#being like WHERE ARE THESE KIDS PARENTS

[pandoratheprocrasticreator]

yes there are more and more childrens works nowadays that do talk about the moral implications of putting children in dangerous situations but it’s usually like. really clear if that’s what the work wants to talk about. otherwise children’s media have child protagonists get up to funky adventures and save the world because it’s children’s media. targeted towards children. who have rich internal lives outside of their interactions with adults. who want to see people like themselves be the hero of a story same as adults do.

like as a fan of childrens shows myself im certainly not going to scoff at adults who like children’s shows bc some of them are genuinely good but. if youre not part of the target audience then it’s expected that you go into children’s media with some suspension of disbelief? like no a plucky 12 year old irl probably can’t fight god no matter how much they love their friends and if a creepy old man beams out of the sky to tell them to then you should probably call the police. but if the show is positing the plucky 12 year old as the protag and the creepy old man as their mentor then just. go with it?

there is media that shows how a child protagonists’s adventures could be traumatizing and how the adults around the protag have failed them by letting them go on an adventure in the first place. that kind of story can resonate with kids too. but your takeaway from that kind of story should be “sometimes adults put kids in unfair situations and this is a fantastical representation of an irl situation.” your takaway shouldn’t be “the adults in this story suck for letting a 10 year old fight a dragon therefore every single story where a 10 year old fights a dragon should also talk about why all the adults involved suck and if they don’t then it’s a bad story” like. the dragon is not the point here!

frankly if you look at children’s media and cannot bring yourself to do the one bit of suspension of disbelief needed to keep the story going then. what are you doing here? if you want to explore how adults put children in dangerous situations and use an adventure style story as a backdrop then there are many works, both for children and adults, that explore this. but just because a piece of children’s media has the same vibes as another piece that explores something doesn’t make the first piece bad if it doesn’t explore it.

what you want is just a different story at that point. possibly one targeted at older audiences. or you’re just trying to be edgy. either way if you’re complaining about something like that then you need to understand that there are some stories that you’ll only be satisfied with if you rewrite the entire plot itself. at that point just reread/rewatch the thing you actually like instead of rewriting the whole book/show/movie to be a clone of it.

[starry-bi-sky]

I am loudly pushing the batdad agenda i am loudly pushing the— DPxDC Prompt

“Woah. You look like shit."

Granted, that’s probably not the first thing Danny should be saying to the guy that just bit the curb, but in his defense; he’s not running on 100% right now either.

The man -- tall, towering, and broader than Danny is tall -- whips around on his heel, black frayed cape flaring out impressively. Danny would've whistled in appreciation, but he takes the time instead to wipe the back of his hand across his mouth, smearing the blood running from his nose across his cheek.

"Sorry." He blinks widely, not even flinching as the man with the horns zeroes in on him. "That was rude of me. I have a really bad brain-to-mouth filter; Sam says its what always gets me into trouble."

And she's not wrong either, per say. His smart mouth is what landed him in this situation -- with blood blossom extract running through his veins and cannibalizing the ectoplasm in his bloodstream. Thanks Vlad.

The man grunts at him; a short, curt "hm" that shouldn't make Danny smile, but he does because he's somewhat delirious and probably concussed. The man keeps some kind of distance, sinking towards the shadows of Gotham's alleyway like he dares to melt right into it.

If it's supposed to scare Danny, it doesn't work. Danny's never been afraid of the dark; he's always been able to hide himself in it. He blinks slowly at the mass of shadows.

"You look hurt." The shadows says, blurring together around the edges. Danny squints, and licks his lips to get the blood dripping down his chin off. Ugh, he hates the taste of blood.

"I am." He says, "My godfather poisoned me. M'dying." The agony of the blood blossom eating him from the inside out looped back around to numbing a while ago, so all he feels is half-awake and dazed.

"Hey," Danny stumbles forward towards the man, a bloodied hand reaching out to him. "You-- you're a hero, right? You're not attacking me; which is more than I can say for most costumed people I've met." Maybe it's a poor bar to judge someone at, but he's already established that Danny's not in his right mind.

The man makes no change in expression, but Danny realizes blearily that it's hard to tell with the shadows on his face. He stays still long enough for Danny to latch onto the cape -- stretchy, but almost soft under his fingers.

He looks up blearily into the whites of the man's eyes. "Can you help me? I don't-- I don't wanna die." Again. He doesn't wanna die again. He blinks slow and lizard-like. "I mean- I'll probably get to see mom and dad again, but I told them I'd at least try and make it to adulthood."

There's a clatter down the street, and Danny's ghost sense chills up his spine and leaves a bitter, ashy taste in his mouth. He immediately knows who it belongs to even before the deceptively gentle; "Daniel?" echoes down the way.

"Daniel? Quit your games, badger, Gotham is dangerous for children."

Danny's mouth pulls back, and blood spills against his tongue. "Please." He rasps, and grabs onto the shadow's cape with both hands. "Please. He's going to kill me. Please--"

"Daniel? Is that you?"

His lips part, dragging in air to plead with the darkness again. He doesn't need to, the whites of his eyes narrow, and the cape whirls around him before Danny can blink. Soon swaddled in shadows, the Night lifts him up, and steals him away.

[theoldkyokodied]

One wedding and three funerals

Background paintings under the cut

[sen-ya]

I just think fatherhood would suit him, roast me

[fandomsnrambles]

Huh, found an older art piece of the FSM as a child

My anatomy is meh here but oh well. The eyes around him are basically the onis and the dragons. Its the pressure he felt when they were making him chose sides in a war… yikes.

Rambling below cut (and sketch!)

I hc he ran away when he was 14-15. This is him as a kid, basically 14. Also, i thought it’d be fun if he looked like both his sons hence the two toned hair (personally think he made his kids asexually btw cause its hilarious)

I also like to think hes a lot like BOTH his sons personality wise.

ANYWAY that moment when trauma hits you like a truck. As a child soldier, you are robbed of your childhood (lloyd parallel fr) and then you run away making 16 realms, 2 kids and possibly humans as well. You ingrain it into your everyday life and never realise your coping methods are unhealthy until you suddenly realise you’ve hurt your sons, but its too late by then.

My angst material is focusing on the generational trauma here btw

I mean FSM runs from the pressure from everyone around him -> Wu and Garmadon feel pressure to uphold their fathers expectations and everyone elses -> Lloyd trying to uphold expectations from everyone around him…

(Also, so fun cause my lloyd design looks like his grandfather, OOF think of the parallels is what i’m saying)

This family makes me crazy…

Bonus,, sketch

[what-is-it-to-be-pk-esque]

Ok I know I'm heavily biased here but like I kinda love that Astarion's romance is one of the few in this type of video game where you basically end up canonically unmarried and childfree in his "good" ending? Just travelling the world??

Like it's honestly the millennial dream lmfaoo cannot believe i chose what would undoubtedly be my favorite option, first try

[yourlocal-edgelord]

Duke: hey bruce which robin was the least troublesome?

Bruce looking out the window wistfully for extra dramatic effect: jason

Tim: *years of trauma begin to resurface*

[lighthouseas]

it's so fucking sad that preteens are raiding sephora for makeup products meant for adults and not only are said adults bullying them online for views, they are also not addressing the actual issue at hand, which is that there is literally no third space for these kids and they're basically being raised on ipads where they have unrestricted access to the internet at all hours of the day, which is why they are so desperate to imitate what they see online by buying $80 makeup products meant for ADULTS. that's terrifying actually

[hazellvsq]

i've put some thought into it because i LOVE frank and his son of neptune arc especially but like...did his mom need to be dead for it? i'm so back and forth on this like sacrifice and duty are obviously big parts of his arc but i feel like he could have had the same angst if his mom was just absent. idk. also his mom died SIX WEEKS before son of neptune which no one remembers because he doesn't behave like someone who's mom died six weeks ago (or like someone who only learned about being a demigod six weeks ago).

[everysongineverykey]

the owl house was really like oh yeah by the way a significant number of children avoided being collected solely because they were hiding out inside this one high school and all the adults in the building and a few of their classmates and friends were turned to puppets right before their eyes and taken away and they've just been alone here ever since. yeah it's been months since they've seen their families. it's unclear whether or not they're aware that the collector's been using their loved ones as toys in reenactments of the adventures of a lost friend of theirs. there are kindergarteners trapped in there. they spent a significant amount of time and effort on a meticulous, perfectly constructed stone statue honoring their collected principal who was one of the only people protecting them when the collector's spies came and it's dorky and unprofessional but they're so genuinely grateful for what he did and they never got to thank him themselves. their "leader" is the former captain of the grudgby team who's deeply traumatized and terrified 100% of the time and only took the job cause she wanted some sense of control over a nightmare situation. an adult in disguise has been manipulating her to do what she's told this entire time. their food is rotten and moldy and they were so scared of being found they put a sign up outside that said "no non-puppets inside". yeah. it's funny though. it's just a silly joke. look at luz's new palisman!

[saitamastamaticsoup]

Not to be dramatic but since hiori is blasian in canon I need black x readers asap🗣️ like we are DEF not getting any cultural background on this kid (because they just slid it in there like we weren’t gonna recognize in the first place)not that we have any background on any of these children’s parents but I think he should explain how he feels being mixed in Japan because it’s just really funny having these two in the exact same anime, and they are both black 

This is ABSOLUTELY hilarious 😭

Edit: so I’ve noticed a pattern of EVERY character looking like their mother and barely sharing any resemblance to their fathers so ig he gets a pass for being pale BUT there’s even more melaninated characters so let’s give him some sun too!!🥺

Respectfully; come the fuck on

[xekstrin]

Young mom came into the gym with her little kid— i mean old enough to walk but still barely cognizant as a human little — and starts exercising without giving the kid anything to do except run around and bother other adults who have headphones in and are swinging free weights around… and then the baby starts open mouth coughing!!!!! NO SIR!!!! I GOT THE FUCK OUT OF THERE

[scoopstomyahoy]

thinking about a no upside down au steddie fic where steve and eddie run into each other years after moving away from hawkins, and eddie remembers steve and his fall from grace as king, and is kind of intrigued to see what kind of person he is now

and steve doesn’t remember him at all at first, because, look, eddie changed his hair again, and steve’s had a few head injuries (no upside down but i imagine he still went thru some shit with the party and with robin), and he didn’t really think about eddie in high school anyway, and he’s trying to forget about hawkins as much as possible (besides the kiddos, but they’re all moved out for college now, anyway) (obviously he lives with robin)

but steve is different now, happier, more open, flirts with guys, flirts with EDDIE, and eddie….. well, he wants to know more! and he tells steve he knows him from hawkins, and steve’s sunny little smile flickers a little, but he just apologizes for not remembering him and mentions he has some memory problems

and they get to know each other, and eventually as eddie tells him more (and maybe with the help of some yearbooks) steve remembers eddie. and. well. they like getting to know each other. and they like each other. and then they get together

eventually they’ve been together for a while, and eddie thinks he wants to maybe introduce steve to wayne, and he mentions he’s going to go back to hawkins for a long weekend (as he’s done a couple times) and this time he’d like steve to join him

and again steve’s sunny smile flickers a bit, but he says he’d love to meet eddie’s uncle, and… they go to hawkins. and it goes well— meeting wayne, at least, but steve seems a little on edge the whole time they’re there, tense when they drive in, fidgety when they go to the grocery store, et cetera. eddie thinks maybe steve is nervous about staying with the man who raised eddie, which is ridiculous, because wayne LOVES steve.

it’s not til they leave the town altogether that steve relaxes, and eddie realizes it wasn’t “meeting the parents” but rather going back to hawkins. and speaking of meeting the parents, steve didn’t ever bring his own up, even though eddie knew they still lived in hawkins. and the way steve glanced around whenever they went in public, like he was scared of getting recognized

and he asks about it, and steve doesn’t really want to talk about it, but he gives eddie snippets of it. people he wanted to leave behind in hawkins, memories that resurfaced, things he wants to forget

eddie goes back to see wayne sometimes, and the first time he doesn’t know whether to ask steve to come, so he just mentions he’s thinking about going to hawkins for some weekend and steve immediately starts making plans with him as if the invite is implicit. they go back to hawkins several more times, steve still tense and pent up the whole time they’re there

over time steve reveals more and more to eddie. everything that made hawkins hell for him, from the things he himself did in high school to the things people did to him. stuff tommy and carol and billy said to him. some of it is just typical high school bullshit (and oh, the nancy thing.) some of it is the tragedies steve went through, the horrors he had to protect his kids from. the injuries he sustained. more generally the homophobia that permeated the whole town, keeping steve from being himself. the lack of support in the indiana public school system for a high school senior who’s had two concussions and gone through incredible trauma.

his parents. the reason why steve’s mail is addressed to ‘steve buckley’ now, not ‘steve harrington’.

(that doesn’t come out until much, much later, and eddie is kicking himself for ever suggesting steve come back to hawkins.)

eddie, who hardly had an easy time of it in hawkins, is absolutely blown away by what steve had gone through in the same town, right under his nose. the entire persona that steve was trying to leave behind — the cool as a cucumber, unaffected, douchey mask he wore to hide all that he had endured. the head injuries. the emotional tragedies he had gone through. the way he had to be the rock for the kids even as he went through the same things as them.

he tries to tell steve they never have to go back to hawkins again, and steve is having none of it. he tells steve wayne can come visit them in their new city, and steve thinks that’s completely unfair to the man who had raised eddie, seriously, you’re going to make him come all the way up here?

and well i don’t know exactly what the ending is but steve is so stubborn about trying to love hawkins because it was eddie’s home and he wants to be able to go see wayne because wayne deserves to see his kid and eddie deserves to see his uncle and steve doesn’t want to be the problem :(

[quibbs126]

if ur taking the fankid requests maybs kiwi x rockstar. hooked up on the fact rockstar calls kiwi his soulmate and there’s no elaboration haha

I'm back at it again with posting my old fankids that have just been sitting in my drafts, this is Honeydew Cookie

So as I recall, Honeydew here is really moody and just generally a bit of a jerk. She's rebellious and doesn't like establishment

...Okay I'm gonna be honest, most of what I remember about her is that she's based on greasers, not much else. I'm just trying to come up with something to say. I'm not sure if she's genuinely mean or if it's just an act she puts on to seem cool. I'd say she's around 20. She also wasn't always this way, she just grew into this over time

Sorry for the short character part, I just genuinely don't remember anything about her personality other than greaser and vibes. Let's just move on

So Honeydew is a light green fruit, so that's my justification for the name, since Kiwi is a green fruit and Rockstar has white hair. I remember I chose Honeydew specifically because I was planning on her being a greaser/rockabilly and I thought Honeydew was a name that was contradictory to that vibe, sort of like a subversion

Honeydew:

So yeah, I basically just based her design off pictures of greasers I found on the internet, specifically the guy's fashion, and also specifically I tried to find pictures from the time, aka like the 50s. I think I picked it because it was considered rebellious and such (I don't know what words specifically, but you know what a greaser is), and that fit in with what rock sort of is, or at least was. And I think greaser/rockabilly (I don't know specifically what the difference between them is, are they the same thing) might have had some connection with rock at the time? I'm not sure

Or it might have also been because I have a vague memory of someone making a greaser Holly from Jojo's Bizarre Adventure, and that stuck with me

I feel like I originally had some trouble with designing her hair and making sure you could see it, but it eventually worked out

She also originally had Kiwi's normal eye color, but for a reason I can't remember, I darkened it. Maybe so she didn't just have Kiwi colors? But regardless, I like how her eyes look currently

Yeah I feel like I don't have much to say, but that's not to say I dislike her, I quite like her look a vibe. I just don't know what to say about it

But anyways, I hope you enjoy her

[yardsards]

also. amber gris as a character is really important to me as an appalachian.

not just her accent or the specific type of person justin based her off of but like

the feeling of losing someone to addiction/overdose while the government does nothing to help, just criminalizes and stigmatizes and makes things worse. which obviously happens in more places than just around here, but we have one of the highest rates of overdose death in the whole country and that whole set of scenes felt like they were really informed by growing up around that

[pickled-flowers]

Saw some of the grossest parenting today in the bus