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#as my own mother does
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Due to that post I made re: why it's hard for aros/aces to imagine a future for themselves because society tells you a romantic partner will always take priority, a lot of people (aros/aces and allos alike) are sharing stories about how they have been discarded by their close friends and it's breaking my heart. But allos and aspecs coming in and sharing how they have the same amount of love for their partners and their best friends/siblings is healing it.
Still, there are people in the tags saying that aros/aces can "never offer their partners the kind of intimacy they need" and so they shouldn't be "surprised" when they feel closer to partners than their friends. You guys are missing the point.
The point is that we should NOT be ranking our relationships. People aren't there to be ranked on a scale of "This person is my number one and this person comes after that." The point is that you need multiple people in your life. One person cannot - and should not - be responsible for giving you everything you need. Different people will give you different things that you need in life and you should value all of them.
The idea that a romantic partner will give you every single thing you need in life is a toxic idea in itself and puts undue pressure on said partner and the relationship as a whole. A best friend won't give you everything either. You NEED multiple people in your life and they will all give you a part of what you need, but there is no one perfect person out there who perfectly gives you exactly what you want. We need multiple people and they should all be valued by you. Love is not limited.
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chrollohearttags · 3 months
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meg baby, I promise we’ll all look the other way if you decide to strangle that chimera ant built bitch. I promise we won’t say nothing.
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autismmydearwatson · 3 days
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Every time I watch Dune I forget about it but I'm foaming at the mouth over how Paul has a vision of himself as a powerful, respected, divine figure with millions worshipping him and he just says "Somebody help me"
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Please let Astarion meet Tav's family and have a younger sibling like 6 be like im gonna marry the prince points at Astarion.
Tav : Sorry, im married to the prince
NO IM GONNA MARRY THE PRINCE
That's so fucking cute kill me. But I just realized AFTER I finished it I read this wrong 😭😭 I read it as "marry" instead of "married" so whoops now it's an asking for your hand in marriage fic.
Also, I'm going to make this a weird little, unofficial, alternate reality, off shoot of this fic to explain away why Astarion can be in the sun without ascending because I am ~lazy~
Quick summary if you didn't read it, Tav serves Selune, gets a blessing for all the good work, and uses it to cure the anti-light issue of the vampirism (but not all of it). It's not a literal extension of that fic but I'm stealing my own plot explanations. That's it! Now here we go:
~
Astarion wasn't nervous per se. He was just... on edge. And the two-week journey it took to get here wasn't helping things, not when it gave him so much time to ruminate in his thoughts. He never expected to be in the position of "meeting the family," let alone in anticipation for asking for someone's hand in marriage.
Astarion wasn't even quite sure how his life got here. He had always fantasized that a life without Cazador would be one of selfish hedonism, not one where he would be legitimately concerned about a damn six year old sibling's first impression of him.
But then you came along, effortlessly shattering all of his grandiose plans with a batt of your eyelashes. Perhaps the entire journey of falling in love was more complicated, but it felt like it was that simple. In hindsight, he never stood a chance against you, but it was hilarious that there was a time he ever thought he did.
All of his prior dreams and fantasies felt like nothing in comparison to just being with you. It had been a year since you both saved the Sword Coast, a beautiful, fantastic year. That had ended with him somehow more in love with you now than when he first confessed. Selune's blessing had certainly helped with that he was sure. He still couldn't quite believe that you would use a god's blessing on him of all people, but gods, was he appreciative. Because being able to walk in the sun again meant that he could live the life he wanted, with no restrictions. He could be the partner you deserved, the kind that a father would happily say yes to when asking for your hand.
Which brought him back to his current dilemma. Perhaps he hadn't seen any of your family members in the time you'd been together, but he had heard plenty. You loved them all to death, especially your little sister. You wrote to them constantly, the mere sight of a letter from your parents enough to put you in a great mood for the rest of the day. He was aware that your mother was supposedly a saint, a fact that your own father had instilled in you often. He knew that they had a wonderful, loving marriage and were both higher ups in the Church of Selune. A fact that Astarion didn't particularly enjoy.
As grateful to the moon goddess as he was, he was aware that you were an expectation to the very normal belief that vampires were bad. And that marrying one was one of the stupidest things you could ever do from an average person's perspective, let alone a Selunite.
Why you hadn't done the smart thing and lied about what he was, Astarion would never know. But he did know that the thought of their rejection over his admittedly sordid history was putting him in a tailspin.
"They're going to love you," You said for the hundredth time, giving his hand a squeeze as you led him up the steps to your childhood home, "You have nothing to worry about sweetheart. I promise."
Astarion highly doubted that, but you were already knocking on the front door before he had a chance to argue. The door instantly slammed open, a beaming child already launching themselves at you before Astarion could process what was happening.
But you were more prepared them he was. You effortlessly caught them in your arms, laughing at their excited shouting, "Titi! You're late!"
So this was the famous Arabeth.
"No, I'm not!" You laughed as you settled her on your hip, "And what happened to my little girl's manners huh? You haven't even introduced yourself yet."
The child glanced over at him, like she was just realizing for the first time that someone else was standing over there. She looked a little shocked at the sight of him, staring at him with wide eyes. Wide enough for Astarion to start to wonder if something was on his face.
He gave her a little wave only for her to bury her face into your shoulder, peeking out at him with her lips pursed. Which was not the best start to the whole making his darling's family actually like him plan.
"Well, as you've probably guessed this is Arabeth. She's just a little shy," You reassured as you stepped inside, muttering a quick invitation inside under your breath. He appreciated that, he didn't need the whole house to be reminded of his... limitations.
"But she'll get over it soon enough," You continued as you called into the house, "Mom? Dad? We're here!"
And just like that they were rushing into the room, acting just as excited as your sister had been. Your mother wasted no time in smothering your face with kisses while your father swept you up into a hug. It was a rather impressive display of coordination, considering how they hadn't managed to knock you and your sister to the floor in the process. Astarion was pretty sure they were both saying something along the lines of We missed you! But it was hard to tell with all of you so tangled up in each other.
It was heartwarming to see, in all honestly. Of course such a loving person would come from an equally loving family, what else would he expect?
Though he certainly hadn't been expecting for your mother to throw her arms around him next. She brought him into a tight hug before looking him up and down, "So you're Astarion huh?"
She turned back to you, grinning ear to ear with her hands set on Astarion's shoulders, "He's so handsome! Selune help us, do you remember the last boy you brought home? He had a nose the length of my arm-"
"And that's enough of that," You said with a strained laugh, pulling your eccentric mother back a few inches, "And we've talked about the impromptu hugs. What happened to asking for permission?"
"Sorry, sorry!" She said with a wave of her hand, "Let me try again. I'm Seliras, and this is my husband-"
"Marcoul," Your father interrupted, putting his hand out for Astarion to shake, "It's been awhile since we've met a boyfriend."
"He's a little more than that," You said with a sigh as everyone exchanged pleasantries.
"We'll be the judge of that," Marcoul said with a sharp but friendly grin, the grip he had on Astarion's hand briefly tightening before he let go, "From what we've heard, you're quite the character aren't you?"
Ah, so the interrogating was starting early then. It was nothing that Astarion hadn't expected. Besides, turning up the charm was his strong suit, even when he was uncharacteristically nervous.
Astarion smiled back at him, "You've heard right. And I'm more than happy to answer any questions you might have."
"Oh gods please don't say that," You groaned, but it was too late. Your parents were already leading him to sit, rapid-fire questions coming out of their mouth.
Where are you from? How did you meet? Are you serious about our Tav? What's your religion? Where's your family? What are your plans?
But Astarion answered them all, with only mild censorship for the child's sake. The child who suddenly couldn't stop staring at him. It wasn't exactly easy to sell himself as a future husband when he was a vampiric ex-slave, but he made do.
It was an overwhelming experience to say the least, but not necessarily an unpleasant one. That was one good thing about trying to marry into a family of zealots, it was a lot easier to convince them of your virtue when you received a personal blessing from their goddess.
By the end of the night, they were all throughly appeased, enough so to get off the topic of him for a moment.
"You look a little young to have a thirty-year old child," Astarion said to your mother. He was actively trying to compliment her for obvious reasons, but he was also genuinely curious. She barely looked a day over 40.
"Oh we breed young," She said with a laugh, "We had Tav in our teenage years. Arabeth came much, much later. Our favorite little surprise. Gods, I can't think of a single person in our family who didn't have kids young. Our little Tav is the only exception to the rule."
"But maybe not for much longer, huh?" Marcoul added with a grin, yelping when you lightly smacked him over the head for the comment.
"Do not start the kid talk again!" You hissed out, cheeks red, "We've talked about this!"
Astarion couldn't help but grin at your reaction, charmed by your embarrassment. Though... the idea of the two of you having children together sure was an interesting thought.
Astarion felt a tug on his sleeve while you were distracted arguing with your parents. He turned, smiling when he saw your little sister standing there, still staring at him with wide-eyes.
She took a deep breath before blurting out, "You look like a prince. Are you?"
"Not exactly," Astarion said with a small laugh. That couldn't be further from the truth, "There's no blue blood in my veins."
She frowned, cocking her head at him like he wasn't making any sense. But then an idea obviously struck her as she excitedly asked, "But if you married a princess, then you'd become a prince too. Right?"
"I suppose?" Astarion answered with a shrug.
"So if I become a princess, and I marry you, then you'll be a prince?"
This conversation was quickly becoming out of his depth. But luckily enough for him you were swooping in to save him.
You laughed at her question, turning your attention back to the two of them, "No offense Bethy, but I'm going to be the one marrying this particular prince."
But Arabeth wasn't having it. She crossed her arms, looking at you like she was the one talking to a child, "You can't. Because if I don't marry him, he won't be a prince. So there. I have to do it."
She looked so serious, her facial expressions incredibly similar to your own. Astarion was holding back a loud laugh as you tried and failed to reason with her, "I can marry him without the royal status-"
"No! I'm marrying the prince!"
Your parents were doing a much worse job at hiding their reactions, both of them opening giggling behind their hands as you came up with a compromise.
"Okay, okay," You said with a sigh, kneeling down to look the small girl in the eye, "How about this? I marry him first. But only until you become a princess. Then he's all yours. Sound fair?"
She thought about it for a moment before nodding to herself, "Sounds fair."
Well Astarion wasn't going to get a better set-up then that. He turned to your father, his nerves coming back for a brief appearance, "I'm assuming now might be a good time to ask what I came here to ask. Though I do promise I only intending on asking for one of your children's hand in marriage."
Marcoul nodded slowly, his face unreadable as he spoke, "I mean no offense when I say this Astarion, but you aren't exactly who I imagined for my daughter."
"Dad don't-"
"Darling, let him finish," Astarion gently interrupted, his eyes still locked with your father's.
He took a deep breathe before continuing, "That said, I've never seen her so... herself with someone else before. So yes. The two of you can marry. On one condition."
"Anything," Astarion said instantly, nearly giddy at the fact that he was so close to the official yes, "Just name it."
"You have to have the wedding here," Seliras answered for him, a massive smile on her face, "No ifs, ands, or buts."
"And I get to be flower girl!" Arabeth chimed in, her past indignation completely forgotten as she climbed all over you, "And there has to be chocolate cake!"
"Oh gods, help us," You groaned, but Astarion was already nodding along. He couldn't give less than two shits where it happened or who was involved. He could scarcely believe that it was happening at all. But that was the last thing he had needed.
He already had the ring, the most amazing person he could ever fathom being with. Who actually wanted him back.
Now all he had to do was ask.
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5mary5 · 2 months
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I have this little headcanon cause i was reading the comic of obey me and we as mc have been given the neutral name zephyr in the very early chapters since we are a sheep and all and they want to make it inclusive since the name itself is gender neutral but I was thinking that let's say one day the curse is solved and sheep!mc gets their body back but the characters continue calling mc zephyr, what if one day someone (probably a side or secondary character) brings up the fact that "hey you know what? Your face doesn't really scream zephyr" and mc is like "yeah that's because that is not my actual given name, my actual name is ________" and the characters are like "😱😱😱" I mean they did know that this wasn't their real name since they gave it to them cause they can't just call them human and all but it's still shocking to hear it coming out of their own mouth, they would also probably coo when mc tells them their birth name because it means they learn more about their favorite person, well I mean they would coo at everything mc does regardless so-
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I know the full arsenal update is out and hype for that but I just found the gutterman's poem in 7-2 and I HAVE to type about it because its night where I am and I cant wake up my friends to rant about Ultrakill.
Anyway, absolutely indescribable how we have the thoughts of a machine just laid bear in a secret for the first and maybe last time. The fact that a machine made for merciless slaughter could not only feel sadness for the person powering it but also WRITE a POEM? A machine made art??? The knowledge that they understand how cruel it is to make a human a blood battery, recognize it as torture, but also feel gratitude for the life they've been given?? It was known that machines had a sense of aesthetic from Swordsmachine and Mindflayer's entries but. Goddamn. The gutterman refers to the human as their mother and it states it CRIED when it crushed her skull as it hoped it would redeem its life.
Also the excerpt, "I know I know you would hate me so, and mother of me, I do too." Does this mean the Gutterman hated itself as much as the human? Did it hate the human instead along with the feelings of love and gratitude? Probably the former. Gutterman angst is so in.
V2's mannerisms and Swordsmachine's data entry are intresting, but a gutterman's eulogy for its prisoner and its attempt at redemption is another level. Actual machine thought process recorded!! Sapient lifeform that knows only war and death! The fact that the gutterman crushing the human's skull seemed to be out of mercy. Ough.
Noone has to interact I havent proof read this I am just RANTING this is CRAZY HAKITA HOW COULD YOU AND THE TEAM DO THIS
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dirtytransmasc · 7 months
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ok but like, Modest!Alicent Hightower au (more modest than she already is) cause I feel like it, it adds ✨layers✨
Alicent who veils her hair during her day to day life, elegant laces and silks adorning her long ginger-brown hair, covering it completely at the Sept.
Alicent who wears dresses with long heavy skirts and always covers her elbows with billowing sleeves.
Alicent who conceals her silhouette with thick shaping garments. they also just helped her back during her pregnancies and taking care of kids (her servants recommended them so she'd have full range of motion and support)
Alicent who was stripped of her modesty, her dignity and sense of security whenever Viserys wanted her. stripped of it by her own father when he sent her to Viserys's chambers in a dress that didn't cover as much as she would have liked, especially when she visited a man with those (silent) instructions.
Alicent who lets her hair down around people she trusts. covering it around Rhaenyra after she abandoned her, a blow to Rhaenyra, a blatant "you hurt me and broke my trust". letting Criston see her hair after he becomes her sworn sword. covering in front of Viserys until he demands she stops. Alicent putting a little makeshift veil on her daughter, who wanted to look like her mum, promising it would protect her from how loud the world was.
Alicent who only trusts her closest servants to dress her, and even then insists on being in a full shift before they can come in.
Alicent who felt stripped bare while giving birth to her children.
little Alicent looking up to her mum who was also very modest, and spending her childhood playing in long skirts.
Alicent who wears shawls and scarves out in public or at events. Criston watches to make sure she remains properly covered. her hands fiddling with the patterns or tassels while she talks to others.
Alicent doing this with her kids:
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Criston offering her his cloak when she's put in bad situations like sudden crowds or outings.
wearing flowy but opaque fabrics during the summers, looking ethereal and goddess-like with her layers skirts and sleeves.
the whole Larys situation being even more sickening.
all 3 of her sons being protective of her modesty alongside Criston, always offering their cloaks to her or standing to block her from the wind or wandering eyes. Aegon holding her veil in place when it's windy, Aemond placing a cloak over her in public, Daeron fiercely defending his mum from lusting glances or lingering stares.
Helaena continuing to veil with her mum when they go out, they love matching veils and trying ornate styles.
Alicent fixing her daughters veil in attempts to get it to stay in on dragon back. it doesn't. but they don't mind the extra bonding time none the less.
gold veils that literally make her look like she's dripping in gold.
tucking her babes in her shawls or holding them against her skirts that are practically swallowing them whole.
Alicent collecting layers. Ornate undergarments that cover her arms in gold and embroidered patterns, some almost like tapestries others more simple. undershirts that cover her neck, with "choker" patterns and sewn in jewels. modest nightgowns and robes made of the softest, most breathable fabrics in existence.
covering her face on holy days/days of importance.
I just have so many thoughts.
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brightnote · 8 months
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Cobie Smulders Flannel Shirt Appreciation Post
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couthbbg · 2 months
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But love is impossible and it goes on despite the impossible. – Ada Limon
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possamble · 11 days
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What are your headcanons about Marcille's mom if you have any? It's interesting that what drew Donato to her was cause she lived the history he studied, or that was said somewhere at least. She must've had an interesting life.
so this was going to be just a normal answer but then I realized I have a Lot of Things To Say. so here goes, a compilation of what we know for a fact from the canon, what I've extrapolated from the visual cues and details, and my theories based on all of that.
Things we know for a fact about Marcille's mother because they were explicitly stated in the manga and supplemental materials:
She was a court mage for a Tall-man kingdom at the southern part of the Northern Continent
Donato, a court historian, fell in love with her because she had lived through the history he was studying, and he courted her for 17 years (age 15 to 32) before getting married
She was a cheerful person who rarely showed extreme emotion and took things as they came
She always cooked a huge meal for Marcille on her birthdays
She remarried a gnome after Donato's death and a short distance away from Marcille's childhood home
Pipi, Marcille's pet bird, was actually older than Marcille and originally belonged to her mother (bird died at 62)
She was extremely heartbroken when Donato died and ultimately ended up instilling a deep fear of mortality in Marcille with her words
the only time she showed extreme emotion in front of her family was when Donato could no longer eat his favourite dish near the end of his life.
She scolded Marcille for being cruel to ants (implying she can have a stern side when needed)
Things that are explicitly shown but mostly through visual cues
She has a very distinctive style of dress always involving a ribbon choker (mirroring Marcille's habit of always wearing a matching choker with any of her outfits that don't cover her neck)
She was almost stereotypically good at housekeeping and traditionally "wifely" things (very frequently depicted wearing an apron or doing some domestic chore when not at work, seems to have been an avid cook).
She knits? (also, note the affectionate smile as she's looking at Donato and Marcille reading a book together in the full panel)
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She was as excited for Marcille's milestones as Donato was.
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She didn't tell Marcille much about elven food
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(there are a couple things that this panel in particular implies:
She lived a good deal of her life (if not being born and raised) in a mainly elven country in the West, implied by her knowing enough of an elven region's cuisine to prefer Tall-man food over it
seems to have a pretty carefree and casual demeanour overall, if this is how she replied to Marcille asking her about it (sounds like she never gave her culinary preferences that much thought to begin with)
slightly related to number 2, it seems like she and Marcille had a fairly casual parent-child dynamic (especially in comparison to the Toudens' memory of their father)
(local elf tastes Italian food once and never goes back))
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However, she seems a lot more... serious in most of the other times we see her? Almost like the very stereotypical archetype of a graceful elf.
Subsequent conclusions about her personality:
Usually pretty carefree and cheerful at home, has been a loving and attentive parent throughout Marcille's childhood (while not being so doting that she didn't discipline Marcille).
Slightly more conjectural theories on her personality:
Had a much more graceful and professional personality at work, which would explain the more serious portraits we see of her.
Given that both she and Donato had positions at the royal court, it seems a little odd that she'd go out of her way to do all the housework herself, so maybe she just enjoyed doing it?
Now taping all the evidence together and toeing the line between analysis and fanfiction:
It's clear that she loved Donato very much and was utterly devastated by losing him. But there's one thing that really stuck out to me in what little we see of her:
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Doesn't she seem... angry? The way she's gritting her teeth, clutching the tablecloth, and how this is the first and only time we see her eyes opened that wide. In the following panel, you see her being quiet and dejected after her initial outburst. She's still crying very intensely, but her brows are furrowed, and she's not really responding to Donato's affection in her body language.
We're not told the details of how she felt about losing Donato other than that it upset her. But this, to me, implies that she was angry and resented that he was aging, that the end of his life was approaching. An "it's not fair" type of preemptive grief. And if this was the first and last time she cried like this in front of her family, she was either very good at coping in private... or very bad at letting herself feel unpleasant emotions until they become unavoidable and end up overwhelming her.
It's not too remarkable a detail on the surface. It's even reminiscent of what the audience has seen of Marcille. But... when it comes to the big picture, you'd think an elf who voluntarily chose to marry a tall-man and have a half-elf child would have been better prepared for this.
It kind of recontextualizes her cheerfulness to me.
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"I'm sure everything's gonna be okay!" (or some variation thereof, depending on what translation you have).
And this is stated to contrast her extreme grief when finally confronting Donato's failing body and eventual death. But I'm wondering if... maybe this optimism was why she was so upset. What if she went into all of it thinking "everything's gonna be okay"? What if she was a little young by elven standards, and just followed her heart thinking that her own resilience would get her through anything?
Of course, only to get completely overwhelmed when she actually loses Donato. She turns into a completely different person. And that's heartbreaking on its own-- but what the audience sees is the effect it had on Marcille. Can you imagine being her, watching your invincible and upbeat mother suddenly lose all the light in her eyes in one go?
I've already made a huge post about how I think Marcille models her "work persona" off her mother, but another thing that stuck with me as I was looking for more details in the manga was this:
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copy pasting from the other post i made about it lmao it's like... the second she resigns herself to lifelong pain and terror, there's another portrait of her mother facing her like this. with their heads bowed, in mirrored body language of resignation and despair and sorrow. Except it's posed like Marcille is still looking at her mother but her mother is looking away.
It took me a second to realize, but I think that it's a visual metaphor for the fact that Marcille's mother was the only long-lived role model she had-- and she failed to model healthy grief for her daughter. I don't say this as an accusation or to disparage her as a character, but just as a matter of fact. In her, Marcille was seeing herself older and losing a short-lived spouse or loved one of her own, and all she saw was hopelessness.
But her mother didn't mean to instill hopelessness and terror in her. She wasn't really thinking of how it would truly affect Marcille at all (at least, that's how I'm interpreting her looking down and away from Marcille in the metaphor), she was just sad. And she, in her own way, was trying to protect her daughter and help her prepare for future losses.
What she meant was "loss is inevitable, and you have to learn how to be in pain but live on anyway." What Marcille heard was "loss is inevitable, and you will be scared and hurt for the rest of your life."
Again. Marcille's mother doesn't feature explicitly in the story the way her father does -- but in so many ways, her shadow, her silhouette, her reflection is always hanging over Marcille.
All that to say... headcanon-wise (everything from here on is 100% without evidence lmao), I'd like to think that she matured and realized that she failed Marcille. I imagine her being regretful about it, wanting a chance to fix it but never finding a way to insert herself back into Marcille's life when Marcille is so so so busy becoming the most accomplished mage possible. I imagine her being herself again, now, so many years after her loss and after remarrying -- but with her cheerfulness tempered with a lot more wisdom and the pain of having gone through loss like that. I think the second Marcille actually tells her what happened in the dungeon, she'd want to go running to her daughter again -- if Marcille tells her the full truth instead of just being embarrassed she let things get that far. (oh, the tragedy of her wanting to be more like her mother and an accomplished adult who doesn't need to be babied... being embarrassed to actually tell her mother how much she fucked up...)
There's also the tension of her having remarried -- I know that there's at least a little bit of resentment that Marcille harbours about that, because she's childish like that at heart even if she makes an effort not to externalize it. I think that her mother would be aware of that, potentially adding to her sense of guilt and apprehension at trying to reappear/intrude on Marcille's life. I honestly don't think Marcille has met her stepfather -- or even considers him a stepfather rather than "mama's new husband" and kind of a total stranger. I think she and her mother actively don't talk about it in their correspondence, like an elephant in the room.
but, ultimately, I think her mother is on her side no matter what. Ancient magic? Dark necromancy? Sure, she'll feel guilty and like she was partially responsible for setting Marcille down such a painful path, but she wouldn't care. that's her daughter!! she would've moved back west and been petitioning for her at the court, buying a house right next to the Canaries barracks and visiting her every day that she wasn't on a mission. And if her husband had opinions on Marcille becoming a "dark arts user," he either gets over it or it's divorce with him. Yes, she might have had her optimism completely humbled by losing Donato like that -- but she's still headstrong and self-assured and she doesn't care what people think of her. It's her way or the highway and she's always going to be in Marcille's corner.
(She also needs a name lol. I went with Juno, just to be cute about "Marcille"s closest real life equivalent being Marcella, which is the female version of Marcellus, which in turn is a diminutive of Marcus, which was derived from Mars. Absolutely in love with Marcille potentially being named after Ares/Mars the fucking god of war btw)
#asks#she could easily be interpreted as distant or neglectful after Donato's death too#with how little involvement she has in Marcille's life/the fact that Marcille doesn't even mention her when talking about her life prospect#and that's fair! I will argue to hell and back that she was a loving parent when Donato was alive#but there's nothing that suggests she remained a loving parent afterwards#I just think that like... parental relationships are so complicated in dungeon meshi#you cannot deny that the toudens' mother loved them dearly but that she failed them both miserably as a parent#and i think it'd be more compelling if Marcille's mother was a little like that too#not a totally and easily dismissable deadbeat#but someone who truly loves her daughter but was only human herself and couldn't be what Marcille needed at a crucial moment#and regrets it deeply#and that the distance between them is mutually self-imposed by complicated feelings of guilt and fear#and a little resentment from Marcille's side that she hasn't really properly processed#I don't know if I'll ever get around to writing it but i had this idea where Marcille does finally spill the beans to her mom and she just#immediately arrives in Melini#and its awkward for a bit but they do finally have a heart to heart and air it all out#and marcille starts freaking out that her marriage is rocky rn bc her new husband wants her to distance herself from marcille#on account of the crimes and all#marcille's like no you can't blow up your marriage for me and her mother just shuts that shit down#'you didn't choose to be born. i was the one who made that choice for you'#'i brought you into this world and i'll be damned if i don't take responsibility for that the entire way'#'you are entitled to *nothing less* than my unconditional love.'#and obviously that's not a sentiment that's exactly healthy as a universal statement about parenthood#but i think its what her mother would believe and what marcille needs to hear#and dungeon meshi does such a fantastic job at just... letting imperfect things just *be* without having to justify it immediately#it expects the audience to do their own critical thinking#and know that its not trying to make sweeping universal statements in every instance#marcilleposting#marcille donato
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mercuryspit · 4 months
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Sejanus would be the best dad in the world and coryo would be like the dad that you aren’t 100 percent sure loves you, until one day it’s been snowing and you look outside and you dad has already cleaned the snow off of your car and put snow chains on your tires.
I WHOLEHEARTEDLY agree with this sentiment. I think they would kind of be perfect parents together.
Sejanus would literally be the perfect father. Sure he makes mistakes but everyone does, he is constantly aware of the way he treats his child/children and he consistently makes an effort to do better than he already does. He it outwards in his affection, he shows it in obvious ways and makes sure they know how much they mean to him and how every mistake they make is inconsequential because they are growing and learning. He can become a helicopter parent and sometimes overstep because he wants to make doubly sure that they’re feeling okay and they’re safe.
He becomes the father he never got to have.
Coriolanus? He is absent. He is an echo of his own father in the sense that he is hardly there, more like a ghost than a parent. He shows he cares by doing little things and truly expecting a grand thank you in return, because at least he didn’t die. He loves his child/children but it’s tough love, and he pushes them to do better always always always. He believes that they are sort of like assets that reflect on him, so he allows them to become respectable individuals without overbearing every step of the way, because that’s all he knows.
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tenspontaneite · 3 months
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Drew Learner when she was younger and her pups were small 🙏
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theeflowerofcarnage · 19 days
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MY 9 WEEK OLD SON
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well he turns 9 weeks tomorrow 🥺
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itssoinevitable · 1 year
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Siegfried x Tristan x Mrs Hall  Season 3 of All Creatures Great and Small (2020)
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vexangle · 1 month
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regarding the clone vs robot poll. everyone who voted 'clone' owes identical twins $100
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carefulfears · 9 months
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thinking about how expectant of her own death scully always was, but how completely struck by shock she was in mulder’s, despite how clear it had always been that he would one day die for the cause. tragedy in the x-files as something you should have been prepared for, but never could be, in scully standing at a funeral, as her mother had stood at her father’s, and barely being able to speak. she should be able to do this? bred to be a war widow, attached to an endless line. but no matter how many times she saw him put that gun to himself, or run off in front of another, she really did believe that he would always come back. she really did believe that there would never be a day where he didn’t just appear in the doorway again.
#‘oh my god you’re so naive / you’ll leave this world in a drunken heap / who’ll make the arrangements baby / them or me?’#oh father john misty we’re really in it now#that song (‘please don’t die’) has been discussed RE: msr before but it’s that ‘who’ll make the arrangements?’ line that sticks with me#in the song it’s from his wife’s point of view in his addiction/suicidality. how he’s always running off with ‘reptilian strangers.’#but it always makes me think of scully standing at that funeral and saying….he was the last one.#his sister is GONE. his mother is gone. his father is gone.#and that realization of…she had to plan that funeral. the flowers and the people and the priest and the grave.#she’s pregnant and she’s alone and he ran off after someone else or some answers as he always does. but who will make the arrangements?#in that moment at the funeral when skinner says….but he’s NOT the last one…..#she has to keep going because he’s left her this baby she’s carrying. and she is so ill-equipped and she carries so much perceived shame.#her mother did it. her mother WOULDVE done it- had ahab not come home one day. the women on the base she grew up on did it.#and anyone in the world could’ve told you that she would have to do it one day- no matter how many years she spends chasing after him#as he jumps onto moving trains or pulls the trigger on his own head or runs to the arctic#but she never actually thought she would. and now she’s realizing that she can’t.#and she’s planning a funeral and decorating a nursery at the same time and she is ‘just not capable’#txf.txt
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