#and it had a bit of evidence

[brave-symphonia]

Demyx is doing a very important job Axel, he’s the one tying the whole Organization together.

[poorly-drawn-mdzs]

Embrace the truth

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[kaitobromota]

rewatched dr1's anime and the amount of joy this image gave me was indescribable

[magenta-somethings]

bruce canonically once brought an entire block, just so his son's his sidekick's gf wouldn't have to move out of the city. even after warning tim about letting having a love interest interfere with the mission

so put a tally in the bruce-using-his-obscene-wealth-to-help-out-his-kids column

(panels from robin (1993), issue #23)

[beatriceportinari]

Oyster, origami, one square of paper. Loosely modelled on the black-lip pearl oyster.

[badgerhuan]

Mitsurugi took the bear and went to find Itonokogiri, and they investigated the origins of the bear together.

In Saraba, Gyakuten (Farewell, My Turnabout), Itonokogiri helps Naruhodou and Harumi figure out that Fujimino's hotel room had been planted with a spy camera. And then, he decided to help by investigating the origins of the camera, to see if they can figure out who bought it. It might take all night, but he's determined to do it, and promises Naruhodou that he'll have the answer by morning.

After he leaves the room, fired up about his new task, the following happens:

Harumi: But. Keiji-san, is such a nice person. Harumi: For Mayoi-sama's sake, pushing himself that hard... ???: ...though the way he's going about it is completely reckless. Naruhodou: (...that voice...!) Mitsurugi: Excuse me. ...I overheard you talking. Naruhodou: ...Mi-Mitsurugi...!

Mitsurugi appears, cutting in at just the right time to comment on Itonokogiri's behavior, with a smile on his face.

After he informs Naruhodou that a taskforce has been assemble to find Mayoi, Mitsurugi then goes to check on the bear, commenting that it's a rare, high-class brand that only a few gets imported to Japan. He checks the time, commenting that it's not too late. He then takes the bear from Naruhodou and leaves.

Naruhodou and Harumi leave as well, furthering their own investigation into Fujimino's murder. It's not until much later that Naruhodou suddenly gets a phonecall from Itonokogiri.

Itonokogiri: It's not good! Itonokogiri: I'll...I'll be back at the office soon! Naruhodou: Wh-what happened- Itonokogiri: Something unbelievable has happened! Itonokogiri: Mitsurugi-kenji was, uh... Naruhodou: (Mitsurugi...?) Itonokogiri: Anyway, hurry and come back! Itonokogiri: I, don't know what's what anymore! It's bad! It's finished! I am- Phone: ...beep... Naruhodou: ...huh, he got cut off.

Itonokogiri's call gets cut short in the middle of his panicked ramble. It's as if someone had hung up the phone for him before he could spiral too far. Also, he lets slip Mitsurugi's name before seemingly catching himself.

When Naruhodou and Harumi get back to the office, this is what Itonokogiri greets them with:

Itonokogiri: You're too late! Mitsurugi-kenji already left!

We know from the start of the phone call that when he made the call, he wasn't at the office yet, and there seemed to be someone else with him. And now, he's talking as if Naruhodou would've been able to also meet Mitsurugi if he had come back to to the office sooner. This would imply that up until Itonokogiri got back to the office, the person who had been with him the entire time is Mitsurugi.

And, most decisively, Itonokogiri is not only carrying the camera and transmitter he took from the hotel room, but also the bear and all the items related to its investigation. When Naruhodou asks him about the bear, he says:

Itonokogiri: I met with the clerk of the department store. Itonokogiri: This is the credit card receipt. Itonokogiri: ...38000 yen. That's exactly the cost of that bear. Naruhodou: ...receipt...? Itonokogiri: Of course, it's not just the receipt. I also got the clerk's testimony. Itonokogiri: "I'm sure I sold it to Outorou"...that's what they testified. Itonokogiri: On top of that, it seems that the clerk also got a signature. Itonokogiri: The one who bought the bear, is definitely Outorou!

Not only does Itonokogiri say that he met the clerk, he was also able to quote the clerk directly. This proves that he definitely has met the clerk in person.

After this, Itonokogiri gives Naruhodou back all three pieces of evidence he had on him: the camera, the transmitter....and, the bear, which he had somehow came in possession of.

In conclusion, what we can infer happened:

Mitsurugi overheard the entire conversation about the spy camera and the transmitter in the bear, and saw Itonokogiri rush out of the hotel room, razor focused on his new task: finding out who bought the camera.

Mitsurugi knew, instantly, that as much as Itonokogiri's determination was in the right place, that that search would be a fruitless one. So he went into the room, commented with a smile that Itonokogiri was being reckless, and immediately went to confirm that the bear was as rare as he thought it was.

Once he was sure, Mitsurugi hauled the giant ass bear with him, and went and found Itonokogiri, somehow. He could've left Itonokogiri running around the city looking into the camera all night...but he didn't. Instead, he looked for him, found him, and gave him the bear and told him to look into it, steering him in the right direction.

Together, they headed to the department store and found out who bought the bear. Upon learning the disturbing truth, Itonokogiri called Naruhodou in a panic, and before he could spiral too far, Mitsurugi intervened and hung up the phone for him.

Then, together, they made it back to Naruhodou Law Office, with the bear and the receipt. After making sure everything was in order, Mitsurugi left before Naruhodou came back.

Even when they're not working together anymore, even when Itonokogiri had been fired, even when Mitsurugi has no obligation to Itonokogiri anymore, they still went and found each other. Still worked together. They fall in step with each other so naturally. I doubt either one of them even thought twice about it.

bonus, when Mitsurugi says that looking into the camera would be fruitless, he says:

"The camera that the hasty keiji-kun took with him is no clue."

I need everyone who hasn't played the game in Japanese to understand, that Mitsurugi only ever uses "-kun" for people younger than him. And the only other person he's used the "occupation+kun" combination to refer to is Naruhodou, as bengoshi-kun, in the courtroom, whenever he thinks Naruhodou is being naive. This is the only time he's ever referred to Itonokogiri as such, and 1) at this point, Itonokogiri isn't a keiji anymore, and 2) he doesn't say this within Itonokogiri's earshot.

He's unable to stop thinking of Itonokogiri as a keiji (which is, in Japanese, very specifically a police detective), and he doesn't let Itonokogiri hear this half-affectionate nickname that he knows Itonokogiri would understand as an insult.

bonus 2, before Mitsurugi leaves the hotel room with the bear, Naruhodou stops him:

Naruhodou: Why...? What on earth are you planning! Mitsurugi: ............ Mitsurugi: I'm not interested in explaining myself to someone who can't understand.

He doesn't explain anything to Naruhodou, knowing he wouldn't understand. This would imply that whoever he does tell about the bear and what to do with it is someone he knows can understand him.

Itonokogiri has always been able to understand him.

And he personally saw to it that Itonokogiri is the one to figure this out and deliver Naruhodou the news.

[pyrosomatic-metamorphosis]

look at them having a completely normal non-manipulative friendship what good friends they all are. look at those happy smiles and ignore the red lines im sure the red has no symbolism at all hahaha

[goldkirk]

past me squirreled away so many little bread crumbs over the years to lead me back to information and records and things that I kept that I didn’t consciously allow myself to understand I might need someday again

[avantgardechild]

Woah hey,

So I decided to start rewatching fantasy high from freshman year to junior year since the season finished. In Gorgug’s introDUCTION, he talks about breaking his bed and having dreams where he’s angry all the time and in the context of the roleplay, yeah Gorgug is a pubescent barbarian who is struggling with wanting to connect with his biological parents.

But in the context of junior year there’s so much that could be said about this intro scene. Is it typical for all barbarians to go through in this period of their lives or was this the inception of the rage stars? Did Brennan take this bit and run with it for the whole rage god idea, because rage plays such a huge role in so much of early fantasy high if you think about it. So much of adolescence is rage inducing, you’re older than a kid so a lot of things are expected of you but you’re still not an adult, and couple that with the fact that hey remember, the Bad Kids are FOURTEEN in freshman year. They literally work to save the world multiple times.

Anyway, I’m excited for more of this to be revealed/bits to analyze now. Brennan did say that a lot of this was 5 years in the making. I just want to see when he started to build things up and find connections in his own story because we know that it was Emily/Fig’s insistence that Porter was evil that inspired Brennan and not him already being evil. And that’s the wonderful thing about collaborative story telling and role playing, there is some structure required for it to feel like a satisfying story but the players have as much say in this structure as the DM does.

God I love the fantasy high universe.

[iwritenarrativesandstuff]

Teruko and Yosano should've faced off. I think Yosano should've been posed that question that Atsushi was; that reveal of the "future war" - Teruko went along with Fukuchi out of a mix of indebtedness and being at a loss for what to do. War is all she's known; of course she doesn't know. But Yosano has been to the depths of despair and come back out of it again. She might've faltered at this horrific reminder of her trauma, but when it comes down to it, she saves the lives before her. She fought for a way back to light and life. I just think there could've been a really interesting conflict there. And it would've made Teruko's role much more tragic if she wanted desperately for there to be a third option but just didn't have enough time to sit with it and process what that third option might be before Fyodor made it all go to hell.

Also a fight between them would've been interesting, because Teruko is much physically stronger than Yosano, but Yosano can heal from any physical injury inflicted. However, since we now know Teruko can alter mental age, she could inflict psychological wounds by de-aging her, which would've been a good callback to the horrors of war in her backstory, and also been a nice bit of foreshadowing for Teruko actually being a child.

Teruko eventually allowing Yosano to leave out that door after seeing her resolve would've been a deeply bittersweet and powerful moment, I think, especially in hindsight after her backstory reveal.

[wonder-worker]

"[Elizabeth Woodville's] piety as queen seems to have been broadly conventional for a fifteenth-century royal, encompassing pilgrimages, membership of various fraternities, a particular devotion to her name saint, notable generosity to the Carthusians, and the foundation of a chantry at Westminster after her son was born there. ['On other occasions she supported planned religious foundations in London, […] made generous gifts to Eton College, and petitioned the pope to extend the circumstances in which indulgences could be acquired by observing the feast of the Visitation']. One possible indicator of a more personal, and more sophisticated, thread in her piety is a book of Hours of the Guardian Angel which Sutton and Visser-Fuchs have argued was commissioned for her, very possibly at her request."

-J.L. Laynesmith, "Elizabeth Woodville: The Knight's Widow", "Later Plantagenet and Wars of the Roses Consorts: Power, Influence, Dynasty"

[sysig]

Ooo requestober eh? Something I've been curious to see a bit more of maybe is Jake interracting with Scriabin. Edgar wondering about what the two of them talk about together alone got me curious too 👀

(Resending to the main for you :3)

Day 3 - Definitely not kissing! If that's what you think!

Meanwhile, Jake:

[kyouka-supremacy]

Formal attire Akutagawa appreciation post

[urahara-lovepage]

honestly fuck aizen but you know how insane and sicknasty it would have been if kubo gave him a better motive than “loneliness” or at least explained it better. you’re not getting me w some sob story abt how he had no equal so he committed mass murder and colonized a place. that’s straight nonsense.

[discjude]

whatever afterlife exists in SGE must be the funniest shit ever imagine being some Jaunt Jolie peasant who gets a little too in the way of the Snake and dying only to see The Literal School Master cheering the Snake on. Imagine dying of like cholera or something and taking a little Ghost Vacation to Camelot and seeing the King of Camelot - who's dead, apparently - beating the shit out of some random other boy with weird eyes. imagine how flesh and blood went down. Do you think they all had popcorn for that

[opal-inna]

Alhaitham is King Deshret megapost

Genshin Impact Lore / Speculation

I’m fairly certain that Alhaitham is either King Deshret reincarnated or is related to him in another way. There’s plenty of visual and lore evidence to back this up, hence I decided to compile it into this post. Note that I didn't include the latest content from 3.4 as I didn't familiarize myself with the new lore. This is a copy of my twitter thread.

This post is by no means 100% complete, since I couldn’t find all of it myself and I will be adding more once other evidence is presented. Feel free to send me more lore and visual hints via DMs and replies and I will add them to the thread. And if you have your own theories, please discuss them in the replies or rb with your own thoughts.

Part 1: Visual Evidence

A bit of storytime.

I’ve been familiar with the King Deshret theory a while back, but I wasn’t 100% convinced back then. However, during my time exploring the Mausoleum of King Deshret I encountered this. Notice the symbol on the ceiling, looking like the symbol on Alhaitham’s chest.

That’s when I stopped having doubts.

After looking closer, I’ve noticed many other design choices from Alhaitham’s appearance to motives of King Deshret’s civilization. I will list them below, note however, that this isn’t all of them, because I’ve only selected the most important ones, despite there being dozens of smaller ones, for the sake of making this post as concise as possible.

Motive of a blue eye

Symbol on Alhaitham's chest, motive of feathers

Motive on his boots

Motive oh a hawk

There were many statues of hawk like creatures, possibly being the statues of Deshret himself. It's also notable that Alhaitham means "young hawk" or "young eagle" in arabic. There's also a lot of other bird motives which I might list later, if you'd like.

Okay, but all of the above is just clothing and coincidences, isn’t it? These things could be attributed to him being a Haravatat member, and his interest in ancient scripts (so history and culture too) of King Deshret, no?

Ignoring the fact that Haravatat mainly focuses on linguistics, whereas it’s Vahumana that focuses on history and culture, there are other visual clues to suggest that Alhaitham isn’t who he seems.

This gem, however weird it might be, doesn’t seem to be a part of his clothing, given that it’s detached from it. Instead, it looks like it’s a part of his body. Despite the color change (more on that later) it’s suspiciously similar to these symbols.

This likeness of King Deshret also conspicuously has a gem in the chest area. The gem also is highlighted, meaning it’s probably important.

This isn’t even subtle.

While weird pupils are not uncommon for Sumeru’s playable characters, Alhaitham’s eyes are a direct copy of King Deshret’s likeness from the cutscene. The choice of blue/green iris combined with an orange pupil is peculiar, because nowhere in the game do we see such different colors just clash with each other. This choice was deliberate and I believe it’s hyv giving us a hint.

Part 2: Lore evidence

There is also some evidence in the lore of both characters.

But first, a little bit of Honkai lore.

This won’t be long, because I’m not as familiar with Honkai lore. Most of my research here is based on what I found from the internet and wiki and not the original source material. However, it’s important to mention it, because Alhaitham is a Su expy and some more concrete evidence is found in Su’s lore.

Su, in Honkai universe, is a leader of Project Valuka. This name doesn’t sound familiar at first, until you remember the Aranara questline. 

“Valuka” is Aranara speech for the desert, and the ruler of Valuka is none other than King Deshret.

If Alhaitham is a Su expy and Su has a lot in common with King Deshret, then the parallel between these characters seem more than just neat design choices.

However, it gets even more interesting. Because Su from Honkai prior to the game’s events “had imprisoned himself in the Seed of Sumeru as an act of redemption” - (direct quote from the wiki).

Which smoothly brings me to my next point, which is:

Part 3: The why - how is it even relevant?

Okay, so they are similar in their design. But does that mean they’re actually the same person? And how is it relevant?

Well, it brings the personality of both in another perspective.

If you’re unfamiliar with King Deshret’s lore, here’s a quick recap of the most relevant points.

King Deshret was one of the three rulers of Sumeru with Greater Lord Rukkhadevata and Goddess of Flowers. He was also deeply in love with the Goddess of Flowers and she was aware of his affections. He was proud and foolish. After the archon war ended was offered a gnosis by the Celestia, but he declined.

One day, he told her what his greatest dream was. Though unspecified, his dream involved rebelling against the divine. Despite her warning, he insisted she showed him “all there is to know about the skies and the abyss”. As a result of this ritual she perished, though King Deshret was unaware she did it intentionally.

After her passing, King Deshret was unable to move on and his sorrow drove him to madness. He created an utopia, which was supposed to be “free of worry, schemes and slavery”. He either created it to eradicate forbidden knowledge, but failed, or he tried to create an utopia and caused the forbidden knowledge to spread (more likely according to “The Lay of Al-Ahmar. Note that the validity of this book isn’t determined). Whatever the case might be, the result was that countless of his people died that very night.

After the leakage of forbidden knowledge, King Deshret and Rukkhadevata joined efforts to get rid of it. In order to do that King Deshret sacrificed himself and Greater Lord Rukkhadevata used most of her powers.

You might have noticed that these two characters, despite few similarities, are completely different from one another. One is cautious and reserved, and another is foolish, ignorant and sentimental. So, here’s my theory.

I believe that Alhaitham is King Deshret’s reincarnation, but without his memories. Not only that, but in my opinion the difference in their personalities seems intentional. Whether it was King Deshret’s reflection upon himself or Alhaitham’s own choices, it looks like Alhaitham purposely avoids acting like Deshret.

Deshret doesn’t think before he acts - Alhaitham’s demo trailer is literally called “Think before you act”. Deshret becomes a king and destroys his own kingdom - Alhaitham avoids situations in which he’d be placed as a leader, saying he’s not good in this role.

It could be King Deshret’s or Rukkhadevata’s design (more on that later) or Alhaitham’s conclusion based on his research in King Deshret’s legacy. It’s possible he’s even aware or suspects his own relation to him, as he’s very intelligent. 

Part 4: The how- Is it even possible?

In short, yes. There are many hints towards the possibilities of reincarnation in the story. This might be simply another samsara or a more direct intervention, for example of Greater Lord Rukkhadevata.

Nahida, being Rukkhadevata in the next samsara is just the beginning. In the Aranara questline, the Aranara say that death is just a loss of memories. Next we have Flower of Paradise Lost artifact set, in which it is said "Those who bloom like flowers, die like flowers, and rise again with the seasons like flowers can never be troubled by the likes of 'death.’” (these are the words of the Goddess of Flowers, perhaps about herself, but I can’t say that for sure).

Staff of the Scarlet Sands polearm description says: “Fear and grief must be torn down, and so the barrier between life and death must be removed”. (This is about him building his own utopia, mentioned previously).

Even if those interpreted individually mean different things, having so many mentions of rebirth is certainly worth taking into account. But how did King Deshret in particular get reincarnated?

Notice, how in this cutscene, King Deshret is removed to a single crystal, before disappearing. It appears as purple at first, but then changes color to a greenish blue.

Very similar in fact, to another gem.

In my opinion, this is Deshret’s soul - an empty husk without his memories. Why does it appear green in Alhaitham’s chest? Well, I think it was the Greater Lord who rescued him. Using her power of life she gave him another chance. It could have happend in another way, but I find it the most plausible.

Either way, regardless of the means, we can’t rule out reincarnation as a possibility.

Part 5: Conclusion

Keep in mind that this evidence isn’t directly stating that Alhaitham is King Deshret. Other than his eyes being the exact copy of King Deshret’s image (which usually would imply the same soul/identity), all this evidence is pointing out to them having a relation, not necessarily being the same person.

With that said, I am fairly convinced on that being the case. I encourage you to discuss it in the reblogs and share any interesting evidence you’ve found.