#and then all the people in the fandom who i see around

[weirdly-specific-but-ok]

for whom good omens is being written

Hey maggots and the rest of the fandom, it's the Good Omens Mascot here. Today I read a post about this tweet:

The accompanying video genuinely made me cry. And I've been thinking about this for a long while, as far back as February, when I saw a lot of conflicting opinions on what people wanted from the third season. It really is true that no matter what you do, some people will be dissatisfied. But what matters is that Neil is writing this for Terry.

And I was reminded of some paragraphs from the Good Omens TV Companion, which I'd read in Amazon's sample excerpt of the book. I know this is a long post, but I really truly do think you all need to read these, I've done my best to select only the most important parts. Here you go:

'His Alzheimer's started progressing harder and faster than either of us had expected,' says Neil, referring to a period in which Terry recognized that despite everything he could no longer write. 'We had been friends for over thirty years, and during that time he had never asked me for anything. Then, out of the blue, I received an email from him with a special request. It read: “Listen, I know how busy you are. I know you don't have time to do this, but I want you to write the script for Good Omens. You are the only human being on this planet who has the passion, love and understanding for the old girl that I do. You have to do this for me so that I can see it." And I thought, “OK, if you put it like that then I'll do it."

'I had adapted my own work in the past, writing scripts for Death: The High Cost of Living and Sandman, but not a lot else was seen. I'd also written two episodes of Doctor Who, and so I felt like I knew what I was doing. Usually, having written something once I'd rather start something new, but having a very sick co-author saying I had to do this?' Neil spreads his hands as if the answer is clear to see. 'I had to step up to the plate.' A pause, then: 'All this took place in autumn 2014, around the time that the BBC radio adaptation of Good Omens was happening,' he continues, referring to the production scripted and co-directed by Dirk Maggs and starring Peter Serafinowicz and Mark Heap. ‘Terry had talked me into writing the TV adaptation, and I thought OK, I have a few years. Only I didn't have a few years,' he says. 'Terry was unconscious by December and dead by March.'

He pauses again. 'His passing took all of us by surprise,' Neil remembers. 'About a week later, I started writing, and it was very sad. The moments Terry felt closest to me were the moments I would get stuck during the writing process. In the old days, when we wrote the novel, I would send him what I'd done or phone him up. And he would say, "Aahh, the problem, Grasshopper, is in the way you phrase the question," and I would reply, "Just tell me what to do!" which somehow always started a conversation. 'In writing the script, there were times I'd really want to talk to Terry, and also places where I'd figure something out and do something really clever, and I would want to share it with him. So, instead, I would text Terry's former personal assistant, Rob Wilkins, now his representative on Earth. It was the nearest thing I had.'

(...) As Neil himself recognizes, this is an adaptation built upon the confidence that comes from three decades of writing for page and screen. But for all the wisdom of experience, he found that above all one factor guided him throughout the process. 'Terry isn't here, which leaves me as the guardian of the soul of the story,' he explains. 'It's funny because sometimes I found myself defending Terry's bits harder or more passionately than I would defend my own bits. Take Agnes Nutter,' he says, referring to what has become a key scene in the adaptation in which the seventeenth-century author of the book of prophecies foretelling the coming of the Antichrist is burned at the stake. ‘It was a huge, complicated and incredibly expensive shoot, with bonfires built and primed to explode as well as huge crowds in costume. It had to feel just like an English village in the 1640s, and of course everyone asked if there was a cheap way of doing it. 'One suggestion was that we could tell the story using old-fashioned woodcuts and have the narrator take us through what happened, but I just thought, “No”. Because I had brought aspects of the story like Crowley and the baby swap along to the mix, and Terry created Agnes Nutter. So, if I had cut out Agnes then I wouldn't be doing right by the person who gave me this job. Terry would've rolled over in his grave.'

And, finally, this paragraph:

"Once again, Neil cites the absence of his co-writer as his drive to ensure that Good Omens translated to the screen and remained true to the original vision. 'Terry's last request to me was to make this something he would be proud of. And so that has been my job.'"

I think that's so heartwrenchingly beautiful, and so I wanted you all to read this, too, just in case you (like me) don't have the Good Omens TV Companion. It adds another layer of depth and emotion to this already complex and amazing story that we all know and love.

Share this post, if you can, please, so that more people can read these excerpts :")

Tagging @neil-gaiman, @fuckyeahgoodomens and @orpiknight, even if you've definitely read these before :)

[creatingblackcharacters]

Do you have any advice/suggestions/requests for non-black members of fandom as far as how to respond to racism in fandom spaces? Obviously we shouldn't be speaking over black voices, but it doesn't seem fair for black members of fandom to have to do all the work of making a fandom space safe and welcoming for themselves.

You are correct! Tbh, these are tips for being a good ally in general:

Amplify Black Voices!

Odds are, whatever manifesto you have in your mind about the injustice of antiblackness in your fandom, a Black fan has already said it multiple times. While I appreciate the sentiment, I must admit I'm salty when I see that people are more supportive of (usually white) voices that discuss my lived experience, over my own voice and my lived experience. What does that really solve? You need to be following Black fans too, that way you're actually in the know when these things are happening.

Don't be a Bystander!

If I'm getting jumped and you (who had the power to help) show up afterwards to say "I really empathized with your pain", I'm not going to think "wow they cared, I'm so grateful". I'm going to think "WOW they really let me get my ass beat!" Same idea with this. That's honestly the most painful part for me; it's not the lone racist themselves, but the hordes of people who back them up, and the rest (some of whom you may even consider a friend) who might disagree but say absolutely nothing.

When you see that a Black peer is being railroaded and you KNOW it's wrong, step tf up! Be willing to say "you're out of pocket for behaving this way, and I will not be supporting you now that I know you're a racist". I will never know you're an ally if you're only an ally in your head! It's the thought that counts, but the action that delivers!!

It's going to be uncomfortable! Stand on it!

If you share that you're against antiblackness in fandom spaces, but next you're reblogging whitewashed art, or an artist known for whitewashed/racist pieces, or still following someone who's made covert/overt antiblack statements, etc. just bc you "enjoy their stuff"... You're not being an ally. Be willing to hold those creators accountable, and when they disappoint you, unfollow them. Be willing to tell your friends, "hey, that person did/said this thing that was anti-black and were unapologetic about it". And if your friends don't care? Now you know who's around you. I'm not saying it's easy, but... Do you stand on business, or would you rather allow racism so that you can stay comfortable? Because your Black peers have to live under this discomfort you're only momentarily experiencing. It's far harder for me to approach these people and hold them accountable. And if I see that you're still kicking it with known antiblack racists... I'm probably not going to assume highly of you, either.

Educate yourself on what these aggressions look like!

You might not know what to look for, and if you don't, you're gonna miss a lot. What is actually antiblackness will often be posited as "drama" or "fandom wank". Or, if they're really trying to sound progressive, it'll reveal itself as dogwhistles in other important topics like queer representation or misogyny (e.g. how white women often claim misogyny when confronted with their racism, or TERFs). That's how it gets swept under the rug. Learn to recognize microaggressions, learn to recognize the signs. It requires work! Listen to and believe your Black peers when they explain what they saw! Bc trust, once you see it... You'll realize there's a lot of it lmao. And that's what many fans are afraid of confronting.

That's what I have for now, if anyone else has anything to offer. 👍🏾 Thanks for asking!

[samcarter34]

Since people seem to once again be having trouble remembering the order of operations, let me just remind everyone:

The ability Laudna possesses to feed Delilah is Hunger of the Shadow. In the fight with Bor’dor, Laudna used that BEFORE Orym’s head nod. Bor’dor attacked them and her response was to do the thing she knew would give power to Delilah. Matt even makes the sound of Delilah’s heartbeat.

The spell she used after the head nod? Whither and Bloom. The same spell she later attacked Orym with, which isn’t even a warlock spell.

And speaking of the head nod, you want to know what’s it’s prefaced with? ‘Laudna you can do whatever you want.’ And Marisha responds by saying that Laudna is ‘barely present’ because she’s having ptsd flashbacks to all of the times something horrible happened to her and she couldn’t do anything about it. So she kills Bor’dor because it makes her feel in control of the situation.

And yeah, the 4SD where Liam says Orym thought Delilah might come back. Except y’all somehow took that and made it seem like he’s the one who shoved Laudna over the edge when what actually happened is that Laudna flung herself off it because betrayal is triggering to her.

And the sword. The sword which apparently wasn’t triggering enough that Imogen contemplating whether the Vanguard were good guys didn’t cause any reaction. Or for that matter, make her object to Ashton’s ‘this is permission statement.’ But she saw Orym wearing it, got uncomfortable and then all it took was one sentence from Delilah for her to decide to steal it. Delilah, who mutilated her, murdered her, has been possessing her for decades, and who basically held her soul hostage when BH wanted VM to resurrect Laudna. But what Delilah didn’t do? Tell Laudna to steal the sword.

I wasn’t around for campaign 1, but in campaign 2 I definitely noticed a trend that people who were all ‘I love women! Female characters rock!’ would, the second one of their alleged faves did something controversial (or just something they didn’t like) would find a way to shift the onus onto someone else so she could remain blameless. And that is definitely continuing this campaign, and if anything is getting worse (which, not to get into speculation, but I wonder if it’s because all of the female characters this go round are more traditionally feminine than last campaign.)

I think the reason Orym’s been getting raked across the coals so hard by certain parts of the fandom is actually because of this. Because Imogen’s repeatedly gone ‘what if the Vanguard have a point’ and Laudna agrees with everything she says, whereas Orym’s been pretty consistently ‘no, the murder cult that murdered my family are bad guys.’ And well, can’t go around admitting that our faves did something wrong.’

And so we have a situation where Laudna attacks Orym, but somehow that’s Orym’s fault because the possibility of Laudna doing something wrong ruins people’s lesbian cottegecore fantasy. But the thing is, that whole thing was all Laudna. She chose to listen to her first murderer when Delilah said ‘maybe it’s cursed’ and then she chose to blanket the room in magical darkness (sorcerer ability, not warlock) chose to cast an area of effect spell to destroy the thing Orym was using to sheath the sword (sorcerer spell, not warlock) and, upon hurting Orym, chose not to drop said darkness, which meant Orym couldn’t see who attacked him. And when she got caught, she tried to downplay what she did, tried to say that because she didn’t mean to hurt him it didn’t count, refused to apologize for actually hurting him, kept shifting her argument (and even low key got called out on it by Imogen when she asked Laudna why she’s want its power inside her if she thinks it’s so evil.)

There is an alternate universe where Laudna wakes Orym up and they have what probably would have been an intense discussion about the sword (and that might even have been what Marisha was aiming for before Delilah got involved) and THAT truly would have been the ‘both sides are equally right’ scenario, but that’s not what we got. And you can say Orym shouldn’t have taken the sword unilaterally (but somehow Laudna’s allowed to unilaterally steal and absorb it?) or that she’s being manipulated by Delilah, but the fact is that Laudna’s an adult and is responsible for her own decisions. Yes, Delilah is a powerful and malign presence that they all downplayed/ignored, but, to use Marisha’s addiction metaphor, making amends with those you’ve harmed is a part of recovery for a reason. Because ultimately, you are the one who did that. Yes, it does immensely suck for Laudna that she’s been handed the cards she has been, but it’s up to her to make the best play she can.

Wow this got long, but my overall point is that Laudna is a character with her own agency and makes her own decisions (well, Marisha makes them, but at this point y’all should know she’s not conflict averse and is willing to have her characters make controversial character choices). And really, take all that away, what’s left? How much onus can you take from a character before you might as well go look at a painting?

[rheakira]

I've come to temporarily break my hiatus to bring up something deeply important. Because after a recent event, if I have to go another day without talking about it, I don't know what I'll do.

Fandoms have an enormous issue when it comes to bigotry and people feeling comfortable enough to be openly bigoted.

And I want to make it clear: everyone is capable of it. In fact, most people do it more often than they don't. But because this strange myth has been built up that if you aren't "blatantly saying slurs" or "killing others" it can't possibly be bigotry, we have done nothing but become dangerous behind closed doors.

If your friend has odd beef with a person of color in the fandom and holds them to standards they don't hold their white friends to, that is bigotry. If your friend feels some sort of way about the trans person in your friend group and tries to come up with reasons for why they specifically can't stay, that is also bigotry. If your group insists that a person with a personality disorder is making it up just for attention and uses that as a reason for why they can't be around them, that is bigotry as well.

I've never been upfront about it because... why do I, as a human being, need to be upfront about my identity when people randomly decide what I am? But I am in fact a person of color who is queer and disabled. Whenever I join a fandom group that is mostly white people, I am liked until this is discovered. And then I watch as people get brutal about things I do or say. Things that they don't do to other people in the group, and I also watch as they take my words and either twist them for convenience or ruin my reputation for it.

As a marginalized person, both in fandom and out, you are held to a unique standard that does not apply to other human beings around you. It makes doing what you love very difficult, because unfortunately as a marginalized person, people will always subconsciously side with the person trying to oppress or attack you. This has happened to me my entire life, from school to work spaces to even internet spaces claiming to be safe places.

People will say that they care about you and like you and even form a friendly bond with you, but the moment a person of privilege decides they do not like you very much, they can and will side with the other person even without proof of their issues with you. It's exhausting and ruins lives in places that should be fun and safe.

I am on my umpteenth experience with this exact cycle and I would be lying if I said it didn't make me feel like I couldn't live or breath in places I should be allowed to be involved in. It's a very real problem that refuses to end because no one has the courage to challenge it. I am speaking not only on my own experiences, but for the many other people of color or queers or disabled people who simply cannot join these so called "safe spaces" because of our identities conflicting with people who have been taught that we are lesser and not worth love or care.

If this is a problem you face, please know that I see you and I love you. It's hard to keep surviving in a world that wants to hurt you and leaves you abandoned and alone. I want you to know that the world is scary, but we all exist. You should be allowed to experience joy and fun without feeling like you're being suffocated and wanting to die.

You matter. The people around you that make you feel like you don't are nothing by comparison. You matter and I truly hope that we'll one day find each other and become the safe space that we deserve.

The marginalized people in your fandom are more important than your fictional characters and plotlines that you put above us. We're here and we're not leaving. Learn to live with us and protect us.

If we're truly your friends, you would care when your privileged "friends" want to remove us.

Additionally, please do not take this rant and make it only about white people who are part of these marginalized categories. This is a post about EVERYONE. Including the people of color around you. Do not remove us from this conversation. Care about ALL OF US if you support this at all. Thank you.

[mattslolita]

one of the girls - c. sturniolo

in which ... you're one of chris sturniolo's girls for the night of the versus tour. chris x black!fem!reader

warnings ; smut, fingering, cowgirl, creampie, unprotected piv ( wrap it freak hoes )

"𝒊 𝒋𝒖𝒔𝒕 𝒘𝒂𝒏𝒏𝒂 𝒃𝒆 𝒐𝒏𝒆 𝒐𝒇 𝒚𝒐𝒖𝒓 𝒈𝒊𝒓𝒍𝒔 𝒕𝒐𝒏𝒊𝒈𝒉𝒕."

˗ˏˋ ꒰ ♡ ꒱ ˎˊ˗˗ˏˋ ꒰ ♡ ꒱ ˎˊ˗˗ˏˋ ꒰ ♡ ꒱ ˎˊ˗˗ˏˋ ꒰ ♡ ꒱ ˎˊ˗˗ˏˋ ꒰ ♡ ꒱ ˎˊ˗˗ˏˋ ꒰ ♡ ꒱ ˎˊ˗˗ˏˋ ꒰

every moment since you had bought the tickets, you'd been waiting for this day for months — the let's trip versus tour. you've been a fan of the sturniolo triplets since late 2022, and since you weren't able to make the first tour, here was your second chance in 2023 to make the versus tour.

you and your best friend alize had been trying to pick out the perfect outfit for you both to wear, having switched things up many times in between since you wanted it to be a perfect day.

even though as a nick girl she'd be wearing purple, you and alize wanted to match with each other to the t — her outfit contrasted yours only because she wore a cardigan instead of a puffer like you had. the amount of pictures you both took on the uber ride to the venue was insanity, as you both were twinning so hard.

when the day came, you felt excitement course throughout your body as you realized you'd soon be in close vicinity with chris sturniolo — you were a die hard avid for 'black girls 4 chris', something you and alize would joke about all the time. you liked to joke and say you were the number one chris girl ever, whilst alize said that she'd hands down be nick's favorite lesbian.

you knew sometimes your fangirling could get out of hand at times, as you found multiple occasions where chris was your wet dream or you often daydreamed about what it would be like to be with him. his voice, his hair, his personality, that smile, he had lived in your head rent free. you also knew chris probably had no issue at all when it came to hookups, but that wasn't something you cared about — even if it was for one night, one time, you wanted to be in their shoes. you wanted to know what it was like to be one of chris's girls.

the line at the venue had filled quickly, as you and alize had met several of your online friends you made from the fandom — the other girls were sweet and kind, and as you looked at the other chris girls in the crowd you briefly felt a wave of sadness as you thought that any of them could be the lucky one.

your worry dissipated though as you felt alize's excitement radiating off of her body, causing you to giggle. "girl, how are you feeling?"

"how you gon ask me that, y/n?" alize said in disbelief, causing you to giggle as she put a hand on her chest, "we literally finna be breathing the same air as nick sturniolo. hoe, i'm unwell."

some people shot alize dirty looks at her seemingly rude behavior, but both of you paid no mind to them — anyone who was friends with her knew that that's the way she joked around with people, the way she spoke in general.

"i'm so excited to see chris," you tell her dreamily, running a hand through your curly lace front you got done yesterday, "i hope i get picked as his teammate."

"laura's racist if she don't pick us to be one of they partners," alize whispered to you, causing you both to laugh as the line moved forward.

"remember, we get to get pictures and do small talk before the show starts, so make sure we're headed for that line!" you explain to alize who playfully rolls her eyes and swats your shoulder.

"girl chill out, i remember what our tickets said!" alize giggled, "i sure as hell remember how much we paid for them things, ain't no way i'm not speaking to them!"

"and then the merch," you whined, pouting your lips, "that shit was going into my funds for college next semester!"

"then you might wanna start looking for a j-o-b!" alize tells you knowingly, causing you to groan, "i told you, i can speak to my manager for you!"

"girl that man is a pervert, i'm not working there!" you say firmly, "how do you even deal with him?"

"why do you think i act like a dude every time i have a shift?" alize tells you knowingly, "you'll never catch me wearing stuff like this around him."

you felt yourself become excited again as you looped your arm with alize's looking at you guys' matching outfits. "i still can't believe how much we matched with each other!"

"what if we can get a group picture with me, you, nick, and chris?" alize wonders, "we'd all look fine as shit."

"i know chris probably looking fine as hell today," you whispered to alize, causing her to giggle at you.

"girl you always think he look fine," alize says with an eyeroll, causing you to nudge her shoulder playfully.

you could feel your nerves heighten as you got a view of the area where the triplets could be seen doing group photos with the fans. a nerve of both excitement and arousal coursed through your veins as your eyes landed on chris — stray hairs peaked from underneath his black backwards cap, his usual friendly smile painted across his features. you unknowingly bit your lip as you scanned his outfit, seeing as he was wearing an orange tasmanian devil shirt with black jeans white air forces — casual, yet he still turned you on so much.

you took a deep breath as the line drew closer, and you had an even better view of the triplets. they all looked so good, and you felt both excited and nervous at the fact that it would soon be you and alize's turn.

just as you had turned to whisper something alize, chris's eyes had somehow wondered over to you unbeknownst to you — his eyes wandered around the entirety of your outfit, drinking in your brown skin and your thick thighs which were somewhat hidden by your skirt. he almost smirked as he realized you had been dressed in all orange, letting him know you were a chris girl. his girl.

when you looked up from laughing at what alize had said, you could feel eyes on you — your breath almost caught in your throat when you realized he was checking you out. you bite your lip nervously as he swiped his thumb over his nose before giving you a small smirk, directing his attention back towards the fans who were next in line.

you could've melted right then and there, now having to clench your thighs at this. there's no way chris sturniolo was checking you out just now? your mind had to be playing tricks on you.

then again, you didn't doubt chris had thought some fans were were cute. he definitely wouldn't have had any problem hooking up with the older fans if they let him, you definitely would've wanted to hookup with him.

your nerves skyrocket even more when you realize you and alize are up next.

the security ushers you towards nick first, who offers you a warm smile and outstretched arms. "hi, love!"

"hi nick!" you say, hugging him quickly before you make your way towards matt. "hi matt!"

matt gives you a smile, hugging you back as you go to chris next.

his eyes are already on you, having watched your interaction with his brothers — a small smirk is on his face as he pulls you in for a hug, his hands dangerously close to your ass as they reside on your waist. "hi, gorgeous."

it comes out a sort of whisper, which causes your cheeks to warm as you pull away from him with a shy smile. "hi, chris."

you turn to see alize already positioned in between nick and matt, so you took that as the initiative to put yourself in between chris and matt as well. nick puts his arms around alize with a smile, whilst both matt and chris put their arms around you.

well, matt's arm stays around your neck, while chris slips his around your waist, giving it a gentle squeeze causing you to clench your thighs together.

the picture snaps twice, and you turn to wave a quick goodbye to both nick and matt. chris smirks, sending a subtle smack to your ass as you give him a shy wave and you leave with alize.

you still couldn't believe what just happened — you debated on telling alize, but she was so caught up in rambling about the fact that she just hugged and smelled nick so you just giggled with her and let her talk.

the show soon started, and unfortunately you did not get picked to be chris's teammate — but you and alize squealed of excitement when laura asked if she wanted to be nick's teammate. of course that girl was not finna pass that up.

you were front and center of the stage, watching as the show took place in front of you — you knew your eyes weren't playing tricks on you when you saw the glances chris kept sneaking at you. you couldn't help but let your doe eyes wander and stay on his, even when you were recording alize and nick. you had almost missed the perfect swish alize made with the basketball, causing you to cheer loudly for your best friend.

when chris had walked near your side of where the stage was, he gave you a subtle wink to which you smiled and blinked your doe eyes up at him. you were hoping other girls couldn't see it, as they would be quick to make stupid assumptions, because it's not like anything was happening.

the show soon ended, leaving you both nervous and excited once again since you and alize had the small talk with them now. unfortunately you and alize ended up being one of the last people in line, since she accidentally left her phone somewhere on the stage and spent time looking for it.

the small talk line up was in birth order, which you were extremely grateful for — alize had went before you, and now you were up next as you make your way towards nick again.

"hi again!" nick says to you with a beam, holding his arms out for another hug.

"hi, how are you?" you ask him excitedly, as you place one of your posters on the small table.

"i'm feeling good, it was cool to meet everyone," nick tells you, unrolling your poster of all three of them. you hold a pen out to him, which he gratefully accepts, "how are you tonight?"

"i'm doing good!" you tell him excitedly, "i can't believe chris won again, what's going on with you, stink?"

both of you laugh, and he shakes his head. "trust girl, i'm gonna win we just need to give it some time."

"period!" you say, holding your phone up, snapping a few pictures with him, "thank you so much nick, i hope you have a blessed rest of the tour!"

"thank you so much for coming!" nick smiles as you both hug one more time, before you give him a wave as you're off to matt next.

matt smiles at you as you approach him, and you smile back as you set your things on his table. "hi again!"

"hi, matt!" you say calmly, "may i hug you?"

"absolutely, c'mere," he says politely, outstretching his arms towards you, and you slip into his arms.

"how are you tonight?" you ask him, as he signs one of your posters.

"i'm doing good, i can't believe how many people came," matt tells you, and you nod understandingly.

"i'm glad to know you're doing good! i hope you're having fun, too," you tell him sweetly, as he smiles and pulls you in for another hug.

"do you wanna take some pictures?" he asks you kindly, and you nod enthusiastically, handing him your phone as he snaps a couple of .5 photos of you both.

"have a blessed rest of your tour!" you tell matt as you collect your things, beginning to walk away as he smiles and waves at you.

as you're approaching chris, he already has that same smirk plastered on his face as he watches you walk up to him slowly — when you reach him and set your things down on the table, he's instantly bringing you in for a hug.

his hands skim over your skirt momentarily, causing your breath to hitch at the close contact. "hi again, chris."

"hey ma," chris says, swiping his thumb over his bottom lip as he eyes you up and down shamelessly, "did you miss me?"

"i'm a chris girl, of course i missed you," you purred, a sudden bold confidence striking you as you blink your doe eyes at him.

he licks his lips at you and hurriedly jots something down onto one of your posters, and you find yourself unable to look away from him as you take in the way his jawline is so sharp and how the light hits him. he looks so hot, and something inside you wishes he would take you right then and there.

"alright, wrap it up!" one of the security guards yells towards you, causing you to sigh as chris gave you an apologetic smile.

"it was nice meeting you, chris," you say shyly, going to grab your posters.

"you'll see me later, gorgeous," chris whispers in your ear, sending a shiver down your spine as he pulls away, giving you a wink, "see you soon."

you give him one last smile before you hurriedly begin walking to find where alize is at. as you're nearing the hallway, a buzz in your pocket causes you to take your phone out, seeing a message from alize.

alize🙈🫦

girl tell me why i left my phone AGAIN

i went to go look for it that's why you don't see me anywhere

you curse under your breath at this, silently shaking your head as you begin walking towards the exit — suddenly a hand goes out to grab your arm and carefully yank you towards the door.

"what the fu-"

"told you you'd see me again, ma," chris's voice smirks, and you could feel yourself gasp as you turn to see him, your hand still in his.

"where are we going?" you ask, looking up at him.

"giving you a private tour," he smirks, licking his lips as he looks you up and down once more before pulling you towards the door.

it's nighttime already as the both of you exit out of the door — you feel yourself giggle slightly as the wind whips your hair whilst he hurriedly makes his way towards their tour bus with you.

he looks around to make sure nobody saw or followed, and he quickly opens the tour bus doors. chris signals for you to get inside first, and he couldn't help but watch the way your ass jiggled when you walked up the steps.

as soon as you both were inside, you barely have a chance to look around at the tour bus before chris hurriedly whirls you around to face him, his lips meeting yours in a hungry kiss.

your arms find their way wrapped around his neck as he draws you closer to him, his arms slithering down to give your waist a gentle squeeze before he lands a smack to your ass.

you gasp into the kiss, allowing his tongue access inside your mouth — you moan when his hands roam all over your body, until he hooks his arms under your legs.

"jump f'me," he mumbles into the kiss.

you do as you're told, jumping and hooking your legs around his waist. chris walks backwards towards the sofa couch, sitting down on it as he continues to kiss you.

you move your legs on either side of his waist straddling him, as you whimper into the kiss — you detach your lips from his and bite down on his bottom lip, pulling away with a pop.

"fuck, you're so hot, baby," chris breathes, causing you to whimper again as you grind down on his hard on.

"chris i want you to do whatever you want with me," you breathe, resting your forehead on his as you catch your breath, "i'm yours."

"is that so, sweetheart?" chris grins up at you, running his hands up and down your sides which causes a shiver to run down your spine, "you gonna be a good girl f'me?"

"yes, always," you tell him, grinding down on him again eliciting a low groan from him.

chris reattaches your lips, tilting his head in order to dominate the kiss — he pulls away and leaves a trail of kisses on your neck, sucking on a particularly sweet spot causing a moan to escape your lips.

you shrug your puffer jacket off of your shoulders, as chris helps to take off your halter top as well. your tits spill out of your bra causing chris to groan as he takes one in his mouth, sucking and nipping at it whilst massaging and kneading the other.

"m, fuck chris," you whine, throwing your head back as you grind down on his erection, feeling your panties dampen.

"take this off f'me baby," chris instructs you, taking his hands off of you so that you could stand up.

you hurriedly pull down your skirt, revealing the orange lace panties you wore underneath — chris's eyes darkened with lust, immediately pulling you back onto his lap. "fuck, you had this all planned out, didn't you?"

"no, but i was hoping it worked," you giggled, biting down on his earlobe as his hand went down to rub across your slick.

"look at you, so wet f'me," chris breathed against your skin, rubbing his hand along your wetness teasingly, "take these off baby."

you quickly stood up and rid yourself of the panties, throwing them to the ongoing pile of clothes. chris pulled you back onto his lap, inserting one of his long, slender fingers into your hole, causing a lewd moan to escape your lips.

"f-fuck chris, feels so good," you moan, throwing your head back as his fingers work in and out of you.

"taking my fingers so well, sweetheart," chris rasps, leaving kisses along your neck as his fingers curl inside you.

"please, faster..." you whine out, his mouth leaving a deep purple spot on your neck as he pulls away with a pop.

he speeds his pace as he finger fucks you, loving the way you sound as he abuses your walls with his fingers — he added another, increasing the pleasure and you felt your orgasm approaching quickly.

"so close, chris," you moan, grinding onto his fingers, "m' gonna cum."

"cum on my fingers baby," chris grunts in your ear.

you quickly obliged, feeling your orgasm wash over you as a moan of chris's name escapes your lips and your juices coat his fingers, your legs shaking. you stand up as he licks his fingers clean, grinning up at you as he pulls his pants and boxers down revealing his throbbing cock — your eyes widened, now knowing that he was in fact huge as fuck.

"what's the matter baby?" he grins cockily, grabbing your waist again as you hover over him.

"you're s-so big, i don't-"

a loud moan escapes your lips as chris sinks you onto his cock, and you immediately feel him stretching your walls — tears feel your waterline from how big he is, your mouth fixed into a permanent 'o' shape as you adjust to his size.

"c'mon ma, i know you can take me," chris assures you, gripping your waist tightly as a groan leaves his mouth, "be a good girl, remember?"

you nodded, just as chris suddenly thrusts his hips up hitting your g spot which elicits a moan from you as you grip his legs while your head is thrown back — he grabs your chin as forces you to look at him.

"look at me while you ride me, ma," chris instructs you sternly.

your hands still gripping his legs, you begin bouncing up and down on his cock as it abuses your cervix repeatedly — the slapping of skin as well as chris's low moans and your high pitches ones vibrated throughout the tour bus, and you were pretty sure anyone close enough could hear what was happening.

"fuck this pussy feels so good," chris grunts, watching as your tits bounce in his face, his eyes staring into yours darkly, "who's pussy is this?"

"yours chris, all yours," you moan, throwing your head back as you continue bouncing, "m'close again..."

"hold it baby, i'm almost there," chris pants, his hips thrusting upward to meet your pace, "fuck..."

suddenly chris grabs your phone and holds it up, taking a live photo of you bouncing on his cock whilst he leaves another kiss to your neck.

with a few more thrusts, you feel chris's dick twitch inside you indicating how close he is — he finally releases inside you, painting your walls white. your second orgasm washes over you, as your legs shake whilst your juices release all over chris's cock.

chris helps you off of him, and you stand up immediately grabbing your clothes scattered around — chris lands a smack to your ass as you bend over to pick your shirt up. "chris!"

he just laughs as he pulls his pants up, then hands you your skirt as well. you smile up at him shyly as you slip it on — he rubs his thumb across your lip and plants another quick kiss to it as he holds your phone up again.

"sorry i couldn't take it earlier," he says, pulling your body against his.

"it's okay, taking it here feels more intimate anyway," you giggle.

you hold the side of chris's face as he snaps the camera once, then he places a kiss to your cheek as he snaps another one.

"can i use the bathroom real quick?" you ask him shyly, and he nods, showing you where it was.

once inside you hurriedly pee, letting out a sigh as you finish and wash your hands. you look in the mirror at yourself, a small smile tugging at the corner of your lips as you look back at the girl who just got fucked by chris sturniolo.

walking back outside, you look to chris who has your phone in his hand, as he holds it out to you, which makes you smile and walk towards him, reaching for it.

he puts his hand on your waist as he holds your phone above your head, looking down at you with a smirk.

"boy, if you don't hand me my phone back!" you tell him, trying to reach for it which resulted in him holding it higher.

"few more kisses first, ma," chris grins, puckering his lips out making you giggle.

you press a kiss to his lips and pull away, but he quickly dips down to peck your lips a few more times. he hands you your phone back finally, and you smile as you begin walking towards the tour bus's exit.

"your posters!" chris says before you can leave, hurriedly handing them to you.

"thank you," you said, looking up at him, "i enjoyed tonight."

"anything for one of my girls," chris winks with a grin, planting one last kiss to your lips.

you exit the tour bus, looking around for any sign of life before you make your way around the building — you look around, your body trembling from the cold air before a honk of a horn grabs your attention and you gasp, jumping slightly.

"where the fuck were you, y/n?" alize's voice says worriedly, rolling down the window to the uber, "bitch i was looking for you!"

"shit girl, i'm so sorry," you apologize, climbing into the seat of the uber next to her, "i have so much to tell you."

"hoe, you better tell me where you disappeared to," alize whispers to you half angrily, the other curious.

before you could get a word out of your mouth, a buzz from your phone grabs your attention.

unknown

*one attachment*

y/n

chris ??? are those my panties ??? 😭

unknown

didn't fuck anybody else baby, yeah they're yours

need something to remember you by since today was our only la show

y/n

is this you telling me you wanna see me again?

unknown

i'll fly you out to another show if you're down

y/n

only if my girl can come too !

unknown

i'll get you both a plane ticket

y/n

i'll see you soon then😘

unknown

good

send me some pics to keep me company while you not here😏

"bitch what?!"

lil 💌

this didn't come out as good as i wanted it to, but i hope y'all liked this ! love u guys so much muah💌.

@luverboychris @muwapsturniolo @prettiest-poision @mrssturnioloo @mattsturniolosleftnut @sturnprime @thenickgirl @guccifrog @nickgetsmewetter @eyeliketoeatpoosay @e1ias3 @sp3aknaur @middlepartmatt @summerssover @riasturns @sturn777 @l0akkzz @hysteria-things @pinksturniolo @chrissturniolossidehoe @chris-slut @hoesformatt @raysmayhem-72 @whosthislyssbitch @lanas-doll @chrisssluttywaist @mbbsgf @jetaimevous @sturnsxplr-25 @moonk1ss3d

[who-is-page]

I've seen (typically older) therians talking about how they feel that their subculture as animal-people and nonhumans is slowly disappearing. This is a point that, in all honesty, I'm inclined to agree with-- although I think I'd perhaps frame it less as "disappearing" and more as just "changing."

Because let's be honest with ourselves here: is the subculture actually vanishing, or is it just evolving into radical new dimensions as excited newbies join and find different focal points for their nonhumanity? As they express themselves in whole new dimensions and ways, as they explore a digital landscape that didn't exist ten, twenty years ago? As the older members lose touch with the newer members, and no one bridges that gap between the two?

I think I'm also extra frustrated because when I see these discussions go down, a lot of the time they're either 1) self-pitying, or 2) finger-pointing.

It's not bad or wrong to look around and realize that the community you found comfort in has changed in ways you could have never predicted and which leave you feeling off-kilter. But approaching these changes with a complete lack of curiosity, with an absolute woe-is-me sort of perspective, where you drag your feet and glare bitter daggers at everyone else, isn't the way to do anything.

And going around trying to pin blame on whoever happens to be at hand is an even worse way to approach it. "It's the furry fandom's faults!" "It's the alterhumans' faults!" "It's the humans' faults!" Who does this approach realistically help? What does this do, beyond ostracize people and make whoever is saying it feel temporarily vindicated in their solitude, in a vicious cycle where they never step out of their ivory tower and always use how alone they are as "proof" that they're right?

I think having discussions about the ways the subculture has changed is extremely worthwhile. But I think that they're at their best when enthusiasm over sharing takes a main, central point. When you see people excitedly telling others about Werecards for the first time, or when you get to introduce someone to the concept of personal websites and webrings, or when you link someone who's only just starting to learn that there's others like them to old and new groups and forums alike. These are the ways you keep those traditions alive, these are they ways you get people both informed of and really excited about them.

And like, maybe I'm just cheesy and optimistic, but building bridges is way more fun than building walls! And more than that, I also think it's fundamentally something that's significantly more helpful and productive. I'm always so hype when I see community projects taking off that involve connecting many different people, especially if they're centered on a specific group or identity, but I also think that those sorts of things are how we keep a community healthy and moving, how we avoid things getting stagnant and rotting away.

I've said it before in past essays I've published and I'll say it again: alterhuman communities survive through their internal momentum. We're still around and kicking because we're a bunch of opinionated, passionate animals and objects and entities and people and concepts and and and-- this is what we are! This is how we all, both together and individually as separate groups, continue to be around. We write. We argue. We dance. We leave tracks. And then others see all those things, months or years down the line, and they know they're not alone. They know that it's okay to join in around the campfire, and they end up leaving their own tracks, and the cycle repeats.

So I guess what I'm saying here is that I'm not just beseeching people to create, but I'm asking you to create with others. To extend that paw towards the people around you in your immediate community spaces and wider, and to realize that yeah, the digital grains of sand and time might erode and change the landscapes we're all in, but we can still have a damn good time exploring the new nooks and crannies around us and showing others our old hidey-holes and favorite spots to watch the sun set.

[infinityinakiss]

hello, dead boy detective fandom! i know we're all rewatching the show to help it get renewed and i just wanted to send out some reminders so your time isn't wasted:

remember that when netflix is counting your views, it counts every rewatch as less and less (if that makes sense). this is overly simplified, but its like the first watch counts as 1, the second as 0.5, the third as 0.25 and so on. this means that no matter how many times you rewatch it, the best thing is to get other people to watch it once or twice. your rewatches still matter, but spreading the word is really going to help. pester your friends incessantly, i promise you they'll cave.

when rewatching, make sure to have your volume on. it can be very quiet, but it still has to be on. netflix won't count your views if the volume isn't on.

if you're watching on a computer, don't be on another tab while its playing. shrink it down and have it play in the corner of the screen.

do not skip around to your favorite parts, make sure to watch the whole episode all the way through, until netflix automatically plays the next episode. you do not need to see the credits.

make noise on other social media platforms. i know, this show is a tumblrina's fantasy, but most services don't pay much attention to what goes on around here. make sure to go on instagram, tiktok, youtube, and any other platforms where netflix promoted the show. you can make your own posts, or you can like, comment, and share other people's posts, especially netflix's posts.

i have gained this information by being part of other campaigns, and people much smarter than me are the ones who figured all this out, so if you have specific questions, i might not have the answer. check out my pinned post for general tips on rewatching shows.

[riacte]

Re: popularity and clout gap, this thought has been lurking at the back of my mind but it didn’t hit me until a friend pointed out it was like how some parts of the audience used to treat hermits in MCC. As in: the hermits could achieve something technically amazing but were ignored simply because they weren’t popular (see False’s back to back win being ignored post MCC12) when the exact same achievement would cause them to lose their minds if it was done by someone who was more “popular”.

Post Demise 2, I joked this was like Blue Bats over again in which False (and Ren) won with the power of friendship in a wholesome storyline yet some parts of the audience chose to be salty their fave didn’t win instead. Sometimes you can see such a severe cognitive dissonance because people watch different hermits. Like that post on Reddit innocuously asking about Perry when I’d seen him around for weeks now and people pointed out Perry had been featured in the Neighbourhood’s videos for a while. (Nothing wrong with the post but it shows how vastly different the viewing experience is.)

It’s kind of like we’re back to 2020/21 era esque “hermit erasure” but it’s (unintentionally) done by some hermit fans. Okay, actually I’ll erase the unintentionally. Plenty of people only watch a few hermits and I emphasise that is fine and you can do anything you want forever. Enjoy HC in any way you like. Be free. The problem only surfaces when people pretend their corner is the only corner that exists and everyone else are the side characters. Like, it’s really fine to admit you don’t know everything. Someone on the MCC Reddit tried making teams and admitted they didn’t know the hermits well but somehow their teams ended up being more hermit accurate than most teams I’ve seen.

This situating done by some parts of the audience of some hermits as “main” and some hermits as “side” to the whole production of Hermitcraft makes me think of 2020/21 MCC again. In which people were discussing protagonists and villains and cannon fodder. Which was why I wrote Battle Scars, a parody / satire / sincere piece of work / whatever, to show that my faves (Blue Bats) could be the protagonists too. And it feels like I’m back. Scrambling to script my faves as characters worthy to have their stories told. Why are we back again.

And why does it lowkey feel worse because this is happening within the same fandom.

… And now I realise that’s also part of why I wrote Feel It Still, another crack treated seriously fic. Because it’s a Superhero AU proudly situating my faves in the lead roles based on canon stuff, while the typical protagonists of Superhero AUs in this fandom are delegated to side characters and are the trainees under a main hero. It’s this sort of twisting of canon that I keep on (subconsciously) doing, attempting to give some sort of spotlight to my faves by mimicking / parodying fandom trends and tropes, trying to make them more palatable and spread propaganda or whatever.

Tldr: it feels like we’re back to “hermit erasure” era and there’s a lot of fanon attention on a few. And you just know certain events would receive significant more attention if they were done by the popular hermits instead of the less popular ones. But it’s mostly crickets outside my circle and the people that I know of. Like hey yeah this is someone I know from chat and someone I know from Twitter. And I know about “being the change you want to see” and “make stuff you want to see” and “promote your faves”. I know. We all know.

It just gets tiring sometimes.

In the end, a number’s game is a number’s game.

[buddiebeginz]

I had started to write something about this the other day that I never finished but in light of recent events with Lou and that part of fandom I wanted to share some thoughts.

I've been seeing B/T stans repeatedly using stuff Ryan said in the past as a way to hate on him, Buddie, Eddie, and our fandom. I personally haven't seen any Buddie fans defending Ryan's previous behavior though I find all of this rather hypocritical especially in light of the recent cameo from Lou.

Lou talks about T*mmy and his earlier eps on 911 and he totally downplayed T*mmy's bullying, racism, and homophobia. He called his behavior "teasing" and B/T stans have been vehemently defending him over it.

The thing is no one has to like Ryan or forgive him for things he's said in the past but I personally believe that people can grow and change. We shouldn't always hold past mistakes over people's heads if they take responsibility for them and prove they're willing to change. Ryan has apologized for what he said:

He's also clearly made amends with the cast because there was a time when they were all at odds with him likely over this incident. Since then though Ryan has been at Aisha's wedding and they've all hang out many times outside of work. I also think that Ryan's previous relationship played some role in how he acted in the past. I'm not saying it's an excuse just that it was a factor because if you were around in fandom then you'd know he seems very different now that he's no longer with her.

Again what Ryan said wasn't okay and I'm not saying it was or is ever okay to say racial slurs and I get why some people can't ever look at Ryan the same after that happened. But for me knowing that the people who work with Ryan especially people like Aisha, Kenny, and Oliver are able to move past what he did that they clearly believe he's changed that's proof enough for me. I don't believe for one second that Oliver or Aisha would be hanging out with Ryan if they believed he was racist. That and Ryan's apology is enough for me to feel like I can still be a fan of him and his work.

But back to the B/T fandom I'm really just tired of the hate some of you all keep sending our way. You don't have to like Ryan or Buddie or Eddie (since I know some of you are harping on about the cheating storyline now) but you don't get to hate on us if we do. You like a morally grey character with an actor who is getting paid like $200 a pop to make videos where he defends some really messed up behavior of said character. Stop acting like Lou and T*mmy are perfect. Ryan isn't perfect and no one ever said he was but stop acting like you all have some morally superior high ground over there because oh T*mmy isn't a cheater and Lou isn't a racist (because you've branded Ryan as racist). Like I'm sorry but you all need to look a little closer at your favs because they've fucked up too and for as much as you accuse us of defending ours you're just as guilty if not more so in some ways.

[fantastic-nonsense]

Is it possible for Jason and Roy to actually be friends? I know RHATO is terrible and I've seen a lot of people say there's no real reason for Jason and Roy to have any sort of friendship and I was just wondering if that's the case?

Technically it's possible for anyone in comics to become friends (or at least be on friendly terms with each other) if the circumstances align the correct way. In the case of Roy and Jason, I think there's two things that people need to understand:

Jason and Roy were canonically on friendly terms prior to Jason's death. Jason had a short stint on the Teen Titans in the mid-80s and all of the Titans—including Roy—were pretty friendly with him. However, Jason and Roy's relationship during that arc is based around the fact that they only know about and interact with each other via their relationships with Dick Grayson. Roy is one of Dick's best friends, and Jason is Dick's younger brother. That directly impacts how they interact.

Roy and Jason are only friends in current canon due to a substantial number of retcons to Roy's life, personality, and friendships. These retcons have made it impossible to treat Roy and Jason's friendship as anything remotely reasonable for either character, because if you have to completely twist a character into something they're not for a friendship with another character to work…there's generally an insurmountable gap there that would be better filled by other people.

Given those two things, there's clearly a theoretical canon path forward for making Jason and Roy friends on their own terms rather than "being friendly to each other because they both love Dick Grayson." It wouldn't be super hard, though I personally struggle to see a lot of connection points for what would realistically make Jason and Roy become friends in the way that New 52 canon wanted to portray them.

The problem is that modern comics did not and still have not put in the work to make that friendship happen in a way that actually makes sense. Instead, they effectively just erased Dick from Roy's life and inserted Jason into it instead. And because the writers of that era (particularly Scott Lobdell, who wrote RHATO) did not actually care about any of the non-Bat characters they were randomly throwing together, that friendship and the circumstances under which it exists are pretty much the Ground Zero reason for why Roy Harper was fucked over so badly in the New 52 and Rebirth eras.

So the general fandom anger around Jason and Roy is less about there being "no reason" for their friendship to exist (though that's also true given how canon has portrayed it) and more about how the canon reasoning given for their friendship has done nothing but hurt Roy as a character. Hope that answers your question?

[drdemonprince]

TV Glow was devastating. incredibly effective visually, thematically, and performance-wise. Schoenbrun has leveled up in a major way since World's Fair, which I felt like I was five years too old for, both in terms of references and from having seen too much weird shit in this life to be impressed by her version of what's "scary" online.

This movie was far more creatively ambitious and emotionally resonance -- it having a bigger budget certainly helped stretch its legs, and Schoenbrun used it to its fullest.

Justice Smith's acting made me want to cry. He shows a true reverence for the material that few cis actors would; far from viewing the character as a little exercise, he transforms into her discomfort and sadness. His little voice warbles and the way his face softens with hope at a few crucial moments made my heart break for him, knowing already that the dreams he'd barely let himself hold onto would never come true.

I can't believe an Emma Stone produced wide release movie is about transgender egg drama here in 2024. jarring for something that once felt so private and esoteric to be broadly relatable to audiences now. it's fitting, given the movie is about a mass-release TV show that a handful of tender freaks think must be about something so much more than this world would ever let it be. kind of a funny trick there.

is this a movie about depressed isolated queer people whose minds curdle around a random media property because loneliness makes the brain turn inward and eat itself? or is it the tragic tale of a woman who never realized her destiny and allowed the matrix to keep plugging her repeatedly back in?

you can read it both ways at once and it's best if you do. some equipped with fandom goggles with elect to see it only in the more fantastical light.

There are already dozens of people coming out as transgender for the first time in their lives in the Letterboxd reviews of this film, saying they recognize their repression in Owen, their egg at last busted open by this heartbreaking tale of a life unfulfillingly lived. I get it -- before I transitioned, the same thing happened to me with Casey Plett's incredible story collection, A Safe Girl to Love. There is something painfully enchanting about the forever-unrealized trans person whose suffering we imagine would be escapable if only they could admit who they are.

But what do you do when you have overcome your fear of being "crazy," left your old world behind, and passed through that veil to become the person you were always meant to be, only to find that you are still stoop-shouldered and awkward, still overlooked with your heart cut out of you, apologizing to others for your asthma in between your death rattles? What if you never get all the poison out? After you figure out you're a hero from another dimension, what will you do if you can never get back?

I find myself asking these things, as a person who used to fantasize that transitioning would solve all my problems. The imagined future transitioned me felt so distant that it was easy to push him off. And then after years passed, when I finally reached out to claim him, I discovered he was just as awkward, lonesome, insecure, and unhappy as I was, because he was just me. If i'd always been transgender, then I'd always been unhappy for deeply transgender reasons back then, too, and I'd already known a whole lot more about what it meant to be me than I'd thought that I had. Fantasies had been a seductive distraction from the world that was trying to kill me, and they suffocated me whether I denied them or if I believed in them.

This is a movie about fantasies, and the suburbs, and about being transgender. And it's bleak, but I think some who are on the cusp of making the same realizations as Owen can't fully know why yet. Life on the other side of knowing is more liveable, but I can't explain why. It didn't make things better. It wasn't the great escape I had hoped. But it did force me to confront who I was and how many monsters there always had been all around me. And that's better than living in a fantasy.

[silverdreamscapes]

I swear people in this fandom are too funny. Because how can people say on one hand that they didn’t pick up on anything romantic between Elriel until the bonus and then say elriels lack reading comprehension and don’t pay attention to the text or details. Wtf, clearly if anyone lacked reading comprehension it was you and not elriels lol. Because we didn’t need a bonus chapter to literally spell out for us that Azriel and Elain wanted one another.

What did you think “A mate will know what is wrong with Elain” and then Azriel being the one to figure it out was about?

What did you think Azriel being the first one to notice Elain was missing and “I’m getting her back” were about? The fact that Sarah had Azriel as the one to go on a suicide mission to save her and not her mate?

The fact that Elain is the first and only person that Azriel has willingly let hold TT, his most prized possession? “I saw the painting in my mind: the lovely fawn, blooming spring vibrant behind her. Standing before Death, shadows and terrors lurking over his shoulder. Light and dark, the space between their bodies a blend of the two.” Pretty sure elucien and Gwynriel didn’t have a moment like this.

Why is Elain the first one to hold his scarred hands and call them beautiful?

Why do you think Azriel was clearly upset about spying on Lucien because he didn’t want to see what he and Elain did together? “Azriel’s Siphons guttered, the stones turning as dark and foreboding as the deepest sea.”

Why is Azriel associated with a place called Rosehall of all things? A place more than likely belonging to his mother.

Why do you think Elain buys gifts for Azriel but not her own mate? That she’s the one who causes Azriel to actually laugh out loud and it’s a sound unlike anything Feyre has heard before?

That he stays up until whatever fuck o’clock in the morning just to listen to her garden plans and stays with her even after everyone goes to bed.

If Lucien is supposedly what she needs because of “sunshine” then why is Azriel the one who actually takes her to the gardens and spends time with her in the sun enjoying peace and quiet and not Lucien? Why have Feyre ask Rhys “what if the cauldron is wrong”.

Why is Cassian confused pretty much throughout all of ACOSF because of Azriel’s behavior? Why he doesn’t sleep at night, why he avoids family dinners, why Elain smiles shyly at Azriel and has to look away, why Azriel seems so concerned over Elain’s wellbeing when he learns Nesta and Elain had a fight, why his shadows gather likes snakes ready to strike Nesta for insulting Elain?

And most importantly what about the fact that Cassian and even Mor notice that Azriel no longer looks at Mor longingly and appears to be over her? Azriel’s feelings for Elain were the catalyst and reason for him moving on from Mor after 5 centuries, and it wasn’t Gwyn his supposed mate who he actually met two years prior to Elain? Hmm…weird.

Or what about Azriel following the sound of elain’s laugh to another room and sharing a charged look between them? Or Azriel not being able to go into the family room because of “who” was in there “His secret to tell, never hers.”

Not sure how you missed all this, as well as other examples I didn’t even list, and then have the audacity to say we have no reading comprehension. Elriels didn’t need a bonus chapter to literally spell out for us that Azriel’s secret was Elain. I didn’t need it explicitly stated by him that he wonders what she looks like when he penetrates her, or that Elain gets wet just from him touching her neck of “offer and permission” to pick up on what Sarah has clearly been hinting at for multiple books. He wants her, she wants him, but there’s a mating bond in the way which complicates everything. It’s really that simple.

If you couldn’t pick up on that, then it’s you with the reading comprehension problem not elriels. They actually have romantic setup unlike Elucien where Elain loses her boldness around him. Or Gwynriel who have an off page rescue, and off page dagger lesson we never hear about, an off page bonus, and a regifted necklace meant for another woman.

[eddiediazismyhusband]

Hi! A bit of a weird ask here, hope you don't mind. (I swear it's not meant in bad faith)

So, I'm new to the fandom. I'd wanted to watch the show for a while and I finally found time. I did like it, and all the characters, esp Hen and Buck.

Even previous to watching it, I had seen many posts about Buddie. I didn't think much of it until I watched the show. And now I can say... I don't see it. Like, from Buck's side? Sure. But from Eddie's? Not so much.

They both clearly act like Christopher's co-parents a lot, and that's where I'm like "oh, maybe there IS something". But outside of that, I actually see their interactions as mostly platonic. And when I see people talk about it, I see mostly about how Eddie completely trusts Buck with his son (which I agree with and makes a good point), but not much else.

So, what am I missing? Sometimes some characters are harder for me to "read", so I know there could be stuff that I'm missing. What interactions do you see from them that are so clearly romantic (at least more so than they are platonic)? In which ways do you see Eddie showing feelings for Buck?

Sorry about such a long ask. This might be more of a rant (oops). I just really want to understand, bc everyone's so sure... and I'm not. (Also, thanks for reading if you got this far)

So i’m obviously not going to tell you thst your interpretation is wrong- art is subjective and your interpretation of things is completely valid.

that being said, to me i see myself in eddie in a lot of ways:

- only son in the family, so i had unrealistic expectations fixed on me about what my life as a “man” should look like (im not a man, im nonbinary but i was still amab so to my parents i’ve always been a ‘man’)

- raised in a very religious household where there were certain expectations on who i would one day marry and have a family with (because not getting married at all and never having kids was out of the question)

- i was repressed for years emotionally (and sexually) due to pressure from my parents/church and thought there was something “wrong” with me for the feelings i felt

- i often revert to anger as my default defense mechanism because i have repressed my emotions for so long (which is something i am working through in therapy)

so seeing those things i relate to reflected in eddie, it is easy for me to pick up on subtext (whether intentional or not) when it comes to his sexuality/feelings for Buck.

you mentioned eddie trusting buck with christopher— to me this is one of the clearest examples of eddie’s true feelings for buck because he completely trusts the most precious thing in his life with Buck, but he has never even come close to that same kind of trust with any of his romantic partners… even shannon he was apprehensive about letting her back into chris’s life. this means he trusts buck on a level he has never trusted anyone else before— and not to get into psychology, but often when people are repressed emotionally, they find ways to feed those feelings without overtly feeding them if that makes sense. so eddie giving chris (who is practically his whole heart) to buck is essentially eddie offering up his heart on a platter.

so that gets that one out of the way.

as for other examples… i am going to state again that eddie is more repressed than buck and doesn’t show emotion as easily as buck does so Buck’s attraction/feelings are going to be more clear-cut and obvious.

but i am constantly seeing examples of eddie’s feelings for buck interwoven subtly through things:

- crying over buck after the lightning strike when we had only ever seen him cry twice before

- the hurt in his face when buck said natalia was the only person who “saw” him

- the way that he gets overly jealous and acts petty around buck’s romantic partners (the most egregious being Taylor, but we have seen it happen in his other relationships as well)

- the fact that he has never been able to fully allow himself to have feelings for the women he’s dated

- he is looking for a mother figure (second parental unit for chris) but has already effectively filled that role with buck

- he is constantly looking at buck like he hung the stars and the sun and the moon

- he has only started going off the deep end of this fixation with shannon after buck came out to him, and he is onyl actively remembering their relationship as what he wished it had been rather than what it was— something i used to do back when i was still in denial about my sexuality was imagining this dream life where i was happily married to a woman because that is what i was supposed to want, not because it’s what i actually wanted

- eddie is the only one who has shown he understands buck’s recklessness is less him being reckless/thinking he’s unbreakable, but that it’s actually buck seeing himself as invaluable enough that getting hurt wouldn’t affect anyone around him

- one of my favorite scenes is post lightning-strike when eddie climbed the ladder and instead of trying to lower buck to the ground immediately, he initially tries to pull buck closer to him while screaming for him

the list could go on and on and if anyone else wants to leave their observations on eddie’s feelings for buck in the replies by all means please do! but these are just a few ways in which i have personally seen eddie’s devotion to buck portrayed in a light that is much deeper than a platonic level.

i hope this made sense and offers a new perspective for you, and i’m glad that even though you haven’t seen enough evidence in your own interpretation, your first instinct isn’t to jump down people’s throats to tell them they are wrong, but instead reaching out and asking for other opinions to better contextualize why us buddie shippers are so invested in these two!

(and never apologize for a long ask to me… if there’s one thing about me i love to yap lmao)

i hope you have a lovely day, anon!! 💕💕

[barbatosgossipsection]

Sometimes I hear some people say that Asmo shouldn't be called a narcissist both by the game and the fandom, and at first I agree, but their reasoning is almost never the fact that "narcissist" doesn't just mean "self-obsessed" and is used to describe a real disorder that people struggle with, but some wrong fact that actual narcissists are much more evil and manipulative and Asmo would never be like that. For example, a writer that I like has recently said a similar thing and it really disappointed me to see that many people in the fandom think that. I would try to educate her (the writer) but they turned their anon asks off due to some previous drama and I don't want to have my name attached to the ask since I'm scared that her fans and other people who agree with her will attack me like they did to other people that share the same opinion as me. I really hope that she will educate herself on the matter and apologize but I'm pretty sure that won't happen since other people that think "narcissism = bad person" have proven to me countless times that they are very close minded and would rather call you manipulative before admitting that they were spreading harmful misinformation. I'm kind of straying away from Obey Me here but what I'm basically saying is I hoped that the fandom would be more supportive and respectful towards people with npd, unlike the other fandoms I've been in. It's just really depressing to see people defend the actions of a fictional demon then turn around and bluntly insult real people just because they assume a bad family member might have had npd just because they were abusive. It might not be very important to other people but it's very important to me, imagine hearing only bad things about the thing that you struggle with everywhere, not only online by random people and in movies, but also in real life, having literal therapist refusing to work with you because of misinformation, and then going to the fandom space you feel safe at and hearing the same thing all over again. Sorry if this was a bit long, I needed to say this somewhere anonymously. (T_T)

— Anon

[artycomicfangirl]

Princess Daisy’s Past, Her Family, and her Kingdom

Personal Headcanons List so far

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Because it seemed like quite a few people were interested in some of my Daisy fan works. I decided to release this list of headcanons, which I actually found out I abandoned a while ago. Just decided to polish up and add more!

Before I go on, I just would like to add some context of my own kind-of AU and lore about Daisy’s father. (Since the fandom calls him Richard, I’ll be using that name too!) Some of these are just complete brainstorming. So in the future, info might change.

Now we got that out of the way, hope you enjoy this almost mini-book length lore, haha. Take your time, no pressure. But consider this as a little treat for those who love fan-lores and such!

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Sarasaland’s History

Sarasaland was either a Barren wasteland, where 4 Kingdoms have been at each other’s throats for a long time in prior history.

Or, it was once a prosperous land. But one where it had been oppressed and enslaved by a crueler rule.

Whichever idea I was planning, it’s important to know that before Current Sarasaland, it was said to have been a bleak and dark place where “Not even flowers would even dare bloom”. The innocent folk there always dreamed of seeing beautiful fields of flowers.

There was supposed to be a miracle event that was recorded in a historical book entry about the day that Sarasaland was saved. From an account written by someone unknown:

“…Gone was the grey, somber Plume Filled Sky. When the Rays of light shone through, For the first time in ages, we saw crystal blue. Blessed by a miracle, the sight of flowers blooming all across the land. We have been kept in darkness for so long, now finally free from a cruel ironic-clad hand.”

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Daisy and her Family

Daisy’s Father

I had ideas that Daisy’s Father may not even have originally been of royal blood at all. However, he ended up being the ‘Hero’ of his time long ago, when he and his comrades swore to save Sarasaland. And because of his spirit in battle and admirable leadership, he was chosen to be the King of the Land. A bit like Mario and Luigi being the signature heroes of Mushroom Kingdom.

The way Richard was crowned Prince could be similar to how Princess Peach would go through a process in the Super Mario Bros movie 2023. A time period of training, until he was very much ready to be crowned.

I 100% believe that this is a like Father, like Daughter situation. Daisy has inherited much more of her personality from her Father than her mother, and it shows. People would wonder how a Princess can be so battle-ready, rough and brave? Just take one look at her Father, and you’ll see why! She has very much inherited her his stubborn, and often at times very energetic and silly nature.

Personality wise, I assume that current Richard is overall, a tough man. A Veteran. He might look a bit too intimidating. But deep down, he still has a good heart that cares for the well-being of those around him.

Even more so, he melts when he’s around his wife. He adores his daughter even more so, because she is all he has left. So I guess we can believe with certainty, that Richard is definitely an overprotective type over things he loves and cares for.

When he was his younger self, he was more of a Bright-Eyed and determined youth. Leaning towards more of the stereotypical hero figure. Over time, he did learn to become a stronger and good leader. But as he grew older, there show the traces of a slightly grumpy older man.

There was that point where he did made sure to keep a child Daisy in the confines of the castle, right after losing his wife.

At first, the subjects and other 4 Kings thought this was a necessary and appropriate idea. But a while after, they started to think that the Princess might be sad if she was to constantly be watched over and told to stop doing things and be careful.

The King’s mindset would end up changing, when he finds a Diary that his wife used to own around the time when they were both still Prince and Princess.

The contents of the diary contained deep, poignant feelings and emotions. The most that moved his heart, was when she would describe her love for the King. All in all, Richard got an insight of his late Wife’s thoughts. Her happiest moments showed how genuine, kind and free the Queen felt, and how much of a beautiful person she was inside and out.

It was then Richard decided to do what was right, and to raise his Daughter to not always just be cautious and meek. But to be brave, carefree and unafraid, letting her flourish to be her best self. So that in the future, he would be able to have more faith in Daisy being able to take care and fight for herself.

At the beginning, He began teaching Daisy at a young age on how to fight and defend herself, along with giving her scholars that teach her about Sarasaland’s history. It’s a bit later that Richard had the idea of Daisy being also mentored by the 4 Kings in Sarasaland. This is the reason why Daisy is so headstrong and strategic as she is now. Also opening for the idea of her having a close familal relationship with the other Kingdoms, and how much they trust and have faith in her.

I actually thought it would be an interesting take to get some inspirations from the 1993 Daisy in the live action Super Mario Bros movie. A personal Headcanon (And inspired from her original personality), is that despite being a tomboy, Daisy values and treasures history and culture. Being quite knowledgeable in some things across the cultures of the 4 Kingdoms under her rule.

It’s because Richard wanted Daisy to be able to know her kingdom like the back of her palm. In fact, Daisy’s vast knowledge with certain historical things comes off as a surprise to most others. It may be even implied that Daisy could even be able to read and speak certain languages. Funnily enough, Daisy is also quite savvy when it comes to financial things.

But with Daisy being Daisy, she is more of an assertive Soldier/Leader. A bit different to Peach being a calm and caring Diplomat.

On the Day Tatanga made his presence known, the King only found out about the invasion during his usual visitings with the Palace Scientist’s (A bit like their version of Prof E. Gadd).

One of the Scientists gave reports about how for the past few days, there have been strange activity of something entering and lingering within the world’s Atmosphere, Somewhere above Sarasaland. This strange activity would try to emit signals. which each time, seem to grow more powerful every day.

After Richard asks when the next signal could be predicted, all computers and systems were hijacked. Each and every communicative technology displaying a sinister message, Implication of an invasion. The King immediately took action, initiating an entire announcement throughout the entire land. However, they were little too late.

The Main Sarasaland Palace was seized as Tatanga and his army would make his appearance. But not wanting to give up, The King was able to cause a rebellion. Sparking the first Battle with the Alien Army.

At this point is where I thought of the idea that originally, it seemed like that Both the King and his daughter were going to escape together, trying to reach one of the Warp pipes.

However, the big reveal was that The King had only wanted to assist his Daughter in making sure the Future Heir of Sarasaland, would escape safety. Richard would stay and fend for the Kingdom he swore to protect. As he said “Much like your mother did in her last moments, before they took her away.”

Richard believed that because The Aliens had been above their land for quite some time before they attacked, they had been surveying the land down below. And in turn, knew everything on what to expect. If Daisy were to escape, it was highly likely that she could reach other Kingdoms in time and ask for help, places where Tatanga would have not been able to reach just yet.

Daisy initially refused to leave her Father. But at the end, Richard ordered the Sphinx King Totomesu to take Daisy away to the last warp pipe. And that once Daisy was able to be transferred successfully, to destroy the Warp pipe afterwards. The last thing that Daisy saw before she was knocked out from the Warp Pipe being destroyed, was her father and the other 4 Kings going right into battle.

Usually I would go the route of “Parents have died” route. But I’m juggling with a potential idea that in fact, both of Daisy’s parents are not actually dead. She may have initially thought so. But both her Mother and Father in both occurrences, have only been taken away. But in Daisy’s case, she has witnessed Tatanga perform the mind control across almost all residents of Sarasaland.

It is through her Father’s will, which drives Daisy to take back and free her Kingdom and her father.

—————————————————

Daisy’s Mother

(She is sort of like a Fan Character/Oc at the point. And because I have a name for her, I’ll be referring to her as such here!)

Queen Laelia. A woman of knowledge and intellect, A preserver and appreciator of history and culture. She is pictured to be calm, elegant, kind, gentle and wise. However, she is also known to be firm and confident when it comes to decision making. Yet also understanding and more willing to hear the perspectives of anyone to gain an understanding of them.

Her Namesake is inspired from the Laelia Orchid flower, known for its purple colour. She might have some hint of magical abilities, or has a connection with magical places or objects.

Laelia could potentially be a descendant of long past ancestors from Sarasaland. That, or her ancestors were known to have an old holiday home/territory/Base somewhere located within one corner or Sarasaland. However during her time before she met Richard, she only knew life of her own Kingdom, located across the sea.

Because of this, she always felt like there was a ‘calling’ for her to one day see Sarasaland. Yet, she couldn’t quite place why. Her name might serve as a little indicator that Her Ancestors adopted the floral naming ideas, showing how deep their connection with the homeland runs.

Surprisingly, It’s Laelia whose main role as the Botanist/Plant specialist in the family. Daisy just ends up sharing and taking up similar hobbies and passions as her Mother did. But Daisy might more under the Explorer/Archaeologist role.

A young Princess Laelia would have met a Prince Richard when she was arriving to Sarasaland. Her Royal family treated this trip as a big deal, as this would be the first time they were able to set foot on Sarasaland docks. About a year or more prior, was when the news of Sarasaland being saved became public celebration.

The Princess and her family were impressed at the efforts for the 4 Kings in making the most of their efforts to restore Sarasaland to its former beauty. And even moreso shocked, as the Princess was always told that for the longest time, Sarasaland had lost its beauty and flowers. Yet here, the land was now thriving with no more war.

Laelia’s Interactions with Richard began when the Prince offered to give her a tour of Sarasaland, when she personally asked to be able to learn more as a part of her research and studies. Surprisingly, the Prince took up the role of Acting almost like a guide or advisor to her and her family.

This would lead to The Princess being curious as to why he offered to personally guide her, instead of sending a subject instead. The Prince mentions how much pride and love he has for the land. And how he will always wholeheartedly be a supporter to advocate for how much the Land changed him for the better. It was his job to oversee as much of the responsibility he can, so all of the civilians can live life in peace and free from worry. However, he mentions that if the Princess would like to have interviews with some of the local folk, he’ll gladly let her.

While Laelia’s family had to return to their kingdom, she opted to stay in Sarasaland for a while in order to keep watch, and to learn more about the development and culture. She promised that she would come home some time after them.

However, during this window of time, the Princess was slowly growing attached to Sarasaland. And unbeknownst to her, The Prince was the first to Harbor feelings for her as time went on. This would all build up throughout more interactions with the Prince, and soon ended up falling in love with one another.

When it was time for her to go back to her kingdom, she of course felt sadness when Even when she promised that one day she will return. But at that point, the thought of not being able to see Richard again made her feel down.

This would later be picked up by a family member (Could be mother, uncle, aunt or sibling ect) who couldn’t help but be concerned about the Princess. At first, the Princess tries to hide this, as her time there was meant to be strictly professional. But said family member would put the pieces together. Commenting how they noticed that from reports they heard, Laelia looked like she belonged there. That she had a newfound happiness.

This would later become a process of Laelia discussing with her Father. The King arranging to return to Sarasaland again with his daughter. And after some further discussion between two Kingdoms, there would come to an agreement that re-uniting and reforming an alliance that was once broken, would be the first beneficial step for both Kingdoms.

After a Wedding being arranged and taken place in Sarasaland. The Princess would gain her title as Queen, and the Prince now became a King.

Some time after, The Queen would give birth to their first and only child, A Daughter. They decided to name her Daisy, after the Queen’s favourite flowers.

(*NOTE!! At this point I’m not so concrete and fleshed out on this part of the story next, so these are just potential ideas)

The Queen would be able to be with her Daughter throughout most of her early childhood. However, the first life-changing incident would happen at a festival at the Queen’s home Kingdom.

During the yearly festival, an attack was made where a Villain wanted to take something from the kingdom. Maybe an object that radiated energy or held ancient secrets and knowledge that kept the kingdom thriving. A planned mission. All in all, if this object was taken, the Kingdom would call into Chaos.

At this point, there may be an implication that Daisy’s Mother has a magical ability. ( a Hand Power?? Similar to Firebrand or Thunderhand?) Maybe always born with one. So even when the enemy had failed to take the Prized object. They unfortunately managed to take Daisy’s Mother away. And the little Princess had witnessed it all.

Both Kingdoms were left grieving immensely after the incident. And even as both sides tried to heal over time, this was where Richard would have developed that time period of protectiveness over his Daughter for a little while.

[lemotmo]

apparently some BT fan on Twitter sent Tim some 18 minute video on BT and string theory and some stupid shit for a couple that doesn’t even have 5 minutes of screen time and he shared it so now people are giving up not realizing Tim is an agent of chaos.

Hi Nonny. I have received about 8 asks about this in the last couple of hours. I have decided to only answer yours because you are the one who seems to know the most of what actually happened.

Okay, apparently I -once again- will have to take a couple of minutes from my precious fandom life to address something that isn't even worth addressing in the first place.

But fine. Whatever.

There is only two episodes left this season. Of course the showrunners want to create as much buzz around this as they can. They want people talking and speculating about the show and the ships. It generates engagement and views and that is the one thing they are after.

Someone sent Tim this video and he was most likely charmed that a fan took the time to make a long video about something he created, so he shared it. He is known to react to messages sent by fans, so nothing new there. But of course, it also has the added benefit that it creates extra buzz for the last two episodes.

Do I have to remind people that Tim willingly shared the 'Vertigo' poster as well? That one was Buddie positive. Now he has shared something that is more Buck/Tommy positive. He is simply trying to engage fandom.

Thirdly, I haven't seen the video myself, nor do I feel the need to go look for it. But apparently the cover of that video is something like: Did 911 find the perfect match for Buck? (the question mark being very obvious) Nowhere on that cover do they talk about Buck/Tommy. (Someone correct me if I'm wrong though.)

It is an interesting question to ask the shippers in general. Did he find his perfect match in Tommy? Or maybe... it's Eddie after all? It riles up both sides equally.

So Tim is once again trolling the fandom. He does this once in a while. I wouldn't put too much stock in it. It's all fun to speculate about, but everything has been filmed already. He has known for a while now where Buck's story is going and I wouldn't be surprised that it eventually collides with Eddie's story. They were always destined to meet somewhere in the middle. Why would anyone give up on them when we are so close? I'm not giving up. Are you giving up? Why on Earth would you do that?

In conclusion: Tim's mind works in mysterious ways. So let's all just sit back, relax and see what plays out on our TV-screens. I, for one, am excited for the last two episodes of the season.

So everyone please stop worrying so much over things you can't control anyway. None of this really means anything. The only thing that matters is what we will see in these last episodes. Just enjoy the show and keep on speculating, because that's what makes fandom a great place to spend time in.