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wombywoo · 7 days

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do you have any ghostsoap favorite fics, perhaps?

boy do I....

I should preface this by saying that I'm pretty...particular with what types of fics I enjoy reading (I only like certain character interpretations/tropes/writing styles, etc) so bear with me...

These are all mostly canon-compliant, non-AUs, ones that I regard highly~

Seasons--by StinglessWasp: This is pretty much my go-to fic rec for anyone into CoD and ghostsoap in general. It showcases everything I love about these characters, in a setting that feels as authentic to the games as possible, while also exploring the depth and sincerity hidden under the surface. So well-written and paced--the dialogue and military references all contribute to that 'feels like a mission out of the game' experience. Plus, I just love this interpretation of our boys--the humor, the inner struggles, the intimacy--Wasp 100% *gets* these characters and it's a joy to read <3

Except You, You Can Stay--by Iravaid: While this one isn't *technically* ghostsoap until the last chapter, in my opinion, it's required reading for anyone who gives a shit about Simon Riley. This is *the* character study--an intimate dissection of Ghost's past that seems so realistic and grounded, you forget how ludicrous those comics really are. Ira takes such care in treating these heavy topics with delicacy and effectiveness. Each chapter has you going 'oh wow, this is even better than the last', but as a whole--it's a stunning, fleshed-out glimpse into Simon as the character he was always meant to be. And the final chapter which eases you into his relationship with Johnny is so authentic and sweet, it just makes perfect sense that they should be together, and that this poor poor man deserves some goddamn love <3

bleeding in the house of god--by revolvermonkcelot: This is a really great 'missing scene' fic, a perfect opportunity to explore the in-between moments that the game so carelessly chooses to gloss over. I can't praise Monk's writing enough--it's slick and crisp and very tasty; the imagery just jumps off the page and you can practically feel the sweat. Plus, the dialogue exchanges between our two boys are so well-timed and in-character--love all the slang and British references~ This whole fic reads like an addition to their mission flirting, and I'm all for it! You can truly tell this author has such deep understanding and experience with this franchise (winkwinkwink, this is a joke) Read it--it's good!

The Dead are all Living--by Kabbal: This fic blew me away when I first read it. It's such a unique take on the retirement trope, I just adore this interpretation of Simon as an aging recluse while he builds his home. I tend to lean towards more subtle, grounded characterizations of Mr Riley, and this really fits the bill. All of these glimpses and fragments into his post-military life contribute to an overarching love story; the scenes with Johnny are so poignant, it's like you're pining alongside them both. I love how not-perfect they are; flawed and difficult and real. There are some moments and lines that just....struck something in me so deeply. I'm sure I'll still be thinking about it for a long long time <3

Portrait of Taction--by a_platypus: Another Simon-centric fic that I absolutely love. The character voice in this is off the charts, I can hear him so vividly in all of his inner dialogue and stunted attempts at conversation. Simon is so endearingly dense in this fic, you're just waiting for him to finally get his act together, but the clumsy, oblivious steps he takes in his relationship with Soap are truly a treat to read. I love this version of Johnny too--confident and considerate, but still hopelessly crushing on his superior. It's comedic, well-written, and the paragraphs describing Soap's journal give some of the best insights into his character I've seen <3

come on, haunt me--by flyby2: This was a really good long fic that I took my time savoring. What could have been a typical 'on leave' fic instead took time to develop a unique spin on the backstories as well as throwing our boys into some wholesome encounters. Both Soap and Ghost felt very true to character, and I appreciate the exploration of PTSD and the subsequent struggles that come along with...all that. There was a really nice balance in having their romance spread across the chapters, and I can promise a very sweet, happy conclusion <3

in the mess of it all--by flowersferns: A lovely one-shot that exhibits some of my favorite aspects of these two characters. I'm a sucker for 'one of them is hurt, the other is freaking out, they are both idiots in love, etc'. There are some really great dialogue and character moments in this, plus the overall prose hits hard. Love this take on their romance--the mutual trust, the familiarity of their bond. And just the general theme of impermanence--the inevitability of what this relationship means for them--two soldiers, willing and ready to sacrifice their lives at a moment's notice, still clinging to each other because...god...that's all they have---big fan of this :'D <3

Lapsus--by Lisbetadair: Another really great one-shot and 'missing scene' fic. The authenticity in the writing is spot-on--it's like you can feel Soap's pain right off the bat. I love how smoothly the banter flows between the two, and the attention to detail and references all help lend to that 'hardened military man' exterior. Ghost smelling like flowers because of a face wipe is such a delightful addition, plus the scene where Soap is, ah, donald-ducking it in just a t-shirt with his jewels out is such a funny mental image, I still think of it fondly from time to time. It's funny, it's surprisingly cute, it's very in-character. Stick around for some awkward but adorable cuddles <3

I'm sure I have more to recommend, but these are the ones I can personally endorse for now~

#asks #fic rec #I've never actually done a fic rec list like this before...#a small glimpse into my nightly routine of browsing the ao3 trenches for something remotely readable 🫡#funny how most of these are Ghost centric...#I'm *very* particular on how I prefer Soap to be portrayed and wooo boy...is it a struggle 😔

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francis-writes · 2 months

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FEYD-RAUTHA HARKONNEN NSFW ALPHABET

A/N: btw in these headcanons as well as my other posts about Dune i kinda mix movie and book versions of character

A = Aftercare (what they’re like after sex)

Feyd-Rautha isn't the most affectionate person, even if you're together. He just falls asleep, hugged into you. He may help you clean yourself and take care of the wounds if it was particularly rough session.

B = Body part (their favorite body part of theirs and also their partner’s)

It would be a hard decision but if he had to choose, Feyd would say that he most likes his hands. The way they use a knife, how they engulf your neck... he loves how many lives he took with his hand and you still kiss them and want them on your body.

When it comes to you, Feyd would probably choose all these spots that he uses to make you shiver and writhe. He knows you body well and remember where he needs to focus when he wants to give you pain or pleasure.

C = Cum (anything to do with cum, basically)

In you, almost always. He sees it as a kind of marking his territory (there was that one fanfic where Harkonnens had black cum so basically everyone could notice stains and knew that they fucked and I absolutely love this headcanon), moreover he needs to secure his line and get an heir.

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

It takes a bit of time together for Feyd to accept this (and even longer to admit it) but he enjoys being soft with you. He still loves violence and rough sex but he also likes cuddling with you and being petted.

E = Experience (how experienced are they? do they know what they’re doing?)

I suppose we all know the answer. Sex and violence are two things he mastered.

F = Favorite position (this goes without saying)

He can't choose just one. Missionary is good for keeping eye contact and observing your reactions. Anything where he takes you from behind, gives him feeling of control and domination. Also there are a lots of moment when you're restrained in all possible positions.

G = Goofy (are they more serious in the moment? are they humorous? etc.)

Feyd isn't a very humorous person in general and sex is no exception. Smile is the best you can get from him.

H = Hair (how well groomed are they? does the carpet match the drapes? etc.)

I'll go here with his 2023 movie look and say that he's as bald and smooth down there, as everywhere else.

I = Intimacy (how are they during the moment? the romantic aspect)

Well, he's not the most romantic person. Even if he loves you, he doesn't know how to show it except for being more delicate and caring with you.

J = Jack off (masturbation headcanon)

He rather doesn't do it. When he's horny, he can just find you or one of his concubines.

K = Kink (one or more of their kinks)

You can pry that headcanon from my cold dead hands but I think that he has a mommy kink. He didn't got much affection in his life, growing up in Harkonnen's family and in movie version he killed his mother sooo lots of issues here (in comics he was just kidnapped from parents as a small kid so not much better). Anyway, he wouldn't admit it but he loves when you hug him and stroke his head as he rests on your chest or belly. Praise him, tell him that you love him, you're proud of him and he will melt in your arms.

Also, of course, all kinds of BDSM. Feyd prefers to cause pain but he's sadomasochistic and lets you torture him as well. I won't list specific things he likes because it would be easier to list things he doesn't like.

And semi-public sex? He wants people to hear how he fucks you and to know that you're his and his only.

Perhaps breeding kink (but in Dune almost everybody has breeding kink; bene gesserit is as if somebody had breeding kink and decided to make this everyone's problem). As I mentioned, he sees this kinda as marking his territory and bounding you to him? And of course, he needs an heir (not that he actually likes children).

L = Location (favorite places to do the do)

His bedroom is the best. There's a big bed and all of his toys and tools... but Feyd isn't picky. If mood strikes him, he may fuck you on any surface.

M = Motivation (what turns them on, gets them going)

Almost everything lol

But just to give a random example, he's always horny after fight, especially if he kills someone (same if you love violence as well and kill somebody).

N = No (something they wouldn’t do, turn offs)

Hmm he's rather possesive so it may be hard to convince him to a threesome. But at the other hand, he's a hedonist so maybe he would like it.

It's hard to say what he wouldn't do because as I say later, this man is down to try almost everything.

O = Oral (preference in giving or receiving, skill, etc.)

It's not his favourite sexual thing to do, but he never refuses a blowjob. He prefers receiving, giving you oral is a rare occasion. He can do this, just usually his pleasure has priority.

P = Pace (are they fast and rough? slow and sensual? etc.)

Usually fast and rough, Feyd only goes slow when he wants to tease you or to torture you.

Q = Quickie (their opinions on quickies, how often, etc.)

Feyd prefers longer sessions when he can focus on the act and perhaps torture you a little but quickies are not far away in the ranking. As I mentioned, he has a very high libido, so it often happens during the day that he's busy and don't have much time so he just pulls you to the nearest room. And if some servant walks in (very unlikely, considering all the noises alarming people what's happening behind the doors)? Then that's their problem. Feyd doesn't stop thrusting into you, as they leave the room in hurry.

R = Risk (are they game to experiment? do they take risks? etc.)

Feyd is that type of man who will try anything in his life at least once, so take care of yourself.

S = Stamina (how many rounds can they go for? how long do they last?)

In general, he has amazing stamina (years of training paid off) but it depends on situation, like, whether you have a standard fast fucking just to satisfy your lust, or you have a whole session with long foreplay. Amount of rounds varies but he can go for a few hours.

T = Toys (do they own toys? do they use them? on a partner or themselves?)

Feyd has a whole collection, whatever he could get. Dildos, clamps, spreader bars, ropes, whips, knives, needles, wax candles, dick rings, chastity belts, butt plugs and a few things that look like torture devices. Anyway, both of you use it rather frequently.

U = Unfair (how much they like to tease)

He loves to tease you. With his voice, his words, even his gestures seem sexual. He also likes to touch (or rather grope) you through the day. Fortunately, he has a high libido so it won't take long before he pulls you to the nearest free room.

V = Volume (how loud they are, what sounds they make, etc.)

He isn't very loud, if he moans or gasps, he does it rather quietly. But he likes every once in awhile talk to you and tease you. Maybe it's nothing special but even "How does it feel, my pet? Don't be shy, look me in the eyes" said in his low voice can make you shiver.

W = Wild card (a random headcanon for the character)

He is actually a switch. Top leaning but occasionally enjoys when you take control. And, no matter who's in charge, he's still a sadomasochist so even when he's dominating, he wants you to give him pain.

X = X-ray (let’s see what’s going on under those clothes)

Perfectly average but he knows how to use it.

Y = Yearning (how high is their sex drive?)

Probably you all expected this, but yeah. Very high. There's no day without sex and not just one round.

Z = Zzz (how quickly they fall asleep afterwards)

Rather quickly. He has a good stamina but sex takes a lot of his energy, especially considering how long you do it and how much he engages in it.

#feyd rautha imagine #feyd rautha x reader #feyd rautha #feyd rautha harkonnen #dune imagine #dune part two #house harkonnen

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meimi-haneoka · 2 months

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Cardcaptor Sakura Clear Card Special Chapter: Comments and Analysis

WELCOME BACK, CCS FAAAAAAAAAAAANSSS!!!!!

Oh my god 3 months went already by from that December 1st and chapter 80, didn't they?? Feels like yesterday 🙈But we're finally here, finally ready for the release of the definitive, last SPECIAL CHAPTER of Cardcaptor Sakura Clear Card!!!! After this, no more CCS for at least a while!!

Why do you see me so euphoric?? WELL, THERE IS MORE THAN ONE VERY GOOD REASON 😂 But let's not jump the gun and let's introduce this post properly: this time around, I won't be posting pictures to "illustrate" the analysis/commentary, because this special chapter was treated differently from the other ones. It didn't get, in fact, a free release on CLAMP's Youtube channel, in any language, and wasn't even uploaded for digital purchase on Comic Days like all the rest of the chapters. The only way to obtain it was via the April issue of Nakayoshi, either with the physical or digital version. Since it is clear to me their intention to keep this gem of a special chapter away from the internet jungle, and since lately I used only the screenshots from Youtube to illustrate my analysis, this time around I won't be posting anything (aside from the color page, which was released by the official account themselves).

AND! I won't be mixing analysis and summary, because I have already conveniently prepared some screenshots with a detailed summary of the chapter for the people who were curious to know, but didn't get to see the chapter yet or did see it but couldn't read Japanese. I have already posted these screenshots on my Twitter account, and I'll put them here too under the cut (please don't repost them around or in other social media), so you can immediately get a broad view on the content of the chapter (I don't have to point out translation mistakes, haha 😅), and then, afterwards, I'll write my commentary. And there is SO MUCH to say!!

But before starting, we can't break the tradition right at the LAST ROUND of our chapter commentaries, right?? So off we go, with the GIF OF THE MONTH!!

Yes, I think this is the GIF that can represent this chapter the most. 😂

The Color Page

This special chapter is composed of 33 pages, and of course I can't avoid starting my commentary precisely from the color page!!

I admit it, I hoped for a color spread with the four main characters of Clear Card (hence, including Kaito and Akiho too), but since the other two appeared with their own color page just in chapter 79, we'll gladly take this single color page with SyaoSaku too!! ❤️ The JP text reads "We've been together till now, and we will always be! Featuring a long-awaited special chapter!!" Syaosaku look absolutely adorable....and so, so happy!! Looking at us, from a wreath made of cherry blossoms, of course dressed in their image colors pink and green, in a "pair look"...I think their shiny smiles conquered the hearts of the entire fandom (saw many comments about it) and it is certainly a perfect introduction to a chapter that is, indeed, completely made of this happy, leisurely, warm atmosphere. I feel like it tastes even better, after all the anxiety they made us go through, right? I'm pretty sure that was CLAMP's goal all along, giving us this little reward after all the hard situations they've put their characters through. This color page looks like Sakura and Syaoran are saying "goodbye" to us, holding their hands in a lover's hold, but seeing them so cute and happy definitely soothes the sad feeling 🥲 Until we meet again...hopefully!

Letters From Around The World

But it's when the chapter starts that we get our first surprise: the time skip is of one entire year!!! We left our little heroes at the end of the first year of Tomoeda Middle school, ready to go in spring break and then start the second year...here, Sakura says she's in her spring break of the next year, ready to become a 9th grader!!! I almost couldn't believe they actually went that far, I knew from CLAMP's podcast that there was a timeskip, but I expected just some months! Although....I have to say the characters don't look that different, Mokona said she made them a tiny bit older and she kept true to that, because it's barely visible! 🤭 But if you compare them with how they looked at the middle of the story, of course the difference is visible.

I was so happy to see that the chapter started right away with a letter from Akiho: a letter or a videocall was definitely among the type of content I wanted to see in this chapter, because of course I still was quite preoccupied about the difficult journey Akiho and Kaito embarked on, so I wanted to see how they were faring. The amount of letters Sakura accumulated over the span of this year tells me that they moved around quite a lot, and she had always something to share with her "long-distance sister" 🤭 Kero praising Akiho's skills and even feeling some sort of "reverence" for her insane talent to find all the crazy and rare books was so funny and nice!! 😂Sakura is adorable, feeling all proud about the talent of her "sister" 🤭 Loved that they actually mentioned the place where Akiho and Kaito are currently at!! (cause they didn't reveal where they'd go first, in chapter 80, and I guess we'll never know). I appreciated SO SO much that they let us see that Akiho didn't drop, but actually continued to practice her sewing skills like she was doing before everything went down the drain with the Alice in Clockland play: moreover, finding out later that this skill is also helping her greatly with the true ambition of her life made me incredibly satisfied. How cute of her to send outfits for Kero and Suppy, even from far away??

I was quite surprised to find out that Akiho sends all the rare books to Eriol, and then laughed my as* off at Kero saying he's selling them off (the way Kero phrases it in JP makes it look a QUITE shady activity 😂). This shows there's a continued collaboration between the "group" in England and YunaAki, and it's very nice. They're not only "taking" support from Eriol, Akiho also does return the favor, providing Eriol with the books he needs.

And then....got really emotional to know that Kaito wrote a letter to Sakura, back when they left one year ago 🥲 I DID feel like some kind of acknowledgement or apology from Kaito to Sakura was missing from chapter 80 (but honestly, with everything they had to explain, where they could fit that?) and so this little mention completely fixed that sense of "he made a mess and barely managed to apologize to Akiho before leaving". Kaito isn't an ass*ole so of course he would've done something like that, and a letter seems perfect for an introvert boy of few words like him. I imagine the letter wasn't really long either. The little moon on the sealing wax...❤️The fact that Sakura is storing that single letter together with Akiho's letters in a specific box makes me almost cry. She cares for those two so, so much! 😭 Sakura wishes to receive more letters from Kaito and I really hope he will open up to her along the way, because he could benefit ENORMOUSLY from her advices and perspective! Also THANK YOU CLAMP for giving us a little "still" of those two next to eachother from the moment when they were leaving Tomoeda, with the suitcases and all 🥲that last faraway shot of all four of them together in chapter 80 was so great, but I wanted to see them like this too!

The SyaoSaku Date

Aaaaaand then we get to the long awaited, craved, coveted SYAOSAKU DATE!!! 🤣 I can't count how many people I've seen wishing for this....to be honest I was going to be ok with any kind of sweet moment between the two, but gotta admit that a carefree afternoon watching a stage play and then taking refreshment at a café gives this sense of normal, complete fun that was missing a bit for them. They are dressed in a very fancy way (loved that Sakura isn't wearing her usual long one-pieces but something different, with puff shorts! A sign of her growing up?) and even though they're not exactly wearing a "pair look" (too corny, maybe?), they are well matching eachother's outfits. And of course we find out that Tomoyo made Sakura's cute outfit and even the decorations on Syaoran's collar! The fact she was the one asking Syaoran to wear them at the date is kinda funny, like some sort of guidance into looking like a couple, thanks to the matching decorations! Tomoyo really takes care of everything....yes....everything. 🥲 The mention of Sakura's wedding dress of course made me go "OH MY GOD" and made me realize that if Tomoyo is already mentioning that.......we aren't *that* far away from that day (I always imagined SyaoSaku marrying early, since they're soulmates and got together so young!! 😆). Truly an emotional, sweet moment that was reinforced by Tomoyo's tender expression in the flashback. Her resolution to devote herself to learn to design even normal everyday outfits, or date outfits, everything that could accompany her dear Sakura everyday, reminded me that Tomoyo found her very own way to be with Sakura, and she's perfectly content with that. Tomoyo's happiness is seeing Sakura happy, and she will do anything to achieve that. ✨

Syaoran and Kaito's Friendship

And then my blushy blushy Sakura changes topic and suddenly throws me on the floor in a fit of laughter, because seeing Syaoran's confused look while he was trying to make sense of the pictures Kaito sent him on his phone WAS HONESTLY PRICELESS. 😆 My god, how long have I wished to see them like this? Moving their timid steps into a friendship (since their girlfriends are like sisters and Sakura literally saved Kaito's derriere), being their awkward dorky selves...they surprisingly get along so well and Syaoran doesn't seem to hold resentment towards him, which is GREAT for me!! He's learning from Sakura to just let go of hard feelings, when you've found out the person who acted in an oppositive way was just in a very desperate situation and had actually no ill intentions. And that makes me incredibly happy. Kaito needs all the support he can get, to make the right decisions in his life, and I can totally see him finding a particular connection with Syaoran, due to how they're both moon boys, who would give their life for the person they love. I think precisely for this, precisely because Syaoran can understand to a degree Kaito's situation and behavior, he wouldn't feel judged and would feel more free to establish a connection with him. I was k*lled with laughter and endearment when I saw that Syaoran felt confused, but still tried to understand Kaito's peculiar way of communicating with him 😂 And guess what? I think he doesn't realize it, but he's totally starting to get it! 😂The way our wolfie boy snaps that picture IMMEDIATELY as the cat passes by, and how he only framed the ear, really shows how in the end he's speaking "the same language" as Kaito 😂 Seeing Sakura so excitedly think to herself that the two became such good friends made me scream "SAME SAKURA-CHAN, SAME!!!" 😂 All in all, seeing these two having such a relaxed, comfortable date talking about their friends and stuff that happened lately made me completely feel that one year that elapsed, and now they act totally like a couple that's been dating for quite some time. 😊 Ooooh thank you sensei, really. Thank you so much for this scene. 🙏

The Moon Is Really Beautiful, Right?

BUT! The real reason why CLAMP will always have my heart and my gratitude is hidden in the next scene. 😂

Oh my god, the screams I've belted out when I saw them. And when I've read THAT. But let's go in order, let's go in order and not jump the gun! We're in Germany, Akiho and Kaito now seem to be living in an apartment in a nice building! They're still talking in keigo, and still calling eachother "Akiho-san" and "Kaito-san". 😊

Kaito SMILES genuinely at the picture Syaoran sent him!! And answers, to an observant Akiho, that he's having fun!! 😭HIM! The one who couldn't understand what was fun in interacting with others!!! He looks honestly so radiant and happy, a sign that his mental recovery is going strong. And that he's slowly expanding his "trusted people" network. 🥲🙏Also, he looks younger than ever!!! 😂

It made me INCREDIBLY HAPPY to see that Akiho didn't drop the "hobby" she had started in chapter 26 (ages ago!!), remember this scene?

I remember how much I loved to know she had started learning how to do this, because together with my friends, at the time, we all thought this could easily become her aspiration in life......and guess what?? CLAMP confirmed she wants to take on a job revolving around books and book repairing!! This is all canon!! T___T oh my happy tears.... There's a sense of pride in seeing that this journey for Akiho isn't only revolving around finding the cure for Kaito's shortened lifespan (which hurt his body terribly) and restarting his "stopped time", or finding Momo and the Alice in Clockland book, but she's also got the mental resolution to do something for herself, for what she wants to do in life, something that is completely disconnected from Kaito. Again, I cannot reiterate enough how this girl doesn't have an unhealthy codependent relationship with Kaito, and she's completely capable of thinking about her own future, aspirations and wishes. She wants him with her, and she could never live happily without him, but the love of her life isn't the only thing that exists for her. It is incredibly satisfying to see her working hard for her own future, where she'll be able to contribute (especially financially) to their livelihood. I can see Kaito helping her and assisting her with that. The other day I was dreaming away with my friends about Kaito and Akiho managing a "book cafè" together somewhere, how impossibly sweet that would be?

Seeing this volitive, ambitious, strong-willed Akiho once again filled my heart immensely. And I wasn't the only one, apparently.....

Oh god, you have no idea of the SHRIEKS I belted out when I saw Kaito saying "the moon is really beautiful, right?" in full daylight. Like. It is absolutely unmistakable at this point what kind of love he feels for her, and while I always knew, I'm sure the character took his own sweet time and personal introspection to reach that conclusion. If you remember, I've always said it and reiterated it at the end of chapter 80: Kaito won't understand things overnight, it will take a long time. And one year, at that age, is enough of a long time to come to terms with one's feelings and understanding what exactly they mean. They lived all that time together as two "equals", no more butler/boss bullsh*t, so they had even more opportunities to see eachother's true colors. And Kaito couldn't help but fall even more in love with Akiho, to the point that seeing her working so excitedly for her future made him gently overflow with that feeling....and said that sweet quote of Natsume Soseki that we all know, by now, what it means. I think the mere fact that what made his heart explode was seeing her so independent and strong, is a good sign that Kaito's love for her is the healthy and supportive kind, too. He doesn't love her and feels attracted to her soul because she's a weaker, younger, malleable being that he can dominate (as a toxic relationship would portray), but at the contrary, because she's free and strong and wonderful on her own. The more he sees her shining, the more that feeling grows. Throughout this scene, he looks at her and talks to her in such an intensely sweet way, you can totally see he's smitten with her.

The most popular reply to someone who confesses with "the moon is beautiful" is the equivalent of "I could die for you/I can die happy now", in Japanese. And Kaito had been unconsciously replying that way, with his actions, the whole damn time during the serialization of Clear Card. But since he took it way too literally, things were really heading to tragedy. Nobody wanted him to die for real, and yet, subconsciously, that was the only way he had found to give outlet to an enormous amount of feels that he couldn't express (because it wasn't appropriate, and nobody would ever love him, and he only caused her pain, and he had to let go of Akiho anyway at the end of it).

So considering all of THAT, this "I love you very much" he said now (he added とても, "very", like Akiho did ❤️) in this way, makes me think even more "yes, you finally understood what was the best way to convey it!" and therefore, it represents another character development for our moon boy. 🥲

There's debate over whether he had already understood what Akiho had meant, in chapter 48. I stand firmly by my convinction that, even if he was informed of the Japanese folklore tale around it, he quickly dismissed it as "no, she's meaning it literally for the moon", since he couldn't really believe that anyone would ever take interest in him, and was sure he would've always been alone. Otherwise, if he really understood and believed that Akiho was in love with him, I don't think he could've ever said that "I thought you didn't need me to be happy". It doesn't make sense. But everything that happened at the fake moon, and all her angry tears, and all her resolution to find a way to cure him, made him finally see that she really meant it in that way. ❤️So his own acceptance and introspection could finally start, and....it brought to this. ❤️ If you want to know more about the popular phrase "the moon is beautiful, right?", I invite you to check my first Clear Card Trivia post, focused on the literary and musical references portrayed throughout this story!

And LOL, I couldn't help but noticing several things in how this scene played out: first, he immediately "runs away" blabbering about the breakfast being ready, a very similar way to how he "ran away" in chapter 52 when Akiho could see right through him and was trying to express her support and feelings to him. This is definitely an indication (taking into consideration also how he acted when he was little) that the reason why Kaito walked away back then, slamming the door, had a sprinkle of embarrassment embedded in it, too. Yeah. I mean, look at the face he's making here, just before he notices, puzzled, that his hand is shaking:

He's smiling so tenderly, among the pain he's feeling because of his poor health. He even laughs! He's happy he heard that! But he just couldn't stay hearing any longer, back then. Now, in this scene of the special chapter, he literally throws "the bomb" and runs away without hearing her answer or reaction 😂😂😂this is definitely embarrassment, and I'd like to think there's even a hint of teasing streak that I've always seen between the lines in his personality. It came out particularly with Syaoran and Momo, but Akiho isn't excluded from this dynamic! 😂

And excuse me, but Akiho's reaction literally made me roll on the floor laughing!! 😂The poor girl is probably so used to live abroad, and Japanese folklore isn't probably coming up immediately in her mind anymore, despite it's a phrase SHE used HERSELF back then! 😂Or maybe it's because she didn't really expect it from him, and so she took a moment to connect the dots. Either way, it was extremely funny! And I can't absolutely avoid pointing out how our girl isn't blushing like mad anymore, but just slightly.... I mean. It must have been quite clear to her too, by now, that her feelings were in some kind "reciprocated", be it for what Sakura said back at the fake moon, his decision to go back to her, and his decision to reveal his true name, hence giving her his most vulnerable part of himself... This isn't a shock for her, and she probably waited patiently, patiently, for him to finally say something like this. So maybe, more than embarrassed, she's surprised that the day finally came! 🥲 Goodness. This really puts all my worries to rest, Akiho will truly be happy. And it makes total sense that CLAMP made him say this now, and not at the end of chapter 80. As I said, more time was needed. This entire scene leaves me with a sweet, soft, comfortable feeling, and it's totally how I've always imagined their relationship to be. Also....no more of that "he loves her as a daughter/sister" crap, not canon-wise at least. 😊

One last thing I have to point out about this scene, which curiously reconnects everything together, is that recently CLAMP have announced the themes to which their upcoming exhibition will revolve around: among them, there's LOVE (of course!), and among the decorations surrounding the featured character on the key visual (Sakura, for now, but there's at least another one coming!) there are a couple of birds too. Birds are, in this sense, a symbol of love in CLAMP's language. I couldn't really help but noticing all the birds flying outside the window next to Akiho, the moment Kaito says that "the moon is really beautiful, right?". Basically, CLAMP were trying to scream it all over the place, however they could. 😂

"Momo-san?!"

It was so nice to see Yukito and Kero-chan gossiping about Touya right in his face, with the complete intention to tease him 😂in that sense, Yukito really seems like a sweet and harmless character, but don't be fooled! His teasing power is over 9000!! 😂Touya's killing glare made me crack up! He's so done for, now that both Kero and Yukito can tease him in the open! 😂😂😂

But please, please, let me scream about MOMO!!! Oh my god I would've never accepted a special chapter that didn't feature her!! Aaaaahhh I'm so glad to see that she's fine 🥲 The conversation between her and Sakura made clear to me that she isn't that free to move how I imagined her to be. Certainly, she decides where to go and who the book stays with (and when to leave), but the impartiality imposed on her role doesn't allow her to act freely like she wants, unless she pays a price. And she decided to pay a price, not to see Akiho and Kaito, but to go and thank Sakura herself first. Because, as her "those kids" suggests, she of course still feels some kind of maternal instinct towards them, and as any mother would do, she wants to thank Sakura from the bottom of her heart for having helped and saved those two. Even her body language (the position of her hands) portrays that. And excuse me, but I A B S O L U T E L Y loved how CLAMP clarified once and for all, addressing directly the complaints of their own fandom, that Sakura wasn't forcingly dragged into a matter that wasn't related to her. Everything she did, she decided to do it because she felt it touched her personally. From the moment she became Akiho's friend and came to care for her, everything that happened and everything that she was involved with was related to her too. This wasn't "somebody else's business" anymore. Because Akiho is one of her most beloved friends, no matter how "fast" that happened. Some relationships bloom almost immediately, because the connection is just that strong. And so, this turned into just another expression of "your happiness is my happiness", with Sakura acting according to what her heart suggested. As Kaito is Akiho's most beloved person, Sakura couldn't help but care for him too, because doing so would've made her friend happy, in a wonderful "circulation of love".

Special mention for the scene with pregnant Lilie, oh my god I didn't really expect this either. How long ago I wrote that Tumblr post about cosmos flowers and the origin of Akiho's name? A couple of weeks ago? It's like CLAMP answered my curiosity, with this scene. I still keep my interpretation in my heart, but I also love the logic "it is a flower that keeps the same name in many countries". Of course. "Wherever you'll go, you'll always be your unique self". (And now I want to cry, mama's heart is so big😭) The way Lilie keeps her hands over her womb made me tear up. The ring isn't there anymore, a sign that she probably already gave it to Momo (understandably, since once Akiho would be born, she wouldn't really have much time left). The baby bump isn't that noticeable, probably because she's at the beginning of her pregnancy. Who knows if she kept seeing little Kaito while she was pregnant. 🥲Who knows if in the scene where she's telling him about how wonderful it is to have something you love, especially a person, she was already pregnant with Akiho. 🥲

Momo and Sakura's final words made me understand that Momo cannot go back to Akiho and Kaito till the circumstances and the moment is right. Whether it depends on Akiho's wish, or the right cosmic arrangement, it's surely not in the short term. Especially considering the limited scope of Momo's agency. It cannot come from Momo (unless she pays a huge price), it needs to come from them, strongly enough. I also want to think that, again as an acquired mother figure, Momo wants those two to find their own way, identity and figure out their relationship on their own, without her interference. I'm sure she's keeping an eye on them from faraway, though. 🥲Even though this still feels bittersweet because I wanted to see them reuniting in canon so badly, it gave me lots of hope for the future. Momo is just waiting for the right moment, and she'll be ready to embrace them when the time is right. Maybe, who knows, we'll see that reunion in another series or in a special publication in the future?

The End

And then....the final scene 🥲NOW it is finally clear what Ohkawa meant in that one Twitter Space, when she mentioned that there was a reason why they never featured Sakura's birthday!!! THEY NEEDED TO KEEP THE EXCLUSIVITY FOR THIS!! 😂 I'm so glad they did, really...it's so sweet to see her reaching 14 years old (the "standard age" of many shoujo heroines! 😂) and seeing Syaoran giving her a present, with that strikingly sweet smile full of love...but most importantly....the breathtaking final double spread 🥲🥲🥲🥲 The way she pulls his hand close to her chest, to her heart, while saying that Syaoran will be forever and ever her most important and special person.....really, this chapter is meant to k*ll us all with feels!🥲and I love how CLAMP keep finding ways to portray their physical displays of affection without resorting to the classic, most wanted (but also probably considered not appropriate yet) "kiss". The very final page is a direct parallel of a page from chapter one, where Sakura was going to school alone and looked back down the street to admire the cherry blossoms in full bloom.

Now, she's not alone anymore, but actually hugging the love of her life on her special day! Really, what a wonderful and fulfilling way to give the final touch to this amazing story! 🥲 Her very last line also contributed to this. Sakura leaves us again, 24 years after the first ending, with words of positivity for the future, and love for her important people. This wraps everything up nicely, but it still keeps things quite "open-ended", hopefully in the eventuality to return to this wonderful series in the future. Sakura is growing up, as CLAMP wished, and it might be possible to see her dealing with more "grown-up" situations, magic and non-magic wise. But one thing is for sure, her relationship with her loved ones will always take top priority. ❤️

Well well well, we came to the end of this looooooong commentary for this special chapter too. I can't help but thank once again all of you who followed my posts all these years, and commented with your POVs on the story.

As I've said multiple times, Cardcaptor Sakura gave me so much ever since I was a kid, and this sequel was no exception. This special chapter, in particular, overflowed with things I wanted to see, and I'm sure I'm not the only one thinking so. I once again want to congratulate CLAMP for wrapping everything up nicely, and thank them from the bottom of my heart for these almost 8 years of emotional journey. 🙏

See you around with my other tumblr posts, and let's look forward to the release of volume 16 on April 1st, and hopefully, news about the anime sequel of Clear Card!!

#cardcaptor sakura #card captor sakura #clear card arc #ccsakura #ccs spoilers #sakura kinomoto #syaoran li #akiho shinomoto #yuna d. kaito #syaosaku #yunaaki #special chapter #translation differences #how come this post is so freaking long even without translation differences?#well dammit I had A LOT TO SAY #and even some itches to scratch #aaaah the satisfaction #😊so happy

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celaenaeiln · 3 months

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what do you think about the theory that the dumbification of steph and dick is (occasionally) rooted in ableism?

ok I don't know much about this theory but in the end I don't think the dumbification of these characters have anything to do with ableism. If they were written dumb, it was written that way on purpose as a stand alone.

So let's start with Steph.

There's this overall impression that Stephanie is the dumbest of the bat group and that's really not fair for three reasons. 1 - Her character was handled poorly in the batgirl comic, 2 - Stephanie's debut isn't hers, and 3 - she's unique from the rest.

1 - Her character was handled poorly.

What I mean by this is in her Batgirl comic, the intention of her writer was to purposefully make her dumb.

The very first page, her introduction as Batgirl is this -

Batgirl (2009) Issue #1

Her very opening is Dick noticing she's not as good as Cass through her skill level and then Stephanie being like "Yup! That's me! I'm a nobody and can't do anything!" That's her introduction. And throughout the rest of the comic, she'll just continue putting herself down as someone who isn't capable or exceptional. This is exactly how Roy acts in Red Hood and the Outlaws. He puts himself down, is ashamed and disgusted by himself, and thinks of himself as a failure which is a HUGE mischaracterization by Scott Lobdell because he wanted to boost Jason's character by putting down Roy's. Which is exactly what's happening here. The authors are trying to boost Barbara and somewhat Cassandra's skillset by putting down Stehanie and making it out like she's some kind of massive failure and Barbara is her saving grace without whom she would be pathetic and die a second time.

2 - Stephanie's Batgirl comic wasn't written for her, it was written for Barbara.

The entire time of Steph's defining "who am I and what can I do?" comic that every single character goes through is just a cover up to talk about how good at her work Barbara is. Instead of getting to see the ingenuity, the determination, and the skills Stephanie learned on her own, under Batman, and from her death, the entire time it's just Barbara dictating Stephanie's actions which further leads to the dumbification of her character because the comic begins with Barbara talking about how pathetic and dumb stephanie is-

Batgirl (2009) Issue #2

And it continues with her being in charge the whole time, Stephanie learning nothing, never acting independently, and always being under Barbara's shadow.

Batgirl (2009) Issue #3

So from the beginning to the end, what has changed? How has Steph grown as a person and skill-wise? She's done nothing.

They did Steph so dirty in this comic -

Batgirl (2009) Issue #4

You're telling me someone who was grappling before they even met Batman is fumbling over a safe save??? This comic feels like a Tom Taylorized version of Batgirl.

And this is what happens when they have her act independently, without Barbara's orders -

Batgirl (2009) Issue #5

They refuse to let her even be good at school

Batgirl (2009) Issue #15

And even the one case she does get to solve near the end without Barbara's interference, they only let her do it with the help of another female senior vigilante.

But mainly the dumbification of Stephanie comes from making Barbara look good. And people can say, "She's older, she knows better which is why she's in charge" but I counter with Tim and Bruce's dynamic or Dick and Bruce or Tim and Dick. Just because a partner is younger doesn't mean they're incapable. Writing Stephanie this way was a choice and since this was supposed to be her comic, this characterization for her is what stuck leading to the dumbificaton issue.

Convergence Batgirl Issue #1

They won't give her a freaking break.

3 - Stephanie is different from the rest of the Robins and Cass

Stephanie started off her vigilante career by herself, unlike the rest. Dick, Jason, Tim, Cass, and Damian all had mentors that raised them in some way shape or form at the beginning but Stephanie literally created her own costume, snuck out, and learned crime fighting by herself. She's like Helena, Bruce, and Barbara and I firmly believe if Bruce had treated her as Robin, genuinely taken her in, she wouldn't have died in the altercation with Black Mask.

But I think it's because of this element and the fact that times have changed, this ingenuity and self-growth is seen as unfeasible which leads to the dumbification of her character. As if she's unable to fight and think for herself without leading to her detriment.

Convergence Batgirl Issue #1

They seriously classified all her hard, independent work as Spoiler into "being young and silly." I can't-

In summary of Steph, I don't believe dumbification has to do with ableism. Stephanie's written that way because the writers don't know how to write her and they don't care enough.

Dick

I don't think the dumbification thing with Dick is anywhere near as bad as it is with Steph. But whereas Stephanie doesn't a single post-og spoiler comic where she's seen as good until the very recent Batgirls comic run and tie ins, Dick has numerous comics where he's pointed out to be amazing or good.

Steph says it

Convergence Batgirl Issue #1

Tim says it

Robin (1993) Issue #32

Bruce, Helena, Damian, and various other heroes to summarize.

However same issue with the stephanie batgirl comic and dick - both characters are dumbed down to highlight Barbara's intelligence. Not even touching Tom Taylor's run, Dick's really only dumbed down when he's paired up with Barbara.

Batgirl (2011) Issue #3

There's no way he can't fight his way out, use a grapple or a device, manipulate someone, or at the very least have an escape plan.

Convergence Nightwing/Oracle Issue #1

He's the leader of the Titans, the Outsiders, been Batman, soloed, been Robin, and he teaches heroes on tactics, strategies, and fighting skills. But she won't even give him the decency of hearing out his plan because she's so incredibly smart that she doesn’t need to listen to anyone but herself.

No, I don't believe Steph and Dick's dumbification is related to ableism but there are other factors that play into it.

#stephanie brown #batgirl #spoiler #dick grayson #nightwing #barbara gordon #oracle #cl anon asks #cl asks #thanks for the ask!

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tarjapearce · 2 months

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How can you describe miguel mentally and emotionally ?

Oh man... This is a tough one. I'll start by saying that, even though we saw a glimpse of his mindset on ATSV, we still have sooo much to learn and know about him. (We just had it for 15 mins. jsksk)

I did this thing a while ago, focusing mostly on his grieving that addressed the rest just superficially.

I won't say I know him better than anyone cause

1. No. Characters evolve and I feel it'd be disrespectful af to just reduce him to a couple of traits or claim that I know him better than I know my nipple jsksk.

2. He's a complex character that is so well written that makes us all go psychoanalysing his behavior 🤭. (And love me a man that puts me to think)

But jokes aside.

He's emotionally unavailable. Simple as that. And though it might sound obvious to some, (And our savior complex kicks in and tell us to fix him 👀 yeah, I'm talking to us jsksk) there's no way we can do that, cause that's up to him ~. (And you can't help someone that doesn't wants to be helped.)

Healing takes time. And guess who overworks himself to the point of having his cortisol running 24/7 through his body? Miguel. He doesn't have time for therapy. His fear of watching it all go to hell once more is a too fresh wound. Some traumas last decades, and naturally people find ways around it without interacting with it directly to avoid reliving such impairment.

(I do appreciate the fact that in the new comic book, we see him trying to make amends with Conchata though. He's trying!!! :D.)

2. He's a patient man. I mean, he recruited after all versions of Spiderman that have this trait in common: They're perceived as friendly. And they're mostly young adults and teens. (Both are a handful btw. And most stories and comics Peter Parker is depicted as a 18-23 year old)

But they like pushing his buttons, (cracking a joke every 5 minutes, doing whatever they want even when specific orders were given) however. He doesn't strike me as someone that is mean on purpose, he's just wary but not totally closed off towards people. Wich is kinda contradictory on its own since:

You don't go around trusting people first hand upon just knowing them, right? 👀. But at the same time he showed Miles his own canon event, trying to empathise with him before dropping the bomb. (He was mentally preparing him, something he wasn't able to get but to experience the worst way)

A hypocrite truly. And not in the bad bad way (He calls a nerd the NWH Peter yet he is one) , cynic to an extent (Since he keeps repeating he's been the only one trying to keep it all together, meaning he still doesn't fully trusts the people around him.) A showoff (Did you see the way he turns towards Gwen when he first appears? Or the way he says "I was gonna do that") , arrogant to also an extent. ("It's much more cooler than a watch").

He took the job as a leader cause he knew none else was gonna, and if there was another one willing to assume the role, I'm sure he'd be dissatisfied with it's development cause our man likes to feel safe in when he's in control. (A trait often met in people with generalized anxiety)

And when he's not, his brain immediately goes into threat mode, but even so is able to adapt. (I have a theory he learned this the bad way. We've still got to see the origins of his Rapture intake though 🤔)

Now, we know this man is emotionally unavailable, through and through. His love is work. And married to it.

Now, I might get a bit controversial after this and some might not like it, but I don't think he wants another family after that. (We don't know much about this Miguel's background or family except that he was looking for things, and he found Gabi's universe. And for you to look into another universe in need to be happy says enough to imagine his family or is non existent or is really messed up.)

I know we want him to be happy, (And the producers better give him some healing and closure or else.) Cause he deserves everything. But grieving doesn't work like that. A loss like that is unmeasurable, it changes literally your brain chemistry forever. The least appropriate thing you'd do is have another kid or someone after such event.

(I've seen what that is an it's not nice. Specially for the involved kid)

But we're all ill here so Thank goodness fanfics exist ❤️

He allowed himself to be selfish enough to be happy, had his fun but consequences caught up to him. Consequences that he didn't know and now has him perpetuating his guilt and mind berating.

Hence the workaholic attitude, the coldness. He's done with establishing something with people in general, not just someone special. He's done of getting trampled by life, so he sticks with something he knows he can do very well and pours into it. The Multiverse is his hyperfixation.

Keeps him busy, keeps him on control but curiously and contradictory again, it keeps him needed and useful.

He's a walking contradiction. He doesn't need people to watch over him, not cause he doesn't deserves it. He knows that people worry about him, that's why he just minds his own thing to not be a burden.

Self-Sufficient, over achiever (Alchemax CEO & Spiderman, a genius, bilingual, probably more languages on his list cause he leads a multicultural and multidimensional task force babes ~)

He's not bad, he just doesn't know how to direct his anger or allows himself to feel properly and often rationalises his feelings. (Another coping mechanism where you're tired of feeling stuff and justify difficult or negative with logical thoughts)

But again, curiously knows how to communicate. I know it's fucked to say when he threw a trash bin to Miles before that. But! Hear me out.

Retaking the previous point, he was preparing Miles to give him the talk. After he throws the trash bin, he knows that anger won't solve things (Even though he wanted to give some chancla spanks to Miles for being an anomaly) So he chills, and you can see the transition between being completely furious to a more emotional approach. (Parenting surge there.)

He starts explaining everything from scratch, (literally with drawings and stuff) so Miles wouldn't be lost on what he was on about. Then they moved to the canon events, and shows his major trauma to him as a sign of empathy and an invitation to honest talk.

He admits he doesn't like what he does, and if you look closer his face is so damn distressed when locking Miles in the trap. It pains him, but again, someone has to do it, yet none is scarred enough to bear the burden.

I just want to hug him and send him to therapy. Cause he needs it. (Pretty sure he gave up on that too cause it was too time consuming.)

I'd be satisfied if the writers gave him that ❤️. But yeah. That's one of my many takes on him. Hope it helps c:

#talking with t✨#miguel o'hara #little thoughts 💭

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sweettjrose · 2 months

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Quick question for you cuz you seem to know very well the little guy

Do you think Mickey has any bad sides? Bad qualities/Habits

Ooh! I was hoping someone would ask this question. It was sitting in my mind for a while. I love sharing my thoughts on this little guy.

I do think it is important to remember that when it comes to characters like Mickey it can be challenging to ascribe specific traits to him since there are so many interpretations with differing personalities. Mickey in the black and white shorts is different from Mickey in the Gottfredson comics who is different from Mickey in the Paul Rudish shorts and etc. So some traits may fit better for some versions than others.

I don't know if I can say I am the Mickey expert. But I do think about him a lot and if I came up a list of what I think are bad habits or flaws that he has, based on how is generally portrayed and my own personal interpretation, I would say:

Stubborn - To start off, I feel like a common flaw for Mickey is his stubbornness. Once he sets his mind on a certain idea or situation, he has a hard time being convinced of anything else. It can be really difficult to change his mind, though not impossible. I don't think it comes from a place of seeing himself as better than anyone though, but rather from his desire to hold fast to what he believes in. And in some cases, it can have beneficial results. Such as when he is investigating some kind of mystery he tends to drop everything else, unable to change focus until he finally solves it. This usually gives him the push to solve problems most people give up on. But unfortunately, it tends to result in him ignoring the world around him which can be frustrating at times, especially for Minnie. Sometimes I think Mickey even uses these situations as an excuse to push aside things he doesn't want to do and focus on something he would much rather do.

Untamed Curiosity - I feel like this is actually an offshoot of his earlier personality. He was much more mischievous in his earlier appearances, but that was somewhat tamed over the years. However, I do think one element that has remained is this mouse's curiosity for the unknown. It seems like Mickey can't help himself but stick his nose into things he probably shouldn't. Whether it is listening to a conversation, checking a locked room, testing out a weird machine, or even following an odd feeling. I also feel like his stubbornness doesn't really help as it seems like once a curiosity is in his focus, he can't let it go. Mickey rarely likes to cause problems, but if his curiosity overtakes him, he usually ends up being a troublemaker. Sometimes this usually leads to him catching a crook. But other times it results in a big mess that he would have to clean up. I do think though that his mischievousness isn't entirely gone and does pop up every once in a while. Especially when trying to get out of things he finds boring or doesn't want to be in. And sometimes he just wants to be a prankster and have fun with his friends and family. Which is funny until things get out of hand.

Overthinks - Mickey is very intelligent and can come up with pretty clever plans when trying to solve problems. Unfortunately, this comes with the side effect of him overcomplicating even simple situations. This is usually why Goofy is such a vital friend for Mickey. Mickey tends to come up with complex solutions while Goofy tends to show the easier option Mickey tends to overlook. I think part of this does come from Mickey being afraid of being wrong and making mistakes, so he tries his best to be as thorough as he can be, which unfortunately can lead to more mistakes.

Lack of Self-Protection - One positive about Mickey is that he cares about others and would stand up to protect them. But unfortunately, this doesn't always extend to himself. He is not a doormat but tends to lean more "Turn the other Cheek" approach when he is the only one getting bullied (unless things go too far or if others get involved). To be fair, it is important to know when to pick your battles, but this tends to lead into other areas as I feel like he doesn't really share his problems and tends to keep personal issues to himself. I personally see him as the kind of guy you really have to pry to get him to talk about what he is feeling as he would much rather bottle it up to not cause any trouble. I also feel like he rarely is one to ask for help and tends to try and solve it all on his own, especially if he is worried that others may get hurt. The issue is, he doesn't seem to worry about whether he would get hurt.

Takes on Too Much - I also feel like this connects to another flaw as he tends to take on too much and constantly puts himself in risky situations. Whenever a life-threatening situation comes up that could help everyone but is extremely dangerous, he is usually the first in line to do it. It feels like Mickey doesn't even consider his own safety or limitations at all. Sometimes it feels like he is overconfident in his abilities and just believes that he will be okay, which works until it doesn't. It also doesn't help that Mickey has a hard time saying "No", so even if he didn't want to do something or knows he is not capable of doing it, he would probably still do it, not wanting to disappoint anyone. He rarely thinks of himself. And seldom considers what would be best for him. Usually, his friends are the ones to think about his safety and needs.

Need to be Perfect - Though I feel like part of the reason Mickey takes on so much is his need to be the hero. He feels like he has to be a perfect, selfless, and brave role model who does everything without a single complaint. I feel like he overexerts himself because he is afraid of what happens if he doesn't. He is afraid of not being needed or wanted. He is usually the underdog, a small mouse in a world with characters twice his size, and if he isn't constantly proving himself people will leave him behind. I also feel like he has a hard time admitting to mistakes (which connects to his stubbornness) because he feels like he can't make mistakes, or that would show that he isn't as capable as people think. I also think this explains why he has more of a heated rivalry with Mortimer. Mortimer somehow taps into his insecurities in the ways others don't. I feel like Mickey is kind of jealous of Mortimer because he tends to be taken seriously (at first) while Mickey usually needs to earn it. I also kind of wonder if he is worried that if he starts messing up, Minnie and the others will leave him for someone like Mortimer, so he feels like he can't mess up. Ever.

Lack of Self Worth - Unfortunately this means that he is very reliant on others for his self-worth. Luckily Mickey is really good at making friends. But he tends to rely on the existence of his friends for his worth. I can imagine that if for some reason they all stopped existing, I don't think he would even know what to do with himself. While he doesn't need everyone to like him. He does need at least one person to like him to help ground him or I can see him going into a deep depression. I feel like he would really struggle with being alone for too long unless there was some hope of being able to be with his loved ones soon.

But yeah these are the bad qualities that I feel like Mickey generally has. There are probably more, especially ones more specific to certain interpretations, but these are the ones I was able to come up with. As nice as Mickey is, he isn't perfect and his insecurities, overthinking, stubbornness, and curious nature tend to get him in trouble. But fortunately, he is also just as capable of getting out of trouble.

I would honestly love to see other people thoughts on this as well.

#mickey mouse #mickey thoughts #you are going to learn that I cannot write anything outside of an essay #but this was fun to write #i love the little guy #disney #ask #answered

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lygma-nygma · 5 days

Text

Knowing the original reason(s) that Dick became Nightwing and then reading comics like Nightwing: Year One is just so annoying. Like what is the deal with more modern rewrites making everything surrounding Dick and Bruce super edgy and angsty when the original version of the story was perfectly fine?? It’s like DC Comics is on a mission to assassinate both of their characters to make Dick into a ‘sad boy’, it’s infuriating.

Original Pre-Crisis Nightwing Lore: Yeah I'm just kind of getting too old to be Robin. Like it or not Robin is forever and always going to be known as Batman's sidekick and I just don't feel like that fits me anymore. I'm the leader of the Teen Titans and I spend most of my time doing that and solo missions now anyway. I think I'm going to drop the mantle, take a step back, and find a new identity. Original Post-Crisis Nightwing Lore: I got shot and fell off a building during a mission and almost died right in front of Bruce. It shook him up and made him super afraid of me dying so he told me he wasn't going to run with a Robin anymore because he didn't want my death to be his fault. I was annoyed about him treating me like a kid and that he was throwing all the years we worked together away over one incident but he said it wasn't like that, he just hoped I was old enough to understand where he was coming from. I told him that there was no way I wasn't going to continue being a hero and he fully supported me saying that he would always be there to help if I needed it. I was still hurt by it all, especially when Jason showed up, but ultimately I came to understand why it happened and got over it. Edgy Retcon Nightwing Lore: I went out of my way to SAVE him and then I got PUNISHED because I didn't do it right and wasn't prioritizing Gotham enough despite my THIRTEEN THOUSAND JOBS but I'm not surprised because he's always been unreasonable and HATES ME so now I'm not Robin anymore because Batman is an awful person and emotionally abuses me. And just to be clear it's not like Dick and Bruce didn't fight before the retcon, frequently being at each other's throats is literally a core aspect of their relationship, but I'm just so tired of them retconning every interaction they have into some overdramatic spat. Way to completely strip Dick of all his agency as a character and turn Bruce into an empty cardboard cut out of himself. Hope the angst points are worth it.

EDIT: I also want to add that fights between Bruce and Dick used to have a lot more nuance than they do now. The B&D fights used to be caused by a breakdown in communication on BOTH sides, not just Bruce's. The 'Jason becoming Robin' fight comes to mind. In Batman #416 neither Dick's complaints nor Bruce's excuses made complete sense but that was the point. Bruce should have been better at reaching out but Dick was also expecting Bruce to be a mind reader and know how he was feeling without telling him. Dick left home without saying goodbye well Bruce was on a mission, Bruce assumed that meant Dick didn't want to see him and so avoided reaching out leading to the two of them not talking for a long time. Dick accepts that Bruce doesn't want him as Robin anymore in stride (he even smiles and shit about it) so Bruce doesn't realize that losing Robin actually hurt him, ex. It's that kind of fighting, the "I want to slam both your heads together" fighting, that I miss so much.

#dick grayson #bruce wayne #batman #nightwing #just me complaining about things again #I blame frank miller for this #Frank miller and Tom king when I GET YOU #For those of you wondering the comics referenced here are #The New Teen Titans (39)#Batman (408)#Nightwing (101)#I can't put number signs in the tags so those are all issue numbers lol

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missezramay · 11 months

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ted lasso, post-finale thoughts.

I went into the finale thinking yeah, if the writing serves, I can accept any outcome even if it's not exactly what I want. Instead, I was hit with a plethora of mixed emotions I didn't expect to have. Confusion, anger, hurt, annoyance, small bursts of joy in between, and just deep sadness. Almost 20 hours later and I'm still incredibly dissatisfied and processing. For the most part, finales should provide a feeling of celebration and relief. I... don't feel any of that.

I'm just really trying to pinpoint why I'm so sad.

Of course everything inevitably has to come to an end. Of course Ted was always going to reunite with his kid. Of course it's not about winning or losing. Of course Tedbecca can remain platonic if that was always the plan. Of course that's the way life goes, but...

For a show (and this season particularly) that constantly encouraged us to 'believe' and 'hope' in the idea that 'everything will work out', all those 75 minutes did was take me on an unsettling, emotional journey for no concrete reason other than to mess with the audience (the opening scene was just adding salt in the Tedbecca wound I've had since S2). Because everything in a macro sense, "worked out". But the WAY it "worked out" does not sit well with me?? And it's supposed to? For a lot of people (on Reddit/Facebook, lol), it was enough?? Richmond not technically winning and Ted leaving like that without so much as a tear? What am I missing??

When I tell you I'm trying to embrace the good parts, I'm really trying. Yes to KBPR & the women's team, Yes to Colin kissing his fella, Yes to Rebecca & Mae & the guys owning the club, Yes to Roy becoming Manager.

So... why am I still so upset? Hmm, let's see.

The boys' musical number? The cutest. Ted didn't think so.

Nate's apology? Heartbreaking. Ted didn't bat an eyelash.

Rebecca begging twice for Ted to stay? Ted, absolute silence.

Beard staying/getting married in London to his toxic gf? Comic relief, haha, fine. Except Ted wasn't there as Best Man.

Don't even get me started on the huge disservice to the Roy/Keeley/Jamie triangle.

Now listen, I get that he misses Henry & Henry misses his dad. I'm not that cold. A father/son's love is important. It was always the catalyst for this show; for him to work on himself so he can be a better father unlike the one he grew up with. That's fine.

But on this particular week. His last week with his Richmond family. There was NO sense of him being sad to leave them. He can be sad about missing Henry but he can ALSO be sad about leaving. No, he just completely checked out. He let everyone pour out their hearts (Hannah's getting her third Emmy, mark my words) to him, and he just stone-faced the entire time.

THIS DOES NOT MAKE ANY SENSE TO ME.

The argument is that he was internally processing, he was overwhelmed, he was trying to distance himself so it would hurt less. Fair points, okay. But this is a television show, moreover, A FINALE. TV characters, while relatable, are heightened versions of ourselves, there so we can better process our emotions and learn to handle things better in our real lives. Ted deserved MORE dialogue and displaying MORE emotion than whatever this was.

We're never going to see him again. We're over here crying along with Rebecca, Nate & Beard, but he didn't sob once. Even though he spent three years building a family with them. I even thought, hey at least he left his legacy with Trent's book but newsflash, he wanted his name taken off that too! Complete erasure.

I just feel so robbed of better moments. Like there were nice moments here and there. But they could've been BETTER. Honestly, Nate & Rebecca's breakdowns were close to perfection, so much love there. But the lack of dialogue and Ted not reciprocating? Broke ME.

I just cannot. understand. this. choice.

Massive sigh. I'm just truly baffled by the way everything wrapped up and not getting the satisfied feeling that one half of the viewership got. Maybe I'm in the minority, but that means something. It carries weight. Also, for a "three-season arc" that was planned well in advance, why all the rewrites and parallels and fakeouts... it's just cruel. But as the theme says (and maybe this was a warning all along), yeah, I guess this might well be it.

This show has given us so much and the last season flailed for the most part. I don't want to disrespect the show by being negative and cynical (looks like I failed!!) or cast blame on anyone in particular. The cast/crew are amazing people and I'll be grateful for being a part of the journey but I'm just so sad and this feeling sucks and I will never get over it.

Going to miss them. x

#ted lasso #spoilers #thoughts #finale #text post #tedbecca #roykeeley #jason sudeikis #hannah waddingham

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invisibletoothpasteman · 9 months

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Something that is completely unserious but I just need to get off my chest is how people mistake complicated family dynamics as something inherently bad and therefore gravitate towards something completely stripped of any real complexity.

While I know this applies to lots of fandoms, I'm thinking specifically in regards to Batman comics.

With the rise in popularity of comics over the past little while since their decline in popularity in the 2000s there has naturally become an increase in their fandom as well, especially for Batman and the batfam. Don't get me wrong, this is great news. The comic industry NEEDS all the readers it can get and the renaissance of sorts it's been going through really shows hope for the future of comics. And with a growing fandom comes more people introduced to these characters through the fandom itself rather than the source material, which again, is a good thing.

What grinds my gears is how throughout this fandom theres been this whole idea spread that in the comics Bruce Wayne is always a shitty parent, the batfam is hardly a family, that the fanon version of him is what we deserve and is the "superior" version of him.

This fanon version of bruce (and the batfam as a whole) is perfect. He's not perfect in the sense that he's perfectly characterized. He's not perfect in the sense that he never makes mistakes. No, he's perfect in the sense that when he makes a mistake, he can flawlessly atone for it. There's conflict sure, but whenever there is some amazing therapist-approved communication is put right into play, the batfam talks about their feelings, and boom everyone is happy.

The thing is in reality that's just not how things work. Relationships are messy, especially family. Resolving conflict is messy. This is all especially true when you apply it to a family of messed-up vigilantes that go through incredibly stressful, emotional, and just plain crazy things on the daily.

The lack of always perfectly solved conflict is what makes stuff interesting. It allows for nuance in characters and situations that there isn't normally room for if everything is designed to be wrapped up in a sweet little bow.

I feel like a lot of people see the comics solely as batman being shitty and the rest of the batfam not really being a family and just overall poor story choices. While I can't deny that sometimes there are really poor or ooc choices made (such is the nature when so many different creators get to work on the same group of characters) for the most part batman in the comics is portrayed as he should be: well meaning, but far from perfect. The rest of the batfam is similarly flawed. Their relationships with each other are far from perfect but such is the nature of family. It's messy, it's imperfect but going through all of that makes it more compelling.

While I still definitely enjoy the simplified version of the batfam from time to time and am glad so many others do too, I think it's a disservice to say its the better version of them. as much fun as wfa or the like can be, they're not able to portray the same complexity as the stories that have the batfam with their flaws and all. It's still possible to tell heartwarming and fun stories in comics where everyone is heavily flawed and nuanced.

That being said really i'm glad people are able to enjoy these characters no matter how they're presented. Goodness knows that everyone should absolutely be indulging in little things in life even if that is ooc batfam. Just consider if you're still new to batman and only familiar with the fandom getting out there and reading some comics because they're pretty great.

(sorry this whole thing was written in a sleep deprived rant state, don't take it too seriously)

#batman #bruce wayne #dc comics #dc #damian wayne #bat family #wayne family adventures #wfa webtoon #wfa #anti wfa #comics #nightwing #dick grayson #red hood #jason todd #red robin #tim drake #robin dc #cassandra cain

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littlecrittereli · 1 month

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Hi, first of all I’d like to say I love your art and writing, I read Reprogrammed in one sitting and it was marvelous, got me thinking of AUs. Everything my angsty little heart could desire. Wild Kratts has been a staple of my childhood so it’s amazing to see talented creators appreciating the show.

Secondly, for your Guardianship AU, that comic you made about Chris calling Martin cringe immediately thrusted a scenario into to brain that I could totally see happening as an alternative plot in “Let the Rhino Roll”

Zach: that’s a child

Chris, being held like a sopping wet kitten by a Zach Bot: and that’s and ugly, pickley, bitch!

Lastly, about the Reprogrammed AU, what’d you think would happen if the bros swapped places (Martin got captured why Chris remained safe). I love making AUs for AUs by tweaking certain things so I’d love to hear your thoughts. Personally I think it’d be a mixed bag as Chris would be both guilty and crippled with anxiety over his lost brother, leading into desperation and lashing out. Meanwhile I think Martin would loath the situation, but also feel weirdly content since he’s the one that got captured. That meant his little brother and friends were all safe and weren’t the ones going through the suffering. He’d probably also have heaping loads of guilt if he hurt Chris cause that’s his little brother who he’d sworn to protect and he just hurt him. So much angst potential

UR SO NICE THANK YOU!!!!!!!

(also that's such a silly prompt for Guardianship AU I will maybe draw that sometime if I get the chance <3 )

oooo.... a Martin version of Reprogrammed.... that would be really interesting! I agree that Martin would probably feel relief that Chris is safe. That is... until any sort of confrontation with Chris or Martin having any suspicion that he's hurt him. Martin would probably self destruct after that. But in a way I think Martin would be able to handle everything else a bit better because Martin takes on the mindset of "Bad things happen sometimes and it's out of our control" Meanwhile Chris is a very meticulous thinker in the sense that there needs to be a reason for things happening, and there needs to be a person to blame them on. And I think Chris would try his absolute best to fill in his brother's role during his absence, but ultimately feel super out of his league and Aviva or Koki would end up being the ones to step up as team lead.

Because as much as Martin goofs off or seems unorganized, I don't think the team realizes just how much they rely on him to make decisions. Ofc they make a lot of choices as a team and it's definitely not Martin bossing them around all the time, but in times of crisis or emergency, Martin's quick decision-making is what keeps them on their feet. Chris is great at planning, organizing, and strategizing, but put him on the spot and the poor guy will implode.

Super interesting concept though! I appreciate your thoughts; thank you for the ask!

#wild kratts #littlecrittereli #asks #chris kratt #martin kratt #wk reprogrammed au #kratt brothers

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courtingchaos · 6 months

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oooo but what about Doesn't-Know-He's-An-Incubus Eddie. like growing up his life was completely normal until he's older and starts having sex and he realizes he feels so.... strong.

This would be good too because the part I left out is him haunting comic book stores and tabletop game spaces because those girls are so desperate for a dude to not mansplain to them. They just want to be included and they know what they’re talking about and Eddie just loves teaching people. He’s like, the only dude who isn’t shooing them off or telling them they’re dumb. And it would get him so much ass.

Like picture it. He’s unaware of any actual power he might have. Probably got it from Al, that Munson charm he always wielded had to come from somewhere. Eddie would see these girls getting dragged around by boyfriends who could care less that they were there, if only to show the other dudes that ‘hey, I have a girlfriend and you don’t.’

He’d smile and ask them about their character sheet and next thing he knows he’s in the back of his van with her. He’s sliding into another random bed. He’s leaving after getting his world rocked enough that he feels like a brand new man. He’s finding people at the Hideout on terrible dates and suddenly he’s getting these little flashes of himself in the middle of getting his dick sucked. Nothing he’d ever seen, at least not from that angle, but they’re just brief rose tinted images.

It’d happen more and more, for longer periods. Someone’s babbling under him and he’s like, taken by visions. Sometimes it’s just him sometimes it’s someone else. Sometimes he’s just a polished version of himself, some kind of rockstar-model combo, but then he starts seeing it. That freak behavior.

“A tiefling? Really?” He asks mid stroke. He looms over her while staring through her. He can see the horns weaving through his hair. The deep purple skin and black eyes. A forked tongue flicks down at her with his grin bracketing it.

“Wh-what?” She’s breathless and gone. He shifts his gaze to catch her’s and he can’t. Eyes fogged over with lust, mist that settles over the color of her iris.

“Is this it, your big fantasy?”

“Uh huh.”

He leans in close pushing her knees into her chest. Spread open so vulnerably under him. He could eat her up and he doesn’t think she’d ever complain. Inches from her face he’s whispering to her, talking her to the edge of her pleasure. Writhing and shaking under him, nails digging into his biceps he barely notices the scratches or the draw of blood. He hasn’t noticed the change in his voice. There’s a baseline to it, something deep and reverberating and it almost strings her orgasm along longer.

When she finally comes down and unwinds from herself Eddie realizes he never came. There was a spell happening in the back of his van, something heady and new. He could snatch that image of himself out of thin air and tuck it away for later. It makes him chuckle while she’s trying to wiggle back into her jeans.

“So do you play as a tiefling or was that just something you came up with on the spot?” He’s buttoning his own jeans and doesn’t catch her giving him a weird look.

“What?”

“The…tiefling thing. Big purple guy?” The ‘me’ is implied but he doesn’t say it.

“I don’t-I’m not-“

“I’m not picking on you.” He’s quick to reassure but she looks confused, not hurt.

She shakes her head. “I didn’t think you were.” There’s a shy smile that she tries to hide. When he opens the door to help her step out she asks if he’ll be around for next weeks session. It’s unsaid but he catches the flash of the inside of his van.

“Sure.” He’s vibrating. His skin crackles and his blood sings. This feels better than any bong rip or bump he’s sniffed. There’s a tingling along his spine as he watches her walk away and he tries to figure out just what it was he was doing in the dark.

#this is a FOI blog btw sorry for the references #I just liked the book for a lot of things and I’m digging into my clay stash to mold #asks!

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sadiewayne · 5 months

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fuck it, i'm talking about beast world

(i have not read issue #1 yet, this is mostly a rant about tom taylor and #6, so kind of spoilers for dick in beast world)

ok, so the cover for #6 was announced and...

i'm pissed

so, firstly, this article on it made me want to cry

WHY IS THAT THE TITLE FUCK OFF

i am sick and tired of the "nightwing is a sex symbol" bc why do they keep forcing this narrative

also, this is a direct quote from tom taylor

Yes, you do get Nightwing turned into a fox because we’d be inhuman monsters not to do that. People want to see that.

do i like dick as a fox bc i like dick and i like foxes, so i am happy for that, but the fact it has been done purely for the sex symbol reason is annoying

tom taylor's run is something. there are good things about it (haley) but a lot of mis-writing of dick as a character and ignoring a lot of characterisation that has occurred aver the past 83 years. i like the limiting of his sexualisation - it is a lot less present in taylor's run than previous runs - but making dick a fox bc foxy get it bc foxy bc sexy is stupid and annoying

dick WOULD be a fox, but not because of that. he would be a fox because he is a trickster, he is manipulative (something tom taylor seems to forget half the time). this man can fool batman if he wants. this is a good enough reason for him to be a fox but no, it's because he is sexy

it also fits with the bats being canines (not damian but cat damian makes so much sense and it's close enough) with bruce and jason both being wolves. dick as a fox fits this perfectly. especially with him, bruce, and jason, the three characters that mirror each other. bruce and jason are both wolves because they are the same. they are so similar it's scary sometimes (my own opinion on them anyway. there are differences between them ofc but they are a lot more similar than they are different). dick is a fox because his is the same but different. a canine but he chose his own path, became a better version of batman. a master manipulator.

there was a perfect reasoning but it was thrown out because "let's continue the over-sexualisation of him" was the easy way out

do i think the better reasoning might end up being the actual reasoning in the comics, possibly. idk if they will dive into the reasoning tbh, i'm not holding out hope for it.

idk man, i think beast world is gonna be fun, but this just made me cry

i'm only happy bc the cover by sweeny boo is actually nice (it doesn't accentuate his ass so tysm for that bc now i don't feel bad when i use it in my nightwing widget)

also, i am not someone who hates tom taylor. ii think his writing is fine and i love superman: son of kal-el ok. he doesn't write dick badly, sometimes he just misses and that is ok. i still like the run and will still get it and read it bc i'm enjoying it ok

i just don't like the OVER-sexualisation of dick

#nightwing #dick grayson #beast world #titans #titans beast world #titans: beast world #tom taylor #tom taylor nightwing #stop sexualising dick grayson #pLEASE #stop over-sexualising him #a little bit is fine #dick grayson is smarter than us #dick grayson is a manipulative bitch #sadies dick grayson

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skitskatdacat63 · 4 months

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Hey, do you remember that really homoerotic scene from Skyfall? No? That's okay, here's a Vettonso version of it :)

- explanation & w/o text:

Hi hello, finally my weird psychosexual relationship with Casino Royale has come to fruition. Yeah this is directly based off a scene from Skyfall, but I def envision the vibe as being more like Casino Royale hehe. I can't believe I made that inspo board for this AU almost 4 weeks ago, and then ended up drawing a four panel "comic" about it. Ahhhh proud of myself, a bit, a tad. I think this took 20+ hours across the span of a week? God. Anyways I digress! The AU!!

First of all, their Bond song would be "My Way of Life" by Frank Sinatra. It's so toxic, codependent and obsessive, I'm in love with it. And it really suits Fernando and his motivations and outlook in this AU. Basically, MI6(in the context of James Bond) in this AU is an analog for Ferrari. It picks theses guys up, tells them that they're Ferrari MI6's most special boy, chews them up, and then spits them out when they're finished extracting all their talent and skill and life force.

Much like with Ferrari, Seb in this AU replaces Fernando after Fernando loses favor and becomes undesirable. Now Seb is the new golden boy, and Fernando has turned to a life of crime! Fernando resents Seb for this of course, but also becomes obsessed with him and the idea of him , and how they are connected. It's weird to watch someone else basically go down your exact same path and unknowingly make all the same mistakes(buying into the mysticism of it all too much, being overly cocky, having naive beliefs and goals, etc.) He is caught between wanting to doom Seb even more but also wanting to "save" him, by corrupting him and convincing him to work together.

Basically: He's both a Bond girl and Bond villain.

Fernando is in such a weird place in this AU. I think he's just very dramatic. Seb is just casually living his best 007(005?) life, and Nando is watching him with binoculars, whispering to himself: "DOESN'T HE UNDERSTAND THAT WE ARE NARRATIVE FOILS!?" Yeah he hates Seb, but like the song lyrics say, their lives and dreams are inherently tied up together. He would feel lost without Seb, because Seb basically, unknowingly, destroyed and then took over his life. Maybe he'll feel satisifed if he manipulates Seb into going down the exact same path a bit better.

About the drawings themselves. Still can't believe this scene is a real thing that actually happened, insane to me. But in this AU, after the events of these drawings, Fernando definitely kicked all his henchman out of the room, and fucked Seb in the chair. And then against the wall. And then on the floor. Hey man, Seb is already looking mighty delicious with his unbuttoned attire and being tied up.

I think the general plot would be that Fernando keeps trying to seduce him to the dark side, and Seb keeps making him think it worked, only to escape at the end of the encounter. Leading Fernando to just come up with increasingly more violent and kinky traps. Seb goes along with it(read: enjoys it), leaving Fernando satisifed, only to somehow escape and wink and make kissy faces at Fernando in the process. (Fernando smoking cigarette in bed: "How do I make him stay. Sigh.")

I like to think though that Fernando does win in the end, by realizing, ah wait shit I do need to actually explain my motivations to Seb. And Seb is so worn down by his job, not Fernando, and how he's being treated, that he listens, really actually listens, and realizes Fernando does really have valid reasons. And then they become evil crime husbands yayyyy. Wow you thought this was a espionage AU? Well it is, but just not the outcome you'd expect.

#ah well this was certainly a project....#rn i feel like im devolving into illness so im glad i could finish this up before it possibly gets worse #this is my magnum opus as of rn. just bcs ive not really drawn such a longform thing for them!! happy w it :)#i think i def like the first one the best #it made me suffer so bad but i think i soften on my own art after a few days #like i finish it and know its 'good' but cant help but critique every little thing #but ive had that one done for almost a week so now i look at it and really love it #i was originally just going to draw that one only but then realized i really like the full dialog so. might as well.#generally i liked this though bcs even if it ws difficult. it was nice to have really direct and clear reference #like ah ik where im going w this rather than it being an image in my head that i cant represent the way that I want #ah anyways all my vettonso aus tend to be just wanting to explore specific dynamics of theirs #and this one is basically how i feel about their mutual relationship to the institution of ferrari and how it affects their dynamic #basically: THEY'RE MIRRORS!!!#there's always something to be said abt nando being resentful abt seb bcs of 2010/2012/etc and then seb taking his seat at ferrari #but then witnessing seb basically go thru the same trials and tribulations and failures at ferrari #and realizing huh wait maybe he's not who i was villianizing him as. maybe hes at my level too. maybe he's not infallible. maybe hes like m #a very bitter nando who has to fight btwn his impulse to ruin seb further or to relate to him and start to like him #so yeah that's ^ basically what i want to portray in this au(just like all AUs tbh)#f1 #formula 1 #sebastian vettel #fernando alonso #catie.rambling.txt #catie.art.#vettonso #bond au

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gffa · 8 months

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"Grimm" is a five-part story from Batman: Legends of the Dark Knight from 2002 and I kind of absolutely lost my mind over it because there was just so much validating everything I've always thought about these two. The premise is typical comics shenanigans, there's a Mother Grimm who is stealing street kids and abused children away to this fantastical underground carnival to let them live a whimsical life, where they're loved and cared for--which Dick falls into because he's clashing with Bruce, who is freaking out because he's worried that he's turning Dick into a mirror version of himself. The story is woven through with Alfred gently trying to push (which I've been losing my shit about here and here because this is exactly what I read comics for) both Bruce and Dick into acknowledging that they're becoming father and son--but it's clear that both of them are terrified of stepping into those roles, Bruce because he doesn't know how to raise a kid and he's afraid he's hurting more than helping, Dick because he's not sure Bruce even wants him around as Robin, much less as Dick Grayson, but you watch the way Alfred barely has to nudge them and you see them both start to lean into the idea before they get scared again and jump back into saying they're partners and friends instead. And it's so validating because it's the good stuff--Dick running away because he feels like Bruce doesn't want him, Bruce coming home to tell him that he's going to find Dick a new family because he's scared he's molding this kid into himself but he can't because Dick's already run off, but when Dick says he's going to stay with Mother Grimm, Bruce looks gut-punched like he can't actually believe Dick would leave. Meanwhile, Bruce tries to leave, but Mother Grimm secretly doses him with psychotropic drugs which send him into hallucinations about how he's dragging Dick into this violent world of his, and how he's setting him up for death, that because Bruce didn't die with his parents, now he's trying to get this kid--this kid who mirrors him in so many ways--killed instead. And it's all just so much terror at the thought of letting someone else in after their losses--Bruce because he's scared of losing more people, Dick scared because he's not sure he's wanted, and it'll take years yet for them to actually put anything into words, so instead they settle for "partners" and it might feel unsatisfying and half-assed, except honestly Dick Grayson and Alfred Pennyworth were working miracles here. There's plenty of room for other interpretations, including soft dad!Bruce who eagerly embraces the idea (and it's not too far off from this, this Bruce very clearly does want that, he's just scared and so he keeps chickening out), but this is where I live, this is why Dick Grayson is so fundamentally important to Bruce Wayne's story, that neither character is complete without the other. Bruce Wayne is a character who lost his entire world on that night he was eight years old and didn't know how to grow beyond it for so long, and how do you make a character arc like that satisfying? How do you take a character that is defined by a child's loss of his parents, that shapes everything of who he came to be, and make a satisfying conclusion?

You do it by making him a father to a child who needs him. A child who mirrors him, where they could bring out the worst in each other--and sometimes they do tend to slide into those fears getting the better of them--but instead Bruce struggles his way to being someone who openly admits that he's fallible, he makes mistakes, but he loves his kid and he is a father, that he needs to step up. I've been reading a lot of Bruce & Damian comics lately and it's been striking me how different Bruce is--he's still emotionally constipated, but he understands that he has to get in there, set boundaries, set rules, and make sure the kid knows that he's proud of them. Has to be the adult that looks past the scared kid's bravado and harsh words, to see the vulnerability underneath.

Bruce could never have done any of what he's doing with Damian currently without THIS RIGHT HERE. Without the yearning for something he doesn't know how to put into words (even when Alfred basically spells it out for him), without Dick Grayson bringing light and love into his life, without Dick being such a bright and loving child who was still scared that he wasn't wanted, so Bruce has to open up and learn to start actually saying what he means.

You don't get Bruce & Damian (or Bruce & Jason or Bruce & Tim) without Bruce & Dick first. You don't get any of that without Bruce's relationship with Dick making him put his fears into words and learning to trust his heart to this kid, step by step.

Bruce and Dick's relationship being rocky in the early days isn't a mark against how much Bruce loved that kid, but instead a sign of just how miraculous it was that Dick Grayson got him this far in the first place. Dick Grayson had to be the first, because you don't get to current day Bruce Wayne with any of his other kids without him. (Overall, this was a fairly silly comic that was very much of its era, but I thought it was a great read because it really nailed how hard it was for them to even begin to approach the idea of Bruce being a dad, he couldn't even say it at the end of all this, despite that he literally pulled the most dad move of all time by waiting in the dark for his kid to sneak back in and basically tell him he was grounded. GOD THEY ARE SO EMOTIONALLY CONSTIPATED AND IT'S SO DELICIOUSLY FUN.)

#lumi.txt #dc #batfam #dick grayson #bruce wayne #batman: legends of the dark knight #i wrote this post for me but you can reblog it if you want 😂#long post

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