#and can both be interesting and well written in their own ways

[oathkeeperoxas]

TOP GUN / Icemav fic recs part 8

There have been a LOT of good icemav fics posted this year - please check out some of the ones below which I've particularly enjoyed!

Rec list 1 here

Rec list 2 here

Rec list 3 here

Rec list 4 here

Rec list 5 here

Rec list 6 here

Rec list 7 here

Easy By Your Side by @wordsonamission

Written for Top Gun Ace Week! Day One - Micro labels (demisexuality) - "Promise me you'll wait for me" Maverick invites Iceman to spend their leave together in a cottage on the coast. Ice accepts, but isn't sure how to handle the fact that he's starting to develop romantic feelings about Maverick. He's never seen any indication that Maverick is interested in him beyond friendship. As they bond over seafood and grocery shopping, Ice finds his feelings growing.

Ice telling Mav about his boundaries, and Mav letting Ice come to him on his own terms is so very sweet and good. I love how the author portrays the care and understanding they have for each other!!

Apoptosis by @flyingfightingfishy

When aviators cause problems, they're designated apop, assigned missions designed to be deadly. Sometimes it's a strike mission, sometimes they're protecting other assets that the navy wants to be sure come home. Mav has been designated apop almost since the beginning. Ice is flying a mission that the navy deems worthy of protection.

Oh my GOD the worldbuilding and character dynamics in this slap so hard, I love the set up and how both Ice and Mav are written. The author places them in this sidestepped world so perfectly it feels like the fic is far longer than it really is. Such a treat!

give me mercy no more by @eighteaseven

They’re both twice as old now as they were when they started this, as both of their joints can certainly attest. But these aches make Ice’s willingness to kneel for him all the more humbling.

🫠 well what can I even say. The author GETS Ice, and writes Ice and Mav being so very in love with each other and giving each other what they need!!! The fact that they're older and experienced and still want each other and want to please each other makes the rest of this fic even better, which really is saying something considering how good it already is.

the further on the edge, the hotter the intensity by StoriesofmyLife

Maverick wonders if it's always going to be like this--this burning want under his skin, the total awareness his body seems to have of Ice. The surge of want that always seems to grip him, even at the most inappropriate of times. He wonders if he's ever going to be able to be around Ice and function like a human being. Thankfully, Ice seems to have the same problem as Maverick. Or--Five times Maverick and Ice have sex in places they totally weren't planning to.

I really enjoy the character dynamics in this, not only between Ice and Mav but the other people who they're interacting with as well. The last few chapters are especially good!

the well traveled road to you by @icemav86

“You said we’re dating?” Maverick asks, eventually, incredulous, with no indication of whether or not he’s willing to help Ice. After Ice’s divorce, he tells a harmless white lie to get his kids off his back. Turns out it’s not that simple.

Saturn has such as way of putting Ice and Mav in situations that I utterly love - the writing is very good, and nails their characterisations perfectly!

magic in your fingertips (love is a wild thing) by @whatiwouldnotgive

Maverick’s never been good at saying. At the talking about things. He always prefers action to words. Carole laughed about it when he offered to fix up her junker of a pick up truck with fondness in her eyes, and Goose never mentions it at all. Just smiles at him whenever Mav brings home his favorite dinner, or lets Mav pick out the movie they watch for the night. Ice is somehow worse.

I love the banter here, between Ice and Mav but also when Goose and Slider make their appearances. The summer romance vibes here are immaculate honestly, the get together is just soooo perfect. Melting the iceman's heart indeed!!

Don’t Read the Last Page (But I Stay) by @rabbit-factory

“Thank you, Lieutenant Commander Mitchell,” Ice drawled, disdain rich in his voice. “The day you become in charge of my promotions I’ll do whatever idiotic tasks you’d like me to do with a smile. But until then.” “Don’t threaten me with a good time,” Maverick leered, and actually managed to startle a laugh out of Ice. It warmed him, with sense of nearly possessive joy, that he was the one who got to tease this man, pull the laughter out of him when he was most frustrated. That was his to do, his responsibility, and no one else’s. *** A look at Ice and Maverick’s relationship, over ten holidays.

So sweet and good!! I love the reunion here, and how Ice and Mav play off each other over the years as their relationship develops and grows <3

face on a lover with a fire in his heart by @enthyrea

Stepping up on his toes, Maverick throws the scarf around the back of Ice’s neck, wrapping it snugly around and making sure the ends are even on both sides of Ice’s chest. Mav’s hands briefly brush over Ice’s jawline, and they’re so warm it makes him dizzy. To make matters worse, Maverick then shucks off his bomber jacket, throwing it over Ice’s shoulders and bringing it close to his chest. The inside of the jacket is toasty, and it smells like Mav. “Are you sure?” Is all Ice can say. Mav smiles up at him, the snow decorating his dark hair like glitter. “Of course. It looks good on you anyways.” He says, with an indecipherable wink. AKA, Ice and Mav get caught in a blizzard on their way to Slider's for Christmas. Ice tries to deal with his feelings for Mav while trying not to freeze to death.

So cute and good and warm - the perfect winter tale. And there's even art!!

feel my body rock (every time you call my name) by @iceman-maverick

Maverick’s got that look on his face now. The one that sets off every alarm in Ice’s mind. But there’s no tower to buzz here, it’s just Ice and Maverick and everything between them. “It does feel better.” Mav smirks at him, “You know, the omega way,” “How could you possibly know that?” Ice snaps. He feels a familiar pressure building between his thighs and absolutely the fuck not. Ice abruptly turns to walk the other way back towards the mess. Fuck it, he’ll take the scenic route before he lets Maverick scent him like this. “Rave reviews,” Maverick laughs - not unkindly though, it’s always warmth coming from Maverick these days -  as Ice tries to escape with what little dignity he has left. Fucking alphas.

Biting and chewing this one!! Ice self exploration with omega Ice! Worldbuilding and omegaverse in the Navy! Mav standing up for Ice, but also Ice standing up for himself!! Plus the flirting at the end, hmm so good

Any Change in Time by @icezansky

After the Enterprise, they came home and took up their posts at Top Gun, this time as instructors, and didn’t speak of it again. They spent their days in the classroom or in the air, and their evenings side by side at the O Club or on one another’s couch. And then Viper introduced Tom to his daughter, Sarah, and she was kind and lovely with a spitfire attitude that reminded him of someone else. She took up his evenings, then – double dates with other officers and their girlfriends, and quiet nights in where she cooked him dinner and they talked for hours. He proposed to her after two months of dating, and she said yes. Now, six months later, she’s going to meet him at the end of the aisle.

The pining in this is so rich and layered, I love the way that Ice and Mav have to learn to circle around each other and decide what they really want in life before they reach out and take it.

Delicates by @topgunreacts

In which Maverick sneaks into Ice's room for some late-night ass, and discovers he doesn't mind getting overheard.

Such a set up!! Ice and Mav in this are just so very into each other, and very much uncaring of who knows it. I love that for them honestly. Yeah boys, get that ass!!

[qu1cks1lversb1tch]

A Deal | Vox x Gen Z Reader

A/N— Decided to turn my little drabble into a little series of one-shots based off of ideas I come up with and any requests y'all may have for it 💅🏻 ALSO a huge thank you to @writteninlunarlight-years for the idea that inspired me to kickstart the series! It's very much 'enemies to lovers' core (kinda, I guess?), but I have no idea how far this will go lol. Hope everyone enjoys this — sorry it took so long :)

Warnings: Reader is implied female, Valentino existing, mentions of souls being owned, reader is close to being an overlord

Word Count: 1,724

Summary: You were a growing threat — and what better way to keep an eye on said threat, than to have you start living under the same roof as three of the most influential overlords in Hell? This is only the beginning. . .

Since your arrival to Hell, things had been nothing short of interesting — from your offers that couldn't be refused, all the way to the demon's that warily approached or backed off when you were near.

It was quite the spectacle.

You were quickly rising within the ranks of Hell, from a mere sinner to damn near an overlord — for all the souls you claimed in a few short months. It was noticeable — your social climbing.

What you hadn't expected was two overlords reaching out in the same day, both itching for some sort of deal.

You'd heard whispers of the feared Radio Demon and practically laughed at the thought of people being scared of him — sure his smile was off-putting, but other than that, you didn't really see the hype.

So when he approached you outside of the Café you'd began to frequent, striking up casual conversation as if you were old friends, you quickly understood what was going on.

He was powerful. You were becoming more powerful. He offered guidance and you knew there was a 'but' coming.

When it dropped, you sighed, before sipping on your warm beverage.

"I can offer you guidance, and in return, I want your soul as a pledge of undying loyalty, my dear!" He made a hand motion, as if he planned on writing your name in the stars — could you even see the stars from Hell?

"I'm sorry — but other than guidance, what do I get out of it? I've done well on my own for the last six months."

Protection. Respect. Free housing. It had almost been tempting — especially the free housing, especially in that economy. . . But in the end, you had told him that you'd think about it.

In reality, you wouldn't.

Giving up your freedom for half the shit you could get on your own? He had you fucked up.

Then there was Vox; the wide open rival of Alastor. You'd actually seen him around, having been in a couple clubs he was coincidentally visiting at the same time.

When he approached you, it was three hours later and you were actively sending a message to the group chat of demons whose souls you owned, over Sinstagram. You were simply reminding them of the consequences if they took the food that CLEARLY had your name written on it.

You didn't care that you were sitting in a restaurant — if any of them touched that leftover sub quarter, you'd kill them, and not in a funny or ironic way. You'd actually kill them double dead with no return. 

When you looked up, he questioned your business with 'the fossil' and was met with a blank stare rather than words.

He clarified that he meant Alastor.

"Oh. I don't have any." You replied simply, reading the few messages that popped up on screen.

At the revelation, he was pleased and began listing off all of the things he could provide that Alastor 'would fail miserably at'.

Money. Protection. Respect. A sounding board for ideas. Anything your heart desired. All at a small cost of being under his surveillance almost 24/7.

That snatched your attention away from the two demons who began arguing in their native languages. Did you understand them? Fuck no. Would you be translating that later? Abso-fuckin-lutely.

"And what's in it for you?" You asked the TV demon. You didn't like the thought of being under surveillance and having little to no privacy, but his deal had already been sweetened by Vox not wanting your soul.

"Power all the way around. With my influence, you can be a billion times better than that staticky prick. You'll practically have demons begging on their knees."

"Tempting." You admitted.

"What do you think?"

"Eh, fuck it. Why the hell not?"

From there it was a flurry of events — you remembered eating, but then you were leaving with Vox and then quickly found yourself in a meeting room with the other Veez and shit you had to sign, stating that you wouldn't spill any details of the inner workings of any of the three companies.

Who did he take you for?

Once you read each document thoroughly, making sure it wasn't a contract for your soul, you signed your name on the tablets screen and sat back in your seat, pulling out your phone to begin translating the argument from the beginning.

"Great! Ground rules — our private spaces are off limits unless we explicitly tell you otherwise, that includes bedrooms, offices, and basically everything that isn't a —"

"Uh-huh, got it." You mumbled — snorting at the beyond creative insults that began to flood the screen in English.

"Listen—"

"It's my nap time, TV boy. If you can put this conversation in a text, do it." You sighed, stretching your limbs. They popped as you stood — who showed these fuckers how to make gifs of each other?

Oh.

You did. HA!

"You know I can kill you, right?" Vox questioned, his claws digging into the table.

"So could a really motivated duck — or a Canadian goose. Those things are straight out of Hell, Box."

"It's Vox." He growled.

Ooh spicy. "Whatever —"

"Can you be serious for five minutes?"

"Ok boomer."

His screen glitched and his claws dug further into the desk as he stared at you.

Velvette barked a laugh and looked away from her phone long enough to see Vox on the verge of malfunctioning, a smirk slipping onto her face. "Can we keep her? I like this one."

"This one's more tolerable than the last." Valentino mused, blowing his smoke into the air. He leaned forward in his seat, uncrossing his legs. "And we don't even know her name."

"The name's Y/N. Don't wear it out." You winked before turning around and exiting the door you had been ushered through, however long ago. The moment the door closed, you heard Vox angrily talking with Velvette and Valentino, who were much calmer than the TV overlord.

Oh, this will be fun. A good idea, for sure.

Thirty minutes later, when you were in the room Vox had told you was yours, both Velvette and Valentino followed you on Sinstagram before adding you to the Vees official group chat.

Your first week living with the Vees went by rather quickly — of course, you respected their privacy as requested, spending most of your time in your room or the common areas which mostly consisted of the kitchen, living room, and game room.

Still, you'd managed to piss Vox off three more times, and got Velvette and Valentino to join in without trying.

Velvette quickly picked up your terminology, calling Vox a boomer at any given opportunity. It pissed him off to no end. Valentino had only done it twice, mostly because they both spent a lot of time working and only interacted with Vox when he had the time to.

Within the first seventy-two hours, you noticed the weird obsession Vox had with Alastor and you sarcastically quoted a scene from a movie at dinner that night.

"Is this love, Agent Romanoff?"

And he had looked at you weirdly, pausing mid rant. Later you had to explain to the other two that it was from a movie — and who Agent Romanoff was.

Vox avoided you mostly, which you chalked up to him thinking you were annoying. Good.

By the end of the first month, Velvette had you chilling with her while she worked, usually with you being the sounding board for her ideas.

More often than not, you had good ideas.

That little fact prompted her to throw you a sketch book, telling you to get to work.

You were getting paid to be there, so whatever.

When you weren't with Velvette, you were declining Valentino's countless invitations to sit with him while he worked — you wanted nothing to do with that. Porn wasn't really your thing, even when you were alive, but you had a bunch of friends who were super into it.

Instead you went out alone, claiming you were getting lunch for yourself. You'd get lunch, after making a few deals with wayward demons who would thrive under your influence.

That one particular day, you hadn't noticed either presence behind you, until a fight broke out, causing you to turn around to see Alastor and Vox going at each other's throats — and not in an interesting way.

You somehow broke it up just after Alastor cracked Vox's screen.

"Why the fuck are you here?" You bit out harshly, directed at the two overlords who now stood three feet apart like scolded children, neither pleased to be there.

"You left without saying anything." Vox crossed his arms.

"You hadn't reached out, my dear." Alastor hummed, distastefully glancing over at the TV demon.

You groaned, throwing your head back. "Listen, get the fuck over yourselves! At this rate, I answer to Velvette, not the two of you boomers. Got it?"

Alastors eyes began to twitch as static filled the air, whereas Vox's cracked screen glitched as you walked away.

Later, when Vox approached you, you noticed that his screen was fixed. That was good.

"Got a minute, [Y/N]?" He questioned.

You looked up from the sketch book in hand and nodded, mumbling 'sure' as you closed it. You were tired from the long day.

So his next question caught you off guard.

"Why do you do this to me?"

"Do what?"

"Why do you purposely piss me off? You get along with everyone else, yet you call me names and disrespect my entire existence. Why?"

You sighed, not really having a real answer. "That's just the way I am, how I've always been. . . And in my defense, I call everyone names. . . Not just you. So, don't think you're special, Box—"

"— Vox —"

"I'm a bitch to everyone, just most don't realize it because their bitch scale broke a long time ago. Now, go. I have shit to do that doesn't involve stroking your fragile ego."

Vox wasn't sure what it was, but he knew he was going to keep a closer eye on you. What was so different about you?

You were close enough in biological age to Velvette, yet while there were similarities, there were so many differences. . . He wasn't sure what to think about any of it. Especially with you climbing up the power ladder.

[lesbianrobin]

ok since people r very into my chris fic i shall share some of my random behind the scenes thoughts while writing it:

adriana has literally been waiting her entire life for her obviously gay older brother who joined the army to avoid his wife and then moved to los angeles to be a sexy firefighter to COME OUT ALREADY and by the time we meet her in this fic she is like Vibrating with the need to be like EDDIE IS GAYYYYYYY ARE YOU PEOPLE BLIND??? which is why it takes like absolutely zero prodding from chris for her to spill all of eddie's business. i think when eddie was little he was a very obviously gay little boy and as he grew up he learned how to Be Normal but adriana never forgot and she's like deeply sad about it.

chris is So fucking miserable at his grandparents' house he misses video games so bad. i couldn't find a way to really incorporate this without it feeling like a cheap "look he's a TEEN BOY" thing but yeah the second he gets back home he is slamming that headset on and gaming until eddie tells him he has to take a break or he'll burn his eyes out of his sockets.

there are a Lot of songs on buck and eddie's joint depression playlist that i listed and then cut for practicality's sake but if there's any like interest in that i could maybe put together + link the full playlist for y'all?

buck's "maddie" playlist is entirely music he listened to growing up bc it makes him think of her. as a younger sibling my music taste from birth to like. age fifteen ish. was just wholly whatever my older sister listened to and i think buck is the same way. i don't think buck necessarily listens to this playlist on his own very often but if he's hanging out with maddie and/or babysitting jee-yun he'll put it on because it makes him happy to enjoy some 90s/00s nostalgia with his best girls. sometimes he'll play it in the car when he's driving chris somewhere because he wants to carry forward some of those good memories he has with maddie with chris.

buck and eddie's texts were written in order to coincide with each other! eddie texts more frequently than buck but i think if you pay attention you can sometimes tell which days buck Also sent chris a text bc they match. some of them were sent specifically in the wake of very emotionally taxing shifts where they both wanted so badly to call chris and beg him to come home but they knew that wouldn't go well and they didn't want to make chris feel guilty so they tried to play it cool.

speaking of buck and eddie: i don't think that eddie's conversation with chris is necessarily the First step in eddie realizing he's gay or moving toward something romantic with buck. keep in mind that chris has been gone for at least two weeks by the time he talks to either of them, and buck and eddie spend the vast majority of their time together. this fic is restricted to chris' pov, and he has no way of knowing whether, say, buck and tommy broke up, or whether his dad has been thinking about some things differently since he's been gone. buck and eddie Also have to spend twelve hours in a car together just the two of them between the end of the fic and their reunion with chris. this is not me saying that buck and tommy DID break up or that buddie got together while chris was away (i don't actually have a solid "canon" for where they're at), just that i intentionally left space for a wide range of possibilities due to chris' limited knowledge of what's going on with them!!

i kinda intentionally did not delve too deeply into the psychology of the diaz parents here because i think their behavior is a bit inscrutable to chris. the vast majority of his memories of them are from when he was really little, and therefore i think he doesn't actually know them very well as people. he knows that there's some tension between them and eddie, but prior to this fic he never really bothered to question Why. all he knows is that his grandparents will probably come and get him if he calls, and that it'll hurt his dad's feelings, and in the immediate aftermath of the kim debacle that's all he cares about. once he's in el paso, he starts noticing some things that make him a bit uncomfortable, but he never does determine for sure what their motivations and opinions are about this whole situation, whether they're treating him a certain way bc he's the grandkid or bc of his cerebral palsy, and whether their treatment of eddie really does stem from homophobia or not. at the end of the day he's thirteen years old and i wanted to leave his grandparents' True Selves as a bit of a mystery because 1. i don't think They necessarily know why they do what they do and 2. i don't think there's any one answer that would be satisfying.

chris literally had zero intention of saying anything to eddie about the Gay Thing he just is very much thirteen years old and emotional and he fundamentally Trusts his father to never like. lash out at him for saying something like that. so he doesn't try too hard to hold it back and impulsively says Hey Dad Are You Gay Maybe because he's never gone so long without talking to his dad before and he's just bursting with thoughts and feelings. he's not even trying to do a buddie matchmaking thing it's just that the easiest way to make his argument is to be like (points at buck).

[jesncin]

Part of me thinks that under WarnerMedia while My Adventures with Superman got greenlit in 2021, some of these decisions could either feel self-insert like with Mindy Kaling’s Velma or a mandated checkbox fulfillment to suit corporate desires. It can explain why they wanted Lois Lane to be a more prominent character to fit current narratives and trends. I’m all in for well written characters, but it needs to be done in a way where it makes sense. Here’s too hope James Gunn handles her well with the same craft as with Richard Donner and Bruce Timm’s iterations.

so I heavily disagree with this and I'm spider-sensing some uncomfortable dogwhistles here. What do Kaling's Velma and MAWS even have in common? MAWS' marketing didn't push a titular celebrity to the extent Velma did. Any reason you've decided to compare two shows on the basis that both have prominent women of color in the lead? Velma's an adult comedy mystery while MAWS is an action adventure with a heavy focus on romance (it may be on Adult Swim, but it was never intended for an adult audience. That was corporate shenanigans). Saying they're catching some sort of trend to follow Velma is pretty ignorant of how difficult it is to pitch an action animated kids show with a woman in the lead. Entirely different markets and genres. And from what I've heard, the MAWS crew mention they had surprisingly little executive restraints which allowed them to go out of the box with their takes.

Also Lois being prominent or the lead of a Superman adaptation is not new or a trend. "Lois & Clark", "Superman & Lois", even one off animated movies like Reign of Supermen had Lois as the POV lead or heavily involved. She has led many comics on her own. I don't love this insinuation that her being racebent is a "trend"- especially when the MAWS crew mention American Alien as their source of reference for their version of Lois and Jimmy.

"I'm all for well written characters, but it needs to be done in a way where it makes sense". I don't know what you mean by this. 1. there are no well written characters in the entirety of MAWS, and 2. What needs justifying to you? Aren't well written characters self justified by being well written? Is there something about a WOC in the lead that is threatening your suspension of disbelief? Because boy have I heard that tons of times before.

I get that film and tv adaptation heavily influences popular perception of a character, but why do we place our hopes on these white guys to do justice on a character like Lois of all people. This dismisses the many women and other talented creatives who got to work on Lois in the comics. Like why zero in on MAWS Lois being a "self insert"? I don't like to auteur-ify a collaborative medium like an animated series, but MAWS was pitched by Jake Wyatt. He's the showrunner. Lois is Asian in his pitch packet. How is that a self insert? If anything, I wish an Asian creative put more of their life experiences onto Lois because then she wouldn't feel like someone so interchangeable with a white woman. And misogynisticly written.

Just kind of weird to ask this to us, the chindo authors who made a fancomic about Lois being chindo, informed by our lived experiences as chindos. That's arguably as self insert as it gets. While I'm interested in James Gunn's take on the Superman mythos, I'm not getting my hopes up on a pre-dominantly white cast and no current narrative emphasis on committing to Superman as an immigrant. Also I didn't suffer through Guardians 2's take on Mantis just to hold this white guy up as the pinnacle on writing women.

[tea-kettlezz]

Queer ppl who rag on The Owl House and other kid show's representation bc they're more wholesome are so weird to me. Like I get you want more than wholesome and sweet queer couples, I do too, and I don't think they should be standard

But that doesn't mean it's "bad," you know??

[sysig]

My kingdom for a "So you say” (Patreon)

[paganinpurple]

AO3 Etiquette -UPDATED

Based on both decent and not so decent replies, I have made some changes to my original post below.

It would seem a whole new kind of AO3 reader/writer is emerging and it is becoming clear not everyone quite understands how the website community works. Here is some basic guidance on how most people expect you to go about using AO3 to keep this a fun community archive that funtions correctly:

As well as likes, kudos is for when the story was interesting enough to make you finish reading. If it sucked or was badly written, you probably left. If you finished it, you liked it - so kudos.

If you really liked it, you should try to comment. It can be long and detailed or a literal keysmash. Writers don't care, we just love comments.

No critisism unless the author has specifically asked or agreed to hear it (so use your notes to say if you want some constructive feedback). Even constructive critisism is a no-no unless an author note tells you it's okay. No, posting it online is not an open invitation for that. Many people write as a fun hobby or a way to cope with, among other things, insecurity and just want to share. Don't ruin that for them. I've seen so many authors just stop writing coz they can't handle the negative emotions the critism brings, and it's only meant to be a fun thing shared for free (pointing out tagging errors is not included in this).

Do not comment to ask the author to write/update something else. It's tacky and off-putting and will probably have the opposite effect than the one you want.

There is no algorithm, it's an archive. Use the search and filter function to add/remove the pairings/characters/tropes etc. you want to read about and it will find you the fics that fit the bill.

For this to work, writers must tag and rate stories. This avoids readers finding the wrong things and missing the stuff they want. I don't care how cringy that trope is in your eyes - it gets tagged.

The tag exception is if you don't want to tag a million things or spoil your story, you can rate it as "chose not to use warnings," and maybe tag the bare minimum.

Don't censor tags. How can someone exclude a tag if the word isn't typed out correctly? There are no content bans for terms so don't censor them.

If the tags are mostly content/trigger warnings, especially if they are things considered very fucked up or graphic, you might want to use "dead dove - do not eat" to ensure people know that you're not messing around with tags and what they get is exactly what you've warned them about.

Character A/Character B means a ROMANTIC or SEXUAL relationship of some kind. Character A&Character B is PLATONIC, like friendship or family.

Nothing is banned. This is an rule because banning one thing is a slipperly slope to banning another and another, until nothing is allowed anymore. Do not expect anyone to censor for you. Because of the tags system, you are responsible for your own reading experience.

People can create new chapters and sequels/fic series any time after they "complete" a story. So it's considered perfectly normal to subscribe, even to a finished story. You can even subscribe to the author instead just to cover your bases.

Do not repost stories or change the publishing date without an extremely good reason (like a complete top to bottom rewrite or an exchange youve written for going public). It's an archive, not social media. No one cares what's the most recent, only what fits their tag needs.

Instead of deleting a story you wrote if you hate it - consider making it anonymous or orphaning it so others can still enjoy it, without it being connected to your name anymore. If you still want to delete it, fair enough.

It's come to my attention that metaworks ARE allowed on AO3, which is something I wasn't aware of. So if you do post an essay or theory, please tag it as such so others can choose to search for it or exclude it. Art is also allowed.

The only reason this archive works is because NON ONE PROFITS. Do not link to your ko-fi or patreon or mention monetary gain in any way or you violate the terms and risk having your account removed. If anyone does link, it leaves the archive open to people claiming it's for profit and having the whole thing removed.

I KNOW there's plenty more I missed but I'm trying to cover most of the basics that people seem to be struggling with.

I invite anyone to add to this, but please explain, don't berate.

[sinofwriting]

Under His Wing - Jenson Button

Words: 1,177 Summary: Oscar had thought when Mark had taken his sister under his wing that it was a great idea. Turns out it was the worst idea in the world as he stares at a picture of Jenson and his sister kissing. Note(s): Reader is Oscar’s sister. Large age gap between her and Jenson. No part two will be written.

Taglist | Masterlist | Emergency Dental Fund | Part of Sin's 5k & B-Day Celebration

Oscar had four sisters. All younger than him and all equally as annoying and he didn’t have a favorite. It would be unfair really. But if he was to have a favorite sister? It would be Y/N.

They were nearly twins, just ten months apart, but you’d never think so with the way she always tagged along with him everywhere.

When he moved to the UK for his racing career, six months later she joined him. When he moved out of boarding school and into a flat, she joined him. She joined him at races, at pr and press events, she always joined him. And thankfully when Mark became his manager in 2020 he recognized how important she was to him, really how important his family was to him, and as soon as she got her degree she was working with Mark.

Oscar had been beyond grateful, because she loved f1 just as much as he did, she just didn’t have an interest in driving. She did want a career in it and Mark had given her that opportunity without Oscar having to beg whatever team he was a part of to give her a chance or make her an employee of his, which would have not worked for either of them.

He’s beyond grateful for the chance that Mark gave her, for what Mark has done for him, for his career, for taking them both under his wing, but now as he stares at the photo on his phone, he wishes that he never let Mark Webber met his sister.

—

“Jenson.” She giggles as he presses kisses to her neck. He grins at the sound, nipping at the thin skin and reveling in her gasp. “Yes, sweetheart?” Her temple presses briefly against his as she gently shakes her head. “I want a kiss.” He can hear the pout on her lips, the wide-eyed look she has on her face, as she tries to get what she wants. Not, he thinks, that she really has to try and convince him to give her anything.

“Come here, sweetheart.” He murmurs, turning her so she’s facing him and sure enough, she’s pouting up at him, her bottom lip sticking out beautifully. “You want a kiss?” She nods. Leaning down, he kisses her, taking that bottom lip of hers in between his own. “Is that better?” “Much.” She sighs, making him kiss her again.

Releasing her, he watches as she goes over to her bag and pulls out of her phone. A joke is on the tip of his tongue about kids and their phones these days, but his dominant hand is pulling his own phone out of his pants pocket, wanting to check his messages before seeing if he can convince her to join him in the shower, a light sweat clinging to him from their hike.

His eyebrows furrow at the sheer amount of missed calls and texts he has and he quickly answers the next call.

“Mark, Is everything alright?” “Jenson.” “What’s going on?” He asks, shooting a concerned glance at Y/N, whose looking at her phone, confused. “Are you in California right now?” “Yes.” “Are you with anyone?” His eyebrow raises, “no. Why?” “So, Y/N Piastri, Oscar’s sister and my assistant isn’t with you.” Jenson freezes. “How did you?” The older cuts him off. “You two were spotted on a hike, kissing.” “Fuck.” He drags a hand over his face while the one holding his phone, pulls the device away from him ear and mouth a bit. “Sweetheart, we’ve got a bit of a problem.”

“Does the problem have anything to do with why Oscar has nonstop been calling and texting me?” She asks, moving back over to him and he winces as she watches her let another call from Oscar just ring through. “We got spotted on our hike.” He tells her, as he puts his phone on speaker. “Mark called as well.” He doesn’t mention any of the other names he also saw littering his phone screen, that could wait until after. “How bad is it?” “PR wise?” Jenson’s nose wrinkles, face twisting in disgust at how that’s the first thing Mark says, considers, even though it’s his job in some sort. “Not too bad. There’s a lot of shock, questions. It’s more Oscar I’m worried about.” “He’s not happy.” “Happy?” Mark laughs. “He apparently went ballistic seeing the photos. Lily called me, she was with him when he saw. Last update I had from her, he was trying to get Max to give him his private jet so he could come to California to kill Jenson. Since y’know he found out through twitter that his little sister is doing something with a guy twice her age.” “You introduced us.” Jenson protests. “Yeah, because I thought you’d be good friends. Not,” he pauses unsure of what to call it. “Dating?” She fills in for him. “Yeah, dating.” He sighs. “Did anyone know before this?” “No.” They both answer at the same time. Mark sighs again. “Alright, well it’s time to start talking. You need to call your own manager Jenson, Y/N call Oscar, we can handle our side of the PR after Jenson gets his figured out.” “Got it. Sorry, Mark.” “Don’t worry about it, kid.”

Before Jenson can say anything the call is ended and he’s staring at his phone, bemused. “I think he likes you more than me.” She laughs. “Well, do you blame him?” He quickly shakes his head. “No. Be stupid to not like you.” He dips his head down, wanting a kiss, but she steps away, shaking her head. “No, not happening. You can get a kiss after you talk to your manager and I talk Oscar out of killing you.” Jenson winces, that was not going to be a fun conversation. “I’m alright with a bit of light maiming.” “Jenson.” “Sweetheart,” he chuckles at the serious look on her face. “He’s going to want to kill and hurt me. I’m sure your mum and dad are the same way. I’m sure next time I see Mark I’m going to get a nice elbow to the ribs. It’s just what’s going to happen. I made my piece with that after our fifth date.” She pouts and he can’t help but pull her into a hug. “I don’t want you to get hurt and I don’t want anyone fighting about this.” “I know.” He kisses the top of her head. “And we can hope that it doesn’t happen, that it goes more smoothly than how it feels currently, but we both knew that us being together would rock the boat.” “I think we need a bigger boat.” He snorts. “Maybe. Now let's make our calls, get them done and over with yeah?” “Yeah.” She sighs, pulling away from him before smiling and then she’s pouting up at him again, just like earlier. “Kiss?” He shakes his head, but brushes their lips together for just half a second. “There ya go, sweetheart. Little something to tide you over.”

@crashingwavesofeuphoria @jointhehunt67 @gothgirlez @namgification @KimmiB13 @racingheartsposts @gemofthenight @peachiicherries @lpab @hiireadstuff @iloveyou300morgan @boiohboii @bibliosaurous @skepvids @elliegrey2803 @tallrock35 @casperlikej

[lunartulips]

𝐴𝐿𝐴𝑆𝑇𝑂𝑅 𝐴𝑆 𝐴 𝐵𝑂𝑌𝐹𝑅𝐼𝐸𝑁𝐷 { 𝐻𝐸𝐴𝐷𝐶𝐴𝑁𝑂𝑁𝑆 }

⇣

Very loving lover. To say the least. Probably the best thing that’s ever happened to him since he’s been in hell

Alastor would greet you in the morning with a big smile

“Good morning! It’s absolutely deadly in hell isn’t it?” Or if you walk in and see him eating then he’ll offer you a plate. Even if it’s a dead deer.

“You look well-rested, care for some deer?”

Since he’s the radio demon and feared by many he’ll make sure that you’re protected at all cost. Even bribing Husker to watch over you when he can’t, with booze of course

“Do take care of them I’ll be stepping out for a moment”

“Yeah yeah, got it now go”

Compliments I feel are a must. He’ll say compliments during the day or randomly. Smiling and looking straight at you when he does.

“My, don’t you look breathtaking today-!”

Flirting, probably would or won’t. When he does he’ll be a gentleman when he speaks. Holding your hand and adding a gentle kiss when he’s done, very like him. In a low tone voice to feel flirtatious

“My my, what a darling demon we have here~”

“Acting shy now? How adorable”

Alastor would be very protective and wouldn’t hesitate to tear a few limps off to protect you. Since he’s so gruesome with handling ‘enemies’ he’ll probably distract you from seeing such things with your own eyes. Or hold you close to his chest as he unleashed his wrath on another

“Hm? Oh don’t worry at all-! I’m simply ℒℰᎯᏉℐℕᎶ Ꭿ ℳℰЅЅᎯᎶℰ….”

“Don’t worry, how about some dinner hm? I’ll let you wait inside-!”

Very cute nicknames for you. Like darling, dearest, and honey. Alastor will call out to you using those names to find you, even in front of everyone, had no shame or embarrassment about it

Even outside of the hotel when he takes walks

“Ah-! There you are darling-!”

Oh boy….when this demon is jealous it’s every sinner for themselves. With you he’ll do his best to hold back so he wouldn’t scare or hurt you. Of course everyone else from the hotel will be staring and just watch. Charlie would probably try to calm him down before more heads roll. But Angel Dust would probably edge him on.

“Uh, Alastor? Please calm yourself please?”

“No! Keep going! So them who Y/N’s lover!”

There’ll be lots of blood and destruction when he’s jealous but of course he’ll won’t immediately go to violence when he’s jealous. Alastor can also stay close to you and place a protective hand either on your shoulder or around your waist. And would just give them eyes of death to the demon or person who dares talk to you in front of him

Dates would be very causal. Either meat dinners or hanging out with him listening to the radio

Love Language would be Quality time <3

Walks around the city in the wrath ring or joining him in his recoding studio when he’s on the air. When you work in the Hazbin Hotel he’ll pop in to checkup on you. And, when needed, he’ll help you in any way he can. He’ll make sure that you to have lots of time together both during work hours and when you clock out.

“You look like your struggling with this, allow me my dear-!”

Holding hands will be included with this relationship, along with him smiling a lot both at you and in general. Like the gentlemen he is he’ll make sure that your smiling with him.

“You’re never fully dressed without a smile~”

Alastor would be a very interesting demon to date with. Protective and old fashioned. Always smiling and would hum songs to you when you’re stress

Not only that. He’ll make sure you will avoid the three V’s/Vees. Especially Vox. If that does happen or you accidentally cross paths make sure you have a pair of sunglasses and stay behind a strong building before things get very ugly well quick unless you want to see such horrific scenes

But if that doesn’t happen then all things should be float

𝐴𝐿𝐴𝑆𝑇𝑂𝑅 𝐴𝑆 𝐴 𝐵𝑂𝑌𝐹𝑅𝐼𝐸𝑁𝐷 { 𝐻𝐸𝐴𝐷𝐶𝐴𝑁𝑂𝑁𝑆 }

written by Lunartulips ☾ & ✿

[coffe-and-tea-time]

Yandere shop! Choose your yandere!

I was thinking, did you ever listen to yandere asmr videos? If so, you will catch on quickly that this is based on the yandere shop, which was so popular in asmr videos during the pandemia. - coffee

If you didn’t, quick summary Coffee gave me: imagine if there is a place where you can enter and you can ‘buy’ (they pay you since you are going to take care of a serial killer so he don’t kill people while you two got your twisted love) a yandere of your choosing. - tea

Word count: 1.2k but this will be edited to correct misspellings or weird sentence structure later, sorry in advance.

tw: yandere behavior, willing reader, delulu, written in you/yours, reader is a little nervous but really interested, you can choose humans yanderes and non-human (although humanoid) yanderes!

You fix your clothing and take a deep breath, your mind filled with ‘what if..’ yet, you were here, in a place that you didn’t trust was real

A creak takes you out of your thoughts, a smiling man dressed rather formally, greets you cheerfully.

“Sorry to interrupt when you are so absorb in your pretty mind My dear, but you know, a little push may help you”

He said as he extended his hand to you, well, you already made your way here hoping to get a yandere so you gather all your corague as you take the man's hand. He led inside the shop, you can hear the click of the door closing behind you as you follow him.

“Oh, I hope you weren’t thinking of backing up so quickly Dear, want something to drink?”

You gently shake your shake as you sit down in one of the couches, on the inside it looks pretty much like a coffee shop.

“Smart choice but you still seem rather nervous, want to say something before I go ahead and show you the catalog?”

“Well, I wanted to know, what can you do for the yandere you like to like you back? What if the one I choose doesn't like me back?”

Your worries were met with a not-so-subtly laugh from the man which make you kind of annoyed and embarrassed.

“Sorry Dear, I just never thought I ever meet somebody that feel insecure about the love of a yandere”

Now you wanted to punch him, is a normal question to ask! The yandere have their own way to fall in love!

“Let me give you a quick explanation, if they had a darling, both of us know they would be busy stalking them. The yanderes we have don’t have a darling, but are eager for the sense of love on their own way which may not suit everyone so to avoid problems, this shop was put in place as a matchmaker between differents kinds of yanderes and people who enjoy them"

You sight in relief as you nod.

“alright, who is more likely to go even more insane if they don't get a darling soon.."

"Sorry, what did you just say? I couldn't hear you well"

"Oh, nothing Dear, I was just searching for the ones that been waiting the most, is how the list work, I will show you a few options first so you have an idea, you can ask for another kind if you had something else in mind, I'm sure we got something that will suit your taste; Although, do remember that is just one yandere, we had problems with that before"

"How is it that someone got the permission to have more than one? I thought you guys will keep in track that since well, it's dangerous for anyone"

"She didn't have permission but she manage because she stubbornly wanted a yandere harem, the result are expected, averyone in that house died except for one yandere, he is again on the list, and as you can guess, he end up more being more... intense. He is totally your perfect option if you like a very possessive yandere, he's a more serious yandere for that experience"

“That will be dangerous for me too?”

"Dont worry Dear, he is truly desperate for love like the rest, his name is Dizie. But if you rather a more gentle treat, Gabriel is your guy, I don't know much about him since he said that only his darling will get to know everything about him. As far as I know, he's kind of yandere that will kiss the ground were his darling walk, a worshiper you can say, if you like someone looks at you like you are a deity, he's definitely your perfect match"

“Isn’t every yandere a worshiper in their own ways?”

"Well, I guess? Is true that others have another específic ways to worship, look, he's the baker, relishes in your enjoyment of their pastries, a very skilled baker that knows how to include the most unique of ingredients to make the sweetest of treats, dreams of putting his heart and soul in every treat he bakes for his darling, his name is Oliver”

"What kind of ingredients tho?"

“The next one you may like is actually a popular singer, he chooses to keep anonymous unless chosen, but if you want to be a celebrity or date one, he is someone you can guess that will love to spoil their darling, he’s on the talkative side, if you like art or stuff like that, you will enjoy his house. although he babbles a lot of how he wish to hear the voice of his darling obsessively for hours”

The seller seems to dodge your question.

“Ah, of course, we also have some special yanderes if humans are boring or less attractive for you, look, he’s Myotis, the classic vampire, he even has wings! Isn’t it perfect to see the sky closer while you enjoy the company of a yandere that looks like he just came out of a book? If you are also into short kings, you gonna love him without a doubt”

"He's not going to drain me out of blood, is he?"

“Dear, why would a yandere who waits so long for their darling, kill them? But if vampires aren't your type, you could go for a mothman! You will be the light of his life, literally. He’s a big softie and kind of clumsy; he just eagerly waits for the arrival of his daylight. A good choose if you like special clingy yanderes, he is not around humans too much, but he said he wanted to be called Lior if he got chosen. Oh, if you are on the stronger side, you may want to keep your eye on Tarak, he said something about his name meaning something like star and protector I think, I guess he chose the name by himself, he’s a prideful dragon and really loves to talk, honestly, I’m not that intelligent to understand some things that he say, but if you like to know new things by listening, asking or reading, he's your man, you can try trying to teach him something new, I don't think is impossible to archive”

“You know what ag…”

You stopped talking when you catch a security camera in a corner moving around frantically yet appear like not seeing anything?

“Don’t mind him, is just Grier, even though I don’t know if that's his real name, I do know he loves trying to spy here using the security cameras so we end up having to put tape on them when a darling is coming to the shop; as you can guess, he’s a hacker, if you choose him, you will be very well protected and taken cared of since you gonna be being watched even if you think you are alone, if that what you wish for, please do choose him.”

The seller looks at you, waiting for an answer, to choose what kind of yandere you want or ask for a specific type now.

“You don’t really go outside too much, so I don’t think you gonna have problems with any of them”

You act like you didn’t hear his murmur as you look at the papers in your hand of every yandere he just talked about.

If your favorite options lose or you want something specific, just send an ask! We love comments and interactions in general so don't be shy.

Sneak peek of the first encounters

sorry for any misspellings or weird sentence structure ❣

images from pinterest ⚘

[ask-the-pioneer]

"I've always been captivated by them. Something about the shiny exterior, how they glimmer when you tumble them around in your hands. My younger self would obsess about them, a childlike fascination. Even back then I instinctively knew they had value. My mom would use pearls I found to pay for a safe passage at scavenger tolls. We tried to bypass those points as much as we could, but sometimes it was unavoidable."

"It's a looong story…. I was found roaming the wilderness by my mentor, who brought me to er, an entity, called an interator. Do you know of iterators? Apparently they are what was left of an ancient civilization that once inhabited these lands. I couldn't wrap my head around it at first. Iterators are massive, absolutely huge, like mountains. Do you see that big structure of a regular, smooth shape?"

[She points towards Five Pebble's can in the distance]

"That is an iterator's «superstrucute». A mountain, the entire thing… is a person. It still sounds crazy when I say it."

"Ah, right, my name… like I mentioned, I got lost and my mentor found me. He brought me to his iterator. If my memory serves me right, his name is «No Significant Harassment», or NSH for short. I recall thinking at that time, «Harassment? I hope he won't be cruel to me». I had no concept of iterator names, their meaning, why it's three or however many words long. It was incredibly confusing to my young mind, though looking back at it I consider myself very lucky. The iterator was, dare I say, «god-like» (his own words), but benevolent. I saw how well he treated Hunter – my mentor – and it made me trust him more, even though I was scared and wary in the beginning."

"Would you believe it if I told you… there are stories written inside the pearls? That those things I’ve been obsessing about all my life are used for storing information? I had many of them leftover from when I lived at a scavenger outpost. One cycle, NSH noticed my interest, and – I wish Hunter had told me about this sooner, but – the iterator shot at my head with something…? And suddenly I could understand everything he said. Not that he said much, because I started crying loudly and ran straight out of there, haha. But before I bolted, he gave me one of his pearls as consolation. I think he felt bad for the scared little me."

"After that, he would eagerly read all the pearls I brought to him. That is how I learned more about the culture of the peoples who were here before me: the Ancients, their customs, why the iterators were built, and much more. It was like the knowledge of the entire world was suddenly revealed to me – to a seemingly insignificant being, a tiny speck in an endless ocean of life. It both made me feel very important, and very small. And, yeah, it has intensified my obsession with pearls beyond mortal limits. What if I could write into a pearl? I could archive the history of my entire species! All the stories my mom told me when I was small? All the places I’ve been to? Or other scugs have been to…"

[Her eyes widen, sparkling with glee]

"Y-yeah… that would be nice… sadly I am what I am – a slugcat. I don’t know how to do this very advanced stuff at all. I have no means of doing this. I once asked NHS for help, but there’s only so much he could guess from my frantic signing. I don’t think he understood me, in the end. But he did appreciate my efforts, and I was given a title – the Pioneer, like a person who is the very first to explore something uncharted. Apparently no slugcat before me thought of reading from or writing into pearls? I find it a little hard to believe."

"This one! This is a very special kind of pearl – it contains an ancient poem from which my name originated. See, my name was a gift from NSH the iterator. It’s spelled: «Mirmyntasseth». The best way I would describe it, is… it’s a name for a feeling, or an experience. The way it was explained to me, is that the word «Mirmyntasseth» is an expression of seeing a marble roll on a flat surface, then hitting another marble. Ah, right, you may not know this – a marble is like, like a pearl, but translucent and even more ornate. I was told that marbles were used by the Ancients for entertainment. They had a game where you rolled one to hit another. I'll admit, I can see the appeal. Throwing rocks is fun, although I image this game was considered a more dignified pastime."

[She tumbles the dark pearl in her hands, admiring its luster]

"The poem inside this pearl, one of its verses spells: «Eight Marbles Cast in Stone». The poem itself is long… very long… I had the iterator read it to me once, and we had to stop in the middle because the rain was coming. Maybe I will ask NSH to read it again, when I’m back at his superstructure with Hunter."

[Her gaze trails off to somewhere far away for a moment, a subtle grimace on her face. She closes her eyes and shakes off the thoughts that cloud her mind]

"So, um… yes… that is why I am called Eight Marbles Cast in Stone, or Marbles for short. I like how it sounds, it has a nice ring to it. And it’s a gift from an iterator, a god-like being. I consider it a great honor."

"…that said, I wonder why he didn’t just name me «Pearl»? Wouldn’t that make more sense? Maybe it didn’t sound cool enough. They’ve used pearls just to store information. I guess it’d be silly to be named «Dirt» because you doodle in dirt, or «Batfly» because you love eating batflies? Hmm…"

[physalian]

10 More Character Types the World Needs More of

Part 1 was specifically character dynamics, but I’m considering this a sequel anyway.

1. Fiercely independent character’s lesson isn’t to “trust people”

I’m not projecting. You’re projecting. There is a divide wide enough to fit the Grand Canyon between “trusting that someone isn’t lying” and “trusting someone to follow through on a promise”. Most dumpster fire attempts at these characters (almost exclusively women) rely solely on mocking them for the former because “not all men” or something.

Being consistently let down in life makes you hesitant to a) gain friends, b) pursue romantic interests, c) maintain familial relationships, d) get excited about any event that demands participation from someone who isn’t you. None of this is simply a bad attitude—it’s a trauma response. There is no lesson to be learned, and not even exposure therapy can help because it’s a real, legitimate, and common stunt people pull, whether they mean it or not.

So write one of these characters and legitimize their fears, give them someone who proves the exception to the rule, but do not let the lesson be “well they just haven’t found the right person yet”. Even the “right person” can let them down. It's about not becoming a self-fulfilling prophecy by sabotaging a good thing to prove it will inevitably go bad.

2. Conventionally attractive men who aren’t horndogs

I’m going to find every way I can to tell you to write more aces. This is to fight the stigma that attractive people must be attracted to people. Give me gorgeous aces and demi’s, men, women, enbys and everyone in between, who put a crap ton of effort into looking their best, and yet happen to not have a very loud libido. They look good for themselves, and not to impress anyone else.

Give me someone who could have anyone they wanted, gender regardless, and just simply has no interest. Or, they do actually have a significant other, but sex, how hot their partner is, or how horny they are, isn’t their internal monologue. I don’t even care if it’s unrealistic, it’s annoying to read.

And, you know, giving men male characters who aren’t thinking about sex all the time can be good, right? Right?

3. Manly warrior men who also write poetry

A.K.A Aragorn, Son of Arathorn. Just give me more Aragorns, period. This dude is either covered in filth, blood, guts, and the last 30 miles of rugged terrain, or singing in Elvish at his own coronation while pink flower petals fall. A man can be both, and still be straight.

A man can also drink Respect Women juice, you know? He ticks off all the boxes—he’s gentle when he needs to be, not afraid to hide his emotions, kind to those who are vulnerable and afraid and need a strong figure to look up to, resolute in his beliefs, skilled and knowledgeable in his abilities without being arrogant or smug, and the first boots on the battlefield, leading from the front.

4. Characters who are characters when no one is watching

This is less a specific type and more a scene that doesn’t get written enough. This whole point comes from Pixar’s Cars. I. Love. This. Movie. It’s not Pixar’s best, for sure, but this is my comfort movie. The best scene, one that’s so unique, is when Doc (aged living legend) thinks he’s alone when he rolls out onto the dirt race track and comes alive tearing around the oval.

This character’s unbridled, unabashed glee and euphoria at proving to himself that he’s still got it, when he’s completely unaware of his audience, is perfection. Not enough credence is given to characters to just… enjoy being themselves. He’s not doing it to prepare for the climactic race, he’s not doing it for the plot, he’s doing it just to do it, not even to prove Lightning wrong—just for himself.

Give your characters a “Doc Racing” scene. Whatever their skill is. Maybe they’re a dancer, a skater, a swimmer, a painter, sprinter. Just let your character love being alive.

5. Characters whose neurodivergence isn't “cute”

A.K.A. Lilo Pelekai from Lilo and Stitch. Really, her relationship with Nani is peak sibling writing. But Lilo herself is just so realistic with how she interacts with the world, how she interprets her relationships with her so-called friends, how she organizes her thoughts and rationalizes what she can’t quite understand, and how friggen smart she is for an… 11-year-old?

But she’s not “cute”. As in, she wasn’t written by generic Suits who were trying to cash in on the ND crowd by writing what they think will sell, but also making her juuust neurotypical enough to still be palatable by the rest of the audience. Lilo’s earnestness is what endears her to everybody. But also, she doesn’t get a free pass for her behavior, either. Her “friends” aren’t forced to accommodate her and Nani isn’t written as the cold-hearted villain for trying to discipline her.

6. Straight male characters with female friends

Am I double-dipping a bit here? Yes. While I completely understand how tempting it can be, this type of character is in dire need of exposure and representation to prove it’s possible. No weird tense moments, no double-glances when she isn’t looking, no contemplations about cheating on his girlfriend (and no insecure jealous girlfriend either). Just two characters who enjoy each other’s company and are able to coexist in a space and be in each other’s spaces without hormones getting in the way. Peak example? Po and Tigress from Kung Fu Panda.

Let these two rely on each other for emotional strength in times of need, let them share inside jokes, let them have a night alone together at a bar, at home, cooking dinner, getting takeout, talking on the patio in a porch swing… with zero “will they/won’t they.”

7. The likable bigot

I’m actually on the fence with this one but it’s something I also don’t see done often enough and I’m adding it for one reason: Bigots aren’t always obvious mustache-twirling villains and the little things they do might seem inconsequential to them, but are still hurtful. So showing these characters is like plopping a mirror down in front of these people and, I don’t know, maybe something will click. They don’t have to be MAGAs to be dangerous, and only writing the extremes convinces the moderates that they aren’t also the problem.

Example: I have a “friend” who recently said something along the lines of “I have lots of gay friends” followed up shortly by “I don’t think this country should keep gay marriage because it’s a slippery slope to legalizing pedophilia.” You know. The quiet part being that she *actually* thinks being gay is as morally abhorrent as being a pedo. But she totally has lots of gay friends. Including one who was driving her during that conversation. (It’s me. Hi. I’m apparently the problem, it’s me.)

She’s absolutely homophobic, but the second she stops announcing it, she’s a very bubbly person. She’s a ~likable~ bigot and thus thinks she can distance herself from the more violent ones.

8. The motherly single father

I say “motherly” merely as shorthand for the vibe I’m going for here. “Motherly” as in dads who aren’t scandalized by the growing pains of their daughters, and who don’t just parent their sons by saying “man up boys don’t cry”. Dads who play Barbie with their kids of either gender. Dads who go to the PTA meetings with all the other Karens and know as much if not more than they do about the school and their kids’ education.

Dads who comfort their crying kids, especially their sons. Dads that take interest in “feminine” activities like learning how to braid their daughter’s hair, learning different makeup brands, going on nail salon trips together. Dads who do not pull out the rifle on their daughter’s new boyfriend and treat her like property. Dads who have guy friends that don’t mock him and call him gay. Dad who does all this stuff anyway and is *actually* gay, too, but the emphasis is on overly sensitive straight men’s masculinity here.

Wholesome dads: a shocking amount of single-parents to female anime protagonists.

9. The parent isn’t dead, they’re just gone

Treasure Planet is an awesome movie in its own right, but what’s even better? This is a Disney movie where the parent isn’t dead, he’s just a deadbeat who abandoned his son and isn’t at all relevant to the plot beyond the hole he left behind for Jim to fill. The only deadbeat dads Disney allows are villains and those guys are very vigorously chasing an aspiration, that aspiration just doesn’t include quality fatherhood. Or motherhood. Disney has yet to write a deadbeat mom, I’m almost certain.

I just wrote a post about the necessity of the “dead parent” cliche, but what is perhaps more relatable because it’s more common, and what earns even more sympathy and underdog points for the protagonist? The hero with the parent who left. Then there’s a whole extra layer of angst and trauma available when your hero can now plague themselves with the question of if the parent leaving is their fault. Death is usually an accident. Choosing to abandon your kid is on purpose.

10. Victim who isn’t victim-blamed or told by their friends (and the narrative) to forgive their abuser

Izuku Midoriya lost so much support from me the moment he told his friend, bearing the consequences of domestic violence across half his face, that Midoriya thinks he’ll be ready soon to forgive his abomination of a father. I am firmly in the “Endeavor is a despicable human and hero” camp and no I’m not taking criticism. I audibly gasped when I heard this line and realized Deku was serious. Todoroki needs friends like the Gaang to remind him that he's allowed to hate the man who's actions caused the burn scar across his f*cking face.

I understand that the mangaka apparently didn’t anticipate the vitriolic backlash toward Endeavor during his debut and reveal of his parenting tactics but the tone-deafness of telling a fifteen year old with crippling emotional management issues and a horrible home life that his abusive dad in any way deserves and is entitled to forgiveness on the grounds of being related is disgusting.

Take it back further to a more famous Tumblr dad: John Winchester. Another despicable human who got retroactively forgiven by his sons after his death in a “he wasn’t so bad, he really did try” campaign. It’s one thing if the character believes it, it’s a whole different matter if the narrative is also pushing this message.

Katara is a perfect example: She lets go of her grudge for her own peace of mind and stops blaming Zuko for something he had no hand in, stops blaming him simply because he’s a firebender and he’s around to be her punching bag. She doesn’t forgive the man who killed her mother, because that man doesn’t deserve her forgiveness. Katara heals in spite of him, not because of him, and had she let him off the hook, she would have gotten an apology for getting caught, not for what he did (which is exactly what happened).

[bunnys-kisses]

aperol spritz

captain john price

cw: summer fic, rich!price, pwp/smut, bulky!price, cowgirl position, seduction tactics, retired!price, age gap (reader is in her 20s), afab!reader, nipple/breast play, in birth control we trust, mid/plus sized!reader, italian summers here we come,

bunny says: here comes the sunshine! happy summer everyone <3 written while listening to "italian vintage summer"

you met him at last call in a party that you and your friend snuck into. it was in a terrace in a decently sized town in southern italy. you weren't looking to meet anyone that night, let alone anyone during your entire trip. it was your last vacation before you finished your university diploma. you were more interested in sight seeing than wealthy british men who offered to buy you a drink.

"you look a little lonely." he remarked.

you chuckled, "my friend is chatting up a local." the drink was placed in front of you. you took a sip of it, the coolness of it compared to the heat of summer felt good.

you looked over at the man who was trying to chat you up. he was taller than you, short brown hair, blue eyes, interesting facial hair choices. his skin looked tanned from too much time in the sun, the sight of his larger arms was enticing. he noticed you staring.

"the name is john, john price."

you reached over to shake his hand, "you sound like a bond character with that name."

he shook it gently, calloused hands touched your own, "maybe i am. maybe i'm on a secret mission to find the most beautiful woman in all of italy... to of course save the world."

you gave him a look and playfully nudged his shoulder, "alright sweet talker. i guess you haven't found her yet?"

he shook his head, "actually ma'am. i have." he placed his hand over yours, a bold move. he leaned in a little closer, "she's standin' right in front of me."

-

in hindsight, maybe ending up in bed with a british man on a breezy italian night wasn't the brightest idea. but the way he looked at you, the draw of his voice.

"well, don't ya look lovely." he said as he sat on the edge of the bed and started to untuck his white button up out of the waistband on his slacks.

you stood there, close to the doorway to the bedroom. you were in nothing but a matching pair of white bra and panties. it wasn't the most existing garments ever, but the way that price's eyes raked across your semi-naked body made your pulse jump.

he unbutton his shirt and kept his eyes on you. the faint breeze off the water came through the window. you leaned a little further against the door way, your thighs pressed together and your arms crossed.

"c'mere." he said in that thick accent of his, "i want to see if this is real or my imagination after too many rum and cokes." he laughed as he took the shirt off his body, leaving him in a white undershirt.

you swallowed at the sight of him with less clothing on, you got a good look at the strength in his arms and chest. you licked your lips to compose yourself before you got closer to him, "so." you stood in front of him, staring down at him, "why are you in italy?"

"didn't you already guess? i'm a secret agent."

you chuckled, "right, right." your eyes scanned across his body, "i guess it's all top secret."

he stood up and suddenly loomed over you. he undid his belt and dropped it to the floor, followed by his pants coming off. he then placed both his hands on your shoulders and said, "well, i guess i can let you in on a little secret."

you placed your hand on the front of his undershirt, "i love a good secret."

"former british army, captain and all." he chuckled. he leaned in and kissed you on the lips gently, "now that i've told ya." he picked you up by the middle and lifted you off your feet. he beamed at you, "i have to kill ya." then placed you on the bed.

you burst into laughter, "no one has ever really picked me up that easily." you covered your face to hide your embarrassment as your laughed.

he took off the undershirt and said, "well, you haven't meet people like me." which was followed by his underwear, "picking you up was like holding an expensive bottle of wine." he caught you in his arms as the two of you softly kissed.

"a big, strong, handsome britishman? i think i've seen a few of those." you joked and were met by another round of kisses that made you melt.

you two kissed on top of the white sheets, that felt nice against your heated skin. he held you by the back of the head as he deepened the kiss. he was a lover in a lot of ways. to be flirted with by someone so handsome was something that made you warm all over.

he took his time getting your undergarments off, he peeled your bra off of you like you were a fine treat that he needed to unwrap. once your chest was bared to him, he kissed at your breasts. his large hands fondled them as he licked across your left nipple.

"beautiful." he said softly, his blue eyes gazed up at you, "so perfect." his smile grew, as did yours. you combed your fingers through his hair as he worshiped and played with your breasts.

your legs mingled with his as he kissed and sucked at your breasts. your felt jitters pool in your gut from the feeling that raced in your body. he felt like a dream, your mouth went dry when he dragged his tongue lazily from the top of your breast all the way to your nipple.

"ah, john."

"you sounds perfect saying my name." he purred in response. his motions continued until you were soaked, he brushed his knee against your slick folds and made a soft sound against your breasts. he then looked up at you with those daring blue eyes, "are ya ready, love?"

you cupped his face and looked at him. you noticed the lines in his face and the grey in his hair. your heart leapt, despite the probably drastic age difference. he was undeniably handsome. you craned your neck to kiss him before you said, "c'mon captain price, show me what all that service can do."

he chuckled and rose up against you. his strong arms wrapped around you once more, you felt the muscles move against your torso, "call me captain again, love. and you'll be in a world of trouble."

you fought the urge to call him that again. instead you rolled yourself on top of him and prayed to the birth control gods that your daily pill worked like it should.

he gazed at you like you were a marble statue there for his worship. his strong, rough hands grasped onto your hips. feeling the fat on them. he said softly, "i understand why they craved statues of women with curves." he chuckled at his comment before he met your gaze, "because they are more beautiful than any other art created."

you covered your face once more, "oh my god."

he laughed, "see, i like that. i know you're hot all over. i can feel it." his cock was so close to slipping inside of you, "i want to know if that cunt is as warm as the rest of you."

you pulled your hands away from your face and positioned yourself on top of him. he held onto you and you held onto him as you sank down on his impressive size. you almost felt your stomach in your throat as you fully seated yourself onto him.

"that's it, love. just like that." his words were encouraging as the two of you moved to establish a pace. it was like your bodies knew exactly what you both wanted, if not needed. the connection was strong and the hum of pleasure in the back of your mind kept you going as you thrusted.

"ah. john." you whimpered as you rolled your hips. you held onto his chest, the hair between your fingers as you moved up and down on his cock.

the breeze cooled your heated back and your nipples remained hard. his chest hair and over all strength felt good against your body. it was a feeling of being fully protected. he engulfed your like a comforting flame as you re-positioned yourself to get the best angle with your movements.

"that's my girl." he purred, "my darlin' girl. you look so good. i wish i found ya earlier in my trip. we could've had a lotta fun on the coast." he beamed at you.

his hands dug further into the meat of your hips as he met your thrust with the same lust hat you carried. the metal frame of the bed squeaked under your movements and the headboard rocked against the pink painted wall.

you fucked with all the windows to the hotel room were open. you moaned like the sounds didn't make it street level. but you didn't care. the rush that went through you as you moved up and down onto his cock.

your cheeks felt swarmed with warmth as you felt his hands move up and down you sides, getting a feel for the angel on top of him. you traced your nails down his chest, feeling the muscle.

"yeah, that's it." he said softly, the heat in his face went all the way down his neck, "you feel so good, love." he chuckled then his jaw tensed as pleasure rolled through him.

you reached for his face and held it to face you, your eyes met and you pulled him in for another searing kiss. your heart thumped in your chest as the kisses became sloppy and the two of you edged closer to your orgasms.

his facial hair brushed against your cheeks, you felt so warm on the inside. it was like gooey caramel had melted in the pit of your stomach. you pulled away to catch your breath and placed both hands on his chest once more.

the pleasure filled the room, the heat that clung to your skin and the sweat at your temples. price's words were filthy with how much he thought you were so beautiful. you had never been buttered up like this before.

his grip grew harder and he took a bit more control of the pace. his cock hit against your most sensitive parts as the bed continued to creak. it wasn't long before you were panting.

your toes curled and light bulbs flashed behind your eyes. pleasure washed down like heavy rainfall and the air left your lungs. you managed to squeak out, "holy shit." before you relaxed and found comfort on your lover's chest.

price continued to hit your sweet spots with his cock. but the weight of you on top of him only made pleasure seep through his bloodstream. his head felt heavy with lust as he gave it a felt more strokes before he finished inside of you. for a moment, he realized that he never asked about protection. but he was in too much of a state of bliss to let his mouth ask the questions.

you both laid there, enjoying each other's company. he moved your head and kissed you once more on the lips. the kiss was sloppy and eventually led to a second round in bed.

the a third, followed by a speedy fourth. by the end of it you were both bone tired and you knew you wouldn't be walking right once you got up.

"that's my girl." he drew before he fell asleep on his back and his hand across his bulky abdomen.

when price was well and asleep, you slipped out of bed. you collected your clothing without making too much noise. you redressed in the hallway of the room before you walked out with your heels in hand.

that was quite the story to tell your friends back home. your face stung with a blush by the thought of it as you walked down empty streets before sunrise.

-

a month later you got a text message while you were back at home enjoying your new semester in school. you almost choked on your drink when you saw who it was from.

'hi, love. it's john price. we met in italy a while back. i was wondering if you wanted to go back, expect you don't leave in the middle of the night.'

it didn't take long before there was money being deposited into your paypal with the note 'for our little vacation'. maybe it wasn't the brightest idea to end up back in bed with a man like price. after all, you never gave him your phone number or paypal information.

but you thought about those arms, his kisses and the strength of his fucking. so it didn't take long before john price nabbed himself a pretty young thing.

xoxo, bunny

[kaijutegu]

Happy Valentine's Day! When you think about love and the animal kingdom, are alligators an animal that comes to mind? No? Well, they should be, because they have some of the most interesting courtship behavior of any non-bird. (Bird displays are something else entirely.) I think it's time that you all are introduced to the Big Gay Alligator Sex Study, more properly known as Courtship Behavior of American Alligators (Alligator mississipiensis), written by Kent Vliet. You can get the paper at the link below!

This was a study done over a 3-year period in the 80s with a population of captive American alligators to look at how they interacted. Alligators are incredibly social and have complex behavioral dynamics, and their courtship rituals and routines are pretty dang interesting. In general, crocodilians spend a great deal of time interacting with each other when compared to other reptiles, and the courtship behavior of a few species is well-documented. But in this post, I'm mostly going to talk about the American alligator (with a quick detour into Cuban crocs).

Why Do We Care About Courtship?

So before I dive into talking about this study, let's talk about why we care about courtship (the social behavior that leads to mating) and mating (sexual interaction that could, hypothetically, lead to reproduction). Courtship and mating are extremely important when studying animal behavior- honestly, they're extremely important when studying zoology in general. In some cases, understanding this behavior actually a major conservation concern! For example, the Cuban crocodile is an endangered species. They're largely constricted to two swampy areas of Cuba, both of which also have American crocodiles present. And unfortunately, the female Cuban crocs find the male American crocs really, really sexy. This is a big problem, because with only about 3-4,000 Cuban crocs left in the wild (possibly even fewer), they need to be breeding with their own species to make more Cubanitos.

These. Make more of them.

But what scientists have found is that not only are there hybrid crocs in the wild, the Cuban population of American crocodiles is more closely related to Cuban crocodiles than other populations of American crocodiles, suggesting this has been going on for a very long time.

You can read more about that here if you want, but back to the gay alligators.

Alligator? More Like Alli-GAY-tor, amiright?

(actually that IS wrong it's more like alli-bisexual-tor, but that doesn't sound like alligator)

So how does a study like this happen? Back in the 80s, the American population was Feeling A Way about alligators. Something that you gotta understand when you're doing any kind of conservation is that people protect what they love, and they love what they understand. Alligators are a major conservation success story today- there's millions in the wild- but they were in serious danger of extinction in the 1960s, and it was a combination of legislation, awareness campaigns, and captive breeding at both zoological parks and commercial gator farms that helped bring them back. As a result, they were one of the first species to be de-listed from the ESA!

All of this attention meant that alligator science was flourishing in the late 70s and 80s, and that's where this study comes into being. This post is long enough so I'm not gonna go into all the details and methodology- you can find that in the paper I linked up top!

However, there is one piece of methodology we should talk about, and that's the choice of study population. It's part of what makes this particular study so interesting!. See, in a lot of cases, captive behavior really differs from wild behavior. This can be impacted by captivity conditions- what other animals the study animal has access to, what behaviors the animal has learned in captivity, even down to things like how the animals are fed. For example, some courtship behavior in captive animals can be the result of unnatural habitat conditions or limited social groupings. If you only have access to a couple of conspecifics, you don't have the same choices that you do if you have access to something closer to a wild population. If you've got a breeding group with one male and a handful of females, you can't ask or answer any questions about male/male interactions! Crowding is also an issue- too many animals in a space can be stressful, and lead to atypical sexual behavior.

But that's one of the cool elements of this study: the alligators in question live in a large social group in a lagoon that's basically just natural habitat with a boardwalk going around it. It's about as close to studying a wild population as you can get, with the advantage that it's far more accessible. And what this leads to is that that the researchers were able to see a really wide range of behavior, because all of the alligators had lots of access to lots of different mates. They were able to make choices that you wouldn't see in a smaller group. There's a trade-off that Vliet notes, and that is the population density and captive situation means that results might not quite work out the way they do in the wild- but in the years since, the results of the study have been vindicated with research into wild populations.

So, what are alligators into? Gay sex, group sex, yelling real loud, and lots and lots of... gentle caressing.

that's not a euphemism they spend a lot of time gently rubbing each others' faces

So first things first, it turns out that the vast majority of alligator mounting, which occurs after courtship behaviors like jaw rubbing, bellowing, head rubbing, and swimming together is male/male. Over the three year study period, an average of 68% of all sexual interactions were male/male. However, what they don't really notice is exclusivity, because when it comes to the sex of their sex partner, alligators... well. They aren't all that picky.

Another fascinating aspect of alligator courtship is what's called courtship groups. These are readily observed in captive settings (and in the wild, too, as mentioned in Dragon Songs), and are mixed-sex groups that spontaneously form. As other alligators approach a mounting pair, the original pair will happily split up and switch partners. Usually what happens is that the alligator on top slides off to initiate courtship with a newly-arrived individual. What's really interesting here is that, as the author notes, "males engaged in courtship with a female readily terminate that interaction and initiate interactions with males." Another fun element of alligator courtship is that while in most vertebrates, males approach females, alligator females often approach males. Usually it's the males approaching, but for many crocodilians, courtship initiation is an equal-opportunity affair.

Alligators are also really vocal during courtship! This is pretty unusual for a reptile- usually they're a quiet bunch. But crocodilians are pretty chatty. And during the breeding season, something pretty spectacular happens: infrasonic communication, better known as bellowing. This is sometimes called water dancing, due to the ripple patterns it makes. It's a loud, low-pitched rumble that conveys information about size and location, and is used for territorial displays and as a mating call. During the not-breeding season, a bellow means "stay away!" During the breeding season, it means "HOT ALLIGATOR SINGLES IN YOUR AREA."

Here's some pretty spectacular videos showing you what this looks and sounds like. The vibrations make the water above their backs splash up.

Alligators are also extremely tactile during courtship. The study has detailed analysis of touch in specific tactile zones along the head and neck of the alligators. Vliet notes "These sites have increased numbers of swollen pustular scale organs, the function of which is unknown."

What's kinda funny about this to me is that now, the functions of these organs are known- they're highly innervated tissues that help alligators detect prey in murky water. An alligator's jaws are more sensitive than a human fingertip due to the sheer number of nerve endings! So of course these areas are going to be highly sensitive, and to me it makes perfect sense that they feature so heavily in courtship.

So what can we take away from this 40-year-old study? Quite a bit! First, it's a great reminder that humans aren't special. We see same-sex mating behavior in pretty much every species we look at. We see it in cockroaches, spiders, and butterflies. We see it in sheep. We see it in alligators. We see it in every other species of great ape. Of course we also see it in humans! There's nothing that special about same-sex sexual behavior. It's a part of... pretty much everybody's evolutionary history.

Another thing I think is really important is that while this is an old study, it was absolutely pivotal as a turning point in helping people understand alligators. Remember how I said earlier that we protect what we love, and we love what we understand? This study showed the world that alligators weren't just mindless eating machines. They're socially complex! Understanding alligator sociality and how they choose mates and interact helped us care for them better. It told us more about how to keep them happy in captivity. Alligators are smart, communicative creatures. They don't always get along, but they don't always fight, either. (Don't get me wrong: they will fight each other, and they've actually evolved some pretty specific anti-other-alligator defenses... but they don't always fight, even during the breeding season.) This is interesting to me because in mammals, it's hypothesized that same-sex sexual behavior may have evolved for prosocial reasons; that is, it helps reduce conflicts. Perhaps it does the same for alligators.

In conclusion:

If you want to know more about alligator courtship and mating rituals, I can't recommend Vladimir Dinets's Dragon Songs: Love and Adventure Among Crocodiles, Alligators, and Other Dinosaur Relations highly enough. I know I talk about this book all the time, but it's easily the most accessible writing on crocodilian social behavior. It will change the way you think about and understand these animals.

Another phenomenal book is Alligators: The Illustrated Guide to Their Biology, Behavior, and Conservation by Kent Vliet. (Hm, wonder if he's written anything else...) This is basically the Bible for gator behavior. The photographs are absolutely gorgeous, too.

[ambrosiagourmet]

Hey, Kabru and Mithrun spend some interesting time together, don't they?

With Mithrun having just officially premiered in the anime, and a lot of discussions swirling around about him, I've been thinking a lot about that section of the story quite a bit. These chapters - Roasted Walking Mushroom and 6 Days - are some of my favorites. For a lot of reasons, really. Not only are they are a huge turning point for the story as a whole, but they have some excellent character work, and represent an important shift in Kabru and Mithrun's individual arcs and relationship to each other.

The chapters are also kind of a fully contained story arc just on their own, which is an impressive bit of writing, and makes them super fun to analyze. So that's exactly what I'm going to do!

This will be structured as a close reading of chapters 61 & 62, with some asides for additional important context. I'm going to talk a little bit about a reading that I disagree with, but for the most part I just want to focus on how Kabru and Mithrun's relationship progresses during these two chapters. In particular, the ways they both grow from the time they spend together.

Also I just want to quickly note that this isn't written as Ship Content. It's meant to be an analysis of their relationship as presented in the text - layer whatever additional meanings and filters on top of that as you'd like, but please respect that my intent is not to talk about or champion a ship, or frame any of this content as romantic.

So, with that all being said:

How do Kabru and Mithrun help each other?

First of all, I think there are two important pieces of context that inform the Kabru & Mithrun Dungeon Adventure chapters. Both are related to Kabru's state of mind, and both are set up before or during the chapters in question.

The first is the context of what happened just before Kabru and Mithrun fell into the dungeon. Specifically, the events that led Kabru to make them fall.

Kabru, essentially, gives up his life at the end of chapter 55. When he stops Mithrun, and when they both plummet with the collapse of the first floor, he is okay with dying. Mithrun warns him that they will both die if Kabru doesn't let him go, and Kabru accepts this as a worthwhile exchange.

Why?

Well, because he doesn't want the elves to take over the dungeon. Throughout the last 3 chapters, the Canaries have been effective, but they have also been cruel in their efficiency, and they have made it clear that they don't care about collateral damage. They lured people into the dungeon specifically to provoke a violent reaction from it, without regard for who might get hurt by the violence.

What's more, they are keeping important information from Kabru, and he knows it.

He's not just looking for a solution, he's looking for the truth - a truth that he believes that he will only find through conquering the dungeon. With good reason, to be fair! The elves make it very clear that they aren't there to treat the other races on the Island as equals.

So Kabru uses the only tool he has available to him - his own life. It won't get him the truth, but it at least gives a chance for another person from a short-life species (namely, Laios) to earn it in his place.

This dovetails nicely with the more thematic context that's introduced in at the start of chapter 61: the room where he could eat all the cake he wanted.

This place, a place that Kabru never wants to go back to, is a place where he is safe, and a place where he is ignorant. A place where he is sheltered from danger, but also from the truth. The same place the Island would become, if the Canaries had their way. He doesn't just want to be safe, and he doesn't even just want the world to be safe, though he does want to be able to protect people from what happened in Utaya.

But he doesn't just want to entrust that safety to the paternalism of the elves (especially since he is all too aware of the ways they can fail, or the people they are willing to sacrifice in the name of that "safety"). He wants to be given the agency to seek safety and peace for himself.

He wants to understand. And he wants the chance to act.

This is the context we have, going into the arc of 61 & 62. But before I talk about how the chapters build on this context, I want to take a step back and look at what else the chapters establish early on, before delving into their exploration of Kabru's agency.

First of all, I kind of want to challenge the framing of Kabru and Mithrun's relationship as solely that of a caretaker and his charge.

Obviously, Kabru is forced into a caretaker position - at the threat of his friend's safety, no less. (Okay, it's actually Toshiro and Namari that are being held, but still. There are hostages involved in this) But I do think it's important that Mithrun isn't the one who puts Kabru in this position - Cithis is.

Before this conversation, Kabru and Mithrun are already exploring the dungeon together. Mithrun doesn't threaten Kabru, or force his hand. He kind of just assumes that Kabru will join him. It's rude, and not particularly respectful, but given the dangers of navigating a dungeon alone, I don't think that's really an unreasonable assumption. And it certainly isn't the same as Cithis' approach.

If they were left alone with no intervention, they probably would have ended up in a similar position to the one that Cithis leveraged them into. Kabru is smart, and he could have figured out the things that Mithrun needed help with. And, to be clear, those are things that Mithrun needs help with not because he is selfish or thinks they are owed to him, but because he is disabled. It's not unreasonable for him to need that help, and it's not unreasonable for Kabru to provide it, under the circumstances.

Besides, they both need each other down there. Kabru wouldn't have survived without Mithrun - he doesn't know enough about monsters, and isn't familiar with the deeper dungeon's layout. And Mithrun wouldn't survive without Kabru - he isn't able to notice his basic needs and would burn himself out without food or rest, making him an easy target for the monsters he could otherwise take care of on his own.

Aside from both needing each other, another interesting layer to their relationship, which is established right away, is that Kabru doesn't have to - and literally cannot - put on a mask of social niceties around Mithrun. He can't suck up. It doesn't work.

So Kabru, who spends so much of his time concerned with how others perceive him, and who compromises his own comfort in order to become the most appealing version of himself at any given time, has that tool taken away. He has to help Mithrun, but notably, he can only help Mithrun to a certain point. He cannot compromise his open and honest feelings to help maintain someone else's view of the world - or at very least, it doesn't benefit him at all to do so.

Instead, they sit together, in the same position, share the same shitty mushroom dinner, because they both have to:

And that's notable, too. They both have to. Cithis' demand is most specific about the need to eat. Three meals a day! But this is something they both need, not just Mithrun.

Still, their relationship at this point still isn't exactly supportive, or even respectful. Kabru may have realized that he didn't need to keep up an act around Mithrun, but ya know, he still turns around an immediately try to, with that shitty mushroom dinner.

(The 'badly drawn shapeshift Kabru' gag here isn't just funny, imo, it's also a reminder of the thing he JUST LEARNED. Mithrun is immune to the Kabru smile anime sparkles filter.)

Mithrun also doesn't tell Kabru any helpful information at this point, and doesn't really put much effort into helping him at all. He slaps him awake out of a Nightmare, and treats him with the same disregard he did at the start of the chapter, focused entirely on moving ahead.

But then Mithrun collapses, and the current structure of their relationship collapses with him.

I think it's interesting here that the shift in their dynamic also includes Mithrun explicitly noticing Kabru's desires. Obviously it's not actually like some kind of I truly see you and recognize your humanity moment shared between them, but I do still like the way that it pulls Kabru's internal wants to the surface. Kabru not voicing his desires doesn't mean they don't exist, and Mithrun recognizes that the same way the dungeon does.

And then Mithrun does, in fact, grant one of Kabru's deepest desires. He tells Kabru the truth.

Just like how they are working together in the first place, this truth is as much a necessary concession to survival as anything. But that doesn't mean it's not impactful for Kabru. This is the thing that every other elf in his life has kept from him. A secret foundational to his core belief that long-life and short-life species can never come to mutual understanding.

And Mithrun isn't just giving him the bare minimum information here. What he shares isn't just a truth, it's his truth. It's a level of complete and total vulnerability that few people share with each other. And again - some of this may just be coincidence and necessity. I imagine Mithrun is so open, at least in part, because he doesn't have the same barriers that other people do when it comes to sharing these things.

But, then again... we see Mithrun at his most vulnerable and empathetic when he is talking to dungeon lords & potential dungeon lords, and trying to convey to them the truth of the trap they are walking into.

This face:

Is very similar to this face:

These are some of the few instances that we see Mithrun emote in this way, and his story does come just after he notices the dungeon responding to Kabru's desires.

But, no matter if Mithrun's openness is in response to Kabru being tangled in the dungeon's hunger, or just part of his nature (or, maybe, a little of both), his story changes things for Kabru. It gives him the chance to make actual choices, now that he understands the truth. It gives him a chance at agency in the story.

And he immediately turns around and uses some of that agency in an interesting way:

When asked about why he can't sleep, Mithrun says he needs to be magically compelled. Being magicked to sleep is simple, and it is efficient, but he doesn't even just say it's the best option. He seems to believe it is the only option.

So much in Mithrun's recovery has been framed through how it will let him fight the demon. Recover so that you can return to the dungeon. Sleep so that you can return to the dungeon. Eat so that you can return to the dungeon.

But rest, much like eating, isn't just about achieving the bare minimum required for efficiency. And as Senshi would probably say, the easiest path isn't always the best.

I don't think that the Canaries are intentionally running Mithrun ragged or anything, but as I mentioned earlier, they are very focused on efficiency, with little thought spared to what is lost or hurt in the process.

And there is something different about Mithrun's time with Kabru in the dungeon. Lycion even notes it, when they finally connect back up.

I don't think it's a huge leap to say that how Mithrun falls asleep here is emblematic of that difference. When Kabru helps Mithrun to sleep by massaging his feet, rather then using magic, he is explicitly taking a step beyond the minimum. He is providing comfort to a body that has been given only necessities for a long, long time.

These two events - Mithrun sharing the truth of the dungeon with Kabru, and Kabru choosing to help Mithrun to sleep through a foot massage - shift their relationship. There's a clear difference in how we see them treat each other, and especially in how Mithrun treats Kabru.

Before, Kabru provides food that he has gathered himself (okay, it was a mushroom he put his foot through on floor one, but the point still stands that Mithrun offered no help at all with getting food).

Afterwards, they gather food together.

Before, Mithrun teleports Kabru towards a monster, using him as a weapon when he can't find anything else.

Afterwards, he helps Kabru escape monsters, and fights them directly.

Before, he slaps Kabru awake after 5 hours of uncomfortable, Nightmare-filled sleep. A rest which, notably, Kabru didn't even intend to take for himself.

Afterwards, we see Mithrun keeping watch while Kabru sleeps in a bedroll.

I don't necessarily think that all of these things are choices that Mithrun consciously makes. Like, after 6 days, Kabru would have to get some actual sleep eventually, and Mithrun would pretty obviously have to keep watching during that time.

Nonetheless, there's still a difference in how these scenes are framed, and the fact that it is these things that are used to portray their journey together. Kabru is not the sole person providing food and sleep and safety - they provide these things for each other. Kabru eats alongside Mithrun, hunts alongside Mithrun, and he sleeps in the same way we see Mithrun sleep, laying down and resting deeply enough to be groggy when woken up.

What's more, during their time together, there are even a couple of instances of Kabru being more willing to care for himself and accept care. The sleeping is one example - note how he is surprised at having slept "that long" when told he was asleep for less than even the minimum recommended amount of nightly sleep - but I think the pattern of his eating is even clearer. In making sure that Mithrun eats regularly, he is forced to eat regularly too.

And I especially like the progression with the Barometz meal. After Mithrun has fallen asleep, Kabru thinks about wanting to "give [Mithrun] something nice to eat," but also notes that Mithrun's lack of desire "means there isn't even anything he wants to eat." So what does Kabru do?

He makes Mithrun something that he wants to eat.

I've already talked a bit about the ways that Dungeon Meshi depicts people finding support through "borrowing" the desires of the people who care for them, and I think this scene is a great example of that idea. Especially in the way that it pulls an expression of desire from Kabru, who is so prone to ignore his own hunger and needs. The meal may not end up anywhere close to the flavor intended, but it's still a far cry from the roasted walking mushroom.

All of these pieces come together at the end of chapter 62, resulting in a pivotal choice that could only happen because of the ways Kabru and Mithrun have, at least a little bit, grown closer to each other.

As they are preparing to leave, Kabru hears a bell ringing in the dungeon, just as he hears Toshiro's matching bell on the other side of the portal. Realizing Laios is nearby, Kabru hesitates. He knows the truth about the demon, and how he has a chance to act on it.

Cithis, the person who extorted Kabru into taking care of Mithrun in the first place, pushes for Mithrun to follow along with the plan.

(okay a quick aside here I just want to say I do love Cithis and I'm not trying to bash on her here. I just think it's interesting that she is the one to establish the terms of Mithrun & Kabru's cooperation, as well as the one who tells Mithrun to leave the dungeon at the end of the chapter)

But Mithrun doesn't go along with her command. Instead, he does something unexpected:

He asks what Kabru wants to do.

In contrast to Milsiril's smothering comfort,

and in contrast to his Mithrun's own assumption that Kabru will follow him, when they first wake up in the dungeon,

Mithrun follows Kabru's lead.

This, right here, is the change between them. Not only that, but it's a shift in the entire balance of agency in the dungeon. For what might be the first time in a very long time, Kabru - a tall-man - knows the truth, and is acting on it. He makes a huge decision purely on his own judgement. He is not trying to appease or coerce anyone, and he doesn't win Mithrun over by hiding his true intentions.

Rather, it's the honesty between them that builds to this moment. Mithrun's honesty earns Kabru's trust, and Kabru's honesty earns Mithrun's respect. They bond not because they are forced to spend time together, but because they choose to spend that time giving each other more than the bare minimum - even when they are both people used to accepting the bare minimum.

It echoes Laios' argument with Toshiro, in a way. They eat three square meals a day (Cithis mandated admittedly), they get plenty of sleep, and in doing these things, they take each other seriously. They treat each other as more than just a means to an end.

I don't necessarily think it's a flawless, unbreakable bond that's built during this time - hell, they both kind of revert back to their old behavior, once reunited with the rest of the Canaries. People don't completely change their habits overnight, after all.

But it is a shift. It's a shift that gives Kabru the chance to steer the story towards the ending he has fought for all his life, and it's a shift that helps Mithrun find a way to move forward after he loses his own reason for living. They reach their goals, and then they step past them - facing life beyond the moments they thought defined their reasons for living. Facing life beyond the bare minimum.

And that is how they help each other.

[noellefan101]

Quiet Love

Characters: Xiao, Heizou, Cyno, Wanderer, Albedo x mute!reader

Summary: You're mute, and cant talk? not a problem for your partner, they can find other ways to communicate, and honestly wouldn't have it any other way.

Warnings: mute reader, kissing, most of them dont know sign language bc i said so and it makes this more interesting, idk man

Note: i feel like i accidentally made both the char and reader mute in some of them, I've tried to fix it though, so im sorry for that (and i also messed up some other shit im just missing brain cells n´ down bad) -love you

Xiao

Whom talks with you in touches and small notes.

He had seen no problem in your absence of speaking, he likes the quiet nights that you shared with him. The sounds of nature taking over your ears, it was nice, just standing beside you and looking out to the views of Liyue. he reaches out to hold your hand, though still not accustomed to the feeling, he does it anyway. and as his hand lightly squeezes yours, he feels your own squeezing his back, as if saying 'I love you'. your quiet conversations are sweet and only for you two to know about.

He leaves notes scattered around, as you do too. ones with little messages of your schedule and plans. ones written with more love than any other person could comprehend. notes shared between you and him. notes saying 'i loved that dish, could we make it again' and a reply under, 'of course, i'll do anything for you'. it seems simple and dumb, but a nice way to talk to each other anyway.

Heizou

Who likes when you just listen to him, and let him do anything he kind of wants to since you can't talk back, but he also loves when you just draw your thoughts on paper.

He loves to talk, but mostly loves when he gets to talk to you since you always listen to him so closely. he loves when he can just drag you to to places, but of course he's nice about it (kind of) and ask you if you wanna go to that new ramen shop that opened in the outskirts of Inazuma City, which he kind of answers for you because of course you do! in which you smile at (smile at him or else...)

He likes your little drawings, and especially when its a little puzzle he has to solve so he can understand what you're saying and loves to guess wrong purpose so he can get a reaction out of you. and even has a special sketchbook, that he keeps on him at all times. he also sometimes goes trough it and just smiles at all your little drawings. remembering the time that you drew it, and all the cute little faces you made when he teased you for how bad it looked.

Cyno

Who helps you talk with small drawings in the sand and learned sign language so he could communicate with you properly.

He's often out in the desert, and from time to time takes you with him. which makes it easy to express yourself when all you need is a stick, sometimes his spear if he lets you, and sand which is already in front of you at all times. the little drawings that symbol your love, so many hearts all over the sand it would be hard to count how many times you drew them. he gave you his cape at night when you were extra cold? you drew a heart around his feet as a 'thank u, i love you', in which he cutely (your words) responded with, "i love you too" right after.

Whom learned sign language just because he felt like you were left out a little, but also learned the wrong one at first so you had to help him and learn him some signs as well. but the first thing you learned him was how to say "i love you", but didn't tell him what it meant so you could do it without him noticing just for a little while longer.

Wanderer

Who hates being touched, but makes you touch his shoulder when you need something and gifts you a book so you can write to him when needed

He, despite hating when people touch him, he cant think of many other ways you could get his attention, so he wants you to touch him when you need him. it doesn't matter if he had an extra bad day, its the best way to get his attention, so touch him all you want. it is you after all, the love of his life, he would let you do whatever you wanted to do, just tap his shoulder and give him a few signs or point at something, anything you want you'll get.

Others would say that he would be annoyed at you for pushing a book up to his face every hour or so, but he surprisingly he doesn't get annoyed at all and "tolerates" you pretty well. in fact he loves when you just stand there and write in your little book, he thinks its adorable when you glare at him as a sign to wait for you to finish.

Albedo

Who is normally very quiet but when he's with you he loves to talk, but of course, he loves the times when it's just you and him sitting together in silence

He could be seen as quite shy if you didnt know him well, but when around you he was the complete opposite, talking about everything he did that day, was currently doing, what plans he had ext. he loves when you just listen to him, but if you ever tried pointing at smt to ask like yk 'whats this?' he would be overjoyed and you wouldn't be able to make him shut up for hours about that one thing.

He looked at you when you had put your hand in front of his sketchbook, you looked at him sweetly before kissing his cheek, catching him by surprise. he put down his sketchbook and kissed you back on your forehead. it was just a quiet moment between you two and you wouldn't have it any other way.

thx for reading i hope your day went/goes well, luv ya-Masterlist

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