did anything wrong to armand really the ones who can't stomach enjoying gothic romances and have to twist it into something else?

it's a story of a fully grown man, a millenia old vampire, rescuing a teenager from sex slavery by purchasing him for himself, renaming him, showering him with affection, sexually abusing him, genuinely loving him, treating him like a child and an adult and student and son and lover all at the same time, making his entire world revolve around his master, punishing him emotionally and eventually physically whenever he gets too clingy or aggressive. and it's all done, not under just the 'guise' of love, but from a place of genuine love, and that's how both characters see it. it's entirely damaging and fucked up and the aftereffects of it on armand's mind and sense of self are present for centuries, compounded by everything else he went through. he still draws both comfort and pain from thinking about his past now and even tries to partially recreate the dynamic with someone else both in the book (with daniel, armand taking the role of the master; and keeping young 'mortal slaves' for a time) and in the show (with louis, armand taking the role of the slave)

it is a super fucked up relationship & i'm not one of those people who thinks you shouldn't be allowed to enjoy those in fiction. there's a lot of them that appeal to me obviously, and of course everyone has their own boundaries when it comes to that too. AND i know it's not all marius fans or even all marius/armand fans. i literally don't care what people like in fiction and i think we should all just mind our own business honestly

but it's the people who act like they're the only ones who get that it's just a tragic beautiful romance, that nobody else can read apparently, that 'marius haters' are just looking for things to be mad at that make me go ???????