#ending in a fire death | Explore Tumblr Posts and Blogs

hitlikehammers · 7 months

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to die by your side (is such a heavenly way to die)

rating: t ♥️ cw: angst with a happy ending (which is actually kinda fluffy?), limbo/near-death experiences, post-S4/Upside Down-heavy, falling in love ♥️ tags: falling for each other in the space between life and death, happy ending

for @steddielovemonth day twenty-six: Love is a fire that never goes out (@sidekick-hero)

this is because of 1) this song being too close to the prompt for me to disengage it in my head, and the chorus therefore dictating this plot line, and 2) @hbyrde36 picked it and, again, I am very susceptible to people indicating they like a thing and would enjoy more, so @hbyrde36: I hope you enjoy what this became ♥️

“Oh fuck, not you, too.”

Steve looks up—when did he sit down, he doesn’t remember sitting down, he doesn’t remember how even got here, and hey, actually, where is here—

“What?” Steve looks toward the voice; familiar. See the wreath of curls around a pale face.

“This is death, right?” Eddie’s crossing over to him, crouching just beside; “I’m dead, like, I am very sure I’m dead, but you’re here, so—“

“I don’t,” Steve breathes in sharp—tries to get his bearings, tries to see but it’s just black in every direction, his lungs feel like they’re halved in size all of sudden, everything feels tight and painful and hard like inhaling isn’t something guaranteed, and his heartbeat feels like it’s dragging the carcass of something with it when it pumps, laborious and—

He’s is breathing, though, even if it’s kinda half-assed; he’s got a heartbeat, even if it feels like it’s about to fucking give out.

That doesn’t…that doesn’t sound like death.

“I,” Steve licks his lips; his mouth is so fucking dry but swelling kinda hurts and…he’s not as fucked up as he has a feeling he should be, he needs to think harder than he’s ready for just now to figure out what the last thing that happened between where he was, and where he is but: he thinks he should be more fucked up on, like, an instinctual level that knows he should be pretty fucked up, basically, and he’s not.

But again: he still hurts, and that…also doesn’t sound like death.

He swallows anyway; not that it helps.

“Max said there was this, black void,” Steve works through the first thing that comes to mind slowly, processes as he speaks; “with water,” and he looks down and sees the ripples in what he’s sitting in, moving around him but…but the reflections are right, and there’s no light so how are there even wrong reflections; he wasn’t good in his science classes but he feels pretty sure you need light to see anything in a mirror, plus—

“Water,” he flicks his hand from the standing pool around him up at Eddie without warning: “that wasn’t wet.”

Eddie splutters, but it dies down quick: it’s supposed to be wet. He expects it to be.

But it’s not. His eyes go so fucking big.

“It’s attached to the Upside Down,” Steve pushes on; “Eleven can like, come here, but,” he shakes his head and Eddie grimaces: she lost her powers.

“So it’s almost-death,” Eddie surmises, and drops into the not-water next to Steve.

“I guess so,” Steve shrugs, and draws his legs up; hugs his knees.

“Fucking great,” Eddie huffs, sneers, and it’s…Steve not sure why exactly, but it feels…targeted. Directed at him, because one, yes: he isthe only other thing here—as far as he can tell—but the words Eddie’d no-greeted him with float back into his consciousness:

Not you.

“Sorry to rain on your parade, man,” Steve bites out and shoves his head down between his thighs, maybe to breathe, maybe to think, maybe to hide, maybe to fucking cry, maybe to…fuck, he doesn’t even know.

He thinks he’s in the middle of trying to split the difference of every possible thing when Eddie’s voice breaks the still in the dark: “I didn’t,” and honestly, Steve’s never heard that voice sound so soft, so small; “that’s not what I meant,” and it’s an apology even if they words don’t add up exact, Steve feels it clear like a blow to the solar plexus. He turns to Eddie, who’s staring out at the nothing.

“I don’t want to be alone,” Eddie whispers, and his lip trembles, Steve can see that despite the lack of light.

Steve can see tears on that face, too, despite the lack of any light.

“But I hate that you’re here,” Eddie’s voice catches on kind of a whine, and Steve maybe would startle, when a hand reaches out and covers his; Eddie still does look at him, but he flattens his hand over Steve’s like a squeeze:

“That you’re here, too.”

And, oh. Okay.

Okay.

They’re here, then. Together.

Here.

___________________

It takes a while—he thinks; he thinks it’s a while, but one of the first things that makes itself plain in this godforsaken place is how times means absolutely fucking nothing, so; he think it takes a while to remember the vines.

They were coming back for Robin, and Steve would die before he let her get hurt so: that’s the last thing he remembers.

For Eddie, it’s the bats; Steve grimaces, hates even imagining like…swarms of them. More of their bites.

He’s the one who reaches for Eddie’s hand, this time—he wants to say it’s just a little comfort for the particularly bad things that are coming up as they sit here, as they draw patterns in the not-water and blow against it to make little waves just for shits, mindless and stupid: he wants to say that when it gets too much, and then keeps going, when it’s the worst, they’ve started to reach because what else can they do? Who else can they lean on?

Who’s gonna fucking know?

Actually: no. He doesn’t want to say that.

He wants to say the truth: the truth being they touch a lot. They reach a lot. They reach because it’s quiet. They reach because it’s dark. They reach because they’re frustrated. Or they’re scared. Steve could map Eddie’s calluses blind if he was asked to. Eddie traces his veins without being able to see close enough to know that he’s right.

He wants to say the truth: that he wants to touch. He craves it. And not just from anyone.

He craves this.

He doesn’t know what that fucking means.

But he’s the one who reaches, and covers Eddie’s hand, presses down to keep him when Eddie remembers the bats.

And he’s the one who leans, who rests their shoulders together and holds his breath.

But Eddie is the one who doesn’t move away, who leans in too, he tips his head onto Steve and breathes out slow so Steve can feel the warm damp of it on his skin and…

Steve’s heart’s fucking pounding, but then also it’s kinda like fluttering, and either way:

That’s not death.

___________________

Steve likes that the not-water is…not water, because lying back in it doesn’t fuck up his hair. Which…feels cleaner than it should be he figures maybe that’s just the same as both he and Eddie not being riddled with the wounds they should be rights be covered in—he can run his hands through it and that’s really all he wants, his hands, or like, you know if other hands wanted—

Whatever; he’s not going to question the not-water. He’s happy it doesn’t make him a wet dog just for trying to lay back and pretend there are stars.

Which he’d still be doing, if a weird…flapping noise hadn’t started up over to the left.

He has to squint in the no-light to see what the fuck’s going on, something in Eddie’s hands, oh shit, flapping, is it one of those fucking bats—

“What the fuck?”

Eddie freezes, and turns. And Steve sees what’s in his hands.

Doesn’t change his question.

Eddie just blinks at him. And runs his thumbs over the desk of cards he’s holding, flicking them one by one: flapping.

“Where the hell did those come from?”

Eddie shrugs. “Pocket.”

Steve gapes a little.

“You’ve had them the whole time?” because again, even if the feeling’s shifted: what the fuck

“Lots of pockets, man,” Eddie grins cheekily as he shakes his jacket out, like Steve can see any pockets.

Then he’s walking over to Steve on his knees before dropping cross-legged and shuffling the deck before he taps them out on his thigh and leans in:

“Pick your poison.”

And Steve’s played his share of cards, is actually pretty decent at poker, but, like…

“I don’t,” he bites his lip and stares at the predictable red pattern of the face-down cards;“I don’t want to think,” he finishes, kinda fucking lame, but Eddie’s not deterred, flips a few cards off the top with a thump before balancing the rest on his knee, offering half the cards he’s still holding to Steve with a little wiggle of his eyebrows:

“Go Fish?”

And Steve, he, like—

This is not-death, right, but whatever it is, it’s probably not good, and yet here Steve sits, with five cards in his hand and…Jesus.

He feels his lips stretch and he doesn’t think he’s smiled like this in…

In a while.

___________________

“Three Musketeers,” Steve answers when they’re lounging in the not-water, heads lined up so sometimes Steve feels the tickle of Eddie’s curls.

“The fuck?” Eddie huffs a laugh; the question was just things they’d miss if they never get out of here; like, it’s a little morbid and also a little hopeful all at once.

They’ve been working deeper in the category of food for a bit now, and so it’s candy bars. And Steve does not see what’s controversial about his choice, honestly.

“I love those, shit,” Steve waves his hand in the air, dismissing Eddie’s very wrong opinion, here; “they’re just,” Steve hums, tries to figure out the best way to defend a genuinely fucking excellent snack food:

“They’re simple,” and that sounds like a weak defense but look at where they are, look at their lives, that is fucking high praise. “Not too sweet and like, light and airy and,” Steve tilts his head, imagines the mouthfeel:

“Kinda delicate when you bite into ‘em,” he feels himself grin a little: “like bubbles or something,” because…yeah.

They’re awesome, but then he looks over at Eddie, who’s already turned to look at him, his gaze…something. Weighty but not oppressive. Piercing but not painful.

“Sorry,” Steve feels himself flush and it’s no the first time, or the worst time, but he’s grateful just like he is every time that there’s no fucking light and whatever lets them see at all doesn’t give away a blush; “sorry, that’s—“

“That’s adorable,” Eddie says with something…equally undefinable in his voice as much as his eyes, but this thing makes Steve feel, like, warm and tingly, a little, under his skin, in his chest; “you’re right, they’re…” and Eddie reaches for his hand, which they do a lot, yeah, but not…not so often for good things and this feels…like a good thing.

“They’re really good,” Eddie presses his hand over Steve’s, like a blanket, all encompassing—Steve has broad hands but Eddie’s fingers are longer than he’d ever noticed and he—

Steve likes how they fit.

“Under-appreciated, I think,” Eddie’s voice has lowered, softened, and it kinda feels like he’s saying something that has nothing to do with candy bars at all: “because people aren’t looking close enough to see how amazing it is.”

Yeah, for how Eddie’s staring at him, and for how Steve’s pulse has ramped up all of a sudden: Steve doesn’t really think Eddie’s talking about chocolate at all.

___________________

“You’re really good company.”

Eddie turns and blinks Steve’s way.

“What?”

Steve swallows; he’s not sure what made him say it. Except that it’s true.

“I’d have liked it,” he starts, like, expands on the point rather than revisiting the simple part; “if we could have, y’know,” and he gestures between them; “hung out.”

Eddie tilts his head, and he doesn’t smile exactly, but it kinda feels like his whole face, maybe his whole body, is a smile.

“Well,” he huffs a little laugh, like a disbelieving sound; “we’re hanging out, now.”

And Steve smiles the normal way, which is probably lesser to look at, but he wishes really hard that Eddie could, like, slip under his skin and see how it feels on the inside. “Yeah,” Steve grins at the darkness for a second, chews his lips a little, suddenly kinda…bashful, fuck:

“Yeah we are,” and then he breathes in deep, and makes himself be brave with something he doesn’t wholly understand:

“I like it,” and that’s an understatement.

And then Eddie hums, and covers Steve’s hand as he murmurs:

“Me too, sweetheart.”

And Steve’s heartbeat catches on that word, or more, reaches for that word, that name, greedy and wild and it pounds out that same desperate mantra blood-in-blood-out unwavering:

not-dead, not-dead, not-dead, not—

___________________

Eddie’s smile is so fucking pretty.

He didn’t know what Speed was, like the card game, so they’ve each got a pile balanced on a knee as the flip and they’re pressed up tight at their crossed legs to make a little table from their limbs for the discards and Eddie’s just…

It’s not just his smile.

“My grandpa taught me to play,” Steve comments idly, mostly just for something to say when it looks like they’re stuck and need to flip from the sides.

“It’s chaotic,” Eddie looks up and meets Steve’s eyes, his own fucking glittering when the lack of light should make that impossible but Steve thinks Eddie is kinda impossible so probably it fits.

“I like it,” he proclaims, as he reaches for another card to start the momentum back up, raises an eyebrow at Steve and waits for him to follow suit like he’s the expect, like Steve didn’t fucking just show him this game—

“You would,” Steve snorts and Eddie?

Eddie just beams bigger, and that catches in Steve’s pulse, nudges it to sing something that’s more than just not-dead; that’s more…

That feels more

___________________

It’s the more-feeling that breaks him, in the end.

“You called me big boy.”

Steve doesn’t really have control over his mouth, when it happens. Or else, like, he doesn’t think before the words tumble out, and the lie in the not-water and stare at the absence of the starts in the not-sky.

His heart’s jumped up to his throat, now.

Eddie’s quiet, for a while, even if time doesn’t mean anything here; Eddie’s quiet, and Steve’s heart wants to jump out of his fucking mouth but if it does than it’s got two destinations: it can’t drown in the not-water so that’s fucking useless, and then there’s Eddie, Eddie’s hands, Eddie’s chest and—

“I,” Eddie finally speaks, and his voice is rough, far away;“I, yeah.”

Steve doesn’t know what he was expecting. He wasn’t planning on saying anything so there weren’t any expectations built in.

“You looked at me,” Steve’s whispering, but it wavers, it moves with the force of his blood; “like you…” Steve licks his lips, swallows a whimper because what is he doing, what is he doing—

“Being almost-dead is really going to take the thunder out of your backlash on this, Harrington,” Eddie cuts into his panic and Steve’s head snaps over to look, to try and read Eddie’s expression: scared. Bracing for impact. Like Steve would, like Steve could ever—

“No, no, I,” Steve raises himself up and scoots over to Eddie, grabs his hands and presses them together in his own, never once looks away from Eddie’s eyes as they stretch wide.

“What did you mean?” because Steve’s started this, and Eddie’s anxious for it and…he needs Eddie to understand he’s not upset, he’s confused, his heart’s all swollen for it, he just, he—

“With the, with calling me that, and with leaning in like you did in the woods,” his breath’s shaking on the exhale: “with all the looks,” and he tries to leave it all in his eyes, on his face, open and clear for all that he doesn’t understand, but also for all that he…that he hopes.

Eventually, Eddie sighs, and squeezes his eyes shut tight, almost like a wince.

But he doesn’t pulls his hands away.

“You’re not stupid, Steve.”

Steve shakes his head, even if Eddie can’t see it.

“I’m very stupid.”

And Eddie’s eyes fly open, look wrathful, look offended on…Steve’ behalf, what the fuck?

And yeah, yeah, he’s opening his mouth now to fight him, to fight Steve about Steve and…no. No, that’s not the point.

“I’m stupid,” Steve says again, but quick so he can get it out; “about like,” he tries to find the right words and remembers Robin’s point on it once:

“About, you know, matters of the heart.”

Eddie’s features slacken, and his mouth drops open as he blinks at Steve before he eventually chokes out:

“Heart?”

But Steve can hear it. He can hear the confusion, like his own, but also just like his own:

He thinks he can hear the hope.

“You held that bottle to my throat and all I wanted was for you to lean closer,” he confesses, and it feels amazing, like he can breathe again, or see in color even though there’s so little color, here.

“And slit it?” Eddie croaks, incredulous, still a little slack-jawed and Steve laughs, because he can breathe, and—

“And kiss me, you dick.”

Eddie’s mouth snaps shut, and his eyes somehow get bigger, and his chest’s heaving and Steve wants that not to be for fearing, he wants Eddie to be anything but scared, he wants Eddie to be hoping—

“Stevie,” Eddie barely breathes and…it’s not scared, or else, not like it could be. It’s hesitant. It’s…full, of something Steve thinks might be incredible.

“You call me sweetheart,” Steve leans in, pushes the point, leans more until he’s close enough where he can feel Eddie’s breath on his face; “here. Now.”

Eddie nods immediately, doesn’t try to hide from it.

“Yeah, I do,” he breathes, and watches Steve so careful, unblinking.

“What does it mean,” Steve pushes, angles his lips without even thinking, without making the choice but Eddie?

Eddie makes the choice, and he kisses Steve so fucking sure and sweet and still wild somehow and Steve never wants to not be here. Never wants to not have this mouth under his, never wants to not have Eddie’s hands in his own: he doesn’t wholly understand it, where it comes from or what all it means but…his heart’s fucking dancing, the joy’s almost sore for it’s size and when Steve breathes between them, when they break for half a second to breathe and stare and marvel and Eddie looks like he’s entranced, like he’s overjoyed, and the only other thing here is Steve?

Fuck. Fuck.

If this ends up being death, that’s okay. That’s okay, as long as there’s also this.

___________________

He’s on top of Eddie’s chest, curled so so close, when it starts to feel…different. In his body. Like something pulling him.

The dark is still absolute but it almost feels like they’re on the brink of something, like dawn could come.

Steve fucking hates it.

“I don’t want to die alone,” Eddie whispers against his head, kisses at his hair.

“I don’t want you to die,” Steve grits out, almost violent, because isn’t this how it started, wasn’t that what Eddie meant, that he didn’t want Steve here, too—but Steve won’t accept that.

He cannot fucking accept that.

“I don’t want you to die at all.”

Eddie drags the tip of his nose back and forth against Steve’s hair some more as he breathes, breathes, breathes—

“To die by your side,” Eddie murmurs low; “would be my privilege,” and Steve chokes on a whine, a sob—it’s too much. It’s too much, and he needs this man, he needs him so much, he think he fucking loves hi—

“Maybe it’s not dying,” Steve tries, looks out into the abyss and he can’t see what’s on the way but he feels it; they both feel it: “maybe we’ll,” and he grabs Eddie’s hand and brings it to his lips.

“Maybe we’ll wake up.”

Maybe. Maybe.

“Kiss me,” Eddie exhales and Steve pulls back, slides up Eddie’s chest and hovers over him, makes to claim his lips but then Eddie lifts a palm, pauses Steve as he presses it over his racing heart and blinks at him, makes the tears fall from his lashes:

“Kiss me again when we wake up.”

And Steve will, he will, but.

He’s gonna kiss Eddie now, too. He’s going to kiss Eddie always.

He thinks his heart’s going too fast to beat out words but that, in itself, has to mean something that isn’t…death.

So he pours that conviction, and all the hope he’s got left, into Eddie as he devours him, breathes into him like they can melt together, like if Steve’s air lifts Eddie’s lungs they’ll be one person, one living soul and whatever happens…

Whatever happens will take them both.

___________________

Eddie splutters, clutches his chest; his heart’s racing, it feels like his blood’s on fire because every beat fucking burns, and the tear of his shirt where it’s stuck to his skin—dried blood, fucking hell—all up his side is absolutely disgusting, Jesus fuck—

“Eddie!”

He turns and that, that’s Henderson, and he squints; that’s Henderson running toward him, less than a minute away at that pace and Eddie doesn’t know if he can sit up but he’ll try, he digs his fingers into the mud and makes to lift—

And then something crashes into him, pins him right back down.

Covers his hands. Presses.

And he can’t get a word out, can barely fucking breathe before his lips are covered, before he’s being kissed so fucking desperate and giddy and all these feelings being fed straight into him, his heart leaping up in his throat to steal a taste but it doesn’t need to, it doesn’t need to because he feels…he feels it all everywhere, and he looks up and he shakes, he laughs, he’s gonna fucking cry—

“You woke up,” Eddie whispers, marvels, thinks his whole face is going to split open with, with joy and Steve, Steve is here, and he’s smiling back, and he’s breathing and they’re, it’s—

There’s light here. Steve’s eyes are like molten copper, they flicker, they shine.

“Promised,” Steve murmurs close, his lips moving Eddie’s lips with each syllable and the taste is, is…sweet and soft and light and perfect and Eddie almost doesn’t ask because it feels so right, so unquestionable but also he wants, something fierce and unwavering, and he needs to be sure where the water’s real, and the ripples mean something when you shift the whole fucking world, when you feel this big you know it’ll move the earth breathe your feet, so he has to ask:

“That the only reason?”

He still feels the hope from wherever they were, though; he feels it still, here, and he believes in it more in the light, he thinks, and he looks at Steve, takes him in, sees his chest rising and his pulse at the neck: real. Real, and so beautiful, and so, so—

Steve leans and kisses him hard, almost painful but it’s divine, Eddie will bask in the sting of it for the rest of his fucking life if he’s allowed, and then—

Then Steve pulls back and pins him with his eyes, now, fierce and on fire and they steal Eddie’s breath with feeling, with intent as Steve grabs at his shoulders, pulls them flush together and growls against his ear, like a vow almost:

“Only reason?” Steve huffs, shakes his head. “Not even close,” and he drags his lips over Eddie’s skin, catches Eddie’s hair, weaves into Eddie’s heartbeat:

not-dead, not-dead, not-dead

in-love, in-love, in-love—

tag list (comment to be added): @pearynice @hbyrde36 @slashify @finntheehumaneater @wxrmland @dreamwatch @perseus-notjackson @estrellami-1 @bookworm0690

♥️

divider credit here

#steddie #steve harrington #eddie munson #hurt/comfort #falling in love #angst with a happy ending #(also oddly fluffy?)#presumed dead #(but obviously NOT)#happy ending #the black void place with the water on the floor is LIMBO #and they maybe kinda fall for each other in the space between life and death because OF COURSE THEY DO #and these boys are maybe kinda stuck there #steddielovemonth #love is a fire that never goes out #stranger things

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emblemxeno · 15 days

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If we're being honest, I got a lot of issues with Ingrid because I feel like she has the wrong character development

Her support with Dedue is realizing that she shouldn't apply her negative view of Duscur onto every Duscurian indiscriminately

That kind of thing works for Oboro because Nohrians really did kill her parents

But, Duscurians didn't actually cause the death of Lambert or Glenn, so her development should've been to learn that all those years of hatred were misdirected, and she hated them for no reason

It also didn't help that Dimitri states multiple times that Duscur didn't commit the crime, and Ingrid is still ignorant about it

I have this unhinged hatred of the Faerghus Four as a concept because every time, it's like they're consciously refusing to acknowledge the importance of Dedue in Dimitri's life in the present "Oh, these are Dimitri's childhood friends. Of course, they're close." Yeah, sure.... They're totally closer to Dimitri than Dedue is in the present.... *Internal screaming*

Combining these because my answer to both is similar!

In my opinion, it showcases how 3H's writing philosophy is ultimately shoddy in its foundation. The backstories, supports, and character-to-character dialogue itself is great in theory, but execution it clashed with what both FE usually tries to do and what 3H desperately wants to do.

FE typically has characters join chapter to chapter, with important ones having plot moments, while side characters fall to the background once their designated chapter is up. But this isn't at the cost of character interaction, pre-established relationships, and the micro-to-macro worldbuilding precisely because they're not overly important. You can have canon romances, friendships, familial relationships, etc. because that's all supplemental side material.

3H was written in a way in which the characters were all connected to its grandiose world, to the point where Fodlan itself can be almost considered a character. Multilayered backstories that infer key points in the narrative, each character no matter how trivial having opinions on how the world works, shifting dynamics, etc.

The problem though is that these two philosophies clash already at base, but also run into the problem of FE's gameplay integrated story elements.

None of the Faerghus Four can meaningfully comment on their relationship with Dimitri during a story cutscene because they can die. Ingrid can't meaningfully change her perspective on Dedue or Duscur beyond her supports because she can die. Therefore, all you get are (admittedly pretty good) supports, the monastery dialogue, and other tidbits intentionally disconnected from one another so as not to be important enough to write around potential death. The comments they do get in cutscenes were intentionally written in a way to be surface level and easily replaced. Look at the FEdatamine site for example, where conclusions are reached by Byleth, the lord, the unkillable retainer, and other important story figures, with numerous possible instances of "if X character is alive they comment this, but if X character is dead this line is skipped."

That is proof of how sloppy 3H's writing is in foundation when you think about it long enough. The game that has such an intricate world, thorough details, and fascinating story beats, is actually extremely bad at delivering a story, especially an FE story. Being the judgmental and petty cunt that I am, 3H gets a pass most of the time a) most don't care or bother to care about actual stuff like this and b) the game has the aesthetics of being a down to earth, gritty, serious narrative. The foundational issues don't matter when you have Edelgard yapping about "THE CREST SYSTEM", dark character circumstances, and intriguing mysteries to solve in part 1.

People want the appearance of sophistication, especially after Awakening and Fates bent a lot of rules to fuck around with their respective stories. It's why Engage, despite not having nearly as many basic issues at conveying its plot and is actually extremely good at being a Fire Emblem story (e.g. more character being able to actually die, pre-established relationships, chapter to chapter joining, not nearly as much centering on Alear as the ultimate decider on a character's fate compared to Byleth), is panned because... why? Its bright aesthetic? Its good dragon vs evil dragon plot? Its softer or humorous moments?

Hell, even its call backs to past FE games is called cheap, soulless, or a gateway to gacha (one video I saw even described it as something like "when art becomes obligation" or some such nonsense), despite it LITERALLY being the prime anniversary title. The main character is the Fire Emblem, and the writers-through Lumera-wish a happy birthday to Fire Emblem!!! What about that is lacking heart and soul?

But yeah, again, I preface that I'm a judgmental asshole who proudly proclaims that the audience (at least the western one) has for years been too obsessed with yearning for darker serious aesthetics of FE's past (despite said past being wackier than they remember), that when a new game has them in overflowing spades, the many fundamental video game writing issues do not matter as much anymore.

Aesop for the day: Serious tones and aesthetics are not automatically better than lighter, heartfelt, or funny ones. You still have to write well for a story to be good.

EDIT: Funny enough this is also why Three Hopes is a more comfy environment for the Fodlan cast's in terms of tangible development, because the things the writers want to do with that game's story complements its gameplay. Because KT is better at making Warriors plots than FE plots.

#fire emblem discourse #fire emblem engage #fire emblem engage spoilers #I've heard some say that perma death should be ended to include more canonical story growth #but not only is that removing a big staple of FEs gameplay and story integration #it's much easier to just write a damn story that continues to compliment that aspect of the series instead of one that #twists itself in knots trying to write around it #it was a BIG relief that the only characters avoiding death in Engage were Alear Veyle Vander and the elder royals #because that means it's less weight on the writers accomodating for 20+ instances of characters possibly needing to survive

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