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davidmariottecomics · 1 year

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A Matter of Time

Surf's up, gang!

Aloha from the beach! Okay, not really. I'm at home at time of writing, but I've made 2 whole trips out to the ocean this week, so I'm feeling beachy! Which, if you live near the water, is a pretty good way to feel in the summertime!

In enjoying the season, I started thinking about the complex production timelines of comics, the ways in which some comics feel timely when they were created well ahead of the events they seem related to, and a book I read recently that had one time element that really didn't work for me. So let's take some time to talk about time!

Story of Seasons

Where I live in the U.S., summer means a certain thing. At this time of year, we're largely through the June Gloom and into hot, sunny days. The sun rises before I'm usually up, and I wake up early, and sets around 8 p.m. Most nights, in at least some parts of town, there are fireworks. Folks are having barbecues at home and along the beach--which people are flocking too. The college-aged kids only roll up after they've got up, and since they don't have school, you can usually not expect to see them before noon. And while the coastline's popping, closer to us, things are quieter exactly because school's out and the college campus has largely cleared out. And, specific to where we live, it means the trolleys and buses and some buildings and street signs, have assumed their summer wrap, promoting Peacock and Futurama's return and whatever else companies spent boodles of money on to promote ahead of and during San Diego Comic-Con.

That's what the exterior of my life is like right now. Sweet, hot, summertime fun outdoors--though I spend most of my time in with the cats. And there's still a little bit of that in my work. I'm planning meeting up with folks at San Diego Comic-Con and, while I'm not particularly involved, I'm watching Riley Farmer get the Sonic the Hedgehog: Endless Summer one-shot buttoned up for next month. But most of what I'm working on is already well ahead, working actively on releases across the fall, and switching from planning to the first steps of production on our winter releases with spring 2024 already cresting the horizon.

It's a funky dichotomy. If you go into a comic shop in the next two months, summer programs will be in full swing, from DC's big summer crossover event, Knight Terrors to IDW's Endless Summer, to Ultimate Invasion and the Hellfire Gala stuff Marvel's got going on, as well as Skybound's kicking off their Energon Universe, and whatever stores have left of the projects kicked off for Pride.

But because you're seeing those things in stores, it means they're done and as I've talked about a bit before, generally comics have to be done a ways before their release. In an ideal situation, a comic is done between 7 and 10 weeks before the on-sale date. In a less ideal situation, a comic needs to be done at least 3 weeks before the on-sale date for most printers/distributors/final-order-cutoff reasons. But, in the former case, it means this next week, I'd be looking at what needs to go out right around mid-September--the first week of fall. And those are the things that'd be finishing. Let's say you'd need at least 10 weeks before that for finalizing the script; drawing, coloring, lettering, and doing any production on the issue; and getting it approved by all the relevant stakeholders. So the things entering that phase in the next week wouldn't actually see stores until the last week of November.

In the books world, there are three spans, rather than the four seasons. Those are Spring (Feb-May), Summer (Jun-Aug), and Fall (Sept-Jan). And when you're working purely with single-issue comics, when you're in one span, you're generally working on titles for the next. When it comes to collections and OGNs, you can be working on stuff years ahead of time. (As an aside to all this, it's also super interesting that this is how things are sorted because it really speaks to publishing in the northern hemisphere... sorry to anyone in the southern hemisphere who is looking at IDW's Endless Summer and thinking "but it's winter!")

I bring all this up as a reminder that comics take a long time to make and when there are comics have a particularly timely element, like a summer event, they're the result of months of work and planning to hit that specific date that falls in that seasonal span. And while tons of planning can go into something like a 5th week event (in months with 5 Wednesdays, some publishers will add extra titles on the 5th week so they have releases for that Wednesday without disrupting the regular monthly schedule of their titles), it also means sometimes something happens that seems very intentional, but is purely coincidental!

Unintended Timeliness

Wendy Xu has a new book coming out next month, The Infinity Particle. Like all of her books, it looks very good. Straight from the copy, it "explores big questions through the eyes of an aspiring inventor and the lifelike AI she finds herself falling for." And in the build-up to release, advance reader copies have gone out to booksellers, librarians, and reviewers--the folks who should see the book early because it will help the book get more traction in stores, libraries, and more visibility with readers. But because of developments over the past year, it also is now very closely tied to a hot button issue: AI. Through the circumstances of the world around The Infinity Particle's release, early reviews and examination of it are inherently looping it into the larger conversation. Wendy's gone on the record about, as she said, "'AI' (derogatory)" and "AI-in-fiction (complimentary)." But one of the things she's also been very clear about is that she's been working on this book since 2018 when we weren't talking about AI in the same way.

I bring this all up because, when taken with my previous point about how long it often takes comics to be made, a lot of the timeliness that you may seen in a work can be coincidental. As another example, I've been asked a few times about whether the Metal Virus arc in IDW's Sonic the Hedgehog was in any way inspired by the early days of the Covid-19 pandemic. That arc is, in many ways, about a global pandemic. That arc, also, was pitched over a dinner at WonderCon 2018, where only the very first issue was on sale a week early and the series had not yet launched widely. The majority of it was written and in production before March 2020 when the U.S. really shut down in the early days of their response. So, no, the timelines don't really work out, it was just happenstance.

And as a writer/artist/editor/etc, that's one of the things you have to keep in mind. I came from journalism, where timeliness was often an important part of storytelling. "New" is 3/4ths of "News." But outside of strips and editorial/political cartoons, it is much harder to incorporate true timeliness to your comics work. So, often, the default is to look for timelessness--something that isn't pegged to a specific event or set of circumstances, but that can be appreciated whenever because it speaks to something larger. Timelessness doesn't need to be forward-looking necessarily. It can be reacting to or interpreting long-standing history. But the benefit of trying to tell a story that always feels relevant, even if the cultural context around it may change the reader's interpretation from your intention (and there's a longer conversation to be had about interpretation vs. intention), is it usually doesn't feel immediately aged.

The flip side of things having an unexpected timeliness is when you try to execute something to be timely, but in the interim of writing to execution or just through the flow of time, it just isn't anymore. Somewhat recently, Becca rediscovered "Boyfriend" by Big Time Rush. Obviously, this song is like 13 years old anyway, but boy howdy does the song feel it's age when they call out 2008 Best Picture winner, Slumdog Millionaire. It's not to say you can't or shouldn't put things in the context of the time they're written in, just that being considerate of it is probably to your benefit because specific cultural and contextual touchpoints should feel additive to the work and the intention, not haphazard as a way of showing modernity. (Two quick asides to this: 1. If you don't like "Boyfriend" by BTR musically, you do need to watch the video because it is wild. However, maybe "Boyfriend" by Dove Cameron will be more to your tastes and is incredibly funny if you listen to it as a response to the BTR song. 2. Cultural references aren't the only things that can feel dated or be misused and make your comic worse--see every time AAVE is misused in comics and the creators are immediately dunked on.)

A Timeless Romance... And Leia Organa

Last bit for today, building off what we were just talking about. I recently read Neon Gods by Katee Roberts. It's a smutty retelling of Hades/Persephone set in modern times. (I'm still figuring out some upcoming blogs, but certainly the aforementioned AI and also why SO MANY WORKS are gravitating to Hades/Persephone are on the shortlist). Overall, I liked it. Like many first books in a series, I hear it picks up in later volumes. There's a lot to say about it, but one thing that really stuck out to me was while I understand that it is set in modern day, anytime it made a specific modern reference, it really threw me off.

Throughout the book, people make calls on their smart phones and have video conferences and there are guns and cars and skyscrapers and other hallmarks of modernity. And it is totally fine. It sets the scene and makes sense for the story being told. But every once in a while--I remember it happening 3 or 4 times--something specific gets called out and it feels weird. One of those times being a reference to the gold bikini Leia wears in Return of the Jedi. It's the sort of touchstone that should feel innocuous. Most folks know it, even if they don't super know Star Wars. But when it happens as like a singular pop culture reference in a work (the other specific callouts I remember feeling odd were a reference to UC Berkley and a brand-name medicine), it weirdly works against the modernity because it feels too concrete in a world of otherwise abstract modern life. It is so solid, so recognizable, that it almost begs the question of why there aren't more references throughout and it vaguely asks questions of the world and of the characters that aren't actually consequential to the plot--or, perhaps, that are consequential to a larger overarching plot that isn't really investigated in depth in the first book. Either way, it was just a little moment that in my reading created a bump that I'm remembering a week and a half later better than some of the actual plot elements or hot smutty scenes, which probably is not the intent of that otherwise kinda throwaway line.

FRIENDS!

Okay, shifting away from all that for a moment, I wanna talk about my many cool friends! Who have a new page on my website! Inspired by the webrings of old, I wanted to do a little something to help folks who find their way over to my site find their way over to the sites of other cool folks who are making comics! Right now, you'll notice a lot of family and people who work on Sonic in addition to a few other friends, but always happy to add folks that I've worked with or know and like who might want a bit more web traffic flowing their way.

While we're on the topic, I know a number of former IDW folks are still looking for work. You'll find links to their LinkedIns there and if you have any opportunities that might be a good fit, please reach out! Also specific shout-out to Yu & Me Books, who could use some help at the moment.

Patreon!

I'm now on Patreon sharing, wouldja believe, this very blog! As well as some other cool stuff that I've got planned! If you've been enjoying the blog for a while and want a new way to read or support it with a small tip, the Patreon might be for you. I'm also going to be doing Patreon-exclusive blogs that show off stuff like scripts and pitching materials that I can share, WIPs of some of my personal projects, some weird video/audio/streaming content at certain levels, and have a somewhat ambitious group funding goal where subscribers to my top tier mostly help me fund making more short comics by being able to pay cool artists I know!

Do you not want to read this pitch for my Patreon? Good news: If you subscribe to it, this is cut out from the blog! Ooo aah!

What I enjoyed this week: Blank Check (Podcast), Craig of the Creek (Cartoon), Dungeons & Daddies (Podcast), Yu-Gi-Oh: Duel Links (Video game), My Adventures with Superman (Cartoon), the beach, Girly Drinks by Mallory O'Meara (Book), the aforementioned Neon Gods (okay, that was last week, but y'know), Stab that Cake (TV show), the only real social media, Clapback, Cruel Summer (TV show), Crime Scene Kitchen (TV show), "Shy Boy" by Carly Rae Jepsen (my queen), the music video for "Water Slide" by Janelle Monae (really loving the aesthetics of their new stuff), Starship Troopers (Movie), thinking about The Love Witch (due for a rewatch).

New Releases this week (7/5/2023): Sonic the Hedgehog #62 (Editor) Brynmore #1 (Editor) - Actually came out in my last gap week, but go grab it!

New Releases next week (7/12/2023): Off week for me! Buy something else groovy!

Final Order Cut-Off next week (7/10/2023 - AKA Preorder Deadline) Brynmore #2 (Editor) Godzilla: War for Humanity #1 (Editor)

Announcements:

I'll be at San Diego Comic-Con! My schedule's gotten pretty full, but if you're going to be there, do reach out and let me know. I'll at least try to say hi! IDW announced our panels for the year and I'll see you at Sonic the Hedgehog: Speeding to the 900th Adventure on Sunday at 10, room 25ABC!

Side note, because con is coming, I may or may not have an update the week of SDCC itself! And Becca's Twitch streams will be off that week, but they'll be streaming throughout the rest of the month. Just anticipate Tuesday streams, rather than Wednesdays, because of some scheduling conflicts. Just through July.

Oh! And a reminder I am on Bluesky, but don't expect to see me on Threads! That service seems lousy!

Pic of the Week:

Becca and I at the beach! Beach stuff including some cool shells and part of a crustacean's shell!