#basically these were all my favorites of the ones that involved shipping | Explore Tumblr Posts and Blogs

izzabela · 9 days

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How about the linkuei trio with a female partner who is just a little bit taller than them? Personally, I find it adorable when in couples, the woman is taller. Plus, our boys are also very tall :>

Height Difference - Lin Kuei Trio x fem!reader (headcanons)

in which you were blessed with great vertical length

a/n: something something something Tomas would ask us to sit in his face

ship[s]: tomas vrbada , bi han , kuai liang x fem!tall!reader (separate, headcanons)

warning(s): MDNI beyond a certain point

Tomas Vrbada

- Tomas minds his business when you pick something to wear. heels? lovely, put em on and make yourself tower over him. short dresses? absolutely, let him see your legs

- he absolutely loves when you feel yourself, confident in the blessing of your genetics

- he's little spoon fifty percent of the time. no, he doesn't care ("please hug me like i do you", he asks constantly)

- head pats. head ruffles. mess his hair up. anything involving your hand on his head is a must

- he will still carry you- bridal style is his favorite. thats definitive

- he loves dancing with you. slow dancing especially, the way you look at him as your head tilts down ever so slightly to meet his equally soft gaze

Bi Han

- Bi Han is reluctant to show intimacy in public, but in private he loves leaning on your shoulder when it's just you two

- Bi Han is a confident man, and he would actually put anyone in their place of they told you that you weren't allowed to wear things because you were tall

- you're a good sparring partner. when he's alone with you, he'll probably mention you're a good reference for fighting people

- you like it when Bi Han makes you feel like a woman. what i mean is that you still feel feminine and cutesy and lovey-dovey with him because of the natural masculinity he oozes- basically he still makes you feel like a cute short girl when you're having those days

- just like Tomas, Bi Han will carry you. except he's more than bridal style: over the shoulder, bridal, one arm- i don't know, i don't care

- Bi Han, when not around others, will rest his head on your shoulder

Kuai Liang

- he will always look up at you, smiling and giddy. he just loves to look up and see the love of his life

- he doesn't care, he will be affectionate in public and love up on you like Tomas

- Kuai Liang does dip kisses. idk i can see him doing ig

- Kuai Liang does the thing where he traces your silhouette like he's drawing. fingers gently gliding across your arm, shoulder, back of your neck- he loves that

- Kuai Liang also big on leaning his head on your shoulder, but he does it whenever and wherever he wants

- Kuai Liang does not mind if you throw your arm over his shoulder. he'll match your energy and wrap one arm around your waist and the other holding your hand that's over his shoulder

MDNI HERE ON OUT======

Tomas

- SIT ON HIS FACE. HE LOVES WHEN YOU SIT ON HIS FACE

- i think Tomas can be switchy- dom one night and sub next. he's a mixed bag of nuts

- when he's sub for the night, oh baby does he love when you're pulling his hair, forcing him to eat you out without air, or just being rough with him in general

- "show your mistress how much you love her," you command. his eyes are glazed and lost, the scent of your slick and the heavy air of sex getting him high

- when he isn't subbing, that man will fuck you like no tomorrow. however, he likes to see you on top of him in some way

- "come on, dove," he coaxes you gently, ironic to how fast his hips buck into you as you're moaning and gasping for air as he fucks you. "you're doing so well, dove. up and down- good~"

Bi Han

- he's on top always, but i think he likes to see your silhouette and admire how tall and lengthy you are (legs and arms wise)

- "beautiful," he says between gritted teeth. in doggy, he's got the perfect view of all of you: your ass on his dick, back dimples so deep that his thumbs were practically made for pressing in them, the fact your back was out in its glory. "my beautiful song bird"

- he'd fuck missionary too. your legs over his shoulders, meaty cock pressing into the tip of your cervix as you beg for more, more, and more

- Bi Han likes to bound you in something. hands behind your back, tied up wrists, etc etc. it might have to do with the fact he can see your entire, elongated figure. you like it too, don't worry

- sit on his face too, for sure, but he's more into 69. you're gagging, sobbing even, over his cock bullying your throat as Bi Han condescendingly asks if you like it ("you do?" he laughs maniacally, bucking his hips deeper. "have some then, my song bird")

Kuai Liang

- i think he'd pick you up and fuck you. whether you're facing him and you're foreheads are touching, or your back is against his and he's practically pistoning in and out of you

- mirror fucking! he wants you to see all the parts he finds pretty about you. "don't you see how pretty you look, darling? pretty little legs out so you can see how well i'm feeding that little hole of yours~"

- dirty talk! so much dirty talk about you and your greedy cunt, sopping wet cunt, how pretty you look spread out and dripping

- i think he's into the bjs where he's standing, holding your hands up by your wrists, and humping into your mouth as you whine and cry on his thick length

- Kuai Liang is probably into the sitting blowjobs too, where you're the one looking up at him instead of the other way around

- something something something, Kuai Liang fucks you sideways. your leg is in his hand as your legs are spread wide open, full access for his cock to fuck deep in you

=====================

whew okay finished

guys the voices are calling me to COD i wanna finish all of these before i hit it tho

#mortal kombat #mk1 #mk1 2023 #x reader #bi han #kuai liang #tomas vrbada #scorpion #smoke #sub zero

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anghraine · 1 month

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Disney-era Lucasfilm has given me essentially one film I adored (Rogue One, which also has my favorite SW ship and two of my favorite SW characters in Cassian and Jyn). It's also produced two more films that I very much liked (though only one of those still remains high in my estimation tbh), and a bunch of SW material that is not really the SW that plays in my mind, but at least fun and interesting to think about with the very glaring exception of TROS. I never had any investment in Legends, either, so for me the Disney era is not some huge loss.

I say all of this to emphasize that I'm not a kneejerk Disney SW hater. Nevertheless, I'm actually very disappointed with DLF's tendency to emphasize how ground-breaking and diverse and ~challenging some new SW media thing is without doing much to support the people involved or appearing to foresee that a fanbase prone to bigotry, nostalgia, and throwing screaming temper tantrums for decades on end is not going to react well. This is in no way an excuse for those fans, but DLF does not seem to ever predict how SW fans will respond despite their well-documented history of responding really badly to anything that remotely challenges them.

I love SW and I love my personal friends in SW fandom, but there have always been a significant number of vocally hateful and reactionary SW fans who manage to shape the discourse around basically everything in it. This is completely predictable. The fact that DLF seems completely unprepared for this reaction every time they give central roles behind and in front of the camera to women and/or POC, and also appears to do very little to support the actual RL marginalized people they hire when not just cravenly giving in to the worst elements of the SW fanbase (*cough*TROS*cough*) is incredibly frustrating.

Yeah, this is about DLF's poor handling of eminently predictable fan tantrums over The Acolyte which has just culminated in cancelling it after a bare eight episodes, but it's happened so many times at this point. The Acolyte was far from perfect but after how visibly unprepared DLF were for the raging bigotry directed at Kelly Marie Tran, John Boyega, and Daisy Ridley, or how weird people were about Solo, or the misogynoir surrounding the response to Reva in Obi-Wan Kenobi, or or or—they absolutely could and should have known that something like The Acolyte was going to need a lot of higher-level support to have any chance of success. At the very least there's no excuse for being surprised at this point.

And it feels a bit like it, and the actual people involved in it, were never really given a fair shot and the real higher investment is going to be in, like, Baby Yoda 4: Now With More Ewoks.

My friends and I just finished our first run of Jedi: Survivor, which we really, really liked, but there is definitely a tragic white boy protagonist propped up by POC and/or women (many now dead!) aspect to the whole thing that feels essential to its popularity. And it is frustrating and disappointing and all the more so because it's so eminently foreseeable at this point.

#a show centered on morally ambiguous women of color with two moms #who ultimately challenge the fandom's stoic jedi power fantasy ideal ... who could have expected fan outrage???#OH WAIT ANYONE literally anyone could have #anghraine babbles #anghraine rants #star wars #sw fanwank #cw racism #cw misogyny #long post #tv: the acolyte

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avelera · 6 months

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I am never going to be over what the movies did with Steve and Tony's dynamic, because- listen, listen. The reason Civil War was (supposed to, it was kind of a hot mess) hit so hard in the comics was that these two were *best friends* and had been for decades of comic time. In the movies, they never are friends, so Civil War is just two colleagues who never really got on, and not the devastating tearing apart of a long-established friendship group.

Dude I literally burst out into like... outraged, furious laughter in the theater when Tony said, "I thought I was your friend?" because, umm, footage not fucking found?

I completely get and respect the comic readers here for whom Steve & Tony and Steve/Tony were, in fact, the best of friends! But the MCU never ever actually showed it.

To cram that line, which felt lifted from the comics, into the MCU was genuinely laughable. How could Tony possibly think he compares to what we've seen of Steve and Bucky's relationship, since childhood even if you don't ship them, as the only person Steve has left from his entire life pre-WWII? How could Tony possibly think he compares except through the lens of a galaxy sized ego and being totally self-involved to the exclusion of all else? How could any work colleague, since that's what they are at best when not outright antagonists to each other in the MCU, think they'd compare to a childhood friend in danger, that Tony is actively putting in danger? Who Tony is blaming for the death of his father despite the fact they've got piles of evidence that Bucky was a mind-controlled prisoner of war being actively tortured at the time?

It's literally staggering, it beggars belief that this line was uttered. And wildly enough, it's not even my least favorite line in Civil War. (That one goes to Vision's stupid fucking comment about how strength invites challenge, basically victim-blaming the superheroes for having villains, which only possibly makes any sense if you ignore Thor, the greater galaxy, all of the infinity stones, and basically every other part of the MCU timeline before Steve Rogers got the serum, Christ that line makes me mad.

Oh, and the line about Tony just handwaving signing the accords because their lawyers can fix it later as the most boneheaded line of insane privilege I've ever heard. Kids, never fucking sign something just because you can supposedly fix it later, christ it's the dumbest thing I've ever heard.)

ANYWAY, I have major beef with Civil War's logic. It never should have happened where it did in the MCU. Cap 3 should have been dedicated to its original plot before they found out RDJ was staying on in the MCU and they had the pieces to make Civil War (the original was the hunt for Bucky and an examination of Captain America's legacy through the lens of Bucky killing off the pretenders the US government set up to be him over the years, and I still weep that we never got it) But I do honestly, deeply, have sympathy for comic fans and why they're mad about the Steve and Tony friendship never actually appearing on screen in any meaningful way.

Civil War shouldn't have happened then. Civil War is a plot you run now, when you've got the rights to the X-Men and too many damn characters running amok. Civil War would be perfect now for pairing down some of the ballooning MCU nonsense. The cast was literally not big enough circa Cap 3 to make Civil War. And I'm eternally bitter that they pivoted away from the smaller-scale Cap-centric movie we should have had and instead made another Avengers movie in its name.

#maggie rambles #captain america #mcu meta #mcu

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rosellerivers19 · 2 months

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You ship the two dudes from RRR so you watched more Tollywood movies to see if there was anymore Fruity love stories but were disappointed finding out Tollywood actively stays always from Gay. Don’t worry I got you

So after Western audiences and he’ll even some brown people watched RRR They began to heavily ship Ram and Bheem.

I mean I get it two dudes back in like the 19th century India on rival sides of an internalized War becoming friends by chance and giving up their believes for said friendship to save said person from their ultimate demise while looking incredibly badass while doing it definitely gives some signals.

Sorry to disappoint though Rajamouli actually denied making Ram and Bheem canonly fruity and established hetero love stories for them due to the fact Most of Tollywood has little to never actively shown fruity characters sometimes making fun of them (transgenders we’re usually used to highlight ‘bad’ beauty in musical numbers dancing around the hero only to accentuate the beauty of the heroine). So for his own protection and to make sure RRR wouldn't flop Rajamouli forced Ram and Bheem to have Jenny and Sita as love interests kinda like the meme 'born to repost, forced to private'.

Some movies in Tollywood don’t actively hate on it though and yes use it as a laughing gag but then again Westerners often use the expression “Yes Queen” and that’s what I’d typically reference these gags to.

However I was rewatching some movies of a Tollywood actor named Ram Pothineni whose movies I grew up watching and still watch. One of my favorites is “Endukante Premanta” because it’s a reincarnation love story and I love reincarnation love stories plus it takes place on Paris something I realized years later.

Anyway so Ram Pothineni in 2013 starred in a movie named “Masala” along with another Popular actor from more older times like early 2000s and a bit before his name is Venkatesh Dagguabti.

So basically the movie itself is average you’d get it more if you were brought up in Tollywood Cinema like me.

The basic plot line is there’s the Muslim guy named Rehman who wants to get his sister married as his brotherly duty towards her however the face problems in a court case where their house is seized so their uncle transfers them to the village where their uncle lives and helps Rehman find work.

When Rehman arrives at this village an incident occurs where a little boy was climbing a stone gate to a building to get his Kite and accidentally falls on the other side of the Gate into the water. Past the Gate is a Temple that is closed off due to Legal Problems. Seeing the boy is drowning in the water Rehman smashed the lock to the gate and baits the door open diving into the water saving the boy. He gets in trouble with a few of the residents who are mad at him for breaking the gate open since the Temple being closed was a major issue in the village. However Balaram a very respected figure in the village intervenes supporting Rehman for his efforts in saving the kid Balaram was actually involved with the Temple closing incident with the Antagonist of the film his cousin who is intent on marrying Balaram’s sister which Balaram dislikes. After this incident Balaram decides to take the temple into his custody again thanks to Rehman’s effort with the support of the village people.

A thing you should know about Balaram is that he doesn’t tolerate Lies at all he’s a very good man helping everyone in the village at their time of need but no matter how big or small the lie is he will punish the other party for their lie. When Balaram asks Rehman for his name Rehman’s friend Siri lies telling him that it’s Ram a traditional Hindu name fearing that if the village people were to find out that it was because of Rehman a Muslim guy the Hindu temple reopened there would be problems since Islam and Hinduism are opposing faiths and even though they can tolerate the other faiths some people might not feel that way since it still is a sensitive topic.

Because of that one lie Rehman is forced to enter a rabbit hole of lies hiding his Muslim identity pretending his mother who died when he was young is still alive and that he’s a singing teacher in order to make sure Balaram won’t get suspicious of his lying.

Now the main point is Rehman in this movie for one of his lies is forced to pretend he has a younger Muslim stepbrother that looks just like him because Balaram’s advisor and him saw Rehman at a Mosque. Rehman’s fake younger brother character who he acts is a dancer by profession and is gay. Yep that’s the laughing gag.

However in the movie Rehman’s fruity character in my opinion isn’t really disrespectful at All There’s not really any homophobia to the character and he acts like any fruity man you’d see on TikTok with “Slay Queen” and “Yes Girly Pop” which is kinda translated into Telugu. He acts very fruity in his role which is like he’s supposed to because his Make believe younger brother is fruity. Rehman has Balaram’s men (his workers) actively questioning their sexuality with Rehman’s provacative actions in the movie. Sure Rehman is only pretending and hits them when they get too close and the workers take no for an answer (another victory if you see the earlier Telugu films at the time). Balaram hires fake Gay Rehman as a dance teacher for his younger sister since he doesn’t trust normal men around her since his cousin wants to marry her and has tried kidnapping her on multiple occasions. Balaram trusts ‘Rehman’ since he’s Gay though.

The actual Rehman ends up with the heroine in this case Balaram’s sister Meenakshi at the end of the movie revaluing his lies and being forgives but I fully believe Rehman was Bi in this movie. How he acted even when he wasn’t playing his fake character of his younger Gay brother was kind of fruity his voice alone will sometimes give you like James Charles kinda voice if you get what I mean.

I mean it’s not perfect in representation it’s still a Tollywood movie from the 2010s too but it is really progressive compared to the other movies and I found Tehman’s character when he was acting fruity or just pretending to be Ram or just his normal self was really funny.

see if you want to see another possibility of LGBTQ in Tollywood cinema you can watch This. I’m pretty sure you can watch the subtitle version on Einthusan.

#tollywood #ram pothineni #indian cinema #lgbtq community #indian lgbt #Masala Telugu movie #RRR #movie recommendation

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cartoonsbyandie · 10 months

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@akai-anna You have made a mistake

SPOILERS FOR MOVIE 9 below the cut (TW: Depression like oh my god severe depression, suicidal tendencies)

So it's no secret I'm a Kogoro Enjoyer tm, to the point that it's probably more shocking that Movie 9 isn't my #1 pick, and my favorite movie involves Kogoro asleep for 60% of the runtime. BUT it gets the #2 spot on the strength of one scene, which is my favorite moment in any DetCo movie and possibly even the series as a whole.

The moment (which is probably like 20 minutes I'm corralling all into one 'scene') is all of Kogoro's deduction scene and the ensuing fight, basically right up until the point where they have to save Rachel. (The Rachel stuff being where most of my frustrations with Movie 9 are.)

Here's the thing about DetCo: If you're watching Movie 9, you're probably into the series pretty deep, right? You're trained to disregard Kogoro unless you get extremely clear signs otherwise. He's comic relief, he's always wrong, his theories are always wrong. Period. Unless Conan is literally spoonfeeding him clues, or the show goes out of its way to show he's being serious this time, anything he thinks up on his own is completely wrong. The movierunners know this and play into it-- In an earlier scene, Kogoro goes up on stage like always and completely botches a deduction in front of a crowd. He has no evidence and gets called out on it instantly, at which point Conan (via Agasa) steps in and calls out the real culprit, who confesses and the Action Part of the movie begins. Business as usual.

And then the movie proceeds to completely and entirely subvert that.

It's my favorite scene because of just how well the show hid its cards, which your mileage may vary on. Kogoro isn't front and center on the movie poster, but he isn't shoved in the background either, and I did get some inklings beforehand that this movie might have Kogoro playing a more prominent role when he seemed to be acting strange. (I say this is my favorite single scene, but the whole movie does build up to it well with subtle clues.) But during that botched deduction scene, I disregarded all of it-- I've been burned before by this show, thinking they were building to Kogoro doing something cool, only for it to be played for laughs. They fake the audience out by playing exactly to expectations, so Kogoro coming out of NOWHERE to reveal that he was right all along and literally left the botched deduction to go search the culprit's room for evidence and sabotage her murder weapon HAD ME SCREAMING.

Literally all of Kogoro's skills come to fruition here in this scene. He knows enough about guns to sabotage a harpoon gun, knows (almost) exactly what happened for all the crimes at this point, knows how to fight and subdue a criminal (we'll get to that) and is devoted enough to justice and Being A Detective to see this case through to the very end. This should be a crowning moment of triumph, and what's the soundtrack doing?

It's solemn and sad, because where is Kogoro is giving this deduction? On a sinking ship, after he forfeited his spot on the lifeboat, believing that Conan and Ran have already made it out. He gives this deduction alone, with no one but himself and the culprit. He acted like he would arrest the culprit, but... where would he take her? What was his escape plan?

He didn't have one, did he?

The culprit mentions that it's pointless for him to explain her crime to her considering the circumstances, and Kogoro outright says he can't help himself. He knows it's pointless. He was prepared to give his life here, just to stop her plan.

And you know what? That's tragic. The fact that he's willing to die here, for this, leaving behind Ran and Conan, is heartbreaking to watch. The tone of this 'real' deduction scene is a complete 180 from the botched one, because Kogoro isn't playing anything up. He's just calmly explaining the crime because that's what detectives do. That's what detectives live for.

I'm not done, though. There's still the part where the culprit decides her final act is going to be to kick his ass for this stunt. I think it's pretty clear from everything Kogoro says that he's throwing this fight, if not on-purpose then on a subconscious level. Like, Kogoro doesn't really fight for himself, does he? He fights when someone who murdered his friend is attacking his other friends, he fights when Ran and Conan's safety is at risk. He fights for other people, so when it's only himself at stake (and he was already prepared to die, that's why he's here at all), what's the point?

Conan calling out to him snapped him into gear because suddenly it wasn't about him. Suddenly there was someone else to protect.

I haven't mentioned Conan but the fact that Conan is 'present' for this entire scene is great to me too. He got to hear this entire thing, help Kogoro out when he fumbled one detail in his deduction, and even seemed proud by the end. It's so sweet to see Conan proud of Kogoro for once. It's sweet to see just how good Kogoro can be when he really cares, and how good of a team these two could be.

I'm glad we got at least one movie dedicated to that idea.

#Do not read if you haven't seen movie 9 #I'm not the type to care about spoilers but I'm so happy I went into that one with none #detective conan #dcmk #strategy above the depths #kogoro mouri #mouri kogoro

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erikiara80 · 6 months

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March 22nd and all the birthday references in ST

Will's birthday has always been important.

A birthday mug in episode 1

Same mug in Mike's basement. We see it in scenes with El in S1 and Will in S2. Yeah, I think birthdaygate could be about her, too. Will is the only character whose birthday was used to literally save him and the whole town. And we've seen El's birth and birth certificate, but we still don't know when she was born? Strange

The I forgot your birthday card in Will's room in S1

But in S2 we only see it when Joyce looks at the Will the Wise drawing. In all the other shots the card is not there, and the drawing is on another wall. This could be a hint at different timelines (of a timeloop?) More screenshots here

Basically, I have two theories about Will's birthday: either people really forgot it in S4, or the Will who was born on March 22 is the brown-eyed Will in the Missing poster, in the timeline we see in the shed scene, and not the hazel-eyed Will we see in the rest of the show. Maybe they hid the truth in plain sight, they let people believe that his eyes were different because he was possessed. But then in S3 they show that Billy's eye color never changes (here) Can't wait to see what this means

No birthday card in these shots

Lesbianmindflayer found a video posted on the official IG account in August 2017. At the time, they had already filmed S2, they knew there was an important scene about Will's birthday, so why posting the wrong date? Is it actually a mistake, or that's really his birthday in another timeline? We'll see!

The amazing shed scene. One of my favorite! Joyce talks about Will's 8th birthday. That was in 1979, the year of the massacre. She also mentions his rainbowship, a hint at his queerness, but also a reference to the lab. And I think there's a connection to the "rainbow rocket" near Creel House, and the ship of Brenner's father, who was involved with Project Rainbow, and the first man to wind up in Dimension X. This scene is so important!

Will drawing a spaceship could also be a parallel to Olivia Dunham (Fringe), who drew what she saw in another universe. A Zeppelin

Olivia's drawing (Byler-Polivia parallel and Subject 13)

3x03. Happy Birthday and '76 on the poster. The lifeguard is talking to El and Max here. My theory about what this could mean and what might have happened in 1976 here and here

The original title of episode 3x06 was The Birthday. There is no birthday in that episode, but after the intro, the song that plays is Stand up and Meet your brother, and then El meets the Mind Flayer/Vecna (as a lab kid, Henry is kinda her brother), who is possessing a boy named William. A surfer boy.

Episode 3x08, posters of Firestarter and Sixteen Candles. Will is associated with fire, and in Sixteen Candles a girl hopeful thar her 16th birthday is the beginning of a great year, is shocked when her family forgets it because her sister is getting married the next day.

Sixteen Candles and a boy's 16th birthday are also mentioned in S4, and it is likely that S5 is set in 1987, after the time-jump, when Will is 16.

S4. There are so many mentions of birthdays in this season, it's crazy to think that the writers forgot Will's birthday.

Mentions of birthday and stolen thoughts in the opening scene.

Birthday party at Rink-o-mania. I could be wrong, but it looks like a party for two people, to me. And there's a hidden reference to the massacre. The game Asteroids was released in 1979 (here)

The scene that made many people believe that the writers forgot Will's birthday.

March 22. The Rink-o-mania scene is a parallel to the lab scenes, Asteroids was released in 1979, and the day of the massacre El remembered her birth. Maybe a hint that her birthday is also on March 22?

They call her little baby, and two of the bullies are twins.

Murray says that a one-year-old won't remember their birthday

Also, the wallpaper reminds me of these birds we see in his house, when Alexei explains how the two keys open a gate

Murray says that his "son" is almost 16

Mention of Sixteen Candles

Mike's Happy Birthday mug

At Suzie's, Will mentions Dustin's birthday

Yeah, I think something will happen to Will in 1987, when he's 16. And it won't be funny, lol. But he'll get his happy ending.

Happy birthday, Will!

#birthdaygate #will byers #march 22 #el hopper #mike wheeler #the first shadow spoilers #st analysis #st theory #timeloop theory #stranger things

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anticomedygarden · 1 year

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Percabeth hurt/comfort post Tartarus ptsd?

Basic I know but you can't go wrong torturing some comfort characters 😂

one of my favorite pjo tropes! so so true, thanks for the prompt. (you're my first ever prompter! bit of a landmark for me :) )

Staring deeply into his blue comforter like it held the secrets of the world, Annabeth didn't need to be a child of Athena to know that her boyfriend wasn't really there with her. It wasn't the first time one of them had found the other like this, and it probably wouldn't be the last.

He wasn't making noise or moving, actually not doing anything at all, which led her to believe that he wasn't having a panic attack or a flashback. Dissociation then.

After a lot of trial and error following the titan war, they'd figured out touch - especially involving water - helped ground him the best, so she didn't bother with trying to talk to him, not knowing how far gone he was yet. Instead she got some ice out of the water bottle on his nightstand, happening to glance at the few pictures she'd been able to bring for him to Camp Jupiter. Sally, Grover, Tyson, Thalia, the Stolls, Clarisse, and a few other campers smiled back at her.

If she'd known they were going to fall into Tartarus, she'd have packed a few more.

Turning away from the photos with a sigh, she sat down cross-legged on his bed and winced when the mattress bouncing got no reaction from him, so she gently picked up his arm in the hand not holding the ice and starting rubbing it up and down his tan forearm.

"Percy?" she murmured. "I'm gonna count backward from 100, okay?"

Predictably, he didn't answer, but she started her countdown anyway, studying his form for any changes. His jet black hair was falling into his down cast eyes, low enough that she couldn't see his seagreen irises. His pants were creased where his elbows rested on them, and she realized he was wearing the same thing as he was when his watch ended an hour ago. It hurt to know that he could've been like this for so long and she had no idea, but there wasn't anything she could do, not without leaving the ship vulnerable.

Then - movement. His hand twitched; she didn't dare stop, though, not wanting to risk backslide, just kept on counting and rubbing the ice up and down his arm.

A few minutes later, he pulled in a sharp breath and sagged a bit so that the only thing Annabeth could see was the top of his head. She'd lost count of how many times she'd made it to a hundred and back at this point.

"Percy? Are you with me?" He waited a bit and nodded minutely. "Can you try and breathe with me?"

She drew in an exaggerated breath slowly and let it out even slower. He didn't join her, so she tried again. This time, he managed a shaky, slow breath that almost aligned with hers.

After a few minutes passed and he seemed to be more present, she put the ice down on the nightstand, and he sagged even more, head landing on her shoulder like his strings had been cut.

She ran her fingers through his thick curls, illiciting a sigh from him. "Hey, baby."

His breath hitched, and she was afraid for a moment he'd start panicking, but she soon felt her shoulder grow wet.

"We're together," she whispered, hoping his words from so many (weeks? days?) ago would bring him some comfort.

They were still the most important words in the world to her.

At some point, his hands must have unclenched because she felt his nails softly scrape her thigh. "How long was I gone?"

"I don't know," she said honestly. "At least 15 minutes, an hour at most."

"Damn."

Sadly, he pushed himself off of her shoulder, leaving it cold and salty. "What's the last thing you remember?"

He looked off into the distance, thinking. "I remember sitting on the bed to get to ready to shower, and nothing else."

Her heart clenched as that meant he must have been gone closer to an bour. Do you have any idea what triggered you?"

"Uh...I think maybe when I looked across the hall and saw your empty bed..." He trailed off, and she nodded.

"I'll keep the door closed from now on," she promised. It wouldn't be any kind of major change since she never slept in that room anyway. The only reason it had been open was because of habit from Coach Hedge.

Now that Percy was present and they were both calmer, they started getting ready to shower, not wanting to be without the other. (Only shower. Neither of them were ready for more at the moment.) It wasn't long before they were climbing into bed together, both considerably more refreshed but exhausted from a long day on the Argo II.

It had to get better at some point. It just had to.

#percabeth #pjo #percy jackson #annabeth chase #percy jackon and the olympians #my writing #my fic #fanfic #angst #my fanfic #fluff #percabeth fanfic #percabeth fic #prompt #ficlet #ask #post house of hades #post tartarus

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kanerallels · 1 month

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bestie!! Can you tell me about your book, Land of Tales? I may have just stalked the tag for a solid forty minutes and I’m dying to know more (I LOVE me some good fairytale retellings)

BESTIE I LOVE YOU FOR SENDING ME THIS ASK I'm so so honored?? Thank you so much!! (also same we love fairy tale retellings they're amazing)

OKAY SO! I'm gonna give you a brief overview of the book in case you didn't see what it's about, then I'll do some fun facts because I deserve it as a treat and I'm hyperfixating on my own book series right now (and also Valiant. Minor detail. LET'S MOVE ON)

The main plot: My girl Rebecca Wood lives on Earth, but never knew her parents. She discovers at the beginning of the book that she, and the family she never knew, is from the fairy tale world, and so she goes there with the help of this socially awkward cinnamon roll, Liam. We love Liam, and we feel bad about the amount of Horrors I put him through, including but not limited to social interactions and torture

The rest of the book is basically Rebecca and Liam's travels through Avena (fairy tale world) meeting fairy tale characters and evading the evil Empress Goldilocks (who has magic plants and fairy tale princesses for assassins). And there are more books. Or there will be. Four overall in the main series, two prequels, umm... *pauses to count* okay yeah there are a lot of stories post canon. And I've already written a handful of short stories for fun and profit!

And now it's fun facts about some of the characters time:

Cinderella is, as mentioned, an assassin! She has fabulous fashion taste, glass shoes that can morph into any shoe type she wants, and is incredibly sadistic. Her husband Gavin is what would happen if Jean-Ralphio Saperstein, Schimdt from New Girl, and Oscar from The Rookie were fused into one incredibly vain, lazy person who wore a lot of capes

Jack from Jack and the Beanstalk is a pirate (occasionally of the sky). He's married to a future seer who basically tricked him into taking her hostage the first time they met, and has two kids. They are utter gremlins and we love them

Alec and Risha, who I've been talking about lately, are from Camelot. Risha's dad is Sir Gareth, aka Gawain's cool brother. In my series, the people of Camelot have Australian accents because why not?

OH MY GOSH I JUST THOUGHT OF A CHARACTER I HAVEN'T TALKED ABOUT ON HERE okay his name is Bob. It's short for uhhhhhhhhhhhh I'm gonna be straight with y'all I don't remember his full name. It's really long. But he's the Magic Mirror from Snow White! He's a cursed prince who likes shipping his best friend with her love interest, and boba tea (if it exists in this universe. I shall ponder this) and he's just a little chaos gremlin and I would die for him

Somehow, every single ship in this series is enemies to lovers (except Alec and Risha, slow burn friends to idiots in love my beloved) and it's really funny to me. They're all different flavors of enemies to lovers, too. We've got "coworkers who annoy the crap out of each other to lovers", "I tried to kill your friends that one time and am involved in the organization that killed your brother but now we're working together and technically I'm engaged but it's a engagement of convenience and we're connecting to lovers", and one of my personal favorites, "you forced me to take you hostage that one time and now I'm stuck with you which is really annoying to lovers". There are, believe it or not, others

One more fun fact for the road: I have a book planned that's set after the series, and it's a combination of no less than three fairy tales at once. Possibly more, for all I know

Oh, and actually last of all! The first book in the series, which I shall not reveal the title of just yet because DRAMA, is finished! All polished up and shiny, and I'm currently looking into publishing options and cover artists! (also my girl a.spice is doing illustrations I can't wait for you guys to see them they're incredible)

#thanks for the ask!!#this was super fun to answer #land of the tales #if you have more questions about specific characters let me know #i should really do a writing ask game but for my characters. that would be a lot of fun #hazel rambles about her original writing

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dxppercxdxver · 2 months

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so I hear you have 'instead of brain there is rifleman harris' syndrome. Tell Me About.

BOY DO I :D

how i feel about this character: oooo you Know i'm insane about firstname rifleman lastname harris you Know It. what a guy i can project so much historical transgenderisms onto and then Make Myself Sad About. serves cunt in every scene has never once flopped that's my favorite guy

all the people i ship romantically with this character: honestly basically just hagman, given that i think harris's relationship with most of the other chosen men is Don't Get Involved It's Not Worth It (sharpe, harper) or Friends With Occasional Freaky Transsexual Sex Benefits (cooper, tongue). or Best Pals (perkins)

my non-romantic otp for this character: HARRIS/PERKINSSSSS they're literally transgender best friends and like. i know a lot of their onscreen dynamic is influenced by the fact that jason salkey and lyndon davies were partners in crime boy best friends for life on set but also that energy Carries they're literally ride or die for each other

my unpopular opinion about this character: in the broader scope of The World. basically any of my headcanons about harris being gaytransgender would be received with varying degrees of Shock and Awe given. you know. the Dads. but within this here tumblr-based sharpe fandom i'm not suuuure any of my takes are all that controversial lmao

one thing i wish would happen / had happened with this character in canon: is it a copout to say i wish he hadn't died at waterloo. is that a copout. if it is i do wish he and hagman had been allowed to be a bit textually fruitier. or have any more screentime really

#HARRISSSSSS RAAAAAAH #radio free junebug #asks #captain cupola #sharpe adventures #rifleman harris #sharpe

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carnelianwings · 2 months

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I keep seeing Bad Kira Yamato Takes on Twitter and I keep asking myself why do I bother with the For You page except I’ve got it mostly trained to show me fan art of my favorite ships and such so I guess that’s the trade off.

Anyway, just venting because I happen to think Kira, for all the accusations the haters like to throw at him, is a very reasonable and human Gundam Protagonist. Also unlike Amuro Ray he never actually runs away from fighting … until Seed Freedom (but that’s more like “there’s multiple people to pick up where he left off and there’s plenty of reasons why he should just retire”).

I really don’t get the hate towards Kira in Seed. There is nothing he does that any previous Gundam protagonist hasn’t done. Survive improbable situations thanks to the power of Plot Armor? Heero Yuy’s done that at least three between Wing and Endless Waltz - the most egregious one in Wing when he self destructed his Gundam while standing on the cockpit hatch. I mean sure there was also the time he set his own broken leg but that’s also besides the point. Improbable speed at learning to pilot a Gundam? Amuro Ray did that and that was the original.

At the same time, people like to say Kira didn’t suffer and just coasted through Seed. As though he didn’t have to helpless watch as Tolle dies, nearly kills a childhood best friend over it, gets PTSD just from fighting a war, and then more PTSD from dealing with Durandal, and also general trauma of being in an abusive relationship with Flay (that has repercussions into his relationship with Lacus well into Seed Freedom). Kira might not have started Seed traumatized the way both Athrun (Junius Seven/Bloody Valentine) and Shinn (First Battle of Orb) were, but he still had personal trauma nonetheless. And even though it’s not explicitly shown on screen, I wouldn’t be surprised if Kira feels guilty about what happened to Shinn even if Kira himself wasn’t directly at fault for it.

And to say that Kira’s goal isn’t the same as Lacus’s (world peace) along with basically with everyone else he’s teamed up with is just terrible comprehension because everyone involved with Cagalli (and Athrun, by extension) and COMPASS wants world peace and the wars to just stop.

Honestly, I think the best damned thing that happened to Kira ever since he got drop kicked into the cockpit by Murrue (not her fault, it was either that or let the civilian kid die and she wasn’t about to do that either) is being able to just fuck off and fly to Akatsuki Island at the end of Seed Freedom and have victory sex on the beach with Lacus, because he really hasn’t had time to do what he wants for himself since then. Because every time there’s a chance of it happening, he was either getting manipulated by Flay, working (as a programmer), or recovering from trauma. Like he’s been at this for 4 years with hardly a break because (by Seed Freedom) he feels like he has to, both as the Ultimate Coordinator (as in, he has the ability to so he must), and as part of what he said to Durandal at the end of the Battle of Messiah. And because he is so busy and being part of COMPASS has actually meant he and Lacus spend more time apart, he can’t really lean on her the way he used to during the First and Second Earth Alliance-PLANT wars.

Really if I were being honest I’d actually say the only reason Kira’s been “okay” during both Seed and Seed Destiny is because Lacus has been there to be something of a therapist for him (especially during Seed Destiny with how he very obviously has PTSD from the first war). But the reason Lacus is willing to do this for him is because she’s got shades of philosopher-therapist to begin with, and she knows he’s actually very kind and caring underneath it all and isn’t a soldier at all, and doesn’t belong on the battlefield (from how he treated her during her time as a prisoner on the Archangel early on before he got really traumatized by the war).

And also Kira’s a crybaby? Okay so crying because a friend died is a bad thing? Crying because you’re suddenly thrown into a war you never wanted to be a part of and having to kill people because it’s kill or be killed even though you don’t want to kill anyone is a bad thing? Crying because you’re scared but you have to go out and fight anyway because if you don’t, you, your friends, a whole bunch of civilians, and other people (even if they’re military and they signed up for this, but some of them have been really nice and tried to be caring given the situation and aren’t actually bad people at all) will die is a bad thing? To me those are just reasonable, human responses to the situation he’s suddenly thrust in. Like yeah sure the Strike is a cool robot and all that, but to quote Athrun, it’s not like Kira can just “go fight a war with a smile” you know?

#Gundam seed #Kira Yamato #I am so tired of seeing all the hate towards him come back with seed freedom #he’s always struck me as a pretty reasonable main character #I just hate how it’s fine if someone else does it but if Kira does it it’s automatically bad #the haters say Kira has some crazy ass plot armor but tbh Athrun’s is just as thick #you can’t tell me Athrun doesn’t have Cagalli-shaped plot armor with the number of times she’s bailed him out #even Athrun’s big I Took An Arondight To The Cockpit And Lived moment was thanks to Kisaka (so Cagalli)#anyway I’m just venting with this because I just think the haters are being ridiculous

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artemis1214 · 3 months

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MEET ESME ROSE LUCIANO!

Hello! 👋🏼

These are some headcanons for my Hazbin Hotel OC, Esme! If you would like to read more about Esme's story, you can check out my Wattpad story "A Siren's Spell".

HELLA SPOILERS AHEAD!

Human Life (1900-1932)

As a child, Esme was very friendly and bubbly. She was everyone's best friend and the little major of Manhattan.

Would love to pet the horses leading the carriages in front of her father’s bar.

Esme’s mother would always try to keep her away from the family ‘business’, but little Esme always found herself listening in on the men's conversations and meetings.

Natural flirt as a teenager, but only had one boyfriend in New York.

Natural mother figure to Anthony from their connected families.

Cool aunt vibe for Molly and Anthony. (Would buy them ice cream on the regular when their parents weren't around).

Would float in a raft in the Hudson River, smoking a cigarette in the summer.

Very protective of her younger sister, would stand up to bullies, and get in trouble with the nuns at school.

Raised Catholic.

Libra.

Used by her father to lure men to his work and steal their money.

Gets "too involved" in the business and gets sent to New Orleans to basically hide away.

Has a very seductive luxurious transatlantic accent, but alone drops to a casual crisp New York tone.

Accent drops completely when upset or cursing.

Always smells like vanilla and strawberries.

Lots of chocolate martinis, vodka cranberries, and red wine.

Long hair because she hates thinking about fitting into societal beauty standards (no flapper hair here!).

Heavy sweet tooth.

Big bookworm.

Theme Songs:

“You don’t own me”

"My Days" - The Notebook on Broadway

"Roxie" - Chicago

"Gangsta" - Kehlani

"So, this is love?"

Always carries a silent pistol in her purse.

Very charming, seductive, playful, and secretive.

Steals Mimzy's spot as the head girl at the speakeasy.

Singer, burlesque performer.

Also plays piano.

Alastor watches her from the back of the parlor, tapping his finger on his whiskey glass.

Meets Alastor immediately but senses something ‘off’ about him.

Hella sexual tension right off the bat.

Threatens him with her pistol when she discovers who he is.

Not phased by many of Al’s doings as she watched her father kill men all the time.

“You don’t scare me."

Has a smart mouth that often gets her in trouble when men.

Has spit in men’s faces before.

“Fuck you.” These are her two favorite words for them.

Is disgusted by men.

“Men are dogs, I like my dogs on four legs.”

Very possessive, protective, and jealous.

When the two get married she becomes similar to a New York mob wife.

“No Alasta, you’re not killin’ on a Sunday! Sunday is a holy day - plus I made meatballs!”

Goes for the eyes when she kills people, “You really do have pretty eyes, wonder how long they’ll take to cut out.”

Will ship the remains to their parents as a “warning.”

Going to the water when she is stressed out, usually the dock near her house.

Alastor will drive fast down empty roads so she can hang out of the car and let her hair flow.

ALWAYS has a record on the spinner and espresso brewing.

Their house smells like coffee 24/7.

Angelic, alluring voice with a natural jazzy ring to it if she so pleases when she sings.

BIG flirt and entertainer when drunk or high.

Very strong siren eyes when she is singing, performing, or talking to someone.

HATES spicy food (Alastor’s cooking nearly kills her every time)

Will request a seafood broil every single time he cooks for her.

If Alastor’s mother were to be alive, these two would be BEST FRIENDS!

She’d probably make plans to hang out with just her - not Alastor (lol!).

Date nights of just cooking their respective recipes.

“WHAT DO YOU MEAN YOU DON’T LIKE MY LASAGNA?!”

Their song is “It’s Been a Long, Long, Time” by Kitty Kallen.

COUPLE THEME SONG: ACROSS THE STARS FROM STAR WARS.

Hella foreshadowing (Padme/Anakin vibes)

Speaks Italian when upset

Che Cazzo?!

Che palle?!

Figlio di puttana!

Affectionate pet names for those she cares for

“Lovey” - Her sister Margo

“My Dove” - Her daughter, Genevieve

“Sweetheart” - Alastor

NEVER shows up to an event empty-handed. She’ll feed everyone there.

Love language is def quality time and cooking.

Flirts with Alastor around his secretary to make her jealous

Basically the second in command when she's at Alastor's office.

You better do whatever Esme asks or he will kill you (no joke).

“Let that bitch hear.” Vibes.

Brat

Submissive/Switch

Masochist

Big softie as a mother, complete domestic.

Loves children and animals.

No longer works at the speakeasy.

Becomes a housewife.

Can have hella anxiety/depression.

Doesn't cope with things properly and will shut herself out from everyone if upset.

Emotionally numb from losing so many people in her life.

At the end of her story, she realizes it's going to be him or her...

"Veronica, open the door please!" Vibes.

"Where is Padme, is she safe? Is she alright?"

“It seems in your anger, you killed her…”

BIG THANKS TO @hoomandoescosplay FOR HELPING WITH THESE HEADCANONS! LOVE YOU GIRLYPOP! 💗

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thedragonagebigbang · 28 days

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Bang Creator Interview: Tumblr: @fatale-distraction | AO3: Fatale_distraction | Wordpress: History Will Say This Was Just a Book Blog

The Collaboration period has begun! In these quiet months before works are due, we want to foster a sense of excitement, camaraderie, and celebration among our participants. To that end, all participants were given the option of a formal interview by our mod, Dema, or an informal “ask-game” survey. We hope you enjoy getting to know our phenomenal creators as much as we have!

Woman single-handedly ruins decades of work using one simple technique you won’t believe!

Fataleity and Dema talk rarepairs, Swayze-coded Cullen, punk rock Solas, and Shenanigans

Dema: Starting very, very basic: how long have you been in the DA fandom? What about it inspires you to write?

Fataleity: Gosh, it’s probably been around fifteen years or more? I played DAO not too long after it originally came out and while I haven’t always been active in the fandom, I’ve been a fan since then. I’m super inspired by the characters and the lore, in particular anything relating to the elves. I love that the DA universe took typical elven lore and kinda flipped them upside down.

Dema: Do you have a favorite bit of Elven lore? Or if “favorite” isn't the right word, a piece of lore that particularly struck you?

Fataleity: Along with everyone else atm, I am really fascinated by the Evanuris and the idea of Ancient elves like Abelas and Felassan. I also love that each Dalish clan has different customs, different levels of knowledge, etc, but are still connected by a common history and language, lost as they might be, and try to lean into that in my writing.

Dema: So, you played all three games more or less as they came out, but when did you start writing fic for DA? What prompted you to start?

Fataleity: It’s been a while, but I believe it was around the release of Inquisition that I started actually posting. As far as writing, it would have been from the start in private notebooks or sharing with a friend of mine. Inquisition’s release was when I started getting into the tumblr fandom and seeing others posting their work, and figured if others were going to, why shouldn’t I?

Dema: Oh wow, right from the beginning! You’re an OG! What was your first published DA fic about?

Fataleity: It was a short one-shot of Leliana and Zevran during Inquisition. They crack me up as a couple. It was mostly banter and porn tbh, very little if any plot, lmao.

Dema: Oh my god, this was a pairing I did not know I needed until this moment. Fabulous, thank you.

Fataleity: You’re welcome. It’s a good one.

Dema: So do you tend to be more inspired by the canon characters or by your OC's? Or if not "inspired" per se, do you write more of one than the other?

Fataleity: I wanna say it's about even? I’ve noticed that recently I’ve been writing more from the perspective of canon characters than I did when I first started writing, even when writing about OCs. I think it's fun to try to emulate their voices, and also their reactions to some of my OCs ridiculous behavior.

Dema: Who is your most ridiculous OC?

Fataleity: My Inquisitor for sure. She’s the youngest of a very large Dalish family so she’s a little childish for her age, very affectionate and kind, but she has a powerful sense of justice. She’s best friends with Sera and the Chargers, so she gets herself involved in all kinds of shenanigans.

Dema: Gotta love the shenanigans. Did she romance anyone?

Fataleity: She romanced Solas primarily, but I have also shipped her with Krem and Fenris. I did a few OT3 fics of her, Krem, and Solas that I think came out pretty sexy.

Dema: Krem is under-shipped, I fear.

Fataleity: I do my best to fix that. I’ll put him with anyone who will treat him softly. Or not. Depending on his mood I guess. He deserves the world and more.

Dema: Thank you for your service. This is like asking for your favorite child, but do you have a particular canon character you really love to write?

Fataleity: Krem for sure. Great narrative voice, great jokes, and since he’s not as canonically developed as other characters, there’s a lot to play with.

Dema: Do you do anything in particular to get into the heads of the canon characters? I find that's such a challenge (a fun one!) to adopt the voice of a character I didn't create, and am always curious how other people do it.

Fataleity: Getting super familiar with the source material is obviously very important. For some characters that’s easier than others, so I will also rely on similar characters from other media that I feel resonate strongly to the character I’m trying to portray. Also simply putting myself in the character’s shoes. “If I was this particular character with this particular background, how would I react to this particular circumstance based on my prior experiences?” I feel like I’m also pretty influenced by whatever media I’m consuming at the time. For instance, writing 90s Cullen around the same time I rewatched Dirty Dancing, he ended up VERY Swayze-coded.

Dema: Omg, incredible. Is there any non-DA media inspiring your fic for the Bang?

Fataleity: I’ve been listening to AURORA’s newest album a lot. My partner and I are also watching a lot of comedic detective shows recently, so I feel like that sense of humor is going to be a big influence by the time this is done.

Dema: Man, I feel like any follow-up I ask to that question will have to be redacted, ha! What's the most out-there piece of media that has inspired a fic for you?

Fataleity: I don’t recall if there was a particular piece of media that inspired this, but I created a Y2K dragon age AU specifically so I could cram the characters into specific period-appropriate outfits, specifically young Solas as an early 80s late 70s punk kid. I think It might have stemmed from rewatching That 70s Show. This is also where Swayze-Cullen came from.

Dema: Was there a musical number. Please say yes.

Fataleity: I tried to shoehorn my Lavellan into having a band on top of everything else, so there were definitely musical numbers. Krem was playing the solo from Freebird. ABBA was involved.

Dema: Amazing. God, I am dying to see some Solas 80's punk fanart now.

Fataleity: I would die. I would pay blood, sweat, tears, money, and my first, second and third born children.

Dema: Anarchy patch on his leather jacket…

Fataleity: Piercings. The piercings alone, man. I made him a college professor so he got rid of most of the piercings, but he kept a few. “The ones that would hurt most if I wanted to get them done again.”

[Dema and Fataleity have an increasingly suggestive emoji exchange.]

Dema: Sorry, I'm incorrigible.

Fataleity: As am I.

Dema: Do you find you write a lot of AUs?

Fataleity: I think I imagine more than I actually put down in words. My favorites are definitely different time periods. I’m a sucker for costuming.

Dema: Same. Costumes tell you so much about the culture and the characters! Do you tend to have visual references when you are writing, beyond what is provided by the games?

Fataleity: If I have a particular outfit or setting in mind, especially for AUs. For those I’ll have Pinterest boards or the like. If I’m doing something more based around existing settings, I’ll look up a reference as needed, but I don’t tend to have, like, a vision board or anything for those.

Dema: If you have any visuals for your Bang fic, will you give us a teaser?

Fataleity: https://unsplash.com/photos/purple-flowers-near-mountain-during-daytime-S73YlRU8hy0

Dema: Oohhh the vibes! I’m looking forward to it. On a very different note, if your bang fic had a clickbait title, what would it be?

Fataleity: “Woman single-handedly ruins decades of work using one simple technique you won’t believe!”

Dema: Perfect. Thank you for your time, Fataleity!

Fataleity: Of course, this was fun!

#fandom big bang #dragon age #dragon age fanfic #2024 interviews #writer interviews

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polysyndetonaddictsupportgroup · 1 year

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hii 📓

Okay so the thing is that I wanted a “the Zenin raised Megumi instead of Gojo” fic but the thing is that I’m absolutely convinced that if the Zenin were the ones that took Megumi they wouldn’t actually take tsumiki too. The fandom consensus I’ve personally seen has been that she would have been taken and mistreated by zenin for being a female non sorcerer but I personally think they would have just straight up left her behind.

They only bought Megumi. They keep non sorcerers and women as servants in their compound but all of them are Zenin themselves. Tsumiki isn’t related and I couldn’t really see any reason why they’d want her. Which turned this into a fic where Tsumiki loses her brother, but she’s trying to find him again, she swears. I think of it as my “siblings doomed by the narrative desperately try to write a new one where they can be together” fic.

The thing is that Tsumikis mom was one of those people who thought love and consumption were synonymous. She had a habit of getting caught up with assholes and just… having both of them chew on each other for a while until it turns into this horrible fucking bloodbath.

Tojis just another loser her mom got caught up in, but he’s Tsumiki’s favorite out of all the losers, because he gave her her brother. Her mom marries this random guy she barley knows and Tsumikis pretty sure she does it so they can both ditch their kids twice as much, secure in the knowledge that there’s supposedly another person checking in. It works out great for them, because they both stop coming entirely. It’s fine, because Tsumiki has Megumi and Megumi has Tsumiki and they don’t need anything else.

It’s one of those things where they were in really unhealthy circumstances and it made their relationship a little bit unhealthy but not necessarily bad. They both had to grow up way too fast and deal with way too much too soon and become codependent on each other because they are, in the most literal way possible, dependent on one another. Neither of them know how to love in a way that doesn’t involve sacrificing themselves for their sibling, mostly because they don’t have a way that doesn’t involve that.

They’re in a sinking ship and tsumiki knows it. Their parents aren’t coming back. The money is going to run out sooner or later. Their problems are stacking up.

Megumi has confessed to her that he sees things that no one else does. When she asks him how he knows no one else sees them, he explains that they’d say something if they did and won’t say anything else. And she doesn’t know what to believe but she refuses to call him crazy. He tells her that monsters cling to her back and he fights them off for her. She patches up his bruises and cuts and tells him he’s brave and tries to figure out if she’s just imagining that her back feels lighter after. He tells her that there are dogs that only he can see that have started following him around, and she tells him she believes him and can never remember, later, if she meant it or was just saying it.

The last time Toji came by, he left them more money than tsumikis ever seen in her life, took them to ice cream, told them that he was sorry he was so shit at this and that the money was Megumi’s share in a payment. It was for something he was going to help daddy with later. Tsumiki and him were to use it to take care of themselves and be healthy, because Megumi couldn’t help him later if he wasn’t. And tsumiki was always afraid of what he meant by that, but in the end, she let it slip her mind. After all, Toji hadn’t been by in ages. He probably wouldn’t come by at all.

And he didn’t. But others did. Two men she’s never met before are waiting outside their building one day, and when they see Megumi, they laugh. But the thing that Tsumiki can never get out of her mind later is that she swears they weren’t looking at Megumi directly. They were looking at his dogs.

Tsumiki basically tries to get Megumi and powerwalk past them, but they’re a lot bigger and a lot stronger and there’s nothing she can do, really. They have a brief conversation about whether they should take her too, before one decides that Toji only sold him his kid and to leave the other behind. This makes both of them try to run, but there’s nothing either of them can do to overpower the men, and the men say that “Naobito would go ballistic if they left the ten shadows behind” so they take Megumi and leave her.

They put Megumi in a car and shove Tsumiki to the curb outside of it, and she tried to hold onto his hand, she swears. She grabbed at the car door even when the car started moving, and she banged on the windows, and she watched as Megumi kicked and punched and screamed inside, until one of them hit him and he went still. She ends up falling and hitting her head when the car picks up speed, and when she wakes up again, the cars gone and she has no idea where it went.

And it becomes a foundational moment for who she is. I think she was just intensely lonely before Megumi and poured a lot of herself into this idea of a family together. Tsumikis never able to shake the moment of her being outside the car and Megumi being on the inside, and not being able to get into him. She can never again get what she felt in that moment out of her head.

She goes to the police and tells them that it’s her little brother, his dad sold him but she wants him back, and they’re like “…”. The issue is that apparently her mom can pick up the damn phone if the police call and she shows up, spins some lie about how her and the stepdad split up and he took the kid with him, they never adopted each others kids so it was within his rights, Tsumiki was taking the separation hard and acting out. She lies, basically, because toji hadn’t kept up his end of the deal and dropped in to check in (neither had she) and his kid wasn’t her responsibility, he could do what he wanted with him. She doesn’t want the police poking around the way she lives. Just let the kid go because he’s probably dead and not her real brother anyway.

Tsumiki refuses to give up on him. They were both kids who no one cared about but they cared about each other and that had to be enough. But she’s seven with no support and zero idea on how to find him. She starts skipping school to look for him in random streets, puts up flyers, can’t go outside without looking for him. She gets held back a year in school because of how much she skips and she can’t bring herself to care. She buys him gifts on every birthday and writes him letters she can’t post because she’s going to find her brother and she’s going to prove to him that she never once stopped looking for him. She just. She needs him to know that she never stopped looking for him. She needs to find him and be able to honestly tell him she never stopped trying.

One day her mom comes back in clothes she can’t afford and comes with movers they shouldn’t be able to afford and announces a move they definitely can’t afford. Tsumikis absolutely opposed to going because if her brother comes to look for her, she needs to be in their old apartment so he can find her. She doesn’t have much of a choice in the matter. They have mysterious new benefactors who are setting up a trust to take care of tsumiki with a very generous stipend for her mom but they have to move to Sendai as a stipulation of getting the money.

It’s not until the attorney who’s managing her trust hands her a set of glittery blue butterfly hairpins that tsumiki realizes her mom sold her brother a second time.

The thing is that tsumiki had this one cheap set of butterfly hairpins she’d always stopped to look at in the store when she took Megumi to go grocery shopping. Shed never buy them, because they couldn’t afford it, but it was the thing she wanted most openly in front of him. She was always secretly really insecure about her hair, because they were the kind of poor where bar soap was a luxury they could only sometimes afford and kids at school made fun of how her hair was dirty and frayed. Megumi was the only one who ever saw how badly she wanted those stupid hair clips. If they had to give her a set of butterfly hair clips, it’s because he demanded that they did.

It’s basically implied that the Zenin are the ones paying for her care and upkeep due to an unspecified deal they cut with Megumi, but when they approached her mom with it, they added the caveat that Tsumiki had to be moved to a new city entirely and there could be no forwarding address left anywhere.

The zenins stance on tsumiki is, effectively, that she’s a weakness Megumi needs to be weaned off of. They honestly assumed he’d just like, forget she ever existed and he. Did not do that. He actually pitched a total bitch fit. Tried to scale the compound walls. Bit multiple people including the clan leader. But he’s got the ten shadows, he’s heir to the clan, and he can’t be caught up on some random non sorcerer who isn’t even a Zenin. They end up agreeing to pay for her to live very comfortably if he starts cooperating more but they want to make sure that he can’t ever find her again if he does ever succeed in running away.

Tsumiki is at once full of hope and hopeless, because on one hand, the butterfly clips prove that Megumi still loves her and remembers her, at least in her mind. But at the same time, she’s being moved to Sendai and doesn’t know how they’ll ever find each other again. She doesn’t honestly know if they’d recognize each other if they saw each other again. She wears the butterfly clips every day, even when she gets too old for the style, because she’s more confident about her brother recognizing them than her.

The thing about tsumiki is that she doesn’t understand hate. She just doesn’t. Her mom and toji always got caught up in these perceived slights and revenge and never once let go of the past. They’d destroy themselves if it meant taking down the people they hated with them. She never wanted that. She wanted to live with the people she loved and she’d happily turn around and forget everything, all the pain, all the searching, if it just meant she could go back to being megumis sister.

This isn’t about hate. This is about that moment outside the car, where her brother was inside and she couldn’t get in to him. This is about how helpless and small she felt when they shoved her to the curb and ripped megumis hand out of hers. She needs to make sure that when she finds Megumi, she can take him home again. So she decides she needs to learn how to fight.

Itadori Yuuji has the constitution of an ox and the strength to match it, and he is known for getting in fights with bullies and trouncing them so thoroughly that it’s never a question of who wins when the fight starts. He’s insanely physically capable and can hold his own in a fight with ease. He’s also nice and kind and Tsumiki’s comfortable enough asking him to teach her how to throw a punch or two.

She is bad at it.

So fucking bad at it.

But she never gives up, and Itadori is nice enough to keep teaching her despite how embarrassingly horrible she is at it all. He always asks her why she wants to learn so bad, she doesn’t seem to like it all, and she never answers his question honestly.

In their last year of middle school, their class has a trip to Kyoto. She, Itadori, and the rest of their group walk into some random restaurant in the city and have barely sat down when someone comes inside, starts searching every booth in the restaurant while shouting Tsumikis name.

And oh. They could recognize each other after all.

She looked for Megumi in every crowd she was ever in, but she didn’t consider that he was doing the same. Or that he would see her first.

Her brother grew up without her seeing it. Hes older, dressed in strange, expensive clothes, has a slightly bruised up face and split lip, but his eyes are the same, and he looks like the brother she remembered.

But a lot more nervous than Megumi ever was. He was a tiny, stoic child who didn’t take any shit and never showed fear, even when there were monsters that only he could see. But he’s nervous when he tells her that she probably doesn’t recognize him or remember him, but when she was a lot younger, he—

Megumi. He’s her little brother. Of course she remembers him. She’s been looking for him everywhere.

Megumi didn’t smile much as a child, but he smiles at her then. He tells her he doesn’t have a lot of time and she tells him that they can leave out the back, and he never let her hold his hand as a child but he takes her hand so easily in that second. And just for a second, she’s his sister again, and it’s everything she wanted.

They never make it out the back.

Two men come in. Megumi calls one of them uncle, and he goes stiff and flat the second he sees him. His uncle apologizes for his nephew, tells everyone that he always makes scenes when they’re out in public, tells him to apologize to the nice people and leave. Megumi was mistaken.

Tsumiki tríes to keep ahold of his hand. Really, she does. She tries to tell people to call the police. But megumis “uncle” steps towards her and Megumi slams him into a table, and then suddenly Megumi’s the one insisting that they leave immediately. They can go. It’s fine. They’re leaving. She loses ahold of his hand.

She tries to follow, but the other man restrains her. She learns that she’s better at slamming plates into peoples heads than she is at punching, and at this point itadoris Friend In Danger Override has been triggered and he fucking tackles the dude, which gives tsumiki the clearing that she needs to chase outside after her brother. She gets out just in time to see him be pushed into a car, and she’s had years to think about the last time this happened and figure out what to do differently. She throws herself in front of the car and refuses to move.

See her entire stance is that she’ll sooner get run over and killed in the street than let them do this a second time, but she also can see Megumi trying to fucking punch the drivers head in from behind because he’s about to hit his sister. His uncles trying to restrain him, and just for a second, she sees his hands make the shape of the shadow puppets he used to show her as children. Something invisible slams her out of the way just as his uncle knocks him out.

She picks up a rock and tries to smash in the fucking window with it, and itadori has to pull her out of the way to keep her from getting her feet run over when the car finally tears out of the parking lot. She goes ballistic on him for stopping her because her brother was right there and she lost him again and she didn’t even get the license plate. He was right there.

The police basically do jack all again. There’s no license plate, no names they can follow up on, and they’re still half convinced this is a settled custody issue even though tsumiki insists her brother was sold by his dad and is very plainly getting hurt wherever he is. Itadori is now a devoted advocate of finding tsumikis brother and reuniting them, and both basically kind of end up becoming really close to the other? He’s taking care of himself and his grandpa alone, she’s alone while her moms awol again, and they both become the others support system.

At one point, there’s this random girl and boy who doesn’t speak who shows up to their school for indeterminate reasons. The girl is bored and twirling her glasses in one hand while the person in a suit that they’re with asks the principal questions, and when tsumikis eyes catch at the right angle, she sees an invisible monster clinging to a classmates back through them. She realizes it’s exactly what Megumi always talked about and still remembers that the people who took him could see his dogs. She corners the two others in a room and tries to demand information about the invisible monsters or see if they know her brother or the people who took him, and immediately gets blown off. The fight escalates until the girl tells him that actually, yeah. She knows tsumikis brother. He is a very special person to some very powerful people, and the only way she can ever help him is to tell him that she’s let go of him and that he needs to do the same to her. That’s the only message that the people who have him would ever let get through, and his life would get a lot better as soon as he got it.

The people who have him would give him anything in the world, except for her. He could be a lot happier and healthier than he is right now if he just agreed to stop trying to find tsumiki. If she really wants to help her brother, then she needs to let him go.

Tsumiki nails her in the back of the head with a milk carton when she tries to walk away. It sloshes out on her. Tsumiki did not intend this. She cannot admit that fact. There are some actions you just have to own when you do them. She tells the girl that he’s her brother and she’s never letting go of him. She’s going to find him. They can’t keep him from her forever. She doesn’t care how long it takes her.

For a second, tsumiki really thinks this girl is going to kick her ass, but she doesn’t. She wishes her luck and tells her she’ll need it, and it’s only later that tsumiki realizes she slipped the eyeglasses into her pocket.

And as it turns out, her brothers monsters were real all along.

There was a knife that toji left in the frame of his bed. Tsumiki confiscated it from Megumi as soon as he found it, and it was odd and strange and gave her bad feelings when she held it, and it can kill the things that gather on her back. When she follows Itadori to their local high school and joins the occult club in an attempt to find more people involved in this world of invisible monsters, she wears the eyeglasses and keeps the knife hidden in her bag.

It comes in handy when her senpais are trying to open this thing and suddenly there’s like a fucking portal opening and Actually Let’s Not Oh Too Late Let’s Run Let’s Fucking Run.

They run.

Meanwhile at the hospital Megumi found out in very quick succession that his sister has fucking sukunas finger and also that there’s a very over enthusiastic himbo who is the self appointed vice president of the Find Fushiguro Megumi And Bring Him Home Club who absolutely fucking refuses to leave his side. Sorry who are you. Why are you so enthusiastic about finding him. Megumi sort of was the one doing the finding there was a whole tracking situation and him waiting dramatically in the shadows like they just did it.

Anyway they run very very quickly to tsumikis school where she is dodging she is serpentining this is a fuckton of monsters oh holy fuck is that her brother?

The fight goes bad.

Tsumiki manages to follow itadori and her brother out at a much slower pace because she’s not a freak of nature like itadori and shows up just in time to see her brother shouting at itadori to not eat the fucking finger while itadori is absolutely trying to eat the fucking finger.

She chucks her shoe at him. The finger goes flying.

Then the monster eats it instead.

Tsumiki: :o

Yuuji: :o

Megumi: fuck

Now there’s a bigger monster and the fight goes even worse. There’s a lot of shouting. Itadori ends up with her knife. Then he ends up getting eaten and they’re down both a knife and itadori, who’s probably fucking dead. Then megumis insisting she run and she’s insisting he shut the fuck up because it’s sort of taken a decade to get this close to him again and she’s not fumbling the bag now because of a monster on the rampage. Have a sense of fucking priorities here.

Then itadori bursts out of the monsters stomach with the knife like the fucking Kool Aid Man and the fight is suddenly very over. Good job, team.

Gojo rolls up to his most stoic and eternally pissed off student having a dramatic and emotional reunion with his sister.

Yuuji, in a very bad whisper: no no so like she’s been looking for him for years but he saw her in the restaurant

Gojo: :o go on

Yuuji: and then he got caught by like, I don’t know, he said he was his uncle or something but the dude acted so weird and creepy and they put him in a car and Tsumiki tried to stop the car but they got away

Gojo: *gasp* what no

Yuuji: I know! Anyway then I start helping her look for him but we can’t find him anywhere until I’m at the hospital and he just walks up to me right?? And I’m like “dude I have been looking everywhere for you” and he’s like “I have no idea who you are, I’m here about that fucked up demon finger” and I’m like—

Megumi, really trying to have a moment here: we can both hear you

And megumis like “this is uh. My new teacher. I guess. I am his only student. And he is uh. Enthusiastic. Do not linger in conversation with him.”

Tsumiki is lingering. She needs fucking intel so he can’t disappear again. Where does he go to school and can she transfer there. It’s fucking wizard school? Will they take her even though she’s not a wizard? She cannot emphasize enough that she will study any fucking subject they want so that way she can be close with her brother again she does not care if it’s applicable to her education or life. She can throw things at people itadori tell the man tell him how enthusiastically she will throw things at monsters for their weird fucking wizard school.

Itadori: she hit me in the face with her shoe like five minutes ago

Tsumiki: see???

Megumi keeps trying to forbid her from wizard school but she’s technically the older sister so she has override rights. She will go to wizard school. How does she get wizard school to accept her.

And Gojos just really weird and off and keeps looking at Megumi and saying that he “didn’t know he had a sister.”

He really didn’t know that Megumi had a sister he wanted to stay with.

And then suddenly it’s like a switch is flipped and he’s back to his normal self telling them to leave everything to him, because he’ll make sure tsumiki can come back with them. And uh? Itadori? Weirdly physically capable kid who will apparently eat anything? Is he going to be good getting home after all this?

Itadori: actually if it’s not too much trouble can I go to wizard school too my grandpa sort of died half an hour ago and I don’t have plans for the rest of my life. Tsumikis kind of my best friend and I’d like to make sure she’s all good at wizard school. I’m a really good fighter and I stabbed the last monster so like can I come too because you know. Dead grandpa. No family or future to speak of. Haha.

Gojo:

Megumi:

Tsumiki, softly: dude

There’s more after they make it to jujutsu high but this is already really long so we leave it here

#ask games #jjk #jujutsu kaisen #continuing my streak of becoming obsessed with minor background characters #other highlights include itadori trying to platonically wingman for tsumiki with her brother (because it’s been like a decade and she knows #nothing about him and he knows nothing about her and she’s terrified he won’t like her once they get to know each other again) so that way #itadori can be the one asking the get to know you questions and tsumiki doesn’t have to admit out loud that she and her brother know nothing #about each other only the inherent problem is that her brother is actually unfairly pretty and has a sort of dry wit and is reserved but #when you get to know him he’s such a genuine dude and oh fuck oh no he’s in trouble this is his best friends long lost brother he has to be #violating some kind of code here. Kugisaki stop laughing at him this is a crisis.#gojo basically backed out of teenage fatherhood when he saw Megumi walking around with the divine dogs because it’s one thing to butt heads #with a major clan over an outcast member it’s another to do it for their most sacred technique #he thought that Megumi would be better taken care of than anyone else in the clan as the person with the ten shadows and that he’d probably #be better off than with an emotionally broken seventeen year old who works at least 28 days a month and has no idea how to raise a child #he never realized that Megumi had a sister he wanted to stay with who the Zenin separated him from #he tells himself he would have intervened if he had known because he’s been secretly worried and guilty about not taking in Megumi after all #since Maki showed up and said some worrying things about the clan heir and his standard of living and got the confirmation when he met #tsumiki and realized that he could have kept them together all those years ago and didnt. megumi and tsumiki kind of haunt him with lost #potential because not only could they have grown up a family but they could have grown up his family. megumi doesn’t know why satoru gojo #of all people is being so weirdly helpful and intense about about sponsoring tsumiki and keeping her close to him

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fantomette22 · 5 months

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Ok, let’s hear about your favorite Gehrman and Maria happy AU!!

With pleasure!!!! :D

Ok so for context yesterday I refound this post :

And I was like "hey guys in my happy AU Gehrman could totally get or make something like this for Maria!" And then it spiralled into "oh I completely forgot to explain my bloodborne "happy ending AU" so there it is finally I guess. I think I only share to a couple of persons so far XD (I have a few others many different AU and darker but it isn't for today).

I already did a few drawings in link with it : here, here, here and there. Yeah with the gehrmaria ship involve so pass your way if that isn't your thing.

I did end up making the cottage house of the AU in Minecraft since a few months ago by the way XD I even have a tanner, hunter and a freaking cleric villager who now took possession of the house 😂😭 even Laurence decided to live here now I can't. I would need to redo it I kinda screw up proportions I think. Sadly Minecraft bedrock doesn't offer to put many details. I guess it would be better in the sims? If someone knows a good game to built house (and 19th century one) I'm taking it!

So now about the AU it's kinda an AU of my fic verse who can be consider like an AU as well I suppose (even if I tried to stay as canon complaint as possible in this one). Like you can guess from the name Yharnam doesn't became hell on earth and most people don't end up dying horribly. I will copy paste below the summary so you I can explain it better.

Bloodborne happy/good ending AU Summary :

Basically after bloodborne game event (in my fic verse interpretation) our dear baby squid good hunter decided it was rewind time and give everyone a 2nd chance. Don't ask me how

Then it's not clear but either the souls of everyone were taken and yet back in their old self, decades earlier of if people from the past dreamed of the future or a weird mixt of both. But it's what happened. Decades before the game invent (Byrgenwerth era) people started wake up and remember events that haven't happen yet + message from the new great one that they were giving a 2nd chance to make things right etc. It feels like a very strange dream but they knew it was real. Some people remember more than other and they especially remember their own future and they lived/are gonna live+ a couple of other things in game event for exemple.

Now it's up to them to not make the same mistakes and make things right.

So imagine it’s like 2-3am at Byrgenwerth, everyone wake up from well this dream/ nightmare and they basically remember everything that happened to them. So you haven hundreds of people outside in their pyjama. Crying, hugging, and some almost throwing hands with others 💀 quite emotional. I know it’s pretty crazy (i don’t have everything settle yet)

*Yeah you have people who were basically bestie at the time almost punching each other because one betrayed the other years later lol and people who didn’t like each other at Byrgen but become friends way later are hugging and crying. Some people were really confused xD like the one who die earlier on the timeline or weren't very important or just leave this mess early.

So of course you have Laurence & Gehrman crying and holding each other in pyjama in the middle of the dark campus. Then Maria show up in the distance 👁️👁️ it’s even more of an emotional reunion.

So you have this 2 idiots then Maria show up in the distance, they’re stunned and then Laurence tells him « what the hell you’re waiting for just go!!!» so he runs extremely fast (maria too) and they stop a few meters away from each other just staring. Then he tried to apologize says he’s sorry for everything. « YOU’RE SORRY?! » she’s kinda mad and sad about everything that happened she kinda hit him but he is surprise it’s not that hard then she hugs him and they hug each other and cry. (Yeah the Doll is discuss a bit later it's all good)

At some point Laurence try to eclipse himself and Maria’s like « you fucking stay here! » because she have things to say to this dumbass too.

So everyone reunite and all. With Caryll/ Rom/ Ludwig etc.They are hugging and all and then you have like Damian trying to kick Mico’s ass and nobody stopping him XD

Also Charles and Laurence threw hands 💀it’s a mess.

*People who’re not suppose to be very friends at this era are in each other arms and some bff are like throwing hands.

Then Willem show up and tell everyone to shut up and calm down 😂

Charles and Maria later go to Cainhurst to hug all their family who slightly remember all the shit too. And so it don’t cause a war again as well 😂 because they're kinda salty about their nightmares were the church + executioners killed them.

Anyway they all kinda calm down and some times later they’re all reuniting by Willem & Laurence because we need to talk about what the hell happened. « Yep that was real » now time to change it.

After this mess and discussing what the hell happened and « we need to changed things! » they need to make a big plan how to avoid the fishing hamlet pb and save the orphan. they also can't just not use blood because it does save lives so it's quite complex.

So years later (because the beginning of it during like Maria, Ludwig, Caryll & Rom's hm 3rd of 4th years of university) they manage to make sure the hamlet don't became fishmen, and help Kos give birth (she isn't dead yet but her physical body do die afterwards). And baby orphan is fine and taking care off 👍

Then it's party time 😎 Well they still have things to take care of but I didn't thought of all the details yet. So Maria & Gehrman officially get together 🎉 (never really happened in my main interpret, it's complicated) and some times later travel between Yharnam and other places to help people around (to put it shortly).

THEN they buy a house next to a forest and a small village and live there for some time, maybe start a family etc (see the drawing with the baby!! I won't get into all the family detail today through). So they got the cottage/country house ✨

How they found it? Well funny story one day old hunters were on the mission (not the happy au but fic verse) and the mayor leave the house to them so they could sleep for a few nights and Gehrman really liked the house and even made a deposit for it for a few years if one day he wanted to buy it XD

Then after some time they accidentally adopt a lil dog too (before the huge white wolfhound years later) XD

Something like this. Need to find a name for this lil guy.

And recently I've been thinking a cat could be cool too. A really fluffy one

I made those 2 other sketches last year in link with the AU as well. I never share those so there it is.

And I have a fic planned (1-2 chap max for now), an entire summary, a chapter plan and even a few sentences written for this AU in particular. But idk when I could write it. And I could even have 2 versions depending the rating @_@ so maybe one day...

So yeah it's a bit messy but it's all the fluff & some other things I need. And that's it for now!

#bloodborne happy ending au #gehrmaria #fantomette22art #sorry that was long XD #my asks #bloodborne au #bloodborne headcanons #gehrman the first hunter #lady maria of the astral clocktower #bloodborne

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