#contrat d'

[ornoirafrica]

Côte d'Ivoire : Le gouvernement signe 03 Contrats de Partage de Production avec le groupe américain Elephant Oil

Le 30 juillet 2024 marque une étape importante pour l’industrie pétrolière ivoirienne. À Abidjan, trois Contrats de Partage de Production (CPP) ont été signés entre le gouvernement ivoirien, représenté par Mamadou Sangafowa-Coulibaly, Ministre des Mines, du Pétrole et de l’Énergie, et Matthew Lofgran, Directeur général du groupe américain Elephant Oil. Cette signature ouvre une nouvelle ère pour…

[dalilamadjid]

REDRESSEMENT DE COTISATIONS SOCIALES : LE CAS DES JOURNALISTES REMUNÉRÉS EN DROIT D’AUTEUR

« Dans le journalisme, l’honnête homme est celui qui se fait payer l’opinion qu’il a ; le malhonnête celui qu’on paie pour avoir l’opinion qu’il n’a pas » (Edmond et Jules de Goncourt). Au sujet de la rémunération versée aux journalistes, un récent arrêt de la Cour d’appel de Paris s’est penché sur ce sujet. 1- Rappel par les Juges des règles applicables en matière de droit d’auteur des…

[petermot]

Bureau de Traduction Motte - 7

Textes Commerciaux : Polyvalence Déployée La polyvalence du Bureau de Traduction Motte s’étend à diverses formes de textes commerciaux. Que ce soit pour la traduction de contrats, de documents financiers, de supports marketing ou de communications d’entreprise, les experts linguistiques du Bureau de Traduction Motte comprennent mieux que personne l’importance de transmettre le message voulu avec…

[sylvainperrierfotografi]

Les risques de négliger les droits d'auteur et de sous-évaluer ses photographies

Les Risques de Négliger les Droits d’Auteur et de Sous-évaluer ses Photographies Vendre des photos sans se préoccuper des droits d’auteur et à des prix inférieurs à ceux du marché peut avoir plusieurs conséquences négatives pour les photographes : Perte de contrôle sur l’œuvre : En ne définissant pas clairement les droits cédés, un photographe risque de voir ses images utilisées de manière…

[naturelawyer]

Les vices cachés : prescription ou forclusion ?

Le 21 juillet 2023 la Cour de Cassation rend un arrêt en chambre mixte mettant un terme au débat des différentes chambres sur la durée du délai d’action de l’acheteur sur le fondement des vices rédhibitoires. En effet, l’incertitude sur la nature du délai applicable, prescription ou forclusion amène la Cour à statuer. Effectivement, une distinction juridique est faite entre la prescription et la…

[lemondecelesteetspirituel]

Le contrat d’âme

Qui que nous soyons, quelle que soit la vie que nous menons, nous nous sommes tous un jour ou l’autre posé la ou les questions suivantes :

Pourquoi cette ou ces personnes me font du mal ?

Pourquoi je vis telle situation ?

Pourquoi cela m’arrive, à moi ?

Etc…

Vous devez savoir, que bien avant de vous réincarnez sur terre, vous avez choisi les leçons que vous aimeriez apprendre et pour vous y aidez votre famille d’âme à décider de vous aider en vous accompagnant dans le plan que vous vous êtes fixé et qui porte le nom de contrat d’âme.

Vous devez donc comprendre que toutes les rencontres, évènements, faits et changement important dans votre vie ont été « décidé » et « validée » avant votre naissance pour que vous puissiez apprendre et évoluer et c’est votre âme qui a fait ses choix.

Ce que vous devez comprendre, c’est que toutes les personnes importantes dans votre vie, que cela soit votre famille, vos amis, votre compagnon, vos enfants, etc… Tous, ont un contrat d’âme avec vous pour vous aidez à avancer et apprendre les leçons que votre âme à choisis et vice-versa.

Alors oui tout au long de votre vie, vous ferez de belles rencontres, mais aussi des mauvaises. On vous fera sans doute du mal, on vous trahira et bien d’autres choses.  Il y aura sans doute des pleurs, des cris, de la colère, de la déception et j’en passe. Mais en fin de compte tout ce que vous vivez existe pour une raison et tant que vous n’aurez pas compris la leçon, vous revivrez le même type de situation.

Je conçois que certaines leçons ou apprentissages que nous avons décidé de vivre ici-bas peuvent être très douloureux et je suis moi-même passé par pas mal d’épreuves pour le comprendre. Mais en fin de compte, à présent, je comprends pourquoi j’ai vécu toute ses épreuves ou en tout cas la majeure partie et je remercie toutes les âmes qui ont passé ces contrats avec moi pour m’aider à évoluer et être la personne que je suis aujourd’hui.

Mais il faut aussi savoir que le fait de comprendre la leçon et d’en sortir vainqueur ne nous immunise pas contre les autres leçons à apprendre et que nous recevons tout au long de notre vie. Nous ferons toujours des rencontres et nous aurons toujours de nouvelles leçons à apprendre. Mais chaque leçon apprise nous permettra d’être plus fort pour surmonter les autres.

Ce que nous devons surtout comprendre, c’est que toutes ses personnes qui nous font du mal ici sur terre étaient et sont toujours notre famille de cœur de l’autre côté du voile et qu’il nous aimait d’un amour inconditionnel. Nous ne pouvons malheureusement pas le concevoir ici parce que nous vivons une vie terrestre et que les sentiments humains rentrent en ligne de compte. Mais votre âme, elle, elle ne l’oublie pas et vous le comprendrez quand vous retournerez de l’autre côté.

Alors même s’il est difficile de le concevoir et je sais que c’est le cas. Vous devez accepter que les personnes qui vous font ou vous ont fait du mal traverse votre vie pour une bonne raison et que cela ne vient pas uniquement d’eux, mais aussi de vous, parce que c’est votre âme qui a fait le choix des épreuves que vous traversez tout en vivant une vie humaine.

Rappelez-vous simplement, quel que soit ce que vous vivez dans votre vie, cela arrive pour une bonne raison et pour que votre âme puisse évoluer.

[rhtaoufik]

Période d'essai et maladie

Période d’essai et maladie

  L’objectif de la période d’essai est de vous permettre d’évaluer les compétences du salarié nouvellement recruté, de connaître ses aptitudes à occuper cet emploi. Elle permet également à ce dernier d’apprécier si les fonctions occupées lui conviennent. Il faut donc laisser le temps au salarié de montrer ses compétences. Pendant la période d’essai, le contrat de travail peut être rompu sans…

Voir sur WordPress

[blockgamepirate]

Update from the French Union investigating the QSMP case and a call for more testimonies

English:

QSMP – LET'S STRIKE BACK AGAINST ABUSIVE WORKING CONDITIONS

We made a few days ago a call for testimonies about working conditions at Quackity Studios, the company that hosts and manages the QSMP server.

Unfortunately, the first feedbacks we have received confirm several issues:

Illegal conditions (minimum wage not respected, legal rest time, burnouts, etc.),

Distressing working conditions (night shifts, work regularly assigned on an emergency basis, complete isolation of workers with no communication allowed, etc.),

Toxic management (erratic communication, threats and pressure, abusive sanctions, etc.),

An almost non-existent legal framework (no work contract, no staff representatives, absurd NDA, etc.).

There is confusion between paid and « volunteer » workers. This blur is intentionally kept up by the company, as shown by the lack of any clear documentation or public communication regarding the status of these « volunteers ». In such a context, it seems hard to consider all Quackity Studio workers to be anything but regular employees, with all the rights conferred by the status of salaried worker. After a full server lockout while an internal investigation about the accusations took place, the company’s representatives announced a restart, sidelining the « volunteer » workers (discontinuing the activities involved). According to French law, such job cuts are regarded as unlawful dismissals.

Some workers have been left aside for more than 10 days, with no clear insight on their possible future responsibilities. This sidelining can be considered to be moral harassment. Quackity claims to have solved the problem by firing the manager who drafted the initial company statement, that he declares not to approve, but the others responsibles of these inexcusable work conditions are still in place.

These are sufficient grounds to consider legal actions. To avoid it, we invite Quackity to be proactive by opening a social dialogue with all their workers. A negotiated outcome remains possible: it will need to address monetary demands concerning work already performed and that to come, as well as claims to improve working conditions.

All victims and witnesses of this situation are still welcome to contact us (preferably in French or English) at:

qsmp @ solidairesinformatique org

We guarantee total confidentiality.

However, note that as a French union, we will not be able to legally support workers outside France. We can help victims to know and contact each others, and help organize testimonials when needed.

(French and Spanish below)

French:

QSMP – LUTTONS CONTRE LES CONDITIONS DE TRAVAIL ABUSIVES

Nous avons lancé il y a quelques jours un appel à témoignages concernant les conditions de travail à Quackity Studios, l’entreprise derrière le serveur QSMP.

Les premiers échanges reçus confirment malheureusement un certain nombre de problèmes:

des conditions illégales (salaire minimal et  temps de repos legal  non respectés,  épuisement professionnel, etc.) ;

des conditions de travail dégradées (travail de nuit, missions régulièrement assignées en urgence, isolement total des travailleur·euses en leur interdisant de communiquer, etc.) ;

un management pathogène (communications erratiques, menaces et pressions, sanctions abusives, etc.) ;

un encadrement juridique quasi inexistant (absence de contrat de travail, absence de représentation du personnel, accord de confidentialité aberrant, etc.).

Un confusion existe entre les travailleur·euses salarié·es et les travailleur·euses « bénévoles ». Ce flou est volontairement maintenu par l’entreprise, en atteste notamment l’absence de documentation ou de communication claires encadrant le statut des « bénévoles ».

Dans ce cadre, il nous semble compliqué de considérer l’ensemble des travailleur·euses de Quackity Studios comme autre chose que des salarié·es, avec les droits accordés par le statut de salarié·e.

Après un arrêt total du serveur le temps d’une enquête interne sur les faits dénoncés, les représentants de la direction ont annoncé le redémarrer en laissant de côté les travailleur·euses « bénévoles » (arrêtant une partie des activités en jeu). Dans le cadre de la loi française, ces suppressions de postes sont considérées comme des licenciements abusifs.

Certain·es travailleur·euses sont laissé·es sur la touche depuis plus de 10 jours, sans aucune visibilité sur leur éventuel rôle futur. Cette placardisation s’apparente à du harcèlement moral.

Quackity prétend avoir réglé le problème en excluant la personne qui aurait rédigé le premier communiqué qu’il a dit ne pas approuver, mais les autres responsables de ces conditions de travail inexcusables sont maintenus en poste.

Ces éléments sont suffisants pour envisager des actions en justice. Pour l’éviter, nous appelons la direction de Quackity Studios à être proactive en ouvrant le dialogue social avec l’ensemble de ses travailleur·euses. Une issue par le haut reste possible : elle devra prendre en compte à la fois les revendications financières sur le travail déjà réalisé et celui à venir, ainsi que la mise en place de meilleures conditions de travail.

Nous appelons toujours les personnes victimes ou témoins de ce type d’abus à nous contacter à l’adresse suivante (de préférence en français ou en anglais) :

qsmp @ solidairesinformatique org

Nous garantissons une confidentialité totale.

En tant que syndicat français, nous ne serons malheureusement pas en mesure d’aider légalement les personnes qui ont travaillé depuis un autre pays. Nous pouvons tout de même aider les victimes à se connaître et à entrer en contact, et aider à la rédaction de témoignages.

Spanish:

QSMP-LUCHAMOS EN CONTRA DE LAS CONDICIONES DE TRABAJO ABUSIVAS

Hace algunos días lanzamos un llamado a declarar sobre las condiciones de trabajo en Quackity Studios, empresa que maneja el Servidor QSMP. 

Las primeras informaciones recibidas confirman desafortunadamente, varios problemas:

Condiciones ilegales de trabajo (salario mínimo y tiempo de descanso legal no respetado, agotamiento profesional, etc.);

condiciones de trabajo degradadas (trabajo nocturno, tareas asignadas regularmente con urgencia, aislamiento total de las trabajadoras o los trabajadores, impidiéndoles comunicarse entre sí);

una gestión dañina o toxica (comunicación errática, amenazas y presión, sanciones abusivas, etc.);

Marco jurídico casi inexistente (ausencia, de contrato de trabajo y de representantes del personal, acuerdos de confidencialidad abusivo e incoherente).

Una confusión existe entre los trabajadores de la empresa y los trabajadores “voluntarios”. Esa ambigüedad está mantenida por la empresa intencionalmente, lo confirma, la ausencia de documentos o comunicaciones claras enmarcando el estatus de “voluntarios”.

En este marco, es complejo considerar este conjunto de trabajadores de Quackity Studio diferentemente de unos trabajadores con derechos en acuerdo con el estatus de asalariado.

Después de un cese completo del servidor, el tiempo de realizar, por parte de la empresa, una encuesta sobre los hechos denunciados. La dirección y sus representantes anunciaron volver a reanudar el sistema dejando de lado los trabajadores “Voluntarios” (parando una parte de las actividades en curso).

En el marco de la ley francesa, estas suspensiones de puestos están consideradas como despidos indirectos y abusivos.

Algunos trabajadores fueron dejados en el banquillo desde más de 10 días sin ninguna visibilidad sobre sus funciones futuras. Esa manera de dejar trabajadores al margen se considera como acoso moral.

Quackity pretende resolver el problema excluyendo a la persona que consideraba ser el autor del primer comunicado sin admitir dicho panfleto. Al contrario, los otros responsables de esas condiciones de trabajo injustificables se mantuvieron en sus puestos.

Los elementos son suficientes para emprender acciones legales. Si la dirección de Quackity Studio quiere evitar dichas acciones legales y ser proactiva, los llamamos a que abran el dialogo social con todos los trabajadores.

Continuamos llamando a las personas, víctimas o testigos de estos casos de abusos planteados a contactarnos por medio de la dirección siguiente (preferiblemente en francés o inglés, pero también podemos traducir):

qsmp @ solidairesinformatique org

Garantizamos por completo la confidencialidad.

Como Sindicato Frances, nosotros no podemos legalmente, desafortunadamente, ayudar a los trabajadores de otros países. Sin embargo, podemos asistir a que las víctimas se junten a fin de unirse, conocerse e intercambiar, y en tal caso les podríamos suministrar o facilitar ayuda en la redacción de testimonios y en el desarrollo de su queja.

[peaceinthestorm]

Jean-Baptiste-André Gautier d'Agoty (1740-1786, French) ~ Le Contrat De Mariage Ou L’attente Nerveuse, n/d

[Source: artvee.com]

[ornoirafrica]

Sénégal - Côte d'Ivoire : Comparaison des contrats de partage de production (CPP) dans le secteur des hydrocarbures

Le Sénégal et la Côte d’Ivoire, deux acteurs majeurs de l’industrie pétrolière et gazière en Afrique de l’Ouest, ont chacun mis en place des cadres juridiques spécifiques pour régir les contrats de partage de production (CPP) dans le secteur des hydrocarbures. Bien que ces contrats visent tous deux à attirer les investissements étrangers et à maximiser les retombées économiques pour l’État, ils…

[dalilamadjid]

#31: Création de logiciel en dehors des fonctions du salarié

En matière de création de logiciel par un salarié, il existe un principe dérogatoire au droit commun de la propriété littéraire et artistique, reposant sur un mécanisme de cession légale et automatique des droits du salarié à l’employeur. Toutefois, cette attribution automatique des droits d’auteur à l’employeur, n’est possible qu’à deux conditions seulement : Il faut un contrat de travail, Il…

[supyovalk]

A Compilation of all of "Treasure" Clone Moves

So I decided to compile all the moves I could find in treasure that are majorly different than the main dancer (footage by ScottS)

First House, Left & Right Clone: Snaps his fingers with hip movements

First & Second Chrous, UNCOUNTABLE AMOUNT OF CLONES: Doing repeated many dances. of Note are the ones that looks to the camera, the ones which points to center, and ones who jumps to skies and FRICKING DABS afterwards, seen in around (Those can best be seen on right on the "Make my wish come true" part on the second chorus)

Second House, Many Clones: Doing whatever with capes.

Second House, Front Left Clone: Whatever TF that is.

Second House, Front Right: Okay see, that's better.

Okay here goes the most Important section to this, and the reason I made this thing, because there is so much poses cramped into this: THE BRIDGE.

Bridge, Shot A: Back Clones striking two different clones, While Front Left point at his phone and Front Right holds his shirt

Bridge, Shot B: Back left isn't notable, but Back right points at the camera in amazement, crouches and waves. Front left waves & spins his head towards the camera, also raises a eyebrow. Front right looks at his camera, Eyes the other camera, and points into it, tongue out.

Bridge, Shot C: Back Left does some shoulder work and stirkes a elegent voice. Back Right presents center Jack and does some shoulder work. Front Left points to three others in sync to the "You,You,You" and then looks at the camera at the "Your are". In contrat, Front Right points at center Jack at "You are my treasure", points at the camera three times to the "You,You,You", and then moves elegantly his hands down across his face.

Bridge, Shot D: Back Left Does a similar but not exact presentation to the one in Shot C. Also seems to go sweep his sleeves in the final moment. Back Right just vibes with his hands. Front Left nods at the camera and then procceds to look at hand, for some reason. Back Left just nods at the camera.

Bridge, Shot E: Back Left just aims at the camera and moves his hand across his face. Back Right Continues his pose from Shot B but also now Waves AND Points at himself. Front Left just vibes and Front Right points his hand and then hold his shirt.

Bridge, Shot F: Back Left Crosses his hands and procced to make a marvelous hand waving, back lookin pose. Back right presents to the camera, does some shoulder work and then proceeds to grab and push down his shirt. Front Left just checks his chin and hair while looking at the camera, and Front Right also just vibes with the camera

Third Chorus, First Shot: Background Jack is FRICKING HOLDING A ROSE IN HIS MOUTH, and the panel Jack is just waving his hands

Third Chrous, Second Shot: Background Jack is now aiming the rose at us, and Panels is vibing, while holding his microphone in a VERY weird way.

Third Chrous, Third Shot: Background Jack is now Sending a kick to the audience, and Panel jack is now vibing

Third Chrouse, Fourth Shot: Background Jack contiunes his kiss sending while winking and Panel Jack just sings at the camera.

Third Chrous, Final Shot: Background Jack does some movement that are obscured by the Front Jacks and then Proceeded to point his rose holding hand in the Same time and direction the Front Jack do the same. Panel Jack does stuff that is even more Obscured.

Outro: like to balance doing nothing major in this chorus, Panel Jack gets a big section in the outro. Getting from whatever he did in the previous shot, looks at the camera from a sideways angle, proceeds to put his cane on his shoulders, move around, puff his chest, starting to spin it around, stop then bop it front and back to the "bap-bap" of the outro, and spin sideways again.

This list is probably incomplete and uses subpar screenshots, but it's just to show how much detail spcicfilly the clones got in "Treasure", which kind of fits the "Ego" message of this routine.

[ninaemsaopaulo]

Pobres criaturas

Um brinde aos desajustados, inadequados e esquisitos: pois agora chegou a nossa vez.

Em Pobres criaturas, Bella Baxter morreu Victoria — jovem, grávida e infeliz. Victoria se jogou de uma ponte e teve seu corpo resgatado pelo Dr. Godwin Baxter, um cientista maluco e professor universitário que, na Inglaterra da Era Vitoriana, se dispõe a fazer experimentos como animais híbridos e trazer de volta à vida uma mulher adulta com o cérebro de seu filho prematuro. “God”, literalmente.

Nossa Frankenstein, no início de sua jornada, mal sabe falar, tampouco ficar de pé. Ela é uma criança no corpo de uma mulher e toda vez que acorda amadurece mais. Dando rápidos saltos com sua inteligência moldada e percepção do que lhe cerca, Bella sonha em conhecer o mundo ou, no máximo, ir lá fora conhecer Londres, a cidade, tomar sorvete ao lado das crianças. Mas Godwin não pretende exibi-la. Contratou Max como assistente para observar sua evolução, mas sugere que ambos se casem e vivam confinados com ele. Mas, ao contatar Duncan, um advogado canastrão que deve realizar o contrato de casamento, Godwin perde Bella para um sedutor canalha que viaja com ela pelo mundo. Então, Pobres criaturas é dividido por capítulos que são as cidades que Bella visita: Lisboa, Paris, Alexandria e Londres novamente. Nessa ordem.

Lanthimos gosta de fazer filmes que causam desconforto por meio da comédia, sendo essa sua marca registrada, como se tudo fosse um experimento social tendo o absurdo ou o impossível como instrumento. E esse estranhamento vai abraçar quem assiste, mas não é difícil que você se sinta transportado para o universo que contempla Bella. O deslumbre de Pobres criaturas, para além do roteiro de diálogos irresistíveis, está nos detalhes e no trabalho em equipe.

Para começar, a trilha sonora de Jerskin Fendrix é um acontecimento: em alguns momentos, parece feita para a geração TikTok, com músicas que podem ainda viralizar por lá. Se o filme começa com Bella maltratando um piano, a trilha trata o instrumento como brinquedo, sem desrespeitá-lo. Vozes infantis e quase assustadoras ilustram o renascimento de Bella. E a música que recebe o nome da protagonista, abrindo a trilha sonora, começa melancólica e termina esperançosa, cheia de alegria — igualzinha a ela (morrendo, renascendo, descobrindo, experimentando).

Holly Waddington, figurinista, trouxe para Bella inspirações vitorianas numa repaginada mais fluida em camisas de mangas bufantes e muito babado na parte superior do corpo, economizando na inferior. O motivo? Bella é uma criança no corpo de uma adulta, ela aprende ao longo do filme a diferença entre certo e errado. Para exemplificar isso, Holly escolheu o simples do shorts e o complicado e difícil de tirar das blusas e camisas mais típicas da Era Vitoriana. Na medida em que Bella amadurece, suas roupas também mudam. Quando chega em Paris e a neve cai, seu casaco lembra um preservativo masculino. Bella usa comprimento mini e transparências em roupas que vão do infantilizada ao s3.xu.4lizada, acompanhando a narrativa — trato disso mais adiante.

Os cenários de Pobres criaturas estão repletos de detalhes oníricos: da sala de jantar de Godwin até a Lisboa retro-futurista, o céu do fim de tarde de Bella no navio tem as cores da aquarela de um comercial antigo da Faber-Castell. Quanto mais você olha, mais existe para ver, sendo o tipo de filme feito propositadamente para ser revisitado. O início em preto-e-branco vai mostrar o ponto de vista ou pelo menos a defesa de Godwin — interpretado por Willem Dafoe, que já não é um homem bonito, o trabalho de maquiagem feito em seu personagem reforça as consequências dos experimentos que sofreu na infância, quando refém de seu pai, também cientista. Aqui, assume a paternidade de Bella, escondendo dela sua origem e limitando seu crescimento. Trata Bella, no início, como puro experimento científico. Quando o filme ganha cores, porque cores são o símbolo da vida, Bella torna-se para Godwin a lembrança de uma filha que não está mais ao seu alcance, em seu controle.

Emma Stone também se distancia enquanto viaja o mundo sendo Bella. Se distancia da caricatura que sua personagem poderia ser. A ingenuidade da pouca experiência é atravessada pela sede de viver, ela quer desbravar o mundo, ser exploradora mesmo quando torna-se explorada. Essa personagem vai figurar como uma das mais perigosas em sua carreira e no cinema como um todo. É o exemplo mais recente da “born sexy yesterday”, só que num tempo em que estamos acostumados a perceber e nomear essas personagens criadas por homens e feitas para satisfazê-los. É aqui que a crítica feminista aparece e onde talvez Pobres criaturas cometa deslizes. Embora seja maravilhoso quando um diretor encontra sua musa e o casamento entre Emma Stone e Yorgos Lanthimos funcione há algum tempo, não deixam de ser polêmicas as cenas de s3.x0 em Pobres criaturas. Inspirado no livro de Allistair Grey (ainda sem tradução no Brasil), essa é a trajetória de uma mulher que descobre seu amor pela vida e nada é mais representativo disso do que s3.x0. Mas, repetindo: também é uma história toda contada por homens, sobre uma mulher sendo moldada e podada por homens. É impossível não discutir Emma Stone fazendo uma criança no corpo de uma adulta que descobre, em um dado momento da narrativa, que a prostituição é um caminho. Se Pobres criaturas tivesse sido dirigido por uma mulher, qual seria a abordagem? Seria melhor, seria mesmo?

Duncan, Max e Alfred são os outros homens da vida de Bella. Os que aparecem depois de Godwin. Minha amiga Rita Alves definiu muito bem Mark Ruffalo como Duncan quando disse que ele “é um homem de autoestima delirante”, como quase todos os homens. Duncan é o típico homem que gosta de tirar vantagens e contar suas vantagens. Apresenta-se para Bella como alguém desapegado que “pega geral”, para depois revelar-se apaixonado apenas por não saber contê-la. Quer Bella só para si, mas o ciúme é vaidade e só confirma sua personalidade patética e digna de pena. Max (Ramy Youssef), assistente de Godwin e observador-protetor de Bella, apaixona-se de fato, mas “permite” que Bella vá e veja o mundo, viva suas aventuras, sendo o mais progressista entre os homens que ela conhece. E Alfred (Christopher Abbott) é quem, um dia, tornou a vida de Bella pesada, insuportável. O verdadeiro algoz, Alfred surge já nos momentos finais do filme trazendo as respostas que Bella precisa enfrentar sobre sua vida anterior, seu passado como Victoria e o que a levou para aquela ponte. Aqui é onde o filme se estende para além do necessário, como um epílogo. Mas compreendo a necessidade de respostas.

Um dos pontos altos de Pobres criaturas está na dança entre Bella e Duncan em Lisboa: desordenada, caótica e de passos inéditos, em que Bella conduz enquanto Duncan ainda se comporta como esse homem “da sociedade polida”. Minha outra cena favorita também acontece em Lisboa. Só que, mais do que favorita, essa é a cena que vale o filme, que permanecerá em minha memória por muitos anos — quando Bella decide conhecer Lisboa sozinha, e encontra a cantora Carminho cantando o fado “O quarto”. Eu fico feliz com Carminho alcançando novos públicos, mas também com Bella criando suas memórias afetivas, um momento que é só dela.

Bella conhece regras, quebras de protocolo, s3.x0, paisagens, pastel de Belém, bebida alcóolica, a primeira ressaca, pobreza extrema, tristeza, trabalho, política, vontade de mudar o mundo, a maldade dos homens e até o amor com outra mulher para, enfim, decidir quem ela quer ser quando crescer e saber a hora de voltar. São mil vidas em uma, no debate das entrelinhas e do humorístico sobre a ausência de ética científica, até o agradecimento de Bella para Godwin, que lhe trouxe de volta à vida, na qual ela teve uma nova oportunidade de se gostar. Talvez seja essa a alegoria de Pobres criaturas: a ideia de se conhecer, se perdoar e se permitir.

[rhtaoufik]

Période d'essai et maladie

Période d’essai et maladie

  L’objectif de la période d’essai est de vous permettre d’évaluer les compétences du salarié nouvellement recruté, de connaître ses aptitudes à occuper cet emploi. Elle permet également à ce dernier d’apprécier si les fonctions occupées lui conviennent. Il faut donc laisser le temps au salarié de montrer ses compétences. Pendant la période d’essai, le contrat de travail peut être rompu sans…

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[productofaritual]

Hey,

Your GDF got in my mind while im obsessed with ZZZ of hoyoverse after my big Genshin era. So, i was thinking, can we get an Hydro!Charlie where his "hydro" is green and kinda sus bc is more like slime in texture but Quackity covers Charlie by shockinh the shit out of everything that the slime touches befoure they can make any questions? Also im thinking Inazuma story line here where they are not-so-legal.

Btw do we count in mind the "why gods give vision" here? Bc I was reading to see if we knew more and saw that the old reasion of the Cryo Arcon was Love. And godlord that touch me because it looks so good for Techno. And meanwhile Tubbo is with his fucking War-power Pyro Weapon. Like holy shit why didnt you say this? Anemo being freedom makes it so good for Tommy and Phil. Quackity would have something something eternity [flashbacks of Slime's death] mmmm yeah. This makes me think is Purple can be pyro [lava lmao] or [ofcourse] electro bc...you know...purple? Xd. Charlie and Puffy having Hydro [Justice] sounds so cool. Charlie just wants to be a good 100% human [maybe he has some backstory like Razor?].

Ranboo is so cute with his little air freedom [shadow dream behind] i hope nothing bad ever happends to him.

Can Michael be like Klee, a kid with a vision to young to undertand? So cuteeee.

Going back to Purple, im thinking that we dont have any geo [in the current post that you made and im enjoying like good slime soup] and geo has the arcon of contrats.

And so it begins, the thought of

Do they all have inspired clothes of the zone they are living in?

Quackity in japones inspired clouths sounds like my new dream.

Talking of Dream, can we make him have the most shitty element of all? The one,The ONLY, THE NEW AND WE HOPE IT DIES BC WE DIDNT NEED YOU

Dendro.

JAJAJAJAJA lmao Dream making a flower in mid-fight with [Pyro] Sapnap killing everthing. Which I got to say, I would love Sapnap to be a Catalyst that just uses his bare hands like Tommy. Something like Shikanoin Heizou. While I think Tommy is Fisic attack mostly, Sapnap is full fire in your face.

Mmmmm wait George or Karl would be dendro? LIKE George being supportive by creating circles of healing mushrooms or poisonous mushrooms along with an attitude of Laila fuckinh sleepy in his E xd.

Karl only comes to mind because Dendro is based on wisdom and I imagine him in the library dying like Cheetara [From ThunderCats 2010 or so] in his backstory of childhood and patience. And BOOM vision idk healer? I don't know much about Karl Canon or Fanon but I've seen that we don't have many healers.

This made me think of Sam, who i dont know what to say about him. But im curious what do you think!

Saying this,i hope you didnt mind the use of "we" and also the long monologue in your ask. Hope you find New GDF funny ideas soon!! :D

Have a nice day/night. Ad astra abyssosque!

The fact that you're so invested in this absolutely warms my heart! I don't mind the "we" at all, I'm super glad when people add their own ideas to my aus (doesn't happen that often but oh well...)

I was considering Charlie but I wasn't entirely sure how to cross the hydro with slime, so I'm DEFINITELY using that. Most characters have some gimmick after all, so him having green as a main color (when blue is associated the most with hydro) and his gimmick being slime is very cool.

I haven't thought that much about interactions with other existing regions past Phil maybe being from Inazuma to explain his clothes and Puffy sailing to Liyue and Fontaine, which is how the Traveler would get to DSMP. Mainly because I want to have a concrete base for the DSMP region first before I start having the characters go elsewhere. But I will keep stuff like this in mind!

As for the vision reasons. See I haven't considered them that much because I want to have at least a somewhat balanced amount of each weapon and vision type and also I just don't know them that well. For some, like Ranboo, I did go off the freedom reason in Anemo, but for a lot I just went with what sorta felt right or fit the character's storyline or gimmick somewhat. So Puffy was hydro because she's a pirate and uses her vision to control the ship. Q was Electro because he uses his vision to power Las Nevadas.

I had 0 idea about the cryo-love connection and rest assured, the only reason I made Techno cryo is because Arctic empire. However, ehm, let's say it's because love, that sounds cooler <3

I've considered making Tommy Anemo. I made him Pyro because of the whole "passion" thing, but with how many other characters would fit Pyro (Jack, Sapnap, Wilbur, the character not the guy, don't come for me pls, I don't like mentioning him either) I don't want to have too much of them so maybe I'll change it. It would definitely make the matching clingyduo claymores even cuter because they don't match visions anymore so the reason Tommy does it is because he wants to match SOMETHING.

Continuing, yeah I just. Didn't consider the reasons for visions. However you did name a couple characters I haven't considered at all so I will be going off of these suggestions.

I cannot guarantee Ranboo's safety <3 but he is a playable characters and they don't die in genshin. Doesn't mean he'll be 100% ok tho <3

I didn't think of mobs as playable characters, mainly because I just thought of members, however Micheal being the first chibi male character in the entire game is just too good to pass up on. Prepare little pig boy, you're about to have some magic. What kind? No idea yet, lemme think.

I've briefly mentioned making Skeppy a geo bow (cuz crystals) but I haven't been able to think of any other geo characters. Making Purpled geo because contracts is a cool idea though, I like it.

Thing is, DSMP is a region on its own. Like I said, Phil might be from Inazuma and move prior to Traveler getting there and maybe some other characters are originally from other regions, but at the point where Traveler gets there, they're all in the DSMP. Maybe they could visit and like/buy some clothes tho! Like I said, haven't considered it much, will later on

Oh I have PLANS for Dream. I'll say more in the post about the DSMP's Archon, but in this region, he's the human form of XD, same style as Venti/Nahida/Zhongli and the only wielder of his power because of it. He doesn't wear a fake vision because he pretends he's visionless. As the Archon XD, he's notorious for not giving out visions because he's selfish and doesn't believe anyone else is worthy of it, so he's the only playable character with those powers. As for what powers I'm still working that out, but something along the lines of decay or rot and very few interactions with existing elements. As for making him Dendro. Damn, calm down, it'll be ok /j hajshshshs

Sapnap having the same style as Heizou but Pyro does fit him a lot, I do like that. And we have only one other catalyst so far so yeah. Welcome to the team. You're a DPS and a support. How? Idk I haven't thought of skills and bursts much yet.

I HAVE considered Dendro George for the mushrooms with both the healing spores and the poison spores. Not sure what weapon to give him yet, maybe he joins the catalysts, maybe a bow, not rlly keen on giving him a claymore, for the others it's meh, not sure not sure. We'll see.

I have NOT considered Dendro Karl, but you connecting it with the wisdom thing kinda has me convincedddddd. No idea what his powers would be though, but it is true we don't have a lot of healers. However my genshin lineup only has Barbara and Charlotte as healers and Charlotte is 20 levels under AND I DON'T BITCH ABOUT IT EITHER (I do bitch about it. It's awful. Hoyo pls just let me pull for a healer I need it desperately)

As for Sam I've considered either Electro because Redstone, or Dendro for a combination of creeper plus wisdom with how good he is at the mechanics stuff. He'd probably be similar to Navia where he attacks mostly with his weapon but the last attack he does with some sort of mechanical contraption like she does with her umbrella. Not a machine gun, tho that would be funny. Imagine you're like a hilichurl and you're fighting this guy with a sword and suddenly he goes "fuck it" And pulls out a machine gun.

Look at me, you got me rambling! /pos