#death to men

[mwagneto]

FUNNIEST WAY TO DESCRIBE THIS SHOW

[souverite]

he’s just a kitty

[sunny-clover]

Sooo,, I got catcalled for the first time ever today.

The first time I’ve been hit on. Uh. It was really weird. first thing, the guy was a kid younger than me (who apparently catcalls girls on the regular anyways) and the second thing that I just can NOT ignore is that when I was wearing a fully black outfit looking very emo with a black jacket in 80 degree weather and a Miles Morales Spiderman shirt on, this kid says “hey cutie”. Twice.

so, not only did he disregard all my emo-ness, but he did it t w i c e. I was already pretending like i wasn’t totally eavesdropping his conversation and instead listening to music on my walk home, but he hits on my twice. I was also almost cornered by him and my neighbor, but I passed them already the second he said anything. so. Yeah. Weird experience….. •__•

[thecursedprince]

Omega Level Mother Energy ⚡️

#XMen97 #Storm

[irlplasticlamb]

because the night belongs to lovers. because the night belongs to us.

prints + merch + commission info

[samuelroukin]

TAIKA WAITITI as Blackbeard & CON O'NEILL as Izzy Hands in OUR FLAG MEANS DEATH (2022— ) Episode 2.06

[attyattlaw]

ace on gouache more like gouace(??)

anyway happy birthday

[sporadictimetravelgarden]

an incomplete list of death note things i thought were just jokes until i found out they were canon:

the potato chip scene. how is that real.

apples

the whole “this is something only kira would do, on the other hand, if i don’t do it, he’ll definitely think i’m kira, but . . .” and “kira would never do that, unless he is kira, in which case he would do the opposite of what i know he would do, so that actually increases his likelihood . . .” dynamic that light and L have is not an exaggeration. they really do overthink everything to that degree

the thing that looks like a monster is more mentally stable than the normal human boy

light isn’t attracted to misa

[cuddlytogas]

So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

[medusas-graveyard]

Youngest adoptee!Danny

Danny grips on the sleeves of Alfred's uniform, standing behind him as he opened the door to the Wayne manor.

"After you, master Danny." Alfred chastised, gently pushing Danny towards the door.

Bruce greets them as he stepped into the home, and Danny smiled upon seeing him. He walks closer to him and gave him a small hug, which made Bruce chuckle and stroke his hair. "Welcome to the family, Danny."

They talk and talk as they walked through the manor halls; mostly just Bruce talking about the other kids and his family while the younger occasionally comments and nods along.

They reach the main room where the other Waynes are waiting to meet him.

"Can I say something mildly offensive?" Danny blurts out the moment he stepped into the room.

"Tt, If you know it's offensive why would you say it?" Damian rolled his eyes from the couch.

The younger male shrugs, "I don't know, if you don't respond with a reasonable answer I'll make a run for it," he answered, taking a step back to prove his point.

Everyone is in mild alert with the gesture, but stayed calm through the whole thing.

"Alright, then. What is it?" Bruce asked, meeting the younger male's eyes.

"All of you reek of death."

[chaiaurchaandni]

just in case some of you forget: israel is bombing innocent civilians, not 'cockraoches,' not 'human animals'

[milkovichy]

[thanatelle]

maybe.

[piratecaptainscaptainpirates]

Another thing I adore about OFMD is how the discussion of masculinity is so nuanced. It's like - the best way I can think to describe the depiction of gender in OFMD is it's like the opposite of the recent Barbie movie, if that makes sense? I thought Barbie was fine but its understanding of gender was very basic to the point of being almost reductive, and the whole movie just screamed "this was written by cis people!" OFMD has the exact opposite vibes, you can TELL there were trans writers in the writing room.

So often, when we see gay relationships in media, there's an attempt to force the characters to be "the feminine one" and "the masculine one" in a very transparent showing of how they're too scared of queerness so there have to be some gender roles shoved in there. Ed and Stede turn that trope right on its fucking head.

Because Ed and Stede both have different and complex relationships with their own masculinity, and they're both feminine and masculine in different ways. Stede worries about being seen as soft and struggles with what a "man's work" should look like, but even in more practical clothes he loves his little accessories and he just adores showy, campy clothing. Ed feels forced into an ideal of hyper-masculinity, but he also loves wearing soft robes, painting his nails, and writing poetry. He painted a bride cake topper to look like himself as an expression of his deepest, most tender dreams and it's never made into a joke. OFMD's thesis statement is that "the things we're taught about being a man are wrong," and it shines through in every angle of the show. The men on the show are allowed to be tender as hell and it's a fucking strength.

It's such a lovely, queer thing, to see both of these characters get to express feminine traits in their own masculine way, without the narrative telling us they're any less of a man for it or asking us to laugh at them.

[cashmoneyyysstuff]

katsuki likes to bite you. it’s his weird way of showing you affection. whenever he feels like annoying you (because he can’t live for more than ten seconds if he’s not being a nuisance) but he also wants to you to know he cares, he’ll find whatever part of your skin is exposed and just—bite.

you don’t remember when he started doing it but you’ve never stopped him so he hasn’t stopped. he bites your exposed shoulder when hes walking by and your lounging in the living area of the dorms, he grabs your hand and bites at your fingers when you’re alone and he bites at your cheeks and nose when you get mad at him for ‘being mean’ and teasing you. to which he always replies with “you love it.”

“why do you do that ?” you asked randomly after he bit your cheek again while you were watching a movie in his room. he looks down at you and his brows furrow in confusion “ do what ?” he asks.

“ bite me,” you play with the ends of his hair a little, it’s been getting longer and he’ll complain about it soon(the only reason he hasn’t cut it yet is because you said it looked good on him) “ why do you that ?” he goes quiet for a moment, gauging to see if you were upset, was it suddenly bothering you ?

he frowns. lips already unconsciously forming into a pout when he speaks “ ya don’t like it when i do ?” he tries to sound self assured, but his question comes out whiny. you smile lightly at him, nosing at the underside of his jaw. “it’s not that, dummy. just wonder why you do it.”

his nose scrunches at the nickname but he pays it no further mind. he huffs out a little breath and looks away from you towards the tv screen, a pink tint grows on his cheeks. having to tell you why he does it suddenly makes him embarrassed.

“jus’ feel like it. f’ya don’t mind when i do it why’re you questioning me about it.” you feel his hand heat up from where he has it pressed against your stomach under your shirt, no doubt getting more and more embarrassed having to explain why he has this weird little habit.

you shrug, sighing and nuzzling into him a little more. you press a light peck to his neck and his hand heating up even more makes you smile “i don’t mind it, just never had anyone bite me before.”

“good” he huffs, suddenly pressing you closer to his side. a sudden rush of protectiveness washing over him “get used to it. m’the only one who’s gonna be doing that from now on, got that ?”

“alright” you giggle. you suddenly get an idea and you look up at him. “you wouldn’t mind it if i bit you, then ?” a teasing smirk appears on your face when he almost cracks his neck when looking down at you, wide eyed and cheeks absolutely set ablaze. he sputters and looks away, unable to keep eye contact as he looks to the screen again.

“knock yourself out.” he tries to sound indifferent but his voice cracks a little at the end of his sentence and he cranes his neck to the side a bit to give you more access. you don’t mention either. instead you lean closer to him and nip at his neck lightly. his hold on you tightens for a moment before loosening up slightly and he suddenly won’t look at you anymore. not even when you laugh and poke at his cheek, asking him what’s got him so red in the face. his eyebrows are furrowed and his eyes are so laser focused on the tv you fear he might burn a hole through it. he offers you nothing more than a harsh glare and a muttered out “shush.”

[winchester101]

Thats just Sanji’s love language