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#buy pinterest board followers
ytviewsusa · 5 months
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kaaya149 · 9 months
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sociocosmos · 9 months
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buzzoidme8 · 11 months
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nexus-nebulae · 14 days
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starting a collection of board games with very pretty art
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ts-witchy-archive · 11 months
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Low Energy Devotional Activities and Ways to Connect with the Gods
Let's be honest, religion and consistent practice can be HARD, especially when you're chronically ill, disabled, mentally ill or neurodivergent. This is a list of lower energy practices you can do to connect with your Gods when you're having a rough day.
Pray. You don't have to say the prayer. You don't have to do the full cleansing and offering. Just think about the prayer. It could be as simple as "'Deity Name', thank you. I'm thinking of you and appreciate you."
Dedicate any self care you do to the Gods. You've got to take meds? awesome. it's now a devotional activity.
If you can, light a tea light candle. You can think about who you're dedicating it to as you're lighting it.
Tell them about your day. Have a simple conversation with them (again, this can be in your head if needed).
Offer some water! Water is a great offering if you don’t have the energy to cook, collect or buy something.
Incense is also a great offering because you can light it then forget about it and your house won’t burn down (if you follow regular safety measures). 
Resting. Your deities want you to be okay. Dedicating your rest to your deities is especially great if you feel guilty for allowing yourself time to heal.
Turn on a video of someone reading mythos! 
Put on a deity playlist. There are plenty of pre-made ones on Spotify. 
Veil or bind your hair! Whenever I’m low energy I’ll throw my hair in a ponytail and bind it that way. It doesn’t have to be extravagant. 
Make a Pinterest board for them!
Post on a digital altar! There are plenty of discord servers that have digital altars and temples. You could also make a devotional Tumblr blog. 
Change your phone lock/home screen to something that reminds you of your Deity.
I hope this is helpful to anyone who needs it! Take care of yourself first and foremost. If you don't think you can manage something on this list then thats perfectly fine too! you're not a bad person for not being able to do something spiritual or religious. Ultimately, these things are not a necessity. Don't stress :)
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i-cant-sing · 11 months
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Okay but I need yall to help me figure out the character(s) for the following scenario:
Imagine a romantic yandere falling for reader, and ofc reader isn't in love with yandere for obvious reasons like red flags. Maybe they did try dating, Yandere is a charmer, comes from a rich family, he's smart and hardworking and oh so head over heels in love with you. He's always taking you out on best dates, HAS to get you the largest fucking bouquets (excellent taste in flowers) and buys you expensive but well thought out gifts.
But for whatever reason, things dont work out and you break things off hastily and most likely over the phone before leaving the country. And yandere just- breaksdown. I mean my man does not have a good mental health as is, but you leaving, actually leaving him just breaks him down and he has a full blown panic attack.
I'm talking about yandere falling to his knees, clutching his chest and gasping for air, tears streaming down his face as he screams your name like a mad man. His family, they love him, they adore their son/brother/grandchild sm, it pains them to see him in such a miserable state. Yandere man is so delirious that he has to be sedated, tranquillised by medical professionals because he's just losing his fucking mind, babbling your name over and over again like a mad man. His condition only worsens as time passes, and so his family decides to take drastic measures because they can't see their beloved son/brother/grandkid so fucking dead and depressed and a shell of a once bright man. They love him so much, they only want ti see him happy, so they use their money and influence to track you down and try to convince you to return and take yandere back. When you refuse, they take the high way and force you to come with them, dragging you kicking and screaming to their private jet and fly all the way home, where yandere is.
You're in a dishevelled state, tears running down your cheeks as you struggle to free yourself from their grasps as they take you to yandere. And when yandere sees you... for the first time in months, his family sees the light return in his eyes as the yandere reaches out for you, scared that you're just his mind playing tricks. When he finally touches you, he is immeadiately pulling you into a hug, arms tightening around your body like a gilded cage as he cries into your shoulder and thanks his family for bringing you back. His family only smiles with tears in their eyes as they lock the door behind them when they leave, so that you don't go running away. Meanwhile, yandere has pulled you into his lap and he's looking at you with such sad eyes, staring at each feature of yours over and over again as if to memorise it all again. He can't help the tears that continue to slip out of his eyes, maybe he's crying that you're finally here, or maybe he's crying for all the time that's been lost when you weren't here. You fall asleep soon due to exhaustion, but yandere doesn't sleep a wink that night because he continues to stare at you and play with your hair very gently, finally closing his eyes when morning comes and he wraps his arms around you and traps your legs with his.
By now, you guys realise that the yandere's family is not only yandere for their son/brother/grandson but also for you. They are yandede for you too, but they're not allowing you to leave them or their son or even make him unhappy ever again. Some members are willing to let all you "tantrums" slide, while others are not so kind. BUT one thing is for sure, you're ALWAYS safe with yandere s/o, no matter what.
Now, for the characters I've had in kind for this scenario are:
Halim Mehmet Shah and the Shah Family (my ocs)
Dabi/Shotou and Todoroki clan (I am the OG creator of Yandere Todoroki Clan)
I wanna say Naoya or Toji but the Zenin clan hates them both....
Dick Grayson/Jason Todd and Batfam
What do you guys think?
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Mood board for this scenario^^^(I love Pinterest)
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Batboys Toxic Traits Headcanons
because no one is perfect, i wanted to get a little dirty with it and imagine what the boys are like when they're a little... too obsessed with you.
tw for romanticizing possessive, obsessive, jealous, aggressive actions haha xoxo
Jason Todd
- scary dog privileges wherever you go with jace, but he is ALL bite with one and only one warning bark.
- when a hand that isn't his brushes your thigh in a club, fingers get broken. when a cat caller thinks his compliment just has to be said to you, he most likely won't be able to speak again for weeks. And god forbid any villain try to use you as bait for jason, they've all learned if they value their life to never touch you. He's all for justice not vengeance until anyone tries to mess with you, then those words always get mixed up in his head.
- sometimes you cant even complain about people, they end up getting randomly harassed by a certain someone until they just move town
- jason is adamant as long as he's alive there won't be a problem of yours he can't solve with a little violence
- your biggest problem is that he struggles to let you have guy friends, obviously the ones he knows especially fellow heroes are more than fine, but he's been known to burst blood vessels when he sees you close and person with men he's never met
- he's proud of it too: "let another man try and touch y/n, it's been a slow night for me." or "i just don't get why you need him as a friend when you have me, myself, and i"
Tim Drake
- tim gets... obsessive.
- he tends to fall hard but with you he brought the house down with him
- before you were officially his he had hacked every security camera in the city to have eyes on you at any given moment
- both for your safety and his own maniacal flirting strategy: you admire shoes but frown at the price tag? tim's buying you the matching bag to go with the shoes he bought the second you looked at them.
- before you knew how insanely in love with you he was, you truly thought he was a mind reader
- well he kind of was, seeing as he scrolled through your search history every night to know which talking points to bring up with you
- once you finally fell for him and set some stronger boundaries he still occasionally found himself double checking your location when you weren't by his side, or lazily purchasing every item on your pinterest boards, he just can't help but dote on you
Damian Wayne
- damian doesn't really get close to people, but as always you were his exception
- however, this means his list of people to hang out with is extremely short, and he saw no problem in wanting to be around you wherever you went whenever he could
- like a kind of tall, dark, and brooding puppy, he quietly followed you everywhere, and when you strictly told him he couldn't follow along, you always noticed a perched shadow just a few building away
- eventually you got used to rolling over to damian coolly watching you sleep or patiently waiting to pick you up from your classes/job, happy just to walk you to your car
- just like jason, damian had a brutal and heartless style of problem-solving when it came to anyone giving you trouble
- too often you found yourself standing in between his rage a massive mistake whether it was nearly assaulting a friend of yours who tried to ask you out or threatening to buy out your entire workplace when you didn't get the promotion you wanted
- forever cooling his rage was worth having his adoration though, and you were happy to have your overbearing shadow follow you throughout your days
Dick Grayson
- for such a bubbly leader, dick often struggled with communication
- always used to bearing his problems alone youd spent too many nights tracking down your own boyfriend only to beg him to tell you what's wrong
- he never understood that you didn't always want to solve his problems, but hold his sadness or hurt with him
- it was the worst when he was upset with you, whether it was jealously or insecurity that crept into his mind
- he'd take off in a rush hoping you wouldn't notice but you always did, either hunting him down or simply waiting with open arms for him to come home
- it would take years to teach your traveling-circus-raised boyfriend that you weren't going anywhere, ever.
- but, this made for many heartfelt nights where he held you and promised you the world, as if you'd opened him up in a way no one else could, pulling forward the most magical and loving side of your sweet boy
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zot3-flopped · 5 months
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Sylvia Plath did not stick her head in an oven for this! When Taylor Swift took the Grammys stage last month to claim her award for Best Pop Vocal Album for Midnights, she saw that spotlight as an opportunity to announce her 11th studio album: The Tortured Poets Department. The follow-up cut to audience members—Swift’s music industry peers, mind you—told us all that we would ever need to know, and the collective disinterest across the crowd echoed through our TVs.
Folks from all walks of life took to social media to express a multitude of reactions. Swifties clamored to their beloved monarch’s forthcoming era, while others lambasted the terminally cringe title and artwork and ridiculed Swift for making a night recognizing musical achievements across an entire industry about herself—knowing perfectly well that it would send her fanbase into a surge that would, no doubt, overpower the excitement around the ceremony itself.
Quite a few people questioned whether or not that moment suggested that a critical—definitely not commercial—tide would turn against the world’s most-famous pop star. And, perhaps it has—but, to most, it will look like nothing more than a single ripple in Swift’s ocean of successes.
Swift remained relatively hush-hush about The Tortured Poets Department up until its release, leaving her fans, admirers and haters alike with nothing but an album title to ponder about. And it’s a bad title.
If you have never been in Swift’s corner, her taking the route of labeling her next “era” as “tortured” was likely catnip for your disinterest. If you are a fan—not necessarily a Swiftie, but even just a casual lover of her best and brightest work—you might be beside yourself about the first Swift album title longer than one word in 14 years.
In terms of popularity—certainly not always in terms of quality—no musician has been bigger this century than Swift, which makes it impossible to really buy into the “torture” of it all.
This is not to say that Swift being the most famous person in the world makes her immune to having multi-dimensional feelings of heartbreak, mental illness or what-have-you.
But, she has made the choice—as a 34-year-old adult—to take those complex, universal familiars and monetize them into a wardrobe she can wear for whatever portion of her Eras Tour setlist she opts to dedicate to the material.
Torture is fashion to Taylor Swift, and she wears her milieu dully. This album will surely get comparisons to Rupi Kaur’s poetry, either for its simplicity, empty language, commodification or all of the above.
And, sure, there are parallels there, especially in how The Tortured Poets Department, too, is going to set the art of poetry back another decade—as Swift’s naive call-to-arms of her own milky-white sorrow rings in like some quintessential “I am going to take pictures of a typewriter on my desk and have a Pinterest mood-board of Courier New font” iPhone fodder. 2013 called and it wants it capricious, suburban girl-who-is-taking-a-gap-year wig back!
Soaking our book reports in coffee or having our moms burn the edges with a kitchen lighter cannot come back into fashion; the cyclical notions of culture cannot make the space for such retreads.
There is nothing poetic about a billionaire—who, mind you, threatens legal action against a Twitter account for tracking her destructive private jet paths—telling stadiums of thousands of people every night that she sees and adores them.
Tavi Gevinson says it well in her Fan Fiction zine: “When 80,000 people are also crying, you become less special, too.” If Swift can return to one of her dozen beach houses across the world, kick up her feet and say “I’m a poet of struggle,” then who is to say that millions—maybe billions—of people with access to a notes app and a social media account won’t dream that dream, too?
Maybe that looks like a net-positive, but it’s inherently damning and destructive to take an art form that has long stood on the shoulders of resistance, of love and of opposition to power, systematic injustice and climate warfare and boil it down to the new defining era of your own 10-digit revenue empire. “My culture is not your costume,” yada, etc.
The Tortured Poets Department does begin with a shred of hope that, just maybe, Swift knows what she’s talking about—as she sneaks in a cheeky “all of this to say,” textbook transitional phrasing for poets, on opening track “Fortnight.”
But “Fortnight” unmasks itself quickly as a heady vat of pop nothingness, though it isn’t all Swift’s fault. “I was a functioning alcoholic, ‘til nobody noticed my new aesthetic,” she muses, attempting to bridge the gap between a behind-the-scenes life and on-stage performance—only for it to occur while propped up against the most dog-water, uninspired synth arrangement you could possibly imagine.
Between producer Jack Antonoff’s atrocious backing instrumental and the Y2K-era, teen dramedy echo chamber of a vocal harmony provided by out-of-place guest performer Post Malone, “Fortnight” chokes on the vomit of its own opaqueness.
“I took the miracle move-on drug, the effects were temporary,” Swift muses, and it sounds like satire. This is your songwriter of the century? Open the schools.
The Tortured Poets Department title-track features some of Swift’s worst lyricism to-date, including the irredeemable, relentlessly cringe “You smoked then ate seven bars of chocolate, we declared Charlie Puth should be a bigger artist / I scratch your head, you fall asleep like a tattooed golden retriever” lines glazed atop some synthesizers and drums that just ring in as hollow, unfascinating costuming.
Aside from the Puth nod, which I can only discern as a joke (given the fact that he is one of the 150-most streamed artists in the world and is one of the blandest pop practitioners alive—I don’t care if he can figure out the pitch of any sound you throw at him), I think Antonoff should stick to guitar-playing. Get that man away from a keyboard, I’m begging you.
Synths can be, if you use them correctly, one of the most emotional and provocative instruments in any musician’s tool-box. There’s a reason why keyboards defined the 1980s; they rebelled against the very oppressive nature existing outside of the cultural company they kept. There’s resistance in electronic music that, while they brandish an aesthetic that, to a layman’s ears, seems like technicolor hues for any infectious pop track, it’s a genre that aches to tell its own story. That is simply not the case here, and that electronica hangs Swift out to dry when she drags us through the lukewarm “I laughed in your face and said, ‘You’re not Dylan Thomas, I’m not Patti Smith’ / This ain’t the Chelsea Hotel, we’re modern idiots” lines, only to hit us with a softly sung F-bomb that sounds like a billionaire’s rendition of that one Miranda Cosgrove podcast clip.
I used to rag pretty heavily on Reputation—mostly because I thought (and still do, mostly) that it sounded like Swift had given up on making interesting, progressive pop music; that, in the wake of her (arguably) best album, 1989, it seemed like she’d lost the plot on where to go next. But as she’s put out Midnights and The Tortured Poets Department back-to-back, I find myself clamoring for the Reputation-era more than ever—at least seven years ago, Swift wrote songs like she had something to prove and even more to lose.
That was the always-obvious charm of Reputation, even despite the downsides—that she took a big swing from the echelons of her own musical immortality, that the comforts of winning every award and selling out the biggest venues in the world were no longer pillowing her aspirations. Even though that swing didn’t land, she still made it in the first place—and Swift is at her best either when she is clawing upwards (Reputation) or faced with nowhere to go but into the studio and noodle with the bare-bones of her own sensibilities (folklore).
You get something like The Tortured Poets Department when the artist making it no longer feels challenged, where she strikes out looking.
The mid-ness of The Tortured Poets Department will not be a net-loss for Swift. She will sell out arenas and get her streams until she elects to quit this business (a phrase decidedly not in her vocabulary, surely).
She will sell more merch bundles than vinyl plants have the capacity to make, and rows of variant LP copies will haunt the record aisles of Target stores just as long as Midnights has—if not longer.
Perhaps, in five or six years’ time, we will speak of this record just as we now do of Reputation. But right now, it is obvious that Swift no longer feels challenged to be good. The Tortured Poets Department is the mark of an artist now interested in seeing how much their empire can atone for the sins of mediocrity.
Can Swift win another Album of the Year Grammy simply because she released a record during the eligibility period? The Tortured Poets Department reeks of “because I can,” not “because I should.”
On “I Can Fix Him (No Really I Can),” Swift tries stepping into the shoes of the country renegades who came before her—the Tammy Wynettes and Loretta Lynns of the world. But her self-aggrandizing inflation of importance, glinting through via a seismically-bland bridge, is backed by a minimal set dressing of guitar, drum machine and keys.
“Good boy, that’s right, come close,” she sings. “I’ll show you Heaven if you’ll be an angel—all mine. Trust me, I can handle me a dangerous man. No, really, I can.” On “Florida!!!,” Swift calls upon Florence + the Machine to help her sing the worst chorus of 2024: “Florida is one hell of a drug / Florida, can I use you up?”
Even Welch, who is a fantastic pop singer-songwriter in her own right, delivers a grossly watery verse: “The hurricane with my name, when it came I got drunk and I dared it to wash me away.”
Not even the typos on the Spotify promotional materials for this album could have foretold such offenses. I won’t even get into the sonics, because Antonoff just rewrites the same soulless patterns every time.
What separates The Tortured Poets Department from something like Reputation is that, on the latter, Swift made it known what was at stake and who she was making that album for—herself, in the aftermath of her greatest long-standing criticisms (“Look What You Made Me Do” triumphs exactly because of this).
On The Tortured Poets Department, there is a striking level of moral nothingness. The stakes are practically non-existent, and the album sounds like it was made by someone who believes that they had no other choice but to finish it, as if Swift fundamentally believes that her creative measures are firmly embedded in the massive monopoly her name and brand currently hold on popular music. That’s how you get meandering pop songs about hookups, wine moms, Stevie Nicks comparisons, Jehovah’s Witness suit mentions, hollowed-out, tone-deaf nods to white-collar crime in lieu of empowerment and, topically, Barbie dolls.
(Don’t even get me started on the Anthology lyrics, which feature these absolute barn-burners: “Touch me while your bros play Grand Theft Auto” and “My friends used to play a game where / We would pick a decade / We wished we could live in instead of this / I’d say the 1830s, but without all the racists / And getting married off for the highest bid.”) This album and its hackneyed grasps at relevance exist as “Did I just hear that?” personified, but in the most derogatory sense of the notion.
My Boy Only Breaks His Favorite Toys” features another low-point in Swift’s lyrical oeuvre, as she sings “I felt more when we played pretend than with all the Kens, ‘cause he took me out of my box”—perhaps a measure of her capitalizing on the Barbenheimer mania that none of us could escape, not even the musician who spent most of 2023 flying across the world from one country to another.
But you, us, the listener—we want to believe that Swift makes these records because she has the artistic will, drive and interest to continue giving us parts of her story in such ways that they exist as an archival of her life.
But the problem is that, on The Tortured Poets Department, Swift is packaging her life into a form that is easily consumable for the 17 or 18 years olds who pour over her music. Just because her Eras Tour film is on Disney+ doesn’t mean she has to strip her songwriting (which we know can be, and has been, phenomenal) down for the sake of it being digestible by a wide spectrum of ages.
And, sure, maybe that makes the work accessible. But on The Tortured Poets Department, Swift makes Zoomer jargon her bag—titling a song after one of the most popular video games in the world and conjuring flickers of “down bad” and “I can fix him”—and it feels like she’s cosplaying because the Fountain of Youth was out of order.
Now that Swift is in her 30s, it sounds like she is infantilizing her own audience more than ever before—that singing to them at a level that could force them to reckon with something more akin with adulthood would be some kind of kink in the coil or her consumeristic threshold, that writing lyrics that sound like they were penned by a 30-year-old would, somehow, deter the interests of the billions of people who adore her.
If making one, continuous coming-of-age album is what Swift has been doing for 15 years, folklore and evermore were hiccups in the timeline—existing as the most fully-formed renderings of Swift’s own insecurities and concerns. They mirrored our platitudes towards an uncertain future with sweet, stirring remarks about isolation and heartbreak and the unavoidable, hard-worn truth about getting older. On those records, her larger-than-life living seemed, for once, to truly feel as close to the ground as ours.
Now, though, Taylor Swift is at the top of the mountain. Far better artists have made far worse records than The Tortured Poets Department, but you can’t read between the lines of this project. There is nothing to decipher from a place of quality.
Sure, Swift’s fan base will pour over these lyrics for the rest of their lives—insisting they know, for certain, which song is about who. But you cannot place a bad album on the shoulders of lore and expect it to be rectified.
We are now left at a crossroads. Women can’t critique Swift because they’ll run the risk of being labeled a “gender traitor” for doing so. Men can’t critique her because they’ll be touted as “sexist.”
And, sure, Swift is probably too easy a punching bag in this case—and most of the time, I would argue she is undeserving of being a victim of such barbs. But, you cannot write about someone being a “tattooed golden retriever” and get away with it and still retain your title as the best songwriter of your generation. You just cannot.
Sisyphus should be glad he never got the boulder to the top of the mountain—because Taylor Swift is showing us that such immortality and success ain’t all it’s cracked up to be. And, when you’re standing on the peak alone, who else is there left to hit?
In a recent interview with The Standard, Courtney Love said that Swift is “not interesting as an artist,” and I think The Tortured Poets Department proves as much. She has nothing to fight for, no doubters left to drown.
So where does she turn? Well, to boredoms of celebrity thinly veiled as sorrow everyone and their mother can latch onto—because we’ve all had to “ditch the clowns, get the crown” at some point in our lives, right?
The billionaire is having an identity crisis, but there are no social media apps for her to buy up. So she sings like Lana Del Rey and writes meta-self-referential songs about looking like Stevie Nicks.
What’s hollow about The Tortured Poets Department is that the real torture is just how unlivable these songs really are. No one can resonate with “So I leap from the gallows and I levitate down your street, crash the party like a record, scratch as I scream ‘Who’s afraid of little old me?’ You should be.” And normally, that wouldn’t be an end-all-be-all for a pop record—but when your brand is built on copious levels of “I’m just like you!” as the demigod saying it to their fans does so from a multi-million-dollar production set, it’s hard to not feel nauseated by the overlording, overbearing sense of heavy-handed detritus we’re tasked with sifting through on The Tortured Poets Department.
Love’s words to Lana, her advice to “take seven years off,” should be applied to Swift. Now, that doesn’t mean that, to make a good album, you must sit on material for years and labor extensively through the sketching, shaping and recording in order for it to be transcendentally landmark. But it’s obvious now that not even Taylor Swift wants to be the head of an empire—that she, too, can’t outrun the damning fate of being plum out of ideas by hopping in her jet and skirting off to God knows where.
See you at the Grammys.
****
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reallyneedsalife · 1 year
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"oh, so you're just friends?" no we aren't 'just' friends. we are friends. we are everything that means, and it isn't any less than a romantic relationship.
we're parabatai, we're besties, we're siblings (unofficially but emotionally), we're attached. we have pinterest boards for each other, I give them presents for no reason other than i saw something I thought they'd like. They buy drinks and laugh as I chug a bottle at speed because im constantly thirsty. they say im the sun and they're the moon. my moon.
our messages consist of videos saying "I love you. You made my life better. You have impacted me as a person forever." and videos consisting of "lmao look at this dude" "cat cat cat cat" "this song made me think of you" "lmao look at this orchestra following a runner playing the mission impossible music while they run" "You're my favourite person" "this is an edit of your favourite show" "this is an edit of my favourite show".
we are not just friends. we are friends.
platonic relationships aren't worth less than romantic ones. don't diminish them with the word "just"
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swisccfinds · 4 months
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May CC/Mod Finds
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The One Where They Are Friends - Katiemods
This is a mod that recently popped up on my Pinterest, so I had to add it to this list! This mod adds so much more friendly interactions to add more options for you and your sim's bestie.
See more info, images, download, and more here on KatieMods patreon. Also show her some support!
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Baby On The Way - Simmerika
These are my sims containing these cc and poses! A lot of people have been asking me on Facebook where I got the pose pack and the sonogram, so here it is for my Tumblr followers as well. This comes with ultrasound accessories and I promise you these poses are amazing and cute!
Check out the poses, and download this set on SimmErika's patreon along with showing her support!
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Set Family Relationships by simsmodelsimmer
This mod is very helpful for when you want to add family relationships on other sims in your world!
Read more, and download over on Simsmodelsimmer's patreon as well as showing them support!
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Ask Parent about dating by ilkavelle
This mod adds realism to your gameplay as your children and teens have the option on asking their parents about dating and ask for advice on dating as well! How cool?!
See more and download at ilkavelle's patreon as well as showing them support!
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It's Movie Time by Tank
This adds a DVD along with real life movies that we all enjoy and now our sims can enjoy as well!
read more and download here as well as show Tank some support!
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Twilight Years Aspiration by KiaraSims4Mods
There's not much elder aspirations but no fear KiaraSims4Mods has created an aspiration just for Elders called the Twilight Years which give you many tasks for your elder sims to aspire!
read more and download here as well as showing KiaraSims4Mods some support!
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Chores by LittleMsSam
Another realistic mod that adds the option to set chores on the family board! We all had to do our share of chores when we were younger, now with LittleMsSam's Chores mod sims as well can have chores.
read more and download here as well as showing our support to LittleMsSam
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Drama Mod by MizoreYukii
we all love some messy gameplay but this mod adds 13 more messy interactions to spice up your gameplay. Some of the interactions are very realistic as well!
read more and download here and show MizoreYukii support!
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Realistic Cooking Mod by Somik and Severinka
Cooking made more realistic in the sims? We all love realistic mods here and this one takes the cake. This adds a self checkout that sims can use to buy products to cook with! How cool?!
read more and download here and don't forget to show Somik and Severinka support on their patreon!
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Live In Services by LittleMsSam
This adds services such as nanny, maid, and Gardner that will spawn on your lot and stay there! This is will only work if the lot as the Live in Service lot trait :)
read more and download here as well as show LittleMsSam Support!
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sociocosmos · 2 months
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marleyybluu · 1 year
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Differences
husband!Rio x f!black!OC ( Toni - no relation to Miss Braxton.)
Word count: 3.2k
Content warning: 18+, smut out the ass, riding, fingering, p in v, creampie, use of the word cock sorry oops, baby-making boogie, doubts about marriage, doubts about kids, fluff, Rio being in love, lot of switching between his names, allusion to food play if you squint hard enough (?). lmk if I missed any.
A/N: this was orginally for... someone else iykyk mind your business, but I switched last minute. Also I gave Rio a middle name lol
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(Not my gif, found off Pinterest. but FUCK ME he looks good)
They'd been married for four years. They enjoyed their marital life, going on various trips, spending their money all willy-nilly since it was just the two of them, having parties at their house every holiday but something was missing. At least for Toni. She always wanted to be a mother, children invaded her heart and soul her whole life. Her sisters had children that she loved to babysit, she was even in the delivery room a few times. She'd become a teacher for the sole purpose of spending her days with young ones, making a difference in their lives and loving them wholeheartedly as much as she could.
But it seemed like Rio wasn't in the same boat. Which was stupid because they made sure to have this discussion before they got married and he was on board one hundred percent, Toni wanted to make her husband a father, she wanted to see him cradle a little blanket in his arms, she wanted to see him snuggling next to the chubbiest cheeks and she wanted to see his face light up at their first word but, again, he seemed to not want it for himself.
It was frustrating.
She'd let the four years pass, it was a good time window, they had time to get their lives together and buy a house, fully furnish it, settle into a decent neighbourhood and buy an SUV to fit the little family they dreamed of.
Toni even made sure to let him know when she was ovulating, the perfect opportunity to try and make a child, but he'd shrivel up and disappear when she brought it up. Then she'd spend her nights quietly doubting his interest in kids, his interest in her.
They hadn't spoken in four days, the aftermath of their first real argument, the vibes in the house were heavy and sometimes a bit awkward. She even started staying late at work to avoid him even longer.
They weren't all that selfish, they still said good morning and good night but that was about it. Little to her knowledge it was killing Rio. He hated the silent treatment from her, she was his girl they talked all the time, this had been the best relationship he'd ever been in, he didn't want to fuck it up but it felt like he already did.
He tried sneaking his way back into her heart by leaving little love notes, cooking her favourite meals and turning on her favourite shows in hopes she'd join him on the couch but all he got was the cold shoulder and he understood. He fucked up big time.
"I'm ovulating." She stated plainly. Rio just blinked and shrugged. She groaned. "Christopher, I can't do this anymore, I'm dropping hints that I want to start trying and you... you ignore me."
"I'm not ready."
"When will you be? Because I am."
He chuckled nervously. "Come on, Toni, we cannot be parents. We'll fuck it up."
The look on her face sent his heart into the pit of his stomach, her eyes glossy with tears coming in, and a harsh; "Fuck you, Christopher!"  To follow suit. It stung hearing those words, if she ever said them it was more so in a playful manner but this time she had rage, anger behind her words and rightfully so. But tonight he was determined to make amends, he could not keep living like this.
It was Friday, and Toni decided she'd come home a little earlier. Rio sat up quickly at the sound of her car door slamming and the keys on her keychain jingling as she sifted for the house key. The door opened and he tried his best to keep his cool. "Hi, darlin." He greeted.
"Hey." She said in the most monotone voice he'd ever heard. "Hungry?" He asked. "Nah, I'm cool."
Toni slipped off her shoes and crept up the stairs to their room, she placed her purse on a chair nearby and sighed, just ready to shower and lay down for the rest of the weekend. She walked past their bathroom intending to head to her Vanity but a red spot on the floor caught her eye, and then another... and another. But they weren't spots, they were rose petals, a trail of them leading up to the tub that was already filled with water, the smell of her lavender bath bomb invading her senses. On the counter were a few lit candles and her little speaker so she could play music.
She swallowed her smile and headed back to the room to collect her clothes for the night. Meanwhile, Rio was finishing the final touches on his persuasive dinner downstairs. He made Macaroni just the way she taught him, some rice and chicken, even topped it off with a red velvet cake... okay so he bought the cake but it was the thought that counted right?
He set up the table for both of them to eat together, he set up the forks and knives on the table with a small vase of her favourite flower, pink Dahlia's. His palms were suddenly sweaty, tonight was make or break. If he didn't fix things tonight he had no idea where they would stand after.
Almost an hour later, Toni decided she'd close the distance between them only because she was hungry. Her feet pressed against the carpeted stairs as she descended onto the main floor, the living room was empty, Rio left whatever he was watching on pause. Her head whipped over to the kitchen smelling a lovely fragrance, she followed the trail and stopped in her tracks at the opening to the kitchen. She watched as Rio scrambled to plate their food, she tilted her head and smiled lightly, her eyes slowly forming into hearts. Oh, how she loved him.
"Do you want help?" She asked making her presence known, Rio shook his head. "Just sit and be pretty." She giggled. "I have no problem doing that."
She sat around the table, her eyes landing on the Dahlia's, her smile widened. "You got these for me?"
"Of course," He replied walking with two plates in his hand like a waiter, he put hers down first and then his. "Any drink requests?" He asked. She motioned her finger in a 'come here' motion, his eyebrows knitting with confusion but following her non-verbal instruction, she cupped his face pulling him even closer until their lips, moulding into one. She'd been wanting to kiss him for days, she didn't know if she could ever hold a grudge this long again.
The kiss was quick, just a little show of appreciation. She could see a light shade of pink take over his cheekbones. "Do we have any wine?"
"Went and got two new bottles." He says matter of factly. Toni pecked his lips again before sending him off for her drink. He grabbed two wine glasses and the bottle. "You're going to drink wine?" She asked in utter confusion. He couldn't stand wine, his famous line was 'I don't know how you drink this shit.'
He shrugged sitting down. "I can drink wine."
"Christopher... baby you hate wine."
"I can learn to like it."
She knew he was doing everything to soften her up, but the look on his face when he took a first sip was priceless. "Go and get a beer, leave me and my wine alone." He chuckled and quickly grabbed a bottle from the fridge.
The two sat and actually conversed for the first time in four days. It was nice. They talked without missing a beat, he was making her smile and laugh, she told him about the kids at work and the twinkle in her eye at the smallest mention of them was beautiful. She truly loved her students, they made her day every day with the silly stuff they'd say to her. He was in love with how motherly she could be toward everyone, how forgiving she was of anyone and especially of him. He didn't deserve her and he'd made it known numerous times and in the same amount she'd reassured him that he was just for her.
In the middle of her ramble, she noticed the way he was staring at her and suddenly she became shy. "What?" She asked. "I love you, mama."
"I love you too, Christopher."
He shook his head vigorously. "No, I love you more than you could ever imagine, Toni. And I am so so sorry for what I said."
She sighed. "It's okay."
"No, it's not okay. You will be an amazing mom to our kids and I couldn't picture anyone else having them, shit I couldn't even picture having a family until you came, it wasn't in the cards for me." He confessed. "My whole life has changed and I'm forever grateful for it. I want it to keep changing."
She tugged on her bottom lip, trying her best to swallow her tears. "When I saw how my words affected you, baby, my heart broke. I never want to be the reason you're sad. Never. I've missed you these few days. I need you back. I'm sorry."
Toni was speechless, her lips parted to say something but how do you respond to the sweetest apology ever?
Her eyes darted between his pretty brown ones, she stood up and walked over to him, swinging her leg over his she planted herself comfortably on his lap. His hands instantly rested on her hips. She didn't say anything, just leaned down and kissed him and he could swear that on her lips he could taste his past, his present and his future and she was there for every step, for every second. He wouldn't dare say such foolishness to her again.
Toni could feel a little poke through his sweats, she quietly moaned into his mouth, his hands exploring her warm chestnut skin under her shirt, his fingers trickling down her back. His lips moved to her chin and down to her neck to the spot he knew oh so well, his facial hair tickling her skin only adding to the sensation and a ray of goosebumps formed on her skin. "Christopher...mmm." Was all she could mutter, her hips involuntarily moving back and forth desperately searching for friction to soothe the aching of her clit. He got the message though, firmly splaying his hands under her ample ass, he stood up and she wrapped her legs around him.
He was halfway out of the kitchen when he realized; "Wait, I got you a red velvet cake."
Toni laughed, and she kissed his forehead, god he was so cute. "Boy, forget the cake. Take me upstairs and you can eat a different cake."
Rio raised his eyebrows, didn't have to tell him twice. "That's why I married yo ass girl."
She gladly hung off of him while he carried her up the stairs and once they made it to the room he dropped her on the bed, her sweet laughter filled the room. He settled between her legs, peppering her with kisses and affection. "I can't wait to see you, walking around here with a little belly, carrying around our love." He twitched at the thought and she noticed. A small surprised look on her face. "Is the thought of me pregnant... turning you on?"
"No." He quickly denied it. "Christopher Javier Martínez, yes it does." She teased reaching in between them to cup his hardening erection. "Mm, so you want to fill me up? Hm?" Her voice was so smooth and silky yet seductive, her lips pressing against his only for a moment. "You want to see me carrying your baby around? How swollen and plump my breasts are gonna get? Practically spilling over my tops."
"Toni." He groaned. She giggled but her taunting was cut short when he reached into her (well, his) boxers, his fingers teasing her slit, her wetness coating him. Her back arched as he quickly dipped his fingers inside her heat and back out. "Stop playin' with me." She moaned. "Why?"
Her shirt slid up her torso and past her breasts exposing her erect nipples, his mouth quickly latching onto one, his tongue swirling around her pretty brown areolas, so delicious. His free hand massaged her other one, his thumb and index fingers playing with her nipple. Her back arched and her legs squirm under him.
"Christopher, baby, please." She whined. He chuckled and something about was kind of sinister like his intent was to tease her all night until she begged for what she wanted. He popped her nipple out of his mouth, planting a kiss on it before moving on to the next, his hips grinding into hers pressing his clothed cock on her needy clit. "Yes... oh, I need more, please." She gasped.
He kissed between the valley of her breasts, down her torso and finally reaching his destination above the band of her underwear, he tugs them off in almost a hungry manner, his mouth attaching to her pussy like a magnet. His tongue going to work on her clit, his thumb caressing the rest of her slit. Toni's entire body shivered, her legs slowly closing around his head, he used his free hand to smack her inner thigh, she squealed and spread them out, holding the under of her thighs for support.
Her eyes glided to the back of her head, she squirmed, her back arching just a little bit. "Oh... y-yeah." Her toes cracked while pleasure coursed through her veins. Rio hummed against her sensitive nub, his own hips losing themselves as he hunched against the mattress with neediness. Her thighs trembled as they partially rested on his shoulders. She moaned and whined, whimpered and croaked as he devoured her existence.
"fuck, baby, I'm so close." She warned with her jaw slacked as the hairs on her arm stood, her body stiffened, her nails scratched at his scalp with appreciation and love as he carried her through the tantalizing loops of her orgasm.
She was dripping down his beard and he smiled against her thigh, his teeth gently biting on the flesh. "Oh!... Mr. Martinez." She giggled. He kissed his way back up her body, his lips landing on her chin. "I'm so glad I married you." She hummed running her nails over his skin. "Hm, I love you, ma." He cooed pressing a kiss to her nose. Rio slid off his sweats and boxers, dick sliding between her soaking folds. Her hand reached between them wrapping her fingers around his well-sized shaft.
Their lips connect as she guides him inside her soft walls. She gasped and softly moaned as he eased his way in until she was stuffed. Toni wrapped her legs around his waist. "You good?" Just checking. She nodded, too full to speak. His lips occupied her neck, her mind in the clouds as he fucked her stupid. Mutters and mumbles of "fuck me! Yes!" Or "right there!" As he skillfully worked his hips. He held her close, his face buried in the curve of her neck. His thrusts were hard and slow, he was making her feel every inch, every bit of stretch he provided.
Her high creeping its way into her bones, her moans became louder as he consistently tapped against her g-spot. There was no way he was about to make her nut again in such a short amount of time. He could feel her juicy walls contracting around him, hugging him so tight. "You're so wet for me, huh, my pretty baby?" 
Toni's jaw slacked while he talked to her, nibbling on her ear. "So fucking wet, can feel it dripping down my balls, fuck." 
She whined. "I can't- shit! shit! ooooh!" 
He chuckles as he pulls out, regrettably at that. Toni cried out, her climax so close yet so far. Rio fell onto the bed, slapping her thigh he said, "Get on top." 
She sucked her teeth, in no mood to be on top, still irritated from being denied her needs. Rio pinched her and she yelped. "Ow! You dick!" She laughed slapping his arm. "Hurry up and get on this dick." He urged pulling her arm to help her over. She swung her leg across his body, perching herself on his lap like earlier. His dick resting perfectly against one of her cheeks. She looked down at him and he was so fucking pretty. His Adam's apple bobbed as he swallowed thickly, her eyes landing on that notorious Eagle tattoo on his throat then down over the rest that he had scattered on his body, she moaned at that alone. 
She leaned forward, raising her hips and skillfully lining him up with her entrance, no hands needed. She watched as his rosy lips parted slightly and a small crease in between his eyebrows formed when they came together. "Fuuuuck." He dragged out feeling his dick be re-enveloped in her velvety walls. Toni moved her hips back and forth with one goal in mind, to get herself off. She used her knees as leverage to lift her hips up and back down, her ass jiggling when colliding with his thighs. With her lip between her teeth, her head tossed back she got to work on him. 
Rio's hands gladly squeezed at her sides, her moans filling the room once again. "You're so fucking pretty on top of me, mama." He encouraged, but he truly meant it, she looked like a fucking angel. "Oh god, oh god... fuck yes, Rio!" He felt himself twitch, his wife rarely called him by his street name, she only did it when she wanted to tease him, loved to do it when they were around others. 
He groaned spanking her. She smiled, a hazy look in her eyes. "What's my name, mama?" 
Toni cried out, her head falling forward as she bounced out her orgasm. "Fu-fuuuck, Rio!" 
"Squeezing this dick so fuckin' tight, come on..." He sat up hooking his arm around her waist, his tongue darting out to the underside of her breast, tasting the saltiness of her sweat. Toni sang out his name, her back arched and her eyes rolled. He grabbed her hips and guided her up and down, her body going limp. "Shit! Oh... Toni, I'm comin' baby." He growled through gritted teeth, he pressed his forehead against her sternum and she softly smiled feeling his warm seed spread inside her. "Fuck... that feels so good." She giggled, she was cock drunk. He kissed her glistening skin. 
They stayed like that for a moment, she kissed the top of his head, her hands on his shoulders as she slowly pushed him onto his back again, she climbed off of him and sighed in satisfaction. "You want something to drink?" He asked, she shook her head. "Nah, you gotta hydrate ma. I'm making sure I put a baby in you tonight." He laughed lightly smacking her thigh. Her cheeks warmed as a smile fell onto her face. 
She watched as Rio, naked and all, left the room to go downstairs. "Bring the cake too!"Toni shouted, he could just hear the smirk in her voice.
"You are so nasty!" He yelled back.
 "You love it though!" 
If you liked this fic free to like this fic, likes, reblogs and comments are appreciated. peace and love, see you in the next one 🤙🏾 If you're interested in reading other fics based on songs just like this one you can find them here in 'The Mixtapes.' playlist.
tags: @darqchilddaydreamz @rio-reid-whoreee @skyesthebomb tags that might be interested: @bigenergy777 @realhotgurlshit @lovedlover
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miakate-writes · 1 year
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Domestic romance prompts [part two] <3
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[a/n: thank u guys so much for all the love on part one, 400 notes is crazy to me. i appreciate every one of you who took the time to read my prompts.]
buying their first home together. the first night spent on a mattress on the floor. having a pizza picnic and making endless pinterest boards for decoration ideas.
late night talks. future family, future jobs, future holidays, even future meals they want to cook, or books they want to read, or movies they want to watch. as long as they do it together.
the specific curve in character A’s chest that fits character B’s head so perfectly. B manages to find it every night and can’t sleep without it.
having a scheduled date night and the both of them looking forward to the date throughout a busy week. once date night arrives they’re both super excited whilst getting ready and on the way.
A keeping B from getting out of bed for work in the morning, wrapping an arm around their waist and pulling them back in for “just a few more minutes.”
B talking about their bad day and A deciding that they don’t like the people that made the day bad. A now has a not-so-secret vendetta against those people and will voice it on the daily.
[a/n 2: if anyone has anyone prompts ideas or wants to see me write for any specific prompts (for any specific characters?) pls don’t hesitate to pop into my asks box :D and if you end up using any of my prompts pls tage me, i would love to read them!]
[plus it would mean so much to me if you would follow me on tiktok and instagram @/miakate.writes <3]
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ghxstyfae · 7 months
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Pearly kisses ♡ 2 ♡ J.Webber
Tags: @olislays
Warnings: nsfw under labelled section
Part one
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Sfw
One day gf decides to put bows everywhere. Jakes car, his house (including Johnnies room??), she even ties one around his bicep
Jake may eventually get a small pink bow tattoo
Gf writes Jake love letters like shes from the victorian era. Calligraphy writing, a kiss to seal it, wax melt and a stamp🤭
Expect fresh flowers on her desk every week, he even makes lives of making little bouquets for her
Definitely follows this rule of keeping a flower from her bouquet so he knows when its wilted.
When shes on her period, he knows the best ways to make her happy.
Cuddles and snuggles, snacks, a heating pad, netflix, and some online shopping.
"What the hell is crockqette?"
"Why are these your most recent emojis?" 🎀💕🩷🍓🍬💌♀️💝🌸 "your so weird"
Lets her braid his hair if she wants, which of course she does. This eventually leads to him having little mini pig tails in his mullet (with bows!)
Gf wears heels a lot, but she doesnt want to get the dirty so Jake usually has to carry her/keep an extra pair of shoes in the car
He didnt understand the hello kitty obsession at first
But after a mini mental breakdown on Gf's part over loosing her favourite sanrio plushie, he atleast tries to understand
Nsfw
He does buy her lots of little nick nacks and other hello kitty memorabilia. (Check pinterest board under sanrio gifts)
Of course she also begs to tie a bow around his cock and he agrees *if* she'll ride him afterwards
I think he'd be kinda into shibrari styles and definitely tie her up with pink ribbon
Pushing her head into her teddybears as he pounds into her from behind, whispering the nastiest little words
He bought her one of those giant pink teddy bears and ties her arms to it while he holds a vibe to her clit
...
Um-🫢 thats all folks.
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richarlotte · 6 days
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365 Days from Rot to Hot (Pt. 3).
Find your colors. You could use AI, take a trip to Lowe’s (this is one of the things I did), or actually use a service, but sorting out what colors suit you is essential. A major part of building my blend and creating my personal style was based around finding things that suited me, and I do believe that you shouldn’t start buying clothes or putting a look together unless you know your undertone, have a grasp of your colors and your body type, understand your seasons, and are prepared to experiment with what you’ve learned. Finding your colors should be the first step you take, as it will make the process of creating looks easier and give you a general idea of what things will look good on you.
Search for inspiration and don’t hold yourself back. It’s your life; it’s your fashion; it’s your style. You can be as basic or as eccentric as you want. If you think Kendall Jenner and Hailey Bieber are goddesses, then take inspiration from them. If you’re a budding Betsey Johnson or a Lisa Frank and want to design your own clothes and make them even brighter, then do that. If you’re obsessed with Bella Hadid’s western era and want to chase your own wild horses, then go ahead. I’d recommend doing what I did and creating a number of Pinterest boards and using Instagram to create polyvore-like style and vision boards.
Set a reasonable budget and stick with it. You cannot spend more than you have, and it’s not wise to get into debt pursuing a lifestyle that you know you can’t afford in the long run. Create a reasonable budget and work with it; don’t try to work around it. I found myself shopping from Walmart, Meijer, Gap, and J. Crew Factory and looking for sales before I bought anything. Don’t jump into the process and waste your money buying everything straight off the racks; utilize stores like TJ Maxx, look for sales, use what you already have, and really make an effort to make your dollar stretch. Another part of working with your budget is not blowing it by shopping at Shein; if you buy something and then have to throw it out and rebuy it after 5 wears, you’re not actually getting any bang for your buck.
Utilize Pinterest and social media to find women that look like you. An integral part of creating your own blend and finding what works for you is seeing it on other women. I followed a number of women that looked like me and didn’t look like me, lived in areas of the world I found fascinating, and had tastes that I wouldn’t describe as mainstream. I used a number of different languages to search for the trends that I liked; I used Twitter and Instagram to look at hashtags; and I took total advantage of the resources I was able to access. I used magazines, went through online archives, and spent time building my ideal image. Was it perfect? No, but as time passed, it became more and more helpful, and it eventually became the Pinterest board that I use now and my main vision board.
Tie it all together and see how things work. I had to experiment with so many different looks, delete and recreate so many vision boards, and try things for myself. Am I a hairstylist? No, but I’m also not a billionaire, so I had to learn how to style my wigs to see what suited me. I went to stores to try things on, experimented with IG to see if certain pieces of jewelry would suit me, and had the time of my life during my experimentation phase. Collecting online images isn’t enough, and it’s very hard to actually get a grasp of what you like if you’re doing everything online. Try your lookout, put things together, adjust it as you please, and tie your loose ends up.
Pt. 4 to come next.
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