#and yes I can read it without the source material

[colbyheartland]

I feel so insane for wanting to read a book series just to read the fanfiction.

[annabelle--cane]

"the magnus protocol had a whole ARG beforehand? what?"

yes! it did!

"oh so I need to have participated in this whole big thing to actually understand the podcast?"

not at all! from the official post-mortem put out by RQ, "while the ARG was not something that was necessary to participate in to understand the magnus protocol, it was designed to contain a wealth of background story and context that would enrich any player's listening experience."

"a wealth of background context that would enrich my listening experience 👀👀👀 how can I learn about this?"

SO glad you asked. sadly, many of the materials made for the arg have been taken down since the game ended 😔 (ex., the official OIAR, magnus institute, and bonzoland websites. (edit ii: I found partial wayback machine captures! see below) though @strangehauntsuk is still up!), so we're a bit low on primary sources, but in terms of learning about what happened:

for a starting point, I would really recommend this video by @pinkelotjeart

it's super accessible, it was made in real time as the game progressed and follows the solving and revelation of clues as they happened, it hits all the major points of the mystery and moments of community insanity while eliding some of the nitty gritty puzzle grinding, 10/10 would recommend.

here's the official summary put out by RQ, and I'd recommend reading through this once you've already gotten a basic handle on the flow of the story and the basic connections between major clues and events. it's got some fun behind-the-scenes info and lays out the thought process behind the puzzles in simple terms

here's the full masterdoc of all puzzles and resolutions put together in the statement remains discord server. masterdoc my absolute BELOVED, masterdoc my bethrothed, masterdoc my soul mate. I'd recommend this as a second port of call after the above video as it either contains all details about the puzzles or links to other expanded docs that do.

here's the narrative summary doc that lays out all the plot and lore discovered in three pages of plain prose. if you just want to get to the good bits as fast as you can and get blasted directly in the face by contextless lore bombs, this is the doc for you. if you don't want to start with the video, I'd say this is another good entry point.

once you've got the lay of the land, some of the game materials that I found particularly interesting include:

the in-universe east germany expat usenet forum, with all content translated into english. most of it is irrelevant space filler with occasional extremely sus lore, but I still found it fun to read through. love to soak in some fictional forum drama.

chdb.xlsx, the spreadsheet of the names of all the children the protocol 'verse magnus institute was studying/experimenting on. EDIT: here is a version of the sheet without any annotations and with all of the names in their original order, kudos to @theboombutton for catching that the commonly shared copy had the order swapped around.

klaus.xls, a (very corrupted) spreadsheet with what looks like the classifications of a bunch of old OIAR cases.

EDIT: have a few more saved materials from the game that I forgot to include.

an in-universe audio ad to apply to the OIAR that ran before archives episodes and kicked off the whole game.

an in-universe video ad to apply to the OIAR, this one is an official upload that's still up from the game itself. you can subscribe to the OIAR's official youtube channel today, if you so chose.

the robo-voicemail greeting from the OIAR's phone line.

EDIT II:

here is a wayback machine capture of the OIAR's official website.

here is a wayback machine capture of the bonzoland website.

(pretty sure both of the above captures just archived the home pages, though I haven't tried clicking all of the links. I'd say they're still worth looking at, the home pages give a good window into the vibes.)

once you start poking around in these documents, you'll find a bunch of links to others with further information, the materials I've included here just contain what I feel to be the most relevant details to getting a broad feel for the whole game. once again, huge shout out to the statement remains server, I was barely in there as the ARG was in progress and only ducked my head in every so often to find links like these. true mvps of the fandom.

[deadsetobsessions]

Danny Fenton is so damn sick of rich fruit loops. It’s worse now, since he’s one of them.

It’s not Vlad that he’s with, thank the Ancients, but Danny isn’t sure that this is better.

Because he’s Timothy Drake, a baby, and he’s been reincarnated after the Ancient of Reincarnation accidentally drank too much wine.

He’s going to kick their ass so hard when he gets back.

Danny huffs. He rolls over, ignoring the silent manor. Sure, he’s read the comics. Sure, he laughed and imagined being adopted by Batman- come on, Danny had black hair and blue eyes even back then, he was totally adoption bait- when his parents gave him reason to lose trust in their love. But that’s it, that’s all he thought it was. A day dream, a wish for a universe that didn’t exist.

Danny hadn’t understood the reality of the whole Infinite Realms thing, a place he was now the King of. Batman? Real. Danny? Reincarnated. Hotel? Trivago.

Like, this wasn’t what he meant, dammit.

And now he’s stuck as Timothy Drake, and Ancients, he was starting to see parallels.

——

Danny tried photography. He really did. He wanted to at least stick to the source material. But that’s not who he is. Even with the shiny new brain that memorized, catalogued, and put together clues at the snap of his fingers, but Danny’s never been one to take photos. It’s a respectable art, for sure, but Danny preferred to live in the moment instead of capturing it to remember forever. It’s just-

He watched the Graysons fall. He watched Dick Grayson turn into Robin. And Danny can’t and won’t ever betray his Obsession like that, ever again. He can’t let Jason die for his “story” to begin. That’s not how Danny works.

He’s there to protect.

Danny hasn’t ever been just Tim. Danny was also Tim and the Ghost King without a haunt. But now? Gotham is his haunt. He, in lieu of an actual city spirit, is Gotham. He’s also a Drake. And Drakes were meant to hoard.

Batman and Robin? They are his.

He claimed them, as a Drake. But that claim is weak. So he claimed them as their city, and that is a claim that will never be able to be challenged.

Danny’ll be damned before he allows some lanky starved clown beat the life out of one of his Robins. So, for the first time in his nine years on this planet, Tim-Danny goes ghost and flies.

“Who- who. Are you?” Robin slurred from his place in Danny’s hold. He is broken, yes. But not dead. Danny infuses some of his vitality, his ecto, into Jason’s injuries to help them heal.

“Gotham.” Danny replied, layering his ghostly voice with those of the city.

“Goth’m?”

“Gotham. Sleep, little bird. Your city has got you.”

When Robin, Jason, settled with a sense of trust that tugs at Danny’s core, Danny carried him to Batman, whose eyes were wild and manic. He glared menacingly at the green and white ghost in front of him, who was holding his broken and beaten son-

Well, it’d be menacing if Danny hadn’t watched him eat bricks and mortar, crashing into a building while using his grappling gun.

“You-”

“I am Gotham.” Danny cut him off. Despite his wary nature and natural paranoia, Batman settled at his city’s gaze rested on him. Danny knew that Batman recognized his city. Batman’s head bowed, but his eyes stayed on Robin. “You were supposed to take care of Robin.”

“I- I know.” And that voice was all Bruce Wayne the Dad instead of Batman the Vigilante. Danny gently placed Robin in Batman’s arms, taking in the tremors as he held his son close.

“Go back, Bruce. And make sure Jason knows how much you love him.”

He laughed as Bruce whipped his head upwards. “I am your city. You are mine as much as I am yours. I’ve known of you before you were born.”

Technically? Not untrue. But Bruce will chalk it up to weird magic shit. It’s not like it’s a secret that Gotham’s kind of curse. Besides, this way, Danny will be able to help out more often. And Bruce won’t be able to connect Tim Drake to the “Spirit of Gotham.”

“Return, my knight. This is not your city. I can not protect you as well as I can in Gotham.”

“Thank you… Gotham.”

Danny sighed. He wondered when he’ll have to field questions from a John Constantine. He’s pretty sure Bruce will call in magical help, even if it was his own city he was investigating.

Batman’s lucky Danny liked him enough to allow it.

[study-diaries]

How To Self Study

This is coming from a girl who spent her fresher and sophomore year studying at home and yes, I got good grades. So, here are some tips that I followed for studying by myself without depending on any teachers.

So, let's get into it!

Gather and organise material

This is important, why? What are you going to study if you have absolutely no idea what your syllabus and study material is? By materials I mean:

Textbooks (If you have any)

Practice papers

Previous year papers

Extra reading materials/ Reference books

If you don't have any textbooks. Go through the topics that you have and gather resources from different sources.

Tip: Have at least 1 extra reading material for every subject/paper. It helps you understand some topics that are explained in a complex manner in textbooks which is almost all the time.

Don't depend on your teacher

Teachers are good. Seriously. But their attention will always be shifty. They have a lot of students to teach, from many other classes so if you depend only on your teachers for clarifying your doubts or being at the back of you to study then newsflash, its going to be hard. Rather, be your own teacher. Don't go "I'll ask this to her/him tomorrow after class" because that will be your answer every time you have even a small question which can easily be solved by a simple search. You're saving your time and theirs.

Tip: If you're someone like me who gets distracted when you take up your phone even for a second then write down all your questions in a paper and search them later after your study session.

Make notes

I usually say this because notes help you understand topics. There are many methods of taking notes. I usually don't follow any structure for note taking, I just read and write keywords under the topic name, linking a few things here and there.

Tip: Notes need not be aesthetic. Seriously. You can be as messy as you can.

Watch videos related to concepts

This helps and I know most already do this.

Tip: When you finish watching a topic, close the video and write down what you understood and then play the video again, fill in the gaps that you missed and watch it again.

Study in chunks

I always believe that whatever you do, you should do in chunks. Instead of doing one chapter, divide it. Into small bits. I'll tell you, you'll see the difference. I don't usually recommend Pomodoro since it doesn't work for me. I don't keep a time limit or a set number of breaks. I finish a chunk and if I am tired, I take a break otherwise i continue.

Tip: Self quiz yourself after each chunk and then take a break. Then after you finish the chunks for the whole chapter with the self quizzing then self quiz yourself randomly for every chunk. Here's an additional tip. Take 20 second breaks.

Period of deep work

This is not a new concept, i didn't realize i did this at first. Basically, when you start your work. You do nothing but work. Like nothing else. No phones. No snacking. No unwanted thoughts. Just nothing but what you have to do. That is to study.

Tip: It is difficult to implement this right away especially if you have a habit of it getting distracted easily so i just suggest => Start smaller. One topic with full concentration. It would usually take you 20 - 30 mins to get immersed in the work. 40 mins if it's something you don't like but once you get the momentum? An unbelievable achievement really. And then, change your environment.

Quality > Quantity && Consistency> Cramming

One hour of productive studying is better than nine hours of useless studying. I feel like it's better to study 20 mins everyday rather than the whole night before an exam. It just causes stress.

Tip: Start early. Your teacher is on chapter 5? And you still don't get chapter 1, it's fine. Start learning. Seriously, it's okay to be behind. You just have to stick. Do it everyday and you'll see results that is better than those who are just keeping up with the teacher.

Deadlines Are Mandatory

Have deadlines. There are a number of ways to do this. I'm a person who is really lazy and a weird soul who would never complete their to-do list for the day if they write it down. It would always be left unfinished. So i just keep a mental time limit and the thing i have to get done.

Tip: Overestimate your deadline. Like, let's say i have to complete around 15 lessons that week. I keep my deadline to around 25-30 and i eventually complete 15. It's about adapting to what works for you. Just change according to what works for you.

Practice questions / Previous Year Papers

I can never emphasize this enough. The best way to prepare for any exam is just do practice questions or previous year questions. You will learn a lot of things. The topics that are important or repeated. The topics that are never asked.

Tip: Grade yourself on each paper. Circle the questions in your textbook while you are studying and practicing. Then when you have to actually study then you can actually revise the topics a bit more thoroughly. If you want to know more, click here.

It's okay to be behind in class

During my first term in senior year, the whole class was around 5 chapters ahead for every test and exam while me? If they were on chapter 12, i was in chapter 4 or 5 but i understood the concepts and took my sweet time with each chapter. Because the more time you take for a chapter, the better it stays in your memory.

Tip: Here is where active recall comes handy. When you revise one chapter, take a 2 day break and study another subject and then go back to the chapter and answer the practice questions. If you're able to do them, great! If not, revise more and then look at it after 3-4 days. Repeat until you have no mistakes in your answers. This helps in long term retaining.

Make It Interesting

How do you study boring subjects? You adapt. Mind maps don't work for me. Neither does flash cards. So, i found something that did. Storytelling. Take your most boring subject, turn it into a story. Make it bearable.

Tip: Tie it somethings that you like. For example, business studies was the most boring one for me so obviously, every topic was a story for me. HR Theories and Processes? ==> An office romance story. Management Principles? ==> A fantasy story where a group goes on a quest. Make It interesting. Make it gripping. And let me tell you, this actually works because our minds grasp stories better than just normal theory jargon.

Difficult Topics Are Only Difficult Because You Think They Are

This was something that i learnt the harder way. Everything looked difficult at the beginning. Everything. But the most difficult paper was maths. Because i had no teacher. Literally. I was learning from YouTube, searching different sites for tips and tricks. I thought it was too difficult and then i was like "i have to do it anyway no matter how much i brood" so i started from scratch like 3 months before my exams.

Tip: A mind set change is everything. If you think it is easy. The topic will be more bearable. If you think it's tough, it's going to be more tough. If you want some more tips for complex topics, click here.

Hope this helps !!! :)

[frownyalfred]

Hi. I'm not a canon purist and enjoy some fanon content very much, but I do think people in the fandom should at least familiarize themselves with the canon content and source material. It's easier to break the "rules" so to speak and experiment with canon when you know what that actually is. I've noticed a lot of fans that are only familiar with fanon criticise content that doesn't line up with what they believe to be canon but isn't. The Red Hood for example. I've seen writers who portray him as the violent criminal he is in much of the canon be completely decimated by Jason fans who only know fanon and the retconned version of Red Hood and completely deny canon even exists and refuse to even glance at the comics. Transformative works are important and playing in the sandbox is for everyone but fandom literally cannot exist without canon. Canon is important and people can do whatever they want with it but they should respect it enough to at least look at it.

Hi anon, I'm going to hold your hand as I say this, and I will say it as gently as I can: This is still a form of canon purism.

We can absolutely agree that readers shouldn't berate or abuse writers for how they choose to portray characters in fic, whether that's a more canon-faithful characterization or a popular fanon version. If readers don't like how a character is portrayed, we should encourage them to hit the back button instead.

I want to draw your attention to some of the words you used in your ask above: "should" "respect" "decimated" etc. Those are some strong words to describe how you think people need to behave, in order to exist in fandom. Of course, there is no fandom without canon source material -- I'm not denying that. But with such a wide and varied canon, the DC fandom has examples of the Red Hood you mention above, AND the "retconned" version you also reference. Both are canon, as in actually, officially, canon. WFA is canon, and that Red Hood looks very different from the Red Hood you describe.

Now, I think your issue is that you enjoy a certain version of canon, and you're frustrated that the fandom doesn't also, as trends ebb and flow, enjoy that canon as much as you do. Again, I want to acknowledge that just because a certain version is popular, it doesn't give folks the right to berate authors for writing a different version. But again, I don't think that's what we're really talking about here. From your ask's tone, I think you're suggesting that people should, in order to participate in fandom, read that older canon, that different version, or as you say, "glance at it" before enjoying or writing the fanon version.

Guess what? They actually, really, really, don't have to. It sounds like you have some issues with judging your fellow fandom members who don't read what you do or reference certain canon. But the magic of this fandom is, you can enter it at any point. We're a big pool, and if someone's entry point is the Lego Batman movie and that's it, that's still valid.

Fandom stems from canon, yes, but I almost never hear people talk about movies, or web comics, or other media when they talk about "required reading." It's always a comic. I really wish people would reflect on that before suggesting it as the one true path to being a fan.

The other thing I don't see asks like these reference ever is the reality that sometimes a fandom outstrips its canon material, and that that's an eventuality in some spaces. Fanon interpretations become popular, and people write about those specific characterizations or scenarios. They ebb and flow, like I mentioned, and some are more canon-faithful than others. Some completely reject canon, and again -- it's still fandom. It doesn't make it better or worse than a more canon-faithful fic. It's just different.

I had a couple asks about this topic a few weeks ago, and I'm assuming you haven't read those or you likely wouldn't have sent me this ask. But in them, I discuss how sometimes we need to suck it up and be unhappy that canon-faithful fics aren't as popular in a fandom at a specific time, and stop punishing fellow fans for writing and enjoying those fics. And we really need to stop shitting on them publicly on Tumblr.

Because often, what you're really saying is that you wish more people would write more canon-faithful fics, and stop writing ones about fanon topics you don't enjoy or think are accurate. And to that, I again say, there is nothing you can or should do to change that behavior from others. If you want to read it, write it, enjoy it, etc, do it yourself. Build the comic-faithful community here, write fics and promote challenges, create a discord channel and discuss your "required reading" there.

We are all writing and reading fanfiction at the end of the day. It is a great equalizer in many ways. My silly Lego Batman fic is just as valid as a canon-faithful rewrite of a certain Batman issue. One is not better than the other, or more deserving of respect. You will never get me to admit otherwise on this blog.

tl;dr: people should absolutely not berate authors who choose to write canon-faithful characterizations. however, there are layers of judgement and disdain many DC comics canon-faithful authors/readers have for their fellow fans that I think we need to examine critically in order to coexist respectfully.

[meganwhalenturner]

So, last November I got to try my hand at Alchemy

Maddalena Rumor, in the Classics Department of Case Western Reserve University came to have dinner with us and mentioned she'd just successfully turned silver gold.

She had an alchemical recipe from a 7th century BCE cuneiform tablet from the library of Ashurbanipal. She'd been working with Rekha Srinivasan, from the Chemistry Department to see if they could translate the cuneiform, identify the substances mentioned, and then try the recipe to see if it worked.

They traveled to the British Museum to examine the tablet up close. By studying the partial strokes along the edges, Maddalena could make some educated guesses about missing words. Rekha, in turn, could use the descriptions of the substances to make some guesses about what they might be. Then they could start testing their best guesses with experiments.

This is complicated by the tendency of alchemical texts to use code words or inside jokes to describe materials or techniques. Something like me making a recipe that calls for 2 Legs and 1 Arm of Policeman and my friends all knowing it means 2.5 ingots of Copper.

I know the word alchemy comes from the Arabic al-kimia and that it eventually developed into chemistry, but I've always associated it with the worst of the Dark Ages in Europe--charlatans or wannabe magicians in smoke-filled, poorly lit cellars full of of mummified animals and just generally gross stuff that is not my jam.

I'm wondering now if that's because medieval alchemists were reading a lot of things literally that weren't meant to be taken that way. There's a reference in one of Maddalena's article's to a rare case where "human excrement" called for in a recipe is revealed to actually mean "garlic." I can see a lot of ancient alchemists laughing up their sleeves.

I had just learned during a trip to Naples the previous summer that the alchemy of Renaissance philosophers like Pico Della Mirandola was very different from the stuff in the basements of Prague. Instead of dreckapotheke, they were translating texts from the Ancients Greeks, texts that were perhaps based on the very tablets from the 7th Century BCE that Maddalena was studying. I promptly begged to observe her next experiment.

She very graciously said yes, so I went down to a lab at Case and I wish I had taken better notes, but I did not, so what I've got is a bunch of pictures, and I'll have to go back and badger Maddalena for details.

These are the ingredients for the next round of testing.

They will be mixed into a solution in the flask on the right and then heated on a burner.

Then silver tablets will be dipped into the solution:

And turn gold!

Not *into* gold. That was not the plan. Hope you aren't disappointed.

If you thought the object of alchemy in those dark basements in Prague was turn to lead into gold, yeah me, too. And maybe it was, but the alchemy of the ancient Near East seems to have been more clear that transmutation wasn't on offer. After reading some of Maddalena's articles, I now know there were four main practices of alchemy back in the day: coloring silver gold, making a silver alloy that still looked like silver, coloring glass to look like precious stones, and dying wool purple without using those expensive snail shells from Tyre.

I talked about alchemy a lot (really, a lot, everyone was very patient) at a recent writing retreat. Erin Bow called it the Science of Knock Offs.

There are multiple ancient sources that say that this "holy and divine art" (hē hiera kai theia technē) was taught to mankind by fallen angels who were sharing the secrets of heaven. I know it seems ridiculous that an all knowing divine being is going to focus on the Secret Science of Knock Offs, but the more I I think about it, the more I can see it.

ARMUMAHEL: We will share with you the great mysteries of heaven!

MANKIND: . . .

ARMUMAHEL: I can save you some money on purple dye.

MANKIND: YAY!

SAMYAZA: So how did the secret sharing go today, Armumahel? Did they ask about the language of birds? The control over monsters of the deep?

ARMUMAHEL: I told'em how to make glass marbles look like sapphires.

SAMYAZA: You do know Enoch is writing all this down. His book is going to be stuck in the apocrypha and we're going to be laughing stocks.

ARMUMAHEL: I promised to tell them tomorrow how to turn silver gold.

SAMYAZA: Ah! Transmutation of matter! That's a good one!

ARMUMAHEL: No, not transmutation. They just want the silver bowls on the alter to be yellow and shiny.

SAMYAZA: . . .

My shiny yellow tablet. : )

[apas-95]

I think the 'problematic media' issue is composed of two principle parts, one superceding the other.

Firstly, and the most important to address to cut the discourse off at the head; yes, media is a vector by which social systems reinforce themselves. This is the purpose of propaganda, and this dynamic is completely intelligible to us if we consider the cases of 'person whose sole source of online interaction was 4chan, and who exclusively watched History Channel hagiography about fascist war machines', or 'person who developed inappropriate ideas about sex through watching misogynistic media'. It is plainly clear that it is both possible and common for media to influence people ideologically, as an apparatus of a given social system. Material reality dictates which social systems are given ideological hegemony in media, but media is in fact an effective tool of those systems.

Secondly, while acknowledging the first point, it is not the dominating factor, here. While media can and does influence people ideologically, often commandingly so, it is not some sort of cognitohazard. It is plainly possible to watch, even repeatedly over an extended timetrame, some given piece of fascist propaganda, or abuse apologia, or what have you, without becoming any more beholden to its ideas - if anything, becoming more opposed. The crucial thing, here, is that doing so requires some level of understanding and defence against the ideas presented. Someone with no rebuttal to fascist positions, with no even kneejerk dismissal that what they're taking in is fascist, is unlikely not to internalise something if they're surrounded by fascist media. On the other hand, someone who has been innoculated with opposing political theory, who is capable of recognising the social systems being reinforced by a given communicative work and reasonably countermand them, can watch a thousand misogynist movies, read a thousand racist books, peruse a thousand transphobic news articles, and leave with only stronger convictions to oppose these systems. Clearly, the dominating factor here is not the content of the media itself, but the content of the audience - whether the audience is able to sufficiently recognise, interrogate, and oppose the messaging in a given work.

All this is to say - yes, media can and does influence beliefs, but that that influence is completely subordinate to the question of whether the audience has any level of political theory or critical analysis. A liberal reading fascist literature, not holding any real theoretical opposition to the content of fascism, is safe so long as they can recognise and reject basic fascist signifiers. A feminist is able to recognise misogynistic logic in a given work. A communist can recognise and countermand reactionary spin in a news article or wikipedia page. While the politically-unconscious man will not recognise that his favourite sitcom is instilling him with absurdly sexist views on marriage, the issue here is not the media itself. Fundamentally - the issue of 'problematic media' is one best and principally solved by the development of political theory and political education, not by any suppression of the media itself, which is cumbersome.

[p-seduonym]

The Little Light That Got Lost (Part Seven)

A/N: I don't think they use rotary phones at Wayne Manor I just couldn't find a better gif okay? Hey y'all, this one's a bit shorter but I'll compensate by writing two of them. I've been doing good so far being consistent but I might run out of steam soon due to work and stuff. Hope I can keep y'all satisfied.

aglist: @cheust, @i-simp-for-women, @goodsoup19, @143637-hrrm, @delias-stuff, @12nitled, @cutenessbun, @rinkydinkythinky, @trashlanternfish360, @bunbunbread, @daddysfangirls-dc, @justannie18, @moon0goddess (will add more if asked)

Part One

Part Two

Part 2.5

Interlude

Part Three

Part Four

Part Five

Part Six

Based off of @cheust's Ghost Caretaker AU. It's really good so give it a read!

Transcript: Phone Call between Alfred Pennyworth and Dr. Johanna Hoffman

Date: [REDACTED]

Time: 8:43 PM

Call Duration: 6 minutes, 17 seconds

Transcript Source: Wayne Manor Landline Recordings (Authorized)

Dr. Hoffman: Mr. Pennyworth—thank you for following up. I read through the most recent entries you sent. These episodes seem to be increasing in frequency?

Alfred: Yes, Doctor. Eight incidents in twelve nights. I’m concerned the sleepwalking is becoming more hazardous.

Dr. Hoffman: You mentioned outdoor wandering. Exposure to cold, proximity to stairs, disorientation… Have there been any injuries?

Alfred: None so far. But each instance is growing more... elaborate. They appear drawn to certain locations. The pond. The attic stairwell. A disused study. And there are spoken phrases now. Words they don't recall by morning.

Dr. Hoffman: Are these locations tied to any traumatic events or family memories they might be processing subconsciously?

Alfred: Not to my knowledge. Master Casey hasn’t spent time in those areas while awake. The study, for instance, hasn’t been used in years.

Dr. Hoffman: And the coin you referenced—was that something he had before the episodes began?

Alfred: No. It appeared early on and seems to have become something of a fixation. I’ve since placed it out of reach.

Dr. Hoffman: Children can project powerful meaning onto certain objects, especially if they’re under stress. Mr.Pennyworth, I must ask— are there any other influences in the household? Anyone Casey could be mimicking? Or responding to? Possibly a source of this coin?

Alfred: The household is... limited. Only essential staff. Their exposure is minimal. And I cannot fathom this behavior being derived from any of their siblings.

Dr. Hoffman: Then these behaviors are originating from within. Which strengthens my earlier recommendation: hypnotherapy. A light, guided session. No invasive procedures. I believe it may help us reach the source of these events.

Alfred: (quietly) With all due respect, Doctor, some sources are best left undisturbed.

Dr. Hoffman: I understand your caution. But if Casey is experiencing distress—especially without understanding why—we have a duty to help them face it safely. Memory is not the enemy here.

Alfred: Memory is never the enemy, Doctor. But sometimes the past… fights back.

Dr. Hoffman: Then it’s all the more reason to proceed carefully. I’ll bring all necessary materials. I’d like to hold the session on-site. Preferably somewhere familiar to the child.

Alfred: Very well. But you may not have access to every room you request. Some doors are... off limits.

Dr. Hoffman: I’ll work with what I’m given. But Mr. Pennyworth—if there’s more I should know, now is the time.

Alfred: (pauses) What you know now will have to suffice. For Master Casey’s sake.

[Call Ends]

…

..

.

Ring ring

“Hello, Mister Constantine? Yes, I believe your expertise will be needed at Wayne Manor…”

A/N: I don't think I'm ready to write for Constantine but y'all are right it's kinda obvious they would at least call him about all this supernatural junk going on. Or at least Alfred would.

[prettyboysdontlookatexplosions]

ok this does seem like a good opportunity to share a hot take i have which is that if you want to like conceptualize fanfiction semi-seriously as a form you have to acknowledge the fact that while yes most of us who dabble in fandom have at one point had a life-changingly powerful experience with a fic whose source material we had no familiarity with because it was just that good and we can all list off a bunch of ao3 faves easily more skilled than most of the dreck that makes it to the world of published fiction, ultimately the core idea of fanfiction at its heart is and remains fans of a thing writing for an audience of other fans of that thing, which is often a fundamentally different kind of reading from, well, most other kinds. to the extent that this gets acknowledged at all it usually tends to be in the idea that fanfiction doesn't "have to" be as good as original fiction, but i would sincerely argue we can take this a step further to say that there are things that wouldn't work in original fiction that can work in fanfiction not (just) because standards are lower but because a slightly but fundamentally different process is going on. like, i mean: on some level when i am reading fanfiction i am playing dolls in my head in a way that i am not ever with original fiction. like, part of what i want from fanfiction is in fact a series of new and fun situations to put my imaginary toys in. and of course ideally one wants this to be done with style and panache but it can be true that many governing norms of writing still hold and also that when i read a magicians fanfiction and it says "quentin frowned" that phrase is actually doing something that "sally frowned" in some original story is not doing (which is not to say that poor sally litfic should never be permitted to frown, moderation in all things including restrictions). in the context of a magicians fic, quentin's frown signifies, automatically, to anybody who has seen the show and become weird enough about it to read fic, and i genuinely think it's like... incomplete to theorize the question of how fanfiction operates without taking this into account. someone writing magicians fanfiction can write that quentin frowned and feel sure that something very specific is being communicated to probably every person who winds up reading the phrase, in a way that, again, isn't true for original works, and i feel like it's just silly not to acknowledge that and not to accept that we can at least sometimes embrace the evocation of something familiar for the audience of people clicking on the I Want Something To Remind Me About My Dolls website as like... maybe not a strength of fanfiction per se but a legitimate and unique tool of the form available as one of the pleasures of playing in a predetermined sandbox. and i am saying this all as someone who ummmmm i think could not be reasonably accused of shying away from interiority in fanfiction lmao.

[anon-sect]

I've been thinking about it for a while now, but I really want to be turned into some unaware guy's underwear. Could you help me out?

Picture source: @gayda1ly

Kenny had a fantasy of being turned into underwear on multiple occasions. He fantasized about it so much that he even often dreamed about it. He would see good-looking guys and imagine being their underwear. It soon became an obsession of his that he wanted to become a reality. He saw an advertisement online of a specialist that can do things that are deemed impossible. He called the number and had an appointment with him the next day.

Around 10am, Kenny was escorted into Mr. Jin's office. He saw Mr. Jin motion for him to have a seat.

"My secretary told me you had a rather strange request." Mr. Jin spoke, wanting clarification on his request. It was one of the most unusual ones he had ever been asked.

"Yes, Mr. Jin. I have been fantasizing so much about being another guy's underwear, completely unaware so much that I am obsessed with this fantasy." He paused, hoping Mr. Jin could help. "I want it to be my reality. Can you help me?"

"I most certainly can help, but you are aware that any deals I make are permanent? Once you sign the dotted line, it won't be undone." Mr. Jin explained. He wanted his customers to fully understand what comes with him granting their requests. "If you don't like your fate, you will literally be stuck with it." He added.

Kenny fully understood the conditions. He nodded. "I completely understand. So where do I sign?" He spoke with eagerness for his fantasy to come true. He saw Mr. Jin snaps his fingers. A contract instantly appeared in front of him with a quill pen and a small bottle of ink. There was a line for his signature.

"You sign at the bottom." Mr. Jin spoke, pointing at it.

Kenny dipped the tip of the pen in the ink and signed his name on the line without even reading the contract. He wanted this fantasy for a very long time. He saw Mr. Jin snaps his fingers again to see the contract, ink bottle, and pen vanished from his desk. It was replaced with a cup that had blue liquid in it. The cup was directly in front of him.

"All you have to do is drink the contents of the cup. It will make you into indestructible material, and your fantasy is granted." Mr. Jin spoke, waiting for Kenny to take the plunge into his new fate.

Kenny didn't know what would happen, but he was ready to see his new fate as underwear. "The guy who wears me won't know I am alive, will he?" He asked, holding the cup in his hands. He wanted to be completely unaware.

"The only one knowing that you are living underwear will be yourself. Your new owner would just think you are normal underwear, as agreed." Mr. Jin reassured him of the fate he had chosen.

Kenny quickly downed the drink, which sort of tasted like grape juice. He suddenly felt strange. He lost consciousness within seconds. His last image was of Mr. Jin, smiling at him.

Kenny regained consciousness several minutes later. He was in a dark place from what he could tell. Then light appeared. He was picked up and held in a guy's hands. The guy slipped his leg through him and slid him up to his crotch area. His only view was that of the guy's cock and balls. He could tell that his new owner had just taken a shower by the smell of him. He tried to move but couldn't. He tried to speak, but had no voice. He was literally underwear for real. Whoever the guy was had no clue that his underwear was a former person.

Blake had been reading for the past hour and a half after coming back from the gym. He watched a quick porn video and ejaculated in his underwear before taking a nap. He placed the book over his face and fell asleep.

Kenny thought his new fate was everything he had imagined. His new owner even cummed in him, completely unaware of what he did to another guy. He didn't want to change his fate for nothing in the world. This was his life now, and he was going to enjoy every minute of it.

[knightofgoetia]

Netflix's DMC cartoon critique.

This critique in particular will (try) to focus on why this adaptation didn't even try to work as an adaptation. It's a negative critique, at least 95% of it is. Mind you, I'll be as respectful as I can be with it. I won't throw literal insults nor saying something is "shit" without giving an argument beforehand — but given the impact the Devil May Cry series had into my life, I'm afraid that I may slip one or two times regarding that. Maybe four or five. Or twenty or thirty.

So, if you're an avid defender of the show, you're actually very welcome to read it, and discuss my points if so. But do not take it as a personal attack towards you, nor people who have gotten into DMC with it. I'm trying to be as constructive here as possible — even if I know I won't, since I'll have lost my energy halfway through.

I am also calling it a cartoon, because that's what it is. 'Anime' is basically a cartoon, yes, but a specific type of cartoon from Japan. And I've never been that much into Japanese media regarding anime, but whenever western cartoons try to fit into that — it's just not it. But that's for another critique, not one for the DMC series in particular.

This will also be a very long post. If you don't feel like reading, then just scroll by, don't jump at me with the "i ain't reading all that" nonsense.

Once that has been cleared up, here are also some extras that are more of a personal thing of mine than elaborated critiques:

a) If you want a judgemental commentary on the series' showrunner and some examples of experiences the fanbase has had with him, go here.

b) If you want a personal point of view regarding Netflix, and how 'pieces of media' are consumed nowadays, go here.

— Other examples of criticisms that are not mine, but I believe were quite on point:

Example One. Example Two. Example three.

Now that I'm all set, I shall begin. Hopefully, I'll keep my tone down, but don't expect much from me in that regard. I tried.

— Part 1: USA centrism.

The "western audiences" are americans. USA americans, particularly, the rest of the continent isn't included either. And of course that I do get why, I'm not that naive, but the world is too big for "The West™" to be just the United States of America.

I think it's obvious by this point (and if you follow my classics blog, you know it), but I am from Europe. Particularly, Spain. I'm not saying in a "look at me, i'm important too" way, rather in a "just like me, the world is full of other countries that are not the USA". Western Europe is the "western audience" too, is it not? I cannot speak for all, obviously, but which part of these DMC series did not scream "made by americans for americans."

There's, and let me get this clear, absolutely NOTHING wrong with that. So why do I bring it up? Well, because it's not the first time a series that is originally set in either its own fictional world, or another part of the world that isn't USA — suddenly gets an adaptation where it IS set in USA. And maybe, just maybe, that makes it lose part of its charm.

Take, for example, when Hollywood announced (with no context whatsoever, and we still don't know anything else) and adaptation of 'La Casa de Bernarda Alba' that was going to be set in Miami, of all places. This work is set in the rural Spain of the early 20th century, and it's about the repression of women in 'the rural Spain' — so again, why would you set it in Miami, of all places? Is it just the place for recording for the sake of setting a place? Are you gonna make all of the scenarios artificial or something? If it's not rural Spain, the work has no meaning at all.

Same thing in DMC. I... I really don't need airplanes with "UNITED STATES OF AMERICA" written on them to remind myself where we are. I don't need to see the USA flag all the time. I don't need them to be in "glory to America" mode during it. Okay, you've taken liberties from the source material — does anything in special come from the show being set in America? No. That's the issue.

The gothic aesthetic, gone. It was already gone by DMC 5, I know, I'm not blind. But even in DMC 5 they keep *some* crumbs of it. Mainly with the first Dante missions. It's not the ideal, and I did miss it back in the game — but it's nowhere near close to the show.

The show's closest gothic aesthetic is the museum scene. Which, isn't good. Why... Why would you keep the Force Edge, which is technically an important artifact with, you see, powers, in a *museum*? Does USA not have any places they can take some crumbs such as ruins, at least, like in DMC 5?

Or... You could have just used another country to set the series in. Or none at all. DMC has had its inspirations, it's obvious, but they do not have the name of the country they're set in written all over the place.

The Resident Evil reference doesn't make up for it, either. Is... Is Redgrave just a bit too much of an edgy game for this, or... Well.

— Part 2: Analogy to the War on Terror.

This... This is gonna be tough. It is hurting me to write it as much as it was hurtful to watch.

So, let me get this straight... The oppressed minorities in this show are the demons. Demons who were made to look, to put it simple, not white.

You made, you know, *demons*. Demons that, according to the dictionary, are vile creatures that carry no humanity in them. Because if they had humanity, they would be human.

Cambridge Dictionary:

"an evil spirit."

Second Cambridge definition:

"a person who behaves very badly."

Oxford Dictionary:

"an evil spirit or devil, especially one thought to possess a person or act as a tormentor in hell."

Second Oxford definition:

"a cruel, evil, or unmanageable person."

Demons being an allegory of the Middle East... Why? Why would you want to portray "the oppressed" as demons, of all things? Making demons 'good' in the show isn't gonna change anything. They're demons. Demons, by definition, are not good.

This is like putting a lion and using it as an allegory for a vegan. A lion, by definition, is a carnivore. It's the animal's nature. You could instead, for example, use a deer — deers are herbivores, yes, but they do chew on bones they do find around to obtain essential minerals that are lacking in their vegetarian diet. In other words, a similar way that humans who are vegan take proteins or similar things to compensate for them not eating food of animal origin.

In this case, you could have used another fantasy race for the allegory — like fairies, who are by definition kind spirits that do nothing but mind their own business.

But not demons.

"They just can't survive in the demon realm, that's why they come to the human world." Look at me. Look at me when you're saying that. The demons are refugees. Demons. de-mons.

"All we're trying to do is survive." Okay. No. Not really. What do demons even need to survive? Do they feed like humans? How is it that they die like humans? The show is trying really hard to make you sympathize with beings that are, by definition, bad ! Making it an allegory to the War On Terror it not making them look good !! For the love of god, they're DEMONS. Just— Just WHY would you choose *demons* to make such an alegory?!

Just... Imagine knowing (or being part of) those affected by the atrocities the show based the Hell invasion on... And then be represented as demons. Minorities that are ALREADY being categorized as demons in our real world by a bunch of fascists... And you portray them like that in a show based on a series that has absolutely nothing to do with that. What's not clicking?

You're not making this point any valid at all if the humans (or, well, americans) are fighting against... Well ! A threat !! Sure, make the 'oppressed' guys demons, make them a reason for humanity to fight against them. Who am I supposed to sympathize with in here... And why? Because "demons fleeing hell because they're treated horribly by their own home" is really not the best way to approach an allegory of AN EVENT OF THE REAL WORLD.

... Playing 'American Idiot' was certainly a choice. But we'll get to the music later. Let's just say that, my guy, isn't this scene supposed to have a dramatic impact on the characters and the viewer? We're watching the (technically) oppressed being in the show being BOMBED AND KILLED and you play "American Idiot". Isn't this like playing a Lady Gaga song during a massacre?

The 'good' demons in DMC are the exception to the norm. And those few 'good' demons don't want to live as demons AND they can't live as demons. The moment you act like a human, YOU ARE a human. That's why Sparda had a human form in the games !

I don't need a story about why the actual american fucking government is bad — sir, I'm very aware ! The showrunner literally should know if he goes around posting this stuff.

Sooo the victim of american imperialism is... Hell? As in. The thing. Were. Bad things occur. There was an attempt, I suppose. Oh. And this happened, too.

— Part 3: ... Lady. Or 'Mary Arkham'.

*sigh* DMC3 spoilers ahead, just in case.

First of all, it's Mary Ann Arkham. Why the 'Ann' is being removed is something I don't get. You're here praising that this new Lady is 'feminist' while the original 'wasn't', and you remove her mother's name, but keep her father's name? Sure, go ahead.

Lady went through half of DMC3 without saying her name. "I don't have a name" has a meaning, and it's that she hasn't been able to find an identity after seeing her mother being killed by her father in a search for power to become a demon. How do you process that in so little time? "Lady" comes from Dante. He said it once, "okay lady", and that was enough to have an impact on her. Because this is Dante. Half-demon, half-human, who has (who knew) family issues just like her. And just as bad.

If Arkham managed to manipulate her with his supposed death in the game, it was because he is still her father. No matter what evil he does, he is her father. And she's never moving on from killing him. Never. Ever. You can't move on from that. It's not a matter of 'moving on', in any case. Just like Dante was never able to fully move on from Vergil's drop into Hell, no matter how hard he had tried.

Meanwhile, Arkham dies when turning himself into a demon. He murders Kalina Ann for nothing. Lady's hatred towards demons stays in the show like that, but... But what is she even looking for after this? To eradicate all demons in the world since her parents died due to, technically, them?

"Maybe a devil may cry when he loses a loved one, don't you think?" That's one of the most iconic lines to come out of the whole franchise that is at least 24 years old by now. Because, no, devils never cry — if a devil does cry, that's not a devil anymore. Lady existed to show how strong humans are without the need to have super strength, hubris or anything else that demons do have. Netflix's Lady doesn't show anything, she's just here to yell at us "yeah humans bad, blah blah blah".

Without power, who can you protect? Yes, true — but what's the point of having power when there's no one to protect? Lady wanted to kill her own father because of what he did, what he was about to do... To humanity. Her mother was gone because of that, and anyone else could be the next.

Netflix's Lady, on the other hand... A cop. A cop who I don't know what ideology she even has at this point. She spends the whole show shitting on demons and cursing all the cursing existing words in the English dictionary... then sees demon refugees and, well, apparently that changes her point of view... aaand then she betrays Dante. That's some interesting character development, she's evolving — just backwards.

You didn't need to make her 10 times stronger than Dante, for her to capture him easily, and to BLOW HIS HEAD WITH A BOMB. You don't need to turn the 'protagonist' into a bloody mess to show me how powerful the ¿heorine? is in this show. If she's 10 times more powerful than demons then — then why are they considered a threat in the first place? Not to mention her swearing, because remember kids, this is for adults, in case you didn't notice. Gore and gore, swears and swears. She genuinely said 'fuck' in four sentences IN A ROW. Not even I with my anger issues swear this much.

She just commits police brutality all around because "america bad" and all that, I get it — but again, her character *doesn't evolve* and the flashbacks do not explain her hatred towards demons either...? Yes, your father turned himself into one, but WHY would he, if demons are incredibly weak in this thing?

Oh, and, I'm afraid I do not recall her age in the show. In DMC3 she's supposed to be 16-18. I don't think she should be the leader of a DEMON HUNTING GROUP THAT COMMIT POLICE BRUTALITY with that age. The Vice President substitute being a groomer for Lady was... Also a choice !

Because humans bad, guys. You get it? Humans only do bad things and act without thinking. Demons... Apparently don't do that, I suppose? Genuinely why would Lady side with people who insist that "we as a nation can do better" and then proceed to colonize Hell. Of all places.

"devil spawn motherfucker" are. are you being serious. right now.

She's a genocidal sociopath (she was already a sociopath in her childhood flashbacks ! what !), and what was the point of Arkham in the backstory, anyways? And Kalina Ann? The rocket launcher was a fucking cameo.

Lady pointing a gun at people who haven't done shit ?? Okay ma'am. Why are you a fascist. What does this have to do with trauma anyways.

Her speech about Sparda? You CAN'T be dramatic when saying "he one day went 'hey this is evil as fuck'", that's not a speech, that's a damn Twitter post.

— Part 4: "Wacky woohoo pizza man".

Jeez. The protagonist not being protagonic sure is a choice as well. And the worst part? Dante is the least badly done in here — that doesn't mean he's the Holy Grail, either. This interpretation of him is just mediocre and forgetable, but better than awful, I guess.

He really just exists. Does he, like, do anything else besides the jokes? The jokes that are, mind you, not funny ! "Your mom" joke from DANTE? Please. PLEASE someone hold me before I say very, very bad things regarding that.

I get it, Shankar, you like pop culture. I get it, really. No need to shove it in my face. But he doesn't do anything else ! The fights have no point if he's gonna lose them anyways for no reason at all ! Why ! Is he ! So ! Weak ! What has he been up to since the damn childhood even of 'my mom died in front of my eyes'? How has he been a mercenary if, like, mercenaries have no plot relevance in here? What do you mean —i breathe in and out— what do you mean. What do you mean he 'got bored' of his missions. What do you fucking mean.

Ok, I get it, it's an AU, they can take liberties — Dante still would not do that. Like. No matter how well or bad he is characterized in any interpretation, he never leaves a mission unfinished, even more if someone is in danger. BUT OF COURSE NO ONE IS IN DANGER HERE BECAUSE DEMONS ARE GOOD BUDDIES WHO ARE BEING KILLED BY HUMANS BECAUSE HUMANS ARE BAD AND THE TRUE MONSTERS AND WE SHOULD GOT EXTINCT DID YOU GUYS GET THE MESSAGE —i breathe in and out— that sure was a way to simplify a character into... Comedic relief ! It's your protagonist, for the love of god. How did he go TWO whole episodes without appearing AT ALL.

Also, Dante not knowing he is half-demon was, once again, another choice ! So the government knows but he doesn't? They can explain that nonsense as much as they want to, it won't make sense to me even once.

WHAT was that Devil Trigger awakening. WHAT was that. Generic action scene for such a crucial moment in original Dante's life? Sure, take creative liberties — but what's the point of those liberties if the changes are gonna be boring and not changing anything in THE SHOW'S OWN PLOT at all? It just looks like the normal, average power-up the hero gets for no reason other than, well, being the hero.

— Part 5: Sparda and Eva.

I think that I've lost any sort of professionalism by now. I apologize. I promise I didn't want to sound like this.

But... Sparda being morally gray? Almost depicting him like some sort of fascist? What does that add to the plot, exactly???

Sparda, who, fell in love with a human woman and realized that his own kind were nothing but monsters. Sparda who rebelled against his own kind and HOME for the sake of the ones who were being killed while they did nothing but have the capacity to love ! That Sparda. A... "morally gray" character according to the script in this.

(the way the show describes him isn't even the definition of "morally gray", but there was an attempt in that intention i guess)

The design really doesn't help — and saying it has to be 'simple' so animators have less trouble is... Ridiculous. I'm pretty sure many complex designs have been animated before? You just pay people for the job and... That's it.

Not like he even showed that much, why waste so little in a figure that is supposed to haunt the narrative?

People saying he's... Hot? Are you guys being serious? Can you please raise your standards a bit? Things are more deep than a figure who haunts-the-narrative to be hot, holy shit, we're not fourteen (... most).

That's not "more simple so it's easier to animate" it's straight up badly done. What are those horns. What is that quality of the million dollar company. Help me.

ALSO. OF COURSE HE'S A "DEADBEAT" DAD. OF. FUCKING. COURSE. RIGHT. WE'RE ALL WITHOUT FATHERS. ALL RIGHT. YOU CAN'T HAVE A DRAMATIC BACKSTORY WITHOUT YOUR FATHER ABANDONING YOU THE MOMENT YOU ARE BORN.

Just why? The twins did know their father in the original story, he didn't disappear the moment they were born. Again, what does it add to the plot? So Dante doesn't know that he's half-demon? BUT SOMEHOW THE GOVERNMENT DOES? So you're telling me you threw into the trash his whole self loath regarding his nature, which is, like, a base of the character? DANTE, YOU HEAL VERY FAST, HOW THE HELL DO YOU NOT KNOW YOU ARE NOT FULLY HUMAN.

Take liberties my guy, but there's a difference between "taking liberties" and straight up changing the plot to the point it has absolutely none of the essence from the original source material besides the NAMES. It just makes it look like you grabbed the IP's name to gain attraction, because if not, the show wouldn't have as much interest.

Again, you picked a story that isn't yours, and tried to make it yours. As GRRM said: "there always seems to be someone on hands who thinks he can do better, eager to take the story and 'improve' on it. Then they make the story their own. They never make it better, though."

About Eva — well, I don't have much to say. It's one of the few things that followed the original narrative... And maybe that's why it wasn't bad ! Who knew ! Right. Who knew respecting the source would do well. Sucks that she haunts the narrative as little as Sparda in here. Being a "single mom" is her biggest trait in the show, instead of her whole symbolism back in the games. Are we being serious here.

How did she even raise the twins alone? What's her job? Is she rich? If so, why? Did Sparda leave her anything? 8 episodes and you couldn't even throw in a line for context? A LINE AS TO WHY DEMONS KILLED HER IN THE FIRST PLACE?

— Part 6: Secondary characters.

Lady's squad and Enzo, absolutely the most irrelevant thing I've seen in centuries. Their deaths hold little to no meaning. You could have removed them from the show and nothing would have changed at all. What were we even trying to achieve here? Didn't we say that humans bad? Why are their deaths supposed to be awful now? Weren't demons in the right? Weren't the demons fighting their oppressors? Make up your mind !

... And that's all. I guess that they fall under the same category as Dante. They're mediocre, not awfully bad. So I suppose that's part of the 5% that's not dreadful from the show.

And of course the deaths needed to be the most grotesque gore an american cartoon has ever shown. Because adult shows, am I right. DMC5 is the closest to that with the intro cutscene, and it carries way more impact.

(Enzo's design also sucks. But. Who am I to judge. And why does the squad look like DeviantArt OC's for the love of god. Girl what's that makeup.)

— Part 7: The White Rabbit.

He was my hope for this show. My damn "at least the villain will be intriguing and has the good design from the manga!" sort of hope. BUT NOPE ! His whole tale of vengance has absolutely no meaning like any conflict in this narrative ! Yeah ! Peak writing !

So. Why was this guy even here. His purpose in the manga was to bring Dante and Vergil together so he could get both amulets. If Vergil gave him his amulet willingly (Jesus Christ when I get to Vergil), why the hell did he go through the whole "down this rabbit hole" thing. What did he achieve. Dante is a weakling in this, he didn't need to take that much of an effort.

Was he just having fun being a furry? Guess I'll respect that, because they adaptated their design really well. Shock. A good thing from this mess.

Not to mention he turned out to be an OC that really didn't add anything to the plot aGAIN. SHOCK. I KNOW. He's a human and that makes Lady sympathize with him suddenly, instead of calling him a hypocrite for torturing demons as he experiments on them while saying he wants to save them ! SO SUDDENLY BY BEING HUMAN HER MIND CHANGES AGAIN? Girl get a grip.

Just look at how much Dante's ass gets beaten up buddy, you didn't need to go through all of that to get him, and the damn dialogues with Dante aren't helping either. They feel... Empty. Why was Dante trying to pull a "i can fix him" in this? Sir, my guy, my buddy, Dante, my dear — Lady immediatly agreed with the White Rabbit when he was revealed as a human. You can't fix anyone in this place.

Who is even supposed to be the antagonist in this show to begin with? Aren't humans bad and demons good? And that's the basis of the White Rabbit? But then demons bad because look how they react to humans and humans are being killed and the White Rabbit is a hypocrite, sort of? So demons are the good guys because they're being oppressed and just want to survive, but then apparently they'll only be "genocidal" if they step into the human world?

It's just one point contradicting the other. And taking the current real life events of the world... It's so painful to watch.

What a waste of a good design. WHAT. A. WASTE. The White Rabbit was so well animated and shown ! The voice acting was really good, too. It was one of my few hopes for the show, really ! But I am not defending an imcomplete villain... Or antagonist... Or whatever the furry is. I'm tired boss.

— Part 8: Vergil.

Eh. Where do I begin. It's been two days and I haven't recovered from the shock. The shock of seeing a character that was so well and beautifully written regarding traumatic experiences in a fucking action game... Being turned into a bootlicker towards the main villain. Or. One of the villains. I suppose. As if the writing was able to explain correctly everyone's role in this shithole.

Look. I tried. I really tried, I did. I promise I did ! I tried watching this twice ! Everything else, no matter how bad it was, was his own thing. Not my DMC whatsoever. Okay, cool, I can live with that. Yes, sure. I can accept the butchered Lady and Dante. I can accept the poorly written politics in it. I can accept incomplete villains due to inconsistencies.

But Vergil? Vergil??? The character blinded by trauma? The protagonist's other half? The Mr. i-am-haunted-by-a-past-i-cannot-go-back-to? The damn Mr. haunts-the-narrative-without-even-doing-anything? Mr. i-rather-slice-my-brother's-hand-rather-than-letting-him-follow-me-to-the-pits-of-hell-which-he-doesn't-deserve? MR. WHISPERING DANTE'S NAME WHEN HE WAS LOOKING AT HIS OWN REFLECTION ON THE YAMATO???

He wasn't just turned into a "generic villain" no. No, no, no. I would have wished it was that. Boy, do I wish.

WOW. JUST FUCKING WOW.

You guys are such good writers ! I can't believe I'm shitting on the "it was my father's fucking enemy who freed me" ! You made such a brilliant narrative compared to the original character who brought to us THOUSANDS OF ESSAYS and ACTUAL PSYCHOLOGISTS ANALYZING HIM regarding his whole story !

Now, trying to speak in a more... Serious way. If I can. I'm trying.

Nelo Angelo. One of my favorite concepts regarding Vergil's character. Imagine being enslaved like a mindless puppet for fighting for over a decade — and in here, that is turned into "oh no, this is just my powerful form after Mr. Bad Guy saved me because Mr. Bad Guy is absolutely awesome and he made me cool". Like. Not even antagonist or generic villain. He's the fucking "sidekick".

Is Mundus even supposed to be 'Mr. Bad Guy' in this IF DEMONS ARE SUPPOSED TO BE OPPRESSED. I DON'T GET IT. MAKE UP YOUR MIND. ESTOY CANSADO JEFE. APRENDED A ESCRIBIR GUIONES. SANTA MIERDA.

Imagine being able to recognize your brother after a decade of imprisonment in Hell, but he's not able to recognize you due to how much Mundus has changed you. Identical twins. The same face. The same blood. Identical twins. A single thing separated into two back in the mother's womb. But he doesn't recognize you due to how much you've changed. And that's when you realize what you have been turned into. That there is no way back for you.

But add the 'funny haha' line at the end, and you're done ! He's the storm that is approaching guys ! Like the meme ! Like the only line we know from the song ! He's so cool ! Despite the fact that he has none of the reasons to act the way he does behind that damn line !

Vergil is... A very particular character. He's very unique in the entire world of videogames as a whole. Just like Dante. Just like Lady. Just like Sparda. But unlike those three, he wasn't just turned into your "average western characters", he was turned into a trope. A trope.

'But what if being raised by Mundus turns out interesting? What is he's brainwashed?' You really think he would side with the ones who killed his family in the show?

'But what if he's infiltrating?' ah, yes, and killing other guys in the process. They really took the whole AU thing to an extreme and made a villain a "what if Mundus was just misunderstood? 🥴" and then ya'll will be with the 'we want villains who are evil just because back!'

— Part 9: Symbolism.

I think it's obvious that I'm growing tired by now. I tried to keep calm, but the more I think of it, the more infuriating it gets.

The soundtrack PLAYS NO ROLE in the narrative. Something that amazes me from DMC and the fact that it's an action game is: how the soundtrack tells things from the narrative. "Devils Never Cry" is an iconic song for a reason — and they went and used it for the ending. That... That was A Choice™ ! Once more !

Do the lyrics of "Devil Trigger" not mean anything to you? For you to throw it into Dante's awakening of his DT for the sake of it being a DT? Did you forget the implications that it has with Nero? Since you're putting odd covers instead of the original versions too, but not enough for the lyrics to change their meaning TO THE SCENE THEY PLAY IN — I guess bringing Evanescence into your amalgamation was too much already. And, see, this is the only good part of the soundtrack that made sense. Because wHO KNEW THAT MAKING AN ORIGINAL SONG WAS BETTER THAN BUTCHERING ALREADY EXISTING ONES. WHO KNEW HUH.

WHY IS BURY THE LIGHT THERE. I don't care if it's popular, it has a MEANING and that meaning has been straight up butchered in the show. The show it's a different thing, I know, it's an AU, I know... But for the love of god that's like putting a Sabrina Carpenter song while a character is being killed or something.

What role did the Plasma even have in here? Why did it take Vergil's appearance if it didn't do anything to Dante at all? It lasted for three seconds. And was never brought up again. Sure, it was brought to show 'hey Vergil is actually alive because the Plasma can only mimic people who are alive!' Why... Why would he still do that with Dante. What's the point.

None of that symbolism is seen in the designs, so what gives? None of the symbolism is seen in the weapons, so what gives? None of the symbolism is seen on the demons, SO WHAT GIVES? Why putting there demons like Echidna or Agni & Rudra, if you spent the 8 episodes showing demons looking as human as possible? So are you telling me only the demons that look human are the good ones? No shit ! Hadn't thought of that ! You need to be human to show HUMANITY ! What a shock !

"Crimson Cloud" is also there. I'm sure I heard it. And again, WHY is it here? Why do the lyrics not mean anything to you? You heard 'fight for your life' and called it a day, didn't you? Because this was just a paintball match but with actual weapons with people and demons killing each other all the time for genuinely no reason other than YAY BLOOD !

Isn't it hilarious how out of the 4 character themes from DMC 5, they didn't include DANTE's theme in particular. And if your argument is "Subhuman sucks" i'm gonna block you directly. That's one of my favorite songs ever. They didn't use "Subhuman" simply because the lyrics make no sense with this Dante. A Dante who didn't know he was half-demon, who didn't spend half of his life depressed and with self loathing due to his own nature — but then again, neither do the lyrics of "Bury the Light", "Devil Trigger" or "Crimson Cloud" fit what is being told... So? So what is the fucking excuse for not including it???? That it's "a bad song"? That is doesn't fit you 'I'm a 2000 guy yaaay' vibe? I'm gonna chop off your tongue.

Actually, no, no... I'm thankful that one of my favorite songs ever was actually NOT included in this thing, so that when I listen to it I don't remember that butchered version of Dante.

"We're here to entertain ourselves, not to read a book", okay, that's fair. Why don't they just do Generic Action Series Number 34™ and call it a day, then? Oh wait, I know, because taking advantage of an IP's popularity is nothing new ! We've been doing this since the oldest works from mankind ! Just HOW many times have I seen a 'classic' being turned into whatever the hell the modern viewer 'enjoys' watching — and it strips off the entire original meaning and concept THAT MADE THAT WORK A *CLASSIC* IN THE FIRST PLACE?

— Part 10 (and finally, last): Cameos.

I gave it a chance because I was told that Lucia showed up. My hopes got up. I thought that they had genuinely put thought into this thing. I thought that, even if it wasn't canon, it would show care and appreciation for the series... That it was 'a love letter to the series' as it had been promoted — but of course, I was proven wrong. Yet again.

So, uhhhhh we have the city from Resident Evil. Megaman for some reason. Nell Goldestein is only mentioned for that??? WHERE THE HELL ARE EBONY & IBORY. LORD. Lady's rocket launcher is used once, for the "point and yell" I suppose. Cindy flirting with Dante was... A choice, as well. And she has no roller skates, when that was a very cool detail for a secondary character ! And all the pop culture references are just *not* it. Even without the DMC skin on, that's yells 'how do you do, fellow kids' so much.

... Lucia appears for three seconds, and she's almost as pale as me.

Say sike right now. My guy, don't you, the showrunner, have that similar skin tone. I genuinely never thought I would be complaining about a SKIN TONE of a fictional character. But here we are.

That's not a lighting thing, my guy, she's in the complete darkness. A bit more and they would have thrown her into the "dark-skinned characters whose skin is grey". I haven't used the term 'whitewash' even once in my life, given how little I interact with fandoms. But, lmao, this is literally that. There's so little poc characters in the series — and you do this?

I wouldn't be surprised if they butchered Morrison into this thing and used the 2007 anime's design instead of the one from DMC 5. Because, out of ALL the things they can take from the 2007 anime, they will take the ugliest design there could possibly be in it !

(Please don't touch Patty. Stay away from her.)

My brother in Christ, you won't have me yelling and pointing at the screen thanks to "references". For the love of god, think about the writing first !

*deep breath* because, after all, this all would have been avoided with good writing ! Genuinely. The music and cameos could have been so fun, and fit so well, if your script wasn't absolute ass (saying that with all due respect, which is none).

— Personal addition.

The constructive and objective critique ends here. This last part is a more personal addition, given how THE series that has had such a big impact in my life has been turned into a generic action show, that is treated as the Holy Grail because people lack critical thinking and will consume anything that shows the protagonist's abs. I can't believe that's a defense argument. How are you guys so basic.

Well... Devil May Cry came into my life just about a year ago, thanks to a mutual. I still hold said person very dear to me, due to many reasons, but this being one of them. I had no idea about DMC, nothing. I only knew the protagonist's name and that it was an action game.

The memes always kept me away, because I thought it was about that, after all. Generic action game about combos and funny hahas. And I need lore, I need a story. I need something else to be in it.

It was this comment that I myself made back then when said mutual spoke to me about the series, that made me give *all* of the games a try:

I knew nothing. I didn't even know about Vergil's existence, for example. I genuinely went to the first game thinking it was going to be just "pew pew die evil creatures" or "Resident Evil with memes" ... And then Nelo Angelo appeared.

That's why netflix's choice of changing everything about that concept pissed me off so much. It's the concept that made me CONTINUE, that made me play THE REST OF THE GAMES. That showed me DMC was a damn Greek tragedy and not just a 'funny haha' meme shitshow !

From there, it just kept on increasing. Some downs here and there, due to a company's awful decisions of not giving enough time to get a game done, but overall, it surprised me how much these series affected me. I told my therapist about them. My therapist.

Any side material, even the niche ones, I searched through them all. Heck. Games, novels, artbooks, interviews, mangas... The Tony Redgrave concept was so impactful. Beryl is the love of my life. DMC3 got me crying over a video game, after almost seven years of that not happening again. The 2007 anime showed how much you can do with little budget.

The protagonist was someone I wasn't used to. The antagonist was a perfectly crafted character regarding all the good kind of stories that I enjoy. The female characters are an insane detail, I can't believe there's so many of them, and I absolutely adore them all.

... So. Take all of that creative series, that has had such a big impact on my life as much as the Odyssey, the epic poem, had on me when I was just 10, and has been stucked with me for a decade. Those creative series that are making me feel the same thing that epic poem made me feel as a child — and turn them into a generic action series, with little to no symbolism, with some sort of political message delivered wrong because it keeps contradicting itself.

And with people calling me 'retard' or 'tourist' or 'hater' or 'whiny bitch' for voicing these current thoughts. For people saying I'm being 'mean' to new fans, when I simply told them I don't get the hype over such a messed up plot — I even offered myself recommendations as to where to start with the series !

I guess this being my hyperfixation to the point where I couldn't do basic tasks, to the point it made my chest physically hurt, to the point it made me cry just thinking about it, to the point of losing my breath when I was (supposed to be) talking about it to a friend casually — none of that matters to them. I'm being mean for trying to get them into the series that changed my life.

I'm not saying "anime only people you suck ass" no, I'm saying "for the love of god, don't shit on the original IP to praise the show".

I have to take what's given. Even if it's not even the bare minimum. Even if it's brought to us by an egocentric jackass. I have to enjoy it, because it's content. I'm being an 'ungrateful fan 'and a 'whiny bitch'.

I prefer not having any more content to play, read or watch, rather than to have bad content about said thing ! I don't need a retelling, nor a bootleg universe, nor an adaptation, to keep my interest going. I don't need it to be turned into a content farm to be satisfied. I liked what it had. What it had is what got me into the series.

I love Devil May Cry for what it meant, not for entertainment only.

And I tried to at least aceept the Netflix cartoon. I've watched it twice, to be able to write this precisely — or well, I tried, since at the second watch I stopped at episode 6. I couldn't. I can't. It feels disrespectful.

It makes me nauseous to see that someone is egocentric enough to claim that he is saving a series that... Didn't need any saving in the first place. "From the visionary mind of Adi Shankar" dude, dude that's not advertising. Get your head out of your own butt.

It's scary. Scary that this type of people have so much free time and money on their hands. There were a lot of things to 'adapt', as the word really means — and you picked not even one !

I'm not saying it has to be completely the same ! Not a 1:1 adaptation ! But it didn't need to strip the original meaning of WHY A DEVIL *MAY* CRY !

If you did enjoy it after reading this, I'm glad, I really am ! I'm very happy that you were able to see something marvelous in it that I didn't, that's beautiful and I'm very happy for you. (None of this last paragraph is sarcasm. Disclaimer.)

Albeit, maybe I was a bit too selfish, and dumb, to expect some extra content on the characters that have meant so much to me. That have both ruined and saved my life unironically. Maybe it's elitist to want that, maybe, I've never denied it.

Perhaps I'm overreacting. Perhaps it's just a silly cartoon. Perhaps.

But I wanted to cry like I did with DMC3 when I watched the series — and I didn't. I did cry... But of rage. Rage, frustration, and impotence.

Just consume. Pay. Praise the minimum effort. Wait for the next product. Repeat.

[crystallizedtwilight]

🎃 LSBC Questions: Part 20! 🎃

Part 19 here!

She wants to adopt every dog she meets honestly 🥹

If Oogie was in a gambling mood it usually wasn't a good thing.

Something equal parts dangerous and hilarious apparently! [x]

They already have their skincare routines down!

There's a couple of those in the lb tag 😚 Barrel is very romantic and Lock loves to be showered with affection as long as it's in private.

Thank you! And yes! They do prank each other on occasion. Gotta keep each other sharp! [1] [2] [3]

He did at first (and was too "cool" to tell anyone) but now he's an expert at capturing them.

Mike Cachuela, who helped design the trio, stated how he spoke with Henry Selik, the director of the movie, about who the trio could be. The initial concept was that that they were tasked with keeping Oogie Boogie imprisoned and feeding him bugs. However, this concept was later changed so the trio would be Oogie's henchmen instead.

No, all three of them love their natural hair colors! (Which, lucky, I've been dying my own hair for 10 years lol)

She gets up, makes herself some tea, and reads her potion book to clear her mind. If that's not enough, she'll go for a flight.

No. I'm aware he returns in several spinoffs—Oogie's Revenge, Kingdom Hearts II, one of the novels—but this AU uses the movie as the sole source material. Resurrecting Oogie is an easy way to reintroduce peril and doesn't require writers to explore who the trio are without him. That separation, freedom, happiness, and concept of the trio stepping into their own identities is exactly what I want to explore!

(Zero's Journey is my favorite tnbc book because the trio are shown carrying on happily without Oogie for once and I love that!)

❗️[SENSITIVE: TOPICS OF ABUSE]

The trio state that they believe they will be harmed for failure / displeasing Oogie across multiple media:

____

"We can't say, the boss'll whomp us if we do!" (whomp, verb: to strike heavily) - Lock [source: game, The Pumpkin King]

The trio tremble visibly at Oogie's feet, holding onto each other as he reveals his plans. [source: game, Kingdom Hearts I]

In an interview Stephen mentions that, out of the three of them, Oogie might be meanest towards Lock or treat him the worst. [source: Stephen Buckley, one of the main animators on the movie, The Nightmare Before Christmas]

"If I were on his Boogie list, I'd get out of town." / "We do our best to please him and stay on his good side." - Lock, Shock [source: movie, The Nightmare Before Christmas]

"Jack will beat us black and green." - Lock, Shock [source: movie, The Nightmare Before Christmas] Through Jack has never shown himself to be physically violent, the trio assume all authority figures show their displeasure in this way.

"Don't hurt us, Jack! She's with Oogie!" - Lock [source: game, The Pumpkin King]

"'Stead of treated we get tricked. 'Stead of kisses we get kicked!" [source: stage performance, 2003 Disneyland "Haunted Mansion Holiday" wherein the trio perform an excerpt of "Hard Knock Life"]

"Looks like my no-good henchmen thought they'd cool their heels in Halloween Town 'stead of helpin' the boss man do his job...well, I can decide which of 'em I want to eat later." - Oogie Boogie [source: game, Disney Magic Kingdoms]

The camera pans out, displaying the masks of several previously devoured trick-or-treaters on the treehouse walls. None of these fit the trio's faces, revealing that Oogie has eaten several children in the past. [source: movie, The Nightmare Before Christmas]

[ao3-shenanigans]

Hey. I've been thinking about writing but I'm not sure if I should post stuff I wrote so far. It just seems like others in the fandom I'm in just know so much more about the source material or have better ideas on it

Any advice you have?

Hmm, I also tend to get worried about and bogged down in trying to get details right.

A few times I ended up trying to go back to find that one episode to try and find exactly what that random guardsmen’s name was, and to be honest, I didn’t need to

My advice is to do it anyways.

If there is a detail that you’re worried isn’t true to the source material, ask yourself- can my story still be enjoyed without it? If the answer is yes, the shopkeeper can remain unnamed and the the exact age of the mc in the flashback can remain vague

As to who has better ideas, there’s no right answer. Fandom is a community where, similar to a book club, all interpretations are valuable! The better question is- do I enjoy this idea? Does it make me excited to write? Am I having fun?

As a reader, there a fanfictions I’ve read where I’ve not personally agreed with an idea, whether it was a ship, au, character arc, whatever, that didn’t stop other people from loving the fic, leaving comments and kudos and having a wonderful time. There have also been fics I’ve read where there were 14 versions of the same idea by different people. Some were less fleshed out than others but that didn’t stop me from enjoying all of them!

In summary, the big question is: are you having fun? Will you stop having fun if you post it? If the answer to the first is yes, and the second is no, then you’re all set!

[ouransisters]

Top Tier Danny Phantom/Batman crossover things (but from someone who doesn't care about either source material)

•Danny being the first hero

-gives a reason for why the justice league doesn't get involved

-his actions/struggles sets a precedence for the future heroes

-theres all of these well established and famous heroes who have been through hell and back; and then they suddenly melt because that's! their! hero! Holy shit it's him!!!!

•Danny is summoned and what he says sounds condescending and expected of a eldritch monster, but then it cuts to him just being outrageously casual and the translation just isn't working

-there's this really cool fic of Shazam finding out about that and ends up roasting this eldritch being about it

•Danny and Shazam are in a justice league meeting, they're both pretending to be ancient beings instead of literal teenagers, and upon realization they back each other up without any discussion needed

•Danny is the son of mad scientists and it shows

-he's not a rouge himself, but he has an intimate understanding of how their tech works at glance cause he grew up with this kind of crazy

-it's just a Tuesday afternoon

•Danny becomes an astronaut and his powers make him a very useful resource

-there's not nearly enough of this

-in a world where aliens are a thing and space monsters are am actual threat, having Danny on the ship makes him indispensable

•Danny's a retired vigilante and his skills make him seem suspicious

-He's out. He's not getting dragged back in. He accidentally freaks out the local heroes at every turn

•Danny becomes ghost king or whatever and realizes he can fuck over grandpa-al-ghul

-so technically I haven't read a fic where that's the main concept but i want it ok

-just batman being his dad? Doesn't matter. Damien being his twin? They were never on good terms or they're secretly communicating, but that's not relevant to the plot. What's important is that he can make his grandfather go cold turkey on the Lazarus Pits and secretly gut his entire league with no one knowing what the fuck happened

-Danny's plotting and slowly executing the plan to obliterate his grandfather's legacy, with dashes of outsiders pov of watching the ancient league of assassin's being dismantled by thin air

-a conversation in which Damian is on good terms with his secret twin and he overhears his family talk about the leagues destruction: "Ah, Daniel did that" "...who?" "My twin" "Your twin!!!" "Yes. He never liked grandfather's methods, so it is hardly a surprise he did this as a ghost" "....as a ghost" "Of course. Once he was made The King of the Infinite Realms he sent a letter stating his intentions towards taking down grandfather. Sentimental fool. He visits occasionally to complain about the council" and then just walks away whole scrolling through his phone, like a normal teenager. And THIS is how they find out about the anti-ecto act.

-bonus: Danny finds out after defeating Pariah Dark that he's the ghost king and has a hysterical fit of laughter. This is how his friends find out he was a child assassin

[alexanderwales]

I've been trying to get a good overview of communist art, and it's difficult, partly because of the language barrier, but also partly because I think what I want isn't the art itself, it's a comparison of how the landscape of art-making shifts.

Movie-making, in particular, is a massive undertaking that requires a fair amount of time and money if you want to do it right. You need someone to write it, someone to direct it, someone to act in it, a cinematographer, some lighting, sound and music ... under a communist model, none of this would actually change. You would still need to acquire the personnel and make sure they were housed and fed. You would still need sets to be built and artists to devote their time and energy.

So one of the common criticisms of capitalism is that it produces Bad Art, that everyone is just trying to make a buck and they don't care about the product unless it finds consumers who will pay out cash. Everything is geared for the lowest common denominator. This gets worse as you involve more and more capital.

But I've always wondered: is this not also true under communism?

I don't mean in practice, that question is simple, all you have to do is read up on the film production processes from a number of different communist and formerly communist countries, whose source materials are often not accessible in English, mired in propaganda and disputes, and cover many decades. Easy peasy. I did what I think is a surface skim, but the common threads were that film studios were state-owned, scripts were approved by party officials, there were regular reviews during production, and a final review before release. You usually have to promote socialist values, or at least not criticize the current regime, and you have reviews for "ideological content". In spite of all this, some good movies got made, some bad movies got made, and some movies were banned for lack of ideological conformity or "frivolity". There are different eras to filmmaking in every country, times when the industry was thriving and times that it crashed to the ground in spectacular fashion as the government involved itself. A lot depended on who was in power and what the then-current ideology was. I think it's tempting to say that the widely agreed upon "great films" got made in spite of having ideological overview, but it's hard for me to evaluate that claim, and if someone said "the great American films were made in spite of capitalism" I think that also would be a difficult claim to evaluate, even though I've actually seen a pretty substantial amount of the canon and speak the language most often used in analysis of production processes.

No, what I mean is that in theory there's someone that has to be running the numbers. The film studio is state-run, sure, everyone is in state housing or whatever, they're getting food somehow ... but someone, somewhere, is authorizing all this. You don't make a film without a plan, so those plans have to be submitted to someone, or a committee, and that committee has to decide which films will get made and which will remain a dream. And if they're doing that, then they're either trying to make the film that they think benefits the country the most, or they're applying their own taste and judgment, but probably both.

And if you're under some kind of model where no one runs the numbers, where film-making is entirely volunteer work, then you still have problems, because you need this large volunteer organization, and you need to bring them in on your vision, and if they can just walk away, you need to maintain that energy and vision through the whole process.

I guess what I'm saying is that yes, capitalism presents problems when it comes to this specific artform, but I feel like as soon as you're out from under the yoke of the dollar, you're immediately under some other yoke. And I do wish that when people saw a bad film and said "the problem is capitalism" they would take a moment to consider that maybe there is always necessarily going to be oversight and compromise, just because of the nature of the enterprise.

This does not apply nearly so much to other forms of art, like those that can be done by a single person sitting in a room all alone.

[what-even-is-thiss]

Part of the reason I stopped writing fanfic was because my audience expected sanders sides from me and I was sort of petering out on that series already. There was more to it than that though. I could’ve moved on to other fandoms. Maybe gotten an ao3 account and just been someone that writes for a lot of fandoms. But there’s other things about it I don’t really find fulfilling anymore.

Fanfiction is by its nature really limiting. You’ve gotta stick to certain characters, certain archetypes, certain specific tropes if you want to get back a lot of positive feedback. Or feedback in general.

And constructive criticism doesn’t really exist in fandom space either. People are either really positive about your work or huge dicks to the point of easy dismissal. And that’s partially because of all the unspoken rules. Only say nice things or don’t say anything at all. Which I don’t necessarily disagree with because fanfic is free brain candy made for you by a person who’s just passionate about what they’re doing. It’s nearly cruel to try and offer unsolicited criticism in that kind of situation.

But people just want certain things from fanfiction. Fantasy fulfillment, love, very specific types of catharsis, 14 year old goth kid levels of dark and edgy. And there was a point in my life I was fine with that but I can’t anymore.

My ideas got too different. People stopped reading. I stopped wanting to finish things. My prose style is often abrupt and short and poetic. I enjoy being experimental. Experimentation isn’t generally appreciated in fanfiction. Not as much as it is in published fiction in my opinion.

Yes published fiction has its own issues. Its readers are also creatures of habit. But not quite as much as fanfiction readers. And at the end of the day, I realized I want to be a writer. Like a professional writer. Even if that just ends up being a side thing for me. And fanfiction doesn’t really get you there most of the time. For some select few it has, but those folks are often in the romance or smut marketplace. I am not.

Fanfiction has its place. It had its place in my past. I got a lot of practice. I met some good people. But I don’t really read or write it anymore.

I guess what I’m saying is that if fanfiction isn’t fulfilling for you anymore, you’re under no obligation to keep writing it or reading it. I’ve got a perfectly happy online life these days hopping from one fandom to another on a whim without any fanfiction at all. I feel a lot better getting feedback on my writing by talking with other writers and my friends and family about it. I no longer feel like I’m just sending something out into the world to be met with silence. I’m no longer embarrassed to show people I know in my personal life my writing because they haven’t seen the source material the work is based on. My work is just my work, unconnected to the baggage of a source material. I get more ideas from reading, I’m reading a larger variety of things, I’m meeting people who like reading and writing published fiction.

Fanfiction can be great, it can be for some people the kind of writing they want to do forever. But there’s a whole world outside of it. And depending on who you are, it might be holding you back. Just something worth thinking about.