Last night I dreamt that there was a poem about borrowers and I wrote it down quickly so I could share it with you. It went something along these lines...
There are footsteps in my wall,
and I shudder as I hear them crawl,
for every step and creak and hiss
brings the promise that something in my walls exists.
I lay in bed with bated breath,
I do not dare to make a sound
keeping quiet as I hear the footsteps pound,
unless I want to hear their wreath.
As I lay I hear voices speak,
voices which they are meant to keep,
to keep hidden from ears such as mine,
for the path of mine and the voice shan't intertwine.
And as I see the footstep's source,
as I see the tiny figure walk its course,
we dare not speak or exchange a word
as below my steps creaks the heavy floorboard.
And as I speak and dare approach
the figure reels back in fear,
for it does not to wish me near,
for it is the figure who usually does encroach.
Step by step I near my guest,
who reels back as they try their best
to stumble steps away from me,
so much so that it is obvious to see.
I take a knee and take a look
over their small frame which in fear shook
and offer a small smile for their treasures are theirs to keep,
as I stand up and return to sleep.
There are footsteps in my walls
and I smile as I hear the small person's calls,
for when they call they call for me,
for it is I they want to see.
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Ode on Paul Cotterell
I can still see them sat down there: the man
and the dog. He and Theo, every evening. Stout
in his hand, he’d key into the thrum of the Drover’s Arms:
Farmer Murray whining at the price of good bull calfs,
A chiming of pint glasses. The man would overcast
His eyes and laze, but his crook-like smile
and the ears laid flat on his heart-dog’s head
Would tell you they were listening: he and Theo.
Theo: the dog in the corner, chin on the barstool. Theo
of the lager-coloured pelt. Theo with the lump
beneath his groin that wouldn’t go away. Until at last
the dog lay trusting on the veterinary’s table
And there was bile instead of bitter flowing
As the anaesthetic pulsed along: the sorrowful needle
and the man, eyes overcast. He and Theo.
Ah, but there’s nothing like a dog for bringing it home to you:
Leading you leashwise into that dark side-street,
Tottering home after closing time.
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tomorrow when the giant finds this freak of nature, they will trap him in a jar. but tonight he is alive on the giant’s countertop after eating every cinnamon roll in sight, and when he looks up at the cabinets, there are twice as many stealable items as usual.
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Borrow
by Sarah McCartt-Jackson
We borrow from the land what we can but cannot
return to it: bluestem, coneflower, boneset, broomcorn,
a ring-necked pheasant tied to a pole, a flat stretch of land
we strip and tar and pave, a creek that gets deeper
as it downrivers, its edges spoiled with runoff.
We collect seeds from the sunflowers and sow them
like quilt pieces, a little scrap of prairie rose here,
scrap of meadowlark feather there. Tamp down
the soil with plodding hooves, steel-toed boots.
Listen as the tallgrass rattles its dry stems,
cottonwood leaves quake as they remember mountain
lakes. Listen to the grain trucks rumble the highway.
We startle at the deer who startle at our footsteps.
A tree frog croaks from its harddark hole in
the otherwise empty change slot of a vending machine.
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