#but in case he does now he has a spell to deal with it

[victorluvsalice]

And the special deals didn’t even stop there -- as Alice went scavenging along the edges of the fairground (as digging up cool stuff with your bare hands is part of the fun of being a werewolf) and Smiler joined everybody outside for the dance party, Kim approached Victor, told him he was her Fairing Friend, and gave him a present! Which consisted of some milk and a couple of spicy mushrooms! :D I was very pleased. Though, sadly, Victor was unable to pass the favor on, as he didn’t know enough of the Henford-On-Bagley regulars to give them presents, and couldn’t really keep up a conversation with any of them at the dance party. Plus giving presents to the mayor, aka the judge of the competition, probably wouldn’t have gone well. Shame. Maybe I’ll go have him hide something at Sophie the Snail again. . .

Anyway -- around this time, Victor and Alice were starting to feel peckish, so I sent them inside to get some food from the bar. Alice got a meat pie, naturally, while Victor tried the mushroom soup, as it was a touch chilly at the fair. They had a good meal and a good chat -- Alice DID annoy Victor slightly by pestering him for juice-fizzing tips, but he quickly got over it, and they were back to flirting and exchanging compliments before too long. :) Once done with the meal, Alice went back to scavenging and dancing (maxing out the Dancing skill in the process, nice); Smiler headed over to the fishing spot nearby to see what they could catch (just the one goldfish, but that IS a plasma pack!); and Victor took up practicing magic in the middle of the festival while the mayor finished her judging (learning Decursify! Now that’s handy!). All good stuff -- but how did Victor actually do at the fair?

[gregoftom]

undefined

pretty sure i’ve seen romance movies with scenes like this

[marc--chilton]

still losing my mind at the way houses relationship with john would have fucked up the way he sees being an omega. just,,, teen house, young and confused, experiencing these absoloutely brutal heats. not understanding why they are so bad and hard when theyre supposed to be a time where an omega feels good. already feeling broken and wrong, and then having to face john's anger and disappointment over him being an omega

like i can only imagine how it would affect him in heat, a time where he would be less able to think coherently. and constantly remembering how traumatic and horrible his heats as a teen were, the memory making him feel bad and in turn making him feel physically worse. just like,,, a constant feedback loop of remembering and feeling bad -> feeling physically worse in turn -> reminding himself even more of his childhood and feeling worse

i feel like after having to deal with his first few heats without a strong family net to acclimate to the changes, once house is outta there and doing his own thing he tries to never deal with his heats alone. he marks his cycle religiously, makes deals with alphas in med school to help him through them, or even finds street suppressants if he's especially desperate.

man. you just know john has put him outside for some of his heats, too. nothing to nest with, no scent blocking patches, just left him in the yard like a sacrificial lamb. it goes without saying how dangerous that is.

hell, once he's employed i wouldn't be surprised if he stole something from the hospital to bring home in case a heat comes up that he can't deal with, something that'll knock him out for the worst of it.

[1-imaginary-girl]

Wolf Bite

Klaus Mikaelson x Reader

Summary: During a fight between your friends and Klaus and his hybrids, you get bit. A certain someone appears later to help heal your wounds and complicate your feelings. Reader uses she/her pronouns.

Warnings: Violence, fluff

Word Count: 4850

Part 2

A/N: I have been obsessing over Klaus lately and thought I would share this passion with you guys. I haven’t seen TVD or TO in a while so I apologize if I get anything wrong about the lore. It doesn’t follow any canon plot, just inspired by Klaus healing Caroline’s bite.

You’re leaning against a wall in the Salvatore brothers’ house as the rest of your friends talk about their newest plan to threaten Klaus and his family. The idea seems foolish to you, but you know better than to voice your opinion. Ever since the Mikaelson clan moved to town, being a vampire has gotten a lot more complicated. You’re suddenly not so immortal when there’s a whole group of people out to get you and your friends.

You’ve also started to notice a shift in the group as Elena now has feelings for both Salvatores. You’re well aware that your presence has slowly started to go unnoticed and yet here you are again. You watch as the group argues about how to lure Klaus and co. to the woods where you’ll meet him.

“What if we send someone to his house to deliver the message?” Elena suggests. But Stefan shakes his head.

“No, it’s too risky,” he says.

“Not if we send someone with a white oak stake for protection,” Caroline says.

“That would ruin the plan,” Bonnie says. There’s a silence as the group thinks of a new idea. Until Damon speaks.

“What if we get Y/N to call him?” Damon says, looking at you for the first time today. Your eyes widen as the rest of the group now looks at you. As if they weren’t just ignoring you.

“What? N-no way,” you say, not prepared to be put on the spot.

“Come on, he’s clearly shown an interest in you. Now’s the time to use that,” he argues. It’s true. Ever since you first met, Klaus seems to have taken a liking to you. But you think the group’s making it a bigger deal than it is. You think he just does it as a way to annoy the group. Though why he chose you instead of someone like Caroline or Bonnie, you’ll never know. 

“I don’t want to do that,” you say, not wanting to explain exactly why. You’re not even quite sure yourself. “Besides, it probably won’t work. I mean, I don’t even have his phone number.”

“Oh right,” Damon says, furrowing his eyebrows as you throw a retch in his plan.

“You could deliver the message in person,” Caroline suggests. Your jaw almost drops.

“Wait, so it’s too risky if someone else goes to the house, but not me?”

“Come on, he won’t hurt you,” Damon says. You’re beginning to think being a wallflower was the better option.

“We all have to help, Y/N,” Elena says. You choke on your words as you look around, seeing no one objecting to this plan.

“Wait, you guys my message spell!” Bonnie exclaims. Everyone turns to her and you are relieved to be out of the spotlight as you lean back against the wall. “I need paper, something to write with, and something of Klaus’s.”

Though you are currently mad at all of them, you decide you’re mad at Bonnie the least so you open your bag. You’re able to scrounge up the materials, even something of Klaus’s (you didn’t ask). With the necessary ingredients, Bonnie performs her spell and the written note lights on fire before quickly disintegrating. She opens her eyes.

“That should do it,” she says.

“We should go,” Elena says and everyone agrees.

†††

The group is waiting in the woods for Klaus to appear, as is expressed in the letter. Another argument broke out on the way here as to who will get the white oak stake as you only brought one to threaten Klaus with. The group didn’t want to risk any of the other stakes. In the end, Damon won the argument as he reminded Stefan his responsibility was to look out for Elena, which she did not like. The rest of you are armed with regular stakes just in case anything happens.

“When is he going to get here?” Caroline says, though no one answers as no one knows. “I mean, how can he even find us? We’re in the middle of the woods!”

“He can probably track us by seeking out Elena’s blood,” Damon says which angers Elena. Sometimes you feel bad for her being the only human amongst the group (other than Matt), and other times you envy her for it.

When the group is about ready to give up, you hear something coming. The other vampires can hear it too and you ready yourselves. Soon enough, Klaus stands before you with a smile on his face. “Well, well, isn’t this a nice surprise? I hadn’t realized we were pen pals,” the Original says. His eyes rake over the group and he perks up when he spots you. “Hello love.”

The others glance at you and, panicked to be on the spot again, you say, “Uh, hi,” with a small and awkward wave.

This causes Klaus’ smile to grow wider and seemingly more genuine, and you try to suppress the urge to blush. Although you don’t think your friends were pleased by that interaction.

“I assume you know why you’re here,” Stefan says, bringing Klaus’ attention back to the group.

“Ah yes, the cryptic message,” Klaus says. “So, what is it that I must see? Truly, I’m dying to know.” You see Damon smirk.

“I wouldn’t act so cocky,” he says.

“Oh, and why’s that?” Klaus says with an entertained look on his face. His face changes, however, when Damon reveals the white oak stake. His cocky attitude shifts quickly to fear and anger. “Where did you get that?” he growls.

“Well it turns out when your sister burned down that bridge, she didn’t realize that other things were made from your precious oak tree,” Damon taunts. He’s exaggerating, of course, as there was only one other thing made from the tree. But Klaus still looks fearful.

“So what? You really think you can kill me with one stake?”

“We don’t intend to kill you. At least not now anyway,” Caroline says.

“We called you here as a threat. To tell you to leave Mystic Falls or else,” Stefan says with a calm smile on his face.

“Oh, and this isn’t the only stake. We wouldn’t risk bringing all of them with us just for you to break them,” Elena says.

“You’re bluffing,” Klaus sneers.

“Care to find out?” Damon asks. You can practically feel the steam of anger rolling off Klaus.

“How dare you threaten me,” Klaus says, his blue-green eyes turning a deadly shade of yellow.

“What are you going to do about it?” Damon says with a taunting smirk. Klaus’ face shifts and he smirks back.

“Why I’m so glad you asked,” he says. He then lets out a whistle and some of his hybrids emerge from the woods. You widen your gaze as you hold out your weapon, trying to assess the situation. The hybrids move in closer, and you can see the others preparing themselves. “Now, let’s try this again. Hand over the stake, and no one gets hurt.”

You thought the answer would be obvious. Sure, Klaus might be bluffing but you can’t kill that many hybrids. And what’s one lost stake anyway? However, you seemed to be the only one thinking that.

“No thanks,” Damon says. You look at him incredulously.

“I was hoping you’d say that,” Klaus says. As soon as Klaus advances, his hybrids pounce and the group is thrown into an attack. Your weapons will only slow the hybrids down, but your best hope is to get the upper hand and snap their necks to incapacitate them.

Damon and Klaus immediately face off. The rest of you prepare to face the small army of hybrids while Stefan protects Elena. One of the hybrids locks onto you and hisses before attacking you. You instantly try to hold the hybrid off and stab her, but you can feel her overpowering you in strength.

Still, you rely on your moves in combat to avoid any major injuries or worse, her bite. You manage to get the upper hand and stab her through the stomach, and while she’s slowed down, you move to behind her back and snap her neck, knocking her out for a good while.

You’re trying to catch your breath when you sense another hybrid coming at you too late. He pounces on you and you slam into the ground with him on top of you. You’re caught off guard and without your stake. When you try to move to fight back, the hybrid digs his teeth into your shoulder. A short scream rips through you, powered both by panic and pain.

Meanwhile, Klaus is fighting Damon when he hears the scream. He looks your way as he feared it was you, and the scene causes his eyes to widen. With a newfound urgency, Klaus faces Damon and quickly finds a way to snap his neck.

As you’re panicking from the bite, you feel the hybrid being pulled off of you and you see Klaus with a furious expression. The hybrid is very confused by his sire’s anger. You think you hear Klaus growl, “Not her,” before snapping their neck.

You’re shocked at what just happened all at once and remain on the ground, sitting up with wide eyes looking at Klaus. He looks away from the hybrid to meet your gaze and his eyes instantly soften. He looks concerned, though you’re not sure why. He makes a move to walk toward you but before you can say anything, Caroline rushes over to you.

She quickly puts herself between Klaus and you. “Stay away from her,” she hisses at him. Klaus’ expression shifts back to anger, and before you can explain to Caroline what’s going on, Klaus’s gaze flick from her to you and then he sprints away. Not just away from you, but he leaves the forest. The hybrids that haven’t been incapacitated follow.

You look after him, longing to talk to him and figure out why he saved you, when Caroline’s face comes into view. “Are you okay?” she asks while helping to pull you off the ground. You nod and you guess that’s enough for her because she walks towards the rest of the group.

You’re a bit stunned as Klaus seemed to show more compassion than your friend, but you merely shake off the exchange. From the woods, the group heads back to the Salvatore’s place. You trail behind them, your mind racing as you’re overly aware of the fact that a werewolf bit you. Not just a werewolf, but a hybrid. You haven’t told your friends about it because you don’t want to be a bother to them as that’s all you feel like you are these days.

On the way back, your mind wanders to the one person that seems to be on everyone’s minds these days. Klaus. You don’t know why he saved you, even from his own hybrid, but you want to thank him. You know you should hate him like the others do but for some reason every time that man looks at you, your stomach erupts into butterflies.

You feel awful for how you feel, you know all the harm he’s caused to your friends and not to mention the world, but you can’t help it. It doesn’t help that he pretends to be soft on you either. You haven’t told anyone about your feelings, whatever they are, for fear of persecution but you can’t stop thinking about him.

You arrive at the Salvatore’s and the group huddles in the living room for a quick debriefing of what just went down. All the while images of Klaus and your bite flash through your mind. You look at your shoulder and you can’t see the full damage as it’s covered by your shirt but you know it’s not good.

“How are you holding up, Damon?” Caroline asks teasingly. He glares at her and rolls his neck.

“Doing just great thanks,” he says.

“What the hell even happened?” Elena asks. “I mean, why did they just leave?”

“All I know is, one minute I’m holding my own against Klaus--” Damon says and to this you hold back rolling your eyes. Klaus must’ve been going easy on him, toying with him. “--and then he gets this raged look on his face and boom, lights out.”

“He went to Y/N,” Caroline says causing all of their eyes to stare at you again. You bite back your annoyance at her for bringing that on you.

“What happened?” Stefan asks while the rest of the group waits. The image of Klaus looking at you causes your face to heat up and you struggle to come up with a lie. You don’t want to tell them the truth when you yourself haven’t even gotten to the bottom of it.

“I-I don’t know,” you say. They still stare at you. “Maybe he was mad at me for harming his hybrids.”

“There were two knocked-out hybrids beside her,” Caroline adds. The group looks at you with a mix of shock and amazement.

“You knocked out two of them?” Damon asks with surprise and slight amusement. You don’t want to outwardly lie so you just kind of nod.

“And then he just left,” you say.

“It still doesn’t make sense. I mean, why target you specifically?” Bonnie asks.

“Maybe he’s miffed his lover betrayed him,” Damon says and your face turns beat red.

“W-What?! I am not his—” you burst out in surprise until someone cuts you off. No one even looks your way.

“Or maybe he’s planning something,” Elena suggests. The rest of them start diving into conspiracies but your mind is elsewhere. You suddenly feel drawn to look at your bite. The more you look at it, the more it’s like you can feel the venom pumping through your veins. Your heartbeat is suddenly too loud and you feel like you can’t breathe.

You don’t know if it has something to do with the venom or just your overall panic, but all of a sudden, the world goes black.

†††

Your eyes slowly open and your vision is blurry at first. Figures stand over you and after blinking a few times, you recognize your friends.

“She’s awake,” Elena says, as if everyone isn’t seeing it for themselves. You realize you’re lying on the Salvatore’s couch. You wonder how long you blacked out for.

“What the hell Y/N?!” Caroline instantly yells at you. You flinch at her volume but she doesn’t seem to notice. “Why didn’t you tell us you got bit?”

At the reminder, you look back at the bite only to see that its gotten worse. You wince at the sight of it and face the group. You guess they discovered it when you passed out.

“I don’t know, I-I thought I could handle it,” you say, not wanting to admit the real reason. Most of them roll their eyes at you.

“Of course you couldn’t handle it!” Damon says. “You should have told us.”

I didn’t know you cared. You bite your tongue to keep the words from spilling out of your mouth. “I’m sorry,” you say, losing interest in the conversation as you are now painfully aware of the venom from the bite.

“What are we going to do?” Bonnie asks. They begin to cut you out of the conversation even though they’re talking about you and you decide you can’t deal with this right now. You stand up from the couch, feeling a bit of a head rush before steadying yourself. This seems to draw their attention.

“Hey wait, where are you going?” Stefan asks, as they all look at you with bewildered expressions.

“I’m going home,” you say and start to walk away. Unfortunately, they follow.

“You can’t just go home!” Caroline exclaims, reacting as if you just said you were going to the moon.

“Watch me,” you say, your frustration getting the better of you. You try to make your way towards the door but a few steps in you stumble and Stefan speeds over to steady you.

“Okay, we’ll take you home, alright?” he says and in that moment, you’re grateful for him. He turns to the rest of the group. “We can regroup at her place and brainstorm ideas there while keeping an eye on her.” The rest of the group seems to agree with the idea. In separate cars, the group drives over to your house.

Soon you’re pulling into your driveway. They’ve all been invited in before so entering isn’t a problem. With Stefan’s help, you climb the stairs and soon find yourself in your cozy bed. You wish you could just sleep away this problem but a sudden sharp pain from the wound reminds you that isn’t possible.

“So what now?” Elena asks as the group piles into your bedroom. It feels weird and you’re slightly uncomfortable with it but you keep quiet and just get under your inviting covers.

“Maybe we can ask Klaus for help?” Bonnie suggests. At this, Damon instantly scoffs.

“Yeah that sounds like him,” Damon says.

“Maybe he’ll do it for Y/N,” Caroline says. “He does have a soft spot for her.”

“I don’t know if that’s enough for him,” Stefan interjects. “We all know what he’s after.”

“No,” Damon says. “We finally have a real weapon against those Original assholes and I’m not just going to throw it all away for—”

“Damon,” Elena hisses and nudges him in the chest before nodding over to you. Once more, all eyes are on you and you don’t know what to do. Damon looks away, maybe feeling guilty for basically saying you’re not worth it.

“Why don’t we continue this conversation downstairs?” Caroline suggests. You once again wonder why they’re talking about this situation without you but you’re too tired and hurt to care.

“We’ll be downstairs if you need anything,” Bonnie says and then the group filters out closing the door behind them.

Throughout the day a few of them check in on you every once and a while, barely giving you updates on if they’re going to find a cure. As your pain grows and the sky darkens, you start to think that maybe this is it. Maybe this is how you die. You never imagined it happening like this and your chest caves in at the thought of a final death but it’s looking more and more likely.

You’re not sure what time it is, but later in the night you hear a faint knock which sounds like it’s coming from your front door. You ignore it, not having the strength to answer it. You figure one of your friends will answer it. If they’re even home.

The knock sounds again, louder and more persistent, and you start to suspect that your friends have left. You take a deep breath as fear coils around your throat, constricting your breath. Your friends aren’t here and you’re going to die all alone before you even got to live. The knocking stops and you settle back into the silence.

Then a sound comes from your window. It sounds like…knocking? From your bed, you can’t see the outside since it’s too dark out. You wish your friends were here. Slowly, you climb out of bed and try to rally your strength in case you have to fight something or someone. As you walk over your confusion only grows.

There, perched on a branch from the tree outside your window, is Klaus Mikaelson. He gives you a wave and you hesitantly wave back. You approach the window cautiously before opening it.

“Um, can I help you?” you ask, trying to understand what you’re seeing. Hallucinations are a side effect of wolf venom, right?

“Well hello to you too, love,” he says with a cheeky smile on his face. His eyes roam over your body and his smile falters. You suddenly become aware that this is the closest you’ve ever been to the Original. You try not to let your cheeks flush.

“What are you doing here?” His smile drops entirely, noticing your serious demeanour.

“I’m here to help. Now if you could just let me in—”

“Help with what?” His face becomes grim as his eyes trail over to your shoulder. It’s now out in the open as you’ve changed into pajamas. You then remember that he must’ve seen the bite when it happened.

“Your wound, love.”

“Why…why would you want to help me with that?” you ask. Then a thought occurs. “Wait, have my friends spoken to you?”

His eyebrows furrow as he shakes his head. “No, I haven’t heard from them,” he says and though you can’t say you didn’t expect it, your heart drops at hearing it. “Wait, do they know about this?”

“Um yeah.”

He looks angry as he asks, “And where are they now?”

You look at the floor and try to keep your embarrassment inside. “I don’t know, I thought they would’ve contacted you.”

“Apparently not.” His face is still twisted in anger although you’re not quite sure why. Then he looks at you and seems to remember why he’s here. “So, can you let me in?”

The thought of having Klaus Mikaelson in your room makes your heart beat faster. And though you want to give in, to continue living your immortal life, you hesitate. “Why should I trust you?”

“What?”

“How do I know if I let you in now, it won’t come back to bite me in the ass?” you ask, your arms crossed.

Klaus doesn’t seem to understand your concern. “Love, you realize that’s a hybrid bite. I don’t think you have the time for this.”

“So you admit that you would use it later?”

His face scrunches up. “That’s not—no I wouldn’t do that—just please let me in,” he says, giving you a sincere look that threatens to break down your walls. Just as you’re about to question him more, a wave of pain washes over your body. You let out a groan as you slightly stumble back. “Y/N?” The pain grows more intense and you let out a whimper before you collapse onto your knees. “Y/N!” It’s as if your body is at war with itself and you can feel every impact of it.

“You have to let me in, just say the words and I can help you. Please!” You hear Klaus say from the window. But it’s hard to find words when the pain is so intense. You want it to stop. “Y/N!” You hear him bang his fist against the walls of your house.

You slowly lift your head up to see his worried face, desperately waiting for you to let him in. You no longer care if this will come back to haunt you. You take a few deep breaths before you say, “Come in.”

As soon as the words take effect, Klaus rushes into the house and scoops you into his arms. You clutch at his chest, not thinking of anything but the pain. He carries you over to the bed and gently places you down before quickly running over to the window to close it. The pain seems to be dwindling down but you know it’ll be back. Your whole body is so weak, you used the last of your strength to walk over and talk to Klaus.

Speaking of, he’s quickly back at your bedside, eyes furiously scanning you for signs of physical distress. Then his eyes lock on yours and you feel your breath hitch. “You have to drink my blood,” he says quietly to you.

You know that that’s the cure and that it will save you, but you’re still hesitant. This is Klaus you’re talking about. The big bad hybrid who’s been attacking your friends and causing chaos for weeks now. And yet for some reason, a part of you wants to trust him. A part of you wants to give in to the idea that he could be good. But how can you trust him when you can’t even trust your own instincts?

He must sense your hesitation, because he leans down to look into your eyes. When you look at him, you’re stuck by how truly beautiful he is. His eyes are a beautiful blue, but more than that, they hold a look of sincerity in them. “I know you don’t trust me, I wouldn’t either,” he says. “But this is what’s going to save you. So please, take a chance. What have you got to lose?”

He does have a point.

“I don’t want to die,” you admit in a small voice. Your breath stutters as you let the fear bubbling inside of you rise to the surface. Klaus’s look is sympathetic.

“I don’t want that either,” he whispers. Your eyes meet and you feel caught in them. “Let me help you.”

Maybe it’s because this is a different, more sincere side of Klaus that you’ve never seen before. Maybe it’s because your friends are gone and you’re feeling vulnerable. Maybe it’s because your instincts seem to have aligned. Either way, you nod your head.

He offers you a small smile. He then sits on the bed and gently shifts you so that you’re leaning against his chest. You’re too weak to move yourself. Klaus rolls up his sleeve and bites down on his wrist before bringing it close to your lips. You’re tempted but look at him to make sure it’s okay first. He nods and you sink your teeth into his wrist.

At first, you feel weird about the situation. But then you lean into it and begin to enjoy it. Klaus whispers encouragingly in your ear as his blood enters your body. You can feel your strength begin to return and the fog in your brain clear. You almost don’t want to stop, and the way Klaus is petting your hair doesn’t help. But eventually, you know you’ve had enough, so you pull away.

“Wasn’t so bad, eh?” Klaus says and you look up to see him smiling down at you. “Are you going to be okay?”

“I think so.”

“Then I guess my work here is done.” He moves you so you’re lying back on your bed, but when he moves to leave, you grab his arm. He looks back, confused.

“Why did you do that?” When his confusion doesn’t clear, you clarify. “Why did you help me?”

He looks down at the floor and his lip twitches into a smile. “I don’t know if you’ve noticed, love, but I quite fancy you. Wouldn’t want you dying on me before I’ve had a chance to win you over.”

His words shock you enough to let go of his arm. The strangest part is that he looks sincere about it. “But…you actually like me? Like, that wasn’t all an act?” you ask. Both of you seem to be confused by the other.

“Why would I do that?” You start to feel embarrassed.

“To—to get on the group’s nerves? To throw us off?”

“Is it so hard to believe that I might just like you?” To be honest, the thought hadn’t occurred to you. Trickery made more sense.

“Yes,” you say and then wish you didn’t. “I—I mean, why me? Why not Caroline or Bonnie?”

“Besides the fact that you’re the most gorgeous creature I’ve ever laid eyes on?” he asks and you’re suddenly glad it’s dark because your cheeks are on fire right now. “Because you’re different.” That doesn’t make you feel so great. He must have picked up on that because he catches your eye and says, “Because you’re better.” The idea makes you flustered, that anyone would think you’re better than them, let alone a powerful hybrid like Klaus.

“I still don’t understand.”

“Hmm.” He seems to think on what to say before smirking. “Then I guess I’ll have to do a better job at showing you.” When he winks at you, you think your face might be on fire from how hot it is. Once again, he turns to leave.

“Thank you,” you call out which makes him stop in his tracks. He turns around to face you and seems confused by your words. But you mean them. He didn’t have to save you, you gave him nothing in return, and yet he did.

He smiles and you think it’s much better than the fake ones he gives to the group. “Of course love,” he says. “Couldn’t have my favourite vampire dying on me.” You give him a smile back, genuinely happy to hear someone say that to you.

Then your eyelids begin to feel heavy and you have to blink rapidly to stay awake. Klaus sees this and says, “Goodnight, my love,” before opening your bedroom window.

“Goodnight,” you say back as you watch the window close. You lay back down on your bed, thankful to no longer be dying. You guess you have your new saviour to thank for that. As you close your eyes, you can’t help but see Klaus in a different light. Not as a villain, but as a complicated man. You don’t think your friends are going to like your change of heart, so for now you’ll keep it to yourself. You’ll be content in knowing that maybe the big bad hybrid isn’t so bad after all.

[thisapplepielife]

Written for a @astrangersummer.

Tip Your Driver

Week #15 Prompt: Modern AU | Word Count: 4115 | Rating: T | POV: Steve | Characters: Steve, Eddie, Wayne, Robin | Relationships: Steddie, Platonic Stobin | CW: Language, Non-Explicit Mentions of Sex | Tags: Modern Setting AU, Delivery Driver Steve, Rock Star Eddie, Meet Cute, Good Uncle Wayne Munson

Of all the shitty service jobs Steve's had, this one is definitely among the worst.

And he's been stuck working some pretty shitty jobs over the years, both before and after they moved out here. If he hadn't hated the one at the shoe store so much, because ew feet, he wouldn't be doing this in the first place. At least that was in one location, a steady paycheck, and not that far from their apartment. But, he didn't know that feet draw in some weirdos, so here he is, lugging other people's shit around, because he needs the money.

He just sighs as he pulls up in front of the address on the app. He double checks the posted numbers over the garage, and it seems to be the right place. Everything matches enough for him to call it good.

The house is really nice.

It's not in The Hills or anything, so he hadn't expected something so nice.

Now, Steve doesn't mind delivering groceries, not really, but this guy, Eddie it says, ordered a bunch of heavy shit, and the tip was only the mediocre bare minimum. Which, he wasn't that mad about, until right now, after he's seen the house this guy lives in. 

No, now he's pretty annoyed.

Whatever. Par for the fucking course from Fancy Pants Rich McGee over here. How the hell you spell chauffeur? Chauffeur. Indeed. Maybe he should make tiktoks about situations just like this. Robin keeps hounding him, saying if he'd just do it, that he could rake in a little extra cash. 

He's skeptical. 

Steve looks back at the house. 

Oh well. He left his money behind for a reason, the only thing he kept was his car because his parents were dumb enough to put it in his name. And honestly? It does him no good to be jealous or whatever the fuck he's feeling right now.

At least this guy had been responsive, and pretty nice, when answering Steve's messages about substitutions and out of stock items. Not everybody is, unfortunately, acting as if Steve is the one stocking the store himself.

Steve opens the back hatch of his car, and leans in to grab the first items to be left at the door, as requested. If they don't see you, they feel less bad about the shitty tip, Steve's learned.

But it's fine. Steve doesn't want to deal with anyone face-to-face today, anyway. Because he needs to hurry. He and Robin are already a couple days late on rent, and he's gotta try to make up the difference today. If not, they're gonna be fucking screwed. Why is this city so goddamn expensive to live in? It's bullshit.

"Let me help," comes the voice right next to him, and Steve jumps, hitting his head on the open hatch door.

Now, he's skipped over annoyed and has been vaulted straight into pissed off. 

Partly at himself for being so far in his own head that he didn't even hear this guy approaching, but mainly at this asshole for even being in his personal space in the first place. He needs to take about three big steps back.

"Oh, fuck! Sorry! I didn't mean to startle you!" the guy shouts, and Steve hasn't even seen this asshole yet, but he knows he hates him. 

"Most people don't help unload the car," Steve snaps, turning to look at him, and the guy is looking back at him with big, big brown eyes. Robin would call them doe eyes, without a doubt. Well, fuck. Fine. Steve softens his tone, "It's okay. I just wasn't expecting you."

"Sorry," Eddie says again, still too close. "I'm Eddie. I ordered the groceries. Can I help? Please?"

Steve nods, and lets him reach in and grab his own case of water, while Steve picks up a few of the sacks. It's the least the guy can do, now that he's given him a headache. Literally.

Steve carries the sacks towards the porch, and leans over to put them down.

"Just come on in," Eddie says, and the door swings open, banging against the rubber doorstop on the wall.

"Don't bang the door!" comes the yell from the other room, and Steve peers into the house and sees an older guy sitting in a lift chair, with a walker in front of him.

"It's my door, old man, I'll bang it if I want to!" Eddie yells back, but there's no heat there. Steve can hear the teasing affection in his voice, and Steve can't help but smile.

"Don't come crying to me when there's a hole in your wall. Can you patch drywall? Because I can't right now," the guy, probably Eddie's dad the way they're bickering, snaps.

Eddie ignores the question from his dad.

"C'mon, this way," Eddie says, looking over his shoulder at Steve, as Steve lingers on the step. 

Well, no. That's not. You don't go in stranger's houses. It's, like, rule one. And just good common sense. Which apparently Steve has none of, because he does follow Eddie into the house. 

Robin will kill him, if this Eddie dude doesn't kill him first. 

Steve puts the bags down on the counter, and heads back out to make another trip, Eddie following, "That's my uncle. He's just crotchety that he had to have his broken hip replaced, and now he's dependent on me for the near future."

Steve laughs, "Well, maybe don't bang the door and he won't be crotchety."

"You heard me. It's my door," Eddie says, smiling wide. He's pretty, very pretty. Long, dark hair tied up on top of his head, and heavy tattoos all along his arms, creeping up onto his neck.

He's honestly gorgeous. 

Steve wonders if he's famous. He doesn't look familiar, but he looks like he could be famous. And his house is pretty fucking nice. This is L.A. Everybody is somehow famous in L.A. Except for Steve and Robin. They are definitely not famous.

Unless he's a tech bro? But he doesn't really look the type.

Either way, famous or not, Steve smiles back, can't not, not when he looks like that, then asks, teasing him, "Well do you know how to patch drywall?" 

"Fuck no. But I could hire someone to fix it if the door knob somehow gets through the stopper."

"Well, at least you have a plan," Steve says, and Eddie laughs.

"He just hates the city. Hates my house. Hates everything. Except me. He loves me," Eddie says, as he grabs a case of Gatorade in one hand and the case of pork and beans in the other.

That's a lot of beans. 

"That's a lot of beans," Steve says aloud, even if he doesn't mean to, even if he knows better than to comment on other people's groceries. 

But Eddie laughs. "Tell me about it. Man likes what he likes, though. There's no changing him now." 

Steve nods, grabbing another handful himself. It's nice that Eddie is taking care of his uncle.

"I'm not usually home much, hence all the groceries being ordered at once. Sorry about that. The cabinets were pretty bare, and I just didn't want to leave him home alone. He's still a fall risk, even if he keeps insisting he's not."

"That's okay, I understand. Big orders are more common than you'd think," Steve says, stepping back into the house that he's probably not going to get murdered in, thankfully.

Big orders are common, he's not lying about that, and more often than not, the tips offered for shopping hundreds of items, are less than you'd think. So, this order wasn't even out of the ordinary. Not really. That's why Steve took it. Some pay was better than none, especially today, that's for sure.

"Still. I'm grateful. You saved my ass today, man," Eddie answers. 

"Well, it's my job," Steve says, and Eddie laughs.

They finish bringing everything in, and Steve nods at Eddie, "Okay. I think that does it."

"Here," Eddie says, and plucks an envelope off the counter, "I always worry that your tips in the app will get eaten up by the corporate assholes taking their cut off the top. So. Cash is king."

Steve takes the envelope. A tip he doesn't have to report? Why thank you, Eddie. 

"Thank you. You didn't have to do this, or help bring it in, you know? But I appreciate both."

Eddie smiles, "Thank you for getting all that shit for us. We both appreciate it. Don't we Wayne?"

Wayne grumbles, but Steve's pretty sure he doesn't appreciate anything right now. He knows he wouldn't either, if he had broken his hip.

They say their goodbyes, and that's that. Steve will never see Eddie with the pretty eyes ever again.

At the next red light, Steve opens the envelope, expecting an extra ten or twenty bucks, maybe, but is shocked to see that there are three, insanely crisp one hundred dollar bills inside. 

Holy shit. 

That's way more than he usually makes in a single day. Two days, even. Just by delivering one order that he didn't think was gonna pay well at all.

And he got to look at a hot dude for a minute or two. 

It's enough to cover what they were short on the rent, even. It might not have felt like a lot of money to Eddie, if he handed it over so readily, but it feels life-changing to Steve, right now. He remembers when three hundred bucks wasn't anything to him either, back when he had access to all his parents' money and all their unhappiness.

Now, it's different. 

Robin's gonna shit.

Hot damn.

Thank you, Eddie.

"Booyah," Steve says, slapping the envelope on the counter. 

Robin picks it up, and thumbs through it. It has Eddie's tip, and the few extra bucks he picked up during the rest of the day. 

"Oh my god, no way! Where did you get this much cash, dingus? Are you turning tricks on the side now?" Robin asks, and Steve laughs. 

"Yes. I thought I'd see what I could get for this ass," Steve says, turning and pushing his ass outwards in her direction. 

She doesn't even look, but says, "Honestly, you might be worth more than this, as much as I hate to admit it," she comments dryly, and he smiles. 

"No, some rich dude that ordered a bunch of heavy shit gave me a big tip," Steve explains.

"That's what she said," Robin teases, and her eyes are still wide as she looks at the bills in her hand, "Seriously, though. Thank you, rich, old dude," Robin says. 

"Rich, but not old. I think he might have been famous in some way. YouTuber? Musician? I don't know. Nice house." 

"Well. Describe him. Let's Google him," Robin says, wiggling her fingers in the air like she's stretching before this big task she's about to undertake.

Steve isn't sure searching for him is gonna work, but he lets her try, "Eddie. Probably a little older than us. Lots of tattoos." 

"Was it Eddie Vedder? Please tell me you know who Eddie Vedder is, dingus?" 

He knows who Eddie Vedder is, Jesus. 

He gives her a look, "Not that old. And he was heavily tattooed. Is Eddie Vedder tattooed? Plus, this guy had dark eyes. Really dark. And no flannel." 

She keeps looking on her phone, showing him options, "Him?" 

No. 

"Him?" 

No. 

"Him?" 

"No. Not him." None of them are. Nobody she shows him is the same guy. So, he thinks of all the famous Eddies he knows of. 

"Was it Eddie Van Halen?" Steve asks. 

"Since he's dead, probably not," Robin says. 

"Oh," Steve says. He didn't remember that. And he'd be too old, anyway. "We're looking for someone that looks kinda like young Eddie Van Halen. But with tattoos."

"You're obsessed with the tattoos. Was it Ed Sheeran? He has lots of tattoos," Robin asks, and he rolls his eyes. 

"Robin. I think I know what Ed Sheeran looks like. This man was not ginger. Dark hair, dark eyes. And he was American. Maybe this guy is just rich? Not famous at all. It doesn't matter. I'll never see him again, anyway. We'll just thank him from afar for saving our asses today." 

Robin sighs heavily, and puts her phone down, "If you'd got yourself a rich boyfriend we'd have it made all the time." 

"Well, I'll work on that," he says sarcastically. 

At least for now, they can pay another month's rent. That's a big win. Huge.

Maybe they can keep their heads above water, now.

And they do, by some sort of miracle. It was only three hundred bucks, but that was enough of a windfall to get them back in the black. And somehow they've stayed ahead since, for nearly two whole months. They haven't been this stable financially since they arrived in town.

Today, Steve flips through the different apps he drives for, trying to decide what order to take, when he sees a huge pizza order. The order is absurdly big, but the tip is decent, and picking up a stack of pizzas is infinitely easier than shopping a whole-ass grocery list. Steve's just seriously questioning if it'll all fit in his car.

He's gonna risk it.

Luckily, it does, but there are pizza boxes piled high in every seat and the rear. He definitely doesn't have hot bags for all of them. Hopefully he doesn't get caught in traffic.

The area seems familiar, but when Steve pulls up in front of the house, he knows why. Eddie. Only, the last time it was groceries, not food, that he delivered here. 

There are vehicles everywhere. Clearly some sort of party, Steve thinks, to require this amount of pizza. And as soon as Steve steps out of the car, Eddie is out of the house, being trailed by three other, mostly leather-clad, guys. It'd look threatening, if Eddie wasn't smiling so big.

"Steve! When I saw Steve was my driver, I was like, maybe? But Steve's a common name, and there was no picture, so I didn't get my hopes up, but hey! It is you!" Eddie shouts, moving to the back of the car, "Watch your head this time, sweetheart," Eddie adds, and Steve is sure he's blushing. 

He just stands there kind of dumbly, watching as Eddie commandeers his order right out of Steve's vehicle. Eddie's definitely unusual. 

Eddie hands stack after stack of pizzas to the waiting guys, making them carry the bulk of it. And Steve watches as they ferry them off towards the house, Steve not having to even lift a finger this time. 

Now, it's just him and Eddie standing on the curb. 

Eddie holds out an envelope, and Steve looks at it.

"Man, thank you, but you tipped so well last time, you really don't have to again."

"I want to. You provide a service, I want to pay for that service," Eddie says, shaking the envelope, and Steve reluctantly takes it. Whatever is inside, will really help him and Robin stay ahead. It did last time. He's not really in a position to say no, even as well as they are doing at the moment.

"Thank you, truly," Steve says, tucking it into his pocket, "How's your Uncle Wayne's hip?"

Eddie smiles, so fucking wide, "You remembered! He's good. Great. Headed home soon, which I'm certain he's thrilled about. He's definitely never coming here again. I'll have to go home when I want to see him."

Steve laughs, "Glad to hear he's better, if annoyed."

"Do you want to stay?" Eddie asks, "We're having a little going away party for him. The more the merrier. Or, is your shift not over? You could come back?"

Steve doesn't have a shift, he can clock in and out to take orders as he pleases, and right now he'd really like to accept Eddie's offer. Even if it's probably just Eddie being polite. A pity ask, if you will.

"You don't have to invite your delivery driver into your house, you know? I could be a murderer."

"Unlikely," Eddie says, "and I'm not inviting my delivery driver. I'm inviting you, Steve."

Steve thinks over the options, and then nods. He can go in for a bit. If he's uncomfortable, he can get right back on the clock, no harm, no foul.

"Okay, let me park," Steve says, and he does just that. Putting the envelope of cash into the glove box without opening it. He doesn't want Eddie to see him scrounging through it. That feels tacky.

The pizza boxes are already open on every available flat surface in the kitchen and living room, and Eddie shoves a paper plate into Steve's hands, "Eat. Drink. Be merry."

Steve nods, and grabs a slice from the nearest box. He's not picky.

The house is full of people, and a lot of them seem vaguely famous. Like this is an industry thing, instead of a going away party for an old man with a newly not-broken hip.

Steve's worked enough of these events. They tried the catering thing for a while, and it was fine, for Steve anyway. Robin was just a little too clumsy to carry trays of dainty hors d'oeuvres around rooms filled with beautiful women in expensive dresses.

This isn't any of that though. This is cases of beer being chilled in kiddie pools, and dozens of pizzas. Fancy house, but not a fancy party. Steve spots Eddie's uncle sitting by himself on a couch, a beer resting on his knee and a paper plate of pizza on the arm rest.

Nobody else is sitting by him, so Steve goes over, "Can I sit?"

Wayne grumbles something that could be yes, could be no, Steve's not wholly sure, but he chooses to go ahead and sit down beside him.

"How's your hip?" Steve asks.

"Who are you?" Wayne asks, looking at him, suspicious.

"Steve. Uh, a delivery driver? I've brought a couple orders to you guys now. And Eddie invited me to stay."

Wayne nods, and goes back to his plate, "Hip's fine. Ready to go home."

"Where's home?" Steve asks, and he's not sure why. Clearly this man has no interest in making small talk with him.

"Indiana," Wayne says. 

"Hey! For me, too. Small world."

"What're you doing in California, then?" Wayne asks. "Trying to get into show biz?"

"No. No way," Steve laughs, "Not for me. Uh, my best friend? Robin? She wanted to move out here. Wanted an adventure. And I wanted her to be happy. So. Here we are."

Wayne nods.

"Did you break your hip in Indiana and Eddie dragged you all the way out here?" Steve asks.

"No," Wayne answers, "I came to visit him and broke my hip before I got out of the airport. This is why I don't take vacations."

Steve smiles, "That's bad luck. Sorry."

Wayne nods his head, and Steve assumes that's the end of this conversation, and they sit in silence for a few moments.

"You're Steve? The one that brought the groceries a few weeks ago?" Wayne asks.

"That's me," Steve confirms.

"He's been talking about you non-stop. I was like, just order more groceries. So, he tried. It was never you. Now we have more food than he'll ever eat. Probably need to take it to the food pantry."

Steve grins, looking down at his plate. He isn't sure what Eddie would want to see him for. They definitely aren't on the same level.

Eddie is across the room, talking wildly with his hands.

"He's a good kid," Wayne says, quietly, "All this? Not him. Not all of him, anyway."

Steve looks back at Wayne, "What do you mean?"

"All this fancy shit. I'm proud of him that their music has done so well. But he's a good kid. And he just wants to be happy."

"Don't we all," Steve says.

"People take advantage. If you're here for the money, for the fame. Just. Move on. Eddie would give it to you. But he wants something more. Needs it, I think."

Steve thinks he could be something more. But he doesn't really have anything to offer Eddie in return, and maybe heeding Wayne's warning wouldn't be such a bad idea. What business does he have getting involved with a famous musician? None. 

"Got it," Steve says. "Well, I'm glad your hip healed."

Wayne grumbles at that, and it makes Steve smile.

Steve puts his trash in the can, and looks around. The hallways are lined with platinum records, news articles, and he leans close to read the name. Eddie Munson. Corroded Coffin. He's never heard of them. He'll have to look them up on Spotify. 

He doesn't belong here. 

He takes one last look at Eddie. 

Eddie Munson of Corroded Coffin.

He tries to memorize his name, his band, so he can tell Robin later, solving their little mystery.

And then he ducks out of the front door, walking down the long driveway towards his car. 

"Hey, Steve! Wait!" Eddie yells from behind him, and Steve slows. 

"Hey, man. Thanks for having me," Steve says, turning to look at him.

"You're leaving already?"

Steve nods, "Work, you know."

Eddie nods, "Okay. Well. Come back. Anytime."

"Thanks, Eddie," Steve says, because he's pretty sure Eddie means that, "Enjoy your party. I'm glad Wayne's hip is good as new."

Steve turns to keep walking.

"Steve. Uh," Eddie says, and Steve considers pretending he didn't hear him. It'd be easy. The music is loud, probably pissing off the neighbors, but Eddie keeps talking. "Listen. I like you. Yeah, I know. I barely know you. But. We got good vibes, man. Can you not feel that?" Eddie asks, and when Steve turns to look back at him, he sees that Eddie's hands are shoved deep into his pockets. 

He looks nervous.

He's famous, clearly rich, and beautiful. He could have anyone he wants. But he looks nervous talking to Steve. Who delivered the pizza. Make it make sense. Goddamn. 

"Eddie," Steve says.

"Do you not feel it? If you don't, I'll leave you alone. I swear. But if you do…"

Steve nods, "I do. But I'm a delivery driver. I live in a tiny apartment that I share with my best friend. We barely make ends meet. You could have anyone. Why would you want me?"

"Because I like you," Eddie says, "and I want to get to know you. I didn't grow up with anything either. I'm not old money. I'm new money. Brand new. So. I'm not that out of touch yet."

Steve smiles. He's old money, he just doesn't have access to it anymore. Eddie's new money, and doesn't know how to handle it. They'd be quite the pair.

Eddie keeps talking, trying to wheedle a date out of him, "Just. Let me take you out. Just us. Let's see if there's anything here," he says, motioning his hand between the two of them.

Steve wants to, he really does. 

"Okay," Steve finally says, "nothing fancy. A normal date."

"We can definitely do that," Eddie says, and reaches into his pocket, pulling out his phone. "Let me give you my number."

Steve rattles off his number, Eddie texts him, and it buzzes against Steve's thigh. Already coming through, showing he's serious.

"Dinner? Movie? Bar? You name it," Eddie offers, eyes never leaving Steve's.

"Dinner's good. Nowhere fancy, though," Steve warns. 

"Do I look like I like fancy places?" Eddie asks, looking down at his own clothes.

And Steve's eyes cut back to the gorgeous house.

Eddie laughs, "Fair enough. But I don't."

"Can you go out in public? Or are you too famous?" Steve asks. "I'm not familiar with your band, sorry."

Eddie laughs, "I think I like that you aren't, sweetheart. That means that maybe you like me, just for me. And I can go out. Nobody cares about me all that much."

Steve nods. Alright. They can go on one date, and see how it goes. 

Well. That's how it goes.

Very, very well.

So well, that Steve's now satisfied and loose in Eddie's bed, when Eddie laughs, rolling into Steve's shoulder, face pressed to his skin. Lips kissing his shoulder, biting at him gently. Playing with him.

"What?" Steve asks, smiling as Eddie slides his hand into his, squeezing. "What's so funny."

"I tipped my driver," Eddie chokes out, laughing around each word, pressing his crotch into Steve's thigh.

Steve laughs, looking down at this ridiculous man clinging to him, "That you did. And damn well."

If you want to write your own, or see more entries for this challenge, pop on over to @astrangersummer and follow along with the fun!

[ama0310]

Silver Springs (S.R)

Character: Spencer Reid

Requested: No

Type: Angst

Summary: A chance encounter during a murder investigation forces Spencer to confront his past when he comes face-to-face with Y/N, his ex-girlfriend and new victim, rekindling old feelings and tensions.

AN: It's basically Daisy Jones & the Six meets Criminal Minds type of vibe.

"Another day, another case."

Spencer Reid had grown accustomed to the relentless pace of his work with the BAU. Evil, it seemed, never took a day off.

This explained why he now found himself en route to interview the latest victim, accompanied by Morgan.

Four murders in two weeks, and the body count showed no signs of slowing. All signs pointed to a disturbing connection within the music industry. The first two victims were singers, their vocal cords savagely ripped out. The third, a guitarist, had his hands severed. The most recent victim, a band manager, had his eyes gouged out in a grotesque display of violence.

As they walked briskly down the bustling Nashville street, Morgan voiced his frustration. "I can't wrap my head around why each murder was so different. It's like we're dealing with a completely new MO each time."

Reid's brilliant mind was already piecing together the puzzle. "Actually, there's a twisted logic to it," he explained, his words tumbling out rapidly. "Each mutilation corresponds to the victim's role in the industry. Singers silenced, a guitarist robbed of his ability to play, and a manager blinded, unable to oversee his clients. The unsub is targeting what makes each victim valuable in their profession."

"Do we know who we're meeting?" Reid inquired, his curiosity piqued.

Morgan nodded, consulting the notes from their technical analyst, Penelope Garcia. "Her stage name is Y/S/N, twenty-six years old. She's the lead singer of a band called The Springs. The band's manager reported an attempted abduction last night. She fits our victim profile perfectly: female, location in Nashville, related to a band. This is our first witness, Reid. She could be our key to catching this guy."

As they entered the recording studio, a frazzled assistant greeted them. "Hi, I'm Cary, the manager's assistant. Thank you so much for coming! Jason has been a nervous wreck. Please, follow me."

Morgan took the lead, his FBI credentials at the ready. "I'm Agent Morgan, and this is Dr. Reid. We need to speak with Y/S/N as soon as possible."

Cary nodded, guiding them towards a red door. With each step, the muffled sound of music grew louder, and a hauntingly beautiful voice became clearer.

"The band is actually recording their latest song right now," Cary explained in a hushed tone. "You'll need to be quiet, but the manager will brief you further."

As they approached the studio, the lyrics washed over them:

Time cast a spell on you, but you won't forget me I know I could've loved you, but you would not let me

A chill ran up Reid's spine. Something about that voice tugged at his memory, but before he could place it, he collided with Morgan's back.

A man stood before them, his face etched with worry. "Thank you for coming. I'm Jason, the band's manager. I wanted to take her straight to the police station, but she insisted on—" His eyes widened in recognition. "Spencer?"

Reid froze, suddenly face-to-face with a ghost from his past. "Uh, hi?" he managed, his usual social awkwardness winning again. How does one greet their ex-girlfriend's best friend after years of silence?

Morgan, sensing the tension, stepped between them. "I'm Agent Morgan, and this is Dr. Reid. We're here to speak with Y/S/N."

Jason's eyes darted between the two agents, his expression hardening. "Actually, I'd prefer if he wasn't here," he said, gesturing to Reid. "No offense, but I don't think it's wise for either of you to cross paths again."

Morgan, though confused by the unexpected connection, maintained his professional demeanor. "With all due respect, Dr. Reid and I work as a team. We both need to speak with Y/S/N to conduct a thorough investigation."

As the two men argued, Reid's gaze drifted to the recording booth. Through the glass, he caught sight of the band, and his breath caught in his throat. There, at the microphone, stood a face he thought he'd never see again—a face that to this day still haunts his most amazing dreams. 

I'll follow you down 'til the sound of my voice will haunt you Give me just a chance

The lyrics pierced through Spencer Reid's carefully constructed walls, flooding his mind with memories he'd long tried to suppress. He was transported back to a time when life held more than just case files and criminal profiles—a time when he had someone to come home to, when he felt truly free rather than trapped within the labyrinth of his own brilliant mind. A time when he and Y/N L/N couldn't imagine a life without each other.

You'll never get away from the sound of the woman that loves you

Despite his best efforts, Spencer's heart threatened to burst from his chest, yearning to reunite with its other half. For that was what Y/N had been—his perfect complement. They had met when she was seventeen and he was nineteen, initially friends until, two years later, they could no longer deny the intensity of their feelings.

Their love had been a force of nature—intense, pure, raw, and undeniably real. Until life's cruel realities came knocking at their door.

Y/N was a free spirit, driven by her passion for music. She'd twirl until dizzy, her long hair a wild tangle, singing until her voice grew hoarse. Music moved her in a way nothing else could.

Meanwhile, Spencer was on the cusp of graduating from the FBI Academy, with whispers of a fast-track position in the prestigious Behavioral Analysis Unit. Two paths diverging, leading to an impossible choice.

He did what he thought he had to do, breaking things off for both their sakes. He had run the probabilities, analyzed every scenario, and a happy outcome seemed frustratingly out of reach. They wanted different things, or so he had convinced himself.

That fateful night was seared into his memory. Y/N was about to leave for New York to meet with a record label—an opportunity that Jason, her best friend and now manager, had excitedly relayed during their date. Spencer saw the yearning in her eyes, the spark of a dream about to be realized. And so, he made the agonizing decision to end things.

Her tears, her desperate pleas, her hands clutching at him as he walked away—it all haunted him still.

Was I just a fool?

I'll follow you down 'till the sound of my voice will haunt you

Spencer watched, transfixed, as Y/N sang in the recording booth. She swayed to the rhythm, smiling at her bandmates, lost in the music. Everything about her still captivated him. Their relationship had been a bittersweet dream he never wanted to wake from.

Give me just a chance

You'll never get away from the sound of the woman that loved you

He stood rooted to the spot, oblivious to Derek's hand on his shoulder or the sudden silence as the band stopped playing. Then, Y/N turned towards the glass, and their eyes met for the first time in years. The world seemed to stop spinning.

Her gaze flicked to Jason, her expression morphing into a glare as she mouthed, "What the fuck?" The spell broken, she grabbed her bag and bolted through the back door.

Everyone sprang into action. Jason was the first to follow, with Derek close behind. Spencer remained frozen until his partner turned him around.

"Look, I don't know what history you have here," Derek said, his voice laced with concern and confusion, "but we have a job to do. If you can't handle this, go wait in the car. If you can, let's move." He pressed the car keys into Spencer's hand before chasing after Jason.

Against his better judgment, Spencer followed. A selfish part of him needed to be near her, even if it meant causing more chaos.

As he approached, he heard Y/N's voice, sharp with anger and pain. "I don't give a fuck if he's the president of the goddamn country. I'm not speaking to him. So you can either throw them out or let me leave."

Spencer rounded the corner to see Y/N already in her car, engine running, poised to flee.

"Look, Miss," Derek began, his voice firm but empathetic, "we can't let you go. You're the only survivor of this serial killer. If you don't talk to us, more people will die. Is that something you can live with?"

Jason, his arm still through the car window, pleaded with his client. "Come on, Y/N. You and I both know they're here to help. Let's get this over with, and then we can get you out of state within hours. This is for your safety and the safety of others."

Y/N's gaze flickered between her manager, the new agent, and Spencer, who was approaching hesitantly. With a heavy sigh and her heart in her throat, she turned off the ignition and moved to open the door, forcing Jason to step back.

"Get me a whiskey and a glass of milk," she demanded, grabbing her purse and striding back into the building without a glance at the agents.

Jason turned to Derek, his expression grave. "I strongly advise against having him there," he said, nodding towards Spencer. "As you can see, it won't end well if he's present."

Derek, still loyal to his partner, bristled at the suggestion. "And I advise you not to tell an FBI agent how to do his job. We've got it from here." He turned to Spencer, concern evident in his eyes. "Is he right? Should I listen to him?"

"No. I'm fine," Spencer insisted, though his tense posture suggested otherwise.

"And what about her?" Derek pressed, before noticing Carly, the assistant, anxiously tapping her foot nearby.

"She's in room 24, waiting for you," Carly informed them, pointing towards a door. "Um... good luck!"

As they entered the room, they found Y/N and Jason in the midst of a heated discussion.

"Everything alright?" Derek intervened, causing Y/N to roll her eyes dramatically.

"Yup, everything's perfect!" Jason's forced cheerfulness was palpable. "You guys can have a seat. I'll be right outside." He looked at Y/N sternly. "Be good. And tell them everything, please."

"Yes, Dad," Y/N replied, her tone dripping with sarcasm as she took a sip of whiskey. Once Jason left, she glanced between Derek and Spencer. "Well, are you going to sit down, or are we having a stand-up interview?"

Derek motioned for Spencer to sit beside him, both agents studying the woman before them. Y/N held a cigarette in one hand and whiskey in the other, while a glass of milk sat on the side table—an odd combination that spoke volumes about her state of mind.

"I'm Agent Morgan, and I believe you know Dr. Reid," Derek began cautiously. "We just have a few questions about what happened to you yesterday."

Y/N took a long drag from her cigarette, exhaling slowly before tapping it on the ashtray. "And what exactly do you want to know, Agent?"

Spencer cleared his throat, drawing her attention. "Jason mentioned you survived a failed abduction. Can you walk us through what happened?"

Y/N tilted her head, her gaze fixed on Spencer with an intensity that made him shift uncomfortably. "We finished recording one of our songs yesterday, and the band wanted to go out for drinks. I was still hungover from the night before, so I decided to sit that one out." She took a gulp of whiskey, chasing it with milk in a bizarre ritual. "I stayed in the studio for a few hours, just writing. Around three a.m., I decided to head back to my hotel. I'd parked two blocks away, and as I approached, I noticed someone loitering near the parking lot entrance."

"Did you engage with him?" Derek interjected, earning an eye roll from Y/N.

"I'm not fucking stupid," she snapped. "I walked past as quickly as possible. He tried to talk to me, but I ignored him. Guess he didn't appreciate that, because the next thing I knew, he was behind me, trying to force a plastic bag over my head."

The room fell silent as the gravity of her words sank in. Spencer leaned forward, his analytical mind already piecing together the details. "Can you describe the attacker? Any distinguishing features, voice, or mannerisms?"

Y/N's eyes locked with Spencer's, a flicker of their shared past evident in her gaze before she quickly looked away. "He was tall, probably six feet or so. Muscular build. I didn't get a good look at his face, but his voice..." She paused, taking another drag of her cigarette. "His voice was deep, with a slight Southern drawl. Not local, though. Maybe Texas or Oklahoma."

Derek nodded, jotting down notes. "How did you manage to escape?"

They could see Y/N physically reliving the traumatic experience, her leg bouncing with increasing anxiety. The calm facade she had maintained began to crack under the weight of her memories.

"Hey, it's okay," Derek said softly, his voice gentle and reassuring. "Take your time."

For a moment, Y/N seemed to relax, but just as quickly, her emotional walls snapped back into place. She crushed out her cigarette and downed the rest of her whiskey in one swift motion.

"I'd heard about the murders before," she began, her voice steadier than her trembling hands. "Even before that, I always carried a pocket knife and pepper spray. Call it paranoia or just good sense in this industry." She paused, collecting her thoughts. "I managed to scratch his left arm before kicking him. When he loosened his grip, I turned and pepper-sprayed him. Then I just... ran. Got to my car and drove straight hotel. That's when I called Jason."

Derek leaned forward, his brow furrowed. "And you didn't think to call the police?"

Y/N's eyes flashed with anger. "I wanted to forget about it," she snapped. "I was planning to leave anyway. Sometimes denial feels safer than facing reality."

"Yet you still came in to record a song right after that?" Spencer's quiet question drew her attention, earning him a look that was equal parts resentment and something harder to define.

"I have a job," Y/N replied, her tone clipped as she turned back to Derek. "We have an album coming out soon, and we needed to finish recording. We love working in Nashville, so yes, I wanted to get it over with and then leave. Music... it's always been my escape."

Spencer cleared his throat, treading carefully. "Can you describe anything else about him? Any details you remember?"

Y/N's gaze softened almost imperceptibly as she looked at Spencer. "I think he was wearing a blue sweater, but I'm not certain." She paused, her brow furrowing in concentration. "What I do remember clearly is his smell. It was... odd. Like scented candles, the kind you'd find at Bath & Body Works. It was strangely out of place, but unmistakable."

Derek nodded, jotting down notes. "Alright, thank you for your time, Y/N. Here's our contact information if you remember anything else or need assistance." He stood, extending his hand, which Y/N shook briefly. As he walked to the door, he noticed Spencer hadn't moved. "Spencer?"

Spencer glanced between Derek and Y/N, who was now staring at him intently. "Give me a second," he said quietly. "I'll meet you at the car."

Derek hesitated, giving Spencer a questioning look. The younger agent's eyes pleaded for understanding, for a moment alone with the woman who had once meant everything to him. With a slight nod, Derek acquiesced and left the room.

As the door closed, the air grew thick with unspoken words and years of regret. Spencer and Y/N sat in tense silence, neither quite ready to bridge the chasm between them.

Finally, Spencer spoke, his voice barely above a whisper. "Y/N, I... I'm sorry. For everything. I know it doesn't change anything, but I need you to know that."

Y/N's carefully constructed mask slipped, revealing a glimpse of the pain she'd been carrying for years. "Why now, Spencer? After all this time?"

"Because I never stopped caring," he admitted, the words tumbling out before he could stop them. "And seeing you in danger..." He couldn't even finish that sentence. "Please, promise me you'll be careful. 

Y/N studied him for a long moment, conflict evident in her eyes so she does what she does best. Ignore it.  "Congratulations are in order, Mr. FBI," Y/N said sardonically, reaching for another cigarette. The acrid smell of tobacco filled the air, a scent that brought back a flood of memories for Spencer.

"Smoking causes about 90% of all lung cancer deaths," he recited, unable to stop himself. "More women die from lung cancer each year than from breast cancer." It was an old argument, one they'd had countless times before.

Y/N took a long, deliberate drag, exhaling slowly as if to challenge his statistics. "We're all meant to die one day, Spence," she said, her voice tinged with a familiar fatalism. "I always told you that."

Indeed, she had. It was her motto, her way of justifying living life to the fullest, consequences be damned.

"I thought you quit," Spencer said softly, his eyes fixed on the glowing ember of her cigarette. "When did you start again?"

"A few months after my twentieth birthday," she admitted, her gaze dropping to the floor. "The record label signed us, and suddenly we went from doing a few covers a week to churning out originals every month. Needed a stress reliever."

Spencer studied her, noting the way she avoided his eyes. There was more to the story, he was certain. "Y/N/N," he said gently, using the old nickname that once came so easily to his lips, "are you okay?"

Her head snapped up, eyes narrowing. "Why would you assume I'm not?"

"Well," Spencer began, slipping into his analytical mode, "you drank that whiskey rather quickly. Your eyes are bloodshot, and you're flushed—signs of prolonged alcohol consumption. The fact that you're willing to record and drive in this state suggests it's become a habit. And then there's the cigarette addiction. So, naturally, I'm concerned about your well-being."

Silence fell between them, heavy with unspoken words and years of separation. Y/N broke first, standing abruptly and grabbing her purse. "I've told you what you needed to know," she said, her voice brittle. "I have to leave. Hopefully, Jason's already arranged my flight out of here."

As she turned to go, Spencer's hand shot out, catching her wrist. The contact sent a jolt through both of them—a spark of electricity, familiar yet now terrifyingly foreign.

Y/N's eyes traveled from his hand to his face. "Let go, Spencer," she said, her voice low and dangerous.

He couldn't. Not yet. Not when he'd finally found her again, when there was so much to explain, so much unfinished between them. But he also knew that Derek would come bursting through the door at any moment.

With reluctance, he released her wrist and pulled out a post-it note and pen from his bag. Hastily scribbling his number, he held it out to her. "Take it. Please. If you need anything—and I mean anything—call me, okay?"

Skepticism clouded Y/N's features. Did he really expect her to take his number, to even consider calling him after everything?

Seeing her hesitation, Spencer pressed on. "Look, Y/N, I know you have every reason not to trust me, to want me out of your life. But please, give me a chance to prove that I'll be there for you. We'll catch the guy who attacked you, and if you need help with anything else, anything at all, come to me. Please."

Y/N stared into his pleading eyes. A part of her recognized his sincerity, but the wounded 20-year-old inside her still ached from old betrayals.

With a resigned eye roll, she snatched the note from his hand and left without a word, leaving Spencer rooted to the spot.

As she passed a trash can in the hallway, Y/N paused, the note burning a hole in her hand. For a moment, she hovered on the brink of tossing it away. But something—sentiment, curiosity, or perhaps a stubborn refusal to let go—made her slip it into the back pocket of her jeans instead.

You'll never get away from the sound of the woman that loves you

The lyrics of her song echoed in Spencer's mind as he watched her go. And in that moment, he realized with startling clarity that he didn't want to get away. Not anymore. Not ever again.

As Y/N disappeared from view, Spencer was left alone with the lingering scent of her perfume and cigarette smoke, and the weight of years of regret. He knew that solving this case was now about more than just catching a killer—it was about second chances, redemption, and the possibility of healing old wounds.

With a deep breath, he steeled himself to face Derek and the investigation ahead, all while knowing that the most challenging case of his life might just be winning back the trust of the woman he'd never stopped loving.

Author's Note: I absolutely love Silver Springs. I belt it out all the time lol. I also was obsessed with Daisy Jones & The Six when it came out. Used to read a lot of those fanfics.

Also let me know if y'all want a part 2.

Thank for reading!

[spacedace]

Something I've seen in fics a few times but not for comedic effect is the idea that Constantine selling his soul so many times makes him look/feel Wrong to ghosts.

Like I love various Danny ghost shenanigans giving Constantine a heart attack in stories but just imagine that Constantine is like deeply, deeply unsettling for Ghosts & Liminals to be around.

To the point of whenever he and Danny meet for the first time at the Watchtower after Danny's joined the League, Constantine just walks in and upon turning to look at who just walked in Danny just shrieks like a small child and throws a chair at him out of reflex, diving behind Captain Marvel to use him as a magical human meat shield while screeching "WHAT THE FUCK IS THAT???! WHAT THE FUCK IS THAT?!" At the top of his lungs and doesn't stop until Batman makes Constantine leave.

Even after Zantanna explains Constantine's whole deal and Danny explains to the Justice League how totally fucked up that looks/feels like to him ("Dude, Ghosts are their core, for us you see that before you see the shape of whoever you're talking to. Like, imagine someone walks up to you with a face that looks like it's made out of a shattered plate and the pieces are bleeding"

Or like, imagine instead it's a thing were Jason and Jazz are dating and Jazz, Danny & Elle are invited over for a nice meet the family brunch - "Brunch is fun and casual!" Dick insisted, "Way less intimidating than if we had them over for dinner!") and Constantine pops in to talk to Bruce about a case.

And the second he walks into the room all three just shriek like they're from an episode of Scooby Doo.

Elle takes one look at Constantine and just nopes out of there so hard she doesn't even gk intangible as she throws herself out the window and starts flying for the hills. Danny screeches like a cat whose tail has been stepped on and jumps onto the ceiling and scrambles away. Jazz screams like a house wife from an old Looney Tunes cartoon and starts climbing Jason like a tree - which is a bit of a problem since she's half a foot taller than Jay and throwing his center of balance off a bit and now half of the plates are smashed on the floor.

Jason doesn't even notice though because he also is losing his shit over what the fuck that thing is and unlike Elle is far more interested in Fight rather than Flight and pulls out a gun - "Why'd you bring a gun to brunch?! Guns aren't fun or casual!" - and just starts unloading on Constantine (who is very lucky Jason has switched to non lethal rounds and that he's quick enough with his spells to largely keep most of the rubber bullets from hitting him) also while screaming at the top of his lungs.

And well, turns out Jason's new girlfriend is the older sister of that ghost hero the League's been looking to recruit and Bruce is gonna take advantage of that - Phantom has been hard to pin down, which is fair, bad history with government agencies trying to kill him and all - to talk to him about a place with JL, though first he's going to have to get him down from the ceiling and that'd be a lot easier if Constantine would just leave already, they are supposed to be having a family brunch this is his one day off!

(Elle screams her all the way to Metropolis and doesn't stop until she nearly knocks Superman out of the sky. He isn’t really sure what's going on, but he does manage to calm her down and takes her to go get some ice cream. When he pitches joining JL she tells him that she thinks he's kinda lame but that Superboy is cool so she's down. It's...honestly kinda devastating but Clark manages to get through it.

A note gets made when the two ghost heroes officially join the League that partnerships with Constantine should be kept at an absolute minimum.)

And lol yeah, just, Constantine being utterly terrifying to Danny and the Pham

[raayllum]

She Must Pay the Price, or A Drop of Mercy :: A Rayla and Leola Meta

Quick:

You're a young elven girl, and you show mercy and compassion to a human that you definitely weren't supposed to. When it's found out, you're punished, with elves even calling for your execution (6x09, book 1 novelization). Your father does what he can, but there's only so much. You're put on trial. You're found guilty regardless of intent, and only by association. You die for this; you die for them. You're a star. A guiding light. There's even a Great Fall off a precipice (though only one of you hits the ground).

Your name is Leola, or Rayla.

You're the beginning and the end, respectively.

So let's talk about it.

Tests of Love

For years, I had wondered where Aaravos' assessment of "Those who fail tests of love are simple animals. They deserve to be motivated by fear" (2x09) came from, cause you don't drop in a line like that if it's not going somewhere. It's quite a statement and worldview, after all. Now, with Leola's trial, it seems we know.

We can see, then, perhaps that Leola's gift giving was the first test of love — are you willing to break the Natural Law, the Natural Order of things? — to help another? To show another a source of power in order to share, to be compassionate, and in Rayla's case, to be merciful (though we'll get more to that in a minute).

We also know that the love Leola had was powerful and all encompassing:

She didn't care to follow the order set in the stars. Though she was born an immortal being from the Heavens, she loved this world... and all its flaws. Her heart was warm and open.

And she befriended mortals. Animals, elves... and humans.

ETHARI: Who I love, where I love, what I love, are all specific. But to Runaan and those like your parents... love is rooted in all families, all creatures. Souls like that feel called to protect everyone as fiercely as those they hold close. (Bloodmoon Huntress)

Okay, so Leola and Rayla both have big compassionate hearts and befriend creatures from all over the place. So what? So do Callum, Ezran, Soren, and most of our other main good guy characters. Even Claudia to a degree (though she could work on not using magical creatures for spell parts).

Well, specifically, it's because of how they intersect currently more with anyone else on the concept of

Mercy

KOSMO: Daughter of the Moon, yours is a wondrous heart. In a moment of mercy, you sent ripples out into the ocean of time. Ripples that have not yet stilled. (6x05)

Rayla sparing Marcos, as noted in multiple interviews by the creators and by myself in previous metas, is ultimately the inciting incident / lynchpin of the entire series. Without it, there would've been no soulfang proposal or Ez running away to find the egg or any of the number of other elements that had to come together to make achieving peace possible.

While we still have details to discover regarding Aaravos' Fall and development of dark magic, we know that a lack of mercy was ultimately what sent him on his path of vengeance. Leola was not shown mercy, and while it seems there were already "flaws" for an imperfect world, things were (probably) better than they currently are in Xadia in a variety of ways. Then, to kick off the entire Saga, we have Rayla sparing Marcos in a soundtrack literally titled "Mercy" and have Kosmo, seasons and seasons later, spell out directly what a big deal this was for well, the ocean of time.

None of this is to say Rayla can't act out of revenge — she did ("when I first came here, I was on a mission for revenge") and she has ("but I became so obsessed with revenge"), much like Aaravos ("he isn't doing anything out of love, he's doing it for revenge") — but that her general compassion and love for others has always been stronger than her grief or rage, and that even when she had every social and personal reason to, she was and is fundamentally unable to hurt someone innocent.

Even when she's shamed or punished for it by herself or by others. RAYLA: The human looked up at me, and I saw the fear in his eyes. RUNAAN: Of course he was afraid, but you a job to do! (1x01)

EZRAN: Yeah, but then you saw he was scared, and you knew he was a person, just like you. RAYLA: That shouldn't have mattered. I had a job to do. (1x08)

The Cosmic Council — and to a degree, the Silvergrove — say that the reasonings or motivations, the intentions, behind Leola and Rayla's actions do not and should not matter when it comes out to doling 'Justice'. So Leola faces her justice, being literally killed in the one manner that can kill a Startouch elf, and so does Rayla, being metaphorically Ghosted / 'murdered' by her community, regardless.

Neither are enough to ultimately quell their light or their love/power, however.

A Star

RAYLA: That beautiful shining star you just pointed out? We call it Leola's Last Wish. (5x02)

So both Leola and Rayla are stars in season 6, literally and metaphorically respectively. Leola's is more self-explanatory, whereas Rayla's is mostly about the role she has in Callum's life as a guiding light and star. I don't think it's a coincidence, though, that just as Rayla placed Callum on his path of being a primal mage, though, that Leola did the same for humanity. I also don't think it's a coincidence that Callum's love for Rayla restores Callum's own light and agency amid Leola giving humanity the same through light and fire.

It happened long ago, when humans had only just learned to hold fire in their hands without burning. They nurtured their precious primal flames secretly—in the dark of night, beneath shadows and shrouds—as cultivating its glow drew the eyes and ire of monsters. Eventually, for the audacity of their fire, they were hunted, and—though they looked to the stars for salvation—the stars, too, looked down upon them with disdain. Humanity had been given something it was never meant to have. (TDP shorts, Ripples)

In this way, we see the manifestation of a repeating parallel of Rayla representing Leola, a gift giver of life, magic, light, unjustly punished/killed, and Callum representing humanity, looking to the kindest brightest star for guidance, magic, restoration, and salvation if he's just given the chance to grasp it. After all, presumably, Leola's last wish would have something to do with primal magic and humanity, and who represents that better than Callum, with two arcana under his belt and possibly more on the way? With that in mind, I want to return to another quote from earlier but with a different focus on

Ripples

Daughter of the Moon, yours is a wondrous heart. In a moment of mercy, you sent ripples out into the ocean of time. Ripples that have not yet stilled.

The wisest of the humans looked upon the water. His own reflection smiled back at him, and he dared to imagine what such power would feel like in his own hands, should he be allowed to hold it. Imagine, he thought, if I were more than what I am. With a trembling hand he touched the surface of the water. Ripples spread from his fingertips. [...] I hope the stars were watching. I hope they saw it: the moment their perfect reflections turned warped and ruined, churned to chaos by the touch of a single human hand. In this, the humans taught me another lesson. And so I touch the surface of the water. I watch the ripples spread.

Water in TDP is a strange beast, symbolically speaking. There are some more straight forward motifs (reflections, "don't try to control where the river [of life] goes, there's one thing you can know and control: yourself"). For Aaravos, it's connected to deep loss but also his own sense of patience in playing and winning his game, as illustrated above. For Rayla, it's linked to shame, self-reflection, bravery, and loss. Aaravos weeps and creates a sea upon losing Leola; Rayla says goodbye to her family by the lotus pond times three.

We don't know what water represents for Leola. Not distinctly, anyway. The best we can figure though, is that by following the through line of the Rayla and Leola parallels, that the ripples Leola wanted to send out or did send out — not the distortions caused by her father and his grief — are ones that Rayla received, and then continued.

Rayla has always been a foil to Aaravos, and this hasn't changed. She is the one who set Callum on the path initially of being a mage, which put him in Aaravos' machinations as prey; she retrieved his Key; and she's the reason Callum's done dark magic, twice. At the same time, much like the moon, Rayla carries Leola's light as much as she shoulders Aaravos' dark. She literally represents light in Callum's life, helps lead him through the darkness, and him being a primal mage and it's possible growth to other humans is the best possible thing that could've ever happened to Xadia.

Sol Regem says that "no one can save" Xadia or fix what is deeply broken. The Cosmic Council said that Leola had broken the Cosmic order and had to pay the price. Rayla has repeatedly been willing to pay the price for both hers and other's actions in hopes of making things right, of sparing others' pain. Sometimes to her detriment, but—if Rayla as Callum's one Truth could fix the darkness within him, if she's the lynchpin for breaking the Cycle, for bringing back Runaan and fixing her family's souls, in opposing and presenting mercy amid the Council's lack of mercy, in the face of Xadia's violence—

Then Rayla's act of mercy in 1x01, and potentially beyond in S7 with Callum, will be what fixes Xadia.

Leola's gift of magic is what 'broke' Xadia, and her execution is what literally did so, leading to the division of the continent. She wrongly paid the price in the absence of mercy and love. Rayla is therefore her thematic successor — welcomed this time as Light and Truth — as the carrier of Mercy and Love, and she will 'fix' Xadia through her ripples and dynamics. She will mend them back together. There will, at last, be no price to pay.

Misc. Thoughts / Predictions

One thing I was always curious about going forward into future seasons was the prospect of a 'trial' or reunification of the Silvergrove. It felt like a no-brainer the Silvergrove would have to change in order to reflect Runaan's character arc, much the way we see Katolis and the Sunfire elves change to better accommodate the new, more compassionate world order. Pre-S4 a trial felt a little strange as an idea, though post-S4 the parallels it could provide to the Lucia tribunal made more sense about why include either (or both).

However, Leola's trial seemed to hammer home the almost necessity (as this is still a prediction, after all, that may not happen) of Rayla and/or Runaan saying their peace to the Silvergrove leaders. This would be a great opportunity to provide a contrast to the Cosmic Council, reaffirming that Xadia is ultimately better than them because the Moonshadow elves and everyone else can change, and the Cosmic Council seemingly cannot or will not. But I guess we'll have to wait for S7 or beyond (#GiveUsTheSaga) to find out if this'll come to fruition or not.

I also wanted to touch on what we see with Leola ("I'm so scared!") and the repeated emphasis on "recognizing fear as a moment of empathy and personhood" and the horror that can come if you don't have that moment of recognition. This is something I've touched on before most notably as a striking difference between S1 Rayla and S5 Claudia, but I thought it was worth mentioning as S6 added to it specifically with Viren towards Soren and Lissa. This is another point in the "Rayla is an inversion of the Council's lack of mercy" column, as Leola's — a child's fear, and Aaravos willing to pay the price and take her place — earns her no mercy. Rayla, meanwhile, sees someone innocent that she has 'every right' to execute is afraid of her, and that strays her hand; it steadies her sword, and she spares him. Because if someone is afraid of you, it's worth asking yourself why, and what you might want to do instead.

Last but not least I wanted to talk about Leola's parallels to Callum and Ezran as well, since they are very much there (though yet not perhaps to the same extent).

Ezran has Leola's friendliness to animals and soft heart. He too is a child whose death is called for as a means of Justice, and he is granted mercy through Rayla and the discovery of the egg, able to live and grow and help usher in peace. He is, I think, what Leola might've been allowed to be if she'd lived in different times. Callum, meanwhile, carries the gift giving motif through his cube, staff, and tokens he both gives to (moon-phoenix bracelet) and receives (the moon opal necklace) from Rayla, and previous 'human-Leola' magic dynamic. Callum being able to break free fully from Aaravos' and dark magic's control in S7 and turn his eye instead to primal magic will be what helps bring true justice to Leola and hope for humanity / Xadia in righting the Cosmic Council's fundamental wrongdoing. Hopefully, anyway.

Conclusion

I hope you enjoyed this deep dive into some parallels and potential narrative goings-on between Leola and Rayla as characters. TDP loves its historical and ironic layers in TDP (Ez and the Orphan Queen, Viren's arc from S1 to S6) and I think this layered thematic dynamic between the two merciful young girls was a good, brilliant choice by the creative team. I'm excited to see where this thematic thread goes in the future and how it may continue to be woven into the story. As always, thank you for reading, and I'll see you in the next one.

[sapphire-scarletta-wol]

I just had this thought awhile ago and now I am curious to see what y'all would think.

Imagine a scenario where they have to fight the Wol with all their strength,maybe the Wol got possessed(again),lost control,or whatever final fantasy shenanigans would happen,which of them would have the best chance of defeating the Wol?

~~~~~~~

Edit: I forgot editing posts exist so imma just put this in here too

So I didn't expect this to blow up this BIG

But thank you to all the interactions even if it's just a poll,it's been fun reading all the tags and such!

I just want to give a little update thought on this as the tags and reblogs gave great points on all sides.

Mostly I was thinking of a situation where the Wol does not need to be killed,rather just pacified or beaten up enough to make them return to their normal self.

I still think raha is the strongest and best candidate for this,he has the CT on his side,an all rounder,knows the Wol incredibly well,has 300+ years of experience,has matured a lot as the exarch,mayhaps even be an 8th rejoined shard,made time travel and world hopping basically possible,and a handful of other powerful tricks and spells on his sleeve.

In the case of a situation of killing the Wol,I believe raha would have a much harder time as of course he would never ever want to do that ever and would rather die first than think of that so either estinien or y'shtola is the better candidate.

The answer also changes depending on the specific Wol one has

( in my case,sapphire is a monk and a dark knight,but is incredibly dense as lyse.she would be too fast for y'shtola to properly finish her spells though she is a lot smarter and could easier use tactics to confuse her,estinien could hold his own against her but would be defeated nonetheless.even with nidhoggs power we have defeated him once so when it comes to pure strength,Wol beats him. Lastly comes raha,he is incredibly smart and just as versatile with 3 classes to keep in pace with her,combine that with his intellect and he can form a plan while defending himself long enough to either deal enough damage to her or bring her back to normal.that or prolly have someone else do the final blow.)

I would like to formally apologize to alphinaud as it took him 1k votes for someone to finally vote him,I did not mean to bully you 😞

[linddzz]

Latest idea floating around in my head: a twist on the Hob saving Morpheus from the time-out ball, except that's where they first met each other.

Hob's still immortal, it's just that Death was the one who came and gave him the deal of meeting every 100 years

(is this also bc I'd love Death being Hob's centennial buddy? Her being way less reserved and straight up telling him who she is. Her delight at his delighting over life. The rage in him when Eleanor and Robyn die. Death took them and she wouldn't even say anything to him when she did it. Also I'd like to see him just immediately choke and squirm like a bastard as soon as he starts explaining his new shipping business to her in 1789. Yes and hell yes gimme Hobsie and Death as bros.)

So Hob is trying out new stuff again. He's never tried out being a magus and gets himself in as a member of Burgess' order and eventually an acolyte.

And then he's introduced to the "devil" that Burgess keeps in the dungeon. He's to help study up on strengthening the wards around the sphere and all that. And boy is he deeply, super uncomfortable with the sight of this frail man trapped in a cage.

("Don't let his pretty face fool you." Burgess will tell him, "the thing is a demon who would destroy us all if given half a chance."

To be fair, Morpheus does not help his case at all and his expression clearly says "you fuckin bet I will")

And Hob is Hob. So while he's working on studying up on wards (which so happens to involve a lot of careful, detailed study of the wards around the sphere) he's chatting at the thing in it. He complains about the boss, talks about the War, tells the demon about his day while the demon either glares at him or makes a hilariously big show of not paying attention. Sometimes Hob straight up shirks work (with a winking "you won't tell the boss right?") And just reads books.

And he nearly shrieks in surprise when he's reading some new novel called The Hobbit out loud and looks up to find the demon watching and obviously interested. So of course Hob is gonna keep reading him stories and keep studying those binding spells super closely.

And ok that's where I gotta admit the story doesn't have a solid conclusion in my head yet (besides obviously Hob is gonna bust Dream out and then get kissed a LOT) but I do have one bit where Morpheus first talks to him and of course it's just cryptic weird shit. Because Morpheus has started watching this shit-wizard who won't shut the fuck up back and can tell that something is OFF about him.

So just imagine Hob is yammering away about how he thinks the masters kid and the gardener have something going on, and he nearly shits himself when the "demon" presses a hand against the glass and says

"Death has touched you. I see it now. My siblings marks upon you. Is that what you are here for? To report to them? To let them see how low their family has come? So they do know what has come of me then, and they have sent you to chatter away and truly make it clear that they will do nothing."

Hob's just like. "WHAT?? SIBLINGS?! You TALK??! Hang on you know Death???!" But Morpheus already is back to curling in on himself in a furious pissy sulk

[astaroth1357]

Witchy Requests: The Reality of Summoning a Demon Lord

Contents: Violence and demons being demonic

~♡♡♡~

Summoning Lucifer

First off, this is not even remotely easy to do.

Lucifer does not get summoned away very often because it takes a witch at least comparable to Solomon's skill to pull it off. Of the small handful of people who can, only a couple are crazy enough to try (so he already knows them all by name).

Not only is this hard to do logistically, Lucifer also HATES being summoned with a burning passion. It messes up his schedule, gives him a pounding headache, and it's pretty humiliating to be ordered about like a dog on a lead.

Anyone summoning Lucifer has put some seriously strong spells in place to keep him in check. It'll take more than a salt circle to stay protected because he'll just blow that crap away with his wings.

It's well known that he will attack the second that the caster gives him the opportunity. Even so much as looking away could leave enough of an opening for him to fry them to a crisp. Extra potent magic chains and bindings are about the only things that ensure safety....

Deals with Lucifer are extremely costly due to how pissed he is just being there. He doesn't stop at their soul. Depending on the day, he could ask for any number of other sacrifices before he so much as lifts a finger. A person summoning Lucifer must be prepared to lose almost everything...

That said, he always fulfills his contracts to the letter and employs very little trickery. If the agreement was unclear, then that's on the summoner. Not him. They get exactly what they asked for.

There was a rumor going around for a time that if Lucifer was summoned with classical music in background, he'd be easier to deal with. Unfortunately, a naive young witch gave it a try and found out that "easier to deal with" Lucifer is still willing take off a hand or two no matter how sophisticated the room sounds.

Solomon has only managed to summon him twice. The first time was in a bid for a pact (which ended in a very wrecked office) and the second was an attempt to ask the questions about Michael that Simeon refused to answer (he let him go pretty quickly after receiving a death glare that would have turned his hair white if it weren't so silvery already).

Summoning Mammon

So like. It's pretty easy to do, but it ain't cheap.

Mammon only shows up if the caster can offer up some serious wealth in return. We're talking sprinkling the summoning circle in gold coins and Rolex watches to make it happen. They don't get to keep any of it, either. He's taking that as the "entrance fee."

Though he's generally a pretty safe summon, Mammon's motivations are directly tied to how much wealth he's gonna make off of their time together. Bribes aren't just encouraged, they're expected, and he gets pissed off if they think he'll do any work for free.

Since he encompasses the sphere of Greed, he sees a lot of witches and the like who summon him for a bit of luck or to increase their chances of acquiring ill-gotten gains. He usually demands a cut of whatever they manage to get from his help, on top of what it already took for him to play ball to begin with.

The only witches who get to skip his exorbitant prices are, unfortunately, the ones whom he already owes money to and it is degrading to say the least... He tries to keep MC out of that as much as possible and he'll straight up toss anyone who brings it up.

There's an urban legend around witching circles that of you can get Mammon to kiss a Grimm and give it to you, you'll have good fortune for an entire year. He doesn't really believe it himself but he still gave one to MC, just in case.

Solomon hasn't ever tried to summon Mammon, though he knows that he could very easily. He's not too tied to wealth or material possessions, so he's never needed his assistance to start with. If he ever summons him now, it's usually just to ask how MC is doing since the two are so close.

Summoning Levi

Often more trouble than it's worth...

Summoning Levi is really only useful for a VERY small handful of problems, nearly all of which concerning the Devil's Sea in some way. He's the only brother with any jurisdiction over it, much less the ability to talk to fish.

The issue is that Levi hates being summoned just as much as Lucifer. It drags him right out of his comfort zone and puts him a space where he feels like he's being judged for how useless he is... Thus, he'll spend the whole time sulking, irritated, and hissing to be left alone.

Levi has to be spoken to with extreme care because setting him off could result in the caster getting crushed by all 200 tons of Lotan then swept away in the flood that comes after.

Those who can appease him with video games and anime fair better, not by much because he gets even more irritated if they get details the wrong or seem like a "fake fan" (yes, unfortunately he gatekeeps 🥲). Only the most otaku of witches are safe from his temper.

In truth, main reason that anyone summons Levi anymore is for nautical travel through the Devil's Sea. The dude is like a living compass with precise latitude and longitudinal coordinates built into his DNA. But asking for that is also a one way ticket to meet Admiral Levi who is even WORSE to be around than the Otaku version...

The first time Solomon summoned Levi, they actually got along pretty well (largely thanks to Solomon's equally copious knowledge of TSL). He was only looking for the scales of a specific sea monster, but the two ended up chatting for a while. He thought that he could have made a pact with him right then and there, but Levi asked if he liked The Magical Ruri Hana and his answer to THAT shut things down instantly...

Summoning Satan

Practically the OG demon to summon despite being around for the least amount of time.

Satan is one of the easier brothers to summon because he spent a few centuries spreading around just how to do so in the human world. He wanted an excuse to leave the House and piss off Lucifer by fucking with humanity. Architect of the Satanic Panic right here.

I suppose you could say that in his younger years, Satan was something akin to a rockstar in witching terms. Even non-witches knew of him, just not a lot of the accurate details.

Satan was really the "ground zero" for humanity's pop culture surrounding demons. He used to use it as a chance to let loose from Lucifer's constant pressure, so he played up the persona of the "charming, charismatic bad boy with a homicidal mean-streak" beautifully.

You would also have to be a lawyer if you wanted to make a solid contract with him. He was wicked smart even back then and put it good use by tormenting the humans more. That classic phrase, "Deal with the Devil" came from the amount of times he'd gleefully screw someone over.

Since then, he's calmed down considerably and is even a little embarrassed about his old persona if anyone brings it up. He's much more refined in his modern day dealings, though he'll still make a nasty deal or two just to keep the humans on their toes.

Satan's fondness for cats is the reason why cats got tied to witchcraft in media. It was common knowledge that if you summoned him with a cat present, then he would be too distracted to give you a bad deal. Ever since then, it just stuck.

Solomon's true first interaction with Satan was when he summoned him one day to get some advice about making a pact with Lucifer... It was one of his worst ideas to date and he still has the mended ribs to show for it.

Summoning Asmo

Very easy with low risk... for the most part.

Asmo LOVES getting summoned out by witches. It feeds his ego something fierce. So he never makes it all that hard to do, however...

Those who summon Asmo quickly learn that it cannot be a one-time thing. Or if it is, it better fucking stay that way.

Asmo ties a lot of self-worth to how "in demand" he is, so after a witch summons him, he'll keep a tally on how long it takes for them to summon him again.

If they do so quickly and regularly? No issues. He couldn’t be happier! If they take too long between summons though...?

Fury. He'll come at them laying curse after curse because how DARE they forget about him like that!! And after, uh... whatever he did to help them out, no less!

Most witches just preemptively make a pact with him since they know that calling on Asmo is more like an ongoing relationship than a simple business transaction.

Ironically, despite the fact that Asmo wants to be summoned so badly, he is incredibly picky about the kinds of work he'll do. He won't do anything that could ruin his manicures, mess up his hair, strain his muscles, dirty his skin, cause a breakout, make him frown-

All of this absolutely stems from that time he was summoned by Solomon and tricked into doing hard labor to build his Temple. You live and learn, then throw the people who treat you poorly into the desert as punishment. Or something like that.

Summoning Beel

A very unwise decision unless you have the resources of a sultan.

Beel isn't exactly hostile by default, if anything he's very easy going all things considered. It's just that his stomach does a lot of the talking in contract arrangements...

After summoning Beel, the caster has to try and keep him fed at all costs. If he's eating, he's docile and easily negotiable. If he's hungry, he will eat them without hesitation. He's just going to go for the most filling thing in the room and, unfortunately, that tends to be the human in front of him.

As long as they have ten or so caterers on speed dial, deals with Beel are very straightforward. He's refreshingly forthright compared to the rest.

Sure, the first thing he usually asks for is permission to eat them, but he can be easily dissuaded by offering up something else to fill his stomach in their place. He's not bloodthirsty, just hungry.

For a short time, it was theorized that summoning both twins at the same time would make their interactions more safe, but that was quickly canned when it was discovered that Belphie would encourage Beel to eat whomever brought them there... He was not a good influence at all.

Solomon did actually try to summon Beel once thinking that he made enough food to keep him satisfied for a talk. Beel didn't even get three bites into his tuna salad before he lost consciousness... When he woke back up in HoL, he didn't have any memory of it and Solomon tactically decided to never mention it again so he could avoid future arguments.

Summoning Belphie

Blacklisted. Not allowed.

For centuries before MC showed up, Belphie was considered one of the most dangerous demons for a human witch to summon. Full stop. Even worse than Lucifer. The guy's bloodlust was unreal.

How exactly was the weakest brother considered the most deadly to interact with, you ask? Cold, hard manipulation.

Belphegor knows he's considered the weakest. He knows that he doesn't look like much of a threat. He even knows how to play into that "sleepy and harmless baby brother" image that he's spent so damn long building up.

Belphie is even better at persuasion than Satan. He can make whoever summons him feel silly, no, embarrassed for ever thinking he was a threat, then attack them when their guard was down.

Even if they keep him contained, his contracts are notoriously filled with wordplay and deceit. At best, he'll twist the terms around so he doesn't actually have to do anything. At worst, it'll become a death warrant with more than just their life on the line...

All of this, of course, was Belphie back when he still hated humans. But even after settling down with MC, he's in no rush to go correcting any records. He quite likes having his nap days uninterrupted, thank you.

One of the most horrifying rumors about summoning Belphegor is that if you sleep afterwards without fully sanctifying the room, he'll possess you in your sleep. There are still witches to this day who travel to the Devildom with sage in their pockets just in case they see him and need to start cleansing the area immediately.

Much like Mammon, Solomon has also never tried to summon Belphie. Sure, he can be somewhat unscrupulous, but even the witty sorcerer knows when the risk outweighs the reward.

Summoning Diavolo

Really only possible in theory because there has never been a successful attempt.

No one is very sure why all attempts to summon the Demon Prince crash and burn so easily. Solomon himself as spent centuries trying to work out the logistics.

Is there just no sacrifice comparable enough to bring out a being of his magnitude?

Are the sigils and chants required so ancient and esoteric that they've long been forgotten by mortal minds?

Do the summoning circles work but Diavolo, by the nature of his power and authority, just "opts out" of showing up if he feels like it?

Solomon has tried summoning Dia numerous times and every attempt has left him with nothing but wasted materials and broken dreams. This is basically his white whale. Don't bring it up or he'll get pouty.

Summoning Barbatos

Another unwise decision that leaves many with nightmares years later.

Barbatos is an... interesting case to summon. Like Lucifer, the caster has to be incredibly talented. Though unlike Lucifer, Barbatos doesn't react with such upfront vitriol.

To be clear, he is NOT happy. He is NEVER happy to be called away so suddenly from his lord. But it comes across more like a frigid aura of contempt and malice than the white hot hostility of all the others.

Put simply, it just feels like you royally fucked up in ways you can't even process.

The most unnerving thing about accepting a contract with Barbatos is that he will always agree to whatever is asked for with no complaint, but he'll never say what he wants in return.

The terms of all demonic contracts are that whatever is asked must be balanced by an equal sacrifice, but since Barbs NEVER identifies what he plans on taking, it leaves the caster to wonder what they've loss...

Every bad event from then on gets overanalyzed to the point of paranoia where the caster victim tries to identify if their debt has finally been paid or if he may still come to them one day and demand what he's owed...

Solomon doesn't know it, but a popular theory among his peers is that what Barbs took in exchange for their pact was his mortality in hopes that the centuries of loss and isolation would make him go insane. It's a silly little rumor, but it does still make Barbs chuckle whenever he hears it...

[bacchuschucklefuck]

Riz has counted four casseroles this week alone. Five, if one goes by the method of cooking, but Yelen's scary when she's crossed, and calling her burek by its proper name is important to her, so Riz does her the courtesy and doesn't include it in his mental tally.

He holds the tupperware over his head to keep it out if the way as he takes careful steps over the piles of notes in his path. The dockman case just closed, relevant documentations handed over to relevant personnels, evidences dealt with as needed; all he has lying around now is just record of the process and traces of himself thinking through it. Unsurprisingly they still haven't invented a surface more convenient for people under five feet who like to pace to put pieces of paper on than the ground.

Actual records go into the case folder with the other documents. Anything else with at least one side still blank is going to the school kids in the block - they chew through an astounding amount of paper just learning arithmetic. The rest is for the recycling basket.

Later. It's his mandated lunch break right now.

Riz sits down in front of the corner file cabinet. In an office often overrun with papers and strings and sometimes even thumbtacks, he's never really managed to clutter up this exact square of surface like every other ones. Ever since the bottom drawer rattled for no discernible reason a day long past, his eyes have always just kinda decided to slide across the space without acknowledging it.

It's years out, now. Riz doesn't know why he thought it such a big deal anymore, back then. He wasn't scared, he doesn't think. Not anymore. Maybe just uncomfortable with the idea that certain things persist despite all efforts to change.

He opens the tupperware. Dame Carabelle's experiment greets him with enough spice in the aroma alone to knock out a small mammal. When he chopped the vegetables for this casserole he couldn't really imagine the eventual heft of it, evident even through just these few ladles' worth, maybe weighing heavier for being still warm. His folk eat more through the smell and the textures and the aftertastes than the taste itself. His folk's meal is really the cooking rather than the eating. The eating is the meal's end.

"Hey," he tells the file cabinet's bottom drawer. "Um."

It's the anniversary. Riz doesn't know the exact date of his dad's death; nobody currently alive does. He and Mom both use the date of the funeral, though as he moved out to Bastion and then got more directly involved with Interplanar he hasn't really been going to Dad's grave as much. Doesn't seem like very efficient use of his time, catching a train or borrowing a car or spending a whole spell slot on going somewhere he knows Dad isn't at. They're sorta coworkers now. They talk on and off every other week between missions. When he goes now, it's just to clean up the place, keeping the landmark tidy and respectable.

Without that work to mark the date he doesn't really know what it serves anymore. But he still remembers it. Still takes note, absently or not, when it comes around.

There's not really a good way to tell the drawer that. Riz looks for another way to start the... conversation, hopefully. The question at play, he'd guess, is why he's doing this. He's been pretty content ignoring all the rattlings and the knocks from inside and the times it sits slightly ajar without him ever opening it himself; hell, he still uses the three drawers on top of it. Space is fucking precious in Bastion.

Precious enough to finally fix this damn drawer so he gets his turn to use it? Riz asks himself. Is that what we're getting to? Then he dismisses the thought - he didn't manage to fix it the times he actually tried, let alone-- now. When he doesn't really care that much to.

That's probably a good place to start. "'s fine if you keep being in there, turns out," Riz says.

The lunch hours are quiet in the block, sleepy and bright with the brief window of sunlight that manages to break through roof overhangs and extended balconies and laundry lines and climbing vines. Riz's work isn't loud here (the loud parts happen away from his office, if everything goes right), but the fragment of early summer heat reflected in the steady warmth his meal still carries compels him to lower his voice even more. It makes the words feel intimate, in a way he's never been familiar with - if he says something he just says it. He doesn't whisper. If he gives his friends something, he gives it open-palm. He's found out, along the way, that people usually don't think of rituals and courtesies the way he does.

Small voice for a diminished monster. "You know why I think so?" Riz asks. "Because almost two decades ago you kidnapped me and almost killed me, and now you rattle a drawer in my office."

It doesn't sound as much like a taunt as Riz wanted it to; the drawer has made a lot of noises again this morning when he checked the calendar, and he was definitely annoyed at it. Now, though, facing it like this after cooking the whole morning with more grandparents and peers from the block than he can count on both hands to cater for a tenant union meeting, he thinks the annoyance has morphed. Changed shape.

It has the shades of something like pity. Riz is not prone to pity, and especially not at these kinda matters. It's slightly maddening that he coheres perfectly outside of this one spot. That he commands his spaces, except for a drawer.

He puts the tupperware onto the floor between himself and the cabinet. "I know we're aware it's the anniversary," he says at the drawer. "You do this every year. You make a ruckus every time I decide to go do my job instead of mooching off my friends' aircon, and every time I get an invitation to some stupid social thing I want to turn down, and every time one of the old people tries to introduce me to a child or a nibling, because being a bachelor over thirty is weird," he pinches the bridge of his nose. "I have three fucking jobs. I love doing my fucking jobs. I'm forcing funds into infrastructures. You're never leaving, are you."

The drawer vibrates lightly. It's a very, very mild acknowledgement, considering the history of reactions Riz has gotten from this thing. Riz thinks it's emanating joyous agreement, or satisfaction.

It only sharpens the pity. Riz doesn't like that, but it's how it is. That's, ultimately, the lesson he's been taught over and over and over again, just by existing as himself, turned every which way by space after space that don't see him eye-to-eye: it's not like he'd quit living over any of it. It's not like any of it can sand off these fundamental pieces of him.

He's outgrown a lot of things, he's found out. Again, and again, and again. A childhood home, a yearly trip, a monster.

"'s probably scary for you, huh?" He asks. "Because I left."

He thinks he hears joints creak that sound like you did. Probably the way a scorned lover would say it, in a movie or a yellowback. He has no more connection to the idea than he did as a kid. Less, because it doesn't even scare him.

"That's what it is, right? That it's the anniversary, and I'll never be like Dad." He raises a knee from the floor, pulls it back closer to him. Slings an arm over it. "You love to remind me. The thing is, Dad also left. He loved Mom and he loved me, and none of us wanted it to happen, but it still did. Because love does fuckall to make anyone stay on its own."

He's long past being bitter about it. It's just the facts. Once upon a time he looked into the future and the specter of his friends' happily-ever-after casted lightless, fathomless shadow over him. Love, marriage, that kind of devotion, to a fifteen-year-old with more solved cases than friends seemed so eternal. Final.

But you can only watch your friends build up apps' worth of jilted lovers for so long before getting over it.

"You know what I learned?" Riz tells the drawer. "Love doesn't make anyone stay. Project management does."

He stands up, and picks up the tupperware of Dame Carabelle's casserole, that he helped make, that he helped share with a block's worth of neighbors and members of a community he's at home with, and goes sit at his desk to eat. "Last chance to get any," he drops an offer over his shoulder as he walks away.

He doesn't eat all of his share in one go. What he's spared he leaves on the desk when going outside for a smoke break. Baron looks the exact same as when he saw them last, when he catches a glimpse; they haven't grown at all. They aren't there when he comes back inside, but the leftover has gone days-old cold, like someone's sucked the future out of it.

[omenarchive]

Bell's Hells Level 14 Analysis

Welcome to our second level up analysis here at the Omen Archive! A lot has happened since we first posted one of these, and Bell's Hells have become stronger as they prepare to face what lies ahead. Here are our thoughts on what level 14 holds in store. (Be mindful of some very minor spells-and-mechanics spoilers for C3E105.)

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Ashton

Barbarian 14 HP: +5, total: 137 ASI: None

Kicking us off is Ashton’s 14th level in Barbarian, which grants him a brand new path feature. And when we say brand new, we mean it, since of course due to his subclass’s homebrew status, we don’t yet know the breadth of what Ashton’s Path of Fundamental Chaos has to offer at this level up.

We do know that it is likely a set of Fundamental Force Enhancements. Ashton received their first set of these enhancements at level 6, with each of their four rage types (Time, Space, Gravity, and Probability) getting its own boost through the features Hyper Rage, Worm Hole Strike, Density Well, and Dreadful Misfortune respectively.

So far, we’ve seen new enhancements to two of Ashton’s Fundamental Forces: “Mark of the Messy End,” which was their contribution to the Delilah sealing ritual in Episode 103, and “Acceleration Wave,” which they used for a display of power in the council chamber in Episode 104. Mark of the Messy End appears to be the Force Enhancement for Ashton’s Probability rage. It expands the number of rolls that count as a crit against a particular target. Rather than only critting on a 20, anyone who rolls an 18 or higher scores a critical hit. We’re not yet certain which Fundamental Force Acceleration Wave is associated with, but given the thematic and mechanical consistency of Ashton’s rages, it is most likely the second Force Enhancement for their Time rage. Up to ten allies of Ashton’s are given the benefit. Taliesin refers to it as “that speed rush,” which may mean Ashton is applying the base level effect of a Time rage to other creatures. In that case, they have doubled speed that doesn’t provoke opportunity attacks, and those allies also can use their bonus action to make an attack.

While we don’t yet know what the other two new Enhancements are, we can make some broad-stroke guesses. We can likely expect that the Force Enhancement for Ashton’s Space Rage will be teleportation-based, and if we follow the idea that these enhancements are geared towards applying effects to foes or allies, perhaps now Ashton might be able to teleport creatures they attack. Gravity is more challenging to guess at, but we will speculate that it could have a similar effect as the dunamatic spell Gravity Fissure, and might pull an enemy into a damaging dealing area. These are of course pure speculation—we’re tremendously excited to see what other Fundamental Force Enhancements Ashton has now!

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Braius

Bard 3/Paladin 11 HP: no change, 114 ASI: None

As Braius entered the scene already at level 14, he does not join the rest of the party in leveling up. Luckily, we do have some new information since our last analysis of Braius. During the Critical Role Cooldown for episode 105, Sam read the stats and abilities of Braius’ new platemail, Truthbearer. In addition to its protective properties, the armor adds 30 points to Braius’ Lay on Hands pool, which Sam states brings him to 85 points in the pool. As the Lay on Hands pool is calculated as 5 times a character’s paladin level, we can now confirm that Braius is a level 11 paladin, level 3 bard. What we still don’t know is Braius’ paladin oath. In our analysis, we narrowed it down to two: Oath of the Ancients and Oath of the Watchers. We’ve only seen Braius use two new spells since then, one being a Paladin cantrip (Sacred Flame) and the other being Zone of Truth. Since the latter is a level two Bard spell it does not do anything to clarify his build or his Paladin Oath. There haven’t yet been any other opportunities to glean details on his build, so we’ll simply have to continue to wait and see. You can check out our Braius Doomseed analysis if you would like to see our reasoning for the two possible oaths listed above!

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Chetney

Blood Hunter 13 / Rogue 1 HP: +12, total: 120 ASI: None

With his 13th level in Blood hunter, Chetney received a new toy: Brand of Tethering.

This is functionally an improvement to Brand of Castigation, and serves to keep enemies from escaping a battlefield. In order to teleport or otherwise leave its current plane, the branded creature takes 4d6 psychic damage and has to succeed on a Wisdom saving throw. The creature also can’t Dash, limiting its non-magical movement options. This should be eminently useful with enemies who prefer to Teleport away rather than continue a fight or conversation. Maybe next time Chet runs into Ludinus, he can force to stick around and listen to more questions about Molaesmyr.

Additionally, Brand of Tethering doubles the damage done by Chet’s Brand of Castigation (which deals psychic damage to a branded creature when it hurts Chet or any directly adjacent, non-invisible party). That damage number is now twice his Hemocraft casting modifier, bringing it to 6.

Chetney also gets a Blood Maledict improvement, increasing the number of times he can use his Blood curses to three times per rest.

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Dorian

Bard 14 HP: +11, total:123 ASI: None

Oh blue bard, when did you get so hard? Dorian’s level up is a difficult one to analyze, since we barely know more about the state of his current build than we know about Braius’s, and because of the broad nature of what is available to him at level 14.

Let’s get the easy part out of the way: as a College of Swords bard, Dorian had gained Master’s Flourish. Previously, when Dorian used a Blade Flourish option (up to once per turn), he needed to expend a Bardic Inspiration die, which he would then roll to determine the buff or additional damage the Flourish provided. With Master’s Flourish, he can choose to not expend a Bardic Inspiration die, essentially getting the Flourish for free. The buff or additional damage would, in this case, be determined with a d6 roll. While a d6 provides less power to Flourishes than an inspiration die, since Dorian’s Bardic Inspiration die is currently a d10, it does allow Dorian to save that finite resource for buffing the party; he only has three to use per long rest. He can now flourish to his heart’s content without worrying about whether he should have given one of his friends Inspiration instead.

The second, very excellent but very difficult to analyze part of Dorian’s level up is Magical Secrets. Dorian can choose two spells from any class, up to 7th level, and they will be counted as Bard spells for him. This is the second time he’s gotten to plumb the depths of the arcane this way; Bards get their first Magical Secrets picks at level 10, with spells up to level 5. This is how he got his hands on Lightning Bolt, which is typically a Sorcerer or Wizard spell. As of C3E105, we also know that he has Find Greater Steed (typically a Paladin spell), although we don’t know if this was his other Level 10 pick or a new one for Level 14. Either way, there are quite literally hundreds of spells Dorian could choose, and there’s really no way to guess what he might take, or what would synergize with his build, given how much of it is still a mystery. We would love, at least, for him to take Counterspell if he hasn’t already, as the Hells gear up to face a formidable mage in Ludinus.

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Fearne

Druid 10/Rogue 4 HP+9, total: 92 ASI: None

Fearne’s lean into Rogue continues! This has been an unexpected turn but one that Ashley has been making very good use of, taking advantage of her access to Mage Hand, Shield, Identify, and Disguise Person with some frequency. In taking a fourth level in Rogue, Fearne has given herself either an ASI or a Feat. As none of her Ability Scores have changed, it seems she has taken a feat, an excellent choice since her spellcasting ability of Wisdom is already maxed at 20.

There are three feats in particular we think might suit Fearne: War Caster, Elemental Adept (Fire), and Spelldriver.

War Caster is an old standby for mages of all kinds, providing as it does a very key ability: advantage on Constitution saves for maintaining spell concentration. There are two concentration spells in Fearne’s go-to kit which would make particularly good use of this: Daylight and Aura of Life. Aura of Life in particular has proven to be clutch in keeping the party on its feet, plus since it’s one of Fearne’s Circle of Wildfire spells it is always prepared—and may also be top of mind after losing concentration on it to an attack from Craven Edge in Episode 102 (02:52:33). Protecting it and other concentration spells might entice Fearne to take on War Caster. The feat’s additional ability to use spells as opportunity attacks could also be pretty big for Fearne, who does not have a lot at her disposal for acting outside her turn—though that has been changing recently with the addition of Shield and Cauterizing Flame (which she got during her last level up).

However, as the Hells get into the higher levels, they are coming across more and more enemies with damage resistances. As so many of Fearne’s damage dealing spells are fire based, running into a foe with fire damage resistance (like Delilah possessing Laudna in Episode 102) severely hinders her effectiveness. Taking Elemental Adept (Fire) would allow her to ignore fire damage resistance and turn any ones in her damage dice rolls into twos, keeping her in the game as an offensive force.

The last possibility we like for Fearne is Spelldriver, a feat from Tal’Dorei Reborn that allows one to cast leveled spells as both an action and as a bonus action in the same turn, so long as only one of them is third level or higher. We saw this feat in action recently in Downfall, as Nick Marini’s Ayden made use of it. We could picture Ashley giving it a go after that, though we are more inclined to expect her to take War Caster or Elemental Adept, push come to shove.

-

Imogen

Sorcerer 14 HP: +4, total: 87 ASI: None Sorcery Points: +1, total 14

Level 14 grants Imogen an Aberrant Mind class feature we’ve very much been looking forward to: something that is usually called Revelation in Flesh, which seems to have been reskinned in part or in whole as Form of Havoc. We do not know yet whether Form of Havoc refers to the feature in its entirety or just one of its four features (specifically flight), nor do we yet know what mechanical changes may have been made to it to align it more with Imogen’s Ruidian flavor of Aberrant Mind sorcery. As such, we’ll be looking at the feature as written in this analysis, and so will continue to refer to it as Revelation in Flesh for the time being.

Revelation in Flesh allows Imogen to spend sorcery points to alter her body for 10 minutes at a time. As written, there are four possible benefits she can activate, each costing a single sorcery point. We’ve seen the first already, which grants her a flying speed equal to her walking speed. Following the feature as written, her other three options would be to 1) choose to see invisibility, 2) be able to move through spaces as small as an inch and spend movement to escape non-magical restraints or being grappled, and finally, 3) to gain a swim speed equal to double her walking speed, as well as the ability to breathe underwater.

The last of these is the one that seems most likely to be altered or replaced entirely, as despite the shark-like appearance of the Reilora, there is no indication whatsoever that they or Exaltants have any special affinity for water. We can only speculate as to what a homebrew alteration might look like; perhaps instead of a swimming bump, Imogen’s long range psychic communication might be improved, with the doubled swim movement instead being assigned to flight. Or, perhaps, she might gain an ambient psychic static ability similar to that of the very first Reilora she summoned, causing psychic damage to anyone who gets to close. We will have to wait and see!

What’s particularly nice about Revelation in Flesh is that it is based on sorcery points expended, rather than only available a certain number of times per long rest. It only takes a bonus action to activate, and Imogen can activate up to all four aspects at once, with an action still to spare. She can, of course, also activate just one, two, or three at a time, which lets her customize the feature (and minimize her point spend) to match the details of a given situation. Given that the Bloodwell Vial allows Imogen to regain Sorcery Points on a short rest, and that on Ruidus Fearne can donate spells to give Imogen Sorcery Points, Imogen is well positioned to use Revelation in Flesh frequently in the upcoming battles on the red moon.

While Imogen does already have access to flight via the Fly spell, and with a greater speed (60 feet to Revelation in Flesh’s 30), it’s noteworthy—and handy—that the aspects of Revelation in Flesh are not tied to concentration. That means her Revelation flight does not leave Imogen vulnerable in the air if she gets walloped for damage, and she can still use one of her other concentration spells, like Seething Storm and Investiture of Lightning, while aloft.

This is a huge mechanical boost for Imogen, and we’re looking forward to seeing it in action on the battlefield and to hearing Laura’s description of how Imogen’s body changes, since the original spell, like the original Aberrant Mind subclass, is very eldritch horror.

-

Laudna

Sorcerer 11/Warlock 3 HP: +9, total: 126 ASI: None Sorcery Points: +1, total 11

Marisha held off on deciding which class to take a level in until the ritual to bind Delilah was complete, but thanks to a tweet from Dani Carr—thanks Dani!—we know that success in that ritual has resulted in another Sorcerer level for Laudna! This means Laudna gets an additional sorcery point for her pool, as well as her first and only 6th level spell.

There are a few 6th level spells that would be very useful or on brand for Laudna. While Circle of Death sounds thematic, it’s essentially a necrotic Fireball with a bigger blast radius but the same amount of damage rolled and at a much higher spell slot cost. The larger radius does mean it could hit more enemies, but we are inclined to think Marisha is more likely to diversify her tactics. Eyebite likewise is thematic and feels like a slightly better bet—although Laudna already has her own means of making creatures frightened, being able to hit them with the sleep or especially the sickened condition could be very useful. The spell is, however, doubly vulnerable to being taken down before its duration can run out: not only is it a concentration spell, but the various conditions can be ended other ways. Sleep ends when the target takes damage or is shaken awake, the frightened condition ends when line of sight is interrupted or in this case, if the target moves out of the 60-foot range, and a sickened creature makes an additional Wisdom save against the condition at the end of their turn. That makes Eyebite less appealing to us for Laudna.

Arcane Gate is another spell that could afford Laudna some much needed mobility on the battlefield, much like Far Step for level 5 spells, as discussed in our Level 13 Analysis. Arcane Gate, which creates linked teleportation portals, has the added benefits over Far Step of being usable by allies and for a duration of up to 10 minutes. Plus, it could be used to dump an enemy into an environmental hazard if used in conjunction with shove attacks from the martial crew. We don’t know yet what new spell Laudna took last level, however, so if she took Far Step, Arcane Gate might hold less appeal. Laudna taking teleportation spells two levels in a row seems unlikely.

Disintegrate is a nasty damage dealer, and if Laudna is looking for pure power, it’s the most obvious choice. However, a lot of the terror Disintegrate invokes is that it takes Revivify, Resurrection, and the like off the table, which makes it feel much scarier when aimed at Player Characters than NPCs. Regardless, it’s still incredibly wicked, doing 10d6+40 force damage. If Laudna is looking to hit hard, this is a very, very nice choice, especially since she has Empowered Spell as one of her Metamagic options and could choose to reroll half of those damage dice for better results.

The spell we like best for Laudna’s first 6th level, however, is Globe of Invulnerability, for one reason: protecting Laudna from a Counterspell chain. This concentration spell lasts for a minute and creates a sphere with a 10-foot diameter around the caster. Any spell of level 5 or lower cast from outside of the Globe, even when upcast, can’t affect creatures or objects within it. That includes Area of Effect damage, so an enemy can’t be clever and cast a Fireball just outside it and still hit the caster—the damage won’t penetrate. Most importantly for our reasoning, even if an enemy upcasts their Counterspell to level 9, it can’t get through the Globe of Invulnerability, as the third-level Counterspell is under that level 5 threshold. That means that if Laudna successfully Counterspells from within the Globe, that Counterspell gets to stick. This markedly improves the battlefield for the Hells–especially given that as far as we know, none of the other Hells have that spell in their kit. It also means that anyone, not just Laudna, who wants to sling a big spell on their turn can do so from inside the Globe without fearing their spell slot will go to waste upon falling prey to an enemy Counterspell. And of course, protection from 5th level and under spells in general is very nice. Its biggest downside is that the Globe is immobile and does not move with the caster, so if the positioning becomes unfavorable, there’s not much that can be done. Still, the ability to definitively stop enemy spells from working is just too big to pass up just for that reason. This is the spell we hope Laudna chooses.

-

Orym

Fighter 14 HP: +9, total: 155 ASI: None

Unsurprisingly, as a Fighter, Orym’s level up is straightforward, with either an ASI or a Feat on offer. As Orym’s ability scores show no change, we know he took another feat, and one that does not have an ASI as one of its boons.

There are two feats that seem like the clear choices for Orym, and they will both be very familiar to fans who have watched previous campaigns and ExU Calamity: Sentinel and Mage Slayer. Both are reaction-based feats that operate on similar principles. Sentinel would give Orym the ability to reduce enemy speed to 0 if he hits that enemy with an opportunity attack. It also would allow Orym to take an opportunity attack even if a creature Disengages before moving. Finally, in keeping with Orym’s protective approach to fighting, if a creature within five feet of him attacked anyone other than him, he’d be allowed to make a melee attack on them.

Similarly, Mage Slayer would allow Orym to wallop any spellcaster who casts a spell within 5 feet of him with a melee attack. It would also improve Orym’s effectiveness in breaking casters’ concentration, as he would impose disadvantage on their concentration saving throws when damaging them. He would also have advantage on any saving throws associated with spells cast within 5 feet of him.

Both would mesh very well with Orym’s approach to fighting and with the circumstances, but we favor Mage Slayer by just an Orym-sized bit more, because with so many powerful casters to deal with in Ludinus and the Reilora, the ability to more effectively disrupt concentration spells is absolutely clutch.

Thanks for reading our analysis on the recent level up! We'll see in the coming episodes how our speculation panned out, but until then, is it Thursday yet?

[silkythewriter]

Hi there I saw that your doing death note and it’s my fav anime so I was thinking for some headcannons for L with a older sister who is the complete opposite of him and comes to Japan to see him when the Kira case is happening and doesn’t take anything seriously and is just flirting with the task force and Misa and knows Light is Kira and says it all the time

(I have a death oc like this and I thought it would be cool)

Thank you bye

✬Being L’s older Sister!✬

Warnings!: grammer, spelling mistakes! May be a bit OOC!

Fandom!: Death Note!

Author note!: AH HELLO!!!! (⊃｡•́‿•̀｡)⊃YOUR MY FIRST DEATH NOTE REQUESTER THANK YOU SO SO SO SO MUCH!!! I REALLY HOPE YOU ENJOY ٩(ᐛ)و

Summary!: Being L’s older flirty sister!(who doesn’t take much seriously!)

✬☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆✬

“if you see my sister Evelyn

Tell that girl to hurry home again!

Where oh where'd my sister Evelyn go?”

✬☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆✬

Everyone was in shock the first time he introduced you, most likely by accident (￣▽￣💧)

Really!, the first time you walked in and hugged L while ruffling his hair made everyone baffled. I mean, L keeps everyone at arms length so to see him let you do it with no expression shocked everyone.

“There’s my favorite little brother!” You cooed as you pitched his cheeks teasingly. “I’m your only little brother Y/n.”

Everyone genuinely just stared, especially light, as you two bickered like, well, siblings!

“ shouldn’t you respect your elders or something!” You said crossing your arms at the dark haired man. “Well, yes, but considering how ancient you are, your probably considered a fossil by now.” He snickered softly.

L, snickering is a rare sight in of itself, L bantering, now that’s a new game feild!

Of course, L takes extra precautions when it comes to you. Especially with his suspicions of light being Kira, and Misa. So he makes sure to use some kind of nickname, or fake name of your choosing.

In all honesty your flirty attitude shocks everyone, especially form how polar opposite’s you and L are compared to each other. From personality wise, to even speaking wise.

MATSUBA WOULD ESPECIALLY BE BASHFUL AND FLUSTER AROUND YOU(≧▽≦)

I honestly see L sharing one of his toppings with you, like a cherry or strawberry!, he only does it when you lounge around while he’s looking over the information he has so far. Almost absentmindedly, though for a piece of his actual dessert is harder to have then catching Kira…(¬_¬)

This doesn’t mean he doesn’t have a soft spot for you though!, as you are the only thing he has to consider family, you mean a great deal to him. That’s why he’s wary of having you by his side on your visit due to the risks.

But once proven you can handle your own and not let your real name nor any other info he’d be a bit more willing to have you around the task force!

Adding onto that, you catching on to L’s suspicious of light being Kira definitely helps your case. But it takes everyone by surprise when you casually blurt it out without a care.

“I bet a strawberry short cake light is Kira” you say swiveling around the in the rolling chair as everyone turns to face you. L especially, A bit surprised but not stunned only muttered out a response “Deal.”

Misa is so happy to see another girl around! But not so much about you siding with L, that light is Kira. But she quickly shoved that aside to become friends!

She does like talking a lot so please be warned before you talk to her, especially about light.

She loves some playful flirting!, and she’s willing to do it but also is quick to make sure to tell light it’s nothing serious(like he cares much). She calls you some cute nicknames!, you guys are probably quick to become friends.

As for light himself, he’s quite wary of you at first, are you another L?, we’re you after him too? How’d you suspect him so quickly?. He ‘s put off by you, but at the same time keeps his acts up as the innocent deputy’s son.

He’s not sure if he should concider you a threat or not, you don’t take the investigation seriously much, but as well are quick to point the finger at him. Your on a gray line with him due to this, he keeps his guard up, but tries to play it off so no one gets suspicious.

Even in tense situations during the investigation you still have a way of calming L, mostly by your calm composure. It makes him feel a bit better

And having someone siding with him during the investigation without question is a big comfort as-well!

Going back to the flirting part, I do think L does get a bit wary. Not necessarily with you, but the task force as he wants them to focus on the case. But also as a brother he is protective of you and watching people get flustered by your flirty comments is something he doesn’t necessarily enjoy seeing. But at the same time he doesn’t do much to stop you, just kinda glares with his unsettling wide eyes at the person who is bright red.

“Y/n, please leave Mogi alone, he look’s red” L said bluntly. “Awww, cmon I’m just having some fun” you said waving him off before retreating to your chair to let him get back to work.

Poking at L’s face repeatedly to get him to take a break is a common occurrence, but if he’s coming to a break through he will push your hand away and push your rolling chair as far as he can. (╥_╥)

L loves you a ton, and although his almost unchanging face and beady eyes feel like other wise you read him like a book and can tell he does care!. It’s nice having someone that cares about him outside of watari. This case is probably the most if not only hardest case to come to date, so having som support is genuinely helpful.

Speaking of watari, depending on your relationship with him he’d love you!, of course since you are L’s older sister he will treat you with the same respect he has for L. And will do his best for your safety as he knows what you mean to L.

He does lecture you two about getting along some times though (｡ﹷ ‸ ﹷ ✿)

Honestly most of the task force thought that he was actually the older sibling and you the youngest at first glance.

I imagine after you and L have an argument like any sibling does. Although getting into an argument is hard due to his monotone voice. He makes up by it in sweets, though it’ll probably end up with him stealing some after he finished his.

It’s also nice having a second opinion, like voicing what you think the evidence is leading to, or your thoughts on the investigation so far. It makes a thought provoking experience for him.

Please force this man to get some rest cause with those dark circles under his eyes he looks 10 years older then you 😭

Overall he really does care for you, and sure you may not see it. But due to the Kira case he will keep a closer eye on you, older sister or not. He takes it upon himself to keep you safe!, even if you banter like you were still young! (•̀ᴗ•́)و

✬☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆☆✬

GRAHHH TYSM FOR BEING MY FIRST DEATH NOTE REQUEST I AM SO GREATFUL PLEASE COME AGAIN!

[kradogsrats]

Stars & Staffs: What the Heck, Guys

So. The staffs. The staffs.

Prior to this, we held the belief that the Staff of Ziard was made specifically for dark magic. I made a meme about it once (why yes, I do think I'm funny):

Now... that could still be the case. The Aaravos/Sauron parallels have always been off the charts, so "the dark lord forged in secret a master ring, and into this ring he poured his cruelty, his malice and his will to dominate all life" is still a definite possibility.

Aaravos also has a strong thread in his plans to bring about the stars' downfall through a vector they had overlooked—humans—and with warped mirrors of their creations—himself, characterized as "their dark brother," and possibly dark magic, itself.

—Ripples

—Patience

So yeah, still strong possibility that the Staff of Ziard is Aaravos's creation for humans, a mockery of their works delivered with irony.

However, the other possibility—that the Staff of Ziard is one of a set conceived for some magical purpose—is super interesting, because it's actually not strictly a dark magic staff in the way that Ibis's staff is a Sky magic staff or the Sunforge staff is a Sun magic staff.

Staffs for primal magic are pretty explicitly sources of power and focus for the mage. The Sunforge staff contains a small Sun primal stone, Ibis's staff appears to similarly contain a Sky primal stone—it's not clear whether these primal stones are powerful enough to be used on their own by a non-mage, but the corrupted Sunforge staff is at least powerful enough for Claudia to use it easily and immediately.

We also have Karim's staff, which doesn't have a visible stone and appears to be somewhat less powerful, acting more as a channel to focus his magic than a source for it. While we see a lot of rune spells cast using staffs, we also see several spells cast with staffs apparently instead of runes.

Most staffs are probably a lot more similar to that, because like... the Sunforge staff is obviously incredibly powerful, being linked directly to the Sun nexus and wielded by former Sunfire monarchs. Ibis's staff also tracks as a powerful artifact—I would not be surprised if Ibis was an archmage of Sky, or equivalent to one in power. Ibis even uses his staff for some rather complex magic—picking up objects, aiming, and launching them at Claudia—without a rune or a spoken draconic incantation.

The Staff of Ziard, on the other hand... it's not actually a dark magic staff in the same way. Instead of itself being a source of magic or using the mage's own connection to a primal source the way primal staffs do, the Staff of Ziard is all about siphoning away the essence of living creatures, whether that's primal magic or souls. Being able to then empower or release that essence seems to potentially be a matter of knowledge—Viren doesn't do it until Aaravos has basically taken over his subconscious, and the only other person we see do it is Ziard himself, draining the sunbirds directly into a corrupted fire capable of burning an Archdragon of the Sun.

Conceptually, siphoning essence to cast spells is very in tune with dark magic... but not exclusive to it. "Magic that takes," as Aditi describes it, apparently exists in several forms.

Additionally, like I said, Viren literally never uses the staff for any magic that isn't unique to it until mid-late s3.

All the dark magic spells he does before then, except for the ones that are explicitly done with the staff alone, he does without it.

(Yes, there's whatever he does to hold Thunder immobile, but that has always been a weird outlier we don't fully understand. We don't know whether it's a spell from the staff—unlikely, given that it doesn't involve or affect the central stone—or a reagent-powered dark magic spell he cast while the camera was focused on Thunder and Harrow.)

So what is the deal with these?

We know that the Celestial elves are guardians of artifacts related to Star magic, Startouch elves, and presumably the Stars/First Elves in general. So the staffs could just be being stored. They do have nice little display niches. What's kind of weird is that first of all, they're apparently powered up in some way, given the glow of their stones. Secondly, they're in full "open" configuration—the way Claudia uses the Staff of Ziard when opening the chrysalis.

Like the soul-trapping spell that is one of the staff's specialties, the chrysalis spell uses a dark magic incantation (rather than the Draconic-based deep magic or corrupted Sun magic spells). It's described as channeling the power of the "sun's first light," and what it does is, I'm fairly convinced, imbue the being inside the chrysalis with essence—on some level giving it consciousness or a soul.

So what if all the staffs work that way, but for different facets of energy or magic or whatever? Why create something like that, whether for the sorts of energy corresponding with primal sources, or for souls and consciousness? Why would Startouch elves need staffs, if they're so absurdly powerful?

Theory one: let's get the least likely one out of the way first. As a whole, the staffs are components of a machine-like spell or group ritual that maintains the flow of primal and other magic through the world. Yes, this is about my theory that the Starscraper is a kind of world-pillar or bridge that funnels magic to Xadia from elsewhere, and yes, I am a big fan of Pillars of Eternity. There's not really a lot of evidence for this, aside from the different stone colors and the arrangement and kind of strange location of the stored staffs. Like, what is up with this?

Theory two: we know the First Elves in some way divided into at least the five other kinds of primal elves. Could the staffs have been somehow related to that, intentionally consolidating and focusing the First Elves' magical nature into separate forms? Again, there's not really any evidence for this beyond that staffs are meant to be carried and used by people, and the theory that the First Elves may have consciously taken on becoming the different primal elves.

Theory three: this is the forbidden magic that was given to humans, not primal stones. We have two sources for the "Leola gifted primal magic/stones to humans" story, and each of them contributes different things—the one that specifies primal stones doesn't mention Leola by name, attributing the gift to unicorns as a whole, while the one that specifies Leola doesn't mention the primal stones, instead specifying that she provided them with the runes and Draconic words for spells. If the staffs are like the Staff of Ziard but for other energies, including primal sources—if they're all "magic that takes," it would make a lot more sense why the stars got so fussed about humans having it. There isn't really any more evidence for this than for my other theories, but shut up I like this one. It would be the chef's kiss Uno-Reverse cap on the entire mangled and obscured story of the history of human magic.

Anyway, my insane TED Talk aside, what in all heck is going on, because every time I think I've gotten this shit kind of figured out, they do this kind of curve ball.

[shade-of-vermillion]

Gonna be honest. The DLC ending isn’t as out of left field as people think it is. (Spoilers under cut)

Yes, even the Radahn part. There is some evidence for it in the base game. Specifically, we know Miquella had or has ties to the Carian Royal family. We can infer that from two pieces of evidence, 1) Loretta’s presence in the Haligtree and 2) the description for the Miquellan knight’s sword. In the case of Loretta, you could of course make the argument that she sought him out on her own while looking for a place for the albinaurics, but with the sword, I think to go as far as to model a sword intended to be given to his knights after Caria’s implies he had contact with or at least a great deal of respect for someone from that house.

I’ve seen people in the past posit this as evidence he and Ranni were in cahoots but frankly I don’t believe their goals are aligned even in the slightest. Ranni after all believes that the best path forward is to reject godhood utterly and leave the lands between so that mortals can decide their fates on their own, whereas Miquella in the base game has literally been growing his own Erdtree, a new system to replace the old rather than a rejection of the system altogether.

I know there has also been a lot of upset about how Godwyn may have made more sense as his lord consort, however I believe Radahn was chosen specifically as a way to save Godwyn. In the base game through exploring Castle Sol and looking through the descriptions for the gear of mausoleum knights we discover the possibility of returning soulless demigods to life via an eclipse and find out that Miquella was working towards making one happen to bring Godwyn back. Radahn is shown as capable of binding the stars to prevent Ranni’s destiny from coming to fruition. He could probably force the moon into position in front of the sun if he wanted. If Miquella’s goal really was to restore Godwyn with an eclipse it makes a lot of sense that he would tap Radahn to force one to happen.

As for the Mohg thing, come on now. Gideon gives you the recipe for the bewitching branch the second you tell him you visited Mohgwyn palace. If it was just because Miquella was there he could’ve given us sleep pots or sleep arrows or maybe one of the rings of light spells. But no, he gives us the bewitching branch. How the hell else am I supposed to take that.

Honestly I also don’t think this ruins Miquella’s writing. I think it just makes him more interesting in the long run. He does have good intentions, but pursuing godhood requires dirtying your hands. I also don’t think this undermines his connection to Malenia or his drive to see both of them healed. I just think he’s more complex than people thought he was at first brush.