Beans.
My partner and I have a running joke with a friend. Every time he goes on holiday we increase the quantity of beans in his flat.
The first time we bought ~30 cans of kidney beans and hid them around the house like some Easter egg hunt thing but with beans.
The Second time we bought ~6kg dried white beans and hid those in various places. Nearly every receptacle that could safely hold beans became the home of beans. My personal favourite was emptying an oat milk carton, very carefully washing and drying it, filling it with beans and then just putting it back among several other cartons.
He went on holiday again a couple of weeks ago. Obviously there is an expectation of bean-based shenanigans. And obviously we have to beat our previous efforts.
Our friend has (had) a mosaic on his wall of the famous Marilyn Monroe Pop-Art by Andy Warhol. He made the mosaic himself. Over the last couple of weeks we have spent hours and hours assembling a frame, drawing up a pattern and gridding out a 70 x 70 frame and gluing an untold amount of beans to it. I have spent over 21 hours gluing beans to a frames.
For the last couple of days I ended up going to bed at 5:00 am because I lost track of time whilst experimenting with which types of glue works best with different beans (I now have *opinions* on this, y’all). The day of our friend’s return we spent the morning and afternoon grouting the piece and wiping it down and wiping it down again and wiping it down again because grout is just like that. In the evening we went to install the mosaic, just a few hours before his return. Here’s a comparison between the original and our clearly superior replication, and the new piece installed in its rightful place.
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I've been rewatching Avatar: The Last Airbender because why not and I'm losing my mind at Zuko's proper introduction. I don't know if it's hindsight, shifting characterizations, or just me not watching this in a long time, but this was amazing.
We start off showing he's an impatient and very angry kid. Reasonable, and the sort of flaw we might expect to see in a villain. Kinda funny that he expects to go up against an adult and fully 4-Element realized Avatar, but the kid is desperate and Iroh clearly expects his nephew to get the banishment-denial kicked out of him.
What's important here, though, is Zuko's introduction to the Southern Water Tribe.
Here, we have a very intimidating entrance where his entire ship just sails through the ice right up to the village's front door. It's quite ominous and this is our first proper introduction to how the Fire Nation interacts with a foreign people.
Sokka charges, I'm assuming fully prepared to die, and Zuko casually knocks him out of the way. Okay, so clearly the Water Tribe are entirely outgunned.
He asks "Where are you hiding him?" and the people of the Water Tribe go silent. I assume they're either just too scared to talk or actually protecting Aang.
Whatever the case, it's important to note that the Southern Water Tribe know the terror the Fire Nation can inflict. We have a whole episode dedicated to tracking down a division of raiders.
Sokka was able to not only identify the ash-mixed snow as signs of an incoming attack, but estimate how many ships the amount of ash measures to. These are a people who have experience being terrorized and are probably expecting something terrible to happen.
And then, after they don't answer, Zuko grabs Gran-Gran. There was a horror sting to it, and everything the tribe knows about the Fire Nation suggests that Zuko is about to threaten or straight up hurt her to get answers. Classic "terrorize the elderly" bad guy stuff.
And then...
He goes "He's (the Avatar) be about this age and is a master of all four elements!?" and lets her go.
And all of a sudden, the tension that was built up is shattered as Zuko went "I know, I'll give them a reference for the person I'm looking for because clearly they're confused and I wasn't specific enough."
This went from a show of villainy to a show of Zuko being totally socially awkward and misreading the situation entirely. Not helping is that when he does try to menace them a moment later, his fire is slow and angled quite safely.
It still worked on the Water Tribe because they're understandably scared, but all I could think of is that this was the equivalent of a playground bully trying to make someone flinch with that fake-out lunge thing.
Because the fact-and something we'll come to learn-is that Zuko is TERRIBLE at being a Fire Nation oppressor. He's capable of doing morally dubious things and is a competent fighter. But he's lousy at terrorizing people and cruelty-that's kind of the point of his banishment.
And while we can see the story paint this picture of Zuko's true character as the story goes on with hints of good and conflicting loyalties, here we get to see just how bad he is at being "the bad guys".
He's still unambiguously being the villain of this scene, and it makes no real difference to the oppressed themselves, but there is a comical gap between where Zuko thinks he is, where he actually is, and somehow it still puts him on the same page as his victims just because of how terrible the Fire Nation's influence is on everyone involved.
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