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#are trying to represent and provide language to
dcxdpdabbles · 3 months
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need more mr flavor im thorsty
"You want to buy my soda?" Danny asks again as the man in a suit across from him smiles sickly sweet. They are crammed in the left-corner booth of Anthony's Pasta, with a stack of paperwork on the table.
Danny had just been getting ready to open a shop when this man strolled in wearing the same waxy grin Vlad wore whenever he spoke to his Dad. Danny had been on his guard as the man introduced himself, and while his smile and mannerisms were pleasant, Danny could tell by his eyes that he could not trust the other.
There was no emotion in them.
"That's correct, Mr. Flavor. You see, your brand is starting to stir quite a ruckus. But it's unfortunately, on such a small scale, the trend's popularity will lead to your brand dying out. We at Zesti want to help you reach a bigger audience before that happens. I personally think you have so much potential and I wouldn't want to see it go to waste." The man, Oscar, tells him. He leans back, open body language to try to put Danny at ease.
Danny frowns "My soda is a trend?"
"A passing one unless we don't make the smart choices now. Zesti can help with that," Oscar hinted. He pushes the contract he brought along with him towards Danny. "We'll handle the marketing, distribution, and you will make sixty percent of all final sales. All you need to provide is the tasty beverage."
Danny quickly glances over the contract. At first glance, it seems to be in his favor. But it's dragged out in a package of twenty pages where the wording slowly takes away from his own benefits.
They would handle marketing, but the funds would come from his sixty percent of profits—not all, but a good twenty percent. This left him with forty percent of sales.
Then, Zesti would cover the distribution outside of Gotham. Within Gotham, they would use his money again. That left Danny with only twenty percent of the sales since the other twenty would be used for Gotham distribution.
Since Zesti was going to help him start up, they would ask for a ten percent deposit for the first five years. That way, the sodas could help build a customer base to fund the other two costs.
By page eighteen, Danny would only be making ten percent of the promised income. He thought it was unethical business practices, but the conditions and wording they added to the contract made it legally possible.
Danny just had to sign, and he would agree to the horrid conditions. Now, he didn't really care about the soda. It wasn't like he invented it; he merely brought it over from another world, but it was the fact that they were trying to trick him that upset him.
If he could spot this in a quick read-through, what would he find if he had someone professional look over the contract? Danny bets there would be wording that made him irreverent and legally made Zesti the owner of his work.
They also sent a company representative to discuss legal details in a restaurant. Danny doesn't know the laws of this place (He thinks a lot of Gotham's issues with the Rouges could be solved if they were to include the Death Penalty, but that's just him) He feels a minor shouldn't be making legal decisions without some kind of lawyer.
He knows Oscar is clicking his pen to pressure him to sign as he reads. Jazz would do it whenever she wanted him to sign on for whatever community service she needed.
It was laughable to think that this man was attempting to use the same business psychology that his sister had trained him to notice. Zesti must believe he was an easy target.
"It says here that I would give Zesti complete creative freedom over my soda. How would that stop you from changing a thing about the recipe and then claiming I have no right to the new recipe?" he asks, flipping to page twelve and watching Oscar's oily smile never slip.
"That's just about the bottling and design of the brand. The leaping boy is nice, but we want to clean it up and give it more attention-grabbing details." Oscars assures. He failed to address Danny's concern, which told him everything he needed to hear.
"I'm not interested in selling. Thank you for the offer, though," he tells Oscar, pushing back the contract.
The other man laughs as if Danny has said something amusing. There is a bit of condensation in the undertones of his laughter as if he were speaking to a toddler and finding their confusion entertaining. "I'm not sure you understand, Mr. Flavor. This is an amazing opportunity that others would kill for."
Danny shrugs. "Then offer it to them."
Oscar sighs loudly, shaking his head. "Mr. Flavor, I don't think you understand. This could be what makes you a millionaire, and it's your only chance to make that dream a reality."
"What makes you think being rich is my dream? What if my dream is to become a ghost?"
That finally made the other man lose his smile for only a second before Oscar leaned forward. "Please think carefully. This is the best for you and your brand. Gotham makes people like you disappear from the public eye when a new trend comes by."
"Disappear?" As in intangible? As in ghost? As in Phantom, what part of himself has he been searching for?
Oscar seems to think Danny's wide eyes were because he was frightened instead of excited. Oscar leans back with a smirk, his eyes still hellishly cold and emotionless. It is strange to now always glance into a person's eyes to learn of their true intentions.
No matter how well a ghost hides among humans, they can never disguise their otherworldliness if Danny watches their eyes. He read somewhere that the eyes were the doors to the soul, and after being Phantom, knowing his eyes actually flash with his emotions, he knows it's true.
Oscar may appear human, but whatever humanity there was in him is long gone.
"It would be safer to sign, young man." He says again, this time in a mocking tone.
Danny laughs. "If I was worried about my safety, I wouldn't be jumping off buildings, would I? Have a good day Oscar."
He stands up, leaving the contract on the table, ignoring the stuttering man. Danny has other things to worry about like the restaurant is open for an hour and a line forming at his foldable table.
It wasn't that his soda was that personally important to him, but it was his main source of income. Phantom was still well out of reach despite the amount of life-threatening activities he was getting up to.
Danny even tried to bother the more violent ghosts of the area by strutting into their space while carrying a stupid little tea cup set. He figured they would react to a perceived attack on their pride—instead, the ghosts were so touched that he thought of them.
He tried to get hit by five more cars. One notable incident had him flying into a light pole. He had mistaken the feeling of finally getting his flight back until the ache in his back started.
Danny had even thrown himself into the Gotham River after being told by multiple people that it was filled with chemicals from illegal dumping from some local faculties.
He was starting to think he would never get his ghost side back until a mugger stabbed him in the stomach. Danny had been counting his bills while walking away from a lovely ghost couple in an alley by the old movie theater when the man had jumped out of the shadows, stabbed him, and ran off with his cash.
Danny had fallen to the ground, aware of Martha's scream and Thomas' swear as he choked on his blood. The ghosts were bound to the alley, but they had walked to the edge of it to watch him and felt horrible that they could do nothing for him.
Thomas had looked up at the sky, screaming, while also trying to push against the barrier that keeps anchored ghosts to their death space. "Bruce! Bruce! Please come here! Bruce! He's dying! He's just a kid! Bruce!"
Not sure who Bruce was or how he could help didn't mean anything to Danny when he felt a sort of burst of power from deep inside his chest that suppressed the pain.
The ghost couple had been horrified when Danny's blood had turned green and his hysterical laugh as his wound closed the second he ripped out the blade.
Phantom had healed him, which meant Danny just had to find a way to get Phantom to come back from whatever lock he was behind.
"Are you okay, Danny?" Heather asks him once he walks past the waitress. She glances at the table where Oscar sits, a wide customer smile still firmly on her friendly, open face, but her eyes are guarded. "He said anything strange to you?"
"Nah, he just wanted to buy my soda before Gotham made me "disappear" and die from lack of trend," Danny laughs, swinging open his little cooler. He ignores how she stiffens, and the first customer in line throws a wild, horrified look in his direction.
He lines up his flavors with a bit of hum, ignoring the tension growing in the restaurant. Oscar makes a show of leaving as if Danny will call out to stop him before he slams the door on his way out. Everyone breathes a sigh of relief when he vanishes, but Danny doesn't mind.
He continues on with his day. Let Oscar try the fear tactics- what is he going to do? Kill him? Ha.
Danny misses the long conversation Heather has with Anthony, who later asks Danny if he wants him to inform Red Hood of the threat. Danny laughs it away, packs up his things, and stores the table and cooler in Anthony's space closet.
Despite the warnings of the concerned staff- Danny had grown quite close with everyone there but not beyond occasional coworkers- he left for his motel. Danny attempted to get hit by a bus on the way home and nearly did had it not been for a driver's fast reflects.
The bus driver had been distracted by his phone- which is why Danny had targeted him- but he had waved away his horrified apologies. As Danny entered Crime Alley, he figured being loud and rumbustious like his Dad would hopefully get him shot.
Gotham had a limited amount of patience for loud people. He picked a silly gum commercial jingle popular in his home dimension and skipped down the sidewalks, yelling the lyrics at the top of his lungs.
Danny didn't even reach the end of the street before a van rolled up next to him. He had enough time to look at it curiously as the van door was flung open, and a group of masked men jumped out. They yanked him inside, throwing a gag over his mouth and slamming him onto the floor.
The wheels scream as the van speeds away, leaving Danny at the mercy of his kidnappers. He tries to wiggle up, but a hard thump against the back of his head- likely from the butt of one of their guns- causes him to crumble down.
"This isn't his usual mark." One commented, looking down at Danny with a cold indifference that he could make out from his eyeholes. "They're usually brown-haired, aren't they?"
"Who cares?" Another answer is, "Just as long as we get paid, who cares what they look like?"
Danny stares at him, wondering if anyone in the van knew this person cared very deeply. Their eyes showed concern, guilt, and the right amount of protective intent, and he felt he wasn't in danger.
He had regrets about what he was doing, to the point of betraying everyone here, or he was an undercover cop. Either option ruined his plan of being shot, though, so Danny wiggled about, ignoring the more hits it got him before he was able to have the gag fall down.
"Are you going to kill me?" He asks the group of four.
"No." One laughs. "But by the time the boss finishes with you, you will wish you were dead like all the others."
"Oh, so it's a waitlist kind of thing?" Danny asks, "Is the list by order of arrival, or did the others make appointments?"
There is a moment of stunned silence. Danny swings his head, looking between everyone, waiting for an answer, but when he receives nothing, he sighs, leaning back into a more comfortable position. They didn't tie him up or anything, so he easily crosses his legs under him and cracks his neck. "If we could kill me first, that would be ideal."
"You want to die?" The guilty one asks.
"Correction, I want to be a ghost."
"Damn, the kid is crazy." The last one- the driver- laughs. "No wonder the boss wanted him."
"By boss, you mean Oscar, don't you." Danny shakes his head. "No, wait, don't answer that. I already know it's him. He has the eyes for it. He's the reason the light-brown hair people are missing, huh? Cyrus mentioned it the last time we talked. Bet you he kidnapped that lady in the antique shop. He stared at us for a long time; Susan had to point him out; Susan is the ghost outside the shop. She taught me how to make the most delicious fudge from the rain of Gotham's downdraught youth- which reminds me of the nickname they gave Baja Blast."
No one speaks after his long-winded rant before Danny leans forward, locking gazes with the guilty one. "Have you ever had your Baja blasted?"
"Um, no?"
"You need to man."
"I can't listen to this shit anymore. Knock him out, but watch the face. The boss likes his merchandise clean."
Danny scoffs, twisting his head to snark at the one sitting in the passenger seat. "Just say, Oscar. We both know it's him."
He feels a hard thump on the back of his head, and the words turn dark. He prays that when he wakes up, he'll have snow-white hair and glowing green eyes.
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lobotomiee · 2 months
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Dark! House Of The Dragon x Reader...
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WARNINGS: English is not my first language, I'm sorry if the story has some errors in the writing. This is my first time writing something, so bear with me please
SYPINOSIS: During the reign of Aegon I, the Conqueror, a large room was created with the purpose of being a place to offer the gods and receive their blessings in return. One night, during a visit from Aegon and Rhaenys, a star appeared in the sky, bright and mesmerizing. Among the offerings to the gods, under a large white silk cloth, was a child with crystal clear eyes. A gift from the gods to the Targaryens
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☪ Maevon, fruit of the gods, was adopted by King Aegon, Rhaenys and Visenya. Over time, his name came to derive from good luck and wealth for the kingdom. Abundant and healthy harvests, free from worms and rot, provided food and health to the citizens, while the king and his queens enjoyed constant joy, despite their strange possessiveness over the boy. However, fate, often capricious, would prove that not even something made by the gods was immune to tragedy. One night, in the middle of a waning moon, while the kingdom is still reeling from the death of Aenys, his half-brother, Maevon drank his cup of wine with his other half-brother Maegor the Cruel. However, the lethal poison, infiltrated without his knowledge, penetrated Maevon's body. The news of his death was hidden, but the gods were dissatisfied with such a barbaric act.
This tragedy left a trail of vengeance in the skies, causing a series of disasters for Maegor and his kingdom. Hunger was felt again among the people, while cold and long nights, full of diseases, ravaged the land. However, when Maegor himself, Maevon's killer, met his end, the fury of the gods finally subsided and the woes receded until they disappeared. In everyone's minds, Maevon represented the last gift of the gods, and as a tragedy, many believed that the gods forgot the kingdom, gradually leading them to destruction again.
...but it seemed like they were wrong....
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During the reign of Viserys Targaryen, the ancient offering room, built to honor the gods, remained standing, bearing witness to the passage of time. Maevon's story still remained among the Targaryens and the people, occurring as a reminder of divine benevolence, even as generations passed, the memory of this heavenly gift still echoed throughout the lands of the kingdom, arousing interest and curiosity in other courts and kingdoms, spreading through reports and stories.
Meanwhile, in the hallways, Daemon walked through the castle, trying to calm down after a heated argument with his brother. Frustration and anger intended to gather in the air as he tried to break away from his dark thoughts. Deep down, he knew he needed to keep control of his desire to confront someone with his sword, but the urge to release all the anger built up or consumed inside. The targaryen stopped in front of the large offering room, a place he had seen countless times over the years. He had a deep dislike for the place, considering it a useless and purposeless space. His thoughts raced as he contemplated the idea of ​​demolishing the site, ignoring the history and traditions that sustained it. But at that moment, his attention was once again captured by the brightness of the big star that lit up the night sky, his gaze didn't linger long on her, soon picking up the wine from the offering that his brother, Viserys, still insisted on offering to the gods.
"Nonsense..." the word came out of Daemon as he drank the wine. while tasting the wine, he heard a small childish noise nearby, stopping drinking and looking around with his eyes stopping on a large basket covered in a white silk cloth with details on it, he doesn't remember seeing it there before. The targaryen approached cautiously, reaching out to lift the silk cloth covering him. A curiosity in his mind compelled him to discover what could be hidden beneath the fabric. With a slow, cautious movement, he slowly removed the cloth from the basket, prepared to discover what awaited him inside.
Daemon's eyes widened in surprise when he saw you. Before him stood an adorable little baby, whose crystal clear eyes slowly opened as they woke up with the removal of the cloth. However, Maevon's story came to Daemon's mind, although he was always skeptical of its true meaning. A mixture of bewilderment and fascination came over him as he examined the baby, but the only thing that went through his head when he looked at you was "protect" which repeated itself in his head several times. When you looked at him and let out a cute giggle, he quickly smiled and took you in his arms. Now you would be his lovely little girl
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• The first person Daemon showed right after meeting you was Rhaenyra, she felt a strange feeling when she saw you, the gods sent you to her, to be the beautiful daughter she can never have.
• The news that the gods had sent another precious gift as a second chance spread that very night. All the Targaryens gathered in the great room wanting to see you up close.
• An argument created by Alicent, who believed that Daemon had stolen you from her, as she was the one who went every night with Viserys to leave offerings for the gods, so you were hers as a gift for the faith she had in them, but that led nowhere, Daemon was willing to use his sword for you.
• Viserys tried to make a deal with Daemon and Rhaenyra which was quickly rejected.
• The velaryon, Corlys and Rhaenys tried to convince the two Targaryens to leave you with them, for a better education, but without success. Rhaenyra and Daemon were determined you were theirs.
• Years passed and you grew up together with your half-siblings, Jacaerys and Lucerys. You became a girl of rare beauty, black, soft and smooth skin, long white, curly hair that reached her hips and large crystalline eyes, which some said were worth more than anything. Her angelic features were adorned with a gentle and sweet expression. You were a notable figure in the seven kingdoms, being the crush of many boys, including even your half-uncles Aegon II and Aemond. Since his arrival, good harvests appeared, illnesses were much less frequent, health was present in everyone in the kingdom. You were the apple of the people's eyes, their miracle.
• Daemon and Rhaenyra were still very possessive of you a lot more as you grew up. His food was often watched by someone super trustworthy, so that poisoning attempts would not happen again. They gave you a dragon, which you loved very much, spending a lot of time with it, flying through the skies away from everyone, you named it Belial, he had a dark bluish tone, great for hiding at night and had green eyes. Your fire had a peculiar color being purple, but it is still growing just like you.
• When you met the redhead's children for the first time, the first one you spoke to was Aemond, you just said a shy “hi” to him and he responded back with a small smile.
• Haelena likes to admire your eyes, saying that she dreams of you, that she dreamed that one day you left and never came back. You calmed her down saying that this will never happen
• Aegon was bolder, speaking first, hugging you and throwing compliments. Jace and Luke almost tore their own hair out when they saw such a scene.
• You are also very close to Baela and Rhaena, joking, telling secrets while you braid their hair.
• Alicent still looks from afar jealous at Rhaenyra for stealing her beautiful baby, but she would have you in her arms.
• Corlys brings you gifts, always telling you that you would be fine if you wanted to move in with them. Rhaenys always helped him with his dragon and many other things.
• You spend time with Viserys, he likes it when you call him Grandpa, such a lovely and obedient granddaughter. Always checking to see if he is ok or helping him.
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and that's it, I thought it was too short, in the middle I ended up running out of creativity but I hope you at least like it, even if just a little
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onsomenewsht · 5 months
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She may be the song that summer sings
About the time you look at her, she laughs, and you keep literally falling with each other
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》 Aitana Bonmatí x Reader
》 word count: +1.2k
》 La guardavo e m'innamoravo
Accepting Barcelona’s deal on a summer day during your vacation is really not that difficult of a choice. 
The tropical island you’re on for the off-season is treating you even better than the season itself - and you managed to win the domestic treble with your club, so saying it was a good year may be an understatement. 
When your agent’s number appears on your phone one morning, too early to be acceptable, you’re tempted to refuse the call altogether and blame the remote resort you’re in. Then you remember you’re out of contract for the first time since you started playing professional football at the impressive age of 16 and the idea of hearing the woman’s voice is suddenly very exciting.
“You know it is barely six in the morning here, right?”
“Yes, but the sun is up in Barcelona”
“You’re in Barcelona?”, you ask, still not functioning enough to realise what she’s implying.
“Not yet”
As the saintly woman she is, despite the time difference and being an entire ocean away from you, your agent manages to wake you up enough to have you on the phone with a Barcelona’s representative just an hour later. 
Cutting your vacation short is not a big deal after that, too eager to be on the first flight to Spain and have an in person conversation about your future. You’re ready to sign without even reading through the contract properly, but thanks to your people’s rational response to your trepidation, you manage to negotiate a deal worth your actual value. 
There was no chance you’d have accepted an offer for any other club anyway.
You meet Aitana that same day on your way out of the club’s offices. 
She radiates pure joy and genuine excitement, greeting you with a hug as you’re long time friends who finally reunite. At that point, you’d count on one hand the previous encounters you two had on and off the pitch.
This is the first time you’re close to her long enough to realise how enchanted by her you are, captivated by her effortless charm.
“I can’t wait to see you in pre-season”, she says with a cute accent around her words and a knowing grin on her face.
“I haven’t sign anything yet”
“You will!”
The Catalan rushes her goodbyes, late for a meeting herself.
“At least try to not drool”, your agent says suddenly, startling you.
You totally forget she’s next to you in the first place.
~
The next time you run into Aitana, you literally run into her. 
Trying to avoid a pissed Lucy Bronze, who you waist no time to tease for the surprisingly low rate of success she has against you when you both played in the WSL, you’re too distracted by her sprint to notice Aitana on your path.
You trample over the midfielder, making sure to soften her landing as you both fall down with a mixture of giggles and legs.
“Could you not threaten the old lady’s knees and the well-being of our Ballon d’Or winner this early in the season?”
You haven’t seen Keira walking beside the Catalan, who is still trying to catch her breath with both her hands on the sides of your head. She has a really beautiful smile.
“You have a two time Ballon d’Or winner right there, you will be fine”, you retort while pointing at Alexia, gaze still fixed on the brunette on top of you. 
Aitana’s response comes in the form of an even louder laugh. 
It takes you a moment to realise you’re the only one still on the ground, more and more of your new teammates gathering around you with questioning smiles on their faces.
“¡Val, benvinguda a Barça!”
~
Picking up a new language is never easy, but you had no idea learning Spanish could be so difficult.
The club provides you with an excellent - but most important, patience - teacher. Yet, you’re struggling to come up with simple and coherent sentences. It’s getting on your nerves. 
The girls are nice enough to talk in English when you’re around, but you want to be able to understand your manager’s instructions during practice and games or just order on your own when you’re out.
Aitana notices right away your discomfort whenever your teammates slip into their mother language without malice, cutting you out. You know she doesn’t like to speak English if she absolutely does not have to, but she always slows down her excitement to let you rejoin the conversation.
You mean it as a joke, asking her to help with your Spanish.
The sportscaster just thanked you for your time after a Champions League’s game. The Catalan answered some questions, but happily let you take the lead as you didn’t ignore a subtle implication hidden in a comment from the studio broadcasting the interview.
She seems so happy about the idea of teaching you that you have no intention to correct her assumption.
“You’re talking too fast again, Tana”
“Esto es exactamente– no, en realidad, no es verdad!”
Your raised eyebrow and her half finished sentences make her frown in realisation, just a little defeated by not being able to turn you into a fluent speaker in the amount of time she tutored you. 
It’s been barely a month.
“Your Spanish is awful”, she declares, dropping the elementary grammar book between you two on the sofa to cross her arms.
“I have a shitty teacher”
“Don’t you dare!”
The tickle battle you started ends pretty quickly when she pins you on your back, fallen on the ground with loud laughs filling your apartment. The midfielder may be shorter than you, but any display of her actual strength it’s always a surprise.
“Take it back”
“Or what?”
“Or I stop teaching you”
“Bold to you to assume that’s not exactly what I want”
It’s not, it’s definitely not what you want. The afternoons she spends in your apartment are the highlights of your week and what you look forward to after a particularly intense day. Even if you understand very little of what she says most of the time.
“Mentirosa”
“Ah! I know what that means”
Aitana drops her fake disappointment to join your giggles, helping you sit back on the sofa and picking up the book to resume her lesson.
“¡Ándale, I’m turning you into a proper spaniard!”
“I thought you were turning me into an independentista”
You know that could spark a fire into her, loving the way the brunette sits upright to start speaking with great passion about all the things you absolutely need to know about Barcelona, Catalonia, the culture and the people, even how you should be learning Catalan too.
She slips into her mother language pretty early in her dissertation, you’re too enchanted by her excitement to point it out.
The rest of the afternoon is filled with Aitana’s enthusiasm and your never ending fondness.
~
It takes you an entire year of double lessons and the immense amount of patience of your actual teacher to be able to hold your own in a Spanish conversation.
Sometimes your teammates still have to speak in English with you, but you don’t feel cut out anymore if they rant slow enough and you can be left on your own devices around the city.
You’re able to ask Aitana out on a date in Spanish, surprising her with yellow weavers and red poppies as you pick her up at her place. You put an effort to speak the language for the entire day, driven by her infectious laugh and your intertwined hands.
~
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fine.
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myysaints · 1 year
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Hi there! I have this silly idea where yuki is y/n (established - actress,singer etc) biggest fan and when lando and y/n officially confirmed their relationship, yuki on his quest to make sure that max will treat y/n right. Lando (borderline amused and annoyed) still try to prove himself to yuki bcs y/n is very fond of him (and provide great entertainment for her). I know this quite ridiculous and would understand if you declined it :)
°˖ ⊹ ꒰ LN4 ꒱ TREAT HER RIGHT─ LANDO NORRIS
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LANDO NORRIS x f!singer!reader
genre — fluff
notes — thank you so much for the request! it was not at all ridiculous, i absolutely love this dynamic between lando and yuki !!! ik your request mentioned max, not sure if that was a typo? hopefully i got it right by going with lando :> hope u enjoy this one !!! xx (edit: LOL just realised i called u anon when your user is there TT so sorry bout that!!!)
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landonorris
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Liked by yourusername, yukitsunoda0511, danielricciardo, and 7,118,249 others
🏷  yourusername
landonorris   the sweetest melody i've ever known ❤️
view all 3,741,822 comments
danielricciardo   congrats lovebirds 🎉🕊
yourusername   miss you already :(
yourusername   don't mind me, just appreciating the sweetest boy ever... ❤️❤️❤️
yourusername   can't wait to see you soon !!!
yourusername   gonna write a whole album about how much i love u
landonorris   I'd love that
mclaren   Can't wait to see you in the paddock, yourusername ;)
Liked by yourusername, landonorris
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If Lando had known this would happen, he’d have never made that Instagram post.
“YOU’RE DATING WHO?!”
The Japanese driver in front of him whirls around in his seat, eyes wide and mouth hung open in askance.
It’s rare that Yuki speaks to Lando; after all, their language and cultural barrier makes conversation difficult. But this is an entirely different situation altogether.
Lando grins sheepishly, casting a look towards Charles, who stands beside him. The Monegasque merely chuckles, leaning forward in his seat to peer at Yuki.
“So, do you know Y/N?” Charles asks with a cheeky smile.
“Do I know Y/N?!” Yuki is practically leaping out of his seat, his excitement causing the other drivers in the area to glance back at the commotion. “Of course I do! She’s the best singer of all time! I always listen to her songs!”
“Oh, are we talking about Y/N L/N?” Pierre, passing by, cuts in, “Yuki loves her. Has a huge crush on her and everything.”
Lando spreads his palms out, grinning. “Guess I’ll have to keep Yuki away from her when she comes to the paddock, hmm?”
The way Yuki’s eyes light up in glee doesn’t go unnoticed, the Alpha Tauri driver’s face breaking out into an uncontrollable grin.
“You’re bringing her! When? Where?!”
“Calm down, mate,” Lando laughs, leaning back in his seat. His heart flutters at the thought of you in McLaren colours, proudly representing him and his team in the paddock, for the world to see. He clears his throat, trying to stop the furious reddening of his cheeks. “You’ll see her at Suzuka. No rush.. I know my girlfriend's quite the catch - but so am I, right?”
At this, Yuki seemingly goes quiet.
Lando raises an eyebrow. “Yuki…? You okay there?”
A moment of silence passes before Yuki gets up, motioning for Lando to follow him. With a wary look towards an equally-confused Charles and Pierre, who both only shrug in response, Lando follows Yuki towards a quieter corner.
Once they reach a secluded spot, Yuki’s eyes darken, his smile dropping instantly. The shift in atmosphere is undeniable. Lando's never seen Yuki this serious, not even after the Spanish Grand Prix. In all honesty: It scares him.
“Lando,” Yuki says, his voice steeled and brows furrowed. “I like you. I think you’re funny, and you’re a good driver-”
“Hey, thanks man,” he jokes. The attempt at keeping the mood light, however, doesn’t work in the slightest.
“-But, look, listen, if you ever think of hurting her-”
“Sorry, are we talking about Y/N?” Lando’s head tilts in confusion.
“Yes, Y/N. If you ever hurt her,” Yuki continues, ignoring the shocked look on Lando’s face. “If you ever try to hurt her, just know that I will never forgive you. Ever. Do you understand?”
“I-” Lando shakes his head, his cheeks going pink. How do you even respond to that? “-Well, yeah, mate, of course. I only want the best for her. Really, I do.”
“Okay, good. 'Cause I’ll be watching you.” Yuki straightens up, a satisfied smile on his face. “Well, I’ll see you around, then! I will look forward to Suzuka.”
And, with a playful punch to the arm, Yuki is off, leaving Lando stunned at what just happened.
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So, when Suzuka rolls around, true to his word, Lando shows up to the paddock with you on his arm.
The sight has Yuki running over instantly, a large bashful smile on his face as he greets you enthusiastically.
“Hi! You must be Yuki,” you smile softly, quietly amused at his enthusiasm. “Lando’s told me all about you.”
That was true - Immediately after Lando’s little… altercation, as one might call it, with Yuki, he’d texted you in a frantic hurry. It was, in all honesty, endearing, and incredibly funny. You’d teased Lando about it relentlessly in the days after. Plus, you’d be lying if you said you hadn’t used the Alpha Tauri driver’s words as leverage; referencing Yuki’s threat to get Lando to pick up some cupcakes, to let you pick the movie for date nights, and so on.
Lando hums in response, watching with an amused smile as Yuki almost trips over his feet trying to shake your hand. “Y/N, this is Yuki. And Yuki, this is… Well, you already know who she is.”
Yuki’s eyes are blown wide in amazement as he shakes your hand, his grip firm and his smile bright. “Wow, it’s so cool that you’re here! I love your new song, it’s already one of my favourites!”
You share a smile with Lando, who squeezes your side in a playful ‘I-told-you-so’ motion.
“Thank you so much, Yuki, that’s so sweet of you! Tell you what - If you let Lando past in the race, I’ll send you a signed copy of my new album, free of charge, before it even drops. How 'bout that?”
Yuki lets out a loud laugh, shaking his head. "No way! Maybe if Lando lets me through in quali today."
You exchange a grin with your boyfriend, who shakes his head in amusement.
"Alright, it was great seeing you, Yuki. Good luck out there," Lando fist bumps the smaller driver, who waves at you before departing with a pep in his step.
Lando's hand finds yours as you walk back to the McLaren motorhome.
"So, that was Yuki..."
"Yep," he nods in response, popping the 'p'. "What'd you think of him?"
You smile cheekily. "You sure it was him who threatened you that time? He seems so sweet!"
Lando scoffs, shaking his head despite the amused smirk that sneaks up on his face. "You haven't seen him when he's angry. He's a menace on the track, I'll tell you that."
The bright laugh that leaves your lips makes Lando's heart skip a beat, heat rising to his face at the look of joy you send his way. You never cease to make his heart flutter.
"Well, finish in the points, and maybe I'll put in a good word to Yuki then, hmm?"
"Alright, muppet. You can count on that."
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"Well..."
You're lying on the bed in Lando's hotel room, his trophy sitting tall and proud on the dresser in front of you.
It's been a crazy past 24 hours. In just this one day, you've witnessed perhaps one of the greatest drives of Lando's career, and at your first ever race, on top of that.
Lando wraps you in his arms, flipping the both of you around so that you lie atop his chest.
You smile he gazes up at you, his chest rising and falling to the steady beating of his heart. You feel so at home in these moments, the in-between spaces of time where you have him all to yourself; no races to win, no cameras to look out for. Just you and him, and the spaces in between your fingers.
You laugh softly as he nudges his face into your neck. "Well, what?"
"Well, you still gotta thank Yuki," he replies, his voice muffled in the crook of your neck. "He let me by on the second last lap. Probably would've lost out on P3 if not for that."
You chuckle, instinctively reaching a hand up to play with his curls. Lando hums lowly, leaning into your touch.
"Thought you were scared of him?" you tease, a playful smile toying on your lips.
"Well, yeah," he mutters out, his tone of voice cheeky, a smile pressed against your skin. "Gotta stay on his good side."
That elicits a giggle from you, and he pulls away from your touch to look up at your smiling face. He cups a hand around your face and pulls you down into a kiss, the two of you breathless when you resurface for air.
"I'll send him a signed CD later," you mumble, leaning back down for another searing kiss. "But I don't wanna think 'bout him right now."
An appreciative hum leaves Lando's lips. "Why not?" he teases, pulling away with a knowing twinkle in his eye.
Your reply has his breath caught in his throat.
"'Cause all I wanna think about is you."
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jymwahuwu · 6 months
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Sunday being head of the Oak Family. What if reader is the head of other Family who is trying to act as political opposition? Acting all tough, even hostile, trying to be a strong woman and a leader.
Sunday knows solution and she can be easily fixed!
Reader simply lacks a husband and couple of kids to care for so our benevolent angel Sunday will generously provide it for her, everyone deserves to have family, even bitchy arrogant women like reader.
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Thank you thank you!! The content that humiliates arrogant reader is my favorite ><!! I think Sunday will not discipline you immediately, but try to give you a chance…
TW: yandere, non-con, brainwashing, mind control, housewife kink, inappropriate traditional concepts (language about serving husband and family)
Which family are you the leader of? Alfalfa who controls economy, Bloodhound who maintains security, Iris who develops culture and entertainment, or Nightingale who is responsible for construction?
Depending on which family you belong to, your experience may be a little different… If you are the leader of Alfalfa, then it is expected that you will use finances as your leverage against Sunday's leadership, such as refusing to pass some reimbursements. Of course, those are non-essential expenses… but they are quite troublesome, because those are the activities Mr. Sunday wants to organize. If you're a Bloodhound, you can expect to show him your fangs, taunt him, and quietly frame him. If you were Iris, you might make some promotional videos of your own and use some subtle ways to disparage Sunday, knowing that all negative press is banned in Penacony. If you are Nightingale, then you will find some excuse to pause the construct, especially those designs that Mr. Sunday likes.
But no matter which family you are the leader of, you do not hide your hostility and provocation towards Sunday. You were tired of the mask of hypocrisy on his face. He hindered you from becoming the leader and representative of The Family! You repeatedly framed him with conspiracy, sneered in his face, and pushed the atmosphere in the conference room to be tense. Some members have reminded you that there should never be conflicts or disputes among family members. Well, of course you don't want to argue with Mr. Sunday, so you reply perfunctorily. The teachings of Lord Xipe are in our hearts and we just communicate.
Sunday. You feel like he's actually the one adding fuel to the fire. He always stares at you with a kind of pity, condescension, and a perfect smile, as if you are making trouble unreasonably. "Praying for you," he said. "The anger and arrogance in your heart will only serve as thorns to stab you. It is important to learn to bow your head reverently and humbly."
You want to roll your eyes. Of course you believe in Xipe, but you don't want to be in the same family as Sunday. Feeling that there is some strange and terrifying grand truth behind that flawless mask, but you don't want to understand it at all. To live in harmony with such a guy? Maybe it could happen in a few hundred years.
Again. You used some conspiracy to destroy Sunday's reputation. This time… it almost worked, just a little bit. You are not discouraged. You tilt your head in mock innocence and prepare to leave his office. But this time…it seems different. He did not say those admonishing and decent words to you. The sunlight slanted onto the colored glass, and the halo behind it almost made his whole person soft and decent.
"You know, I never like to use strong tactics. Now I know where the problem lies." There was even a faint smile on Sunday's face. "You need to show some proper respect and deference, and you're just one family away from that."
"What are you talking about again?" You frowned, but you couldn't move when you wanted to say the next word. Panic grips your heart. A burst of cheerful and moving tones enter your mind, like a sequenced program. "Come to me." This sentence seems to be singing. You don't know if it's an auditory hallucination or what.
Your body obeyed uncontrollably, and slowly walked to him and knelt down. Get away from him!! Get down on your knees. You met his gaze pitifully and weakly, putting on an expression you didn't normally have. "I'm sorry," you heard yourself apologize. "I-I'm sorry, Mr. Sunday. I've been so mean to you."
What are you doing?
"I will serve you with love... my husband." Your hands rested obediently on his knees, like a puppy. You already want to slap yourself. What nonsense are you talking about? "I realize that I am too bossy all the time. Please give me a chance to make it up to you..."
You carefully unzipped his pants and stroked and rubbed his warm cock with your hands. That- what is that- so awful- why is it so hard and long, the head of the cock is standing in front of your face, standing menacingly... A thin mist surrounds your tears. Then you lowered your head submissively and tried your best to take it all in, but it was already pressed against your throat before it was even halfway through. A feeling of nausea, but you still try to do the best you can for your husband.
(The muffled gurgling sounds, the saliva and tears.)
After your wet mouth felt sore, you finally had him gently pull your hair. You wanted to scream, curse him. This thought is like roaring in the wind, but you say. "Isn't this good enough? Please…" Before you could finish, those white thick creams covered your face. "Ah…"
"No. You're doing great. " Sunday caressed your face dotingly, even though your face was now shrouded in humiliation. "We're going to have two beautiful babies. I look forward to seeing you do this every day."
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Israeli Prime Minister Benjamin Netanyahu’s national security adviser indicated that Israel could accept a U.S. plan for a revamped Palestinian Authority to govern the Gaza Strip after the war, a sign that the Israeli leader is easing his opposition to the idea.
Israel is aware of the desire of the international community and the countries of the region to integrate the Palestinian Authority the day after Hamas, and we make it clear that the matter will require a fundamental reform of the Palestinian Authority,” Tzachi Hanegbi, who heads Israel’s National Security Council, wrote in an opinion piece published Thursday on the Arabic-language news site Elaph.
"I'll agree to stop commiting genocide but only if you guys agree to my very specific conditions for the next leadership" is practically in the CIA handbook.
'destabilize a region then exploit the power vaccum and desperation it creates' is a play we've seen over and over again.
The question is why is Israel doing it?
Because it is a puppet state. It's serves the purpose of providing the USA someone to hide behind while they destabilize the region.
A puppet state, puppet régime, puppet government or dummy government is a state that is de jure independent but de facto completely dependent upon an outside power and subject to its orders.
Puppet states have nominal sovereignty, except that a foreign power effectively exercises control through economic or military support.
By leaving a local government in existence the outside power evades all responsibility, while at the same time successfully paralyzing the local government they tolerate.
"Why would the usa be using Israel to destabilize the middle east tho?"
An excellent question!
Short answer: using their own armies to carry out the plans is a surefire way to land themselves in a world war and so using Israel is an easy cop out.
The longer answer is very long.
So what "plans" are they trying to carry out, exactly, right?
Saving the Suez from "Islamist threats" "to secure freedom of navigation." You know, just like our Secretary of Defense said.
You know who else said that though? The plans outlined in Project 2025 by the Heritage Foundation. "The one that's gonna put queer people in detention centers?" Yeah that one. In fact our official are using a lot of the Same Exact Language and working found in Project2025.
Isn't that interesting?
Let's look at page 285, together.
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Well, we've certainly seen headlines of this right? "Israel has a right to defend itself" and to take what it deems appropriate measures is how the USA has been avoiding calling Netanyahu a war criminal isn't it? A Google search will show Biden also has tried to block/stop Iran's nuclear development.
Very reassuring that they see the need for that for precaution, isn't it?
And sure maybe you could say this is a conspiracy theory, except US representatives are using the same EXACT language and Islamophobia to justify what's happening. Exhibit #1 the link to secretary of state, but don't worry. We're just warming up and he's not the only one.
Let's continue, we're almost to the part where it all comes together.
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Translation: the Suez Canal brings Egypt billions of dollars a year and several parties (the countries listed) would prefer that money be funneled to them instead. The problem is that the aforementioned parties have been destabilizing the region for so long that establishing an alternate trade route through those territories would be seen as an act of aggression if not war.
The heritage foundation has always intended to call anyone who resists that plan a terrorist. Its their way of manufacturing consent to kill people.
And we can see Netanyahu and Biden both following that lead. "The terrorists are just such a giant threat, how could I possibly stop supporting Israel's fight against them?"
From Dec 10, 2023
So isn't it just so crazy that the countries and regions outlined there (US, Israel, India, Egypt, and Gulf States) are ALSO the countries who presented the IMEC at the G20 summit in September, just a month before Israel started it's genocide?
Oh, you don't know what the IMEC is or why it matters?
Well remember the Suez and how much income it brings in? Yeah well it's also regulated by the state, which means it can't be bought or bribed the same way that a canal owned privately could.
Which means that Egypt is the sole benefactor and controls who else gets to benefit. This often does not include the USA.
The USA does not like that.
Enter: the IMEC.
The India-Middle East-Europe Economic Corridor (IMEC) is a rail and shipping corridor that aims to boost regional development and economic interconnectivity between India, the USA, the UAE, Saudi Arabia, Jordan, Israel and the European Union. The project consists of two corridors: the eastern corridor will connect India to the Arabian Gulf, and the northern corridor will connect the Gulf to Europe.
[..]Hence, there are technical limitations that the IMEC may face, not least in the Middle East due to its vast desert regions. The construction of railway lines and subsequent transportation of goods would be a difficult task requiring everything from the standardisation of the railway track gauges to the engine configurations. What’s more, one of the main link ports of the IMEC, Haifa, is in Israel, a country which is unstable at the moment due to the Palestinian freedom struggle.
It's how they intend to circumvent the Suez Canal entirely.
Unfortunately for them, Palestine exists. And as such, this creates a huge problem for them in building the IMEC through Palestine to Haifa. Especially since the resistance fighters through the entire middle east violently oppose the west's imperialism.
So something must be done. Again, we refer back to calling Anyone who questions Israel as an antisemitic terrorist as justification for killing Palestinians en masse. And for the ones they can't justify killing? Moving them.
Meaning that yeah. They planned for that, too.
And not even in secret.
Dated October 13, 2023
From November 7, 2023
What this suggests, as more of Project2025 comes true is that not only is the USA aiding and abetting this war to happen.
But that they are intentionally instigating and provoking action in the middle east.
They WANT headlines like this ⬇️ Because it sets up further justification and manufactured consent to continue their genocide in the name of money.
project2025 ALSO outlines every single group the USA sees as terrorists in the USA and also outlines how each country who provides them shelter should be stripped of aid.
They have already found and written excuses for the USA to get away with collective punishment across the whole middle east.
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And finally.
The condition that I fully expect to be announced
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For it to be defunded. And for more of an idea we can look to this Netanyahu quote from TheGuardian
Netanyahu also made clear he wanted Israel to retain overall security control after any conflict “with the ability to go in whenever we want in order to kill terrorists”. “There will be no Hamas. There will be no civilian authority that educates their children to hate Israel, to kill Israelis, to destroy the state of Israel. There can’t be an authority there that pays the families of murderers. There needs to be something else there,” he said.
Another puppet government that'll agree to do whatever Israel (and the USA) says, perhaps?
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greenplumbboblover · 3 months
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Not-a-tutorial - Lighting (Advanced)
Previous parts:
Not-a-Tutorial - Lighting (Basics)
Not-a-Tutorial - Lighting (Basics - Indoor)
Intention:
While dialogues and body language can say a whole lot on what you're trying to tell to the reader, lights can as well! Here's a great example:
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(Left is with the lights on, right is with the lights off).
As you can see, the left one feels much more like it's... let's say, a winter-y 6pm, and she's studying in the library...
Whereas on the right, it feels much more like she's skipping on sleep, and it's 3am, studying.
Moods:
You can also use lighting for more tenser scenes! Here are a few examples from my story:
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Here the setup was the same, but I added softer rose/red pastel-y colours... (Though this scene did have like 6 lights :p)
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Here I not only used a blue backlight for giving it a “night” feeling, but I also added an orange and white front-light to represent a sense of hope and that our poor Ethan isn't alone.
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Here I gave Vita and Nick Alto a yellow, green and red lighting setup, to represent more jealous and angry colours for Nancy. As Nancy is staring at them.
However, the pink represents not only the stage light, but also a sense of Innocence given her background of not understanding the entrepreneur game.
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Here I gave little Bella a red background and light foreground, keeping the left part of her face dark, as the speech is about the future of the town. And with the light, she represents a bright but unclear future.
Note: all of these images do use Reshade, so trying to get these results without it may look a bit different!
Seasons:
Representing the colours associated with the seasons can give a scene a really cool feeling!
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Summer, Spring, Autumn, Winter.
Color mixing:
One thing I thought was pretty cool with TS3's Lighting engine, is how colors in certain highlights will mix just like paint!
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Red + Blue looks a bit purple-ish.
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Red + Yellow will look a bit orange-y.
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Blue and Yellow will turn green-ish at parts.
Custom Coloured Lights
Sometimes, some of EA's colours aren't... quite there. Or really what you need. Here is a short list of colours I've made and used:
0, 150, 255 - Replacement of Cyan (More of a light blue):
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0, 163, 108 - Jade
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255, 195, 0 (better Yellow)
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What's the easiest way to find new colours?
It's pretty easy! If you google for "Colour generator" then there you go! Do make sure to get the RGB values from those websites!
But, for the ones who don't want to google, here are a few suggestions:
Give them a try and see which ones are great! Do go for colours that are quite strong in contrast. Pastel will just end up being white, and darker colours will just turn... well it will look like there is no light on :p
That was it! Hopefully it was insightful, and obviously feel free to add your own discoveries to it! :)
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scoonsalicious · 5 months
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Unwanted: Chapter 22, Untold - Pt. 3
Pairing: Bucky Barnes x Avenger!Fem!Reader
Summary: When your FWB relationship with your best friend Bucky Barnes turns into something more, you couldn’t be happier. That is, however, until a new Avenger sets her sights on your super soldier and he inadvertently breaks your heart. You take on a mission you might not be prepared for to put some distance between the two of you and open yourself up to past traumas. Too bad the only one who can help you heal is the one person you can no longer trust.
Warnings: (For this part only; see Story Masterlist for general Warnings) Language, Pocket committing humourous and harmless crime, me not knowing how police stations work.
Word Count: 972
Previously On...: You and Tony tried to sheer some sheep. Now it looks like the cops are headed your way.
A/N: Listen, I am too proud of the headline that Tony makes up. Too proud. Also, at the very end, they say the things for the first time! XD
NOTE! The tag list is a fickle bitch, so I'm not really going to be dealing with it anymore. If you want to be notified when new story parts drop, please follow @scoonsaliciousupdates
Banner By: The absolutely amazing @mrsbuckybarnes1917!
Thank you to all those who have been reading; if you like what you've read, likes, comments, and reblogs give me life, and I truly appreciate them, and you!
Taglist: (Sadly, tag list is closed; Tumblr will not let me add anyone new. If you want to be notified when I update, please Follow me for Notifications!) @jmeelee @cazellen @mrsbuckybarnes1917 @blackhawkfanatic @buckybarnessimpp @hayjat @capswife @itsteambarnes @marygoddessofmischief @sebastians-love @learisa @lethallyprotected @rabbitrabbit12321 @buckybarnesandmarvel @fanfictiongirl77 @calwitch @fantasyfootballchampion @selella @jackiehollanderr @wintercrows @sashaisready @missvelvetsstuff @angelbabyyy99 @keylimebeag @maybefoxysouls @vicmc624 @j23r23 @wintercrows @crist1216 @cjand10 @pattiemac1@les-sel @dottirose @winterslove1917 @harperkenobi @ivet4 @casey1-2007 @mrsevans90 @steeph-aniie @bean-bean2000 @beanbagbitch @peachiestevie @wintrsoldrluvr @shadowzena43
Tumblr will not let me directly tag the following: @marcswife21 @erelierraceala @jupiter-107 @doublejeon @hiqhkey @unaxv @brookeleclerc
“How many times do I have to tell you,” you told the officer who was questioning you, “we weren’t trying to steal the sheep, we were just trying to shear them.” You and Tony had been brought to the local police station and informed you were both going to be charged with trespassing, attempted theft, and criminal mischief. They’d separated the two of you, and you were doing your damned best to make sure that they at least dropped the attempted theft charge. “I demand to see the criminal statute that makes that illegal,” you said.
The officer rubbed his face with his hand. You’d been at this for awhile now, and it was obvious he regretted getting stuck with you.
The door to the interrogation room swung open, and another cop stuck his head in. “Jones,” he said, addressing the officer, “her lawyer’s here. We gotta cut her loose.” Lawyer? You didn’t have a lawyer. You couldn’t fucking afford a lawyer.
The other cop motioned for you to exit the interrogation room, which you did happily, and quickly, not wanting to spend another minute more in there than you had to. In the lobby, you saw Tony quietly speaking to a gray-haired gentleman. 
“Ah, (Y/N),” he said when he saw you approach. “This is my attorney, Mr. Mitchell. He’s going to be representing the both of us over this little misunderstanding.”
You shook hands with the lawyer, but said “I’m sorry, but I won’t be able to utilize your services, Mr. Mitchell. I’m pretty sure they have to provide me with an attorney, as I most certainly cannot afford one.”
Tony scoffed at that. “Please. I got you into this, the least I can do is make sure you’ve got legal counsel.”
His words took you aback. You were so unaccustomed to having someone do something kind for you (even if, technically, the entire endeavor had been his idea) without expecting something in return.
“I’m not going to sleep with you in exchange for a lawyer, Tony,” you said.
Tony looked offended. “No offense, but you’re way too young for me. Besides, I don’t need to get girls a lawyer to get them to sleep with me, thank you very much.”
“If you’ll excuse me,” Mr. Mitchell said with an awkward cough, “I need to speak to the desk sergeant about finalizing your bail. The older man walked off, leaving you and Tony alone.
“Sorry about that,” you murmured. “I guess I’m just not used to people doing nice things for me without wanting something in exchange.”
Tony studied you. “You strike me as a girl who’s had to grow up pretty quickly,” he said. His voice wasn’t pitying, but it was sad. You just shrugged.
“Well,” he said after a moment, “the press will have a field day with this. I can see the headline now: ‘From Billionaire to Baaaaad Boy: Playful Playboy Arrested in Woolly Misadventure’.”
You snorted at that. “I can make sure they never hear about it,” you said.
Tony cocked his head at you. “Oh, you can, can you?” he asked.
You glanced over to where the precinct’s receptionist sat at her computer. “Can you cause a distraction? Get her away from that terminal for about five minutes?”
Tony brought a hand to his chin. “Like taking candy from a baby,” he said. He sauntered up to the receptionist and slammed his hand down on the counter, causing her to jump.
“Excuse me!” he shouted at her. “I demand to speak to your superior officer! I have never been treated so disrespectfully in my life!”
The receptionist blanched. “I’m sorry sir, but if you have a complaint, you can fill out–”
“DO YOU KNOW WHO I AM?” Tony shouted. “I demand you take me to your superior officer this instant, or I will have your job!”
The poor woman was frazzled as she led Tony back into the bowels of the precinct. As soon as they were out of sight, you ran around the counter to the terminal. It was only a matter of moments before you were able to locate the files for you and Tony, and with a few quick keystrokes, you had deleted them as though they never existed. 
You quickly checked the pile of paper files waiting to be sorted, locating the case files for both you and Tony. Checking to make sure the receptionist and Tony weren’t yet on their way back, you stuffed them down into the very bottom of the public trash can before running back to stand exactly where Tony had left you.
In a few more moments, Tony and Mr. Mitchell came out from the back of the station together. 
“Well, that was quite fortuitous,” Mr. Mitchell said. “It appears that there was some sort of computer error and your charges were erased from the system.” You avoided Tony’s glance at you as Mr. Mitchell continued. “The desk sergeant has agreed to contact me once they’ve re-entered the information from the paper files. For now, you’re both free to go. Tony,” he shook Stark’s hand, “always a pleasure. And Ms. (Y/L/N),” you shook his offered hand. “It was lovely to meet you.”
“You, too, Mr. Mitchell,” you said. “And thank you so much.”
You and Tony followed the lawyer out, and as Tony started the Audi to begin your drive back to Boston, he turned to look at you.
“So, Kiddo,” he said, having learned you were just nineteen from your police intake, “how would you like a job?”
You stared at him, eyes wide. “Are you serious?” you asked. There was no way he was serious. An offer like this could change the trajectory of your entire life.
“Like a heart attack,” he said.
You grinned at him. “When do I start, Boss?”
<- Previous Part / Next Part ->
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literaryvein-reblogs · 3 months
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Overcoming Writer's Block
“Writer’s Block” is a phrase used to describe the inability of writers to get words on a page. It happens to every writer at some point; the words are somehow blocked from the writer. Each writer is different; people use different methods to move past this state.
Freewrite -> Begin to write for ten minutes nonstop just to get some ideas flowing. Don’t worry about grammar, just keep writing.
Cluster -> Graphically cluster ideas and details. Write one idea on paper and map out related ideas.
Journal -> Journal about your topic, feelings about it, and any ideas you may have, even if you don’t like them. Try to journal once a day.
Narrow your topic -> After you have selected a topic, try to focus/limit/narrow your topic.
Talk it out -> Talk about ideas you have on the topic to someone or into a recorder. Ask yourself or have someone else ask you questions about your topic. Often you will say something unexpected, and it may be the beginning of your written piece.
Break the essay into parts -> Organize your topic into graphic boxes, each one representing a body paragraph. Write a few words into each box to represent what idea you will develop in each paragraph.
Begin in the middle -> If you know something you want to say, write a body paragraph just to get started.
Create a specified time to write -> Show up and start writing at a certain time every day to develop a routine; maybe this routine includes your favourite chair, favourite beverage, or favourite pen.
Diagnose the "problem" -> Work out what you're actually stuck on. Is it that you have ideas that you like but they seem weak and unconvincing when you try to put them down on paper? Are the ideas themselves lamentably absent? Do you know exactly what you want to say, and how, but when it comes to expressing it in words, your command of the English language seems to fall apart? Making a diagnosis of where the real difficulty lies gets you halfway towards fixing it. Sometimes writer’s block comes about because you’re trying to start writing before you’re ready.
Do what you can -> Once you’ve figured out where the problem lies, see what you can actually do without coming up against that great big wall of block. Here are a few things you might do as part of the writing process: edit previous text, sketch out the next few paragraphs, make notes of ideas for future paragraphs, or content for if you have sufficient time or room in your word count put some meat on sketched-out paragraphs. Fiction: make notes on characters, make notes on settings Non-fiction: sort out your bibliography, look at footnotes
Move around -> Sometimes you get writer's block because you just can’t see further. Changing your environment by heading to a coffee shop, a library, or even just another room in your house can provide a fresh perspective.
Find another outlet -> Sometimes you just need to put down the pen and take a break from writing. You may recover from your block quicker by indulging in another creative outlet.
Make the most of online tools and resources for writing and editing -> Online tools for writing and editing can make a huge difference in overcoming your writer’s block. They can spark your inspiration, or at the very least help you sift through what you already have and find something great to work with.
Surround yourself with other writers -> It can feel isolating to go through the ups and downs of writing all by yourself. While you can share your experience with family and friends, no one understands you better than the people who are already going through it.
Play to your own strengths -> Do not waste time following anyone else’s advice that doesn’t work for you because people’s writing journeys are different.
Sources: 1 2 3 4 5
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writers-potion · 5 days
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What sort of questions should I give my thesis readers to think about while they look over my collection of short stories?
Analytical Questions: Short Stories
From your question, I suppose that you are majoring in creative writing in university/grad school (or a related major). I have no first-hand experience studying creative writing in uni, so this post will be a list of questions I would ask myself if I were to read a collection of short stories 
Why are these stories presented as a single collection? Is there a running theme/ omniverse/ thematic linkages between the stories?
Is there character development? What kind of conflicts/events make the character change in some way? The defining characteristic of a short story vs. literary nonfiction is whether the protagonist develops over time (in real life, people don’t change that easily, haha)
Are there any symbols involved in the story? What do they represent?
Is there a particular way language is used? Repeated words, tone, etc.? Short stories are – well, short – so word choice would be extremely important. 
How is the author achieving a unity of characterization, plot, and language to produce a single narrative effect? 
These questions would make me think about:
Why does this character act this way? Short stories don’t have a lot of character backstory involved, so it’s fun to imagine where these characters might come from
What message/ lesson about the world is the author trying to tell the readers? Short stories often provide an impactful life lesson – through the use of irony. 
Would this story read differently if the author had used a different POV?
What do I think is THE THEME? It doesn’t have to be tied to a traditional moral, but the narrative must allow me to see the consequences of certain behaviors. 
How does this apply to my (or today’s society in general) life?
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stressfulsloth · 1 year
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I really do think it's interesting that the way DE discusses ableism gets ignored by a lot of the fanbase. Because Harry is undeniably disabled and that's a core conflict of the game. He's living in an impossible situation that so many disabled people get caught in; he's physically disabled, even more so by the end of the game after being shot, but even at the beginning of the game he struggles with nerve damage, post-polio syndrome, partial paralysis in his jaw, withdrawals, and that's not even starting on the mental illness. He is sick and cannot ever properly heal under these circumstances because he cannot stop moving forward or he will start to sink. He's living in poverty. He has no safety net. No way out of the RCM. That night in Martinaise before the beginning of the game, he tries to quit- throw everything away. He tries to end his own life and drive his car into the sea because he cannot fathom a future where he's able to get out of this alive when he's so intrinsically bound to this abusive institution that he can't escape from.
And then comes Jean, deliberately forbidding anyone from jogging Harry's memory out of spite and anger, refusing to allow anyone else to help, calling him a fucking idiot and a psychopath, asking if he can go to the toilet on his own, telling him that he doesn't deserve his disability pension because it should go to cops who gave a shit instead (nevermind that Harry has been working at burnout pace for years, he's an addict so his contributions are essentially worthless, right?). He has a conversation with Judit, right in front of Harry, on whether or not he has learning disabilities.
This guy is a very interesting character! And I'm not denying that he's likely dealt with consequences at work from Harry's illness. But he also fulfils the narrative role of being a mouthpiece for the suspicion and even outright aggression that addicts face even while trying to recover. He fulfils the role of a representative of the RCM, with the ability to approve or deny Harry’s return and in turn essentially sentence him to a slow death in the seaside village. He is not there to help; he is there to judge and observe, and then blame Harry when things go bad even though his inaction is at least in part responsible for the deaths during the tribunal. And this is all very deliberate! The RCM, and by extension the Coalition, as an organisation is failing both its officers and its citizens- Jean, by extension, is one of the officers being failed! They are underfunded, overstretched, overworked, and shouldn't even exist in the first place. The expectation on partnered officers to provide emotional support to each other is ridiculous. But instead of directing his anger upwards towards the Coalition airships or superiors at the RCM, he directs it outwards, towards 'the liberals' or towards Harry, who as a disabled addict is a pretty convenient punching bag.
His vitriol towards Harry is not supposed to be sympathetic! At least the way I read it, you're not meant to look at him and think 'oh wow Harry's struggle has been so hard for him.' You're meant to question his language, to think more deeply about how society treats addicts, how punitive measures are never going to help someone get sober, about the importance of safety nets.
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whimsicalpoet44 · 2 years
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Indicators of an attractive spouse in astrology
Idea credit: @harmoonix Thank you for the idea :)
Now, astrology used to use certain signs to indicate husband/wife, but we know that not everyone identifies as a man or a woman, so I use these same indicators to indicate feminine/masculine energy (since we all have both). But feel free to use them the traditional way if that's how you identify! I just want to be inclusive for everyone :)
[Traditionally, Venus was associated with how women attracted partners, and mars was associated with how men attracted partners, but there are other interpretations out there using other planets. You can use masc/fem energy or whatever gender you align with.]
Your Venus Sign can indicate the type of people that may find you attractive. Venus rules love and beauty. It can also represent someone's feminine side to their character.
Venus Sign:
Aries: You're likely to attract someone who appreciates that you're more dominant in the relationship. They may find your straightforwardness and leadership qualities endearing. They may also appreciate how you stand up for others. You need strongly expressed emotions to stay in a relationship with someone.
Taurus: You will likely attract someone whose love language is gift giving. They will probably appreciate how down to earth you are and the stability/safety you can provide in a relationship once you're committed. You may deal with jealousy in a relationship.
Gemini: You will attract a person that loves deep conversations. The attraction may be more to do with the mind than the outward appearance. You need someone to keep up with your curiosity about life. You can end a relationship if you feel like you don't have freedom.
Cancer: You can attract others who need more nurturing than others, but that's okay, because you love to give it. Just be mindful of those who may try to take advantage of you. Insecurity from past relationships can show themselves here.
Leo: You attract people who love your giant childlike nature. They have to be okay with the attention you may require and they won't mind you being the biggest light in the room.
Virgo: You appreciate the small things. You might not be outright vocal about your attraction to someone, but they'll know by the small compliments you make and details you remember about them. You attract people that appreciate being seen. You're probably cautious in love.
Libra: As a social person, you'll attract someone that doesn't mind being in social settings. They'll be outgoing and appreciate you for your kindness. You may view love as a spiritual experience.
Scorpio: You'll attract people that love your intensity. Anyone that can appreciate your take on life and the different facets of beauty. (i.e. finding beauty in pain, mystery, etc) You are likely to give everything you have to the relationship.
Sagittarius: You attract people that admire your adventurous spirit. You value anyone that can have intellectual conversations, but you don't particularly care for deeply personal conversations right off the bat. You want to have fun and your partner will want to have fun with you. You may leave if you feel that you cannot express yourself freely.
Capricorn: Though you come off cold, you attract people that know there's more to you than that. They'll appreciate your low emotional needs and they'll value you for your confidence and self reliant behavior. You fear non reciprocated love.
Aquarius: You'll attract someone that values your dreamer spirit. Your partners will likely value your need for change and can find beauty there. You aren't likely to get jealous.
Pisces: People may find you attractive because of your beautiful eyes, but they stay for your mysterious and caring energy. You are sensitive and empathetic, which appeals to your romantic partners. You may lose yourself in the relationship if you aren't careful.
Mars can indicate one's desires, passion, and what impacts our emotions. Represents someones masculine side to their character.
Mars
Aries: Attracted to someone who is direct and confident. You may have a tendency to be physically attracted to people with an athletic build or those involved in athletics.
Taurus: Attracted to someone who is consistent and always shows up. They provide stability for you. You can also be attracted to someone who does physical labor for a job/hobby. (i.e. woodworker, needle work, surgeon, trades, etc.) They can offer consistency for you (and Taurus is ruled by the hands)
Gemini: May be attracted to tall and long limbed partners. The person will have great intellectual skill. You want someone you can joke with and debate the existence of life with. You want someone that can challenge you above all else.
Cancer: Attracted to someone that isn't afraid to show their sensitive and caring nature. You crave depth and you love when a person is protective over you. You maybe physically attracted to partners that are taller or bigger than you.
Leo: Attracted to someone that's outgoing and confident. A little jealousy on their part can be a turn on for you. You want someone you can joke with and ultimately have fun with.
Virgo: You like someone that cares about their health. If they can take care of themselves, then they will be able to take care of you. You also need someone that matches your intelligence.
Libra: You like people that have great style! You also enjoy someone with a romantic nature. Quality time is a must for you.
Scorpio: Depth is necessary for you. You like the moody and brooding type of person. You probably crave a deep and intense connection full of emotional intimacy. You might not mind a dominant and possessive partner. (Just make sure it's in a healthy way)
Sagittarius: You want someone honest. Someone that will tell you what you need to hear, not what you want to hear. You want someone to have fun with and you enjoy "class clown" archetypes. Laughing is a must for you. You may be physically attracted to someone's thighs/legs in a romantic partnership.
Capricorn: You need someone with goals and aspirations. You like the stability a partner can bring. "Actions speak louder than words" ring true for you. Teeth/bone structure may be a feature you look at first in the physical attributes of a potential partner.
Aquarius: You like someone that shows who they are in their style...and it may eccentric. You value someone for their individuality. You like a person that can make any situation fun and interesting.
Pisces: You could be attracted to someone whose complicated, but you feel good when you crack their exterior shell. You want someone that doesn't mind showing compassion and is empathetic by nature.
Beauty Indicators
Libra Rising or in the 1st: Libra is ruled by Venus, the planet of love/beauty. These people tend to have a very beautiful outward appearance.
Aspects in Natal Chart
Saturn-Ascendant: Saturn rules bone structure. These people often have very attractive physiques/faces/skin.
Venus Trine/Sextile Neptune: Great style and great at aesthetics. They can draw attention to their best features easily.
**All signs are attractive, so I'll probably do a post on rising signs and physical features in the future. These are just placements I've noticed that many equate with outward beauty**
Synastry Indicators
Having the same moon sign can indicate synastry. You probably are both comfortable with one another on an emotional level.
Whatever sign is in your 7th house is probably the sign you attract the most romantically. (7th House = house of marriage/partnerships)
Moon sign in the 7th house: great indicator for marriage. (Moon represents emotions. The 7th house is the house of marriage.)
Eros-Juno aspects: Very passionate relationship. Union often feels fated or like destiny.
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jpitha · 11 months
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They can't edit all of us, can they?
Peme stood at her full height, just a touch over two meters. She knew that the humans thought that she loomed and tried not to. Now though? She felt some looming was necessary.
"You want us to do what?"
"I want everyone onboard to watch Eva fix the FlashWarp engines. She's going to be narrating what she's doing to everyone so we all have to pay attention and listen the whole time."
Peme's lacquered claws, painted a stunning purple, slid in and our of their sheaths. She was used to the humans being odd, but this was something else. "Humans are forbidden from touching FlashWarp engines, everyone knows this."
"Yes, but do you know why?" Peme didn't know this human. She was pretty sure she was just a passenger, sent along to guard some kind of special cargo. She didn't appreciate being spoken to like this. Her fur started to bristle.
"We do not need to know why. Flash Incorporated sent out the memo stating that no humans are to even touch FlashWarp engines on pain of losing the license to operate them. No captain wishes to risk losing their livelihood over some humans who want to tinker." She leaned over, deliberately trying to tower over her. "Who are you anyway?"
Peme found that most humans tended to shrink back, at least a little, when she stood to her full height and figuratively threw her weight around. Her race was as tall as the Gren, but had been friendly with humans ever since they entered Coalition space. This human was unfazed by her body language. For some reason that worried Peme more.
"I am Agent Meredith Calvin, Human InterDimensional Authority, and I am declaring an emergency."
Peme laughed. She couldn't help it. She had never heard of the Human InterDimensional Authority. "You? Are declaring an emergency? The engines have failed and we're going to be late to our destination. It's not anything world ending. Besides, I'm captain here. I declare emergencies."
"I apologize Captain, but you are no longer in charge." She handed Peme a card that flashed a holo with her face, some minor biometric information and the name of her organization. When her eyes reached the bottom a note told her to flip the card. When she did a completely different holo flashed, this time from Coalition Authority. It stated in no uncertain terms that if Agent Calvin provided this card, she was declaring herself in charge of whatever vessel, organization or operation was underway and would be obeyed until such time as she relinquished control. It was signed with the biometric signature of all ten Coalition Authority Members. Six signatures were all that were necessary to pass new regulations.
Peme know the old joke that all ten Authority Members couldn't even agree what to have for lunch, let alone pass laws unanimously.
Unconsciously, she took a step back from Agent Calvin. She held the card with two claws, as if it would burn her. The humans expression did not change. "Call the crew. Everyone needs to watch Eva repair the drive." Agent Calvin spun on her heel and walked out of the Command Deck. When she reached the door she stopped. "I mean it, Captain. Everyone. I will be conducing a census when they arrive. All stations are to be abandoned, else this will not work."
It took a demicycle for Peme to round everyone up and explain what was going on. She had to explain at least five times that Agent Calvin was in charge by direct order of the Coalition Authority and she had no idea what was going on either. Finally, everyone was squeezed into engineering. There were thirty of them, with almost all of the Coalition sapient species represented. Eva looked on nervously. "Meredith, are you sure this is the only way? I don't like having such an audience."
Agent Calvin smiled gently. "I'm not a fan of it either, but it was the only thing I can think of. I really don't know what will happen, but if we don't try something we all will die for sure." She turned and addressed the crowd. "I apologize for throwing my weight around and leveraging my authority with the Coalition, but I truly believe we are in a life and death situation, otherwise I would not have done it. Everyone here knows about the prohibition on humans touching the FlashWarp engines, correct?"
Nods and sounds of agreement from the assembled crew.
"The reason for that is Secret. However, given these circumstances, I am willing to share the bare details. When a human works on a FlashWarp drive, and that drive is activated, they become edited out of this timeline. Not only do they cease to exist, but the timeline is... edited such that they died cycles earlier. We only know this because the last person to speak to that human remembers them."
There is a rise of confused mutterings from the crowd.
"You don't have to believe me. In fact, it might be easier for you if you think I'm lying." She cast her eyes around the room. Everyone was watching her. "However. While Eva repairs the drive, you all must be watching, paying attention and listening to Eva. She will narrate what she is doing. You don't have to understand the details of FlashWarp theory, you only have to listen."
From the rear, a feathered sapient raises an arm-wing. "But why?"
Agent Calvin smiles. "That's a good question. I am hoping that if we're all watching and listening to her while she works, that when the drive is activated, she won't be edited out of this timeline. Kind of a 'they can't take all of us' kind of thing. If we're all the last ones to speak with her, then maybe we can keep her in this timeline." She turned to Eva. "Okay Eva, please begin."
Eva sighed and turned towards the stricken engine. "Okay... so I think that what is wrong is the inner compensator has developed buildup as a result of...."
Over the next two demicycles Eva narrated her repair of the engines. She detailed the diagnosis, disassembly, repair and reassembly of the engines. Agent Calvin walked around the cramped room while she worked, making sure everyone was paying attention. People would ask questions as she worked and Eva wound up giving a lecture of the ins and outs of FlashWarp technology.
Eva secured the last panel. "Okay, it's fixed." She turned to Agent Calvin. "Now what, Meredith?"
Meredith stood on a chair and addressed everyone again. "Eva has finished, but nobody is to leave yet. Just as a precaution, I have locked the doors."
The crowd began to shuffle and make nervous noises.
"I apologize, but it is a necessary step. We are now at the most precarious part of this experiment." Meredith looked down at her pad and checked some settings. "Captain, will you please come here and verify our destination?"
Peme lumbered over and looked at the human's pad. "Yes, that is where we were going. How did you-"
Meredith looked up and put her index finger to her lips. "Some things are still classified Captain. I can control the ship from here, but only during emergencies." She turned to Eva. "Okay Eva, please address the crowd."
Eva looked up, her eyes wide. "What? What do I say?"
Meredith shrugged. "Anything really. But everyone has to hear it. You have to be talking to everyone."
"Uh" Eva looked at the crew. "Thank you for watching me work. I was a little nervous at first, but I liked explaining what I was doing as I was doing it. I think it helped with my troubleshooting process."
Without saying anything, Meredith activated the FlashWarp drive.
Around the drive grew the prismatic field. Completely surrounding the drive in a beautiful light, it gave off a slight hum. Everyone watched, mesmerized. Most had never seen a FlashWarp drive activate. Peme and Meredith watched Eva. After a demicycle, the prismatic field faded and the engine shut down.
"Is everyone still here?" Meredith looked around. Noises of confusion and assent came from everyone. She looked over at Eva who shrugged.
"I'm still here."
Peme let out a breath she didn't know she was holding. "So it worked then?"
Meredith grinned wickedly. "It appears so. Come, let us go to the Command Deck and see where we are. Eva, please accompany us. You should get to see your handiwork firsthand."
Peme, Meredith and Eva made their way to the Command Deck. It was empty while they had warped, but as Peme opened the door, there was a prismatic flash.
Sitting in the command chair - lounging really - was a being. They didn't look like anyone that Peme recognized. They had bilateral symmetry two legs, two arms and a head, but that was all she could make out. The rest of their details were hidden by the blinding prismatic FlashWarp field surrounding them. They stood and put their arms on their hips, akimbo. "Ugh. Humans. Always looking for the loophole, aren't you? I'm sure you feel incredibly smug about this whole thing, don't you?"
Meredith crossed her own arms across her chest. "It worked, didn't it. Eva fixed the drive, and your stupid copy protection wasn't able to edit her out."
"That feature exists for a reason, human. We cannot have you reverse engineering our drives that we graciously licensed to the Coalition. We didn't even have to do it you know. We could have let them develop FTL on their own. You have your Flip drive after all." They sounded bitter as they spoke. Peme wondered how she was able to understand them. The being didn't seem to be wearing a translator, yet she was speaking Peme's birth language.
"So you expected us to die awaiting rescue instead of trying to save ourselves?" Meredith took a step towards the being. "No. I will not be the cause of pointless deaths."
It surprised Peme how much nuance they were putting into their body language, being that she could only see their outline. It was clear they were annoyed. "And whose fault it that Agent Calvin of the Human InterDimensional Authority? Who decided that this run was going to go without a filed transit plan, so nobody knew you were out here?"
Peme snapped her head over to Meredith. She did not know that. "What do they mean, Agent Calvin?" Her voice rumbled from deep within her furry chest.
Meredith glanced back at Peme and smiled apologetically. "Sorry. I purged your transit plan after you had completed it, but before you sent it. The cargo required it."
"So that's why you were willing to risk all of us to repair the drive. You knew that nobody would know we're missing and we would have starved to death thinking rescue was about to come."
"Sorry Peme."
"Address me as Captain, Agent Calvin."
"Yes, Captain. However. The emergency has not passed. I am still in command."
Peme seethed. The worst part was, it was clear Agent Calvin knew something like this was going to happen and was prepared to speak to whoever this was. She turned to the being and snapped. "So what now?"
The being turned to Peme, surprised. "Oh, so you can speak? Finally someone from HIDA has gotten you so angry that you remember you are a sapient race with your own wants, needs, and desires? This human here-" they point at Meredith "-found a loophole in our license agreement and enabled unauthorized repairs to be made on a FlashWarp engine to enable the transport of their secret cargo. As for now? Now I will leave and you will continue your journey. But!" They flared bright and their voice became loud and booming. "If you violate the terms of the license agreement again, your FlashWarp licenses will be stricken, and you will no longer be authorized operators of FlashWarp technology. The Coalition will lose their FTL drive they cherish so much."
The being disappeared just as if they had Flashed away. In the silence after, Peme blinked. The Coalition was licensing FlashWarp technology from someone?
Meredith nodded and turned. "Come on Eva, let's let the Captain do her job." She looked over her shoulder at Peme. "I declare the emergency over, command is returned to you, Captain."
"Wait-" Peme swallowed her anger. Her curiosity overrode it, if only a tiny amount. "What did that being mean by losing our license? Who were they? We didn't invent FlashWarp technology?"
Meredith's face softened. "I know you have just seen... a lot. But, I am not at liberty to explain them. You honestly shouldn't have seen any of that. That reminds, me, do not mention any of this to the crew. But-" She handed Peme another card "-if you really want to learn more, look us up. We have been expanding and could use more people. It looks like HIDA isn't just for humans anymore."
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aroaceleovaldez · 8 months
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random question but i came across a post of yours where you talked about how mark oshiro sort of erased an aspect of nico's ADHD by making a joke about how he only liked mythomagic cards because he's gay and there are hot guys on the cards, and then TSATS also seemed to really downplay the themes of neurodivergence in the series. and it made me wonder if you have any thoughts on how the show has portrayed the demigods' ADHD and dyslexia so far? i've seen some people say that the show also downplayed it a lot, and i'm inclined to agree... which feels really weird considering that rick's own son's neurodivergence was specifically a major inspiration for him writing the series. but if i recall correctly a lot of scenes showcasing that in the first book were taken out of the show.
Oh absolutely, a lot of scenes and general discussion about adhd/dyslexia were removed in the show (and some of the disability-coding in general - i appreciate the change they made with making Chiron disabled based on his mythos rather than just using a wheelchair as a disguise, but i wish they had kept Grover's crutches in a similar manner honestly) - I've made a couple of posts discussing it: here, here, and this reblog is relevant to my opinions about the matter. There's probably some other stuff in my pjo tv crit tag.
I think the main sentiment i have regarding it - which i've seen a couple of other people mention as well - is how much the show ignores or outright removes and downplays Percy's personal struggles with his disabilities to instead emphasize Sally's experiences instead, particularly in manners of her taking out her stress on Percy - which alongside being completely antithetical to Sally's role in the books, is pretty ableist and why I continually compare show!Sally to Autism Speaks Parents. Autism Speaks tends to make an emphasis on the struggles of the parents of autistic children rather than treating autistic individuals like a person experiencing their own struggles. One of the major points of Sally's character (and later Paul) in the books is that she's an incredibly accommodating parent and works hard to make sure Percy is supported when he's struggling with his disabilities, because he's not been able to find that accommodation elsewhere. That's part of why Sally is such a great mom in particular, and is intentionally supposed to directly contrast Annabeth's home life struggles with her parents having difficulty navigating how to provide that same level of accommodation to help support her (and how Annabeth finds that accommodation at CHB instead, because that's the metaphor that CHB is supposed to represent - an appropriately accommodating system they can rely on, and then exploring how that's still a flawed system and looking at how disabled kids/demigods fall through the cracks and how to change the system to better support them).
The show also almost completely ignores Percy's ADHD/dyslexia experiences in general after the first episode. I was honestly really happy with, in the first episode, how clearly Percy's poor experiences in the American education system, particularly relating to his neurodivergence, have informed his reaction to situations such as people trying to tell him he's a demigod in coded language. It was essentially the perfect update to something i've discussed in the past here, about how the original "all demigods have adhd/dyslexia because it's secretly SUPERPOWERS" thing was presented as the basis for the series and why that teaching/parenting style fell out of favor. We see Percy in e1 acknowledge how dismissive of his struggles it is to constantly just be told he's "special" - and we even get explicit acknowledgement of how that description is used aggressively and for ostracization (from Nancy), which is extremely true to the experiences of kids who grew up with that teaching/parenting structure. But then we get to episode 2 and... all the acknowledgement of ADHD/dyslexia/etc is gone. We get at most a one-off acknowledgement from Luke that demigods are all neurodivergent and that's it. Pretty much nothing else for the entire rest of the season, save for flashback scenes that only emphasize Sally's experiences, not acknowledge Percy's. No further acknowledgement of Percy's dyslexia, or Annabeth's, or anything about their ADHD, or even Percy's completely removed PTSD (which we know for sure because of both writer commentary [see: that second post i linked about the LA Times article] and Percy's total lack of reaction to Mr. D). Nothing.
It was extremely disheartening to say the least, having such a strong start and it evaporating completely, and I fully agree with you.
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smaller-comfort · 3 months
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Extremely rambly thoughts on necrontyr society/marriage headcanon stuff. Some of this dovetails with the snecron biology stuff; you get 'gestational parent' and 'inseminating parent' as concepts because I'm not going to be more creative with words tonight.
At the upper levels of society, marriage is solely for cementing political alliances and the transfer of wealth. That's it. It's a legal contract between two families, and the contract lays out how wealth and power are shared and inherited between them.
Courtship would vary wildly between dynasties and even between different vassal states within a dynasty (a lot of this gets flattened out post-biotransference, alas). But before then, culturally, a dynasty from the eastern fringe might be nearly as alien to a dynasty in the west as any of the Unclean. (The fact that they've got mutually intelligible language across the galaxy is hilariously the biggest science-fantasy leap for me, I'll be honest.) Also, space-mormon Ithakas is weird as hell to everyone.
So, for example: Nihilakh crownworld nobility courtship customs involve, first and foremost, a team of lawyers, on both sides. Immediate members of the Phaeron's household probably have to get permission from the Yyth seer before even beginning the process. Courtship gifts are wildly expensive and extravagant and meticulously documented, with particular emphasis placed on the provenance of unique rarities. The exchange of courtship gifts is always a public spectacle- 'subtle' is for crypteks and lawyers.
At higher levels of society, the two people getting married might not even meet until after the paperwork is filed. Mid and lower level nobles are a bit more relaxed about it, but they're also not dealing with quite the same scale of wealth. Weddings are still ridiculously over-the-top affairs that can and will bankrupt smaller houses hoping to secure a politically advantageous match to a larger family.
Meanwhile, on Solemnace, you do see a similar emphasis on legal documentation, and rare or unique courtship gifts, but they're much less extravagant about the displays of wealth. Gifts are more often exchanged in private, and though weddings can get elaborate, it tends to be more about tasteful, elegant luxury than extravagant excess. Is this at least in part to keep their Overlord from stealing the silverware at the wedding? It's impossible to say.
Over on Mandragora, you announce your intention to court by challenging your intended to a duel. The date and time of the duel is the anticipated date of the nuptuals. Generally the intended couple will not actually fight one another, but the wedding will involve a lot of demonstrations of martial prowess, and usually there will be a ritualized duel of some sort between representatives of each family. Whichever family wins gets to officiate the wedding, and keeps the larger share of the dowry.
On Gidrim, no dueling is required, but it's customary to present your intended with some sort of hunting trophy. There'd be some kind of annual tourney or major gaming event where young necrontyr might dedicate their victories to their intended- think medieval tourneys, and knights jousting for tokens from their beloved. Now, given that gender parity is standard, this potentially means that you end up fighting against the person you're trying to court. This sort of thing is frequently the subject of romantic comedies and dramas. Gidrim weddings usually last several days, with feasting and recitations of long form epic military ballads and more games/martial demonstrations. The subsequent hangover may last up to a week, if you're doing it right.
Those would all be courtship practices for a primary spouse or consort for higher-level nobility. Polyamory is common, both for the purpose of providing heirs, and because at the end of the day a marriage contract is a business contract, and why wouldn't you try to form as many alliances as possible?
So it's not uncommon for third or fourth children to be married off as secondary spouses to vassal houses, to reinforce political ties between families. Since everyone is dying of turbo cancer, it's also not uncommon for these secondary marriage contracts to include a clause for what happens when the fourth kid in the line of succession becomes the heir apparent. (Divorce practices vary between dynasties as well, but by and large it is a fast process out of necessity.)
Secondary spouse courtship and weddings can be just as elaborate as consort matches, depending on the status/wealth of everyone involved. Usually they're not quite as involved- on the other hand, if your new intended is the Phaeron's fourth daughter, you're damn well going to go all out, or suffer the consequences.
Because of rampant fertility issues due to turbo cancer and a not insignificant amount of inbreeding among the nobility in certain dynasties, inheritance and succession frequently have nothing to do with parentage or genetics. Heirs are adopted from subsidiary families all the time. There are some families where heirs are always adopted, to reduce infighting among the actual children, or to avoid particular genetic defects.
That said, some dynasties do place a lot of weight on genetics and familial lines, so contract marriages or concubines/surrogates are frequently used to produce heirs. Any children produced via concubine are legally members of the family who owns/employs the concubine. Doesn't matter who the inseminating or gestational parent is; legally, the child has legitimate status as a member of that household. (This can afford the concubine a certain amount of status as well, or at least security; fertility is a highly sought after trait.)
(Sidebar on contraception and eugenics: contraceptive implants are used most frequently among nobility/merchant class/military officers. The further down the social ladder you go, the less available any kind of medical technology is, never mind contraceptives, and commoners/serfs/slaves are encouraged to reproduce as often as possible. Rank and file miltary, however, would be surgically sterilized, and have any viable gametes extracted for genetic testing and possible use by surrogates. Sometimes this is reversible; most of the time it isn't, because it's assumed they're going to die before they'd be able to retire and have children anyway. A majority of pregnancies result in miscarriage; many children don't make it out of infancy because of birth defects. Infanticide is still common in some parts of the galaxy, but they'll usually try to terminate a pregnancy early if it looks like it'll be nonviable.) (Maybe they do lay clutches of eggs, I'm fuzzy on a lot of these details, honestly. Not all of them- but a lot of them.)
(Zahndrekh does not get to retire to a remote garden on a mountain with Obyron to write terrible poetry and raise a bunch of fat, happy children. He thinks about it sometimes, though.) (Obyron does not want to imagine how impossibly unruly Zahndrekh's progeny would be, and is frequently, fervently glad that he's sterile.) (Also he's pretty sure 'retirement' is just what happens when you meet the wrong end of a pike.)
Circling back around to Ithakas being fucking weird, it's traditional for Ithakan dynasts to practice either parthenogenesis or self-fertilization, which is considered either taboo or just kind of gross in most other parts of the galaxy. (Not everywhere- but definitely a lot of places. Parthenogenesis is actually a fairly rare trait for necrontyr; it was considered one of the things that made Ithakka the Lawmaker holy by the original separatist cult. It's not something all of their descendents have shared due to the general weirdness/instability of necrontyr genetics.) So there's no mention of Oltyx and Djoseras's mother, because they only ever had one parent. (Does this make everything about Unnas ever so slightly worse? Sure does!)
If biotransference hadn't happened when it did, Djoseras would've been expected to start producing children as soon as it became clear that Oltyx wasn't going to live past the age of 20. (At one point someone probably floated the idea of ending the Ithakas-Ogdobekh war by marrying Oltyx to Zultanekh. Djoseras would've shot down that idea- and whoever suggested it- with extreme prejudice.) (Zultanekh still laughs about this on occasion. No one ever told Oltyx; Zultanekh certainly isn't going to.) (Zuktanekh would have suggested a contract marriage between himself and Djoseras; after all, would Zultanekh not have birthed the most magnificent sons to be seen in the history of either dynasty? Yes, yes he would have! Alas, it was not to be. Djoseras rejected Zultanekh's courting gift of sulfur wine, and anyway, Anathrosis and Unnas would have come together united in abject horror and rage at the idea.)
Ogdobekh courtship usually starts with gifts of food or wine, followed by fine metalwork- either weapons and armor, or jewelry. Ithakas courtship has similar beats, since they were an Ogdobekh subsidiary originally. They're more about subtle gestures and acts of service than material gifts, though. (Oltyx is not really aware of any of this; as kynazh, he would've been explicitly forbidden from courting because, again, Ithakas is fucking weird. Yenekh, on the other hand, would be familiar with the process, and probably had no shortage of suitors pre-biotransference. He was a little too busy being a war hero to entertain any of them seriously.) (His first true love is the sea the void fancy spaceships fancy swords duty to the dynasty.)
(Drazak courtship usually starts with fighting side by side in the horde; sharing kills, sharing food, sharing flesh. The hunger is always easier to bear when you find someone to share it with.)
Cryptek conclaves can get weird and varied as well; some are extremely insular, and any children born to members of the conclave would be raised and trained there. Others will excommunicate anyone who gets pregnant, because pregnancy interferes with certain schools of technomancy. (You cannot have a pregnant plasmancer. It ends badly for everyone involved. Chronomancy also tends to have unpredictable effects on developing embryos.) Those conclaves actively recruit new members from military and commoner castes, rather than relying on existing members to keep the population going. Generally, crypteks don't marry, because their legal obligations are to their conclave first, and then their patron.
Cryptek/noble or cryptek/merchant couples would be vanishingly rare, because most crypteks don't have the wealth or status to make a politically advantageous match. (Orikan is kind of an exception to that rule, and he would've had a number of people vying for his favor, though not so much in a courtship-leading-to-marriage kind of way. I'm torn between the idea of him slutting it up in the Sautekh court, or being universally repulsed by anyone he considers less intelligent than him. Could go either way.) Pre-biotransference, crypteks of different schools who didn't see each other as competition would be the most common pairing, but even then actual marriage would be rare. There's no wealth or power to inherit or share, so couples would be more common-law/informal.
Otherwise, it'd be bullshit academia rules dialed up to 11. "Did they...you know...publish research together?" "No, they were fucking in the library." "Oh, I thought it was something scandalous. Nevermind then."
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I'm pretty sure I've made a post about this exact specific thing before, but I'm going to type this out anyway, because I can't get over how Tove Jansson's work depicts masculinity, and the idea of gender in general.
While she was - and still 100% is - absolutely a wlw icon (being the first woman to bring a same-sex date to Finland's annual independence day ball in the Presidental Palace), and her work doesn't focus on men or masculinity, she had no resentment towards the male sex as a whole. In her works, the male characters are mainly amusing creatures, up to their silly masculine antics that men are bound to do just the same as squirrels are bound to build their certain type of nests and migratory birds are bound to fly to the south for winter.
There are characters - whole species, in fact - that more or less represent people trying to perform their respective gender roles, like the Fillyjonk who manages to be a strictly normative Housewife without any mention of her having a husband, and the masculine counterpart of generally male hemulens. While there are both fillyjonks and hemulens that are happy being Traditionally Feminine and Traditionally Masculine, there's one short story of a fillyjonk who doesn't enjoy micro-managing an immaculate household, and another one of a hemulen who doesn't enjoy any traditionally masculine hobbies but tries to arbitrarily pick one anyway, because of societal expectations to have one.
But the thing is, the characters who don't fit into standard strict gender presentations are perfectly comfortable with themselves and neither they nor anyone else really gives a shit. Jansson was born in 1914, and it's remarkable how neutral the characters' depictions are to a modern eye. Being personally finnish and introduced to her works in a language that doesn't have gendered pronouns, I literally did not know what gender a few of the characters were before encountering their english or swedish descriptions with pronouns. And I never wondered whether they're supposed to be male or female. Hell, even the character representing the love of her life is depicted like this, and it never crossed my mind to wonder whether Too-Ticky is male or female. She's just Too-Ticky, who dispels wisdom.
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But coming back to masculinity, the way Jansson depicts male characters and The Masculine Urge To Do Shit isn't depicted as either superior nor inferior to her female characters' ways of doing their own thing. Sure, men cause problems on purpose from time to time, but the narrative doesn't depict this as inherently bad any more than it is inherently good. The protagonist Moomintroll is a boy and does his best to perform some ideal of being manly, but it's depicted as a part of him trying to grow up. His father's misadventures in trying to be either a wildhearted Manly Adventurer or a Stable Provider For His Family - and the conflict between these two ideals - aren't depicted as bad things to want, or something he shouldn't want, but just an inherent part of being a man.
The protagonist's girlfriend Snorkmaiden is depicted as vain and frivolous as much as she is kind and loving, but her girlish silliness and genuinely kind heart aren't depicted as being contradictory to each other, it's just who she is as a person. The protagonist's mother, Moominmamma, is the platonic ideal of a loving and patient mother and wife, and The moomins' TvTropes page actually goes as far as describing her as fitting the definition of the platonic ideal of the perfect traditional japanese woman, being gentle, loving and hospitable, but strong and unhesitant to protect her family. She doesn't humour her husband's whims out of some schooled and practiced dedication to the role of feminine submissiveness, she puts up with his stupid shit because she loves him.
Tove Jansson was a splendid woman and her work and art are rightfully one of Finland's proudest gifts to the world, and whether she was gay or bisexual, it clearly shines through her work how as much as she loved women, she didn't dislike men. The Masculine Urge To Do Shit is aknowledged with a jovial shrug: "Yeah, they do that sometimes."
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