#but like blue eyes

[shepardyke]

one of my favorite ellie-verse canons is her and maeko matsuo being ex’s … it’s so juicy to me

[ash-and-starlight]

humble contribution

[phantasymistart]

uh oh guys new favourite character time

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[bright-eyes-strawberry-lies]

Actually I really like that Percy is Thalia's look-alike in the books with their matching black hair and green eyes and the ichor of such powerful gods running through their veins and their mirrored personalities. I like that Annabeth and Luke both looked at Percy and saw Thalia and I love thinking about what a sucker punch Percy must have felt like to the both of them.

[lieu-rey]

first meeting

[puppyeared]

learned something about myself lately

[wasabi-gumdrop]

Kabru has a secret admirer in the castle!

[earl-of-221b]

I can’t explain what blue eye samurai makes me feel…….its a typical revenge story, a man sets out on his hero’s journey to kill the four men who have wronged him. A lone ronin, wide brimmed hat and sword in hand, roaming Edo Japan on his vendetta. But he’s not a man. He’s a woman. And how has he been wronged? What’s she getting revenge on?

On the fact that she exists. She wants revenge on the four white men that could possibly have conceived her. Who got her Japanese mother pregnant with a blue-eyed child. And not just any blue-eyed child, but a girl child. How is she possibly supposed to live in the world like that? For the wrong of being conceived, for the wrong of being born, for the wrong of being birthed into a world that will never love or accept her, she will kill her father.

I don’t know what level of convoluted self hate that is. Is she a child of rape? Or a child of a whore? Halfway through I realise what she told herself at the start couldn’t possibly be true - it’s not really for her mother. Her mother wasn’t the root of her vendetta, she wasn’t really doing it for her. When she leaves that farm and leaves the chance to live a simple, legitimate life as a woman, she goes right back to hunting down the men. Those men personally wronged her.

And then there’s so much to be discussed surrounding the way she grew up, because as a boy child and a man she can afford so much more than life has dealt her. Her swordfather who took her in out of the love and care in his heart had no shame in teaching a mixed man his art. The face of a ‘demon’ is fine. But not the identity of a woman. Shh. Don’t say it. Don’t confess. He knows and doesn’t want to hear it.

And because she’s lived that way her entire life for safety and security, she’s so completely alienated from being a woman, perhaps she really is he. But not really by choice. Or is it? The thing she does best is the art of killing, the art of men. Gender is a prison and gender is a performance and she has to choose which to perform. The times cannot reconcile hatred and violence with a woman. So she lives as a man.

So she can get revenge on her father, for revenge on herself.

[deadsetobsessions]

It’s been months since he’s settled into life at Wayne Manor. It’s hilarious that they don’t think he knows about their obvious nightlife (and that’s coming from someone whose hero name was just their last name spelled differently) but they don’t know anything about his own past as a vigilante. To be fair, a dimensionally displaced Ghost King wasn’t really on the board for reasonable guesses. Danny Fenton blinked innocently at Duke, blue eyes watery and oh-so-trusting of his adopted older brother when Duke claimed that his bruising came from getting caught in Ivy’s attack on the busses today.

(“Oh my god he’s so trusting and pure what the hell?” He heard Steph whisper to Dick, who nodded emphatically.)

“Oh man, you should get some rest. You guys are seriously unlucky, you know? Do you need to go to the hospital?” Danny asked Duke, his core trilling as he allowed himself to fuss over a member of his ‘fraid.

“Nah, man. I’m good. I think I’ll take a nap and sleep it off.”

“Okay. Oh, here!” Danny fumbled for his bag, grabbing his prescribed pain meds- for his chronic pain, but they don’t actually do anything for him since his ectoplasm burns away most of it- and handed it to Duke. “Take one, and only one. Those bruises look nasty.”

And then Danny gave him the puppy dog eyes and Duke folded, because Danny knew that he wasn’t supposed to hand his meds out but these situations were kind of the reason he claimed chronic pain to being with (even if it was true and his hands shook with aftershocks).

“Thanks, Danny. I feel like death warmed over.”

Danny laughed, the opportunity to mess with the family sparking in his head. “Yeah, I’ve died before. Wouldn’t recommend it.”

With that, Danny threw Duke an easy going smile and walked towards his room, bag on his back.

From his peripherals, Danny watched Jason drop his bowl of snacks, Dick’s pale face, and the concerned and shocked look of everyone else. Except Damian, who just kind of scowled thoughtfully. Tim looked like he was going to rip Danny apart like an interesting puzzle, Cass sat up straight (and he made sure every micro expression he caught on others stayed unconcerned on his own body), and Duke froze.

He snickered- well out of regular earshot- as whispers and whispered shouts rung out after he left the room.

He can’t wait to drop the “I know you’re vigilantes” bomb on them. It’ll be hilarious.

[bluemizuu]

THE GREAT FIRE OF 1657

[beif0ngs]

BLUE EYE SAMURAI

I never said I was a samurai, you did. I’m on the path of revenge. There’s no place on it for love or friendship or weakness.

[yooo-lets-go]

Blade Runner 2049 ghostsoap anyone?

[thetruemek]

Guess who's watching fucking blue eye samurai ajshsbsksksbrh

[feymaid]

If any of you value your bisexuality you WILL go watch Blue Eye Samurai NOW.

[keekry]

mizu sketches :)