#despite being one of their most popular supporting characters?

[seventeendeer]

if you feel up to infodumping about it, i would love to hear your opinions on the Weird Writing for sonic the hedgehog's female characters. i've always had a massive soft spot for elise she's such a strange person when you look past the Generic Love Interest framing of her story and i really wish she'd gotten her own game

Ahhh thank you for enabling me, I have SO MANY THOUGHTS on this subject!! I've been super fascinated with the weird gender dynamics emerging in the franchise ... nearly since female characters were added at all. I think I've only really been able to put my thoughts into words recently, but it's a subject I've been interested in since I first got into the series as a kid.

(Also, I feel you on the subject of Elise - super interesting character more or less accidentally emerging from a very bland role)

Note: As usual, I’m mostly talking about the mainline games and Sonic X. While Sonic has a lot of spinoffs, I think Sonic X is so close to the spirit of the games that it is not a stretch to count it as an entry in the series’ core installments, particularly the second series/season 3. Especially because it originated in the same era as most of the lore currently defining the games, and there was a lot of migration back and forth between the two continuities regarding both characters and worldbuilding.

Anyway! On the subject of gendered writing in Sonic stories!

IMO, the biggest paradox in the Sonic games' and anime’s approach to female characters is that sexist writing is all over the place ... and yet the female cast is overwhelmingly the most layered and thematically interesting! Which they're then generally tortured and killed for. Whoops.

In order to understand why, I think it's important to remember that at its core, Sonic is very heavily inspired by shonen anime. If anyone's interested, look into the games' weird copycat relationship with Dragonball Z, for one. Sonic games wish they were Dragonball games so bad, it has negatively affected much of their history (Shadow's repeated Vegeta-ification is a good example).

Like shonen anime (it's right there in the name!), Sonic assumes a male player, a male audience. For this reason, you'll have a wealth of "cool" male characters to play as. Cool designs, cool powers, more diverse roles. Playable female characters are extremely limited, with only Amy and Rouge being sincere attempts to diversify the central cast just a tiny bit (Cream and Blaze used to qualify as well, but I'd argue they eventually graduated to the second category I'm about to talk about; more on them later). The main downside of this role is that characters the player is expected to project onto become limited in the kinds of stories and arcs they're 'allowed' by the writers to participate in. They're intentionally kept static so they can neatly slot into multiple narratives without being disruptive. Many of the male characters have vestigial emotional arcs - Tails' insecurities, Knuckles' complicated feelings toward his ancestors, etc. - but they're never allowed to go anywhere, directly influence the narrative or conclude in a meaningful way. They’re here to observe, then save the day, and that’s it. Anything beyond that would complicate continuity between games - or worse, jeopardize Baby Boy’s First Power Fantasy.

On the flipside, many of the story-heavy games employ one-off supporting characters as the emotional core of their respective narratives. And what kinds of characters make great foils to cool, powerful, emotionally repressed dudes primarily existing independently of their own stories? Less action-oriented, highly emotional girls absolutely fucking drowning in that narrative sauce.

Let me be clear: it’s sexist. Defining male characters by their cool powers and ability to save the day, while female characters are defined by their suffering and need for help, is deeply sexist.

Let me be clear, part two: characters who are closely tied to their narratives, who embody the themes of their own stories, who are allowed to struggle, who are allowed to express emotions and for those emotions to directly influence the narrative, are largely much more interesting characters.

Characters who come to some form of resolution are more interesting.

Unfortunately, Sonic games are largely a strange exercise in placing cute, simple cartoon animal characters into weirdly brutal, tonally inconsistent stories that circle themes of sacrifice like sharks smelling blood.

And so the girls die. Or they’re emotionally broken. Or they’re separated from their friends - and thus the spotlight - forever.

A rundown of major female Sonic characters, their narrative purpose, and the price they had to pay for it:

- Tikal: A peace-loving ghost girl serving as a spirit guide in her sole game appearance. Revealed to have been betrayed by her power-hungry family, forcing her to seal her soul away for thousands of years in order to prevent the end of the world. When the threat passed, it seems her spirit did too.

- Maria: A deathly ill 12-year-old who lived in a sterile care facility on a space station, but retained hope that one day she would be well enough to return to Earth. She stood up to armed military forces to save her brother figure/best friend, and got fridged for the trouble.

- Cream: Introduced as a playable character, but largely discarded by the franchise after her sole moment of real character focus in the anime. A character introduced as a pacifist who hates violence, eventually forced to beat a close friend to death in order to protect her other friends.

- Blaze: Also initially a playable character who had one Big Moment(tm), then vanished from the plot after only starring in a single followup game. Once best friends with Silver, she chose to absorb a rampaging god into her soul in order to save him and the rest of the world. Time and space were rewritten, and she resurfaced in a parallel universe where she grew up alone and horribly bullied. Though she and Silver have met again, they never have officially reconnected and don’t remember their past life together.

- Elise: A vessel for a powerful evil who grew up emotionally distant from all other people in order to keep the evil contained. When she finally made a friend, she was forced to rewrite time so they would never meet in an attempt to save the world. There’s a chance she’s faring better in the new timeline, but how would we know? She vanished from the plot as soon as she’d made that sacrifice.

- Cosmo: The last of her kind, save for the small group of villains who murdered the rest of their people. Went through hell in the one season of the anime she was featured in, then promptly died in order to gain revenge on her enemies and save her friends.

- Shade: We don’t know if there were more plans for her character after her debut game, but as it stands, she showed up, was first brainwashed, then betrayed by her own people, and chose to leave behind everything she knew in order to protect the world from her family and former friends.

Note that these are all the major female characters who show up in the games and anime, save for Amy and Rouge. And that’s not even counting the female leads of the storybook spinoff games, Merlina (a hero turned villain who did everything in her power to save her world from future ruin, defeated and left to grieve over her inability to change a thing) and Shahra (another girl who died to save a friend; revived at the end of her story but never seen again), or Molly from the anime who did some kinda sick speedrun strat, showing up in ONE episode where she had her heart broken and committed murder/suicide after she was betrayed by people she trusted.

By contrast, we have exactly one male character who follows the same pattern - Shadow, who went through similar emotional troubles and was intended to die at the end of his debut game. However, due to popular fan demand, he was brought back to life and added to the roster of recurring male characters. He even had much of his depth culled from newer games to match the rest.

Much spin-off media does better in certain ways, but I don’t know ... there’s something about that extremely consistent pattern in the main games and anime. It’s such an interesting paradox, having the female cast be simultaneously the most layered and well-written, but also the ones at highest risk of being emotionally tortured and discarded.

It’s definitely not a pattern unique to Sonic either, but by virtue of being such mindless feel-good stories where a good attitude and good friends can literally work miracles, I think it just stands out all the more. This loyalty to the concept of altruism and respect for soft emotions, paired with insistence on tragedy.

But only if you’re a girl. If you’re a girl, you are at once special and expendable.

You’re the only one who’s allowed to really embody the emotional truth of whatever absurd plotline the writers have cooked up this afternoon, you’re the only one who’s allowed to really express what this story is about at its core, but also you have to die for it. Or be sent away. You can’t be here anymore, at least.

I have no idea who writes these games. I could not tell you if there really is an emotional core, if anyone is actually putting in effort. I don’t know if it matters, either. Death of the author, etc.

What I do know is that there’s a meta-narrative here.

Sonic, Tails, Knuckles, Silver, Omega, Vector, Espio, Charmy, Big, and sometimes even Mighty and Ray, go out on fun adventures to save the day. Amy and Rouge are here for flavor. We’ve decided Shadow can come, too, if he stops talking about his dead family all the time.

Tikal, Maria, Cream, Blaze, Elise, Cosmo and Shade (etc) show up for just a moment in time, go through trauma and heartbreak, and then disappear. Maybe they’ll have an unvoiced cameo later. If they’re lucky. If people like them enough.

There’s no real point to this, aside from explaining why I’m weirdly invested in just ... the concept of female existence in a children’s franchise mostly aimed at boys. Where everything will be okay, except when it won’t. Except when we need that bit of salt in the wound, so the victory will feel important, earned.

The price of getting real for just a moment being narrative death, if not straight up literal death.

Above all, Sonic games are cute. They’re appealing because they’re stupid and wholesome and weird. I love the male characters too, I’m not here for attempts at complexity, I’m here to have fun.

I’ve just also been feeling incredibly tempted as of late to write an ‘escape the narrative’ type deconstruction of these exact tropes, heavily inspired by Sonic and other children’s media in the same genre.

“Boys do stuff but have no feelings, girls have feelings but should endure all manner of suffering in order to protect others” is ... not an irrelevant theme to explore in our current media landscape, if you ask me.

even if I never get around to writing that, at least I made a sick Sonic AMV about all those poor girls going through hell for the sake of The Narrative, I should upload that sometime lol

also hey I haven’t finished Sonic Frontiers yet - sure hope nothing bad happens to our new melancholy girl character closely tied to her debut game’s story and themes ..!

[roughlytwentytwofrogs]

There is an issue in this community with misstagged fics on AO3, specifically in the FxF tags. I don't know if it's going to reach the actual people or not but I'm still going to put this here:

A lot of MxM and FxM are tagging FxF ships in the main relationship category despite the ship itself only being written in the background.

Which is a problem because when you go into your ship tag to find fics of your ship, a ridiculous amount of them are off topic. And while yes you can lower that amount significantly by filtering and tag exclusion, AO3 has a built in feature that is made to avoid this.

I am going to use the Shadowzel tag for that because it's the most popular FxF ship on there and it's also one of the most misstagged rn. As of right now, there is 607 fics in the Shadowzel tag without filter. If you restrict the search to only include FxF, you are down to 397 fics. That is more than a third gone!

And it gets rid of some shadowzel content as well, so it's either you filter that out or you have to scroll through a tag where 1 out of 3 fics are about Astarion, Gale, Halsin, etc instead of the ship you looked up.

If your fic, let's take for example a Tav x Astarion, has either consistent mention of Shadowheart x Lae'zel, the most popular wlw ship, or has them in the background as support characters, or even just mentions them as a funny little wink and you want to make sure your readers know they are in here, you do not use the relationship tag! You go down to the additional tags and add "Minor Lae'zel/Shadowheart (Baldur's Gate)".

Unless the pairing you are tagging is the main focus or have a significant role and spotlight on them, you should not use the relationship tag! It clogs the feed for no reason, AO3 is not a website where you have to advertise your posts to the most tags possible.

Adding a visual for clarity:

[steventhusiast]

STWG prompt 2/6/24

prompt: coming out

pairing/character(s): steddie, Dustin, Lucas, Mike

. . • ☆ . ° .• °:. *₊ ° . ☆

Eddie fucked up. Big time.

See, he's truly embraced his freak status at Hawkins High. Meaning he doesn't exactly shy away from his queerness. He doesn't confirm it, not for people he's not friends with. It's just useful. Being gay is the kind of 'freak' that makes the popular kids steer clear from him, just in case they, you know, catch the queer from him.

But with his fellow freaks? They know he's gay.

In fact, they know he has a boyfriend.

He never shares who said boyfriend is, or the fact that he used to be nicknamed The Hair, because Steve doesn't want anyone to know. He's.. private about his sexuality, to say the least. And Eddie gets it. Hawkins is in the middle of nowhere, it's not exactly gay-friendly like some parts of bigger cities. So his friends don't know who his boyfriend is.

They won't until well after Steve's come out to his own friends, which he hasn't said he's ready for yet. Eddie's letting him go at his own pace, he doesn't even bring it up to him. He doesn't want Steve to feel pressured. Steve doesn't have a Wayne there to support him through everything, after all.

Anyway, despite him being anonymous, Eddie always gives everyone an update on his boyfriend before they start the session of DnD each week. It's kind of a bit for everyone involved at this point.

And in the first session that Eddie's newest fresh sheep attend, he refuses to shy away from it. Either they'll be bigots (unlikely) or they'll be fine with it! It's a risk he's willing to take for his pride.

So he gives the update.

"How's your boyfriend, Ed?" Gareth asks with a teasing grin, and Eddie's closest friends lean toward him with giggles.

"Well, my sweetheart has had a great week. Remember that job I told you he'd applied for?"

"Assistant basketball coach for a kids team?" Jeff checks, and Eddie points at him like he's just scored a point.

"That's the one! He got the job! It's a bit of a drive but it sure as shit beats the minimum wage bullshit he was doing before. I swear, his manager actually hates his guts for no reason."

The existing Hellfire members all cheer at the news, whilst one of the new recruits, Henderson, makes an inquisitive noise and chuckles.

"That's crazy, because my friend Steve called me yesterday with super similar news! Small world, huh?" He says it so casually, looking down straight after to fiddle with his dice.

But Eddie feels like the world stops, his hands freezing in the middle of unfolding his dungeon master screen. Fuck. Henderson is one of Steve's kids.

Maybe no one has actually caught on yet. A sneaky glance to his friends reveals nothing but confused frowns on their faces.

"You guys might have known Steve, actually. Steve Harrington? Used to be a mega asshole through most of high school." Wheeler says in a way that somehow sounds simultaneously fond and like he despises Steve.

"He's great now, though! Like, totally reformed. Such a mom." Sinclair adds on.

Eddie nods passively at their words, and feels Gareth, Jeff and Paul's eyes on him. Right, he's still frozen in shock. He forces himself to relax, and finally finishes setting up the DM screen.

"Haha, what a coincidence." He manages, clearing his throat in the middle to clear up an unfortunate voice crack.

That voice crack gets all three of the kids to tilt their heads at him, and then their eyes light up like they've just won the lottery.

Shit shit shit. Hopefully they haven't put two and two together.

Somehow, he manages to make it through the session without revealing anything else, but as he draws it to a close his heart starts beating faster. He doesn't know how he didn't put it together before that these kids are Steve's kids. Steve is literally going to be late to their date night because he has to pick them up from an afterschool activitiy.

What other club meets up on a Friday but Hellfire?

He shakes his head and starts speeding through packing up his stuff. He's going through in his head ways to apologise to Steve in case the kids have figured it out, heart beating out of his chest as he zips his backpack up and leaves the room. The group of newbies run out after him, though.

"Eddie, wait up!" Henderson shouts after him, and he winces but stops.

"What's up?" He says with what he hopes is a smile but is probably a grimace.

"It's so funny how you're Steve's secret boyfriend." Henderson says with a giggle after he's checked no one else has left the drama room yet.

Wait, what? Eddie frowns at him, mouth open. Before he can question anything Sinclair nods along in agreement.

"We've been guessing for weeks now. You can't tell him we found out through you, I want to win our bet."

"If we figure out who his boyfriend is by the end of the month he's taking us to that tabletop RPG store in Indy." Wheeler adds on.

Eddie gapes at them for another second.

"Wait, Steve- he came out to you? When?" He manages, and the three boys tilt their heads at him.

"Like, since a month ago?" Sinclair guesses after a moment of thought, and Eddie lets out a quiet 'huh'.

"What, do you guys not talk about that shit?" Henderson asks, and Eddie shakes his head slowly, thinking back on if he had been told and had just forgotten.

Then it clicks. Just under a month ago, Steve had started to bring up the topic of coming out, and Eddie had gently insisted he didn't mind if Steve never came out and that he loves him anyway and he doesn't want him to feel pressured. And Steve had smiled fondly and let it go.

Had Steve been trying to tell him he came out to his kids?

He lets his head drop and takes a few deep breaths, trying to slow his heart rate. Thank fuck. He hasn't just accidentally outed his boyfriend.

"He's actually waiting for us in his car. I would say come with, but..."

"We're serious about this bet."

Eddie nods, and waves his hand in their general direction.

"Yeah, of course. Sure. You- you go win that bet. Jesus christ."

He hears them walk away and lets out an incredulous laugh to himself before he hears the drama room door swing open again, the chatter of Jeff, Gareth and Paul cutting off when they see the state he's in.

"You good, man?" Paul asks, and Eddie just lets out a sigh.

"Totally fine. Just thinking about wooing my sweetheart." He says, like they've walked into a joke he's set up.

They all groan, but continue walking toward the school's exit, and Eddie stays there, recovering from that shitshow.

[tcustodisart]

Connecticut Tav | Wood Half-Elf | Beast Master Ranger

So, this is my sheet for @bareee's @tav-dex. Went a little overboard and made a whole ass character sheet (man the last time I made one of those was so long ago). I want to write something about my cringe boy so. Buckle up because it's going to be long and poorly written (I suck at writing).

One edit because I'm a dummy, his alignment is neutral good not true neutral idk why I did that.

He was born and raised in his mom's and step-dad's tavern called Crow's Perch (not as fancy as Elf Song but in a different category as Blushing Mermaid)(the tavern thing is just for the sake of a joke that the most popular drink they serve is called 'Connecticut Water'). He has an older brother, who's a bard. Despite the description for Urchin background ("After surviving a poor and bleak childhood") he had a happy childhood, filled with love and support. The two brothers treated the whole Lower City as their playground: breaking into places just for fun, pick pocketing nobles, climbing Wyrm's Rock Fortress etc.

His love for beasts and creatures of any kind comes from the stories told by his step-dad (both him and Tav's mom are retired adventurers). Step dad was the one who told Tav about Darkmaw the Wicked *wink wink*.

At one point he got tired of the city life and decided he wanted to become a ranger. After successfully fulfilling some contracts he became so confident of his skills he tried to build a trap all by his own. The trap exploded right into his face (he himself has no idea how it didn't kill him or damaged his eyes). After that he was sulking in his hunting hut for a month. The experience humbled the boy. Most of his adventuring prior to the nautiloid could just be boiled down to hanging around one village and talking local boars out of destroying potato fields, and occasionally getting rid of poachers.

Before the abduction he was on his way to Baldur's Gate to see his family (which he hasn't seen in months).

Trivia (because it's easier to write stuff this way):

His hair started to go grey at the start of Act 3 from the weight of responsibility and stress.

In Act 1 he was corresponding with his family thanks to Faust. After entering The Underdark he stopped sending letters (In Underdark because it would be hard, in Act 2 because he didn't want the bird to be killed by Shadow Curse).

Despite being close to his family in Act 3, he didn't visit them or send any messages in fear that Gortash and/or Orin would hurt them.

He carries with him a razor and some fancy oils for his beard.

His brother wrote one ballad about him, soon after that Tav forbid him from writing more (it was very much not accurate).

His step-dad taught him how to fight with a sword, while his mom taught him archery and the art of stealth.

Tav's biological father died when he was very young so he has barely any memory of him.

Tav's a walking Merlin app, he can identify any bird by just listening to it.

He loves climbing trees. Either to rest on a branch or to scout the surroundings.

He loves picking up herbs and making potions.

Despite growing up in a tavern he's not much of a drinker.

He's very self-conscious about his height and chest-to-belly area. He tries his best not to show it.

At one point he was persona non grata at Sharess' Caress.

He enjoys fishing.

Sir Daisy Dewdrop Fluffington is a name of his childhood plush.

He knows how to play lanceboard (he often plays against Gale and tries to teach it to Wyll).

He draws in his journal. He drew all of his companions at least once.

He almost cried when Jaheira called him 'cub' and almost called her 'mom' in response.

He's scared of Lae'zel. But tries his best to understand and help her.

He had countless heart-to-hearts with Karlach.

In his journal he described Astarion as 'his equal on the battlefield'.

[hotvintagepoll]

Propaganda

Louise Brooks (Pandora's Box, Diary of a Lost Girl)—Louise Brooks started off as a dancer and went to work in the Follies before going to Hollywood. Disappointed with her roles there, she went to Germany and proceeded to make Pandora's Box, the first film to show a lesbian on-screen (not her but one of her many doomed admirers in the film), and Diary of a Lost Girl, both of which are considered two of the greatest films of the 20th century. She helped popularize the bob and natural acting, acting far more subtly than her contemporaries who treated the camera as a stage audience. After the collapse of her film career and a remarkably rough patch as a high-end sex worker, she was rediscovered and did film criticism, notably "Lulu in Hollywood," which Rodger Ebert called "indispensable." Also, christ. Look at her.

Vilma Bánky (The Son of the Sheik, The Eagle)—She's famous now for being a silent star ruined by the transition to talkies, unlike her frequent co-star Ronald Colman. I think that's a shame, as she has a real vivaciousness and charm in The Winning of Barbara Worth. In this *checks notes* western about environmental engineering, she rides around the desert and gets wooed by both Colman and a young Gary Cooper (good for her dot gif.) Even in stills from films that are sadly lost, I think there is a distinctive warmth and individuality to her. Also she is extremely hot in her extremely pre-Code dress in The Magic Flame.

This is round 2 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Louise Brooks:

"Defined the style of the modern flapper. A gaze that could make a stone fall in love."

"Louise Brooks left a legend far greater than her real achievement as an actress, but even today few people have seen her films. In our own time, the fascination with Brooks seems to have begun in 1979 with a profile by Kenneth Tynan in the New Yorker, which revealed that the actress who made her last movie in 1938 was alive and living in Rochester, N.Y. Such was the power of Tynan's prose that people began to seek out her existing films, primarily this one, to discover what the fuss was about. What we see here is a healthy young woman -- she was 23 when the film was released -- with whom the camera, under G.W. Pabst's influence, is fascinated. There is a deep paradox in Brooks and her career: the American girl who found success in the troubled Europe between two wars; the vivid personality who briefly dazzled two continents but faded into obscurity; the liberated woman who had affairs with such prominent men as CBS founder William S. Paley as well as with women including (by her account) Greta Garbo but wound up a solitary recluse. And all of this seems perfectly in keeping with her most celebrated role in Pandora's Box. For despite her bright vitality, her flashing dark eyes and brilliant smile, Brooks's Lulu becomes the ultimate femme fatale, careering her way toward destruction, not only of her lovers but eventually of herself."

"She invented having bangs to indicate that you have borderline personality disorder"

"chances are if youve ever seen a "flapper girl" character or even just art of a generic flapper type made after the 20s it was based on her appearance - particularly the bob hairstyle! she had some pretty rough experiences through her life before during and after her tumultuous acting career which ended in 1938 but she made it to the 80s, wrote an autobiography and did a lot of interviews that she was never afraid of being honest in about her own life or peers of the age, and apparently was unabashed about some affairs she had with well known women (including greta garbo!!)"

"She read Proust and Schopenhauer on set between sets. She was one of the original flappers/new women of the 1920s. She had a one night stand with Garbo and was the inspiration for Sally Bowles in Cabaret. Truly a stone cold fox."

"on her wikipedia page it says her biographer said she "loved women as a homosexual man, rather than as a lesbian, would love them" and while i have no idea if this is true or not i thought that was very gender of her"

"despite being american she was big in german expressionist films and thus her aesthetic was unmatched!!"

So far ahead of her time in regard to portraying complicated women. Timeless elegance. "I learned to act by watching Martha Graham dance, and I learned to dance by watching Charlie Chaplin act.” - Louise Brooks

Vilma Bánky:

I love Vilma Bánky! She was called "the Hungarian Rhapsody" and apparently had a thick Hungarian accent which I think is cute. Several men fighting over the same women can be very cliche but when I saw her in The Winning of Barbara Worth (1926) I got it because my god she really is that drop dead gorgeous. She's also a wonderful actress though, expressive yet natural. I read once that seeing her in The Dark Angel (1925)—a film now seemingly lost—inspired Merle Oberon to become an actress :)

This is more of a factoid but she was apparently the women's golf champion at Wilshire Country Club through the 1940s. [link] I just think she's neat.

I love herrrrr she’s my everything. Watching her kiss Rudolph Valentino in Son of the Sheik made me so flustered I had to pause the movie to cool down. She’s the prettiest the most beautiful the most incredible woman I’ve ever seen. I could look at a picture of her for hours

[bomber-grl]

General Mob dating hcs

Pairing(s): Shigeo Kageyama x Gn!Reader

He’s so cute

And really really awkward, almost painfully so

I mean when he first confesses to you it was done two ways

The first was after being continuously hyped by dimple, reigen, and his brother so he decides to buy a bouquet of flowers and go from there

That or it was all spontaneous and you had accidently confessed to him, it was all overwhelming for him and he almost went to ???

But you quickly comforted him and reassured him of how u really felt (although a downside was having to say the truth of your embarrassing feelings)

You were most likely friends with mob or were similar to Tsubomi

I’ll go with the first route to start

Since the two of you were friends, he probably had never thought of liking you in that way

Until he did

In this scenario you’d have to be an esper along with mob since you’d have to be close enough to work alongside him with reigen

Anyway, because you’re both esters (especially if you’re a powerful one) then he’d feel really connected to you

I mean, you’re one of the few people who could possibly understand how he feels

If you’re one of the popular kids and are constantly getting love letters then he’d look at you from afar

He really admires and likes you so once you guys get together in this scenario he’s more than pumped and obviously ends up telling anyone he can

More into the relationship hcs-

He’s really cute, which is more than obvious

He’s pretty awkward and if you’d wanna ask him anything you’ll have to give him a few seconds before he manages to say anything

He’s pretty slow on hand holding too

If you were to ever hold his hand he’d have to let go instantly before his powers make it a negative memory

He’ll even go to reigen and his brother for help with gifts and advice too

(Yknow, after reigens character development)

A specific scenario would be like for Valentine’s Day or just to gift you something

He decides to go to reigen then his brother, and even tome

He’d ultimately decide to get you a little basket full with your fav snacks and even a little bouquet

When it comes to finally giving it you he gets so flustered 😭

He gives them to you despite his nervousness and when you decide to hug or give him a kiss on the cheek-

He nearly explodes on the spot

Mob exe has stopped working

Please just give him some space afterwards 😭

(He severely needs it)

If you ever gift him anything back like this, or even milk from the vending machine at school-

He’ll definitely fluster and even thank you formally 😭

You’ll have to tell him to stop because people are staring but also because the two of you are literally dating

When you first hug him he’s so stiff

He’s just stiff in your arms and when he returns it, he just snuggles into your neck to try and hide his face from passerby’s

When you start being more open about your relationship and start openly holding hands the body improvement club/ telepathy club really congratulate him

+ tome just getting mad at mob for not letting her know of your relationship sooner

And just the rest are shenanigans of her trying to convince you to join the club

If you guys were to ever have a sleepover it’s most definitely at your house

Ain’t no way it’s gonna be at his

Anyway, you’ll probably watch a movie and when you feel mob lean on you you decide to just lay him down and go to bed which ends in the two of you cuddling

Of course dimple had to be there for “supervision “ he says

But anyway when you decide to hold mob in your arms you feel him moving and starts mumbling incoherently

Then he gets up abruptly and totally freaks out when he realizes how close you two were

He gets teased endlessly by dimple 😭

Now, speaking of ritsu

He’s really supportive of mobs relationship with you, he was just a lil worried about the confession if he’s gonna be real

He was more worried that you wouldn’t like mob back and even worse, how he’d react

So when the two of you start going out he’s really happy for his older brother

And surprisingly, he thinks good of you before you even meet

(Surprisingly because of how emo he is)

If you ever get in a situation where you can’t defend yourself then he’ll definitely be there

He’d go “???” And go absolute ham on whoever hurt you

He gets seriously upset that he became that way infront of you and needs serious reassurance from you

Eventually you’re introduced to ritsu and it’s goes as best as it could

It’s pretty awkward but atleast ritsu thinks ur good enough lmao

Of course he eventually becomes more open

Especially with his emotions

But things between you, things stay pretty much the same

[opal-owl-flight]

can I ask about the poster "agent 3" kids story?

Yes you can and here it all is!! Presenting…

tldr: She comes from a family of big name actors in the industry, and shes been raised from hatching to continue their legacy. Its…a lot of pressure to put on a kid, especially one who just wants to make her (impossible to satisfy) family proud. Despite being surrounded by impossible standards, the fakest friends chosen for her, being given everything she can ever want (except what she really needs), and putting on a hundred masks for everyone in her life for survival’s sake in a cutthroat industry, she chooses to be kind.

more details under the cut!!

Her name is Sariwa, which means “fresh” . Named for her spring green tentacles and as a blessing from her parents that shed stay youthful, beautiful. a hope that she would be seen and be adored (as freshness implies coolness/popularity in sploonworld).

Shes hatched into the acting industry, with both parents being big in the industry. From hatching she was expected, trained to be an actor like her mother is. The media adores them, this “sweet little family”, but no one knows how nefarious everything is when the cameras are off.

The dad is neglectful, disappearing into meetings most of the time. The mom is a helicopter parent to make up for it. Pointing out every flaw that Sariwa apparently has in either performance or appearance. Never giving praise. Except when she performs “well enough” on stage. This instills in the child this need to make them proud. to…to make everyone happy. She becomes someone whose dependent on other peoples’ praise to function.

Shes given everything else, dont get me wrong. Every material thing she’ll ever need. all the big popular “friends” chosen for her. But…shes not allowed to turf. yknow. biggest event in an inkling’s life here in Inkopolis. and shes not allowed to go to school either. shes too busy memorizing lines for adverts or-

The second she turned 14, she was chosen as the lead role for Cuttlegear’s brand new show abt Agent 3. She looked exactly like the legendary hero, according to the sources. All her time went into this project. Thankfully, unlike at home…her co-actors were very kind. Her parents didnt choose for her this time. She was meeting actual people who dont put on masks beyond their job. the actor they got for Cuttlefish, in particular, is a very kind soul, defending her when the directors get too pissy with her performance. (Those are the only people she fears, tbh shes fearful of most authority figures.)

*Cuttlefish is also depicted as kind and supportive in the show. and in most games. Unlike the real Cuttlefish, which is kind of a loony old man who pushes ideas on young inklings. He still gives more support and kindness that 3s dad ever gave, but thats only RELATIVE to how little he gave in the first place. One can only imagine the longing this inspires in the real 3.

Sariwa…since shes hatched shes had to put on an act. Be the perfect little doll for her parents. For the world. But her friends here, they inspired her to…have fun with what shes doing again. To take off the mask (mostly beyond the clock). Breathe life in the character when she can. (But lets be real…shes getting 3 spot on with how many parallels they have with each others lives.)

But what is she beyond the mask, her role? She wasnt allowed to do anything beyond this. She was forced to depend on her abusive parents and their associates. She cant live alone beyond them. Not allowed to turf bc shes “a prim and proper young lady; above such violent drivel that only delinquents participate in”. They gesture to 3, whos one of the faces Squidforce uses in their promotions, and say (ironically.) that she must not become that. Face ripped to shreds and eye mangled.

No one knows they got that from the real war that Sariwa is pretending to show.

The show does its best to be an accurate telling. Child friendly, to a point. Horrifying things still get kept in somewhat. Things that will horrify a child on stage.

If Sariwa is terrified of the props, can you imagine how it was for 3?

————————

And once she realizes all of this. Once she gets out of this situation thanks to Callie, Marie, and 3 themself. Does she feel guilt? Guilt for depicting the horrors in a way that glorifies it instead? A part of a project that aims to make people complacent to the real horrors that churned below?

There is one thing Sariwa feels about 3, that I am aware of rn.

“Im glad, that out of every story I couldve told, Im glad it was yours.”

Just like 8, she sung this tale in her hearts. Just like 8, she used this to break out of this terrible situation, answering the call of the ones who promised her safety. A better life. Like the way she stage broke through that prop in the choreographed Octavio fight, she broke through the influence of those around her.

*She actually went off-script a bit in that scene. After she beat down Octavio, she held out her hand. Mostly to help the actor up. But then, without realizing, she spoke, she spoke of making things better between the nations. That maybe he doesnt have to steal the zapfish anymore.

Her time with the octoling actors, and hearing the stories from the ex-octarians, made her aware and know the fact that theyre people too. The directors kept it in. They knew that if they released this as they have planned it, there will be fuckign riots from the ex-octarians or the Inkling “sympathizers”.

She saw the value this story held, despite the subliminal messaging that she wished wasnt implemented. That she wished she wasnt a part of. She saw that its a tale of hope. A tale that inspires one to become the hero of their own life. A tale that inspires one to make the world a better place.

————————

So she was hatched and raised to make people smile, singing her songs and dancing their dances. Much like the clan singer that was 4, except the tradition is much more healthy compared to industry standard. And she didnt become as mean as the people around her, at least not internally. She put on a mean mask but she felt the void within. When she was given kindness for a long enough time, she put her walls down.

And just like the real 3, she underwent through the horrors of expectations she had to hold up, and trying to make uninterested parents proud. They dont see her as their daughter, shes just a means to an end. She had to wear a hundred masks to survive and it made her lose her sense of identity. She had to be mature, she had to take the shitty behavior of adults who expect her to be like one too. It made her lose grip of who she is beyond this role. Hell, they made her so dependent on their handouts that shes not sure she can exist beyond this hell. Much like how 3 struggles to know a life beyond their duty.

And much like 8, she used the story she was telling to break out and get herself in a better situation. She met with the real Agents 1 and 2 (without her knowledge) and asked. Begged. for help, after her show ended. (3 also kind of pointed the two in her direction. Bc cod knows how horrifying this industry is. Shes lucky she didnt get any of the grosser horrors ~~its bc I didnt feel comfortable writing such topics~~)

And then shes faced with the same problem all the real legends faced. What comes after the end? When the dust clears, what happens next? She wasnt given a damn choice, she wasnt allowed to try to learn things beyond this role. to be beyond an imagined agent 3. a soldier for the screen. who is she now, that shes out of that battlefield?

little does she realize that the real 3s asking the same question for themself.

[splatsvilles-fashionista]

The appeal of One Piece

I know everyone's a bit sour on One Piece after the clown stunt tumblr pulled, but with the live-action series out and the anime popping off on social media, there's more eyes on this goofy pirate story than ever, and I've been dying to talk about it, so now's the time.

A lot of the conversation around One Piece is steeped in hyperbole, and it's hard not to be hyperbolic when you're talking about a work of almost unprecedented length and popularity. With that in mind, I wanna try to explain what makes One Piece so good in a way that is concise, spoiler-free, and that will give you an idea if this might actually be a story you'll enjoy.

And I do actually think a lot of people who would enjoy One Piece are currently writing it off, and I think a lot of the blame lies on assumptions people have about shonen as a genre. One Piece is no doubt a shonen, with young and teen boys as the primary demographic, but it is also first and foremost an adventure story about a group of quirky outcasts setting out to follow their dreams, despite (or often in spite of) the crushing weight of reality.

But you can't have an adventure story without a world to set that adventure in, and what a world Eiichiro Oda has crafted. One Piece manages to feel like it has fully realized an entire planet, with every island we travel to having a very distinct sense of culture and visual identity. A lot of care has gone into building the history and politics of these places, and the mechanics by which their more out-there elements, like the sky-high ocean geyser or the mountain with an upside-down waterfall, function. As such, it is a setting that afford its story a lot of variety, while also being able to tackle a lot of very heady topics like authoritarianism, racism, and abuse in intelligent, nuanced ways.

But just as important as all of islands we visit are the wonderful characters we meet. A lot of people aren't into One Piece's exaggerated cartoon aesthetic, and I respect that, but it does lend itself to a lot of very unique faces and body types that make its cast of 1000+ characters a joy to behold. This is admittedly less true of the more conventionally attractive women, many of whom look very similar, but this is does not extend to their writing. Oda is very good at imbuing his characters with life, pulling on their histories to give them personalities and quirks that are often as funny as they are sad. Everyone I know that reads One Piece has a side character that they stan hardcore for, be it the lovable klutz Donquixote Rocinante or the petulant ghost girl Perona.

And all of this is especially true for our protagonists, the Straw Hat Pirates, each one of which is a deep, multifaceted character whose drive and dreams can be traced back to their often heartbreaking origins. I know I mentioned it at the top already, but at its core, One Piece is ultimately a story about a group of hurt, lonely individuals who find in each other not just friends, but a family that will support and protect them as together they chase their dreams in the face of a world whose systems have been built to squash them underfoot.

All of this is brought together by Oda's exceptional artistic skill. While as mentioned earlier, One Piece's cartoony artstyle isn't for everyone, it's by no means an accident. One Piece is a story set in a cartoon world, and Oda is able to give even his most ridiculous characters and places a tangible sense of physicality, making everything feel real within the confines of the page. While Oda has a team of assistants to help him, he still does the brunt of the art himself, and his dedication to his craft means the comic is full of panels that are breathtaking in their complexity and visual density.

But it's not just his technical skill that makes the art of One Piece so good, it's that Oda is also very good at letting his art speak for him. Compared to a lot of other big shonen manga, One Piece doesn't lean as heavily on the dialogue to give the readers all the necessary information, but can convey a lot of what is happening and how characters are thinking and feeling through its artwork. There's some sections where this doesn't hold as true (and they are frequently less well-liked as a result) but it makes One Piece a far lighter read than its soon to be 1100 chapter-count would make you believe.

But the thing I think makes One Piece the most exceptional of all, and what makes me recommend it despite its length, is that as a story, One Piece has a remarkable clarity of vision. One Piece has a stance and a worldview that it does not waver on, and it is present from the very beginning. It's is romantic story, about the power of faith and dreams, about people's right to be free and be who they want to be, and about how the beauty and wonder of the world makes its worth its danger and uncertainty.

One Piece knows what it wants to be from the very beginning, and because of that you don't have to wait for it to get good. A problem that a lot of longform media struggles with is that the opening hours are a slog to get through, because it doesn't show you its hand early enough for you to know if it's something you'll like, and that is not a problem One Piece has. It is exactly what it is going to be from the beginning, only in a simpler, cruder form that it is going to expand upon to become the sprawling pirate fantasy epic it has grown to be. This clarity of vision also makes One Piece very rewarding for attentive readers, as it frequently hints at future places and characters, and plants story seeds that it pays off hundreds of chapters later. It does a lot to make the world feel big and interconnected, and makes One Piece very fun to re-read as you pick up on things you missed the first time around.

It is frequently recommended that new readers start with the initial 100 chapters, the East Blue saga (which is what the live action series adapts, for the record), to see if One Piece is right for them, and that's the note I am going to end this post on, as well. East Blue uses its 100 chapters to tell a fairly self-contained story that introduces the first half of the core cast, setting the stakes and building its world while giving you plenty of interesting places, bizarre creatures, and wacky action all the while. It is One Piece showing you its hand, with the promise that if you like what you see, it'll have so, so much more in store for you

[fan-fan-tastic]

MEME FULFILLED PROPHECY

Despite being a mass of potholes and quite repetitive, PIDW is very popular, popular enough to have a community of fans. This means not only having fanart, fics and even merchandise, but also an entire culture, with fandom lore and yes, even memes.

One of those was “When Mobei-Jun gets married” it was used to indicate something that would never happen, like “when hell will freeze over” or “when pigs will fly”. It was so popular that there were even some variants, like “it happen at Mobei-Jun’s wedding” or “when Airplane marries Mobei-Jun off”

Shen Yuan really liked this meme because it was supported by canon: there had been several scenes where after a fight, Luo Binghe would look over the spoils and let his right hand man pick a boon. Despite the ever-present trembling maidens, Mobei-Jun would always pick a weapon, or in an instance an ancient relic that had once belonged to his clan. So yeah, Shen Yuan used it pretty often, once he even let it slip out IRL, but luckily no one got the reference.

He even used it once in a thread that went viral: it was a pointless debate over OP’s incorrect interpretation of an arc. Shen Yuan was clearly right, he even had quoted several chapters to prove his point and so the other user had resorted to personal insults. OP had typed something like “You are ridiculous! When will you admit that you are actually a fan of the novel and not an hater?!” To which Shen Yuan had responded with “When Mobei-Jun gets married”

Now, this should have ended the discussion in Shen Yuan’s favor: the meme usually got lots of likes regardlessly of the context, and so he would have won the debate.

But OP for reason had decided to tag Airplane Shooting Towards the Sky himself.  “Great Master Airplane, would you marry Mobei-Jun if it means getting Peerless Cucumber admitting that he likes your story?”

To everyone’s surprise the author (sleep deprived an high on caffeine and energy drinks) actually did answer “Damn, I would marry Mobei-Jun for free”.

True to his writing style Airplane dropped the bomb to never addressed it again. That comment had started another meme, although less popular than the other about Mobei-Jun having been married the whole time to the author himself and the ship AirplaneXMobei became the most popular for the character. There few fans that had written crackfics had been insufferable about it, even resurrecting the ‘I shipped X before it was cool’ format just to flex.

After transmigrating into the scum villain and masterfully avoiding the original good’s fate, Shen Yuan one day receives an invitation to a wedding, accompanied by a mission by the System that just says ‘True to your word: User must respect the vow he once made’. Shen Yuan immediately understands what this is about: he would rather jump into the Endless Abyss than do that.

[myfandomrealitea]

okay, so- this is coming from someone who really hasn't engaged in fandom discourse, especially regarding shipping and such. I dearly hope this doesn't come across as bait or troll, I'm genuinely curious and want to learn. apologies for the possibly-dumb question, but I really just need to ask-

what is proshipping? and what are 'antis'?

you know how it is, when you ask around you always get a biased answer one way or another. "proshippers are pedos" "proshippers all condone incest" "proship Bad and if you interact You Are Bad" (i think these are 'anti' points of view? am i using that term right? that's the rhetoric ive mainly heard). but despite all of that, i don't know if ive ever actually gotten a straight answer as to just.. what it factually is. because it doesn't feel like the sort of thing that you can boil down to insults or accusations or whatnot. it's all just very confusing to me, especially because i come from a place that essentially just told me to avoid like the plague and never look back. sorry, this became a bit of a ramble, lol. thank you so much in advance, i hope i'm not being a bother or insulting with this ^^;

The modern term; 'proship' (s.a; 'proshipping' and 'profiction') is an evolution of an earlier fandom acronym known as: 'SALS.'

Ship And Let Ship

SALS was one of the earliest fandom adoptions and interpretations of the concept of not bullying others for what they shipped or their fandom interests, and not trying to control or dictate what was "allowed" to be shipped or enjoyed. The most notable origin of SALS was during the early years of accessible fandom via Star Trek, and the present homophobia and misogyny in a largely male-dominated community.

As woman became more involved in fandom spaces, the presence of 'other' ships and pairings began to increase. M/M, F/F that wasn't purely for sexual gratification, and M/O and F/O (where 'O' is Other) pairings were popular amongst women, much as they still are today.

Not only did the presence of women in a "male space" receive a not insignificantly negative reaction, so too did them filling the fandom space with their shipping content. Now; sexism and misogyny and homophobia were not entirely to blame. Again as is still very much present today, people simply Did Not Like Certain Ships or Characters. And as they still do today, they'd spread hate about them and to the people who did enjoy them.

Thus: the birth of SALS.

(In other words: I like what I like and it has fuck all to do with you. Shut up and move on.)

Back then, SALS was mostly contained to just that. Ships and characters. Since back in that era 'taboo topics' and 'sexual content' were still pretty covert, people weren't exactly arguing the merits of incest in public forums and at conventions.

However, as all things do, the internet evolved. Society evolved. Media evolved. And so too did 'SALS' evolve in keeping with the new culture and subjects present in fandom spaces.

Suddenly it wasn't just ships and characters to be advocated for. It was themes. Subjects. Kinks. Plots. The more things people found to enjoy, so too did the more things people found to hate.

'Proship' is actually grammatically pro-ship. As in; in support of shipping. This is why I always state that the modern conceptions of proshipping would more accurately be coined profiction. It is no longer just about ships, but fiction as a whole.

However; the core value and sole inherent point of being proship, SALS, profiction and so forth remains exactly the same:

[I/We] believe you have no right to harm others over the [ship/content] they create or consume and [I/we] do not have the right to dictate what is or is not allowed in fandom spaces.

That's it. Don't harass people for what they enjoy fictionally. Don't try to force them into not enjoying or being able to enjoy it.

Of course, the modern adaption varies wildly in terms of 'additional values' thanks to the evolution of the term and what it can encompass. However, there is certainly no obligation to:

Create or consume content you are uncomfortable with.

Create or consume content regarded as 'taboo' or 'triggering.' Such as incest.

Be involved with any aforementioned content beyond turning a blind eye if its not your thing.

Inherently, anyone who says they're 'neutral' on the matter but firmly believes in minding their own business is just a proshipper refusing to use the label if you're taking the term solely at its core value.

In terms of 'antis' they're just the antithesis of the above. Antis are people who generally believe that fiction is irrevocably tied in with who you are, what you believe/condone, and that real-life limitations and values should also apply to fiction.

Although, its is heavy debated and it wildly varies per individual to the degree this is taken.

(E.g: some 'antis' believe you should only write rape fic if you are a victim using it as catharsis or education. Other 'antis' believe there's absolutely no excuse or reason to write rape fic at all.)

Antis typically believe that enjoyment or being invested in content which is regarded as harmful or illegal in real life is morally unsound and reflects that you're a bad or morally unsound person.

Although I disagree, I can honestly say in some aspects I do understand this reasoning. I don't agree, but I do understand why people may come to that conclusion.

As with proshippers, antis vary from people who simply ignore and block content they don't agree with to radicals.

'Anti' is again a prefix. Although modern adoption of the term uses it as a singular signifier, it would grammatically be anti-[fandom], anti-[character], ect. As was commonly used in the past.

The rhetoric that all proshippers are pedophiles or support incest is common-spread and effective 'anti' propaganda. Similar to how so many people believe 'proship' inherently signifies that you must create and/or consume taboo or darker content.

It doesn't.

¹ Proship may also be accurately termed as simply: 'anti-harassment.' ² Its important to note the 'definition' of these terms may vary wildly depending on the individual. However, detailed above is the most historical use and evolution of the terms and their definitions.

[clownery-and-fuckery]

As promised, my commentary on Hunter.... to the people that like him, im sorry.

Spoiler warnings and the like, this is pretty negative aside from like maybe three sentences?? Feel free to leave you're own opinions on this too ofc !!! >:)

I dont like Hunter.

Actually, that's not entirely true, I liked him in TCW season 7, when he was that silly man who fucked droids around the place, took no shit, and loved his brothers. I like the Hunter who, not putting this nicely, had a personality.

This is not a dig on him as a character, it's a dig on how he was handled, writing wise

Listen, I totally get that the "rugged-man-adopts-a-star-child" trope is popular, and I do LOVE that trope, really I do- I just don't really think it was done that well here? It's bothered me since s1 of the Bad Batch, and I don't think it's going to get any better this season....

My only real problem with the writing inconsistency of Hunter being an older brother of three to "Omega this, Omega that" and while I agree childcare is SUPER difficult at the best of times, Hunter had four brothers who were equally capable of taking care of Omega, too. It just never sat right with me that taking care of her became his ENTIRE personality

Hes a soldier, who despite being completely out of his element, had a routine he strictly followed for the whole war. Yet he seemed to completely forget about that ?? Stressed or not stressed, that worn in routines and LIFELONG LESSONS should not have left his head as quickly as they seemed to.

The most obvious and frustrating example of the oversimplification of Hunter's character is with Crosshair. I cannot even BEGIN to describe my anger when it comes to Hunter and Crosshair. It mainly stems from the way he just FORGETS his brother is with the Empire. Conveniently never bringing it up unless someone else did it first.

As the oldest sibling and squad leader, I personally think Hunter should have been the one to bring him up. It should not have had to be specifically mentioned by another character for Hunter to discuss it. He loves his brothers, he loved Crosshair, broody or not, he should have brought it up AT LEAST once, imo.

We also see this complete disregard for Crosshair AGAIN in s3, now that we have seen Hunter looking for Omega and not ONCE mentioning Crosshair. Has he forgotten that they were originally going to find Crosshair??? That they never actually FOUND their brother ??????? Annoyed me so much, tbh.

What else annoyed me was the singular language he used during the whole episode. "She's part of our squad." "Hemlock took SOMEONE from us." He's completely and utterly disregarding the OTHER TWO SIBLINGS that the Empire took away from him !!!!! It genuinely frustrates me so much.

I know I'm DEFINITELY nit-picking here, but even when Hunter looked to Tech's goggles, it was in a "He should've been here to do this." Way, not a "He should be here." Way. That's his brother, who died looking for another that Hunter has forgotten.

Hunter's tunnel vision is probably one my least favourite things about the Bad Batch, if I dare even MENTION that- and I love this show. It means so much to me, but I just can't handle this particular part of it...

I have so SO much anger directed towards the treatment of Hunter by the writers. I want the Hunter who was devoted to his WHOLE family, who fought for ALL of them, who would have NEVER allowed Crosshair to leave in the first place. Give me that Hunter back.

(Saying this- I do not mind Hunter and Omega's father/daughter and brother/sister relationship !!! I do really enjoy it- in small amounts. The fact that Hunter became nearly an extention of Omega really just- threw me off his whole character, really)

I specifically pick to ignore this when I'm making anything. Hunter has been a sergeant of three idiots(named endearingly) for the entirety of the war. One child who wanders around should not have taken up 100% of Hunter's attention, ESPECIALLY when he was surrounded and supported. It just bothers me, idk

Anyway, thats my rant !!! Back to some positives soon, promise !! I just had to get this off my chest, it's been BOTHERING me.

[creativepromptsforwriting]

How to choose a first name

do not repost

First names often stick with someone for their whole life, even though it's becoming more popular to change their first name to reflect their own personality. A name chosen before someone can even develop a personality/is born can lead to names that don't fit a person that well. In fiction, you already know a character's whole personality and can name them accordingly.

First names can be more experimental, since they are freely chosen by the name givers, not like the last names.

Origin

A first name can indicate where a character or more importantly their parents come from. Every country (and each region inside a country) has often used names and therefore names that people would associate with that country and wouldn't think twice if someone from there was named like that.

This does not mean that the name has to be originally from that country. Depending on the country and their population there will be influences from other languages over the years that make names completely normal in a country whose language does not fit that name. It may just be pronounced a bit different.

(Ex. Jacqueline was a very popular name in the 90s in Germany, despite it being hard to spell for German kids, and sounding nothing like German, while at the same time it's pronounced very different from the French or English version to still fit somewhat into the German language)

How to find good names for a specific cultural background

I do not recommend generators. They are fun, but most that I tried for German names gave reasonable last names, but very archaic first names or names that kind of looked German, but did not actually exist. Same with baby name sites. Some of these names don't make any kind of sense.

Better solution: find the Top 100 baby name lists for that specific country, it's more accurate of what is a common name there (but find the ones from the years around where your character is born. Not the most recent ones!)

Living with their first name

Decide if your character is happy with their first name and how they use it. Do they think it fits them? Do they get bullied or do they get put into a box because of it? Do they want to change it or do they only go by their nickname? Does it fit their last name? Who calls them by their first name?

An unfitting name

Here are some examples for why a name might not fit a character that well or why it could be surprising to be named how they are. This can be fun to explore in a story and give some insight into their parents' thought process and motives.

Parents that want their child to assimiliate easier to a new country by giving that child a normal name for that country, but that doesn't fit with their own cutural origin

Parents that want their child to succeed in life by giving them a name that they think is a royal or upper-class name, or a name fit for a celebrity, therefore choosing names that are not common in their own surroundings

The parents subscribe to a lifestyle that fits the name (a very old-fashioned one, or one that seems more free-spirited), even though the nameholder may not fit into that lifestyle

More: How to use nicknames | List of Names

Coming soon: a guide on how to name your characters in general and how to choose a last name specifically

If you like my blog and want to support me, you can buy me a coffee! And check out my Instagram! 🥰

[ecoterrorist-katara]

The only stereotypically masculine thing about Aang…is his romantic arc

There’s a really popular post on Tumblr called “Avatar Aang, Feminist Icon.” The thesis is basically that Aang, unlike his female teachers and friends, is actually not a badass. He listens, he defers, and he respects women. He seemed to have no problem with Katara’s crush on Jet, despite his own crush on her. He chooses love and kindness and friendship and pacifism. He’s not tall and handsome as hell or buff. He wears flower crowns!

And I agree! This is Aang for most of the series and I love those qualities (though I do think the bar is in hell if those traits make a character a feminist icon, as opposed to a person who simply sees women as human beings). Anyway, I just think there’s a glaring omission. And that’s Aang’s romantic arc in season 3.

Bryke managed to take the worst of both worlds: Aang’s romantic arc retains the male-centricity that make most romances so problematic, while retaining none of the characteristics that make problematic romances compelling to women.

Aang falls in love at first sight with a beautiful girl. For the majority of their friendship, he remains respectful and supportive. As his crush hits an all time high, however, it gets distinctly more stereotypical: he kisses Katara at the invasion, and when she didn’t want to talk about that kiss, he firebends at her (the fact that this comic is canon, and was published years after ATLA’s conclusion, only demonstrates that the creators still don’t understand critiques of their romance). Aang considers Katara “his girl” and becomes furious (“I would be in the Avatar state right now!”) when the actress version of Katara didn’t like him romantically, and then he kisses her again — this time explicitly against her wishes. Throughout the show, people reassure him that she will come around, continuously reinforcing the idea that Katara is “his” and he just has to be patient. And even though Ka/taang is supposed to be endgame, we never hear directly from Katara how she feels, even though we’re no strangers to her opinions and feelings on other topics. It’s almost like the creators wanted Katara’s feelings to be a mystery because we’re meant to resonate with Aang. That’s…a male-centric, action hero romance.

In addition, the friendship dynamics between Katara and Aang feel pretty gendered. The distribution of emotional labour between Aang and Katara is quite skewed: Katara takes care of Aang much more than he takes care of her. She’s the one responsible for calming him down from the Avatar State. She’s the one who cooks for him and performs a whole lot of domestic chores. Post-canon, Katara’s storyline revolves around Aang, and she’s treated as his accessory and the keeper of his legacy instead of her own person, to the degree that she’s not even recognizable in LOK anymore. A beautiful, badass, independent woman who dedicates her energy and intelligence to a man’s needs? Wow, that is definitely something I’ve never seen in media geared towards men!

A lot of gushing about Aang’s lack of stereotypical masculinity seems to also hinge on how Aang is not conventionally attractive, but that’s…not true. Aang may not behave like James Bond, but he has plenty of admirers. Meng and On Ji liked him even without knowing that he’s the Avatar. Post-series, Acolytes descend en masse to steal Katara’s man. And of course he grows into a tall, buff dude. Aang’s romantic arc is not about becoming attractive to women, or finding a woman who loves him despite his looks. His romantic arc is about getting the girl who’s hard to get, because she only sees him as a friend or a little brother / babysitting charge.

Bryke do not deserve the credit for creating a “feminist icon,” not when the only stereotypically masculine traits they gave him are in relation to his romance arc. It honestly feels more insidious this way, because it’s like, “see? You don’t have to be masculine to reap the benefits of performing masculinity” — the benefits being, of course, “getting” the girl you want.

[lastoneout]

Okay, honest question, who is Yotsuba?

OH HO HO ANON I AM ALL TOO HAPPY TO EXPLAIN :3

Yotsuba is a character from the greatest manga ever made, Yotsuba&!(or Yotsuba to! it translates weird, most fans just call it Yotsuba) which is a comedy slice-of-life manga about Yotsuba Koiwai, a five year old girl, and her very strange yet wholesome family and friends!

It's from the same mangaka who gave us Azumanga Daioh, though while that manga is told in a four-panel comic style and doesn't really have much of an overarching plot, Youtsuba is done in a traditional manga style and despite also being very episodic there is a bit of a throughline surrounding Youtsuba getting settled into the neighborhood she just moved to, growing up, and eventually, in the later chapters, getting ready to go to school for the first time. Also, there are storylines that take place over multiple chapters as well! Despite the fact that the manga has been releasing since 2003, the chapters are pretty sporadic and the comic has only really covered about one year of the character's lives, but it never really feels slow or aimless. It feels almost...timeless? I guess. It's really nice.

Anyway, the manga is legit one of the most wholesome, funny, heartwarming things I have ever read. Kiyohiko Azuma is a fucking MASTER of comedy(you may have seen screencaps from a Sailor Moon fan comic he made going around on tumblr in which Jupiter accidentally sends Venus shooting across a pool that made me laugh so hard I cried) and he balances it well with lots of slow moments with GORGEOUS artwork where you can really take in the scenery and all of it is seeped in a wonderful nostalgia for childhood that legit makes me super emotional.

I don't think the manga has ever really taken off in terms of popularity, at least not to the degree that it deserves imo, which is likely in part due to the creator being firm about it never getting an anime adaptation and the sporadic release schedule, but it's far from unknown. There's been an official(I think??) score released and plenty of figurines and merch. It's also birthed a lot of memes, and it def has the same issue as One Piece where if you read it and love it you will turn into a walking billboard and try to drag your friends and family in with you. It's just THAT good!

You may have seen art of or people cosplaying Danbo, a "robot" made of old cardboard boxes that Yotsuba adores (Totally a real robot btw, def doesn't have a middle schooler shoved inside there, that would be silly wdym /s)

And this pose from the back of one of the manga volumes featuring Yotsuba, her father, and their extremely tall friend Jumbo has been redrawn with other characters like 500000 billion times

And you've also probably seen this going around tumblr before (that's Fūka she's my favorite cringe fail daughter I would literally die for her).

Also, I would be doing a disservice if I didn't mention Yanda, who is a friend of Yotsuba's dad and also Yotsuba's nemesis. He's a loser who constantly gets dunked on by a toddler it's fucking hilarious.

But yeah it really is just like, a manga that feels like a hug, or a warm blanket or something, it's so comforting and funny and fantastic, I find myself re-reading it any time life gets to be too hard just bcs it's that good at distracting me and reminding me that live is worth living.

And also given that it's literally my favorite manga, I saved up a bunch of screencaps to use as reaction images after a read one time, and thus now it's my own little joke that if you send me anon hate I'm just gonna send you back a picture of this cutie

Bcs come on how can you be angry when you're looking at this???

Anyway here's some screencaps of the main supporting cast bcs I love all of them so much <3

YOU WILL READ YOTSUBA I AM NO LONGER ASKING

[hotvintagepoll]

This is a three-way poll. Only one of these women will continue to the fourth round of the bracket.

Propaganda

Ava Gardner (The Killers, The Barefoot Contessa)— She's so goddamn hot. Her and Frank Sinatra could've sandwiched me and I would've thanked them for the privilege

Leonor Maia (The Tyrannical Father)— She didn't do a lot of movies but in The Tyrannical Father she is so pretty and charming that there's a guy who's obsessed with her to such a degree he is still a meme 80 years later. Her character's name is Tatão and the guy would stare at her whenever she was there and say her name to the tune of everything. A clock ticking: ta-tão, ta-tão, ta-tão. And to this day one of the lines people know the best from that very quotable movie is "ta-tão". She inspired crushes and horniness of legendary levels.

Louise Brooks (Pandora's Box, Diary of a Lost Girl)—Louise Brooks started off as a dancer and went to work in the Follies before going to Hollywood. Disappointed with her roles there, she went to Germany and proceeded to make Pandora's Box, the first film to show a lesbian on-screen (not her but one of her many doomed admirers in the film), and Diary of a Lost Girl, both of which are considered two of the greatest films of the 20th century. She helped popularize the bob and natural acting, acting far more subtly than her contemporaries who treated the camera as a stage audience. After the collapse of her film career and a remarkably rough patch as a high-end sex worker, she was rediscovered and did film criticism, notably "Lulu in Hollywood," which Rodger Ebert called "indispensable." Also, christ. Look at her.

This is round 3 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Ava Gardner:

Ava Gardner is one of my favorite actresses of all time. Although a lot of her roles in movies are about her being beautiful and nothing else, there are some films where her acting truly shines.

Gifset: https://www.tumblr.com/pelopides/721438308726603776/ava-gardner-as-pandora-reynolds-pandora-and-the

Gifset 2: https://www.tumblr.com/portraitoflestatonfire/731899355804598272/if-the-loustat-reunion-doesnt-look-like-this-then

HER FACE. LOOK AT IT. Also was a life long supporter of civil rights and a member of the NAACP, had lots of fun love affairs with other stars, bullfighters, married several times but was also happy in between to just have lovers and was unapologetically herself.

I literally gasp every time I see her.

Between 1942 and 1964, Ava Gardner was credited in no less 50 films, and is still considered by some to be the most beautiful actresses that ever graced the silver screen. Despite life-long insecurities regarding her talent as an actress, she weathered public scandal, industry hostility, and outright condemnation by the Catholic Church with fearless grace. She would later in life talk candidly about the reality and pain of living through two (studio approved!!) abortions during her short marriage to Frank Sinatra, and while the two of them could not make their relationship work, they remained in each other’s lives for nearly 30 years. She would forever describe herself as a small-town girl who just got lucky, but always felt like a beautiful outsider.

Really genuinely one of the most beautiful human beings I have ever seen. An autodidact. Had amazing chemistry with Gregory Peck to the point where I do think about watching On The Beach again sometimes because they're so good together even though that movie did destroy me. Was a great femme fatale in many movies.

There is no additional propaganda for Leonor Maia.

Louise Brooks:

"Defined the style of the modern flapper. A gaze that could make a stone fall in love."

"Louise Brooks left a legend far greater than her real achievement as an actress, but even today few people have seen her films. In our own time, the fascination with Brooks seems to have begun in 1979 with a profile by Kenneth Tynan in the New Yorker, which revealed that the actress who made her last movie in 1938 was alive and living in Rochester, N.Y. Such was the power of Tynan's prose that people began to seek out her existing films, primarily this one, to discover what the fuss was about. What we see here is a healthy young woman -- she was 23 when the film was released -- with whom the camera, under G.W. Pabst's influence, is fascinated. There is a deep paradox in Brooks and her career: the American girl who found success in the troubled Europe between two wars; the vivid personality who briefly dazzled two continents but faded into obscurity; the liberated woman who had affairs with such prominent men as CBS founder William S. Paley as well as with women including (by her account) Greta Garbo but wound up a solitary recluse. And all of this seems perfectly in keeping with her most celebrated role in Pandora's Box. For despite her bright vitality, her flashing dark eyes and brilliant smile, Brooks's Lulu becomes the ultimate femme fatale, careering her way toward destruction, not only of her lovers but eventually of herself."

"She invented having bangs to indicate that you have borderline personality disorder"

"chances are if youve ever seen a "flapper girl" character or even just art of a generic flapper type made after the 20s it was based on her appearance - particularly the bob hairstyle! she had some pretty rough experiences through her life before during and after her tumultuous acting career which ended in 1938 but she made it to the 80s, wrote an autobiography and did a lot of interviews that she was never afraid of being honest in about her own life or peers of the age, and apparently was unabashed about some affairs she had with well known women (including greta garbo!!)"

"She read Proust and Schopenhauer on set between sets. She was one of the original flappers/new women of the 1920s. She had a one night stand with Garbo and was the inspiration for Sally Bowles in Cabaret. Truly a stone cold fox."

"on her wikipedia page it says her biographer said she "loved women as a homosexual man, rather than as a lesbian, would love them" and while i have no idea if this is true or not i thought that was very gender of her"

"despite being american she was big in german expressionist films and thus her aesthetic was unmatched!!"

So far ahead of her time in regard to portraying complicated women. Timeless elegance. "I learned to act by watching Martha Graham dance, and I learned to dance by watching Charlie Chaplin act.” - Louise Brooks

[physalian]

“Why doesn’t the villain just kill the heroes?”

Ah, plot armor. If you want to be a real go-getter and think up a more creative way for the heroes to always narrowly escape death out of sheer dumb luck, the villain being too slow on the draw, or the villain simply not thinking of it in the moment, you have to come up with a reason for why the villain doesn’t just kill the hero.

Four examples today.

1. Zhao & Aang

In “The Blue Spirit,” Aang is captured by Zhao, a man normally not above anything to further his agenda, including murder. The Avatar is the largest obstacle in his way, second to the Earth Kingdom, and all he has to do to take Aang off the gameboard is to kill a twelve-year-old. He’s got Aang in chains, not quite powerless but harmless enough, and could do it quickly.

So why doesn’t he? Per Zhao himself, if he kills Aang, the Avatar cycle will continue, born into some random water bender that may take them years to track down. Sure, they’ll be harmless for a few years and the Fire Nation might get lucky and find them easily, perhaps even sway the new one to their side, but what if the waterbending Avatar is born into the Foggy Swamp? Or they end up having to kill them, too, and then have to track down an earthbending Avtar across the entire Earth Kingdom? Does Zhao really want to take that chance when he can just keep Aang alive? Just barely?

Of course not.

Killing the hero in this case might stop the immediate threat, but it will just delay the inevitable, thus it’s in the villain’s best interest to exploit a loophole while likely committing war crimes in the process. He gets to secure a Fire Nation victory and make Aang suffer for the rest of his life.

Ozai doesn't kill Aang until the first chance he gets, which just so happens to be the series finale. And we all know why Aang has a no-kill policy.

2. Sam, Dean & The Angels and Demons

Hahaha it’s the show known for its refusal to kill its heroes. We’re gonna ignore everything past season 5. There’s obviously meta reasons—kill the main characters and you have zero supporting cast that could realistically take over the show.

But in season 4, despite multiple deaths already for both of them, so begins the “if you die we’ll just bring you back” threat, because they’re angels and angels can do that. Similar to Aang, Sam and Dean risk a fate far worse than death if they don’t cooperate with Zachariah’s plans. He happily gives them both a slew of diseases and illnesses to get his way whenever he gets the chance and reminds them both that if they just kill themselves to escape the Apocalypse, he’ll happily revive them. The Demons won't kill Sam and Dean because they're necessary to further their own plans by breaking certain seals on Lucifer's cage, though they're not above breaking bones and killing bystanders.

Fate worse than death is a popular threat, but usually the heroes offing themselves is still a viable, if deeply unpopular, option. Supernatural removes it entirely and for such a simple little detail, it does a lot to make their survivability believable.

3. Batman & Joker

Ahh the age old furious rant by people who don’t understand Batman: If Batman killed his villains they’d stop busting out of Arkham and murdering innocent civilians, Batman has so much blood on his hands—

Babe. Babe, he’s a comic book character. By his very nature, he can’t kill his villains otherwise he’d have no rogues gallery. Comic books are like a giant board of Monopoly, going around in circles and occasionally having a timeout in jail.

But the in universe reason there’s no killing has been essayed about extensively and so has why Joker doesn’t try harder to kill him, but I couldn’t not include these two. Batman does not kill because he is not judge, jury, and executioner of his villains, most of whom have mental health issues and while they certainly know better and their crimes aren’t justified, his villains need actual therapy and help and medication, not death. Even those who he might agree must be stopped and there’s no other way except murder, Batman himself will not be the one to pull the trigger. He must remain a hero, so that no matter who he comes across in the dark alleyways of Gotham, they know he’s not here to kill them, be it criminal or victim.

Joker doesn’t kill Batman for a much simpler reason, and Heath Ledger literally says it: “I won’t kill you because you’re too much fun.” He does not need a more convoluted reason, he enjoys the game, the chase, the tug of war (most versions of him, at least) and to kill Batman would be to end his greatest form of entertainment, and the only person probably in the whole world who is neither afraid of Joker nor dismissive of him as simply a freak.

4. Optimus and Megatron

Optimus Prime and Megatron are very similar to Batman and Joker but with literal eons of history between them. In most serialized Transformers media, as opposed to movies where the plot is more urgent, Megatron both wants to win Optimus over and just can't quite let himself finally win. Who is he without his rival, after all this time?

Optimus is in the same boat, refusing to kill him because he's still holding out hope for Megatron's redemption, that there's a peaceful way to end this war (no matter how much collateral both leaders end up causing). Shit gets real whenever Optimus breaks the unspoken rules of their no-kill rivalry and Megatron gets incredibly pissy about it because he's in love.

—

Suggestions to workshop this plot hole in your own narrative:

The hero staying alive is absolutely paramount to the villain’s plan (in which case, you have to have rock solid reasons for why they keep narrowly escaping capture)

The villain is so confident in their plan that they don’t even consider the hero a proper threat

The villain doesn't really have a bodycount, but if they kill the hero, suddenly all the other powers that be will take them seriously and they'll have a huge mess on their hands

The villain is so full of themselves or so in love with their rival that it’d break their heart to have to kill them just to win

The villain is simply not capable of murder either physically or morally (perhaps because the hero is a child)

Killing the hero would make them a martyr and the villain would end up with a far bigger mess on their hands when the lone hero is replaced with an avenging army

The villain is too proud to simply kill the hero and wants to win fairly in a proper fight on the battlefield and not take the cheap and easy shot

The villain does not have a phyiscal form or real presence in the plot, acting through their minions, and their minions are incompetent

It’s simply not fun if the hero dies/the hero is the only one who understands them and they’d lose far more than they’d gain by killing them

The villain still wants to try and win the hero over and is so dedicated to this path that they regularly sabotage their own plans desperate to change the hero’s mind

The villain firmly believes in a fate worse than death and while the hero’s survival isn’t crucial to the main plan, they want the hero to watch their own failure/become the villain’s minion/ prisoner/ partner by the end

There’s a million examples out there to pull from and I could keep listing them all night. So long as whatever it is doesn’t come out of nowhere or open a plot hole of “why didn’t they just do that earlier?” you can get quite creative.

One last example that’s a personal favorite of mine to implement: In Eternal Night of the Northern Sky there aren’t too many opportunities to ask this question, but when it does arise, Villain A has Hero B as a meat shield, and while Hero B’s love interest, Hero C, is more than happy to shoot through them to incapacitate Villain A, the person they take orders from isn’t so reckless, which later leads to Drama and Issues.