#but it was formative media for both of them just in different ways

[babblingeccentric]

Also modern au Luffy loves reader because they agree on three fundamental truths of the world

His brothers are the best

Parties must have food and live music

Naruto is the greatest piece of modern media known to man

[fictionstudent]

How to pull off descriptions

New authors always describe the scene and place every object on the stage before they press the play button of their novels. And I feel that it happens because we live in a world filled with visual media like comics and films, which heavily influence our prose.

In visual media, it’s really easy to set the scene—you just show where every object is, doesn’t matter if they’re a part of the action about to come or not. But prose is quite different from comics and films. You can’t just set the scene and expect the reader to wait for you to start action of the novel. You just begin the scene with action, making sure your reader is glued to the page.

And now that begs the question—if not at the beginning, where do you describe the scene? Am I saying you should not use descriptions and details at all? Hell naw! I’m just saying the way you’re doing it is wrong—there’s a smarter way to pull off descriptions. And I’m here to teach that to you.

***

#01 - What are descriptions?

Let’s start with the basics—what are descriptions? How do you define descriptions? Or details, for that matter? And what do the words include?

Descriptions refer to… descriptions. It’s that part of your prose where you’re not describing something—the appearance of an object, perhaps. Mostly, we mean scene-descriptions when we use the term, but descriptions are more than just scene-descriptions.

Descriptions include appearances of characters too. Let’s call that character-descriptions.

Both scene-descriptions and character-descriptions are forms of descriptions that we regularly use in our prose. We mostly use them at the beginning of the scene—just out of habit.

Authors, especially the newer ones, feel that they need to describe each and every nook and cranny of the place or character so they can be visualized clearly by their readers, right as the authors themselves visualized them. And they do that at the start of the scene because how can you visualize a scene when you don’t know how the scene looks first.

And that’s why your prose is filled with how the clouds look or what lights are on the room before you even start with the dialogues and action. But the first paragraph doesn’t need to be a simple scene-description—it makes your prose formulaic and predictable. And boring. Let me help you with this.

***

#02 - Get in your narrator’s head

The prose may have many MCs, but a piece of prose only has a single narrator. And these days, that’s mostly one of the characters of your story. Who uses third-person omniscient narrator these days anyway? If that’s you, change your habits.

Anyway, know your narrator. Flesh out their character. And then internalize them—their speech and stuff like that. Internalize your narrator to such an extent that you can write prose from their point-of-view.

Now, I don’t mean to say that only your narrator should be at the center of the scene—far from it. What I mean is you should get into your narrator’s head.

You do not describe a scene from the eyes of the author—you—but from the eyes of the narrator. You see from their eyes, and understand what they’re noticing. And then you write that.

Start your scene with what the narrator is looking at.

For example,

The dark clouds had covered the sky that day. The whole classroom was in shades of gray—quite unusual for someone like Sara who was used to the sun. She felt the gloom the day had brought with it—the gloom that no one else in her class knew of.

She never had happy times under the clouds like that. Rain made her sad. Rain made her yearn for something she couldn’t put into words. What was it that she was living for? Money? Happiness?

As she stared at the sky through the window, she was lost in her own quiet little corner. Both money and happiness—and even everything else—were temporary. All of it would leave her one day, then come back, then leave, then come back, like the waves of an ocean far away from any human civilization in sight.

All of it would come and go—like rain, it’d fall on her, like rain, it’d evaporate without proof.

And suddenly, drops of water began hitting the window.

You know it was a cloudy day, where it could rain anytime soon. You know that for other students, it didn’t really matter, but Sara felt really depressed because of the weather that day. You know Sara was at the corner, dealing with her emotions alone.

It’s far better than this,

The dark clouds covered the sky that day. It could rain anytime soon.

From her seat at the corner of the room, Sara stared at the sky that made everything gray that day. She…

The main reason it doesn’t work is that you describe the scene in the first paragraph, but it’s devoid of any emotions. Of any flavor. It’s like a factual weather report of the day. That’s what you don’t want to do—write descriptions in a factual tone.

If you want to pull off the prior one, get to your narrator’s head. See from their eyes, think from their brain. Understand what they’re experiencing, and then write that experience from their POV.

Sara didn’t care what everyone was wearing—they were all probably in their school uniforms, obviously, so I didn’t describe that. Sara didn’t focus on how big the classroom was, or how filled, or what everybody was doing. Sara was just looking at the clouds and the clouds alone, hearing everybody just living their normal days, so I mentioned just those things.

As the author, you need to understand that only you, the author are the know-it-all about the scene, not your narrator. And that you’re different from your narrator.

Write as a narrator, not as an author.

***

#03 - Filler Words

This brings me to filler words. Now, hearing my advice, you might start writing something like this,

Sarah noticed the dark clouds through the window. She saw that they’d saturated the place gray.

Fillers words like “see”, “notice”, “stare”, “hear” should be ignored. But many authors who begin writing from the POV of the characters start using these verbs to describe what the character is experiencing.

But remember, the character is not cognizant of the fact that they’re seeing a dark cloud, just that it’s a dark cloud. You don’t need these filler words—straight up describe what the character is seeing, instead of describing that the character is seeing.

Just write,

There were dark clouds on the other end of the window, which saturated the place gray.

Sarah is still seeing the clouds, yeah. But we’re looking from her eyes, and her eyes ain’t noticing that she’s noticing the clouds.

It’s kinda confusing, but it’s an important mistake to avoid. Filler words can really make your writing sound more amateurish than before and take away the experience of the reader, because the reader wants to see through the narrator’s eyes, not that the narrator is seeing.

***

#04 - Characters

Character-descriptions are a lot harder to pull off than scene-descriptions. Because it’s really confusing to know when to describe them, their clothing, their appearances, and what to tell and what not to.

For characters, you can give a full description of their looks. Keep it concise and clear, so that your readers can get a pretty good idea of the character with so few words that they don’t notice you’ve stopped action for a while.

Or can show your narrator scanning the character, and what they noticed about them.

Both these two tricks only work when a character is shown first time to the readers. After that, you don’t really talk about their clothing or face anymore.

Until there’s something out of the ordinary about your character.

What do I mean by that? See, you’ve described the face and clothes of the character, and the next time they appear, the reader is gonna imagine the character in a similar set of clothes, with the same face and appearance that they had the first time. Therefore, any time other than the first, you don’t go into detail about the character again. But, if something about your character is out of ordinary—there are bruises on their face, scars, or a change in the way they dress—describe it to the reader. That’s because your narrator may notice these little changes.

***

#05 - Clothing

Clothing is a special case. Some new authors describe the clothes of the characters when they’re describing the character every time the reader sees them. So, I wanna help you with this.

Clothing can be a way to show something about your character—a character with a well-ironed business suit is gonna be different from a character with tight jeans and baggy t-shirt. Therefore, only use clothing to tell something unique about the character.

Refrain from describing the clothing of characters that dress like most others. Like, in a school, it’s obvious that all characters are wearing school uniforms. Also, a normal teenage boy may wear t-shirts and denim jeans. If your character is this, no need to describe their clothing—anything the reader would be imagining is fine.

Refrain from describing the clothing of one-dimensional side-characters—there’s a high chance you’ve not really created them well enough that they have clothing that differs from the expectations of the readers. We all know what waiters wear, or what a college guy who was just passing by in the scene would be wearing.

You may describe the clothing of the important character in the story, but only in the first appearance. After that, describe their clothes only if the clothes seem really, really different from the first time. And stop describing their clothes if you’ve set your character well enough in the story that your readers know what to expect from them in normal circumstances—then, describe clothes only when they’re really, really different from their usual forms of clothing.

***

#06 - Conclusion

I think there was so much I had to say in this article, but I didn’t do a good job. However, I said all that I wanted to say. I hope you guys liked the article and it helps you in one way or the other.

And please subscribe if you want more articles like this straight in your inbox!

[owlbelly]

so. i understand where the sentiment "listening to an audiobook is the same thing as reading the book" is coming from - i mean, yes, the bottom line is you are taking in the same words in what is possibly a more accessible (or maybe just more enjoyable) format for you! and i'm 100% in agreement that "book snobs" who say "no you didn't really read it" if you listened to the audiobook are full of shit. ofc you should engage with stories in whatever way works for you, there is no moral or intellectual superiority to reading words off a page vs. listening to them

but it also is different? an audiobook is a performance. choices a narrator makes about line readings can drastically influence the meaning of the lines. even just different voices, accents, etc. - there are creative choices being made by the person delivering the words to you, and that affects your experience of the story in a different way than if you were making those choices in your own head. it might even change the way you visualize what's going on!

this isn't a bad thing it's just An Actual Thing & i think it's worth talking about. it rubs me the wrong way when people act like accommodations (and for many people audiobooks are an accommodation) always result in a completely identical experience, or even that they should, & if you suggest that people accessing media in different ways are having different experiences it's somehow ableist

anyway on rare occasions i really enjoy audiobooks but mostly they are much less accessible to me than words on a page (i need to be able to reread, flip back and forth, go at my own pace) & i also just really strongly prefer to encounter a text on my own before hearing someone else's performance of it, if possible! again i don't think it's "better" to read a physical book i just think it is a Distinct form of experiencing a story & acting like the two things are entirely the same is sort of doing a disservice to both

[katszumi]

silence immersed the room as the door clicked shut behind you. the ticking clock a reminder of how little time you have.

“you’re such an asshole, you know that?” you spewed to the male in front of you, your features displaying a look of anger.

katsuki rolled his eyes. “well, it’s not like i get called a ray of fuckin’ sunshine. what else did you honestly expect?” he crossed his arms over his chest, taking a seat atop of the long metal table.

“not much, yet you still seem to subceed my expectations.”

“subceed? seriously?” katsuki paused to let a scoff escape his lips. “you’re upset because i’m actually selling this story? the only one, might i add. this was your shitty grand idea!”

unknowingly, you took a step forward.

“the idea was to make it known we disliked each other. not for you to publicly shame and insult me!”

you, katsuki and a few other heroes were invited to attend a press conference. while the original topic was to discuss about the mission you all completed the day before, the topic began to stray away and focus on the relationship between you and katsuki.

japan knows of the hatred you and katsuki shared between each other, that was no unknown fact. the media described you two as fiery rivals considering both of your quirks contained fuel.

you two despised each other. or at least that’s the lie you fooled everyone with.

you were unsure when katsuki started to look appealing to the eye, how attractive he was when he was drowned in sweat, how you began to long for the small but noticeable glances he sent you in public. you couldn’t tell when it happened. but before you knew it, a small pool of desire that had katsuki’s name printed on it began to fill every minute of the day.

“which is no different than what we used to do. you want them to believe it? then don’t take my shit. suck it up and be a bigger asshole than i already am.” he was right. you know he was right. but it was so difficult to pretend as if you hated him.

even if you called him a bitch, or a cunt, maybe even call him out for having a small dick—which you know is far from the truth—that still wouldn’t deny the peace you felt whenever you were with katsuki. how the world seemed to stop still on its axis. how there were no rain, wind or time. just pure bliss.

fuck.

out of everyone, it just had to be him? his captivating, intense ruby irises. his brash, abrasive demeanor. only his words that could seem to sway you. the man the world deemed you to abhor.

instead of admitting the truth, you twist his words. “well, i’m pleased to know it’s so easy for you to do.”

“jesus fuck, y/n.” now, katsuki rose from his position, never once breaking eye contact with you. “you think this is easy for me? you think i like getting up there and lying through my teeth? doing this is the one of the hardest things i’ve ever done.”

he walks closer and even closer to you, minimizing the distance you established for good reasons. this is how it always happens; one of you forgets about the space you two have to maintain until words don’t seem to work anymore. instead, your lips weave together, forming a new way to communicate.

but you don’t move. you don’t want to.

“is it? all those insults feels like it comes pretty smooth to you.”

katsuki pauses as he takes a second to analyze you. his eyes scan your body then leading right up to your face.

“because those are the words i wish i could mean. every time, it burns me to say those things about you when i’d rather be up there claiming every single part about you.” he lowered to a whisper, but his voice maintained a fervent tone.

his hand raises, slow and steady. he cups your cheek, gently swiping his thumb across your cheek. instinctively, you lean into his palm, your eyes softening as you gaze into his eyes.

“you think i enjoy this?” you watch his jaw tighten, his hand dropping to your hip. “think i like watching you talk with those eager men? it takes everything in me to not beat them shitless for daring to come across you. do you know how hard it is to fight the urge to pull you in and show them that you’re not available?”

too captivated by his words, you didn’t notice how katsuki lowered his head. you could feel the heat of his body from how he gave you no room to breathe. he placed his lips on your soft skin, slowly kissing the side of your neck.

no. resist him. your mind was screaming. this couldn’t go on forever. at some point, you guys had to stop.

“what will make them back off? if i mark you up? think they’ll understand then?” he proposed the question, but to you, it seemed more like he was asking for permission.

you didn’t know what effect katsuki placed on you to have you like this. but in this moment, you didn’t care about the rumors, the consequences, your image. it was all pushed back in the back of your head. so, you slightly tilted your head upwards, giving him more leeway to continue.

katsuki gripped your hips. not too strong to leave a mark but strong enough to squeeze a small moan out of you.

“don’t you fuckin’ understand, y/n?” he leans away to look in your eye.

“what?” you meekly responded.

“i go insane when it comes to you. i’m not the kind of guy that drools over any woman’s attention. but, you… fuck.” he stops himself, from what you can only assume was to control himself with whatever he was about to say. “not being able to have you only makes me crave you more.”

you stay quiet.

“you know how many times i’ve tried to resist you?”

“how many?” finally, you spoke.

“too many fuckin’ times. i’m done fighting it, y/n.”

confusion struck your face. “what do you mean?”

“be mine. forget the press, forget our pr managers. be with me.” katsuki brings you closer with the hand placed on your hip, the action drawing you to one conclusion.

he leans in and interlocks his lips with yours. immediately, you drown in the feeling of his soft but chapped lips that you couldn’t seem to push away. somehow, you find the strength to pull back from him.

“not here. not in pub-”

“yes here.”

with his tone, you could mistake him to be aggressive in this moment. but over the months, you managed to be able to read his eyes from the forbidden glances he’s sent your way; how he really felt through the way he wore his eyes.

katsuki’s eyebrows were slightly furrowed, his soft ruby eyes shifted from your lips to your e/c irises.

there was a look behind his eyes. there were more watchful, more tender than usual. almost as if he was pleading with his eyes. like he was begging.

so, how could you say no to him in this state? him being so vulnerable with you?

but that was always the problem.

you could never say no to katsuki bakugou, no matter what.

your arms wrap around his neck, drawing him in with your eyes. he inclined his head and laid his lips on your mouth. the silence that did wrap the room ten minutes ago was replaced with the noise of sloppy kisses, your mouths powering over each other.

you can feel your heart rate increase from the action, even more noticeably so when he entangles a fist in the back of your shirt. he needs you closer, maybe within his skin if possible.

following his action, you guide your fingers through his ash blonde strands, sending a shiver down his spine. he nibbles on the bottom of your lip, pulling it just slightly.

“we really shouldn’t be doing this.” your murmur, yet his ears catches it. “this would be the hottest topic for the media.”

a snicker parted his lips. “we just can’t be caught. but the day you stop being scared, i’m ready.” his words vague and simple, yet still holding so much promise.

“i hate you.”

and you did. you hated that he was too enticing. too irresistible.

“thought it was hard for you to say things you don’t mean?” he referred from earlier. of course, that was just like him. the same him you mistakenly fell for.

“just shut up.” was all you replied with before leaning back in to connect his lips with yours, choosing to help him with your statement.

this was supposed to be like a forbidden love trope but i think i just revealed how thirsty i am😔

[badgertracksart]

Portfolio advice, from a lead who hires Concept Artists

(This was originally a twitter thread I wrote before the site self imolated, hense it's strange structure.) I wrote this after a weekend of portfolio reviews - 1. Like a maths exam, please please show your working. I want to see thumbs options, mid options and of course a final design.

2. Arrange your portfolio, I don't want to bounce about between subject matter and pipeline. Your portfolio's narrative should be as strong as your work... 3. Please make worlds that excite the viewer, make them want to go in and explore them, explain to them the interesting parts of the town, or the way the character's hat unfolds. How will this draw the viewer in? 4. As I've said before the majority of your project work is explanatory not mood, make sure your portfolio contains explanatory work. Explained here -

5. A lot of beautiful post apocolyptic paintings, , but 80% of realistic games and film, we just give the environment artists photo ref, they are capable artists in their own right. Different work in stylised where you do need to create rules for how things can be translated. 6. Production art contains call out sheets, material references and flat graphics. This doesn't have to be your final image, but it should support it.

7. Design characters on a swatch(es) of the environment they will be viewed in. Not on white. I make swatch backgrounds from screenshots, it avoids assumptions that damage readability. 8. Reverse of this, put people in your environments, show me the scale.

9. It's not a deal breaker for a review, but if you intend to get a job, please show me your work on a screen larger than a smartphone (print outs probably the cheapest option with the best battery life). 10. Please have your contact details clearly visible, and by that I mean email address, I will not pass your social media contact on, I cannot input your form into my tracking system. EMAIL ADDRESS emblazoned and bake it in, sometimes recruiters do funky stuff to pdfs

11. Your portfolio will never feel done, not to you anyway. You will have learnt from your latest pieces and want to apply it to older work. But we know art is a journey. Send your portfolio anyway. I've been in the industry 10+ years and my portfolio is still not 'finished'. 12. If you are applying to an environment centric Concept Art position then please vary your times of day! Golden hour is cool but show me some happy sunny days, looming overcast days, what about at night? Vary your weather too! Sunny snowy day? Rainy Spring day? Stormy night?

13. If you are applying for a character centric Concept Art role then please ensure your portfolio shows a variety of body types and ethnicities. 14. Designing characters for games? Please show back views and feet (!) Many potfolios contain only front views. This is a problem because:

You haven't shown you are considering the design from all angles.

In many games rear view is the main view.

Stop cropping feet.

15. If you are entry / graduating and looking at Portfolios to compare content and standard of yr own work too, look at hired grad/junior artists as opposed to seniors Seniors and leads often have old or personal work in their portfolio which isnt representative of the day job. 16a. Show clearly the intended use case for your Concept Art. Mention the game type in the description. Are these player character designs for a 3rd person adventure game? Then more back views please. Bonus points for diagetic ways of showing health / equipment / role etc.

16b. Are these designs for an FPS? Then really the player view of the gun needs to sell the player style/ choices, in an FPS your weapons are almost your character. Are these world designs? What's the view distance? For an RTS your shapes need to read from above & a distance. 16c. The lack of clarification means I am judging the design in isolation, which both harms the design (you might be considering the backview of a char as the main adventure character.) Or an NPC, their waist up expressions may be important for conveying exposition and mechanics.

16d. Concept art is not separate from gameplay, great concept art serves the game team before it is a good illustration.

17. Play games. A variety of games. Think about them. IMO to be a good concept artist you need to understand the common language & references used by your peers. Also understand the principles and common language your audience are used to. FPS design rules are v.diff from RTS.

18. There are many skills that are needed in concept art, please show them. For example: Graphic design - logos, liveries, typographic use etc. VFX concepts - Abilities, Ambience, motion concepts. Architectural knowledge - How buildings are built! & more but I'm out of space :O

[pomefioredove]

could you perchance do a part two to the yuu getting sold to the highest bidder? like how would that characters treat them if they actually get them? sorry if this doesnt make sence!! but thank uu!! ^_^

more than happy to! <3 I'm writing this as a follow up/pt. 2 to this post but if you'd like something different don't be shy! I love getting requests

parts 1 | 2 | 3 | kalim | bad ending

summary: joining their dorms + wearing the uniforms (for some). a proper ending to this type of post: short fics characters: trey, cater, leona, rook, idia, lilia, malleus additional info: yuu is gender neutral, rook is weird, both fem and masc french words are used during rook's part but reader is still gn, I need to replay book 2 to get leona's voice down, Idia being fun to write, maybe a little ooc

If you thought it was bad before, the news that Malleus intended to marry you made everything about twenty times more chaotic. Bids were upped to insurmountable sums, rumors were spread like the plague, fights were raging through campus as the deadline to donate approached. Even Crowley was starting to feel a little antsy, despite all of the brand new amenities he had already ordered for his office.

Finally, the day came. The announcement was held in the courtyard, where just about any student who had stakes in the matter had shirked whatever after-school responsibilities they had to gather. The prefect themselves was nowhere to be found, though only few noticed their absence.

"Maybe it'll be nice," you say to your direbeast companion, the both of you tucked away in a dark corner at Ramshackle.

"It'll definitely beat living in this dump. You think they got good food in Diasomnia?" Grim murmurs.

You grimace. "Uh... sure. I can't imagine they wouldn't, right?"

Crowley clears his throat, pulling a thin, delicate envelope out of his coat pocket while the crowd eagerly watches on. He takes his sweet time opening it, much to everyone's utter dismay, and when he finally withdraws the contents the entire courtyard falls quiet enough to hear a pin drop.

"And our winner is..."

Trey and Cater's Ending

"Cater Diamond and Trey Clover!"

Everyone stops dead and turns to the back of the crowd. There's a certain sense of unity that, for a brief moment, everyone can feel in the form of a single thought: Them, of all people?

Cater, ever the people-person, can already tell what's on everyone's minds. "What can I say? I run a mean social media campaign. I had some sick infographics,"

Trey can only smile and shrug at the growing disdain coming from the other students, most of which from his own housewarden, who is s currently turning a lovely shade of crimson.

"...Right. Well, the prefect will be ready for you shortly," Crowley says, folding the envelope and setting it back in his pocket. "I trust your housewarden will help you sort out the details."

Riddle looks more like he's about to start throttling them.

"Nah, it's cool. We got this," Cater smiles, though he's only half paying attention as he posts an update to Magicam. "The prefect is in great hands. Right, guys?"

Ace and Deuce shrug. Not the best outcome, not the worst, and either way it's still their friend coming to stay with them. Riddle is gritting his teeth so hard you could practically hear them grinding from Ramshackle.

"Was anyone going to tell me you two had pitched in, as well? Or was it a surprise?"

Trey smiles, almost nervously. "Well-"

"We were only giving the dorm a better chance. It's basic statistics- more Heartslabyul names in the hat, more of a chance one of us will be drawn, y'know?" Cater beams. "No disrespect, of course."

"None whatsoever," Riddle hisses back.

---

"And you're sure he's not really mad?" you ask, trailing behind the two third years.

It had been almost an hour since you'd updated your Magicam feed and read the announcement firsthand, but the shock is still wearing off.

Cater scoffs. "Whaaaat? No, he's totally cool about it,"

"Well. Now he is, anyway," Trey murmurs back. "But he certainly won't kick you out. As long as you're in the dorm uniform, you're one of us. He's just upset we went behind his back."

"...Understandable,"

Cater holds the door open for you, letting you inside to see a precariously placed mannequin with a dorm uniform in your size already on it. You hate to admit it, but it's lovely.

"Riddle had one ready. You know, just in case," Trey says, gesturing you forward. "And don't worry, we'll all be taking it easy on you while you adjust."

You run your fingers down the durable fabric. "Hm. Thanks,"

"You should get changed, I need a post to commemorate the moment," Cater says, beaming. "And I kindaaaa want to rub it in for everyone else who lost out on the best giveaway ever."

Leona's Ending

"Leona Kingscholar! Please... be responsible. Ruggie, I hope you'll keep an eye out for the prefect,"

Ruggie rolls his eyes but doesn't say anything. Leona, who had been absent-mindedly picking his teeth before the big announcement, flashes a big smirk to the audience while swaggering to the front of it.

"Well, well. Look who's come in first place, after all. What, didn't think I'd bother to try?"

Vil grimaces, crossing his arms. "Is there a point to this?"

"Obviously. I'm showing off," he rolls his eyes. "I guess I'll be seeing the rest of you lot around my territory a lot more, then?"

He snickers and then disappears back inside the building. Ruggie can only shrug at the disgruntled crowd before tailing after him.

---

"Well, that felt nice," Leona sighs, stretching out on one of the lounge chairs. "Pity that I couldn't see the lizard's reaction, but I'm sure we'll get to that eventually."

You're sitting at the table across from him, playing cards with a very invested Ruggie. You raise an eyebrow. "Who?"

"Malleus," Ruggie mutters, shuffling his cards around in his hand.

"It's never a party without him, right? He was probably off cowering somewhere with his tail behind his legs," Leona chuckles, picking his teeth again. "But everyone else's faces just about made up for it."

"Whatever," Ruggie grumbles. "I'm all in."

Though you're not exactly invested in the game anymore. You set down your cards, much to Ruggie's dismay, and stand over Leona with your hands on your hips.

"I hope you know that I won't be one of your errand runners for you. I've done enough of that with Crowley,"

He pauses, sharp eyes scanning you over. "You certainly know how to rain on someone's parade,"

"This is not a parade. This is my sanity we're talking about,"

"Tch. And what're you gonna do? Run away?" Leona rolls his eyes. "Hide in the jungle? Maybe you can take Ruggie with you and make it a party!"

"Hey, leave me out of this," the aforementioned says, shuffling the deck.

You stand your ground, though you don't know what else to say. Eventually, Leona sighs.

"Fine. I won't make you do anything you don't want to if you're just going to whine about it,"

He pauses, and a small smirk crosses his face. "But you'll at least have to wear the uniform. I need the satisfaction of seeing the look on everyone else's faces."

You smile triumphantly, and sit back down across from Ruggie for another round while Leona watches on, pretending not to care about the game.

It could be better, but it could also be worse.

Plus, something about that smile of his let on more than just a little self-satisfaction.

This could definitely be interesting...

Rook's Ending

"...Ah. Rook Hunt!" Crowley says, folding the paper back in his pocket and leaning down to whisper to Azul in the front row. "Tell the prefect I said good luck."

At the heart of the crowd, Vil turns to Rook, hands on his hips. "Rook..."

"Ah, magnifique! How happy I am, my heart could weep for joy!" he says, completely ignoring whatever disappointed comment Vil was about to unleash. "I must run to my prize at once, there's not a moment to lose!"

Vil grimaces as Rook bounds off into the school, moving so swiftly that he cuts through the crowd of confused (and mildly concerned) students like an arrow.

As always, Rook is genuine with his words- he truly feels as if his own heart is about to leap out of his chest and race him towards Ramshackle.

What a chance, what an opportunity! Not only to be close to someone he has his own private fan club for, but to truly, finally possess beauty in physical form. He would display you on a shelf if it were feasible.

The idea so overwhelms him with joy that you barely had time to ask what was going on before you suddenly found yourself sitting beside him in the Pomefiore lounge as he smooths out the crinkles in your new uniform.

He murmurs under his breath, kneeling before you while inspecting the uniform. "Magnifique, joli, belle, quelle beauté, une rose parfaite..."

...Leaving you in a torn state of embarrassment and shyness. You look across the room to Vil for help, and he rolls his eyes.

"I coulda get used 'ta this!" Grim shouts, lounging on a nearby silk pillow with a mouthfull of pâté. Two freshman are tediously brushing his fur with the nicest set of combs you've ever seen.

"Comfortable?" You ask, only a little sarcastic.

"Uh-huh! Ya know, when I found out the winner was Rook, of all people, I was a little worried. But this is way nicer than collecting dust in Ramshackle!"

You couldn't have said it better yourself.

Rook smiles. "Tsk, tsk. I would never let anyone harm a single hair on your precious head,"

The question is directed to Grim, but he looks straight at you when he says it. "Like a delicate porcelain doll, I will handle you with the utmost care,"

You're not exactly sure what you had been envisioning- maybe he'd release you on a remote island and hunt you for sport?- but this had far exceeded any of your expectations.

Though his gaze is as unsettling as ever, and any hopes of personal space are gone out the ornate glass windows, his usual guarded demeanor had softened just the tiniest bit.

It was unnerving. But nice, in a way.

"Mon trickster, this is just the beginning for us. We have many shining days ahead, and I plan on spending every beautiful breath of them with you. Do you hunt?"

"Oh, sevens," Vil murmurs.

Unfortunately for Vil, Rook's smile is contagious and you can't help encouraging him. Just this once. "Not usually, no,"

"A merveilleuse opportunity! I will teach you all I have learned, then. Ah, this reminds me of a poem I wrote for this exact occasion!"

He may or may not be watching you sleep tonight. Hopefully you're the kind of person who can live with that.

Idia's Ending

LOL. Normies.

Look at them, crowding around like a bunch of sheep. As if anyone has a real chance. SMH.

I knew it was pointless to begin with, but getting into Crowley's banking account and seeing the bids... now I feel lame for even trying at all.

That money could've gone to some new parts. I've been itching to build another PC...

The door flies open, slamming against the wall behind it so loudly that even if Idia wasn't completely absorbed in watching the announcement on his biggest monitor, he would've jumped anyway.

He whirls around in his chair, wide-eyed and shaking like a prey animal, expecting to see some high level boss or classic horror game antag waiting for him.

Instead, it's Ortho. "Idy! You'll never believe-"

"Geez, Ortho, you nearly killed me. And I don't have any extra lives this time," Idia says, spinning back around to face his screen. "Something wrong?"

"Actually, I have some really great news! Wanna guess what it is?"

Idia grumbles, powering off his computer. "Nah, not in the mood,"

Ortho's brow furrows as he catches a fleeting glimpse of the camera feed playing over his brother's screen before it flickers to black. "You've been watching the announcement on the courtyard cam footage?"

"No! I mean- well, I was just curious," Idia says. "I watched for like two minutes. Who even cares about this thing, anyway?"

"Well-"

"I mean, it was a game over from the start. Taking on the highest level bosses at our school with my measly stats? Forget it,"

"But Idia-"

"Who even cares where the prefect ends up, anyway? I doubt they'd wanna be trapped in a basement like this for all eternity,"

"Idia!" Ortho shouts, loud enough to shake his brother from his ensuing pity party. Idia can only stare as he moves to the side, revealing a rather surprised looking you, dressed in the dorm uniform, behind him.

"Idia, you won!"

And then he dies.

That's what he thinks, anyway. Really, Idia goes into a state of complete shock and blacks out so hard that, for a moment, the blinding light shining through his eyelids feels like the light at the end of the tunnel.

"Is he okay?" you ask, tentatively watching as Ortho clicks off the small light he'd been shining in his brother's eyes.

"He's displaying symptoms of a panic attack. Don't worry, he gets them quite frequently,"

A distant groaning pulls the both of you back into the present moment and you watch Idia slowly rise.

"His heart rate has steadied to 70 BPM," Ortho says. You raise an eyebrow. "That's normal. Idia, can you hear us?"

He takes a long moment to respond.

"This isn't real. I'm sleep-deprived from my last speed run and now I'm hallucinating. There's no way,"

You look between the two brothers. This hasn't exactly gotten off to a stellar start.

"Your vitals are normal, although you're lacking Vitamin C. Might I suggest having a fruit cup while we talk?" Ortho asks. Idia shakes his head. "Yuu? Snack?"

"I could go for something,"

Ortho hovers out of the room, leaving the two of you alone. You're too nervous (or is he too nervous?) to ask to sit, so you stand over him while he practically rocks back and forth. His face is so red and hot with embarrassment you could cook an egg on it.

"Um..."

He mumbles back. "Just pretend I'm not here. IK you probably wanted one of those epic SSR students to pull you, I don't blame you for being disappointed,"

He talks so fast and quiet it's hard to make out what he's saying... but you get the gist of it.

"Hey, don't put words in my mouth. This is a hell of a lot better than it could have been,"

He seems to genuinely consider your words for a moment before you're interrupted by Ortho coming back with snacks.

Idia is back on high alert the second he's returned. "This doesn't make sense. I got into Crowley's online bank info and saw all the bids, I wasn't even close to the top five. How?"

"Oh, easy!" Ortho chirps. "I simply rewired funds from Crowley's bank account to up your offer!"

"You... took money out of his account and sent it back to him?"

"Clever," you murmur.

Idia grumbles. "I guess that's not technically stealing... fine. But why? I thought I told you not to bother!"

"My user intel indicates that the prefect is very popular amongst the student body. Their top three descriptors are helpful, kind, and friendly! I thought you two might be able to practice your social skills together... Perhaps you could show them around the dorm as a starting point?"

You turn around to look at Idia, who's sheet-white. Nonetheless... he sighs and stands, muttering a quick "Let's get this over with,"

You watch, as still as stone, as he stops in the doorway and turns to look at you from over his shoulder, his face and hair a pleasant shade of pink.

"Well? Are you coming?"

Lilia's Ending

"And our winner... is... hm. I don't even remember seeing this one in the pile," Crowley grumbles, scratching his head under his hat. "Um, Lilia Vanrouge!"

Silver is the first to look at him. "Fa-Lilia, I thought we talked about this,"

Lilia, currently hovering in the shade of one of the courtyard's signature apple trees, simply shrugs. As if it were the most normal thing in the world.

"Oh, we did. I really thought about what you said, about the prefect's freedom, and I decided that you're right! But how could I guarantee their safety from everyone else?"

Silver groans (which turns into a yawn) and Lilia puts on his best cute look as everyone else in the audience turns to him.

Crowley clears his throat. "The prefect will be ready for your-"

"Oh, no need! Thank you, though," he says, and then disappears into the building.

---

You've been distracting yourself by counting cobwebs for far too long, as evident by your headache and the taste of dust on your tongue.

You turn to look at Grim. "Should be over by now. I'm surprised I haven't heard anything yet,"

"Surprised, you say?"

No matter how many times he does that, you're never quite prepared.

You jump, nearly hitting your head against the table you'd been taking refuge under. Grim yowls, clawing into your sleeve (and just barely missing the tender flesh on your arm, thank goodness), and you both stare at the fae ahead of you.

Lilia is sitting on the table, hanging his head upside down and staring right at you. Grim mumbles.

"Don't even tell me. I'm out!"

Lilia waves him goodbye as he makes a swift exit, and then turns back to you.

"I have a secret. Wanna guess?"

You're a little curious (aren't you always when it comes to him?) but that isn't enough to overpower your rising dread.

"No,"

"Aw. Really? I'm sure you'll like it,"

"Definitely not, then,"

He slinks off the table and lies on the floor, cupping his face in his palms and kicking his legs back and forth.

It would be amusing if you weren't so sure of what he's about to say.

"Well, despite your best efforts, I'm not surprised at all. But Malleus couldn't even come here to get me himself?" you sigh.

Lilia tilts his head to the side. "Now, why would he do that?"

There's something written within the margins of his tone that makes your eyes lower at him. Something he's keeping from you.

"...Well... he did win, didn't he?"

"Oh, my. You were hoping for Malleus to win? Now I'm sure we both feel silly,"

You raise an eyebrow. "Hoping is... a strong word. But I was expecting it, yes. So he didn't win?"

"No, dear, Malleus is not the winner,"

"Then... who is?"

Lilia gives you a sweet, self-satisfied grin, his fangs glinting. "You're looking at him,"

Ah.

If there's one thing Lilia Vanrouge is good at, it's surprising you. No matter how stoic you act, no matter how clever you are, he always manages to catch you off guard.

This might take the cake, though.

"I didn't even know-"

"No. Initially, I wasn't going to. But Silver and I... we had a long talk about valuing your freedom and independence, and thus I so valiantly threw myself into the flames to save you from becoming someone's slave," he pauses to smile. "Chivalrous, yes?"

"...Charming," you mutter. "But what was that thing about-"

"Oh, yes. Don't worry, you'll be treated as any other student at Diasomnia. In fact, I'm sure we already have some uniforms in your size!"

"This is... quite the turn of events,"

"Ah, isn't it? I haven't felt this elated in... well... a long time," he grins. "Come along, now. I plan on treating you to a hearty welcome dinner!"

You can only grimace at that.

Malleus' Ending

During all of the confusion, the fighting, the rumors that shook the school, no one, again, had remembered to invite Malleus Draconia to the announcement.

Not that it mattered. Not this time.

One knock at Ramshackle's creaky door and you were suddenly in the depths of the forest around the school, admiring a crumbled stone structure.

"What was it?" you ask, turning to your walking companion.

Malleus smiles slightly. "I believe it was a wall. Fascinating, no? Since you have inhabited Ramshackle, I come here when I want to be alone,"

Ah, right. You'd almost forgotten that you'd made a home out of his ruins of preference.

Ramshackle was in a much better state than this, though. At least you had four walls and a roof over your head.

"Are you alone a lot these days?" you ask, rather absent-mindedly for such a heavy topic.

You're well aware of the answer already. No, of course not. Malleus is constantly surrounded, whether that be his friends, personal guard, mentors...

"Yes,"

Oh.

"I'm... sorry to hear that," it's all you can think to say.

Fae don't seem to know the conventions of human small talk. Or maybe that's just him. Not that you mind. "What about Silver, and Sebek, and Lilia...?"

"Fine companions," he crosses his arms. "I owe them a debt of gratitude. But being physically surrounded does not amount to closeness."

Oddly profound.

You can't help but relate, thinking back to everyone you know. Even with good intentions, they're still out there, bartering over your life.

"I'm glad you came and got me," you say, breaking the tense silence. "I was afraid you'd gone to that... announcement thing."

He raises an eyebrow. "The what?"

"...Never mind. I guess my point was that I've been feeling a little lonely lately, myself,"

Malleus is quiet for a moment, staring directly ahead at the mess of stones and moss that once made up a sturdy wall. Now crumbled, scattered across the ground.

And the, he smiles.

"Well, there is a solution to this trouble of ours. But I'd need your consent,"

What exactly is he getting at? You raise an eyebrow. "Go on,"

"I've been so preoccupied with the formalities that I haven't had the chance to ask you properly, yet. Lilia suggested I might have more success this way,"

He pauses, and then smiles. "I would like us to marry. Does this agree with you?"

You thought you might be stunned. Speechless, even. But the answer comes so naturally.

"Yes, it does,"

[propertyofwicked]

STARE - LN

based on this request ✧ my inbox is open for requests (or if u just want a chat!) ✧

warnings - smut! MDNI!! unprotected, praising, sorta soft!dom, co-workers to lovers??? not proof read

masterlist the playlist

the energy of the mclaren garage was palpable, with engineers and mechanics scurrying around, ensuring everything was perfect for race day. y/n had been working with mclaren for a couple of years now, her role integral to the smooth running of race weekends. but today, something was different.

in honouring the master of monaco, ayrton senna, the two drivers had been given race suits that showed tribute. yellow and green suits that screamed heritage, elegance, and - in y/n’s opinion - undeniable charisma. both drivers looked good, they always did, but every time y/n caught a glimpse of lando, time seemed to slow. he looked every bit the part, embodying the spirit of senna effortlessly.

she couldn’t help but stare, her eyes seemingly glued to his form as he interacted with the team, each glance lingering a little too long. maybe he caught her a few times, heat rising her cheeks every time she quickly averted her eyes. maybe he hadn’t even noticed her, though had she not been so eager to hide her face, she would’ve seen the way he smirked to himself.

lando felt smug.

the race was typical for monaco, aside from the first-lap crash. oscar finishing P2 was significant for the team and for him, marking his best finish of the season so far. after the chequered flag waved and the celebrations began, y/n tried to busy herself with post-race duties, wrapping up some paperwork in hospitality whilst the rest of the team fulfilled media duties and packing away equipment.

or at least she tried. the room seemed to be filled with tv screens, all displaying lando’s post race interviews, hand on his hip, sweaty curls and a boyish grin. y/n was distracted, trying to avoid looking at the screens for too long, but she couldn’t help but let her mind wander at the sight of his black fireproofs clinging tightly to his frame - she was just a girl, after all.

“so,” lando began, smirking as his eyes sparkled with mischief, “you think i look good in the senna suit, huh?”

her heart skipped a beat, and her whole body jumped, not expecting lando to be stood directly behind her, his hands resting on the back of her chair.

“what? no! i-i mean, yes, but –” she stammered, “paperwork,” she added, unable to form any sort of coherent sentence. he chuckled teasingly, though his smirk grew more smug as he noticed her cheeks going red and her hand shooting up to play with her necklace.

“i saw you looking at me. a lot. couldn’t help but notice.”

“i wasn’t – i mean, i was just –” y/n stuttered, trying to regain some composure as he leant down, using the chair to support him as his head dropped to rest closer to hers. she refused to make eye contact.

“it’s okay, you know. i’m flattered,” he muttered, glancing around to ensure no one was in earshot before continuing, “but if you keep looking at me like that, i might start to think you’re more interested in what’s under the suit.”

“lando, i...” she choked out, finally turning her head to face him. he was grinning, his mouth curling into that cocky, confident grin that she had seen too many times - but this time it was directed at her, and y/n was enthralled.

“how about we discuss this further in my driver’s room? less chance of interruptions,” lando told her, his tone leaving no room for an argument, though it wasn’t as if she was going to refuse. his eyes flicked around the room once more, before grabbing her wrist to tug her along behind him. once inside the room, he closed the door behind them, the small space suddenly feeling much more intimate.

“so,” he said again, turning to face y/n, “you think i look good, huh?”

“yes, i do. very good,” she told him, suddenly deciding to put on a brave face. his smirk softened into a genuine smile.

“good to know. because i think you look pretty good too,” lando replied, stepping closer, his hand reaching up to gently tuck a strand of hair behind her ear, “especially in that skirt you wore a few weeks ago.”

she looked at him puzzled for a moment, she knew exactly which skirt he meant, but how did he? how had he noticed her enough to remember what she was wearing?

“how did yo-”

“at least when i stare at you, i don’t make it obvious angel,” lando grinned, before dropping his head to press a kiss to her lips quickly, almost hesitantly at first. she kissed him back quickly, her arms wrapping around his neck as his hand moved to cup her jaw, the other settling on her waist. his hand pushed her head back, allowing him better access as he deepened the kiss, all whilst moving the two of them towards the sofa.

“it wasn’t that obvious,” she retorted in defence, pulling away from his lips quickly to catch her breath.

“it was,” lando replied, shifting the two of them so that he fell comfortably on the sofa, her landing on his lap, “even oscar noticed.”

“shut up?” she replied, tucking her face into his neck to hide her embarrassment, but trailing kisses down his skin.

“make me?” he replied, matching her tone as she nipped at his skin lightly, “good thing i’ve finished media for the day, isn’t it?”

“sorry - i didn’t mean t-” she started, pulling back to look at the red mark forming on his neck, but found herself interrupted by the shake of his head.

“i’d say do it again, but we have…20 minutes until everyone needs to leave,” lando told her reassuringly, his fingers gripping at her hips as his fingers rubbed harsh circles into her skin. her grips rolled into his, as if instinctually, whilst he moved back to kiss her, harsher than before.

“as much as you like this suit, it’s about time i take it off - don’t you think?” he asked, watching as she nodded quickly, her hands moving to the zipper. her hips rose momentarily to help him strip down, a pile of his clothes forming on the floor next to the two until he was left in just his boxers, her in equally as little clothing.

“lace?” lando asked, smiling up at her, his fingers trailing the hem of her underwear teasingly, “id ask if this was for me but there’s no way you could’ve seen this coming.”

“no, id say you were right,” she shrugged, her hand moving to grip his cock through the fabric, “i like to come prepared.”

“and ‘come you will,” he joked, which she couldn’t help but smile at despite the intimacy.

lando pushed a rugged finger past her panties, moving the fabric aside as two fingers slid through her folds, circling her clit a few times. he looked at her face, watching how she reacted to him. her mouth had opened slightly, already feeling pleasure from the anticipation, but it widened as the two fingers pushed into her, stretching her out around him. her hand was still working up and down his clothed length, thumb finding his tip as his precum leaked through the fabric of his boxers.

“did you say 20 minutes?” y/n suddenly asked him, her eyes widening at the realisation.

“i did,” he nodded, stuttering slightly as her hand pulled at his waistband.

“have we got time?”

“from the way you’re working yourself on my fingers, id say we have time to finish this, get dressed and be back at mine with 5 minutes to spare,” he exaggerated slightly, though continued twisting his fingers into her, engulfed in the way she rolled her hips into him as her walls tightened around him.

though lando didn’t give her time to get embarrassed about how quickly she was coming undone for him, before his fingers moved away from her. she whined slowly at the loss of contact, but lando ignored her, moving to take his fingers in his mouth, tasting her on his tongue.

“so good,” he muttered. he grabbed her face harshly, kissing her again so that y/n could taste herself, his hips lifting from the sofa to free himself completely. her hand resumed it’s ministrations, thumb resuming a circling motion on his tip. lando found himself distracted the moment her fingers dragged precum down his cock, following the patterns of veins that spread across his length.

“fuck,” he mumbled, the two of them trying to stay quiet as footsteps could be heard from outside his door, “need you now.”

y/n raised herself up on her knees quickly, lando’s hand on her waist guiding her towards him. his free hand gripped at the base of his cock, tracing it through her folds quickly and lining up with her entrance. the hand on her waist pushed her down slowly, helping to lower herself on him.

“big,” she whined, unable to form a full sentence, her head dropping to rest on lando’s shoulder as she sunk down further.

“thanks,” he laughed out, though the action made his body move causing y/n to slip, taking the rest of his length in all at once.

“fuck,” y/n mewled, nipping at the flesh of lando’s shoulder quickly to distract her from the stretch.

“you’re fine, you’re ok,” he reassured her, his voice soft despite him fighting the urge to thrust up into her.

she nodded into him quickly as her hips began to roll into him, feeling the way his length filled her. small grunts and incoherent mumbles from lando urged her to move more, so she raised her hips slowly before dropping back down over and over again until she settled on a good pace. lando’s fingers dug into her hip, barely guiding her movement whilst his fingers left bruises in his wake.

“wanna see you,” he told her, a hand pushing her shoulder back to look at her face. the new position awoke something in her, the angle sending her into overdrive as she used him to get herself off.

“and these…” lando added, moving to grip her breast in one hand, neck straining to take the other in his mouth.

“fuck, lan- fuck,” y/n uttered, feeling the way his tongue flicked at her nipple quickly before moving to nip and suck at the surrounding flesh. her chest was littered in red marks, sure to form into a constellation of bruises that would adorn her skin for weeks.

“taking me so good baby,” he told her, feeling the slowing of her pace with her legs growing tired, “you need me to help?”

she looked at him intently, before nodding. lando’s eyelids were half closed, but she could still see the way his pupils were blown with lust - he groaned deeply as she came to a stop, returning to rolling her hips into him instead.

“need to hear you say it,” lando insisted, his fingers trailing circular patterns up her thighs before settling on her clit. he felt her tense around him, the rolling of her hips coating his length in her slick as shoots of icy pleasure seemed to move directly from his fingertips to her brain.

“please, lando.”

“please what? what do you need, baby?” he teased, his own hips beginning to slowly jut up into her.

“need you t-to take over,” y/n stammered, gripping at lando’s shoulders tightly, “please.”

as much as he wanted to hear her beg, the way she had whimpered the word please was enough for him to pull her into a tight embrace, her legs anchoring around his back before he started thrusting himself into her at a brutal pace. oh how she prayed no one was stood nearby at this very moment, as all they would hear was the distant sound of skin slapping against each other, slightly muffled by the two of them panting.

“so responsive,” lando praised her, slowing slightly to sneak a hand between the two of them, fingers finding her clit once more, “fit me so well. like you were made f’me,” he grunted.

y/n’s mind had gone blank as lando mindlessly praised her, he himself unable to think about anything else.

“you gonna cum f’me?” he cooed, feeling the way she began to claw at his back, raking her nails into his skin and she grinded her hips into him, matching his pace.

“mhm,” she muttered out, her lips returning to his in a heat kiss - the type of kiss that overall had too much tongue and too much teeth but fit the haste of the moment so perfectly.

“go on then,” he prompted, “show me how good i make you feel.”

y/n didn’t respond verbally, she couldn’t. no, instead she came hard and fast, letting lando grip at her hips to hold her down harshly so that his length stayed deep inside of her.

“fuck me,” she panted out, though tried to keep the rolling motions of her hips to bring lando to his own finish.

“so good to me,” he grunted, taking in the sight in front of him, “you feel so good,” he added, barely able to utter another word before he was pulling her off him, ropes of cum shooting onto his stomach as she hovered over him.

“you didn’t have to do that,” she told him after a few moments of silence with lando catching his breath, “im on the pill anyway.”

“i didn’t think,” he told her, laughing lightly as she clambered off his lap, searching for her clothes, “now i know for next time.”

“next time?”

“yes, next time,” he doubled down, “trust me, ive wanted this for months. and now i’ve had you, i don’t think i want anyone else.”

heat rose to her cheeks again - she’d hoped this wasn’t a one time thing, but she was now blushing at the thought of it being a regular occurrence.

“tonight?” she asked him, cautiously.

“eager?” he teased.

“sorry i-” y/n started to apologise, stuttering slightly in her nervousness.

“y/n - tonight, tomorrow night, next week. my schedule is clear, for you.”

[saltpepperbeard]

Be a Lighthouse - Fight For OFMD Season 3

Hi everyone. The news of our cancellation is both incredibly devastating, and quite shocking considering the trajectory of the show and its fanbase. Everything looked like it was lining up in a positive fashion...only for the rug to get yanked out from under us.

I cried. I went numb. I stared at the wall for a while.

But then, something sparked. Like Ed who was resolved to his fate in S1Ep4 only to rocket back upwards, I was struck with a realization: we need to be a lighthouse!

Fanbases have campaigned before, and have gotten results. Sense8 was able to get a two hour finale to properly wrap everything up. Lucifer was able to get picked up by Netflix after being cancelled by Fox. Brooklyn 99 was able to get picked up by NBC after being cancelled by Fox. And many more examples.

Be it a proper renewal, a finale wrap that entails Ed and Stede's wedding, or the attention from another network, I say we fight that good fight. So, here are some ways we can be heard; if you think of any additional points, please feel free to add them!

If you don't cancel your Max Subscription, continue watching the show and leaving feedback on Max's online feedback form. I had a kneejerk reaction when cancellation was announced and pulled the plug...only to sit back and reconsider. I want them to still get my metrics. I want them to still see the show means something to me. And whether that's through words or statistics, I feel like that's something.

2. Follow @renewasacrew and keep up with their resources/campaigns. They're very active and passionate, and have already come up with different ways to fight for our show.

3. Sign the petition to give us just that little bit more of a chance to have our voices heard.

4. Stay active on social media, and stay positive. Continue sharing how much this show means to us. Continue creating. Continue loving. Use hashtags like-

#RenewAsACrew

#SaveOFMD

#RenewOFMD

#BeALighthouse

#OFMDSeason3

or anything equivalent on any and all OFMD-related posts. Keep the buzz about it going on social media. Comment on posts, keep spreading the word, and get the light burning.

5. Renewasacrew has given us another outlet; an official HBO email address. Write an email detailing your personal experience with this show, and how significant a third season would be.

6. Tweet/email other platforms to pique their interest. Be it Amazon Prime, Hulu, Netflix, or whoever else, let's see if we can't catch someone else's attention. A romcom with iconic LGBT representation seems pretty enticing if you ask me!

This show means the world to me. Y'all mean the world to me. So let's show them why. Let's show them why, and get the proper ending we, the cast and crew, and the characters all deserve.

[luxaofhesperides]

Can I please have meet cute/weird with mistaken villain! Danny (but really just a engineer and or chem student) and the one being put on investigation cause Danny is a day villain(not really)! Duke

Technically, Danny Fenton is innocent. Technically. 

Duke wants to give him the benefit of the doubt, especially since he’s having so much trouble finding solid evidence that Danny is stealing from a wide variety of people, but he’s been burned before by trying to see people as better than they were. It doesn’t change the fact that Oracle’s cameras keep spotting Danny right before a building on the street is broken into and something stolen. He’s always just walking down the sidewalk; no one has spotted him entering or exiting a building, but he’s around far too often to be unconnected to these burglaries. 

It doesn’t help that strange, petty crimes have been on the rise since Danny first arrived in Gotham. 

So.

Danny Fenton is technically innocent.

Duke is trying to prove that he’s not. 

Maybe I’m looking too closely, he thinks, going over Danny’s sparse file in the Hatch. Maybe Danny’s only one person in a bigger operation.

He could just be the lookout, the runner, the information gatherer who marks which buildings to hit. He may even be the scapegoat, the sacrificial lamb; Danny has no support in Gotham, no family, no job. There would be no one to help him if he got arrested or injured in a fight. He’s a freshman college student from Illinois who should be unprepared for life in Gotham but is somehow managing to survive like a native. 

There’s a lot about Danny that doesn’t add up. 

Duke has seen plenty of different people since he first went out as the Signal. He’s tried to be kind and give people the benefit of the doubt, but it leads to his loved ones being put in danger. Some people are truly evil, some working on a malicious agenda, some are misguided in their beliefs, and some are desperate people who see no other way to move forward.

He’s not sure yet which on Danny is, but he’s hoping Danny is just desperate and needs a little help to get out of a life of crime.

Which leads to the next problem: Duke has no idea what Danny is steal, or why. He hits both rich and poor folks, civilians and members of the mob, and once, notably, stole something right out of Cobblepot’s office. Allegedly, at least, since no one saw him enter or exit the office, not even the security cameras. 

But added to the whispers going around about a new group in Gotham snatching people up from the streets, and some strange green substances found in warehouses often raided by police for the frequent drug labs that pop up in them… 

It doesn’t look good for Danny. Especially when a few of the items he stole were found where people either vanished or where that green substance has been found.

A week of analysis in the Batcave and they still don’t know what it is. 

Both Damian and Jason suspected Lazarus water, but the composition was completely different. By the look of the molecular structure, it shouldn’t have been in a liquid form at all. 

All these findings lead back to one person who may have answers: Danny Fenton.

According to Tim, who’s already broken into Danny’s dorm room and checked over all the labs he has classes in, Danny has some concerning items in his possession. Various inventions and little metal knick-knacks put together by a practiced hand. He was also the one to find all the information that went into Danny’s file when it was first being made: social media posts, school report cards, news articles about his parents… everything. 

And then he had an emergency mission to take with the Titans that swept him out of Gotham leaving Duke to tackle this investigation on his own. 

He doesn’t have Tim’s natural skill in stalking and invading privacy. He hates breaking into people’s spaces and following them around, but needs must and he has to force himself to work through the discomfort. 

It’s a good thing he did, too. Danny’s leaving his dorm after his last afternoon class, hood up to hide his face and something held in the front pocket of his hoodie. He ducks around people on the sidewalk easily, almost as if he’s gliding through the crowd instead of walking. 

Duke follows from above, bending the light around him to hide him from sight. 

He walks for some time, weaving through alleys and streets as if he’s been in Gotham his whole life, leaving behind the university campus to head towards Otisberg. There’s something strange about the way Danny walks, as if he’s moving around people who aren’t there, guided by something Duke can’t hear. Even using his meta abilities doesn’t do much beyond show him where Danny’s going to be in the next few seconds. 

He continues to follow Danny on the rooftops, walking along the edge to keep him in sight. 

Then Danny stops behind an apartment building and tilts his head back to look up at it. He tilts his head to the side, then nods and looks around the empty alley. Duke crouches down, keeping his eyes on Danny in the hopes of catching him in the act—

Danny disappears.

Duke curses under his breath and jumps down from the roof, putting more strength into his abilities as soon as his feet touch the ground. 

The space where Danny was has a faint outline, oddly enough. He’s never seen that before. From it is a semi-transparent trail, smoke-like and a pale green leading into the building. It goes straight into a wall, as if Danny walked through it.

He can’t go in and search the entire apartment, but he can grapple up and take a look into the hallways to see where Danny’s heading. If he was looking up, then that’s where he should be heading. 

It doesn’t take any effort to scale the building. There are ledges and windowsills and plenty of handholds for him to propel himself off of, and paired with his powers, Duke is able to find the correct floor in just under two minutes. 

The green smoke slowly dances through the air of the ninth floor, on the east side of the building. If he’s been counting the rooms correctly, then the target of tonight’s burglary has to be apartment 924. 

The curtains are drawn on the window he makes his way over to, and his abilities don’t show him anything helpful for the immediate future. He hates going in blind, especially to a civilian’s home, but capturing Danny takes priority. Duke picks the lock and slides the window up slowly, making sure it stays quiet, then slips into an empty bedroom. 

He makes his way out into the hallway on silent feet, keeping a wary eye on the thin smoke strands of green, curling along the walls. The rest of the apartment is empty as well, pale sunlight slanting across the floor through the blinds. 

Everything is still and silent. Danny’s nowhere to be found. 

Did he miss Danny leaving, somehow? Was this a misdirect to get him out of the way while Danny stole from another location? Did he know Duke was following him?

But no, his ears pick up on the faint sound of clothes rustling. 

Cautiously, Duke turns towards the front door, where the door to the coat closet is open. He focuses on what’s going to happen in the next twenty seconds and sees Danny panic, then disappear from sight again, but a transparent outline of his body is visible just enough to show him where he runs to. Best not to spook him; Duke pulls at the light around him and bends it to hide him from sight.

Then he moves along the wall, getting around the open door without bumping into anyone or anything. 

A figure in front of the coats, shoving them to the side roughly, flickers in and out of view, almost like a reflection in water, distorted by ripples on the surface. 

Danny pops back into visibility suddenly, scowling at the coats. “Are you sure it’s in here?” he asks the empty air. 

There is no answer, but Danny acts like there is. He rolls his eyes and says, “It’s a favor. That I’m doing for you. I can literally stop right now and you wouldn’t be able to stop me.” He shoves aside another heavy winter coat, then sighs. “Why don’t you look for it, and then tell me where it is.”

He steps back and bumps into Duke.

Danny whirls around, eyes wide, and blast of green light has Duke crashing back into the wall, trying to blink spots out of his eyes. 

“Wait!” he yells, grabbing for Danny before he can run off. “I just wanna talk!”

“Standing right behind me like a serial killer does not make you look like someone who wants to talk!” Danny yells back, slipping through his hands like mist. 

“I just have a few questions!”

“Well, I have a question: why?!”

“Will you hold still, we’re being too loud!”

Danny escapes to the other side of the apartment, next to a window looking fully prepared to fling himself out of it. But he does stop yelling, so Duke is counting it as a success.

“Why is the Signal coming after me?” Danny asks, glaring at him suspiciously.

“Dude,” Duke says, “You’ve been seen outside of every single building that’s had a burglary since you first arrived in Gotham. All the Bats are after you, they just sent me because I’m the only one active during the day.”

“All the Bats?” Danny repeats, losing what little color he had in his face.

He looks legitimately scared, pale enough to be concerning, and Duke drops his guard and tries to relax the tension in the apartment. “I’m not gonna turn you into the cops or anything. I just had questions and you seem like the most likely person to have answers. That’s it.”

Danny still looks wary, ready to run at a moment’s notice, but he doesn’t leave when Duke approached casually, leaning his weight against the couch. 

“So,” he begins, “What’s the deal with all the thievery? It’s rarely something super rare or expensive.”

There’s a long few minutes where Danny doesn’t answer, looking anywhere but at Duke. Then he twitches a bit and glares off to the side, and says, “I taking items that are contaminated with ectoplasm to help ghosts move through the veil and leave Gotham.”

That tells him nothing! That just gives Duke more questions! But at least it’s an answer, the first one any of them have got.

“I think you’re gonna have to explain a little more.”

“Ghosts are real, alright?”

“Yes.”

Danny stops. Squints at him. “What do you mean, ‘yes’?”

“Ghosts are real,” Duke repeats, “There are a few who help heroes or are heroes themselves, but that’s more on the magic side of things so I’m not super familiar with it.”

“Magic,” Danny says slowly. “Sure, alright. Um. Yes, ghosts are real. And there are a ton in Gotham who need help moving on, but they’re too weak to get past the veil. Something about Gotham has made the veil super strong, so they need a little boost to get through. Additional ectoplasm bonded helps with that.”

“And that’s why you’re stealing random things?”

“The ghosts I help can kind of sense ectoplasm-infused things, but they need me to grab them since they can’t hold anything without a physical body.”

Duke nods slowly. “Okay, that’s starting to answer some things. We have found those objects in the last places missing people were seen. Any idea what’s going on with that?”

“Yeah, those people were already dead.”

The way Danny says the most concerning answers as if they’re nothing is really throwing Duke off his game. He was expecting to be calm and serious to keep Danny from freaking out too much and look like a legitimate hero. But as soon as Danny started talking, all his nerves fell away and Duke is left grasping for composure. 

“They were…”

“They were ghosts, yeah. And they needed to get through the veil. But they were also able to possess their own bodies and didn’t realize they were dead until I had to break the news to them, which is why it looks like living people just up and disappeared.”

“Okay… What about the green stuff we’ve been finding?”

“Ectoplasm.” Danny holds up a hand and a neon green light surrounds it. Except it looks more solid than light, as if it can be touched, and it moves on its own like fire around Danny’s fingers. “It’s what ghosts are made of.”

Oh. If Danny has ectoplasm, does that mean…

“Are you dead?” Duke asks, heart dropping. 

Instead of looking upset about the question, or even disturbed by it, Danny just shrugs and waves his hand back and forth. “A little.”

“Okay, so let me get this straight,” Duke says, trying to resist the urge to rub his temples. It’s a habit he didn’t mean to pick up from Batman, and it would just look silly with his helmet in the way. “You’re just doing all this to help ghosts?”

“Yeah. Basically. They asked for help man, of course I was going to help them.”

Danny’s a good person. He’s just a good person to ghosts. But this is good news either way, and he can let the others know that Danny isn’t the next Catwoman and is entirely unconnected from any drug production. Everything that made him look like a criminal is just the fault of ghosts. 

“Speaking of,” Danny continues, “Looks like they found what they need, so I’m going to grab that real quick.” He pushes off of the wall and heads for the closet again, moving past Duke without any fear. Duke follows, keeping a few feet of distance between them so Danny doesn’t feel trapped, and watches as he shoves aside the coats again and pulls a shoebox out of the depths of the closet. From it, he takes a single intricate lace headband and holds it up.

It looks normal, if a little old, but when Danny sends ectoplasm through it, the lace lights up and holds the glow. 

He pulls some strange contraption out of his pocket and holds it up to the headband. It makes a few beeps, then Danny mutters, “7.4 millisieverts. That’s enough to get you through the veil.”

Another concern Duke can let go of: Danny’s not creating weapons like his parents have, he’s just measuring ectoplasm through his own inventions. 

Maybe he could talk to Bruce or Tim about getting Danny an internship at the R&D lab in Wayne Enterprises? That way they could keep a closer eye on him while seeing what he can create in some of the best laboratories in the country.

Well, it might take having them meet Danny before they trust him enough for that, but Duke is sure he can make it happen. 

“I better go see this through, then,” Danny says, shoving the contraption back into his hoodie pocket. He gives Duke a small awkward wave, then pops out of visibility. “I’ll see you around, I guess?” he disembodied voice hedges, and Duke smiles.

“I’m sure I’ll be able to find you again.”

“Cool. I gonna go now!” 

He doesn’t see any sign that Danny’s left, but he gets a feeling that he’s alone now, the apartment suddenly emptier than it was before. 

As strange and concerning as Danny and all his bizarre actions were, Duke is glad he was able to finally talk to him and get some answers. Knowing how Gotham pulls people him in, it’s only a matter of time before the other Bats are exposed to Danny’s kind of strange. He’s already looking forward to it. 

For now, though, he has a file to update in the Hatch; POTENTIAL THREAT will be removed and replaced with GHOST HELPER. 

If anyone goes snooping into his files and gets confused, then that’s their problem. Duke’s explained enough. And Danny can take care of the rest, once they go through the effort of tracking him down. Duke's done his part, he's ready for the rest of them to step up to his level.

He can’t wait to see what other kind of trouble Danny can get it into.

[astonmartingf]

CHASE ; MV1

max verstappen x streamer!reader

. . . you find yourself in a predicament between max's request and your conscience, so you ask charles for help in your game of chase with max verstappen

amgf mention of dnf and written portion in at the end. i am capitalizing on the ausgp, which is the same for wyh hahaha

previous: what if we met?

next: call me max verstappen

This was the first race you watched live in a long time. Charles tried to invite you multiple times, the last time you watched was during his debut back in 2018.

You could barely remember the difference then and now, sitting in the Ferrari garage with other members of the team you situate yourself in the corner, not really knowing what to do.

It was more chaotic than you remember, seeing Max especially going to the pit lane, his wheel burning, leaving a trail of smoke for every garage to see. It alarmed you a little bit, but hearing his voice through the radio, calmed you down.

You meet his gaze as he walks by the Ferrari garage, probably on the way back to their motorhome, or the media pen. Charles gave you a tour of the track at the start of the weekend, but you still find yourself getting lost in the middle of Albert Park.

You flash him a small smile, followed by a wave which he returned. He must be not in the mood to talk, knowing the situation that happened, it caused them the gap to tighten between drivers.

As Charles' friend it definitely filled you with hope knowing that he might have a chance to pull some points to get ahead of the championship ranks.

But as someone who recently knew more about Max, it was definitely an unfortunate moment for him. You watch the screen as they interview Max regarding what happened with his car.

You stare at the screen, fully realizing then that this is the first time you two met outside the shared video games you played together.

As much as you tried to keep your cool alongside Charles' insistent teasing, you admit that you're nervous forming a conversation with him.

Just like after the second practice session, they planned to eat dinner together. Obviously you came with Charles, but what you didn't expect was for Max to be there as well. And safe to say it wasn't the same as your conversations online.

You remember Charles recalling your conversation with him word for word the whole night, teasing your awkwardness.

And in his words, he thinks, "it's cute that you're both awkward together, like two little nerds catching feelings for each other"

How appalling. And the day before the race when you bumped into Max, who happily helped you on your way back to the Ferrari motorhome. Which led to even more incessant teasing from Charles, you don't understand how Max keeps his cool whenever Charles keeps making fun not just of you but of him as well.

Maybe he's more used to Charles, they did race each other for a long time. But that's a story for another time, it's the first time you saw both of them and it seems like the fans are right when they say they sense chemistry between those two.

Your phone pings, receiving a message from Max.

Max the Builder: You want to go out on a little walk for a while?

YN: Where are you?

Max the Builder: I'll meet you at the back of the Ferrari garage.

You look around, everyone's eyes are glued to the screen watching Carlos and Charles closely. Glancing back and forth to the screens on the garage and your phone, you make your way behind the exit, where Max stood waiting for you.

"Have you been waiting for a while?" You watch Max jump, catching him off guard as he whips his head in your direction.

"I just got out of interviews, I'm free for the rest of the race. Want to spend it with me?" There he goes again asking you those questions, you know he speaks out of malice, but his genuine expression makes it hard to say no to him.

Before you could reply, you feel that Max has sensed your hesitance, thinking where he got things wrong again, immediately cutting off your reply. "But if you want to watch Charles we can do that as well. Or you just don't want to hang out with me?"

A soft gasp left your lips, quickly shaking your head left and right, "Max, you know that's not true. But I guess you could say I was avoiding you for the last day..."

Max tilts his head before nodding slowly, trying to hide the evident disappointment in his face, "So that wasn't me just overthinking it... You were purposefully avoiding me?"

"Not like that Max, I guess I was just overthinking as well. We've only talked online until now. I guess I got intimidated seeing you in real life, because we're not on Minecraft? Maybe I just got used to that, hence I kept avoiding you."

Max thinks in silence before raising his finger, "If you're uncomfortable talking at the moment we can play Minecraft and talk there?"

His suggestion catches you off guard, "What? No, we don't have to play Minecraft just to talk silly. That is a good idea Max, but I think we just need more conversations outside discord. My name is YN LN, nice to meet you." Extending your hand in front of him, which he happily shook back.

"Hello YN, I am Max Verstappen. I guess now I won't have to chase after you yeah?"

You laugh, shaking your head disagreeing, "You can't just tease me immediately Max, then I'll have to run away again."

Max shrugs putting his hands in his pocket, feeling more comfortable and finding the flow in your conversations, just like you did back on Discord.

"Well, run all you want, I'll have to let you know— I'm known for being fast."

You nod your head playing along, it's seems like the grooves have connected, like gears shifting in connection. "Well, your engine seems to disagree."

You watch Max' face freeze, "Too early?" your thoughts buzz around, thinking how you messed up the conversation in less than a minute.

A record breaking time.

But your worries halt hearing the sound of Max' laughing at your statement. "That's a good one YN, you're catching up quick."

This time it was your turn to shrug your shoulders, "What can I say, I learned from the best." bumping your shoulders into him.

You walk with Max as the race comes to a close, feeling confident and content as your friendship with him grows.

amgf i think there's one final chapter, the twitch stream hahahaha max is getting desperate but i would too

amgf ★ superstars: @namgification @lpab @the-untamed-soul @xjval

[bizbat]

When They're In Love HCS - Jason Todd

~ Fem terms used for reader

~ Partially based on these headcanons

🕸️Spiderverse Masterlist🕸️

🐼JJK Masterlist🐼

~ You can find part two here, and part three here.

~ You can find more of my works here

Jason Todd seems like the type to fall hard and fast. He might not admit it for a while, but he's been developing feelings for you from at least the second or third time you met.

He's the type to call you "Wifey" or "The Missus" even when you aren't married and regardless of whether or not you to plan to.

He absolutely keeps a picture or two of you in his wallet, and no, he doesn't think it's cheesy in the slightest.

He's the type to lay on you. Your chest, your tummy, even your butt if you're laying on your stomach, your size and weight is irrelevant.

You'll be minding your own business, laying down and reading a book or playing on your phone, and he'll come out of nowhere and drop all 230+ lbs of muscle on your smaller body.

If you wheeze and try to crawl out from under him, try to push his giant hulking form off of you, he'll just wrap his arms around you and tell you he's tired, and just needs a few minutes of sleep.

Doesn't actually spend as much time reading as he would like to, but if you enjoy reading he'll always find time to do it with you.

If libraries had gold card memberships, he would be the one to have it. He'd rent any and as many books as you want.

Sometimes, he'll go out of his way to find books he thinks you'd like or that you can read together. Sometimes, he'll even give you old books from his personal library if he thinks you'll enjoy them as much as he did

I don't think he's be huge on giving gifts, I see him as more of a quality-time type (but i see almost all of the bats as quality-time types so take that with a grain of salt), but I do think he'd give you lots of tiny gifts all the time.

He'll pick up a quick breakfast for the both of you at the local bodega, he'll get your pet treats, he'll bring over your favorite candy or snack everytime he comes over to your place, etc.

Loves movie nights. Doesn't matter which movie it is, it could be some dumb, low budget nightmare made to babysit kids, or the best piece of visual media ever made by human hands.

He loves being able to talk to you, he loves hearing your opinions, loves hearing your voice. He'll recommend movies to watch just because he knows you'll have a lot to say about them.

I don't think he'd have a big moment where he introduces you to his entire family, I think he'd introduce you slowly, one person at a time.

I think he'd start with Dick or Cass, or Alfred, then so on and so forth. I think Tim and Damian would either be dead last, or have to find out on their own.

The only reason the others were told by Jason straight up is because they have that bare minimum amount of respect to stay out of his business. 💀

If you're a civilian, I don't think he'd want you to have anything to do with the more dangerous side of his life. It's bad enough you're dating him to begin with, he doesn't want to put you at anymore risk.

It's a somewhat different story if you're another vigilante. I still don't think he'd want you involved in his work specifically, but he would at least know you could take care of yourself if it came down to it.

He almost always wakes up before and goes to bed after you.

He likes seeing you when you're asleep, your hair a mess, or your bonnet askew.He thinks you're so cute when you're sleeping.

I don't think he'd take lots of pictures, but i don't think he'd mind if you did.

He might actually enjoy it if you just have a ton of selfies with him.

You are his lockscreen. Whether that was a decision made by you or him is still up for debate.

Doesn't care if you're more masculine or feminine, i think he'd find something to enjoy about both aspects.

Or if you were more androgynous.

He'd for sure call you "My girl".

A list of names I think he'd call you: My girl/wife, Wifey, Angel, Sweet thing, Princess, Baby

I've said it before and I'll say it again, the man LIVES for domesticity.

Even if you aren't married, you guys will act like an old married couple.

He's not my personal fave, but guess I had a lot of thoughts about him lol

[zombie-bait]

Full Moon

Ok so I don’t normally post about Helluva Boss but the newest episode touched on an interesting concept I haven’t necessarily seen represented in media. Back when I was on Twitter (derogatory) a few years ago there was this now deleted viral thread where someone discussed how their struggles with mental health affected their relationship with their partner and I haven’t stopped thinking about it since. 

This is such a good, short example of how anxiety and depression can play tricks on you. It becomes so easy to envision yourself as a nuisance, a constant burden to those closest to you because they cannot possibly genuinely enjoy your company, right? But in doing so you create this arbitrarily cruel version of the people you love, people who would otherwise never behave like this outside of your own mind.

It's mean. Because your mind wants to be mean to you under these circumstances. It wants to put everyone else's emotions and desires above yours, both in worthiness and validity. And that starts bleeding into your understanding of other people, especially those you care about.

Now. Helluva Boss.

"Can I get a fucking MINUTE to think after everything you put me through you pompous rich ASSHOLE? Treat me like one of your little butler imps, you can’t just dismiss me like that! I mean, you royal fucks think you can do this every time, like you can just play with our feelings because we’re smaller and not as important. Well I’m not letting you, BITCH! Let’s go!" - Blitz

I find it really interesting how Helluva Boss decided to approach this conflict between Stolas and Blitz. Obviously, the difference in power matters. It's the underlying tension of their entire relationship and their lives. Stolas is burdened by the mountain of expectations thrust upon him from a very young age while Blitz is constantly reminded that he can NEVER be part of that world, that he is "smaller and not as important" not just in Hell's hierarchy but in his own life and family. Stolas very literally has power over Blitz (through the grimoire, the arrangement, his position in society) and Blitz uses their relationship as an excuse to reverse those roles. But that power dynamic, in one form or another, never truly goes away. And for Blitz, it's a lot easier to paint Stolas as this manipulative symbol of power and himself as nothing more than Stolas' plaything. It's easier to be angry than to be vulnerable and accept that someone might care about him.

"Dismiss" is the keyword in that quote. All that Blitz has been able to process is that Stolas has decided to end the relationship that they have. He feels ls like a choice has been taken away from him so he lashes out because he's not ready to emotionally tackle what the rest of Stolas' offer might entail. If Stolas hates him, just wants to play with him, then he is justified in his anger, his self-destruction, his isolation. If the world is mean, you're "allowed" to be mean back.

But

In that moment he forgets that Stolas is someone he actually cares about. Someone he's known for way too long and clearly wants to keep in his life, no matter how reluctant he can be to admit it. Someone who is not innately cruel or manipulative but sad and desperate for connections in a lot of the same ways that Blitz is. And Blitz immediately sees that he's miscalculated something.

Somewhere along the way the fictional version of Stolas that he's allowed himself to be mad at and the real one that he's not ready to admit he cares about have merged into something real that he has actual power over. Stolas can get hurt and Blitz can be the one who does it. He has once again allowed his greatest fears (which Stolas so frequently symbolizes) to co-opt his loved ones, to give him an "out" even though he didn't actually want one in the first place.

I'm definitely not the first person to say this but I think this is an example of the miscommunication trope done right. Their individual struggles are what cause them to be unable to connect during this conversation or to even have a proper conversation in the first place. There is no convenient misunderstanding or third party fabricating this rift. Both of them have preconceived ideas of what the other one is thinking but those ideas are flawed and rooted in self-hatred. They also both shutdown in their unique ways when the conversation starts heading in the direction they'd feared it would.

Blitz and Stolas work because they're both fucked up in similar ways, because they want similar things. That's the same reason why they're uniquely designed to hurt one another. A fear of rejection and a yearning for happiness. To borrow a quote that has been used by literally everyone from Spiderman to Evangelical preachers, "hurt people hurt people."

anyway, I really liked this episode.

(twitter thread screenshots sourced from this reddit post)

[allgirlsareprincesses]

Choosing the Beast: Modern Folklore Heroines Embrace the Animal Husband

“I choose the bear.” The refrain rang out across the web, with many a woman nodding in agreement or at least understanding, and certain men huffing with indignant outrage. Just a meme, really, but did it speak to a deeper truth? Is it merely age-old mistrust of patriarchy talking, or a true desire for the beastly, the wild, the untame?

I’m no sociologist, of course, but I have noticed an emerging trend in fem-gaze media that seems to reflect this view. In movies like I Am Dragon (2015) and recent shows like My Lady Jane and The Acolyte, the heroine chooses the beast, loving her animal husband in his wild form rather than requiring him to transform back into a mundane man to earn her affection. This is such a departure from the typical folktale pattern that it’s difficult to even find an historic example where this occurs.

Commonly thought to reveal the desire to tame a dangerous mate in a patriarchal society, most animal husband tales (ATU 425a) feature a hero who ultimately transforms permanently into a human. This is viewed not only as freeing him from the maddening effect of his wild form, but also saving his bride from committing the sin of bestiality. In these tales, the animal mate’s transformation is necessary for the salvation of both.

Is the modern heroine then damned by choosing her husband’s beastly form? Or does she actually free them both from the yoke of patriarchal expectations?

Bathing: Discovering the Wild Masculine

The first motif that stands out in these modern screen examples is bathing. In animal spouse tales, there is often a dynamic of the hunter and the hunted, and thus a moment when the hunter comes upon their would-be lover unawares. Perhaps they find the animal spouse sleeping, or they cast a light on them unexpectedly, see them without their animal skin or disguise, and so on. And of course, they often come upon the lover at their bath.

There is an implied eroticism in this discovery, finding one’s quarry not only undressed, but also in the most private of activities. Water of course symbolizes fertility, but bathing is also purifying, symbolically washing away all that might make a mate undesirable. And this, perhaps, is the reason that historically this motif is used almost exclusively for animal brides, not animal husbands.

For the animal husband, he either actively chooses to reveal himself to the bride (perhaps on their wedding night), or she violently strips away his disguise, often armed with “flame and steel” like Psyche and her many avatars. Animal brides on the other hand are nearly always discovered at a body of water, bathing. The hunter will then capture her either by stealing her animal skin or cloak, or by placing his own clothing on her. What does it mean, then, when it is the husband who is discovered bathing in a body of water, held as an erotic object in the feminine gaze?

In The Acolyte, Osha follows Qimir to a pool where he slowly undresses, in full knowledge that she is watching. On the shore, she steals his lightsaber, just like the hunter who steals the animal skin, symbolically claiming him. When he emerges, Qimir dons new clothes, as if acknowledging that he is a different person than before he entered the water, almost purified in a way. Osha is forced to confront that there is more to the murderer in the mask than she realized.

Similarly, in My Lady Jane, our heroine goes looking for Guildford just before sunrise on their ill-fated wedding night, only to discover him bathing in the stables. The scene is gratuitously filmed from Jane’s (very horny) perspective, flipping the script on the countless scenes in screen history shot with the masculine gaze. Immediately after she discovers and confronts him, Guildford transforms against his will into a horse, and Jane realizes that he is an Ethian, a creature she has been taught is demonic and unnatural.

And in I Am Dragon, Mira makes several discoveries in quick succession: first, she deduces that Arman is actually the dragon. In the next moment, she slips from the island’s peak and falls, saved only when Arman transforms at the last moment and breaks her fall with his dragon form. The water begins to wash over his unconscious body, and at first Mira thinks that she will allow him to drown. But the sight of Arman in his human form after he rescued her, worried over by his animal familiar, stirs her to pity and she wraps him in a sail and drags him to safety. In this way, she clothes him, claiming him as her own.

Each of these heroines discovered a new aspect of her husband at the bath, finding him unexpectedly alluring, and ultimately choosing to begrudgingly claim him. Each animal husband tried to wash away his beastly form, to separate himself from the wild masculine. These men feel a sense of disassociation from a part of themselves, but now that their brides have discovered it, there will be no more hiding. Further, the bride now holds the power in the relationship, evidenced by how her husband needs her: Qimir needs Osha to be his apprentice, Guildford needs Jane to help him “break the curse,” and Arman needs Mira to heal him from his wounds.

Playing House: The Half-Husband

The second feature of these stories is a period of domesticity for the couple. For a brief time after the husband’s beastly nature is revealed, the lovers “play house” like children. While sexual tension is present, they typically do not consummate their union during this time, but instead cook, eat, rest, and care for one another. What’s more, they ignore or even attempt to actively destroy the husband’s animal form. They deny that this is part of him and therefore part of their relationship.

In I Am Dragon, Mira heals Arman, and wakes the next morning to find he has left food for her (dragonfruit, appropriately). Together they begin building a home out of shipwreck debris they find scattered around the island. A cheery montage shows them decorating a living space, choosing clothes, playing music, and dancing. But the specter of Arman’s monstrous form lurks on the edge of their idyllic life. Mira has nightmares, and tells Arman how much she fears “the dragon,” notably not referring to them as the same person. And eventually, it emerges that Mira has been planning to escape, rejecting Arman’s dragon form entirely.

After he sheds the helmet and robes of The Stranger, Qimir turns his attention to caring for Osha: he heals her, lets her sleep in his bed, provides clothes, and cooks for her. In turn, after some lightsaber-wielding, Osha becomes more comfortable in his home and accepts the food he offers, eventually even trying on his helmet. Later, they bicker amiably on their way to Brendok, like an old married couple on a road trip. When not facing down Jedi, Qimir leaves his menacing persona behind and transforms into an empathetic, protective, and alluring partner.

Jane Grey, meanwhile, finds herself using her honeymoon sequestered away in a private cottage to try to cure Guildford of his Ethianism. With her knowledge of medicine, she concocts various potions and magical cures, but none of them succeed. Guildford often checks in on her after these disappointments, making sure she’s getting enough sleep and taking care of herself. It’s also clear that they’ve been regularly dining together when Jane suddenly dashes off to rescue her friend. Guildford follows her and the two protect one another, followed by an almost-tryst. Even when they move into the palace, their day-to-day (or rather night-to-night) life is one of comfortable domesticity, although they continue to deny Guildford’s horse form.

In each of these cases (although less so in The Acolyte without Season 2 to continue the story), playing house can only last for so long while the husband’s animal nature is denied. There is a part of him that is suppressed, rejected, and this leads to him being incomplete, a half-husband. Each hero is unable or unwilling to accept and celebrate his whole self with his bride. Eventually, it is that denial that leads to a rift between the couple, which can only be healed not with the transformation of the husband, but with the embrace of his animal form.

Enforcing Patriarchy: The Rival

Each of these relationships exists in direct opposition to the dominant culture in the story: Arman as the Dragon is the literal enemy of Mira’s people, Qimir as Sith is the enemy of Osha’s Jedi masters, and in My Lady Jane, intermarriage between humans and Ethians is punishable by death. By choosing to stay with their animal husbands, even for a brief time, our heroines are openly defying the patriarchal norms of their societies. But no oppressive society is about to take that transgression lying down. In each story, a rival emerges to enforce the patriarchal order, kill the beastly husband, and retrieve the bride.

In I Am Dragon, Mira’s betrothed and descendent of the dragon-slayer, Igor, journeys to rescue her from the dragon. Over the course of the story, it becomes clear that Igor cares nothing for Mira herself, and merely feels entitled to her as his bride. Dragon-slaying is his heritage, so he must find her, kill the dragon, and take his place as the hero of his people. Even the marriage ceremony illustrates his ownership of her: he takes hold of a rope tied to her boat and reels her in, thus binding her to the patriarchal order. Contrast that to Arman, who offers her the power of flight, a symbol for freedom.

In Osha’s case, Qimir’s rival for her loyalty is clearly Master Sol, who wants to keep his former pupil dependent on him and the Jedi. Sol takes patronizing fatherliness to an extreme, constantly rescuing Osha rather than letting her stand for herself, teaching her to deny her feelings and instincts, and lying to her to “protect” her. The Jedi refuse to allow that there might be any other way to access the Force than their own, thus invading the home of the Brendok witches and ultimately orphaning the twins. Sol continues to press this dominance to the end, challenging Qimir and insisting to Osha that his own lies were justified.

In My Lady Jane, there are two rivals, both women. Lady Frances attempts throughout the show to dominate her daughters and crush their wills, forcing them into unwanted marriages, applying political pressure, and even counseling Jane to abandon Guildford to save herself. The other rival is Mary Tudor, who is determined not only to emulate her father’s violent, oppressive, and misogynistic reign, but to crush anyone she considers “unnatural” or who poses a threat to her rule. These characters stand as clear examples of how women can enforce patriarchy, too.

In each story, there is a moment when the rival briefly recaptures or “rescues” the bride from her beastly husband, bringing her to a moment of decision: will she stay within the bounds of patriarchy like a good little girl? Or will she make an act of defiance to choose her own path?

Marriage: Choosing the Beast

The bride’s choice will ultimately decide not only her fate, but that of her mate as well. As an independent character, the wild masculine is deeply wounded, separated from himself and thus from his bride. He longs to transform not into a greater, more whole person, but into a lesser, half-person. Alone, without the embrace of his anima, he cannot see the value of his beastly form. Instead of healing, he faces annihilation.

As a part of the bride’s psyche, the beastly husband represents her innermost desires, the truth of her heart, and a spirit freed from the expectations of her society. He is her animus, her missing wild masculine. If she transforms him into a man, then she will tame his wild nature, bringing him to heel under the boot of the patriarchy. Choosing the human form and rejecting the beast means rejecting her own psychological needs. It would be just another form of psychic dismemberment.

Fortunately and unusually, each of these modern brides chooses her beastly husband without demanding he transform. When Osha finally agrees to become Qimir’s apprentice, she takes his hand under the willow tree, clasping the newly-bled lightsaber between them. A few scenes later, this wedding imagery is repeated when they hold hands over the saber again, this time looking into a sunrise/set. Notably, at the moment they “marry” under the willow tree, Qimir is wearing his beastly helmet with rows of menacing, wolfish teeth. He has not come to the light side or shed his Dark Side persona, but Osha has embraced him anyway without fear. And while they might not both be healed (yet), they are more whole together than they were apart.

When her efforts to cure Guildford of his Ethianism repeatedly fail, Jane begins to suspect that his “condition” cannot be cured at all. But listening to her Ethian friends Susanna and Archer finally convinces her that the truth is Guildford doesn’t NEED to be healed - being an Ethian is who he is, and it’s nothing to fear. Unfortunately, Guildford still associates his beastly form with his mother’s death, so he is unable to accept it as Jane encourages, and flees. After a near-death experience, he uses his equine speed to return to the castle just as Jane is deposed and captured. As our heroes battle toward the end, Guildford comes to learn that there are many other proud Ethians, and that his family loves and accepts him in any form.

Still, he’s unable to transform at will, and when Mary captures him and sentences both husband and wife to death, it seems their story may end in tragedy. But as Guildford has been struggling to accept himself, Jane too has been battling with her own conscience. Does she renounce Guildford to save herself? Use her wits to kill the guard and escape? Bend to her mother’s manipulation? Jane confronts each temptation, and ultimately chooses to face death rather than betray Guildford or herself. But when her Ethian friends (the wild instinct) appear to disrupt the execution, our heroine seizes the opportunity to rescue Guildford. Unable to free him from the burning pyre, she confesses her love for him, and they kiss amid the flames.

Fire is often a herald of transformation, burning away illusions to reveal the truth. And when Jane and Guildford exchange their vows in this symbolic marriage ceremony, Guildford’s fears and illusions are finally burned away. Now that his bride has accepted his beastly form, he can accept it too, and so he at last transforms at will into a horse so that they can escape. Their story ends with them married and whole before the sunrise.

Among our modern heroines, Mira is the boldest in her embrace of the beastly husband. Offered yet again as a bride to Igor, she realizes that this is not what she wants, and casts off the tether from her boat. She declares “I love the Dragon!” using the name of her husband’s animal form rather than his human name. Then, she sings the song that will call the dragon to her, and he appears to carry her away again.

But their story is not over yet! Earlier in the story, Arman told Mira of how he loses control when in dragon form, and that dragons are compelled to reproduce by burning maidens to death and retrieving their offspring from the ashes. Returning to the island with her a second time, the dragon drops her on the altar and prepares to spew fire, but Mira lunges up and kisses him. This act of love, even when he is a monster, stuns the beastly husband. Again, Mira declares her love and kneels before him, saying she does not wish to be parted. We might expect the animal husband to transform in this moment, but instead he lays his fearsome head in her lap as a lover. Their story ends with a child and a flight in the sky, silhouetted by the sun just like the other couples.

Each bride, when confronted with the option to return to the patriarchal limits of her childhood, chose instead an act of love and acceptance for her wild masculine. This embrace helped the beastly husband to accept his whole self, and he is healed without having to cut off the wild parts of himself.

What Does It Mean?

Again, this story is so rare in world folklore that it’s difficult to even find examples. On fleeting occasions that the woman chooses an untransformed beast, it is presented as a cautionary tale. These women are framed as a danger to the community for their bestial impulses and abandonment of the social order, much like witches who were said to consort with the devil. It was certainly never presented as a happy ending, insofar as we can tell from written accounts.

So what does the emergence of this tale mean for our culture? I would argue that this is just the latest step in our ongoing reckoning with historic gender roles, as well as renegotiating with other forms of systemic oppression. People of all genders are pressured to reject a part of ourselves, cutting us off from our own truth and desires that run counter to the enforced social order. We must not challenge patriarchy, must not embrace different gender expressions, must not blur established hierarchies of power, must not find joy and power in our identities, and so on.

This enforced denial does tremendous damage to everyone caught in the system, and so through story, we dream our way to escape. We dream of embracing the dark, wild parts of ourselves, of flying free on a spaceship or a dragon or enchanted horseback, and of being totally loved for who we are.

It’s clear patriarchy is still fighting back against this emancipation of the wild feminine and wild masculine, given that both The Acolyte and My Lady Jane were canceled not long after their release. In the case of The Acolyte in particular, there was a sustained campaign from its announcement to harass and silence the creators. Demoralizing as this phenomenon may be, it’s important to remember WHO ultimately owns these stories:

“Fanfiction is a way of the culture repairing the damage done in a system where contemporary myths are owned by corporations instead of owned by the folk.

-Henry Jenkins, NYT 1997

Ah, an oldie-but-goodie. But Dr. Jenkins is right. Corporations may greenlight, film, release, and then cancel these stories, but ultimately they belong to the people. We take from these tales what speaks to us, leave what does not, and then retell them ourselves in fanfiction, in art inspired by the stories, and in lessons we pass on to our friends and families. If the embrace of the wild masculine speaks to you, let the story take root in your own life. Do you know someone who needs to be embraced, just as they are? Do you need to accept the parts of yourself that society tells you to hate? Do you want to be free, healed, and whole?

If so, then let these stories show you how, and tell more like them. Embrace the beast, and find your joy.

Sources:

Beauty and the Beast Tales From Around the World by Heidi Anne Heiner

In Search of the Swan Maiden: A Narrative on Folklore and Gender by Barbara Fass Leavy

And a relevant song for you, as a treat:

Women Who Run With the Wolves: Myths and Stories of the Wild Woman Archetype by Clarissa Pinkola Estés, Ph.D.

[inuyashaluver]

Hey I absolutely adore your fics you are my favourite writer i was wondering if you could write a fic where reader has autism and there comfort person has always been there sister leah and best friend jen and nobody has figured out how to get through to them and they dont like meeting new people but thats until alessia arrives

she’s different - alessia russo

alessia russo x reader

description: in which your sister notices a complete shift in you when a certain blondie makes their way into your heart

warnings: a little long! swearing, timelines don’t make sense but i am just a girl

a/n: hiya, lovely! thank you for all the love and request, it truly means so much to hear i’m your fav, what an absolute honour!! i hope i did this justice, please let me know if anything needs to be changed or altered, i’ll do it in a heartbeat! much love to you, gorgeous, enjoy ❤️

⋆ ★ ⋆ ★ ⋆ ★ ⋆ ★ ⋆

you and your girlfriend, alessia, had a very special relationship. the two of you forming a bond that no one could have suspected. the people closest to you were even shocked with how much you and alessia stuck together from early on.

—

you were a sports photographer, and a good one at that. you’d always had love for taking photos, one of your main subjects being your sister, leah who was always more than willing to let you take photos of her while she trained, or during games.

while both of your siblings were sporty, you always resorted to academics. you were incredibly intelligent, excelling in school, your whole family was extremely proud of you.

photography started as a hobby in the side of your studies but you grew a love for it when people assured you your pictures were extremely good.

—

you experienced the world a little differently. from a young age, you struggled to connect to the people around you that weren’t your parents, brother or especially your sister.

you always found social situations and connections confusing, your siblings knew you inside and out so why would you need anyone else?

you often found social situations overwhelming if you weren’t with someone you knew, struggling to make friends.

the simple things that came easily to people were often a struggle to you, like maintaining eye contact or understanding body language occasionally when you were under stress.

these things were a constant anxiety and frustration for you in the beginning, feeling like something was wrong with you.

and so, when you were 13, you were taken to a specialist and were diagnosed with autism. it was from then on, the world began to make sense. the amount of love and support your family offered you helped you through the challenges of growing up diverse.

you could solace in familiarity, not really liking to step out of your comfort zone without easing into it slowly. one of the people that understood this well was leah, leah was your rock, your backbone.

she offered you stability, comfort and support even if she was just sitting next to you in silence. leah made you feel safe and understood, never really pressuring you into anything you didn’t want to.

—

when you were in university, you were working part time with both arsenal and england as a member of their media teams.

being apart of both media teams was comfortable for you, leah introducing them to you and being relieved when you got along with them. though this was hard to do, you were an absolute sweetheart.

they understood that sometimes you just needed to work in silence, letting you do what you did best and it really showed through your photos and videos. so much so, as soon as you graduated, they both hired you full time with a permanent position in both teams.

you absolutely loved it, having the opportunity to do what you loved and not feel judged. during the time you worked with arsenal, you were introduced to jen through your sister.

jen understood you like leah, not pressuring you and actually making an effort to understand you. you got along with all of leah’s friends but jen was the one that stuck.

though it didn’t come easily, pretty much everyone you were introduced to required some patience to see the real you. but once they did, it was worth it.

—

you’d met alessia through your sister of course, not offering her much more than a hello and small talk about the weather or how you wanted her to pose for campaign pictures for england.

alessia always had a special appreciation for you, she not only found you absolutely beautiful but she really appreciated how genuine you were.

from the short conversations you had together, alessia always felt a little more at ease. when she knew she was getting photographed which was often uncomfortable for her, she was relieved if you were the one taking the picture.

you thought alessia was gorgeous and it was one of the reasons you distanced yourself from her. she was close with leah so you’d talk to her if you had to, blushing without even realising.

she was also one of your favourite canvases, always listening to your instructions with a soft smile.

your sister didn’t even know you found the girl attractive, the one time she wasn’t able to read you completely. everything changed when alessia transferred from manchester united to arsenal.

—

you’d just moved out from living with leah into your own flat, one of the scariest things you’ve ever had to do but leah and jen, before she moved helped you through it.

when jen got her new contract, your heart absolutely broke, you’d cried in leah’s arms for days after she moved and you decided you needed a change, that’s why you moved out.

this didn’t mean you didn’t see leah all the time, you did at work but she’d always rock up to your house with snacks in hand for a movie marathon or just to sit and chat.

you often called and facetimed but nothing beat seeing her in person. leah found it cute how happy and excited you got seeing her every morning, always making her feel special.

“hi, bunny!” leah smiled brightly (a nickname she gave you after your childhood bunny toy that you absolutely loved). she pulled you into a hug and you felt yourself go limp in her arms, she lifts you off the ground and you laugh brightly.

she hugs you tightly just the way you loved it, one of your stims that she knew calmed you down easily.

“morning, lee” you giggle when she swung you side to side for a moment before placing you on the ground with a quick kiss to your forehead.

“so miss photographer, what are your plans today?” leah asks you, hands on her hips as she looked down at you.

“well, we have a new transfer i have to shoot for, photos and videos” you smile, making leah smile too knowing how much you loved your job. “oo, do you know who it is yet?” leah says excitedly, hearing rumours of a transfer but not knowing who it was.

“no, not yet” you sigh, slightly nervous knowing you had to introduce yourself to a potentially new person.

“do you need me to come with you?” leah questions, her hand squeezing your shoulder gently. “no i’m okay,” you smile appreciatively, “my little sissy is growing too fast” she coos, pinching your cheek that you quickly slapped away with a scowl.

“leah, i’m 24” you scoff, crossing your arms over your chest as she continued to tease you. you both chatted back and forth before you got called by your coworker, gaining a little shove from leah towards her that you sent another glare at, making your older sister send you an exaggerated air kiss.

you and your coworker discussed the basics of the shoot until you finally reached the set, seeing a blonde getting fitted in the iconic arsenal kit.

“uh, hi, i’m (y/n), i’ll be shooting with you today” you say gently as you approached the girl, not wanting to scare her, the blonde turned quickly at the sound of your voice.

“(y/n)!” your eyes widen when she turns, “alessia?” you breathe out, the girl beams at you brightly, pulling you into a quick hug that made you tense a little until a comforting smell of caramel and vanilla easily made you feel at home.

you hadn’t seen alessia in a few months, that didn’t mean your heart wasn’t beating out of your chest when the girl locked eyes with you that you were quick to divert away.

you weren’t completely comfortable with her yet, so prolonged eye contact was out of the question.

“i’m so happy to see you, how have you been?” she grins, you nod at her, “i’m good thank you, and you?” sounding a little rehearsed, and it was, alessia made you shy.

she chuckles lightly, “really good, thank you, happy to be here” her smile was infectious, you couldn’t help the little grin playing at the corners of your lips.

you both lightly conversed as you prepared for the shoot, feeling yourself feel more comfortable around her in a way that surprised you, and alessia.

—

when you walked alessia into the gym talking and laughing softly, leah’s eyes were wide with shock. one, seeing alessia. two, seeing you laugh with alessia. three, both of you blushing like you’d just gone for a run, which she knew you didn’t.

leah scrambled up towards the both of you, pulling you into a headlock, “see you’re finally on the right side, less?” leah grins, smiling as you struggle in her grasp.

“leah! get off man!” you groan, alessia chuckles at your struggle, her hand gently grabbing your forearm, managing to pull you out of leah’s headlock.

her hand lingered for a moment before she let go, you sent her an appreciative smile before giving leah a shove on the shoulder.

“needed a change” alessia sighed, her and leah engaging in small talk while you just observed, looking back and forth between the two blondes and they laughed along with each other.

“so, did my sister treat you well?” leah teases, her arm wounding around your shoulder, you roll your eyes at leah, alessia sends you a soft smile.

“she always does” your cheeks go a little pink at that, feeling yourself cower a little further into leah that didn’t go unnoticed.

leah looked down at you challengingly but chose to dismiss it for now, you’d had romantic partners in the past but none of them really stuck. she’d seen you all shy and blushy before but never like this.

—

as the days and weeks went by, alessia was able to chip away at barriers you’d carefully constructed for years. she didn’t even know she was doing it, but what she did notice was you becoming more chatty with her, actually holding eye contact a little more than you usually do.

leah was completely shocked, in a good way, of course. all she wanted for her little sister was to be happy and from the looks of it, you were getting that.

“morning, lessi” you wave at her, alessia is quick to send you the wave back as she entered the doors at the arsenal training grounds, she pulled you into a quick hug,

“morning, (y/n/n)” she giggled as she pulled away, both of you falling into conversation as you walked alongside each other, you were photographing their training session today for socials.

when you both made it outside, you let in a sharp inhale, it was colder than you thought, alessia observed as your body shook lightly from the crisp air, shaking her head lightly at how you’d only worn a thin jacket.

she was quick to shrug hers off, draping it around your shoulders without a second thought. “lessi, no” you protest, trying to push the jacket back in her hands but alessia was quick to slip your arms through it and zip it up. “lessi, yes” she chuckles,

you pout at her slightly, “now you’ll be cold, lessi,” alessia smiles at you softly, “i’ll be running around, silly, i’ll be warm in no time” her arm around your shoulder as you still continued to protest her jacket, though you had to admit, having the smell of alessia flooding your senses was comforting.

“you really are a williamson, so stubborn” she teased, you laugh at that, nudging her with your shoulder as you both giggled.

leah watched the entire interaction with a soft smile, waving at you slightly and watching as you perked up at seeing her.

you run over to leah as she hoists you up in another hug, “so you have a sister?” leah teases, “uh, yeah, you?” you say a little confused, leah laughs loudly, pinching your cheek at your cluelessness.

“i know, bunny, i’m teasing you” she grins, “you and less have gotten really close?” your cheeks go pink at that, shifting the weight between your feet as you looked down, “she’s my friend” you say shyly, “are you sure?” leah whispers, dipping her head to look at you properly.

“i-i don’t know” you say softly, your sister pulls you into another tight hug, her hand rubbing up and down your back, “it’s okay, you’ll figure it out” you nod into her shoulder, moving away to set up your camera.

throughout training, you took photos of everyone, your photos always a favourite in the media since they always felt like more than just a photo, feeling like you always captured the person rather than the action.

you were sitting outside while editing the photos before alessia pulled up next to you. “hi, pretty girl, what’re you up to?” alessia watched as you tensed for a minute, glancing over at her quickly with a nervous expression that had her heart beating rapidly.

“oh, i’m editing” you clear your throat, getting nervous when alessia scoots a little closer to you to look at your computer screen.

she noticed you were editing a photo of her, and the sidebar was almost full of her pictures. her heart fluttered at the thought of you focusing on her, swallowing before glancing at you quickly.

“you look pretty in this one” you blurt out, immediately regretting it and pinching your nose bridge out of embarrassment.

alessia’s face was burning, muttering out a thank you as you both sat quietly for a minute before you both sparked another conversation to ease the tension.

—

“hi, gorgeous” alessia grinned as she arrived to england camp, sending you a little wink, “hi, lessi” you smile brightly, this time pulling her into a hug by yourself. she was pleasantly surprised, hugging you tightly and feeling you melt into her embrace.

“did you get here okay?” she says softly in your ear, pulling away with a hand placed on the small of your back as she walks with you.

“yeah, i came with leah” you smile at her, making the blonde smile back at you gently, “did you get here okay?” you ask back, she nods, her hand rubbing up and down your back, “mhm, better now that you’re here” she smiles, your cheeks dusting with pink as alessia’s eyes met yours.

“lee, i think alessia broke your sister” keira grins walking behind the two of you with leah and georgia next to her. leah chuckles fondly, “i think she’s got a little crush” leah whispers, georgia and keira make eye contact and smile,

“well alessia definitely feels the same, why hasn’t anything happened yet?” georgia questions, leah shrugs before giving them a warning glare, “let my sister figure this out herself, please” the two girls huff but nod, knowing you needed a little more time to come to grasp your feelings.

alessia’s arm wounds around your waist before she had to go to her room to unpack, “you know, we should do something just us two, we're in spain after all”

you look at her confused, “don’t you want to spend time with ella? you haven’t seen her in a while” alessia chuckles affectionately, shaking her head as she looked at you.

“you’re a little clueless aren’t you?” alessia grins, your face flushing, worried you just missed out on a social cue, a potentially important one.

you recounted the entire interaction between the two of you, picking it apart to see what you missed before alessia brought you out of your head.

“(y/n)” she said, leaning a little closer to you, “when i said just us two, i meant like a date, beautiful” she smiles, you were completely silent, mouth a little agape in the hotel lobby.

you were shocked, the thought of alessia returning your feelings making you extremely nervous. due to your prolonged silence, alessia grew nervous, her grip on you loosening.

“hey, if you’re not interested, that’s completely okay” she utters, “i won’t pressure you into anything you don’t want to do” she affirms,

“no! no! i’m very interested” you stumble on your words, “ i’d love to do something with you” you say softly, feeling like your body was on fire.

you began fiddling with the ends of your clothes, alessia’s hand moving it to hold your hand instead, smiling fondly at you.

“great, i’ll text you the time and meet me down here later?” you nod as she moved a loose strand of hair off your face, kissing your cheek quickly.

“okay,” you breathe out, her hand giving you a gentle squeeze before she moved towards the elevators making sure to smile at you another time before she really walks off.

“holy shit” you say in shock, running off frantically to try and find your sister, realising she was watching from the other side of the lobby.

“leah, help me!” you gasp, leah effectively calming you down while reminding you to breathe, “hey, slowly, what happened?” leah places both hands on your shoulders,

“alessia just asked me on a date” you whisper shouted, leah gives you the biggest, cheesiest smile, it made you feel a little uneasy.

“aren’t you supposed to be all protective right now, telling me she’s not good for me or something?” you remark, only making leah laugh, both of you knowing alessia was perfect.

“bunny, she’s perfect for you” leah admits, watching you shy away from her slightly, “really?” leah nods, giving you an encouraging expression that truly made everything feel okay.

“lessi has been flirting with you for weeks now” leah chuckles when your eyes grow wide, internally cursing yourself for not noticing the signs.

leah talked you through it, making sure you were completely comfortable before you went on the date.

—

you went on the date with alessia and to say you fell in love with her more every couple of seconds was an understatement. alessia was so gentle and genuine with you, patient and kind.

you had this girl in a chokehold and it was very much the same with you. alessia loved that she got to learn more about you, and she wanted to for the rest of her life so to speak.

for a couple of weeks, you and alessia went on dates every other day. the two of you growing so close, it truly surprised everyone around you. she asked you to be her girlfriend about a month later and giggled at how enthusiastically you agreed.

—

you’d been dating for about a year and things couldn’t have been better. everyone saw a new side of both you and alessia and it was incredibly endearing to see how in love you were with each other.

“bunny, alessia’s not the only one on the team you know?” leah teased as your lens was focused on alessia with an affectionate smile. “fuck off, lee” you laugh, taking a photo of leah flipping you off with a grin.

alessia laughed at the interaction between the two of you, jogging up to stand in front of you with a bright smile.

“baby” she grinned, her hand cupping your cheek as she pressed a sweet kiss on your lips, “babe, i’m working” you giggle as alessia continued to press kisses to your lips and cheeks,

“keep working then” she chuckles, moving to stand behind you, her arms wrapped around your waist as her head rested on your shoulder.

you smile as you continue to take photos of the england girls, only lasting for a couple of seconds before leah had to physically drag alessia away from you.

“i love you both but star girl needs to train” leah mocks, flicking your forehead with her arm wrapped tightly around alessia to drag her off,

“lee, wait!” you stop her, smiling before pressing a quick kiss to alessia’s lips, your sister dry retching as alessia sent heart eyes your way.

“okay, you can take her” you say cheekily, laughing as you hear leah scolding alessia for ‘corrupting’ her sweet sister while alessia shook her head in amusement.

alessia made you laugh like no one else, alessia made you feel more comfortable as yourself like you’d never experienced.

you and alessia loved each other more than anyone. even leah was willing to be a close second to your girlfriend.

although in the beginning you left alessia at a distance, you were so grateful for her persistence in breaking down your barriers, even if it took you a while.

you both knew it was a forever kind of thing. and so did everyone else.

⋆ ★ ⋆ ★ ⋆ ★ ⋆ ★ ⋆

liked by ellatoone and 44,232 others

alessia: always the photographer xx

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yourname: i know a pretty canvas when i see one

↳ alessia: such a flirt, baby!

↳ yourname: your fault

leahwilliamsonn: sister stealer

↳ yourname: you literally told me to go on the date

↳ leahwilliamsonn: hush, bunny, i’m talking

↳ alessia: lunch tomorrow?

↳ leahwilliamsonn: you’re paying.

↳ alessia: deal

[totaly-obsessed]

➳ Azzi Fudd x reader

➳ A planned soft-launch goes wrong

➳ based on this request - my first time writing for Basketball, pls be kind to me

➳ Word count: 1.305

“Do you know what you’re gonna get?” 

Most of the girls had gone out to eat for the evening, something a little more on the fancy side, different from the usual takeout they would get, and gracious as they were, they decided to drag you, their Social Media manager, with them.

While it had been Azzi, your girlfriend of nearly seven months who ultimately managed to get you to say yes, she had a begging KK and Paige in her ears. Both girls tried to get you to come, with promises of shooting videos for the YouTube Channel, giving fans the duo they wanted. But all it took was Azzi to bat her lashes at you, a gentle kiss to the corner of your mouth, and a whispered “Please, for me?” and you agreed to come.

“I can’t decide between these two.” 

“I’ll get this one and you get that one then. They both sound great and we can share!” With Azzi you never had to beg for her to listen to you, she somehow always knew what you said and wanted, no matter how noisy the room was.

“Girl you are whipped..” KK observed from her seat next to you but winced when she received a swift kick to the shin from your girlfriend who sat on the opposite side of you. “I was just sayin! Nothing bad about it!”

The evening had actually been quite nice - you had spent the most time chatting to Ashlynn and Caroline who sat on your other side, while Azzi watched everyone interact chiming in here and there and mostly when either Paige, KK, or Nika were bickering and hoped that she would back them up.

Back at the dorms you decided to just hang out for a bit longer, it had been way too nice to just get up and leave everyone alone, especially after getting back from a short summer break. People were still moving in and the roommates weren’t 100% sure yet, aside from you and Azzi. Maybe you’d adopt one of the freshmen.

The people (Paige and Alyiah) had decided that the chosen dorm would in fact be yours and Azzi's. Most of your girlfriend's belongings were already in there, while yours were still in the car.

“You snooze, you lose!”

The couch was already filled when you came in the door. Turns out seven young adults with an average height of six feet take up a lot of space in a small student dorm, leaving literally no space for you. KK, Inês, and Jana had already taken over the floor in front of the couch, pulling every throw pillow you had placed on it, down to sit on them. 

But you didn’t worry about getting a seat. After all, your girlfriend already had one, and what was hers, was yours. So you had a place, no matter how smug the girls looked at you, teasing smiles on their lips.

“Can you make Popcorn?” Nika, the only one with some form of respect, swatted Paige’s hand away as she pointed at you like a toddler. “How do you want to know that they even have popcorn? Azzi moved in like yesterday.”

“They always have popcorn. So, you gonna make some?”

Just as your girlfriend wanted to chime in, telling Paige to do it herself, you caved in and made your way to the small kitchen. You wanted her to have some time alone with her teammates, after all this was their season. They were going to make it, you were sure of it.

With a tray of snacks, a big popcorn bowl, and glasses you made your way back to the others. Excited chatter filled the room and everyone was busy in some way or another as you placed the tray down on the small coffee table, before just handing Paige the big Popcorn bowl.

“See that wasn’t so hard - OW!” Nika’s elbow found a home in the blonde's ribs. “She meant thank you for being so kind to us. Didn’t you?” The smile on Paige's lips was forced in pain as she gave a small ‘mhmm’ to satisfy her Croatian friend.

You were leaning over the couch, right next to Azzi’s face, trying to make out what movie they had put on, but in the end, you couldn’t figure it out. “Baby, can I borrow some of your clothes? Wanna get out of this dress” Your girlfriend turned around as well as she could while being restricted by her teammates on either side. “Of course, you don’t have to ask!”

In thanks you lean over, kissing her with a big smile on your face, “Thank you darling, you’re the best!” before you go to turn around and run to the bedroom where a still-packed suitcase waits for you. 

But then you heard KK.

“Fuck. You know that we’re live. Right?”

A chill goes down your spine. Live? Like TikTok Live? And when you turn back to the group of girls, you see the phone propped up against a water bottle, the screen showing you in the background while your friends look at you.

With tears prodding at your eyes, you quickly find your way to the bedroom, ready for this day to be over and done with.

“Okay, y’all just ignore that. Never happened.”

Azzi found you still in your dress, face first on the bed, trying to hide from the world as sobs wrecked your body. “I ruined it.” Your girlfriend couldn’t help but chuckle, out of you two, you were definitely the dramatic one.

“You didn’t ruin anything. So what if people know that I have a kind, wonderful, and hot girlfriend?” 

She could hear your whining through the mattress as you tried to hide, but eventually lost to her pulling you up and into her arms. “But we wanted to do a cute soft launch, and now we can’t.” Azzi couldn’t help but place a soft kiss on your lips once she saw your pouting. “Who needs a soft launch when I can brag about you now?”

“You’re not mad?”

“I could never be mad at you. It's okay, baby.”

You could still hear the girls in the living room having a good time. They had already forgotten what happened, making use of the opened-up space on the couch as you got changed with Azzi handing you things, throwing together a more comfortable outfit before making your way back to the others.

“Shift it Inês.” Azzi didn’t give her teammate much time before she simply sat down, not caring who was there or who she sat on. And it worked, they made way before she gestured for you to come closer and pull you onto her lap.

“Look who’s back, y’all!” KK’s voice was much louder than you had expected, but her cheerfulness immediately influenced you, looking much happier now.

“Azzi, is that your girlfriend?” The curly-haired girl hand-picked the comment from the live, effectively asking herself the question before placing a sloppy kiss on your cheek as she peeked out from behind you. “Yes. Yes, she is. Everyone, meet the most gorgeous girl in the world, my girlfriend!”

“Yuck. Go back to hiding, y’all are disgusting. Anyways… Imma end this here. Bye, y’all!”

And just like that KK pressed the ‘end live’ button, sinking the room in a temporary silence before the girls started hollering and clapping, slapping Azzi on the back and playfully pinching your sides in congratulations on finally making the relationship public. Even if it wasn’t like you planned.

The entirety of the movie was filled with either Paige or KK leaning over and shoving a phone in both of your faces “Look there are already edits. Damn they’re quick!”, or “You look so cute in this one, too bad they don’t have to experience y’all.

liked by nika.muhl and 44.330 others

azzi35: kinda messed up the soft launch, so here is the hard launch tagged: @ y/ninsta

ines_pbettencourt: My Parents!

➥ paigebueckers: Wait a second...

kamoreaarnold: Don't be fooled y'all! They not this cute in person.

➥ y/ninsta: Awhhh, you called us cute!!

[soaps-mohawk]

I just saw someone talk about Simon Riley being a rapist and the only way they tried to confirm it is by saying that he is a war criminal and all soldiers are misogynistic and sexist and they also talked about how he dreamt of hurting women in the comics when that's quite literally a normal reaction by being raped by both men and women (what I mean is that abused people sometimes dream of becoming someone they're not and don't want to be) but they conveniently forgot to mention how that "dream" was a nightmare. (Just wanted to rant about this and see your opinion)

The sigh I let out when I saw this ask this morning.

I'm so sick and tired of seeing this discourse. Not just in this fandom but in every fandom. Maybe it's just because I'm old and my frontal lobe is fully developed, or maybe it's because I was in fandom back in the days where there were no tags. You were lucky if you got a warning at the beginning of a fic. Most fics you walked in blind and if you didn't like something? You hit the back button and found something else.

This sudden mainstreaming of fandom has ruined these spaces. People come in, refuse to "learn the rules" that most of us learned by just existing in these spaces and watching others interact. There were no written rules back then. We learned by observing and occasionally being guided on fandom etiquette by those more experienced than us. Now it's just like people come in expecting fandom to be like every other space on the internet and then get defensive and angry when they realize it's not. Fandom is cringy. It's nerdy. It's happy and sunshine and it's dark and ugly like every media out there. Us creators and those of us more experienced in fandom have been screaming how to exist in fandom spaces from the rooftops but no one is listening and then everyone wonders why creators are leaving these spaces. Why fandoms keep getting abandoned.

All of that aside, this discourse about FICTIONAL characters pisses me off. Simon Riley is a FICTIONAL character. He has no morality, there is no right or wrong because he's FICTIONAL. You can make him do whatever you want to do because he's NOT REAL. You can give him wings and have him fly and guess what?? Cool, that can happen because he's NOT REAL. You want to make him a rapist? Cool, you can do that because he's FICTIONAL. You can make him whatever you want to make him because he's a character. He's not a living, breathing human being. There are no consequences of his actions because he's FICTIONAL!!!

Don't even get me started on this sudden discourse about dark fics and dead dove that's appeared recently. Dark media has existed for literal centuries. The Epic of Gilgamesh from 1800 BCE. The Odyssey. Mostellaria by Plautus. The Castle of Otranto published in the 1700s. Frankenstein. Dracula. The works of Edgar Allan Poe. Lolita. Hell, look at the Bible. The Bible, especially the old testament, is fucked up. Even in the watered down, bastardized King James version, the things the old testament "God" supposedly did, when you sit and actually think about them outside the lens of religious brainrot, are super fucked up.

People have been creating dark media for a long time. Horror has existed for a long time because it plays to our worst fears. It gives us a safe way to express those fears and to experience them without having to experience them first hand. You wouldn't bitch at a horror movie director for including things like rape and gore and murder in their movies?? So why is writing different? You think every horror movie director agrees with the things they portray on screen? You think every horror movie director would go out and murder someone just because they made a movie about it? No, because we're allowed to portray things in all forms of media, we're allowed to write things without morally agreeing with them. Guess what, most people that write rape or assault or violence, aren't going out and doing those things in real life. They don't support those things in real life. In fact, people that write dark fanfics are some of the loudest protesters against those things.

If you want to make Simon Riley a real person, guess what? He's not going to be even morally grey. Most people in the military are not good people. They're not. The people that are good people in the military, or were in the military, are the ones saying that the loudest. People that got tricked into joining, people that got promised things, people that did it because they had no other choice and then realized what it was really like after getting in? Those are the people to listen to. Not Call of Duty, not the people trying to convince you to join because they're glorified sales people and have a quota to fill. Look up videos of what happened in Iraq and Afghanistan at the hands of American and British soldiers. You would not like Simon Riley if he were a real person.

But he's not real. He's FICTIONAL. Even as a fictional character, he's not a good person. So many Call of Duty fans put on the blinders and ignore the fact that these men are out here committing awful acts of violence and killing people because they're "the good guys." People love to forget that Price literally kidnapped a woman and a child and had them held at gunpoint to get information out of someone. Not only that, he was okay with it. If he were a real person that did that, you would not be questioning if he were a good person or not. You can tell the people that have never played the games or watched playthroughs, who only know these characters through the lenses of fanfics and artwork and headcanons.

Call of Duty is military propaganda. They paint these men as heroes, make it easy to put the blinders up and ignore the things that are happening, the things they're doing so that they can convince young men that they want to do that and they should join the military so they can go out and do that too. That's Call of Duty's audience. That's who they're creating these games for. These young, impressionable boys who get excited by the violence and the action who will go on to fill quota numbers for recruiters. Call of Duty was not made for us, the people writing fanfiction and creating art for it. This side of the Call of Duty fandom will be the first to tell you all of this.

This side of the fandom creates fanworks which would turn Activision's eyes red. We babygirlify their military propaganda because it actively goes against what Activision is trying to do. It goes against what Call of Duty is at its core. Sure, some people water it down a lot, and others keep it more realistic to what these men would be like in real life, because it's FICTION. You can portray these characters however you want because that's what fiction is for.

And guess what, anon? Rape kinks exist. Consensual non-consent exists. It's well known. And guess what? Victims of sexual assault and rape can develop those kinks as a coping mechanism. Here's a study from the NIH website, and if that's too complex for you, here's a VICE news article that uses that study. People can write rape and rape kinks and CNC and noncon and not support it in real life. People can write those things to bring awareness to the fact that they happen to people in real life, or because people in real life have those kinks. People write those things to help victims, to support them. It's cathartic. Dark media most often is created for catharsis. It gives people an outlet, and it allows people to experience those things in a safe, controlled environment for whatever reason.

And that's the thing, anon. People don't have to give anyone a reason for why the consume that kind of media. Creators don't owe anyone an explanation as to why they create it. It's none of your business, and if you're not comfortable with it, then don't consume it. You can turn off the TV if a horror movie is too much for you. People walk out of theaters all the time because a movie is not what they were expecting, be it because it was bad or because it was too graphic or violent or disgusting. You start reading a book and you don't like it for whatever reason? You put the book down and pick up another. Why do people have such a problem with not reading fanfics they don't like? Why do people have such a hard time just blocking creators that make things they don't want to see. Most dark fic and dead dove creators put ample warnings on their blog and their posts. That's why those tags exist. You don't like it and you don't want to see it? Then block and move on and let others enjoy what they want to enjoy.

You pearl clutchers are ruining fandom and soon there won't be anything for you to enjoy. If you can't handle fandom, then don't be in it. There is no algorithm here. You're going to see things you don't want to see and it's very easy to just block and filter tags. There was a time on Tumblr where you couldn't filter tags. I remember those days. You had to download the X-kit extension to block things, and that only worked on desktop. The fact Tumblr gave us the option to filter tags on the site and on the app was a big deal when it was rolled out. I remember so many people that didn't want to use the app when it first came out because you couldn't block potentially triggering tags.

It's not a creator's problem if you were triggered by their media. Life doesn't come with trigger warnings and it's a blessing that it's become so normalized to include warnings at the beginnings of fics. There's websites that exist for other forms of media that will give trigger warnings. If you can look up trigger warnings for a movie and decide not to watch it, you can look at the trigger warnings for fics and decide not to interact with it. You're not out here emailing the directors and producers of movies that include triggers you don't like, telling them they're awful people for including those things in their movie and they shouldn't. Yet you have no problem coming into the comments and inboxes creators who do this FOR FREE because we wrote one dark fic. Because we wrote something that's triggering to you.

And yes, some abuse victims go on to be abusers, some people continue that cycle because they don't have the help and support to break it. It's a sad thing that happens, but it happens. It happens in the fictional world and it happens in real life. People can make that happen to fictional characters for whatever reasons they want.

I've written dark fics. I've written several. I consume "disturbing" media for fun. I've read books and watched movies that would send these pearl clutchers to the hospital. Hell, I've probably written things (some published, some that will never see the light of day) that would turn these pearl clutchers inside out. Guess what? That's okay because it's FICTION. It's cathartic. I don't have to give my reasons why because it's no one's business except those I decide to tell because I trust them and I know they'll support me. I don't support those things in real life. Just because I write for Call of Duty doesn't mean I support the things the game portrays. If you consume Call of Duty media be it the games or fanfiction, does that mean you support what the game supports? What the creators of the games support? What militaries around the world support?

Think about that next time.

I’ve made my stance very clear here before, but I’ll do it again. In real life, I am anti military, anti war, anti gun violence, anti genocide, anti fascism, anti terf, anti homophobia, anti conservative, anti rape, anti domestic violence, anti colonialism and pro choice.

Just because I may create or consume media with those things in it, does not mean I support them. It's high time some of these pearl clutchers learn that.

The next time you want to come into a creator's inbox or comments and spew hatred towards them because of the things they write, why don't you do something useful with your time instead.

This will be my only discussion on this topic. I will not be answering any more asks like this. I will delete and block anyone who tries to come "well actually"-ing into my inbox. If you don't agree with this stance, then get off my blog and block me.