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#and then you have to mentally either choose to forgive that failing in your own eyes or just always let it sit with you and wear you down
heich0e · 2 years
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i know in my heart that things are very rarely ever as idyllically simple as "forgive and forget" but i do genuinely wish that i was better at the forgetting part
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celaenaeiln · 5 months
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On note of the Blockbuster thing and Dick’s over working himself, I can recall a time when after the first time Blockbuster got taken out, Dick was so lost emotionally and mentally, he went for months on end getting the absolute hardest cases and capers imaginable, getting more illnesses and injuries so much and frequently. It got so bad Bruce and Alfred had to drag him to the Batcave and Bruce had to get some tough love across.
He let Dick know that he was upset at him for failing to take care of himself and self forgive for what happened to Blockbuster. He forgives Dick for the latter case but will not tolerate Dick losing the value of his own life in self pity and guilt
Thoughts on this?
YES!!!
Dick overworks himself so hard that he kinda passes out and dreams so vivid that they're almost hallucinogenic but when he wakes up-
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Nightwing (2016) Issue #117
Bruce is PISSED. Ofcourse it's gotta be because Dick let Blockbuster die right? He just stepped aside and let Catalina take the shot despite the no kill. He broke the OATH the two of them had forged. That's why Bruce is mad right?!
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Nightwing (2016) Issue #117
WRONG WRONG WRONG!!
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Nightwing (2016) Issue #117
"You have no right to expect me to excuse you - for losing sight of the value of yours."
CMON BRUCE!!
He basically said "I don't care if you killed someone. If you want me to forgive you fine. But don't you dare fucking think for one second that I'll forgive you for almost dying."
Bruce is crazy about Dick. I've already talked before how he has control issues regarding Dick life but I want to reiterate that Bruce wants control of Dick's everything. His life, his relationships, his death.
You can see the visible rage in Bruce's body. You can see how hard he grips Dick's chin. He's furious that Dick would put his life below anyone's.
This isn't the only time Bruce gets furious at Dick almost dying either. Remember Forever Evil?
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Nightwing (2011) Issue #30
His sole reason for beating Dick is LITERALLY beat his frustrations and fear that Dick almost died!! He's the one that died Bruce!! Why are YOU mad?!
The thing about Dick and Bruce's relationship or rather Bruce's relationship with Dick is that Dick could literally be standing in a room of blood and corpses and the first thing Bruce would do is rush over to him and check if he's okay. And then scold him because "what if they're blood accidentally got into you, Dick? Haven't I told you the dangers of bloodborne pathogens and other transmittable viruses? How dare you let them hurt you!"
Bruce has a no kill rule but sometimes when Dick's life is in danger he definitely looks the other way. No punishment if Dick does something to someone else but he travels at the speed of light when Dick lets something bad happen to him.
Not only that, he doesn't mind other people dying if it means saving Dick's life. Between the world surviving and Dick, he will always choose Dick. And how do I know that? Because he's done it before.
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Forever Evil Issue #5
"No, this is a search and rescue mission first--"
"Richard Grayson?"
"Yes, Luthor. Once Nightwing's safe, we can take down the syndicate."
The world is in SHAMBLES.
Central City
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Forever Evil Issue #3
Metropolis
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Forever Evil Issue #3
The justice league is gone.
The villains who actually wanted the end of the world are so shocked by the state it's in now that they've decided to become heroes. But none of that matters. It doesn't matter to Bruce that half the population is gone, people are killing, stealing, and dying. As long as Dick is alive - it's okay.
In fact an entire world could be corrupted beyond saying but as long as Dick isn't then it's a world worth saving.
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Forever Evil Issue #3
Do you realize what this means? It means that Bruce's scale of measurement for evaluating the quality of a whole fucking planet IS Dick Grayson.
Even an hyper-intelligent construction questions what happens if his favorite, Dick, dies.
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Infinite Crisis Issue #3
What happened after Blockbuster, where Bruce completely ignored the death of him. Ah-I said ignored but the reality is created an excuse for - is completely in line with his relationship with Dick and more importantly highlights two things.
Breaking the no-kill rule is acceptable if it's Dick Grayson or relates to Dick Grayson.
Bruce is crazy about Dick and he will go crazy for him.
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foggyparadisecandy · 8 months
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On Fault and Responsibility
Raise your hand if you had a shit childhood. This one's for you.
There's a phrase that I've latched on to lately that has helped me with my healing journey:
"It's not my fault, but it is my responsibility."
It's funny ... not haha funny but ... why didn't I ever figure this out funny.
"It's not my fault."
I've lived my life being angry at myself, my failings, my missteps, my fuckups. Oh so angry. Why didn't I do that better? Why did I say that? They must hate me, that was so stupid of me. etc. etc.
And if you are like me, you might be nodding your head at those sentiments.
But the thing is
"It's not my fault."
And that's not to say that we benefit from blaming others. I'll get to that in a second. This is not a victim manifesto.
It's an absolution.
Your childhood was fraught with danger. Your loved ones were unsafe. You were unsafe. You are born programmed to love your caretakers. They were no bueno.
So you adapated. You learned behaviors for survival. You learned you weren't safe unless you acted certain ways.
You learned these things before your logical brain fully formed.
You responded in ways that were necessary for your survival.
And ... those ways were baked in when you were still forming your identity. They are deep down in your core.
"It's not my fault."
Now, you could spend time blaming your loved ones. And yeah, I can see it. They fucking suck. They fucked you up good.
But my guess is they have a whole heap of their own bullshit going on. NGL, I do not love either of my parents any more. It took me an insane amount of time to get to be ok with that idea. lol
My fucking mom threatened to kill us one day and then smothered us with love the next. My dad ran into the bottom of a vodka bottle every night. haha fuckers.
But fr my mom was fucked up by her parents. My dad was fucked up by his parents. I know my grandparents. Fuckers all of them.
So I can spend my time being angry and blaming. Or I can choose to forgive - and let their influence fade as I take control.
I'm not forgetting. I'm not loving on them for their treatment of me. Nope. But I forgive them. They had their own damages and they probably shouldn't have had kids tbh.
But they did. I'm here. I'm surviving. I'm thriving in spite of the damage.
So yeah ... I forgive and let their hold over me go so I can fix my shit. Which is the second part of the phrase.
"It's my responsibility."
Yeah! It's not my fault I learned certain things. I can be chill with myself. I should be kind and understanding. I should practice self-compassion. It's not my fault! And it's not yours either.
But. It is our responsbility to heal ourselves.
It's our responsibility to ourselves ... and to our many relationships - friends, family, work, lovers, you name it.
For me, the game changer was "it's not my fault" because it's helped me get past the self-recrimination and blame and shame of myself and my actions and focus my energy on learning new coping skills, new strategies.
It's hard work! It consumes most of my mental energy these days.
But ...
"It's my responsibility."
I wish you well on your journeys. I hope some of these words are helpful if you are struggling to find your way. If you spend your energy and time beating yourself up for "stupid" things and behaviors and patterns of destruction.
You are ok. I promise you. You are responding with learned behavior from a horrible situation you were put in as a child.
Sweetie, you are ok.
It's not your fault. But it is your responsibility.
And it's ok to reach out for help. We don't know our own blindspots.
Trusted peer groups. Therapists. Close confidants.
You got this.
Grow.
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egokillr · 2 years
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I feel like my view on the world and myself has been so tainted from since I was young. I'm struggling and I wanna start over but idk how. I wannwanna be a completely different person. Life now feels like someone's description of a painful past. I wanna get out but I have a fear of being trapped here and not knowing like my limiting and toxic beliefs are stopping and I'd never know and end up spending all my time here. I really don't want that, it's my biggest fear. Can you give me advice pls?
hey babe <3
i jus wanna let you know all of your feelings are valid and thank you for being open w me. from what i can tell, you have a fear of failing and staying in the same position. i wanna address this before i tell you what to do. all fear is, is a false construct of reality. because you can choose your own reality, you can either choose to make a rule that fear doesn’t effect you at all (bc it can’t, you will always win) or manifest a life without being fearful. here is a pic abt this topic from r/Neville Goddard that goes into this in loa terms:
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(and btw you don’t need to be happy to manifest what you want) my second point is, forgive yourself for the things that have happened in your past. you were always trying your best with what you had, there’s nothing wrong with that. stop judging yourself, catch yourself if you ruminate about your past and cut yourself off. not because you can’t think about it, but bc you deserve to live in the present moment, for your own peace. from there, you can decide whether or not you want to revise the situation to always having your dream life or you can just choose to accept it and move on. i know it may feel hard to move on now but you can make all of this much easier on yourself by setting the intention for life to be easier. also, you can never be stuck because we’re all just observing states of consciousness. we’re always moving through the motions; there’s a really good edward art video that explains this exact situation too. (i highly recommend watching, this totally changed my mindset towards my anxiety.)
okay, onto my last point, how to change your self concept and life. i actually wanna make a whole post on this but im just gonna tell you what i think you could do for your situation. you don’t have to do all of these things but just choose what works best for you c: so where i would start is with addressing self concept/ mental health. catch up with yourself, do some self care and take it slow. ask yourself what you want in life, maybe get a mental picture of what you would like to become as a person. if you don’t know what you want in life, note the things you enjoy everyday and it will come naturally. (or you can always manifest finding out what your desired life is) every moment is a new moment, you have a blank slate every passing second to choose who you want to be. so, start imagining yourself as the person you want to become. nothing is stopping you from being that person now. you don’t have to feel like it right now, you only have to intend/ think it. the rest will follow. any thoughts that say the opposite are completely invalid because now you know that only you can choose what you are. (no thoughts have power until you say they do!) so, onto the manifesting a new life part. first, pick which way you want to manifest. you can use subs, affirmations, knowing/ intention, scripting, void, etc. the techniques don’t matter, your intent and beliefs do. and then just stay consistent to it, don’t give up on your dream life because you deserve the best. that’s literally it! and i would always recommend to simplify it, make it as fun as possible, and make your own rules :D good luck anon, you got this!!
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scrawnytreedemon · 3 years
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Victor Frankenstein and Frustration: a Not-Essay, because I can’t structure for shit.
Alright, I’ll try to keep it as clean and concise as I can, but at the end of the day this is a sorta-heat-in-the-moment thing I’m writing while all the ideas and motivation are in me yet. I will be jumping around alot of topics, as this covers alot of ground, but I can’t say I’ll do it with grace: for this, I apologise.
I’ve noticed a trend in online lit fandom, not just on Tumblr, to condense Victor’s character to something roughly following “arrogant, ineffectual and selfish weenie who failed horribly at parenting, who ought not to be taken seriously in any significant way, largely in-due to his constant whining“ --In other words, a right twat.
And here’s the thing: largely, I agree.
However, what I take issue with, I suppose, is largely how this is all framed.
See, fandom has a tendency to sort characters into boxes, and then pick favourites or bête noires from that selection; this is helpful for the largely memetic(as in, shareable,) nature of online spaces; but where I think this thinking falls short is that it tends to divide casts into More Good or More Evil, with little room for nuance.
I think you can see where I’m going with this.
Victor Frankenstein, by all accounts, is an incredibly frustrating character to witness; he gets way in over his head, isolates himself from his loved ones, leaving them worried, deems those ambitions failed, hides from them, then when shit starts hitting the fan, he takes initial actions to try and mitigate the consequence, hits a roadblock, either stops their or chooses an even worse option, someone else gets hurt, he whines, rinse and repeat until the final act of the book, as the stakes get higher and higher and his mental state deteriorates more, and more, and more. If you look at this entirely from an outsiders’ perspective, as you, the audience, being subjected to his moaning time and time again, it can wear on you and your sympathies-- Needless to say, I Get It™.
I think, however, it needs be remarked that Victor is also just some guy. 
What I feel is often missed, is that even before Victor goes to university, he has just suffered the loss of his mother, with little time to recover, and that all of this is being told in hindsight, on his deathbed.
When Victor took on, all by himself, at twenty-two years old, not even letting anyone else know what he was up to, the monumental task of creating life, and then finding that life horribly botched, he did not have the perspective that what he created was equivalent to a newborn child-- For all he knew, he might have animated an actual demon. It isn’t until two years later, after the death of his little brother at the hands of said demon, the he’s even remotely made aware of this.
Victor had worn himself out over the course of several months, physically and mentally, to this one task. He was not equipped to deal witht he consequences. I do not say this to downplay the weight of his actions, or the horrible mess of events that come afterwards, but to state perspective. Victor does not have the hindsight we have at the time of this act. I cannot stress this enough. As much as I enjoy Deadbeat Dad Vick jokes, I get the feeling many people actually view the story from this lens, and hold Victor up to that standard.
Then there’s the trial of Justine: a horrible, useless, unneeded and avoidable affair that ends in even more senseless death. This is where alot of people’s sympathy for Victor runs out-- For more than understandable reasons. He failed to act accordingly, to share the information he had, deeming it to be either dismissed instantly or for himself to be put under scrutiny; it’s clear he’s passionate about Justine’s innocence, but he cannot push himself past his fear and doubt, and ultimately, it ends in her death.
It is a horrible, horrible moment, and one that cements the tone of the story from there on out.
These are two key events that largely colour this image of Victor so prevelant online; and it certainly doesn’t help, what with fandom being almost aggressively left-leaning at times, that Victor comes from a place of privilege; he is almost tailor-made to push all the buttons of fandom sensitivities.
Let me elaborate.
A key feature of Victor’s character is his complete and utter inability to ask for help; no matter how dire the situation. Victor feels, that, despite and even because of his incompetence, that it is his cross and his cross alone to bear. Any inolvement from others, such as Clerval when he heads to England, is hesitant and highly discouraged, even when he wants nothing more than to partake in the company of his loved ones, after all he’s been through. While it is also heavily coloured by the anguished sentiment that borders on self-absorption so much of the time, I think it is also worthy to examine this too.
Victor’s tendency to indulge in self-pity and self-loathing is nigh, if not entirely, all-consuming; it pervades the narrative to a painful degree, particularly as it comes from his recollections; it is often exhausting to read through, and nigh unbearable if you already hold a disdane from his previous actions; but here’s the thing I think most people miss,
Victor is depressed.
I don’t mean “ooh, he’s so sad, leave him alone 🥺,“ I mean the guy is fucking depressed, stuck in a constant cycle of attempting to make do but failing, hating himself even more, letting it consume him because he at once feels like he deserves to be consumed and it’s the only thing he can do then and there to soothe to pain as shit gets worse and worse.
Victor Frankenstein’s internal monolgue is a prime example of deep-seated, far-gone depression, and I say this because I myself have experienced and do experience this. Depression is fucking soul-sucking, man; it turns you in on yourself, makes you feel entirely undeserving of love and compassion, leaves you feeling like you must, have to, deal with this entirely by yourself because it is your cross to bear.
Depression is so often self-flagellating and pointless, leaving the subject drained and often largely unable to experience the world outside their own miserable little bubble.
Victor is so wrapped up in this soul-sucking guilt, attempting to fight his own ineffectuality and in doing so only furthering his own ineffectuality, refusing to ask for help, that he ends up putting the ones he’s trying to protect in further danger as he tries to scramble a hodge-podge solution to the problem he created and couldn’t have even begun to forsee its consequences at twenty-two years old. It is a painful, painful example of how if only he reached out, if only he told someone, was honest, all of this could have been avoided, or at least mitigated.
And I think that’s the thing with Victor.
He’s a kind of banal evil-- If such continuous stumbling can even be considered so --He is an example of every day self-isolation and refusal to let anyone else in ballooning to such a degree it ends in distaster.
People are far, far more willing to forgive Adam for his transgressions-- And I say this as someone far more sympathetic to his plight, what with the absolute abandonment he faced at the hands of humanity --Despite their far more horrific consequences; in many ways, they’re attributed to Victor’s failing; which isn’t entirely untrue,
But I have to wonder, if alot of this also comes down to the fact that Victor’s wrongdoings are so human; leaving someone in your care behind; not speaking up in cases of injustice; being self-involved; again, the constant whining. In a way, it’s the sentiment that in stories a horrible person is often far more bearable than an annoying one.
That doesn’t even begin to touch on how much of the bemoaning might largely be and often is directly post-hoc regret colouring all his previous actions. This, above all else, is a cautionary tale to a fellow idealist in the hopes that Robert Walton doesn’t Fuck Up the way he did. Victor stresses his regret and his failings and his misery time and time again because he wants to protect Robert from a similar fate; a fate that ultimately ends in his death.
Victor Frankenstein is a study in frustration; in audience frustration, self-frustration, narrative frustration; it seeps into every corner of the story.
I am not trying to defend Victor Frankenstein as a person; he is flawed; and he’s meant to be flawed. Victor, at the end of the day, is a deconstruction of the Byronic hero-- Of Great and Powerful Men on the Fronteers of History™-- And most importantly, I think, a deconstruction he himself undergoes. Victor eventually alerts someone, a Genevan magistrate, is doubted just as he feared, and then runs off to take revenge into his own hands.
It takes the death of Elizabeth Lavenza to do so.
Victor is a flawed, miserable man, but not an evil one. That doesn’t mean he deserved to have his life crumble around him.
He could have done better. Should have done better.
And he knows this.
His entire arc is about how he knows this.
Victor dies knowing this.
Him being unlikable doesn’t make him a bad character. Him being unlikable is part of the character; and in a meaningful way.
God, I don’t know how to end this. I’ll probably come back and edit this many, many times.
I guess I’m just tired of people flattening characters just because they’re not particularly endearing.
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tobiramaika · 3 years
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Edo Tensei
I don't even know why am I doing this. Maybe to let my sorrow out? Well, either way, enjoy.
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Isn't it nice? Peace can be achived, even if temporarily.
You can make civilians and shinobi live together peacefully, regardless of clans.
Tobirama was always skeptical about that, but his big brother showed him that it's not impossible.
Still... why is he smiling? Tobirama can't help but feel hatred towards him and his so called friend as he looks down on them from the tree he is sitting on.
They are laughing, training together, even being affectionate... what kind of brother is that?
Hashirama doesn't care to notice as Tobirama stares at him, rather just drowns in self pity as he had gotten a harsh comment from Madara.
Maybe, perhaps, that will never go away. That little habit of his.
Watching that unfold... all he can think about is how foolish it is.
Tobirama never had any hate in his heart towards Hashirama, but it hurts.
It hurts that he has to walk alone in a flower shop, because he is the only one who remembers.
He shook those thoughts out of his head though, as he already took out his wallet. He greeted a smile to the man wrapping up some roses,
" Good morning Inoae "
The man greeted back, happy to see a regular.
" Good morning, Lord Tobirama. "
He is not going to lie, being called that makes him feel a little icky, he isn't Hokage yet, or is it certain that he will ever be. However, formality is kept.
It's not like it will matter in a few years, right?
He just went on to choose flowers.
Four purple hyacinths for the first bouquet.
Two pink tulips and two delphiniums for the second one.
Two white tulips and two gladiolus for the third one.
They were all so beautiful, yet they only caused silence. He wished he could, but Inoae couldn't look the man infront of him in the eyes. He knows all too well what does this mean.
Tobirama was used to it. Usually he is greeted with silence upon entering a room.
And that silence followed him everywhere.
Well... not the cemetery. Where his brothers were.
He walked his way in, getting more and more nervous as his heart went quicker upon approaching the huge rock where his brothers are laid.
Dare he call it a grave.
Although, he was quite scared to face them just yet. So he decided to go to the left side of it, paying his respect to someone else's brother,
" Izuna, are you listening? I am sorry.. no, I just ask for your forgiveness. I hope you are watching over your brother, he seems to be doing well. "
He had placed the first bouquet of flowers down the cold shiny rock. He didn't know if the feeling in his chest is emptiness, or rather guilt.
It could be both.
Now came the hard part, going to the right side of the rock.
He can't call it a grave, he refuses to accept it.
He had placed the beautiful flowers down, bowing as he spoke.
" Itama... Kawarama... Please forgive big brother, he didn't come to your anniversaries. Even if he didn't come, I hope I am enough. Please don't hate him for this. Are you doing alright.. ? I wish I could hug you both for one last time, " tears streamed down his face as he grabbed his chest, gasping for air " I am sorry you could never make it to 10. I am so so sorry.... this isn't how it was supposed to turn out like... it really wasn't.... "
It was dawn when Tobirama caught his two younger siblings painting their face in the reflection of the river by their house.
He had approached the two giggly smaller ones as he noticed that they have their mothers make up paint in their hand.
It was cute, how excited they were over a few crushed up wet roses..
" Say, what are you doing? "
Itama looked at him, holding a brush for him to take,
" We are wearing warrior make up! Try it too! "
And so he did. He squat down alongside them, copying the motions they did,
" So tell me... Why are they dots? "
Kawarama smiled, clapping his hands together, happy to answer,
" It will bloom like a flower! It's just dots now... But when we will reach 10, it will all be lines, mimicking the shape of lowers! "
Itama nodded, as he adjusted the hand of his older brother,
" Yeah! Hashirama already celebrated his 10th birthday! So it's between us three now! "
Tobirama hummed, murmuring a little 'I see' as he painted his face. That was, to this day his favourite memory with his brothers.
And it keeps repeating over and over, he can't stop thinking about it. It pains him, if not everday, every other day.
Even as he looks through their family album and seems their cut off hair, from the first time they each got a hair cut.
The circles under his eyes barely tell a story compared to how swollen it has became. He had cried all day, his heart crushing.
He stroked over the plastic covering of the hair, sighing to himself in the darkness of his own room, being surrounded by nothing but cold..
... and a bunch of research papers.
" I wish I could bring you two back just by this... I miss you so much "
One thing is for sure, ghosts exist.
Tobirama had found out that a long time ago, by experience.
Turns out, hating your father and trying to please your brother's wishes only results in your dead father's spirit yelling at you whenever you manage to stay up after 5am.
Tobirama sniffed and wiped off his under eyes.
It's time to be stronger, it sucks to drown in self pity, day by day everyday.
And so that was the start of it all. The start of Edo Tensei.
Both the sun and moon had fallen down multiple times while Tobirama spent weeks in his office, only leaving for small wash ups.
He was desperate, he had a goal in mind and he for sure going to achive it.
Sleep was something he... well forgot to do, but came to him naturally. Each time, he had envisioned all the failed attempts that had happened.
It's been months, he is used to it. Used to all the dry tears on his cheek after a few minutes nap, as he still hears the painful scream of his little brothers. He wants to get it right. He so does.
Just what is he missing? What?
He has calculated everything imaginable. So why.. why don't they look human?
Those questions rang louder and louder in his head as he made an attempt to revive his brothers in their - now - family home.
Well, the little hill next to their garden tree.
Itama and Kawarama were sad. They couldn't be as grown up and as human as their big brothers.
They tried to comfort their older brother too.
He was on his knees, punching the ground with his fists as tears stormed down his face.
" Why, why, why? ", he asked, over and over.
Not to mistake him for an idiot though, once he felt two little hands stroke his back, he had wrapped his arms around what he knows as his little brothers.
" It's okay "
" Thank you for trying "
Those small little voices trying to comfort him.. their gentleness... It should be the other way around. It really should.
But why is he like this? It's hard to admit, but Tobirama is ashamed. It should be the other way around.
The ground broke, and suddenly there was water everywhere but around the three of them.
It was almost destructive, flooding everything around them, breaking of their tree, turning into a water tornado.
It took a mental breakdown for Hashirama to notice what's wrong, as he ran there yelling out
" Tobirama! "
That was the last thing in Tobirama's memory before his coma.
Hashirama must have solved it, he guesses. After all, not only their house is new, but their list of forbidden jutsus are too.
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illusionsofdreaming · 4 years
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lay down your ghosts;
Notes: Hey would you look at that, more angst for our favourite MC.
Ft. Cale
It's been three days.
Three days since they last heard from you. 
Three long days of replaying the memory of the shock and surprise on your face when the ledge you were on crumbled apart and the storm of smoke and dust swallowed you whole. 
There hadn't been time to cancel the teleportation, hadn't been time to reach out, hadn't been time to regret. You were gone. 
Just like that.
· · ─────── ·𖥸· ─────── · ·
Immediately Choi Han and the others prepared to return, but Cale pulled them back. 
Not now. Not like this.
Not when their enemies have surely swarmed the area after their narrow escape. Returning immediately would've put more of them at risk and Cale would not permit that.
He told them he trusted your abilities to survive. He told them to believe in you. High profile searches would only put you more at risk by alerting their enemies that you were missing. (He hated how clinical it sounded, hated how his thoughts remained clear even when it felt like all the blood in his veins was being drained away.) 
A plan was quickly hatched and under a cloak of Invisibility to hide their tracks, Choi Han, Beacrox and Ron took on the dangerous task of returning to enemy territories to scour the ruins for signs of life. As much as he wanted to join the search himself, someone had to stay behind to reassure the young ones, and though it hurt to admit it, Cale knew he would only hinder rather than aide their search efforts. The last thing he'd want is to jeopardise their chances of finding you.
Cale was sure you weren't captured. Their enemies would've flaunted the fact had that been the case. And you weren't dead, for even the combined efforts of their best fighters and assassins, no body was found. If you managed to escape, they all knew you'd lay low and play it safe until you could find a way back or contact them, to reassure them of your status. 
No news is good news. This he kept reminding the others, kept reminding himself, even when every passing hour felt like a dagger was being twisted further deeper into his heart.
(You could be injured, crippled or trapped and slowly withering away. There are so many different ways a person can survive and remain in a state worse than death, but he didn't tell them. He couldn't share his morbid nightmares and thoughts that continue to haunt his waking moments.)
(Perhaps he had damned you after all when they didn't return for you immediately.)
Three days.
Three days.
Cale's beginning to realise he's going to have to call off the search. The thought itself drained all the energy from him and he retired to his room earlier than usual, waving off questions of concern. 
"I'm fine." 
In the silence of his room did he finally allow himself to drop the facade. 
The memories swarmed him like water rushing from a broken dam and he lurched towards his desk, overwhelmed by the onslaught of thoughts he'd kept back until now.
"Fuck." He kicked open the alcohol stash by the table and settled down to drown away his miseries. 
For the first time, he cursed his strong alcohol tolerance which impeded his attempts to blur the day's horrifying details from his mind.
It was useless. His records would never let him forget. Not his past, not the people he's failed, not you- another broken record to add to his repeating list of nightmares. The ruins have nothing more left to give, either you've left on your own or have been moved by others. Worst case scenario, you're too deeply buried and have probably been crushed by the weight of the rubble. Sooner or later, an empty grave will be erected, because the longer an unanswered question remains, the worse it'll hurt. Some closure must be had for the people who stay behind. It's the same old drill all over again.
The bottle smashes into the opposite wall, the sound of broken glass was jarring and he glared at the red stains that dripped down.
Where had he miscalculated? Had he gotten too arrogant after having successfully smacked his enemies in the back? Had he gotten lax? 
His face remained remarkably dry for all the stinging in his eyes. An ugly feeling was building in his gut that clashed with an irrational fury that boiled in his chest. He felt so much and didn't know how to deal with it, except to drink and drink and drink - until the nauseousness took over and the world swam, until the burn in his throat became hotter than the sting in his eyes.
Eventually, he stills, the alcohol in his bloodstream finally kicking in to rein in the maelstrom of emotions in his being. For having felt so much in the last few hours, the numbness was both a balm and a curse.
"Wow, you look like shit."
He breathed out a dark laugh and immediately reached to pour himself another cup.
At least he could still talk to you in this moment of weakness. He missed doing that. "I am trash after all." he mumbled.
He looked up, squinting against the moonlight to find your silhouette occupying your favourite spot on his window ledge. The familiar image sent a pang of agony through his chest, and he took a deep drink. It was one of the many spaces you had carved out for yourself over months, and now that you're gone, he found it unbearably empty. His drink addled mind couldn't define your features in the darkness and was only capable of providing a shadowy form of yourself. But perhaps that was for the best, your disappointment would've hurt too much. 
If only he put more effort into dreaming your ghost, perhaps he could convince himself that you're really there, frowning at him as you tend to do whenever he uses that term. 
"You keep calling yourself trash. You know it's quite insulting to us who chooses to follow you."
He laughed bitterly. "And look where that got you." He threw back his cup.
The wind sighed through his open window, carrying your voice to his ears. "It's not your fault."
"I know." He wasn't looking for consolation. Wasn't looking for forgiveness either. He just...
He wished he could offer more to your phantom, but in the end, these illusions are as fragile as his current mental state. A way for the human brain to deal with grief when it becomes too much. It'll never be the same as talking to your real person, but he wasn't ready to banish your ghost by debating 'what could've been's.
"Cale."
Part of him considered ignoring it, entertaining his delusions can't bode well for his sanity, and the truths he wanted wouldn't come from a false imitation constructed from his memories of you. 
"Cale."
Weak. He looked up, watching with wary eyes as your ghost stood from the ledge, outlined in silver from the moonlight, painting a visage so unreal, it made the breath in his throat catch. With every step that brought you closer, something in his chest shuddered on the verge of breaking. Something didn't feel right. 
He frowned. Do ghosts limp?
Finally, only the table separated him and his phantoms, the air in the room felt light. Cale felt dizzy, nauseous as he stared, wordlessly, up at you. 
Cold hands held his face, fingers brushed lightly under his eyes. He took in everything, dirt, blood, bruises and all. Shakily, his hand rose to touch the hand on his cheek. 
"Hey," you cracked a tired smile and suddenly, the tears that had been absent abruptly burst forth. "Don't write me off just yet."
He surged from his seat, so violently that his chair crashed backwards and the sound made you flinch- vaulted over the table, reached for your face, with perhaps too much strength as you winced, but he had to make sure- His eyes drank in the sight of you, his fingers smudged the dried blood under your ears -you could be suffering from a concussion, your wounds need to be dressed properly to avoid infection- and he realises he's dissociating because his brain cannot process the fact that you're here, you're alive, after three long forsaken hellish days, in his arms.
"Shit." he breathed out, dropping his forehead on your shoulder as he held you to his chest.
"Yeah." You agreed, and he almost wept when he felt your arms around him, rubbing his back gently. "I missed you too."
He choked out a laugh and squeezed you tighter, and because he can, because you're here, he held you and kissed you until your lips went numb.
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dalekofchaos · 3 years
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Hot Take: Life Is Strange's themes can sometimes be tone-deaf or simply hypocritical. I am all for forgiveness and closure stories that involve forgiveness but I also believe you can't forgive people for everything especially for things such as abuse and neglect. I feel it should've been a choice as players as to whether Chloe should forgive those who wronged her or hold them accountable for their actions and don't forgive them. The game also tries to reinforce that Jefferson is a predator whilst Frank who was interested in a girl when she was a minor is treated fine and this problem is barely seen. Also, yeah you don't have to befriend him but you can make Chloe murder him and his dog and have her traumatized as you can't get the info out of him without sympathizing with him. Also, letting a suicide victim die from a storm days after their suicide attempt is so tone-deaf.
THIS THIS THIS.
Max and Chloe should have called out David and Joyce for their abuse and enabling the abuse. 
Like before we begin our investigation in episode 4. Max calls Joyce and David so everyone could let it all out. It’s basically the therapy that Joyce wanted David and Chloe to go to but didn’t. Chloe calls out David for his abuse for the last 3 years of her life and the fact that he made her feel like a prisoner in her own home and how much the cameras made it worse. Then Chloe calls him out on Rachel. “Rachel was my angel. She was the only good thing that ever happened to me since my dad died and you and the spoiled rich kid took her away from me. Worse. You stalked her like you stalked Kate. And now Rachel is missing. Congrats, David I hope it was fucking worth it.” Then Chloe unloads on Joyce. For all the times she covered for David’s abuse, choosing to either ignore or condone the abuse and for the fact that she’d rather pretend everything was fine. Maybe end it with “I didn’t need a fucking step-father, I needed my mother when I needed her most and your first instinct was to chose the worst fucking man to bring into my life. Fuck both of you.” 
Maybe after David and Joyce say their piece.(hopefully both of them being remorseful) Max can either choose to tell Chloe to forgive them or “fuck them” basically Max calls out David for his bullying and abusive behavior and Joyce for being a shitty mother. “I used to think you ruled Joyce, but you are a terrible mother. Chloe needed a mother and you failed her.” 
I don’t know how forgiving them would play out, maybe it would be therapeutic and would result in closure for the Price-Madsen family and they have a chance to start over after Max helps them in that direction. 
After that. I think Chloe would tell Max. “Max, thank you. I needed to finally let all that shit out.” “You deserved so much better Chloe.” “I got better Max, I got you.” And if you chose forgiveness. “I will still hate them both for how life went for the last 3 years, but I think we can start fresh. Thank you Max.”
Literally fuck Frank. We should have been given the option to call out the fact that he sells drugs to high schoolers and for his predatory behavior to Rachel. And the fact that HE ENCOURAGED Pompidou’s violent behavior after rescuing him from dog fighting. So if I had it my way. We’d either shoot Frank dead without killing Pompidou(if we kill him, we make a concerned citizen call to animal services to protect Pompidou and give him a new home) or we call the police and send all the information against Frank. I also hate the fact that we have a “walking on eggshell” mentality with Frank. We have to be careful with what we say or he snaps and tries to kill us. Why the fuck would I ever want to associate with him?
Hot take. Frank and Rachel was not love.
Their first meeting. Frank, an adult(who is 28) is checking out a 15 year old girl. Rachel was just using Frank for money.  What Nathan says is more likely. Rachel was only there for the stash and gave him photos in return. “everyone knows Frank is a liar and loser, even Rachel did” and there was a falling out between Frank and Rachel, plus Frank’s blood oath for Rachel must have creeped her out. Also when the meeting with Frank goes wrong, Chloe will say she loved Rachel and she knows Rachel loved her. Frank will act hostile and possessive of Rachel "Chloe, you don’t know shit. You were part of her problem. Always trying to take her away from me... Always!"  I believe that Frank had an unhealthy attachment to Rachel and Rachel just wanted a way out of Arcadia Bay for her and Chloe
Frank Bowers is a violent drug dealer who dealt the drugs that killed Rachel and potentially Kate and oh and FRANK IS A FUCKING PEDOPHILE. He did not deserve redemption and we sure as shit should not be friends with Frank.
This is why I absolutely hate the fact that Kate dies. I struggle with suicidal thoughts FOR YEARS. And this game is basically telling me my struggles are meaningless and that I should give in just so a couple can get together. Like, i love Pricefield, but not at the cost of Kate. Why the fuck does the man who stalked and harassed Kate gets a second chance at life, but Kate dies? Fuck that shit
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marcspectrr · 3 years
Text
A word or two on Kiara's mental health...
Before I attempt to summarize the 39 page slideshow living rent free in my brain, a preface! This will include spoilers for s2, as well as a few mentions of suicidal thoughts! Also. I love Kiara Carrera with all of my heart so if you're not a fan of her, you might wanna keep scrolling. If you don't vibe with her that's perfectly fine, but this post is heavy with Kiara appreciation, be warned, my respect for her runs deep. The choice is yours, of course, just understand that I'm writing this bc @yellowlaboratory among others have encouraged me to get it out there because it's all I've been thinking about since I watched s2. This is not to start anything.
(This is also not me hating on Pope because I genuinely like his character, he's just made some very questionable choices throughout the show, some I can forgive and some that still don't sit right with me.)
Deep breath, here we go.
It's no secret Kiara has been poorly handled by the writers and therefore the characters at times. We got little development in s1 compared to other main male characters, leaving us to fill in the gaps as far as her ambitions, motivations, family, overall interest in the boys, etc. While I do keep this in mind, I could rant about it for days so for this I'm going off of what we have as well as what's been implied.
Kiara didn't have the same upbringing as the boys but it's clear the Carrera's had/have their struggles. She's got her foot in both worlds, not quite 'rich' but not entirely 'poor', inevitably giving her a fragile sense of belonging and identity. 16 is a hard age even without societal pressures and growing up in a classist environment, but here is where we're assuming the boys come in. They give her a place to feel comfortable in her own skin, with shared interests and accepting her for who she is, which we know the kooks don't provide. Just being around them helps ease those deep insecurities, helps her form meaningful bonds. We weren't given an explicit scene where this was shown but over the course of the two seasons it's clear how she feels about them and what they do for her mentally.
Her relationship with the pogues, however, puts a rift between her and her parents. Mike and Anna clearly want what's best for Kie but it's also obvious they've struggled with her even before the pogues. Anna wants Kiara to have the things she never got growing up, breeding a disconnect since Kiara doesn't share in her mother's interests. This leads into my biggest problem with Kiara's arc in s2, which was how Anna and Mike were written. 
Yes, Kiara didn't/doesn't treat them the best but it went both ways -- they all failed at communicating. Instead of finding a common ground and compensating for the things Kiara cares about, Anna shuts her down and ignores her, leaving her to feel like a problem rather than a person, further perpetuating even less healthy communication. Kiara even says in s2 that's why she doesn't like going home, because it always means walking into an argument and not feeling accepted.
I sorta expected a little more understanding from Anna considering her own background with pogues but instead it backfired. And Mike...he didn't contribute much at all. They could've all done better and need some work. Kiara could be more grateful and Anna and Mike are the parents, the adults, they need to make the space feel safe to talk. Kie didn't just wake up one day and decide to act out and keep her parents in the dark all the time, that stems from not feeling listened to when she does try and open up.
Expanding on this with...the whole Blue Ridge plot. Moment of silence for the show neglecting to acknowledge the academy,  even though it clearly had a big impact on Kiara's life. In s1 we got a brief look into how her 'kook year' affected her and it was not good. More isolation, blurred identity, insecurity and this time suicidal thoughts, with no one to turn to for support, assuming she was not on good terms with her parents then either. I'm assuming this because for them to send her to the academy, hoping to give her better opportunities only for it to end with her wanting to cut her wrists, to then thinking the best option is to send her away again? At this point I hope they didn’t know how badly the academy affected her because sending her away a second time with that knowledge is such a hurtful and oblivious move.
Kiara already thinks her parents see her as a burden, hurting her sense of worth as is. I really wanted to like the Carrera's and I still feel like they genuinely love and care for Kie, I just need to see more communication maybe. And if they choose to include the Blue Ridge plot, which I'm leaning towards yes on that one, I hope it's handled somewhat well, preferably not a tool to create drama even though I know a lot of people want to see it be used that way. I'm very particular, I'm sorry I'm this way.
Things I've seen her being criticized for in s2 is her behavior. The thing that people have to remember is that she's 16 and teenagers are just not the best with navigating their emotions. She made questionable choices (the 'murderer' thing and 'abusing' Pope) but these are both things that fit the plot and her character. She was by no means the only one grieving so I don't know why she's being targeted for it (although I'm not surprised, the fandom treats her horribly). Some of her core characteristics are her high moral integrity as well as her headstrong belief in people and causes. She's never been one to make herself palatable for people and s2 shows a lot of this (calling out the Cameron's, going off in front of the court, etc). Even if it caused them problems and even if they are flaws, that doesn't make her an inherently intolerable character, it makes her realistic. She was not in a good place emotionally and it would've been wrong to shy away from depicting it any other way, especially in a show where the teenage experience is decently represented.
Now with the Pope thing. I think it was handled as well as it could've been considering the circumstances. It really should've never happened but to justify it, emotions are messy, relationships even messier and they were both spiraling at the end of s1. I don't agree with the way it started (why give Kie the line of literally telling him she wanted something different only to show them together next episode, I'm forever confused) but I'm not mad about how it ended. They were both in the wrong at times so only bringing up Kie's faults is just unfair.
I believe they both tried their best and even wanted to feel the right things but learned quickly that's not exactly how it works, which was how it was supposed to be shown. Not as this romanticized, idealistic healthy relationship but as one that has its bumps and was bred out of all the wrong things. All of their body language pointed towards this. Pope didn't deserve to be hurt but Kie clearly didn't intend for things to turn out how they did. She wasn't mentally comfortable enough for a relationship and I can appreciate them showing this in the ways the writers framed it. Even the conversation with Kie describing their night on the beach, I think it was perfect. It was awkward but it was honest, which is so important.
Overall, I think Kiara's gone through a lot mentally that the show could be better at exploring. It doesn't have to be big, obvious lingering shots, they can be subtle and still mean so much to people who relate to her. Seeing someone on screen grapple with real life struggles (even if the show walks a painfully fine line as far as realism), it means a lot. Especially when mental health (more prominent than ever) is so rarely portrayed to translate in any significant way in media now. It's definitely something I would love to see get more time and effort so until then, just know I'll be manifesting the screen time Kiara Carrera deserves.
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lalahbug · 3 years
Text
Guidance - Zuko x Reader Chapter 6
Fandom: Avatar the Last Airbender Word Count: 3,232 My Masterlist
Warnings/disclaim: General 18+ Angst
Author’s Note: under story ___ is a blank for your name/oc/whatever you prefer Written in 3rd person Line/header is to separate paragraphs to indicate time skips, as Tumblr hates my formatting.
Story under cut, 6 of 8, Guidance Masterlist
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        A few weeks had passed, ___ was healed and quickly became the new mother figure of the group. Teaching about survival, chi blocking, and helping with most of the chores. Of course, she also played with the group and lectured them like a mother as well.
        ___ and Aang were meditating together, during a sunrise, which Aang wasn’t too happy about after being up most of the night traveling. Aang peaked at her as she exhaled deeply, relaxing further, still keeping her posture. 
        “Staring at me isn’t going to help your mediating, Avatar.”
        “You didn’t even open your eyes; how did you know?” He pouted but started meditating again.
        “Your breathing went normal instead of trained.”
        “How do you do that?”
        “Do what?”
        “Hear so well, know when I’m doing something I’m not supposed to do.”
        “I’ve had heightened senses for a long time. But as for knowing when you’re doing something, we’ll chalk it up to Mother Instinct.” She chuckled softly. “You’re really not in the mood to meditate, are you?”
        “No!” Aang groaned before falling backward.
        “Okay, practice your breathing with me for a bit then I’ll let you go.”
        “Okay!” Aang agreed with a smile while sitting up. 
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        Aang and Katara were practicing some waterbending, while ___ watched their movements.
        “Why don’t you come join us? Aang could use the opportunity to fend off two waterbending foes.” Katara smiled and splashed some water at Aang.
        “Thank you, but I don’t know many waterbending moves, I’d be an easy target. I can only whip water and create waves.”
        “That’s right, being from the North Pole, they never taught you. But didn’t you learn on your own?”
        “I only got the water whip and the wave, that’s all I learned on my own.”
        “Why didn’t you say anything? We could have taught you.” Aang urged.
        “I’ve never been a good waterbender, there’s no point in teaching me. I’m an average healer and I can do pretty movements with a full moon, but that’s it. My strength is chi blocking and fast reflexes.”
        “Well, I think you could be a good waterbender. Why don’t you practice with us? You can learn some new moves and there is no pressure if you can’t do it well. Because like you said, your strength is chi blocking.” Katara urged, ___ shrugged before disrobing a bit, and getting into the water with the two masters.
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        One day before the invasion, The Day of Black Sun, and Aang wasn’t able to sleep. ___ was up with him, just after sunset.
        “You can’t stay awake before the invasion. You need to be rested. But I think if you’re alone, it’ll be worse. So, would you like to go over the chakras to help you with the Avatar State?”
        “I think I know them; I just can’t do the last one.”
        “Ah, you mean the Thought Chakra? Is it because of Katara?”
        Aang blushed a bit before sighing. “Yes, but also, I don’t know how to let go of Earthly attachments when I have to protect them.”
        “The Avatar is bound to this earth to protect it. You must learn to balance these or they will be your downfall. You let Katara go completely at Ba Sing Se, you were then attached to cosmic, too attached to cosmic energy. As the Avatar, you must find balance with your cosmic energy and your Earthly attachments. You can open the Thought Chakra, by learning to balance your attachments. Earthly, Avatar, cosmic, love, spirit, and even your nomad teachings.”
        “What about my nomad teachings?”
        “There will be a day where you might have to sacrifice your beliefs for the greater good, to keep balance in the world. But because of your teachings, I know you’ll find a way to balance the good with your morals.”
        “You’re talking about the Fire Lord, aren’t you?” Aang curled up and placed his weary head on his knees.
        ___ smiled at him gently, examining the bags under his eyes. “You can face him, you can beat him, we all believe in you, especially as he is powerless during the eclipse. But, what if, you can’t get to him in time. Don’t get me wrong, Sokka’s plan is amazing. Things don’t always go as planned. If you can’t get to him in time, you will have to fight him someday. How will you restrain him? Or will you have to take his life? I worry about the outcome of this plan a lot. From my talks with Roku to how devious the Fire Nation is. I just hope you know, if this fails. It’s not your fault. There will be some other factor that makes it so you can’t get to him in time. I have no doubt about you facing him, just our timing.”
        “It’s terrifying to even think of facing Ozai, but hearing the faith you have in me helps. Hearing that you don’t expect me to defeat him tomorrow, really helps. But your question haunts me. How will I restrain him?”
        She placed a gentle hand on his shoulder, “I believe in you Aang, the world does. But in the end, you are just one kid, and you will need to listen to words of wisdom from your past lives. From ancient sources, and learn to bend life and energy itself if you are to defeat Ozai without taking his life.”
        “Bend life and energy? How do I do that?”
        “I’m not sure, I only read about it in the spirit library. You will have to hope that an ancient source shows you.”
        “Well, with you and the Spirit World to access, I think I’ll be able to find it if needed.”
        She smiled at him before meditating with him. She knew of the group's plan to make a bed for Aang so he could finally sleep, she was just keeping him company in the meantime.
        “___?” She hummed softly in reply, still meditating. “What if we see Zuko during the invasion? What will you do?” She opened her eyes, a sorrowful smile formed as their eyes met.
        “Depending on where he is in his journey, I’ll either have to disable him or listen to him.”
        “What do you mean?”
        “My first night in the Spirit World with Roku. He let me know of my future, to help me mentally prepare for it. He told me a beautiful tale of me falling in love, with his great-grandson. But he warned me, his great-grandson has the ability to be good or bad. As Roku and Sozin are both his great grandfathers.”
        Aang gasped, “Zuko’s mom is the granddaughter of Roku?”
        “Yes, that’s why he is at war within himself. Between his two natures. He also didn’t have the healthiest of families to help him cope with it either. His uncle, although wonderful, found his path in life a bit late. I hope Zuko will find that path one day too, but I can no longer be the one to guide him, he must find it himself. But only time will tell if he will find it soon or if he will live a long life trying to find it.”
        “Do you still love him?”
        Her eyes fell to her stomach and the bump there. “I do, but when he took another woman because I was unconscious for weeks, I feel as though maybe my love might have been blinded by the fairy tale Ruko told me. For he never mentioned a child. He only mentioned I would have to choose to forgive Zuko or not, and that it would be very difficult for me. I love him, but I'm not sure if I can forgive him just yet."
        "It must be hard, not knowing if he loves you or not, yet still having this child."
        "It hurts not knowing, but it's not too hard. I'm not worried for some reason, not when it comes to this baby."
        Aang had a flash of the small baby named Hope that Katara had helped deliver a few months back. "Babies are a beautiful thing, especially when you have someone to share it with."
        "Katara asked me to stay until the baby is born at the very minimum, so in a way I will, you guys are the closest thing I have to family right now. So, I'll share that experience with you."
        "So, I get to be an uncle?" He smiled.
        "You'll be the best uncle!" They giggled softly and she smiled at him fondly as the group approached them, ready to help Aang finally sleep. 
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        After the invasion, Aang wanted nothing to do with the planning for the next steps, next attack. ___ shut herself away from the group and the others with them now. She should have been left behind with the other adults, but they wouldn’t hear her protest, since she was pregnant. 
        Walking along one of the many corridors of the Western Air Temple, she hummed softly to herself, enjoying her solitude, wanting to fix her mental state before joining everyone. No one needed a pouty pregnant woman around, all because they didn’t listen to her. They had her and the baby’s health in mind, they weren’t trying to make her feel more useless or weak. So; she needed to be alone to fix the brewing thoughts before they burnt anyone needlessly.
        She walked until she felt lost and sighed and started to head back to the group, for dinner. But when she arrived everyone was sulking and arguing about something.
        “What’s wrong?” ___ asked while getting some food after Sokka said something about not adding animal cruelty to the list.
        “I’ll tell you-” Katara started, ready to vent to someone else.
        “Wait,” Toph cut off Katara. "___ how would you feel, if Zuko came here asking for forgiveness and to teach Aang firebending?”
        She understood what had happened just from Toph’s question, her heart sped up, the broken pieces throbbing, she took a breath to reply. “Aang needs a firebending teacher, and Zuko, well he’s a good firebender. I don’t know how I feel about him asking for forgiveness, but if you thought he was sincere, Toph, I would let him stay. Because if you think he was sincere the whole time, it hopefully means he’s finally found the correct path.” She looked to Aang with a sad smile, reminding him of their conversation when he was so sleep-deprived.
        “How?” Katara asked softly. “How can you just allow him here? Forgive him and trust him? Especially after what he’s done to you?”
        “I don’t forgive him; I don’t trust him. But the options of firebending teachers are pretty limited to Aang. Only time can tell if he can earn trust and forgiveness from any of us. We have to look past ourselves. The world needs the Avatar, the world needs Aang to learn firebending. If we still can’t trust him after he’s with us and he’s taught Aang, then you can give him the boot and send him packing.”
        “I hate when mother is right,” Sokka grumbled.
        “I am not your mother,” ___ snapped. “I’m a friend. I’m tired of being treated like some soft pregnant woman with motherly love. I’m a fighter. My pregnancy doesn’t change that. I will only let motherly change take me when the world is no longer at war. I can’t soften and hold everyone’s hand through this. You’re all kids to me, but the world can’t have the Avatar, a master of waterbending, master of earthbending, and a sword master, be kids. You have to keep the goal in your mind.”
        “You’re still mad at us for making you come with us? Instead of letting you stay with the other adults, aren’t you?” Aang asked softly.
        “Yes.” She exhaled sharply before taking a deep breath. “But I know you did it because you care about me,” she rested a hand on her stomach. “About the baby. But you wanted me here, so I’m here. And I think you should listen to what Zuko has to say without emotion.”
        “All I know is that while he was talking to us, he was sincere. Maybe you’re all just letting your hurt feelings keep you from thinking clearly.” Toph said in agreement with ___.
        “Easy for you to say, you weren’t there when he had us attacked by pirates.” Katara spat.
        “Or when he burned down Kyoshi Island,” Sokka added.
        “Or when he tried to capture me at the fire temple.” Aang finished.
        “Why would you two even try to defend him?” Katara said so frustratedly she was shaking.
        “Because, Katara, you’re all ignoring one crucial fact. One ___ has already told you!” Toph stomped up to Aang and poked him in the chest. “Aang needs a firebending teacher! We can’t think of a single person in the world to do the job. Now one shows up on a silver platter and you won’t even think about it?” She shook the ground with a couple more stomps.
        “I’m not having Zuko as my teacher!” Aang walked away from ___ and Toph.
        “Aang-” ___ started before Sokka cut her off.
        “You’re darn right, you’re not buddy.” Sokka stood tall, finalizing his backup with Aang.
        “Well, I guess that’s settled,” Katara said smugly. ___ sighed before looking at Toph.
        “I’m beginning to wonder who’s really the blind one around here.” Toph stormed off, ___ followed behind her.
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        Toph and ___ were walking through the forest, to find Zuko.
        “You didn’t have to come with me,” Toph sighed.
        “I know, but I would like to talk to Zuko too. I think I know him well enough to tell when he’s lying, whether you can detect it or not.”
        Toph giggled pointing to ___’s stomach, “I would hope you knew him well enough.”
        “Oh shush,” she pushed Toph playfully, but it was clear she was a bit exasperated by the comment.
        “Do you think Zuko would try to trick us all; like he did to you and Katara?”
        “Zuko didn’t trick me. I don’t think he meant to trick Katara either. I think he loved me in his own way. He was good in Ba Sing Se. But the allure of home was stronger than the good.”
        “But now that he’s here, you think the good called him back?”
        “I’m hoping that. I’m hoping he found his true destiny.”
        “I’m hoping you’re right,” Toph said with a sigh.
        While moving through the brush the women alerted Zuko.
        “Who’s there?” His voice was groggy, the sound of it stung ___’s heart. As they got closer, he yelled. “Stay back.”
        “It’s me!” Toph shouted back, but it was too late, Zuko had already lashed out fire in his fear, Toph even tried to make herself an earth shield. She fell as the flames licked the soles of her feet “Ow! You burned my feet!”
        Zuko was up and running towards her as she started to crawl away. “I’m sorry, it was a mistake!” He cried while chasing after Toph, but sudden strikes to his body made him collapse.
        “Get away, Zuko!” ___ shouted while scooping up Toph.
        “___?” He gasped, trying to sit up, she only chi blocked his right side. As she started to walk away, he called out to them. “No, please, come back! I’m sorry!” He tried to get up, but the weight of his right side would not shift and he fell back. He groaned along with his heart ache seeing ___ walk away and ignore his plea, his apology. “Why am I so bad at being good!” He cried to the sky, wishing to be able to rewind time.
        He’d go back so far if he could, but he pleaded now silently inside his head. “Please let me go back, even just 5 minutes.” He exhaled in defeat, wondering what the girls had wanted to say, but now he’d never know.
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          Days passed and the threat of Combustion Man was gone, Hokada and Suki back. While sitting around the fire with everyone, Zuko served tea again, while he did so, he noticed ___ left the group. Excusing herself to go lie down. And the night where he burned Toph’s feet came to mind. She came with Toph, what did she want to say?
        After his failed joke and everyone had settled their laughter. “Does ___ leave the group often after dinner or is that because of me?” Zuko asked softly, silence rang afterward. Katara and Aang shared a soft look.
        “Before the invasion, I was restless, ___ was meditating with me. I asked how she would react if we were to run into you since, at the time, you were still an enemy, a threat.” Aang sipped his tea before continuing. “She simply said she'd either disable you or listen to you. She believed in you even then, she just wasn’t sure when you'd find your correct path in life.”
        “But when she thinks about you, hears your name, or even just briefly has a polite encounter with you. Her heart beats sickeningly. Like the broken pieces are trying to pull together.” Toph added since she was able to hear and feel ___’s heartbeat.
        “I want to explain myself, talk to her. But I want to do it alone.”
        “You should be thankful she even acknowledges you exist,” Katara spat, still angry.
        “I am, she’s always been forgiving. But I don’t know how forgiving she’ll be with me.”
        “___ still loves you,” Toph encouraged him.
        “But before we allowed you in the group, she did say only time would show if you deserved trust and forgiveness,” Sokka added, Suki elbowed him. “What? He should know the truth, the good and the bad.”
        “Thank you, that helps. Maybe she’s not ready to hear my apology, because she doesn’t forgive me or trust me yet.”
        “Make sense, you engaged her, impregnated her, broke your promise then left her for another woman because she was basically in a coma,” Katara stated with venom.
        “I never left her, but I was too cowardly to tell my father no to the arranged marriage. Scared to not be his perfect son again.”
        “Mai still seems to love you, since she helped with the prison break,” Sokka said.
        “Another heart I broke, by being a misleading person. She loves someone within me that I’m not. She doesn’t understand that I’m trying to save my country, my kingdom. The world fears and hates the Fire Nation. I need to try and heal that and help the Avatar bring balance back into the world.”
        “I think ___ just needs a little time, she was for having you here from the get-go with me,” Toph popped some more food in her mouth. “She’s just not ready to deal with you. Since she’s been having some health issues with the baby, every time we have stress, she gets sick.” Toph said sadly.
        “Well with the invasion being over, Combustion Man gone. Hopefully, things will calm down.” Katara said before standing up. “I should go check on her and the baby before we sleep.” She stood and left towards the way ___ had left earlier.
        Zuko sighed and sipped his tea. He would need to be patient a bit, wait for some alone time with his love, and keep an eye on her troubled health with the baby.
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Author’s Note:
Hello, I know I’ve been gone for awhile, but I’m getting better mentally and personally. I can’t promise when the next chapter will come out, but I’m hoping by the end of May. 
I’d like to thank everyone that’s liked previous chapters and stayed with me on this. This is still my indulgence, anime fanfics, but after this series. I might go into show/movie fanfics (like Marvel and Supernatural), make a list of who I’d be willing to write for and open a for request for a bit. 
Also, for the one lovely who wanted to be added/tagged for new chapters, here you go; thank you for your love on this <3
@eridanuswave​
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thisdreamplace · 3 years
Note
ashamed to say the 3D reflects our true inner reality, yes? my ENTIRE family has turned against me, after some atrocious conflicts in which they all ganged up on me nd judged me, name-calling, very hurtful things too, provoked me. i been dealing with some serious mental uh 'issues' on my own nd when this happend i was already on the verge of a breakdown nd the good news is while the conflict happened i kept telling myself theyre only reflecting me u can get thru it etc. Later i looked at the hard facts nd realised some of the hurtful things they said were my deep secret feelings abt myself. BUT my question is why the HELL cant they talk to me like normal people? confronting one person vs whole family, why?! i felt so small nd like an object, nd not a single person defended me. am i not a part of the family?
Part 2 is simply its been a week and theyve still been cold towards me as if I yelled AT THEM ABT THEIR PAINFUL 'tRuThS' in front of EVERYONE LMAOOO. At first if i was around we'd have dinner together while they'd all talk to each other like best friends aka sickeningly overly friendly while completely IGNORING me while i sat there. i could tolerate it. I WAS PISSED AT THEM TOO Now its too painful. They're having dinner without telling me, yesterday didnt leave enough food for me knowing i hadnt eaten, serve tea/snacks without my portion. i honestly feel so unspeakably trigered nd sad. worst is these things r reminding me of deep school memories when id feel excluded like this by other kids at parties or class activities nd its like im back there. anyway im glad i controled myself a bit nd didnt counter with horrid things abt them to THEM yet they think they can say the same to me. im so hurt rn i cant even tell u lol i was okay the whole week but now its too much,, ive been crying the whole day
thing is, ik this seems like 'im a victim oh noooo they ganged up on meee'. Nope its more like how do i change myself to change them?! u could say why not talk to them how they made u feel, except whenever ive defended myself in the past regarding hurtful things they/anyone in family did, the siblings/parents would say irritating things like: "oh so YOU'RE the one hurt? Oh thats right, its because YOU'RE right! yes, yes, you're always right. Forgive me for saying anything against the perfect person u are." Or one of them says: "You?! I hurt YOU? What about me? You don't care about me! So you think what ur doing is okay?" or "no, who do YOU think u are to tell ME what to do?" it just goes in circles like this! i dont deserve to hurt myself or do smth to myself even if they dont give a damn, even if years of silent suffering of the 'mEntAL pRoBlEms' (which my lovely parents have already told me is my fault years ago, hence why I NEVER show it to them, unless im crying too much then lol they just mock me, but idc abt THAT bcoz now ik i hav a right to let out my emotions)). i mean this is worse rjan usual. its kinda insane nd when guests come they start talking to me as if nothing's wrong then when they leave, they ignore me!
this whole twisted dynamics, feelijf left out nd helpless is ig some crazy assumptin from childhood of being alone nd unable to defend myself. plus when they argye with anyone, they become overly self-righteous nd over the years its clear they can only scream, blame the scapegoat and never talk abt serious matter like normal ppl. And yes, in the past when i bring this up, they like to reply with stuff like: "no YOU'RE the one who doesnt talk to US bla bla" like, when i do u just shut me down? have belittled my mental 'issues', mocked me when im at my worst, stabbed me with cruel silent treatments nd thinking its alright "bcoz of self-righteousness blegh". Or maybe i think its okay for them to punish me? or whatev? Like law says u get what u r. if these ~~~ keep doing this to me, im doubly ashamed to say this means im the one at fault?! i let this monster assunptin grow nd now idk what to do. the worst thing imo is how i failed to tell them,even if they ignored me in the past, how i feel when anything like this or a conflict happens nd none of them stand up for me, or at least are neutral to me. bcoz now if i do, they say nope, u dont care what we do, YOUR the shameless one :! so yeah they hav the advantage of 'numbwrs' while im too afraid to stand up for myself lol. btw they never apologize nd i suspect they expect ME to apologize to TYEM bcoz everything's already ruined bcoz of 'me'..... i give up on them, i really do, but my heart hurts. Either i harden my heart, nd save up to move out, OR i try to change my self or whatev assumptins i have. But how do i do that? i try afirming: "my familys so nice to me, im respected by them" but it feels so fake tears literally enter my eyes lol
firstly i want to say, thank you for coming here to vent and being open about your feelings. it’s so important sometimes to just let it all out, without holding back. so that way you can move forward more bravely, to create the life you truly want to experience. that being said, i am going to be completely honest with you here in hopes that perhaps it may inspire you and you will be ready to do what is needed for the life you truly want to experience.
“BUT my question is why the HELL cant they talk to me like normal people?” -> “i felt so small nd like an object, nd not a single person defended me. am i not a part of the family?” here is your question, and here is your answer. i think that being completely honest when venting your feelings can actually be so helpful, because if you read back what you have said, you will be able to clearly find the patterns that are creating your personal hell. FEELING IS THE SECRET. ASSUMPTIONS HARDEN INTO FACT. the true way you feel, becomes your experience. Feelings/assumptions/beliefs come first, and the experiences come second to confirm them. That’s all that’s happening here.
i am glad that you were able to keep your reactions to a minimum! that's wonderful and as many of us know, it can sometimes be hard to do in such hurtful circumstances. but you managed to do it, this shows just a small glimpse of the power you truly hold within. although emotionally you may feel out of control, there is still the choice to choose better for yourself which you demonstrated through your reaction to them. good for you!
the truth is, you acknowledge the victim mindset to seem like you’re not engulfed in it, but no, you’re still very clearly engulfed in it. as i have said before, you can’t be a VICTOR and feel bad about it. feeling bad about taking responsibility, about everyone is you pushed out, about any of these types of concepts automatically shows a victim mindset. talking to them won’t do anything, because there are no second causes. you could talk to them nicely, you could be the nicest person in the world. but you can’t pretend your way out of your inner world. your inner world is the one and only cause of your experiences. until you change the story you tell yourself, they will stay the same. this is a hard pill to swallow sometimes. and it can feel heavily, because it’s ultimately only you’re choice. they can’t change until you do. the heaviness of the situation may make it seem impossible to turn around, but that’s just an illusion. your emotional attachment to the situation makes it seem so real and hard to change, but no. that’s just an illusion too. however, it’s ultimately your choice. Do you want to take responsibility for your life, or do you want to keep being tossed around like your lost at sea, victim to the merciless angry waves? Because we always have a choice. No one chooses your inner world, you do. No one can go into your mind and decide things for you, that’s only your job.
you can harden your heart, but who would be the one who suffers more? It won’t be your family, i can assure you. it’ll only be you. by doing that, you keep that old story alive and therefore you keep experiencing it. you keep those stories alive that are desperately showing themselves to you, saying “LET US GO.” but you remain identified with those painful stories, so you grip onto them tight. you keep on thinking of possible reasons for their behavior, but you could just read your entire ask back to yourself and you’ll see every reason. your reactions, your beliefs about them, your emotional pain. its your refusal to let those things go, and focus on what you truly want that keeps you in this state and keeps them in this state. sure it’s painful to face the responsibility at first, but it’s not a blame game. thinking its about blame is just a misunderstanding of the teachings. it’s not about they’re so perfect and you’re so not, so you have to change your ways. it’s about this is how life works here. this is about... you can ONLY ever experience self. whatever is going on within, will be reflected in your outer world. it’s about how they can’t change, UNTIL YOU DO. so instead of feeling sorry for yourself, you have to decide to give yourself the gift of a wonderful life because you have that power too. you stop deciding they can be in control of your experience, and you decide your experience yourself.
to change your assumptions, stop trying to affirm over them and actually face what’s keeping you from believing in your desires. yeah, it’s going to be painful and uncomfortable. but you need to face the pain that you’re running away from, so that it can finally be released. you have to realize, it only stayed true because you believed it to be true. and if you are to live a life free from that story, and experience a more desirable story, then you must let the pain go. give yourself love and grace as you work through it, and know that there is a more beautiful side of life that awaits for you to accept it in.
No One To Change But Self
There is Nothing to Forgive
How to Sit with Your Triggers
give yourself the time you need, it's not race. the love that you wish to experience exists, allow it in. 💖
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lobpoints · 3 years
Note
L corp's singularity was manifesting the mind, thus with your concept that LC is the manifested concept of hell, perhaps it's literally A's hell. one important note in this though is that in Judaism (or at least Rabbinic Judaism) you only spend a year in hell, and only if you've truly transgressed against your fellow man and not simply against g/d (which is forgiven with sincere repentance) the only way to forgive a sin against another person is sincere repentance to That Person, thus i would argue that LC is less the A's conceptual manifested hell, but moreso his (Judaic) sheol; to meet shades of the people he failed in life and seek some redemption not just for his own sake, but for theirs. A doesn't have to do this; the last 3 days in L corp accentuate that point, Abel simply accepting his sins and not trying for repentance, Abraham despairing because he could not repent at all, and of course Adam in trying to undo all of what he's tried for all along, but in the end A is Ayin. He is the nothingness we return to in the end. he did not give up, not for his sake and ESPECIALLY not anyone elses; he kept going, despite those cycles, to the point where he does not think of even his own name until his final moments. i'm not saying A is a good person either, just that i'm proud of him for getting so far, even with the pain. I bet carmen would be too, even in her state at the end of LC. putting this on anon bc im self conscious now for writing so much but anyways yes ur right and also dope as hell
I'm not knowledgeable about Judaism so that is very cool to learn about sibsibons but at the same time I disagree on you so much on A I'm very sorry anon
I literally dont view A's stubbornness or "not giving up" some sort of admirable trait for him since while yes he can literally go otherwise and choose other option I don't think he would mentally be able to live with those options esp after he viewed himself as the person who got entrusted with Carmen big ideology and the person who killed her LOL, so to just drop everything and simply live on is like telling him to choose "death". A is someone who follows the sunken cost mentality so it is understandable that the more he sunk himself into the mess he created the more he couldnt stop since "we have come so far and killed so many, if we stopped now then it is all for NOTHING" and till the breaking point that is LC where the exit is literally removed and until that point it's not "do or quit" for him anymore it literally just "do, you don't have any other option" along with all the people who are trapped and suffered in LC is all because of him in the first place. Basically his stubbornness is more of a slow process where he self destruct and it not really, something admirable to me LOL
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of-house-atreides · 3 years
Text
This article is breaking my brain
Have you read this article ?
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TW: mentions of suicide and also I’m an angry petty bitch
Yes I know this article is from like three weeks ago but I just found it... and I have things to say.
I swear I can’t handle this anymore...
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“But today, Loki steps out of his brother’s shadow”... to step in another one. It be the TVA or Sylvie, just... take your pick.
“resuming his role as the God of Mischief” um where? when?
The comedy part is debatable but fine, whatever... I must have missed the noir crime-thriller bit maybe it was between two scenes of Loki getting his ass kicked by literally everyone in this show.
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Yeah you forgot that end-credit scene showing Loki alive and well in IW/Endgame.
And no, alternate/variant Loki doesn’t count, he’s not the same person/character.
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Because of course when you think of Loki you instantly think his story should take place in a “bureaucratic nightmare” -
And why not hire competent experienced people for Multiverse of Madness and Loki? Is this Marvel’s way of telling us they don’t really care about these projects?
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Kevin really said “no experienced writers on this project, let’s just hire whoever” - or maybe it’s a budget thing? Less experience means less zeros on the pay checks?
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Wow, ok.
So not a fan of the movies nor a fan of the character, just a fan of the genre, that explains a lot...
“what was really important to me was stripping away all the fantastical elements” ... ?? I’m sorry?? What?? So removing all the fantastical elements from a show titled after who is supposed to be the main character who is a GOD and a prince from another realm/planet was what was important?? The Trickster God of Mischief, magic wielder, master of illusions NEEDED to be stripped from his FANTASTICAL ELEMENTS???
ffs
“find the heart of this story” - is the heart of this story Loki becoming best friends with his (mental and physical) torturer after what? 2 days? Was it falling in love with the ‘superior’ version of himself after only 13 hours together? I’m still looking for the heart of this story.
“what is the relatable message at the center?” - well apparently it’s ‘you can be a God and a warrior with magical powers but still get your ass kicked by literally everyone all the time and never use your strength and skills to fight back’. Or it’s the power of love, idk -
Oh wait, is it falling in love with the female version of himself? For a weird ‘love yourself’ metaphor? That must be it.
Or maybe it’s jet skis.
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Ah yes, the ‘you can be good, actually’ message of this series that is so subtly presented to us...
They really missed the whole fucking point of Loki.
They missed it so bad they made him call himself a narcissist (which he isn’t btw).
For the record, Loki is a prince of Asgard who learnt one day he was adopted and in fact taken from one of Asgard’s worst enemies, the King of the Jotuns, aka Frost Giants “the monsters parents tell their children about at night”. He found out he was not only adopted but also abducted and not out of love. He feels not only betrayed but he thinks he understands now why Odin always favoured Thor and why he’d never have the same love from Odin that Thor has had his whole life. He thinks of himself as a monster and wants to be worthy of Odin’s love. So he tries to get it. And sure, he doesn’t do it in the best way, and yes, he is the villain of that story. But Loki isn’t a villain. He doesn’t like to make people suffer, he did it out of pain, out of hurt. The events in Avengers was after he was thoroughly tortured and coerced by Thanos to invade Earth. There is even a moment in the end when Thor asks him if he thinks this ‘madness would stop under his rule’ (or something along those lines) and he looks unsure and regretful. But due to the fear of Thanos and insecurity about himself (love is weakness or whatever) he keeps going. He redeems himself in Dark World, again in Ragnarok and yet again in IW and he was thrown in the trash for it.
Yes, Loki’s story is complex, but it really isn’t that complex... So maybe Loki is a “scared little boy” but his way of acting out makes sense and there’s a legitimate reason for it that was not explored in the show. And his backstory is probably what she called the “bells and the whistles”... 
“we literally delete his universe” - and apparently you deleted his personality too
“it’s a story of reinvention ... can Loki find goodness in himself?” - again, you’re missing the point. Loki is insecure, but not about his ability to do what’s right, but about whether or not he is worthy of love! Finding goodness within himself comes AFTER!
“Loki’s journey, to me, is really about acceptance of himself” - several questions here, um, first, what about himself does he need to accept? That he’s a Jotun? The show never mentions it. That he’s done bad shit and should forgive himself for it? Give him a reason to. Self-love doesn’t come after being mentally and physically tortured by some guy who acts like he’s your best friend after 2 days of working together and being yelled out that “he can be anyone he wants, even something good”.
Show, don’t tell, isn’t that the point of your job?? The job you begged for??
Loki’s journey should have been about self-love and no, falling in love with the female version of yourself (who keeps saying they have nothing in common (because they don’t!)) doesn’t count!
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“a more mature and darker path” ...
well this is interesting... was making Loki a clown and the butt of every joke part of making the show mature and dark? Were the terrible attempts at humour? Him being beaten up every two seconds? Having him say lines he’d never say in a million years just to be funny but since it’s out of character for him it fails completely? Was making him incompetent and a complete idiot part of that attempt of making the show mature and dark?
Is that why there’s no magic? You cut off the magician so your show would be more “mature and dark”?
Having him cry every episode doesn’t make your show mature and dark.
Loki from Thor, Avengers, the Dark World and even IW is mature and dark. Your Loki from your series is just a pathetic clown.
“don’t give viewers the story they are expecting” - I personally wasn’t expecting any story, I just wanted Loki, you know, in this Loki series, supposedly all about Loki, and you guys couldn’t even do that.
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So this is the author of the article speaking here, I’m guessing, and I think they’re giving a summary of the show so far, so let’s break this down:
“This is Loki as we’ve never seen him before” - I 100% agree -
“Stripped of his self-proclaimed majesty” - ok, first of all, Loki is a prince, that’s a fact, he didn’t make that up, and for the few years he was King of Asgard disguised as Odin, he seemingly did a great job, so...
“but with his ego still intact” - ah, yes, his ego, you know, because he’s such a narcissist... oh wait -
yes he has an ego, but he has a regal one, not misplaced entirely either - his ego in the show is basically him underestimating the TVA and Mobius (as well as the Time Keepers) - his ego is him getting offended by the variant: the ‘superior Loki’ - his ego in the show is used as a weapon to humiliate and belittle him.
“he faces consequences he never thought could happen to such a supreme being as himself” - he literally tried to k*ll himself in the first Thor - literally a result of his own actions - when he returned to Asgard in Dark World, he didn’t try to pretend he hadn’t fucked up. He didn’t try to hide what he had done (he tries to deny to Mobius in episode 2 that he was manipulating them at the fair) - he sacrifices himself in IW... but sure, Loki from the series is indeed surprised that he is powerless (even when he doesn’t need to/shouldn’t be)
“there is a lot of humour ... he is taken down a few pegs by the TVA” ... he is humiliated by the TVA - definitely not what we were expecting, I’ll give you that.
“sentenced to a lifetime of bureaucracy” - definitely did not expect that either
and here comes my favorite quote: “it’s a sad Loki without any mischief”
yes - yes - yes
that is a good summary of this goddamn show, a sad, pathetic, powerless Loki without any personality 
“fallen God” - yeah that’s definitely not what I was expecting either from the Loki series so good job on subverting expectations I guess...
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“who is going to win out in this match between them?”
there is no match - Loki is powerless - he’s been turned into a pathetic docile harmless wet dog - Mobius literally mentally (episode 1 and 4) and physically (episode 4) tortures him, both time in an attempt to have Loki do his bidding - Loki is the dog and Mobius is the master - even when Loki ‘tries’ to manipulate him it fails because he’s underestimating them (by overestimating himself) - he uses obvious techniques to manipulate the TVA (episode 2) and nobody buys it because it’s not subtle at all! Loki is smarter than that, he is a TRICKSTER GOD FFS!
“there is an interesting dynamic between them that maybe you haven’t seen with Loki in the Marvel movies” - yeah, maybe there’s a reason for that... like... he wouldn’t... submit so easily... he’d be wary, cautious, cunning... he’d be... himself...
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Sans déconner ?
It’s like whoever wrote the series didn’t actually know shit about Loki... like that wasn’t fucking obvious...
And those lectures were apparently done after the script was written so... again, no surprise there... we can see that
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Well...
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“we wanted the show to be imbued with mischief” vs “sad Loki without any mischief” choose your fighter
“Loki has this very sensitive, damaged, broken heart with an enormous capacity to feel emotion on the biggest scale.”
Are surprised that only Tom so far has portrayed and talked about Loki accurately?
“loneliness, sadness, anger and grief and loss”
I love this man.
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I do wonder what Mr. Branagh thinks of the show...
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I’m of the people who see a vulnerability beneath those layers of charm and playfulness. I love Loki because he’s smart and cunning and regal, and elegant and sophisticated. I love him cause at the end of the day, he just wants to be loved, and he deserves to be loved.
And in the end, the only Loki I can’t stand is the one from the series.
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lov3nerdstuff · 4 years
Text
Voluptas Noctis Aeternae {Part 7.35}
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*Severus Snape x OC*
Summary: It is the year 1983 when the ordinary life of Robin Mitchell takes a drastic turn: she is accepted into Hogwarts School of Witchcraft and Wizardry. Despite the struggles of being a muggle-born in Slytherin, she soon discovers her passion for Potions, and even manages the impossible: gaining the favor of Severus Snape. Throughout the years, Robin finds that the not quite so ordinary Potions Professor goes from being a brooding stranger to being more than she had ever deemed possible. An ally, a mentor, a friend... and eventually, the person she loves the most. Through adventure, prophecies and the little struggles of daily life in a castle full of mysteries, Robin chooses a path for herself, an unlikely friendship blossoms into something more, and two people abandoned by the world can finally find a home.
General warnings: professor x student, blood, violence, trauma, neglectful families, bullying, cursing
Words: 3k
Read Part 1.1 here! All Parts can be found on the Masterlist!
______________________________
"I'm going to die, am I not?" Robin sighed in a shallow voice before she could help it, while fear wrapped around her heart like a vine of devil's snare. "You wouldn't be sitting there like that if it was anything else."
Snape didn't reply, but his eyes found and followed Robin's as she toed off her shoes and then carefully maneuvered through the papers on the ground, hopefully without stepping onto any of them until she stood right before him. With a heavy weight in her chest that made it harder to breathe by the second, she looked down at him for a moment in silence, but it was only when she took his hand ever so gently that every bit of defeat and doubt faded from his features to leave only calm determination behind.
"I will not let you die, Robin. You know that." He finally spoke up in an overwhelming certainty that his eyes conveyed now as well. "No matter what these papers say, we will be fine."
Letting out a breath she didn't know she had been holding, Robin gave him a nod and a half smile on instinct. If he seriously thought they were going to be alright, then they would be. Perhaps that had to be enough reassurance for now, enough for her to cling onto, enough to keep calm and deal with whatever was coming. With a sigh she finally sat down next to Snape in their small circle between the papers and took in all the different stacks of parchments spread around them. They were of various ages, in various stages of decay and with a multitude of different handwritings on them. Gods, where to start… perhaps, with the most obvious thing to do.
"Tell me about it." Robin merely said, calmly almost as if they were merely talking about a new kind of potion they were experimenting on, then looked up at Snape by her side. "What are we dealing with here?"
"A prophecy." He sighed in return. "An old prophecy that is, and I daresay those tend to be the very worst."
"Great."
"Perhaps you should read for yourself what it is about and how it came to be." Snape said, then frowned to himself for a moment while his eyes scanned the papers, before finally his features relaxed once more into calm factuality. "At least the most important parts of it all. The history around it up to the present day I might as well summarize for you afterwards."
"Have you actually read over all of these parchments already?! There are literally hundreds of them!"
"I read fast." He flatly defended himself against Robin's incredulous expression, but once she gave him a no-kidding look, he went on to elaborate. "But I also skimmed through a lot of it merely to be able to group it into categories. About half of these papers are mere copies of older texts that were only made to preserve the content and document the process thereof. The other half consists of about eighty percent personal accounts of those affected by the prophecy, and merely the remaining twenty percent are information abundantly necessary to understand the prophecy itself as well as its history. Those I have read entirely, yes."
"Wow…" Robin breathed, while her eyes drifted over the sea of paper in front of her. "It all sounds terribly complicated, if I'm honest."
"It will make more sense once you read for yourself." He replied almost reassuringly and handed her one of the smaller stacks of parchment, a mere ten pages, perhaps. "This is a late 19th century transcription of the first original text that was written in the early 14th century by the wizard who cursed your bloodline."
"What?!"
"Just read, will you?"
With a sound that started as a scoff but ended as a sigh, Robin let herself lean further into Snape's side before finally allowing her eyes to trail over the delicate handwriting as carefully as possible in the golden light of the fire. And boy, what she got to read right there she hadn't been expecting, not even anything close to it at all. It was a bloody mess, and not the least bit less messed up. But reading she did, and she started at the beginning.
It had all begun in the early fourteenth century, when an unfortunate man had fallen in love with an even more unfortunate woman. The man, a wizard born into one of the most reputational bloodlines at the time, namely into the family line of the Morgans. The woman, a witch herself, descendant of a rivaling family with no less power or influence than the former. The bloodline of the Bennetts. And as fate so often, so cruelly demands, the unfortunate man in line of the Morgans fell so deeply in love with the Bennett girl that before long, his love turned poisonous and into obsession. The young woman in return felt nothing but fear for the Morgan man, fear and even disgust perhaps, and she continued to condemn his countless advances, to flee from him whenever she could. Driven to madness by the girl's insistent rejection, the man set out to force her into marriage, to force her into loving him, but the Bennett girl would not be so easily subdued. Defying his will, she saw her last resort in fighting him as an equal, and he saw his last chance with her in fighting back. And fighting they did, to the bitter bloody end, to the very last draw. But as Morgan looked down at her on their moss covered battlefield, broken and shaking on the ground in her unwilling surrender, he saw that she would never relent. And if she would never come to love him, if she could never be his, then she ought to be no one else's either. He killed her in a frenzy of blind rage, a step further down on his descent into madness, and he only realized what he had done when it was by far too late.
Eaten up by grief and guilt, in unconsolable agony over what he had lost, he painted a portrait of his love, his eternal flame, to preserve her spirit for all the time to come. And yet he could never forgive himself for what he had done, could not live without the only thing that made his life worth living, could not live with the suffocating guilt.
Thus he took the painting, and the jewelry of his love; a locket which he had always adored, for it was a piece she had always worn with such intent adoration. He then had placed an intricate curse on the two objects, and on the two bloodlines of the Morgan and Bennett family in return. A curse that would make history repeat itself, generation for generation, until one day, the Bennett line would triumph over the Morgan one, and thereby give the original ancestors both their punishment and their redemption. The tragedy was to repeat until a Bennett girl would finally kill a Morgan man, or the two lines would be tied together for all the time to come. Having placed that curse, and having secured that the tokens of this prophecy would be found, the original Morgan had written down his sins and soughts, before finding his bloody end at his very own hands at long last. Cursed to suffer in death, until one day his distant heir would be defeated by the heir of his love.
Robin looked up from the papers with a deep frown, with lips parted in confusion and incredulity. "Is this some kind of joke I just don't understand?"
"I am afraid it is not."
"Well, either way, this can't have anything to do with me. I don't even know anyone by the name of Bennett! I mean sure, I have the locket, one locket, to be precise, and we don't even know if it's the one! This… All of this is just mental!"
"And yet in the light of the present ongoings, it would make perfect sense, wouldn't you say?" Snape's voice was surprisingly calm for the absurdity of the topic, and deep down Robin knew that this indeed was no joke, nor some goofy tragedy. This was perfectly real, and somehow, she was caught up right in the middle of it.
"I still don't understand why… or how… or… anything about this at all." She scoffed to herself, while her frown deepened to suppress the angry tears of helplessness. Fine, so someone in the fourteenth century had possibly cursed a locket she had in her possession, and a portrait Morgan had in his. So what?! She wasn't a Bennett, nor a Morgan for that matter. What on earth did she have to do with any of this?! Angrily, she ripped the locket off her neck in one abrupt yet considered movement, and the chain once again bit into her skin like a violent whip. But she didn't care, rather on the contrary, the pain posed an almost pleasant distraction from her mental state of utter torment. Without any remaining care, she tossed the necklace onto one of the paper stacks by the fireplace, then glared at it as if that would melt the piece of jewelry out of existence by the sheer furnace of her fury alone. But all it did was to make her eyes hurt, and to make them tear up even more as Robin failed to come to any other conclusion than the one laid out before her. She would have to accept the facts, if she liked them or not… but that didn't mean she had to understand them any more than this crooked tumble of words in her head allowed her to.
After a few long seconds at last, seconds she used to unsuccessfully sort through her own frenzied thoughts, she first felt the cool brush of Snape's fingertips on the soreness of her neck, then the soothing tingle of his magic on her skin as well as in her mind, and finally the welcoming softness of his lips pressing gentle kisses to the back of her neck. Obviously he understood that no words in existence could better the chaos that had become of her mind right now, and in return those feathery kisses were all it took to break through the clouds of anger that surrounded her, like a beaconing ray of sunshine. Robin found herself sighing before she knew, and for a few silent minutes upon that, she merely enjoyed the comfort of his lingering embrace. She wasn't alone in this, and she didn't have to deal with it alone. Thus, the only question of relevance was how they usually dealt with these kinds of problems, and the only answer was the same as always: together. By taking on one piece of the puzzle at a time.
"So…" She finally started again, and turned her head just enough to look at Snape more comfortably now. If they would talk about this now, there was no place for stray emotions. If he could stay calm and rational, so could Robin. "Basically this means that ever since the fourteenth century, whenever a male descendant of the Morgan family lived at the same time as a female descendant of the Bennett family, the man slowly turned insane with love for the woman until matters ended in one final fight over life and death? And as of yet, the Morgan man has killed the Bennett girl every single time?"
"Yes, and no. It isn't as easy as that, unfortunately." Snape replied, but thankfully went right on to explain. "The cycle of repetition begins only and foremostly when the first of the two descendants comes into contact with the cursed item connected to their family line."
"You mean when the woman finds the locket, or the man finds the portrait?"
"Precisely. The curses placed on the objects ensure that both the witch and wizard will inevitably find their respective objects. Thus, when Morgan came across the portrait, you also had to find the locket not long after. Or the other way around."
"But I came across the locket all the way back in first year, entirely by chance! Does that mean I was the first to find my object? Assuming that I even am the person this prophecy speaks of, that is."
"Not necessarily. Curses as well as prophecies have a tendency to make everything seem like it happened by chance. In hindsight, you might as well have taken the first chance you got to acquire the locket. It was your first holiday outside of school, after all. The first opportunity to seek out your object by yourself after becoming aware of magic in the first place."
"That's just overly confusing, if you ask me."
"It is indeed confusing, and since there is no way to nor point in determining who came to their object first, it is luckily not entirely relevant for the matters at hand." He went on, to Robin's luck, with the more pressing matters. "Once both parties have found their items, the repetition of history as is dictated by the curse is inevitable. Which is what makes it inevitable for them to meet, and to hate each other from there on even without knowing of the whole history behind any of what is going on."
"But when the two people are doomed to hate each other until things escalate, where does the whole 'obsessive love' thing come into play?"
"From the accounts I yet went through, there seems to be an equal amount of love and hatred in both parties."
"I see. So basically, this whole thing can't be talking about me then." Robin concluded with a huff, and a shrug in useless defiance. "I just hate Morgan, and that only ever since he started being an arse. For the majority of my time at Hogwarts, I was almost indifferent to him, and even now I only hate and fear him because of what he's doing to me."
"That is indeed quite a peculiar fact we still need to consider." Snape mused, and yet again Robin found herself glad that he had already seen her every thought and emotion. He knew that what she said was true… she didn't harbour an ounce of affection for Morgan, and never had. They both knew that.
"As is the fact that I am not a Bennett. My parents are muggles, and I can almost guarantee you that I wasn't adopted." Robin added in to the argument, then found herself sighing once more. "Can we even be sure that I'm the woman in question? It seems so unlikely, especially since I could just have the locket in my possession by coincidence."
"You forget the perhaps most important piece of undeniable proof there is…" Snape gave her a meaningful look, as if he had only just now thought of it himself. "The portrait. It depicts the original Bennett ancestor, and-..."
"It depicts me." Robin finished the sentence in a quiet voice, and her shoulders slumped upon the final realization of what that truly meant. "So I really am the pendant to our very own lunatic Morgan ancestor, huh?"
"It seems so." Snape's voice was no louder than hers now, and he, too, looked quite as discontent with the facts as Robin felt on the inside. "I have no idea how or why that is possible in the first place, but seeing as it is the way it is, perhaps it would be wise to postpone this question in favour of more urgent ones."
"Right, yeah, you're right… We have the present and future to deal with, the past can wait. I just… have a difficult time thinking about the end of the story. If the curse and repetition, the whole bloody prophecy, is still in place today, does that mean that-..."
"Yes. Over the last five hundred years, the cursed descendants of the Morgan family have killed the cursed descendants of the Bennett family."
"Every single time… Don't forget to mention that." Robin breathed to herself, and yet the words sounded as strange and foreign as the idea was in itself. Twenty generations, and not once had her side won the fight. Not that she even felt like she had a side, no, it was rather the fact that this entire prophecy seemed like an ill-fitting garment that didn't belong to her that concerned Robin the most. It still felt like none of this had anything to do with her, even though it most obviously did.
"That is mere coincidence." Snape countered in a huff of defiance, much like the one Robin had displayed herself mere minutes ago, but it was his words indeed that made her snort now.
"Didn't you just say that there is no such thing as coincidence in prophecies?" She quirked an eyebrow up at him, and yet again couldn't help smiling at least a little. No matter how dim the situation, there was always a tease on either of their lips to make it better.
"I meant to say that there is absolutely no factor that predetermines the winning of the Morgan descendant over the Bennett one." He replied with a roll of his eyes upon her tease, but Robin could tell that he appreciated it as a shift of tone nonetheless. "If there was, the entire prophecy would be rather pointless."
"True."
"Thus, there is absolutely no reason to assume that you will suffer the same fate as did the others before you. In fact, you do have one advantage over Morgan that everyone who came before you did not."
"And that is?" Robin raised her eyebrows at him in question and curiosity alike, immediately catching onto the spark of hope that came with the prospect of an advantage indeed. Perhaps, not all was lost.
"Me."
______________________________
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papers4me · 3 years
Text
Fruits Basket, Se03. ep 7 (part 1)
Just to clarify, the only thing I didn’t like abt this ep is tohru, the rest is so good. kyo’s mental state is at its lowest & you can feel for him! ugh!, surprisingly akito’s own lid was so well-done!, Ren & shigure were epicly disgusting & fascinating!, kureno was so well-written, the final scene of tohru & kyo rightfully setting for the climax! Before moving on to the good part,  I’ll quickly go over why torhu’s character was once again the most inconsistent character in the show:
Ep,6 ending showed us a completely broken kyo in full display in front of tohru, best furuba cliff hanger to date hands down, followup: tohru laughing, cooking & wondering if kyo is asleep!!!. Complete detachment & extreme insensitivity to what she witnessed earlier. Not an ounce of wonder if kyo is okay or if sth is wrong with him. Not a single inner thought of “ I hope he’s okay” or “ oh momiji don’t call him, He’s a bit tired” while flashbaking to his traumatized face. Honestly, all they needed to do was a small quick inner thought to connect the scenes. No need to write new scenes. Alas, Tohru’s complete lack of compassion struck me deep. I was told ep6 ending was an anime original scene, I don’t mind any diversion from the original since I don’t know the it, but those writers who wrote a complete new scene didn’t feel the need to transition from it to the rest of the manga? really? It’s hard to believe.
Choosing the kitchen’s happy scene after of kyo’s nightmare is not bad as it shows that nobody either care or know abt his issues, fair enough. However, choosing the kitchen’s happy scene after the PTSD in tohru’s own bedroom & not modifying tohru’s happy go lucky, let’s cook yay face to a realistic concerned expression is absurd! It really takes plenty from tohru as a character. This comes after tohru’s long awaited background ep which returns tohru back to square one.
Just last ep, tohru opened her lid in front of kyo & he comforted her, While she still yet to overcome her fears, she failed miserably in doing the only thing that she’s been doing since se01, ep1, being compassionate & thoughtful. Oh well, adding a light scene in the midst of kyo & akito’s dark sequence is more important than tohru’s character consistency & growth.
moving on from tohru~~~
-Kyo’s suffocation: (guilty or not, it doesn’t matter)
we get kyo’s nightmare really gave me chills & was visually well-done. it brilliantly conveyed the feeling of suffocation, blinding fear, & intensified trauma. The nightmare’s horror vividly showcases kyo’s deepest insecurities & trauma:
It started with his mother’s “ it’s not your fault” sth kyo craved to hear from her very badly. Yet, it contradicted her action: Choosing death over staying with him.
His mother brings salvation: the cat’s cage. The cat’s room parallel’s kyo’s real life at his parents house. In se01, eo24, kyo said, he wasn’t allowed to play outside or watch TV, while his bracelet ”handcuffs”  were routinely checked by his mom. Just like a prison. His mom sentenced him in the new prison fitting for more horrible sins. The cat’s cage for the rest of his life.
While kyo looks panicked & horrified but on the verge to refuse, kyoko appears. “I won’t forgive you” solidifying his mom’s judgement.
They both warn him of the consequences of living & be forgiven: tohru’s death. Go on, kyo. Add one more victim to suffer in your behalf while you roam free. You might think that you can escape the cat’s cage but your hands remain dirty with blood. Others might not see the blood on yoyr hands, but YOU do.
Kyo is torn between being an actual sinner or a victim, between causing intentional harm or unintentional hurt, between being guilty or not. It all doesn’t matter & kyo knows it. What matter is the punishment has been going for years now & he’s tired, broken, lost & just wants it all to end. Death. Slow death in a tiny cage is so fitting for all the pain he caused others, for all the pain he suffered.
Kyo knows (a) suffering in front of tohru is hurting her. (b) Accepting her love will lead to hurting her: confessing of kyoko’s death. (c) Abandoning her is hurting her. (d) kyo knows that he doesn’t deserve her, not after he caused all this pain. (e) Above all, kyo can’t live with himself anymore. being close to her hurt so much.
-Akito’s lid: ( broken home & broken self image):
I must say they did an excellent job of presenting akito’s past! (a) It was a mixture of narration through (shigure & Ren), (b) actual animation of her parents causing her pain & traumatizing her (the scenes of Akira’s last words, her mom’s accusations), (c) Actual animation of the origin of her parents (Ren & Akira’s relationship), (d) akito herself confessing abt her pain in front of kureno. Tohru’s own lid on the other hands was presented through (a) excessive narrative with minimum animation (the grandpa’s endless exposition of tohru’s background quickly wrapped up), (b) no real animation of kyoko actually hurting tohru or how she did it, just again the grandpa narrating that kyoko “went away”. (c) tohru’s own self recall of her past being cut into pieces & divided throughout the ep, once after running from shigure & another in the sheet scene. Tohru’s ep wasn’t bad at all, it was good, but it was evidently shortened & summarized lazily. Oh well. What both eps serve is painting tohru & akito as foils of each other:
Both are attached toxicly to their parent. Tohru: kyoko & Akito: akira.
Both were welling to create a fake persona or an image that keeps this toxic love alive & cling to it no matter what.
Both hurt themselves the most & are struggling to let go of this bond.
Both have parents that hurt them. Akito: ren & tohru: kyoko, altho it is not clear how kyoko hurt tohru but kyoko is more a ghost than a real character.
Both cling to a dead object that represent their deceased parent. Tohru & the photo frame & akito & the box.
Kyoko existed to be this perfect mother with no sins, the character that tohru embodied to “fix” & “ heal all broken kids”. She lives only in memories. Even other characters think of her as this holy being. It is alluded Kyo seemed to know her as a real person who can commit mistakes, therefore, to kyo, kyoko isn’t an angel or a holy being. However, thanks to their encounter at her death & her “ I won’t forgive you” words, kyoko now is a haunting ghost to kyo. Akira on the other hand, existed as this sickly, pale & fragile head of the house, treated with so much aura & holiness. He died but his sins remain in how he raised akito.
Both must let go of their toxic bonds. Tohru of her deep attachment to her mom & akito to the zodiacs.
Both must learn to form healthier relationships.
However, there are striking differences between them! tohru never abused anyone nor attempted murdering someone by throwing’ em from a terrace, or locking them & torment them or stabbing them with a knife!! Tohru’s sin is torturing herself which by consequence tortured kyo, too. Cuz there’s is a theme of a loved-one’s pain is mine as well. Kyo’s mom hurt her own self & ended her own life. This resulted in her son’s years of immense pain, trauma & self-loath & similar suicidal tendencies, se0, ep16 “ I’ will yuki & then kill myself”, & se02, e9 “ mother, if only you killed me instead”. tragic.
Side Notes:
I will say this with a broken heart....... Tohru must learn to let go of.... kyo.  She is suffocating him. Not on purpose. I want them to be together! so bad! they’re so perfect for each other, but also, right now is NOT the time for this. Kyo & tohru’s character issues is NOT abt romance. They have real traumatic issues that are hindering their growth as independent characters. Tohru’s growth might not be well-written or well-presented, but kyo’s growth is still not explored. Next ep is where his lid opened! it must be painful. A person suffering from extreme self-loath & suicidal tendencies shouldn’t be presented so lightly in favor for the love cures all fairy tale! PLZ! NO!
Tohru must learn to not repeat her mistake again & live only for one person. She must let go of kyo in order to gain kyo back. Right now, She can’t have him! kyo is suffocated by his own trauma & adding tohru’s guilt on top of it is devastating. I mean, This could go differently & kyo might accept her love on the spot, & tohru might save him again or sth. I can see this being going deeper or shallower depending on the desired theme. Which of furuba’s heavy themes will be given to climax?
why is momiji doing a rabbit burger? he’s not cursed anymore. I know he’s keeping it a secret, but I thought momiji’s whole growth was abt letting go of the past. he still identifies with the zodiac rabbit?
Ren is hella sexy! & her Japanese VA deserves an Oscar! The way she expresses sexiness, seductive, anger, hate, contempt, sarcasm, delusional screaming, pain! EPIC!
“I thought I was created to receive others contempt” ugh! this hurt, kyo.
Shigure’s line abt looking at Ren to fantasize how akito will look if she were allowed to be a woman, ewww!!!! hella disgusting! imagine sleeping wth someone & fantasizing abt her daughter or vise versa!
Honestly, this ep while not excusing akito’s crimes & abuse of others, it did paint her in a human light. I really don’t want her to end up with shigure. Akito’s whole life is abt misunderstood love. Give her time to discover herself. A guy who slept with her mom is never a reasonable partner even if he loves her for eternity. but oh well~
Shigure indirectly caused Isuzu’s near death abuse by Akito. all in his attempts to free akito from the curse. I love how disgustingly selfish he is.  I remember his “ you mom told you to not interfere, kagura” in se03, ep3. shudder!!! if hiro never met haru that day & confessed to him, if kureno never noticed the maid! Still, he went & visited isuzu after her 4 moths imprisonment in the cat’s cage her hospitals discharge & recovery!
ngl... Shigure & Ren’s sexual tension is the biggest in furuba. Eww!
I’ll talk abt kureno & akito more in part 2. but I felt nothing watching kureno get stabbed lol. this is due to the trailer spoiling it & the ED having him happily in love -_-’.  bummer!.
I love tohru & kyo’s outfit in the ep cliff hanger. lol. Tohru really dressed up to confess.
Tohru read the room! Even if you magically forgotten how sickly & out of it he was in your room earlier, remember this: Kyo always have bad mood in the rain! Then again... he did hug her for the first time & called her by her name in the midst of a rainy storm. se01, e024. >_<!
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magdaclaire · 4 years
Text
to forgive is not to forget and sometimes you cannot do either
read on ao3
Oh no, oh no. There’s only like five ways that this conversation is going to go, and if someone raises a fucking pinky finger to his Tony, Rhodey is going to lose it. He’s going to completely lose it. 
When the good Captain starts raising his voice, Rhodey starts rising out of his seat, completely out of his control. He’s sat down again, however, by the fact that Tony grabs his wrist, pulling him back down to the Earth in more ways than one. Instead of letting him fly off the handle, Tony laces their fingers calmly, keeping both himself and Rhodey hemmed in off of the edges of anger and disparity as to not lose their collective minds in the middle of this mixed company. Instead of losing it, Rhodey zones out for a minute, checking his recently painted nails (peach, because Riri had picked it out and decided it looked great for their skin tone) and looking occasionally at his phone. 
That is, until Steve Rogers stands his happy ass up. 
“Captain,” Rhodey interrupts, crisp and clear and still polite despite the beginning of his sentence interrupting the middle of the Captain’s. Rogers looks at him with raised brows, though he gives the natural submission of an officer so clearly outranked; Colonel James Rhodes had at least earned his colonelcy, come to think. 
“Yes, Colonel?” Rogers asks, looking at Tony and Rhodey’s linked hands before moving back to the Colonel’s face. Rhodey will remember that. 
“You no longer preside over the Avengers Initiative in any fashion. Captain Danvers is the new Captain of the Avengers, and I have the military authority liaison position. What actions you perceive as right and wrong, whether this is an official meeting or not, are no longer relevant. Keep them to yourself,” Rhodey instructs, level toned and frustrated, to which Rogers’s face screws into an expression of displeasure. Rhodey holds his gaze. 
“I’m not the leader anymore so I don’t get to have an opinion?” Rogers asks, high and offended, but Rhodey doesn’t roll his eyes, which he thinks someone should be proud of. Tony squeezes his hand, but still Rhodey continues. 
“Was anyone allowed an opinion during your tenure as leader?” Rhodey asks rhetorically. Tony’s hand slips out of his, grabbing onto his arm with more tenacity, more strength. Rhodey ignores it. “I don’t think it much matters what you think anyway. Your probationary period has not reached its end, and thus your vote isn’t one that needs to be taken into consideration. Your presence in these meetings is a privilege and can be revoked, should I or Captain Danvers choose to revoke it. Don’t tempt me, Captain Rogers.” 
“Well, then why don’t you revoke it, Colonel? You seem to be damn well tempted enough,” Rogers shoots back, temper tested as he rises completely to his feet, Barnes looking alarmed and yet cowed next to him. By Rhodey’s guess, he doesn’t want to be here at all. His attention is pulled away by Tony’s hand on his arm once again. 
“I think we need a moment’s recess, if we could have it. I think it would be good for everyone. Captain Danvers?” Tony suggests, looking desperately between Carol and his usual corralling partner, Agent Sharon Carter. They both nod, though Captain Danvers is the one to reply aloud. 
“I was about to suggest the same thing. How about we take twenty minutes, agents? Come back at 1400, and come back without the chips on shoulders, if you don’t mind?” Carol clips with her eyebrow raised, not a suggestion at all. Rogers purses his lips but gives her a tight nod, taking the south exit with his half of the team in tow. Tony, who has always reminded him of a Chihuahua when he’s upset with him, is nearly vibrating when he drags Rhodey into an empty office, shoving Rhodey into a chair. Rhodey crosses his arms and waits for the fire to start, because if he gets the first word in, this is not going to go well. 
“What the fuck was that, Rhodes?” Tony asks, 
“Rogers is a bag of fucking microaggressions in a freedom suit and I’m not gonna deal with it - he disrespects you and argues with you whenever you open your mouth and puts you down and undercuts your arguments, and it’s counterproductive!” Rhodey argues, the steam nearly coming out of his ears, and he isn’t angry at Tony, he shouldn’t be expressing it at Tony, but Tony won’t let him throw shit at Steve Rogers for some reason, so this is what he’s got. Tony crosses his arms and leans against the wall opposite him. 
“I can deal with Steve Rogers. What I can’t deal with is my best friend ruining the groundwork that I’ve put down for pardoning and forgiving Steve Rogers and his merry band so that we can get them back into the fold. That’s what I can’t deal with,” Tony says, but there’s one thing that Rhodey has to stick on, because what.
“He doesn’t deserve your fucking forgiveness, Tony!” he insists, uncrossing his arms to scrub his hands across his skull. Maybe he’s overprotective of Tony, and maybe that comes from a couple of decades of being in love with him and not doing a fucking thing about it, but maybe that’s no one’s goddamn business either. That doesn’t mean Steve Rogers deserves to be forgiven for lying to him and trying to kill him either. Like Tony hasn’t been lied to for his entire life. Like most of the people Tony has trusted his entire life haven’t betrayed him. But he looks up and Tony looks stricken and he’s getting closer and Rhodey isn’t expecting - Tony sputters. 
“But you forgave me!” 
Silence settles. Rhodey racks his mind for whatever the fuck Tony means, tries to do whatever mental math that Tony’s guilt complex has conjured, but he can’t come up with whatever Tony thinks he did. Whatever he thinks Rhodey forgave him for. So he asks. 
“Forgave you for what, Tones?” Tony crumbles. 
“I didn’t catch you. The suit didn’t catch you. Nothing I did, everything I did failed, I should have been able to - platypus I failed you. And you acted like it was nothing. You just came right back to me and acted like we were fine, and you’re still my best friend and you still love me and everything is fine and you’re not gonna leave me,” he rambles, falling to his knees between Rhodey’s own, and Rhodey just wants to hold him. So he does. He gathers Tony into the well of his chest and holds him against himself and just lets him cry for a minute because that’s what he needs. 
“Tony, none of that was your fault. It’s not your fault. I’m never gonna leave. We’ve been together for decades, Tony Stark. I’m yours, and you’re mine, in every way that matters. It wasn’t your fault. There was nothing to forgive,” he promises, stroking Tony’s hair. Tony’s sobs subside eventually, and the tears dry too. 
Carol doesn’t come get them. 
“I think we might be doing this wrong, you know,” Tony says eventually, when they’ve been sitting like this way too long for his knees to still be in good condition. Rhodey hums a questioning hum. “I’ve been halfway in love with you since I was fifteen years old.” 
Rhodey chokes on clean air, and then he’s coughing, and Tony has to get off of his chest, killing their intimacy. But, Rhodey has the idea that they’re just getting started on that side of things. 
“I was twenty-two. Coming home from my first tour. When I figured it out about you. Too scared of DADT to do anything I guess, or maybe that was a good excuse, was too scared of you not wanting me back too. But I knew I loved you. Always knew,” he says, not quite looking at Tony, because even though Tony’s already said it, he has near thirty year old fear in the back of his mind making his teeth ache. Tony catches him by the jaw. 
“I love you,” Tony says, a confession and a benediction and a completion. Rhodey breathes, and his chest feels clear. 
“I love you too,” and it feels like forgiveness. 
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