#base isolation

[little-p-eng-engineering]

Little P.Eng.'s Comprehensive Seismic Structural Services Aligned with ASCE 7-22 and NBCC Standards

In an era where architectural ambition pushes the limits of engineering, safeguarding structural integrity against natural calamities, particularly seismic activities, becomes paramount. This detailed exposé delves into the sophisticated seismic structural engineering services provided by Little P.Eng., a firm renowned for its compliance with the latest American Society of Civil Engineers (ASCE) 7-22 standards and the Canadian National Building Code (NBCC). Their work spans across Canada and the United States, encompassing a diverse range of buildings and non-structural elements, reflecting the pinnacle of safety, reliability, and innovation in modern construction.

1. Introduction

The unpredictable nature of seismic activities has long posed a significant challenge to the realms of construction and civil engineering. Within this volatile environment, Little P.Eng. has emerged as a beacon of reliability, offering cutting-edge seismic structural engineering services across Canada and the United States. Their adherence to the ASCE 7-22 and NBCC codes ensures not only the structural integrity of vast construction undertakings but also the safety and longevity of non-structural elements, affirming their position at the forefront of seismic resilience in contemporary infrastructure.

2. Understanding Seismic Structural Engineering

2.1. The Science of Earthquake Engineering

Before delving into Little P.Eng.'s specialized services, one must understand the core principles of seismic structural engineering. This discipline focuses on making buildings and non-structural components resistant to earthquake shocks through specialized planning, design, detailing, and, subsequently, construction. It encompasses geological science, material engineering, and structural analysis to develop structures capable of withstanding seismic disturbances.

2.2. Evolution of Seismic Codes: From ASCE 7-10 to ASCE 7-22

Seismic building codes are dynamic, evolving in response to the continuous advancements in engineering research and catastrophic lessons learned from each seismic event. The transition from ASCE 7-10 to ASCE 7-22 is a reflection of this evolution, marking significant strides in risk reduction and structural robustness, emphasizing not just human safety but also post-earthquake functionality and rapid recovery for communities.

3. Little P.Eng.’s Integration of ASCE 7-22 in Seismic Structural Engineering

3.1. Innovations in Seismic Design Philosophies

Little P.Eng. employs a forward-thinking approach to integrate the innovations outlined in ASCE 7-22. These include state-of-the-art seismic design philosophies involving base isolation, energy dissipation devices, and performance-based seismic design (PBSD), allowing for structures that are more flexible, absorb and dissipate seismic energy, and maintain structural integrity during earthquakes.

3.2. Site-Specific Hazard Analysis and Geotechnical Considerations

One of the critical aspects of ASCE 7-22 is the emphasis on site-specific hazard analyses. Little P.Eng.'s engineers led by Meena Rezkallah carry out comprehensive geotechnical evaluations, considering soil-structure interaction, liquefaction potential, and site-specific seismic hazard assessments. By understanding the geological variances across different regions in North America, they ensure that each design is intrinsically aligned with its environmental context.

4. Adherence to NBCC Standards: Expanding Safety Parameters Across Canada

4.1. Bridging Policies between Countries

While their services in the United States predominantly adhere to ASCE standards, Little P.Eng. seamlessly bridges engineering policies between the U.S. and Canada by aligning their practices with the NBCC. This code compliance not only underscores their versatility in handling cross-border projects but also reflects their commitment to upholding the highest safety and professional standards in every geographical locale.

4.2. Understanding NBCC’s Seismic Provisions

The NBCC has distinct seismic provisions, necessitating specialized knowledge and an adaptive engineering approach. Little P.Eng.'s expertise in Canadian seismic codes ensures that structural and non-structural components comply with regional regulations, catering to Canada's unique seismic challenges, especially in high-risk provinces.

5. Comprehensive Services for Buildings and Non-Structural Elements

5.1. Diverse Building Typologies

Little P.Eng.'s portfolio encompasses a variety of buildings, from residential high-rises and expansive commercial complexes to critical facilities like hospitals and emergency response centers. Each building type presents unique challenges, and the firm’s nuanced, context-oriented approach to seismic retrofitting and sustainable design practices sets industry standards.

5.2. Protecting Non-Structural Components

Beyond the buildings themselves, Little P.Eng. extends its engineering prowess to safeguard non-structural elements. These components, often overlooked, can pose significant hazards during seismic events. From architectural elements to mechanical and electrical systems, the firm implements exhaustive strategies to enhance the safety of these components, thereby protecting human life and minimizing economic loss.

6. Future Directions and Continuous Advancements

6.1. Embracing Technological Innovations

As the field of seismic structural engineering advances, Little P.Eng. remains committed to incorporating new technologies, including artificial intelligence and machine learning, for predictive analysis, design optimization, and risk management. Their continual investment in technology positions them as a leader in future-proofing structures against earthquakes.

6.2. Contribution to Global Seismic Safety Standards

Harnessing Advanced Engineering: Little P.Eng.'s Comprehensive Seismic Structural Services Aligned with ASCE 7-22 and CNBCC Standards in North America

7. Conclusion

Little P.Eng.’s comprehensive seismic structural engineering services, grounded in the latest ASCE and NBCC standards, represent a confluence of scientific mastery, innovative engineering, and a deep commitment to safeguarding human lives and investments. Their work across diverse building typologies and non-structural components in Canada and the United States cements their stance as a pivotal player in shaping resilient, sustainable, and safe urban landscapes. As seismic activity remains an unpredictable threat, the foresight and innovation of firms like Little P.Eng. are society's best bet for a safer tomorrow.

References

[1] American Society of Civil Engineers. (2022). Minimum Design Loads and Associated Criteria for Buildings and Other Structures (ASCE/SEI 7-22). ASCE.

[2] National Research Council Canada. (2020). National Building Code of Canada.

Tags:

Little P.Eng.

ASCE 7-22

design optimization

earthquake resilience

energy dissipation

building codes

seismic design

advanced materials

non-structural components

CNBCC

technological innovations

cross-border projects

geotechnical considerations

mechanical systems safety

base isolation

sustainable construction

electrical systems safety

Seismic structural engineering

critical infrastructure

artificial intelligence

urban resilience

construction techniques

seismic retrofitting

site-specific analysis

predictive analysis

professional standards

safety regulations

risk management

performance-based design

global seismic standards

Engineering Services

Structural Engineering Consultancy

Seismic Bracing Experts

Located in Calgary, Alberta; Vancouver, BC; Toronto, Ontario; Edmonton, Alberta; Houston Texas; Torrance, California; El Segundo, CA; Manhattan Beach, CA; Concord, CA; We offer our engineering consultancy services across Canada and United States. Meena Rezkallah.

[constructionsafetynetwork]

Earthquake-Resistant Building Design: A Guide to Safer Structures

In regions prone to seismic activity, earthquake-resistant building design is not a luxury but a necessity. The primary goal of such design is to ensure that structures can withstand the shaking and shifting of the earth without catastrophic failure. This is achieved through a deep understanding of geotechnical engineering principles, materials science, and the dynamics of seismic forces. By…

[mychapel-004]

FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!

i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.

i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.

in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.

this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable

it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.

then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.

he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.

finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.

it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.

in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.

[anakirui]

hot take ??

the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.

it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)

anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.

they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.

for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.

for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.

their insecurities are incredibly similar.

in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.

in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.

just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.

now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.

for mafuyu and tsukasa it's pretty straightforward.

mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.

tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.

and even then, there's some overlap.

tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.

mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.

and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.

mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.

tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.

mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.

tsukasa has not yet cut his.

[uncanny-tranny]

Something you start noticing is that people who hold delusional or "incoherent" beliefs have reasons for believing them that you might understand. There's this idea that delusional people or people who otherwise hold "out-there" views just... come up with them on a whim, but that isn't always the case. I find that when people start assuming that delusional beliefs come from nowhere, they think that they're really easy to just "snap out of," and it doesn't work like that.

You might not understand why somebody believes in something, but knowing that it is for a reason can remind you that they aren't being antagonistic. There is already a lot going on. The least you can do is understand where the person is coming from and offer compassion, not judgment.

[aishazero9i18r]

I had too much fun playing Waven and my goal is basically to reunite these two as much as i could until the official lore drops

Also Yes, another overall experience of playing Waven ft. Zza’ah, i was low on health when i finally get to summon these two.

.

Man. I cannot wait until they dropped the patch that included Sadida ruins or something, i lowkey wish that if Amalia survived, she will be the guardian of the ruins and such. Idk about Yugo though, he may isolates himself in another area, with 10 years holding the guilt :))

Is it possible if he isolate himself in the Inglorium tho—

[doritofalls]

PREORDERS ARE OPEN for a second batch of house of wax keychains, till the end of April! if you fancy yourself a polite southern boy that will definitely get you a fan belt, here's your chance!

[serialunaliver]

"I wish I had rich friends like in saltburn" did we watch the same movie

[chayannesegg]

listen, i absolutely get ramon not wanting to talk to sunny & feeling hurt/betrayed by her helping tubbo

like, i'd hazard he might even feel more betrayed by them than tubbo himself—bc sunny & ramon probably talked about what family meant to him (during their sleepovers or something) and ramon has no insight into why they'd do that whereas tubbo, for all his actions have hurt ramon, very clearly has the emotional capacity of a wet paper plate and issues running deeper than marianas trench

but that makes it all the more heart wrenching that he won't hear her out (and you can see in the backgrounds of vods her multiple attempts over several days to get his attention just to be rebuffed) bc i bet if she could explain herself even a little things could be so different

it reminds of the situation from the other week where sunny wasn't talking with em and tubbo tried to explain that, even if you're mad at them, suddenly stopping talking to someone you love could make them feel awful and worse than you intended

and that is what's happening to sunny. it's miserable to see bc she was already so isolated and ramon, as her big brother, is someone she put a lot of trust in to be there for her and listen to her and it must feel to her like that was an empty promise to have him not even hearing her out.

and it's particularly tragic bc sunny didn't even want to mess with fit and pac. yes, she was "tempted" to aid tubbo in his quest, but I really don't think it was bc she was actually worried about being left behind when she agreed. i think she could tell tubbo was scared and hurting and not ready to accept the change and didn't want him to be alone. she didn't really have another option and every adult can see that but ramon is young and blinded by his hurt

and now sunny is left feeling abandoned and forgotten and replaced and it's exactly what their pa said would happen; self fulfilling prophecy :(

[evie-writes-sometimes]

AroAce Five is something that can be soooo personal

[aoxue]

@songlanweek2023 Day 1: Language/Promise

One version of Baixue Temple that lives in my head is home to a substantial little Deaf community, and the whole temple's knowledge and use of their particular sign language/dialect was especially helpful for a Song Lan who had some speech difficulties when he first arrived as a child....

Anyway. Bai Bingxin (白冰心) is Song Lan's shijie by a few years! She's Deaf and was left at Baixue Temple as an infant, and although she doesn't always see eye to eye with the temple's workings -- enough to leave it one day, maybe -- it's still home. Bingxin is always the first to volunteer to perform ceremonies and blessings in the surrounding villages and is very fond of plants and flowers. 🌸🌱 She's a kind heart, but even she can't resist some sisterly teasing now and then!

[a-wumper-on-the-internet]

isolation is not used enough as whump.

i love my whumpers (why do you think I have so many of them as ocs compared to whumpees), but sometimes the whumper doesn't need to be there. Sometimes you leave your guy stuck, alone, forever. And then just see what happens.

Drifting in the emptiness of space? free to roam but unable to talk to people or interact with the world in any capacity? just a plain, fully furnished, completely uneventful room, but with no door? Incredible. showstopping. flawless.

like, we all love starvation and dehydration and torture via the elements or weather or nature, but I think we all are sleeping on boredom. boredom is a slow, patient killer, that'll tear apart your mind, bit by unstable bit.

boredom is what pushes a whumpee to be a whumper. it's been so long without stimulus - you might turn to... alternative methods. because if you make them scream, it might just remind you that you still exist.

[hollowedpurple]

Thinking about the lyrics that goes along the lines of “I couldn't hear your silence over the sound of our happiness” again and of course Satoru couldn’t hear anything else they were separated for their missions and spent more time alone and had more time to think.

In that time Suguru kept thinking of all the ways the world was wrong and how he couldn’t find it in himself to laugh again, but Satoru was thinking of all the times he made Suguru laugh instead. Because he could already see the world for more than what it seemed. Because even though he could, he narrowed his world to Suguru and Suguru’s little giggles he got out of him only.

And because Gojo remembers Geto the way he was whenever he was with him, he remembers him happy.

[eternal-moss]

“I wish I were Ophelia”

[allgremlinart]

"but I liked when the canon was that the Blue Spirit mask was from Earth Kingdom opera not the comics retcon where he gets it from his mom :(" see but what you're not considering is that.. it could be... both...

[mattodore]

therapy dog