#excel basics for beginners

[airenyah]

Hard agree on your and anon's take on JoongDunk's platonic dudebros vibe and that is actually the reason I like JD. Have you seen the vid of Joong introducing Dunk as "small and easy to carry" and Dunk one-upped him by calling Joong "big and easy to ride" and Joong reacts like "Oh dude, you got game!?". It's obvious it's performative fanservice aimed to entertain audience, but at the same time it's playful banter, seeing if they could match or one-up each other's jokes and that dynamic of being able to have fun while keeping it playful and unserious is probably the one I'd want if I were a bl actor. I cannot enjoy fanservice when actors act like they're in a real relationship, too cringe and toxic *cough* mg *cough* and if it's real, I'd feel like a creep intruding on personal lives. I can freely enjoy JoongDunk for their neonsign "platonic friends being playful", along with their sheer force of social media marketing. Joong obviously a pro with his longtime experience in the industry and even majoring in university, while Dunk somehow maintaing that level of engagement when he doesn't even dance or sing is a mystery to me (tho I think he found his niche in cooking vids which had good views that Joong actually imitated him), but I think both working hard on social media promotion also makes them a good match for maintaining the same level of engagement. And I heard that's how they built their popularity even though SIMM was lackluster? Kudos to them.

yep, i saw that clip at the time!

i said this before in another ask, but i do think their "flirting" and fanservice does very much come from a genuine place. i think they just play it up for fun and not necessarily even as a "service" for the fans but also for their own enjoyment, either because they enjoy the other's reaction to whatever cheesy thing they say or do or because they enjoy one-upping each other (as you mention in your ask) or also because they simply just enjoy the fan's reaction as well. i think they're as entertained by us as we are entertained by them (mostly, at least kjkjsdfgdkg) (maybe not when joong is asked "WhErE iS dUnK" for the 43943945th time that day)

like, they are clearly also getting something out of their flirty banter, not just us. they're clearly having a blast with it while at the same time it's so obvious that it really only is a joke and that they really are just friends, nothing more, and that makes it so enjoyable to me to watch them and to follow them. they're clowns and i'm right here riding their clown car with them

and i agree with you, i can't enjoy it either when it seems like a cp is trying too hard to seem "real". it's like. why? why are you trying to sell me a lie? and if they are dating, then i'd feel even weirder for the exact same reason you mention, like... i don't know them. i'd very much feel like i'd be intruding

i much prefer knowing exactly where i'm at and so i very much enjoy the "we are strictly bros who just happen to say the flirtiest shit for fun" energy that joong and dunk bring. i'm super seated for that

and i just find it extremely fascinating how that bro-energy that they have in private just completely disappears when they're on camera playing characters. when i watch joong and dunk in private i'm always like "ain't no way these two are in love" (like delulu stans would like to believe) whereas when i watch any of their bls i'm like "ain't no way these two are NOT in love". love it when actors do actor things <3

and yeah, i wasn't really following them back during simm era (though i watched the series live after ep2) but i do remember that a lot of people said that they didn't enjoy simm but they very much enjoyed joongdunk "in private"! idk how active they were on social media bc yeah, i only really started following them more closely outside their series at the end of 2023, but i wouldn't be surprised if their social media activity helped them become popular

[warmlyskeletalstarlight]

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[kodestreetechnologies]

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[digitalaakash656]

Introduction to MS Excel: Essential Tips for Beginners

Are you a student or a professional looking to enhance your spreadsheet skills? Look no further than Microsoft Excel, a powerful tool that can simplify your data management and analysis tasks. In this Beginner's Excel Tutorial, we'll explore some basic Excel techniques that will set you on the path to becoming a proficient user.

Understanding the Excel Interface

Let's start with the basics. When you open Excel, you'll be greeted with a grid of cells arranged in rows and columns. Each intersection of a row and a column is called a cell, and it is where you can enter and manipulate your data. The ribbon at the top of the screen contains various tabs, each dedicated to a specific set of tools.

Entering Data

To input data into Excel, simply click on the desired cell and start typing. You can enter numbers, text, or a combination of both. Press Enter to move to the next cell below or use the arrow keys to navigate. If you make a mistake, don't worry! You can edit the content of a cell by double-clicking on it.

Basic Formulas

Excel's real power lies in its ability to perform calculations. Formulas are expressions that perform operations on the data in your spreadsheet. The most basic formula involves using arithmetic operators such as addition (+), subtraction (-), multiplication (*), and division (/). For instance, to add the contents of two cells, use the formula =A1+B1, assuming A1 and B1 are the cells you want to add.

Auto fill Feature

Save time and effort by utilizing Excel's Autofill feature. If you have a series of numbers or a pattern, enter the first few and then drag the small square at the bottom right corner of the selected cell to fill the rest automatically. This feature is handy for creating numbered lists, dates, or any sequential pattern.

Cell Formatting

Make your spreadsheet visually appealing and easy to read by formatting cells. You can change the font, font size, color, and even apply borders to cells. Excel also allows you to format numbers, dates, and currency to suit your preferences or the requirements of your data.

Sorting and Filtering

Efficiently organize your data by sorting and filtering. Highlight the range of cells you want to organize, go to the "Data" tab, and choose the desired sorting or filtering option. This is particularly useful when working with large datasets, allowing you to focus on specific information.

Charts and Graphs

Excel makes it simple to represent your data visually through charts and graphs. Highlight the data you want to visualize, go to the "Insert" tab, and choose the type of chart that best suits your data. Whether it's a pie chart, bar graph, or line chart, Excel has you covered.

Saving and Sharing

Once you've created your masterpiece, don't forget to save your work. Click on the floppy disk icon (or use the shortcut Ctrl + S) to save your spreadsheet. You can also share your Excel file with others by clicking on the "Share" option, allowing multiple users to collaborate on the same document.

Conclusion

This brief Beginner's Excel Tutorial covers the fundamental skills you need to get started with Microsoft Excel. As you become more comfortable with these basic techniques, you'll be ready to explore more advanced features and functionalities. Excel is a versatile tool that can be an asset in various fields, so embrace the learning process and watch your spreadsheet skills grow

[markcraft3636]

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[pastel-charm-14]

a beginners guide to pilates

pilates is a low-impact exercise method that focuses on strengthening the body, improving flexibility, and enhancing overall fitness. it's suitable for people of all ages and fitness levels, making it an excellent choice for beginners who are looking to start a new exercise routine. in this guide, we'll cover the basics of pilates and provide tips for getting started.

what is pilates?

pilates was developed by joseph pilates in the early 20th century as a system of exercises designed to improve strength, flexibility, and body awareness. it incorporates a series of controlled movements that target the core muscles, as well as other muscle groups throughout the body. pilates emphasizes proper alignment, breathing, and concentration, making it a holistic approach to fitness.

benefits of pilates

strengthens core muscles: pilates focuses on strengthening the muscles of the core, including the abdominals, lower back, and pelvic floor, which can improve posture and stability.

improves flexibility: pilates exercises promote flexibility and range of motion in the muscles and joints, reducing the risk of injury and enhancing overall mobility.

enhances body awareness: pilates encourages mindful movement and body awareness, helping individuals develop a deeper connection between mind and body.

promotes relaxation: pilates incorporates breathing techniques and relaxation exercises, which can help reduce stress and promote a sense of calm and well-being.

increases muscular endurance: pilates exercises are performed in a slow and controlled manner, which helps build muscular endurance over time, allowing individuals to perform daily activities with greater ease.

getting started with pilates

find a qualified instructor: if you're new to pilates, consider taking a class with a certified pilates instructor who can guide you through the exercises and ensure proper form and technique.

start with the basics: begin with beginner-level pilates exercises that focus on building core strength, such as the hundred, pelvic tilts, and leg circles. gradually progress to more challenging exercises as you gain strength and confidence.

focus on proper alignment: pay attention to your alignment during pilates exercises, keeping your spine neutral and your shoulders relaxed. engage your core muscles to stabilize your body and prevent injury.

breathe deeply: practice diaphragmatic breathing during pilates exercises, inhaling deeply through your nose and exhaling fully through your mouth. coordinate your breath with your movements to promote relaxation and enhance concentration.

listen to your body: listen to your body and work at your own pace during pilates workouts. if an exercise feels too challenging or causes discomfort, modify it or take a break as needed.

be consistent: aim to practice pilates regularly to experience the full benefits of the method. start with two to three sessions per week and gradually increase the frequency and duration of your workouts as you progress.

remember that pilates is a journey, and progress takes time and dedication. be patient with yourself as you learn and grow in your practice, and enjoy the many benefits that pilates has to offer for your mind, body, and spirit.

[coinbasetradingguide]

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[saintmelangell]

hi! i was interested in a topic and i realized you were probably one of the better people to ask. what resources would you recommend for studying the impact of christianity on sex and sexuality?

the oxford handbook of theology, sexuality,and gender is invaluable, but i'm unsure if there has been a new edition since 2014.

historical texts: if you are an absolute beginner, the chapter sexuality in christian traditions by adrian thatcher, in the cambridge world history of sexualities: volume ii is a good, solid overview. additionally: contextualizing gender in early christian discourse by caroline stichele and todd penner. christianity and sexuality in the early modern world by merry wiesner-hanks, sexual desire and love: origins and history of the christian ethic of sexuality and marriage by erich fuchs.

critical + liberation theology: god, sexuality and the self by sarah coakley, touching our strength by carter heyward, indecent theology by marcella althaus-reid, why women need the goddess by carol christ, sexuality and the black church: a womanist perspetive by kelly b douglas, enfleshing freedom: body, race, and being by m. shawn copeland, postcolonial imagination and feminist theology by kwok pui-lan, queering christ: beyond act up by robert e. goss, the good news of the body edited by lisa isherwood, theology and sexuality by susanna cornwall, queer theologies: the basics by chris greenough, our lives: a womanist queer theology by pamela r lightsey.

critical issues in sexuality: the making of biblical womanhood by beth allision barr, #churchtoo: how purity culture upholds abuse and how to find healing by emily joy allison, the cry of tamar by pamela cooper-white (NB: don't know why google books doesn't have the most recent second edition), jesus and john wayne by kristin du mez, catholic sexual theology and adolescent girls by doris m kieser, black gay british christian queer by jarel-robinson brown.

additionally, am extremely excited about the release of lower than the angels by diarmaid macculloch in april: i would keep an eye out for its release and try to read it if you can, as i suspect it's going to be an excellent, critical historical overview.

there are, of course, gaps in my recs, but everything i recommend here i consider essentially introductory. you'll find some of this work is focused more on gender, but we cannot discuss sexuality without also discussing gender; additionally, the majority of non-white theologies (womanist, east asian, indigenous) are engaging with gender rather than sexuality at this point in their respective developments.

[thatdisasterauthor]

I need to finally cave and learn how to really use Excel, so does anyone have a recommendation for a good beginner Excel course that is TEXT BASED? I do not want to watch videos. Do not make me watch videos.

Free would be best, but anything under $30 would also be manageable right now.

I'm looking for a bare bones basics course to get started. There's things I've sort of learned how to do on my own over the years, but I'd rather start from scratch since I'm sure there's more efficient ways to do those things that I just don't know about.

[am-i-the-asshole-official]

I’m so sorry for this guys but

AITA for telling someone their horse was masturbating?

Basically does what it says on the tin. For those of you who don’t know horses can masturbate. It’s most common in male horses under the age of three who have not had their testicles removed and who are confined to a stall or small pen and get really bored. They typically grow out of the behaviour once they’re older or given more freedom. Some owners try to train them to stop it from happening but most just ignore it because it’s better than other boredom behaviours like cribbing and wind-sucking (both are SFW to Google btw).

Anyway, I’m a groom and stable hand, mid-twenties now but been working at my job since I was fifteen (part-time then, now full-time). The stable I work at boards horses and gives lessons but also offers training for young horses, so we get a lot of OTTB here – that is “off-the-track Thoroughbreds”, so ex-racing horses that people typically buy cheap and then retrain to be show jumpers or dressage horses or whatever. One such horse is Bert, who is the horse in question in this situation.

Bert has excellent bloodlines but he sucked as a racing horse so he was sold OTT. The man who bought him, I’ll just call him John, knows nothing about horses – he’s a total beginner in every way, has never ridden and pays other people (including me) to take care of Bert, but claims to be an expert in everything equine because Bert cost him so much money (I don’t know the actual amount but he’s in the section of the stable where the $20,000 Warmbloods are boarded so I’m assuming around that amount which is a lot yes but also not the most expensive horse we’ve had here).

Anyway the actual story – I’m at work cleaning out stalls when John walks past, he completely ignores me as he always does so I do the same and get back to work. A few minutes later he goes sprinting back in the opposite direction which I thought was weird but whatever, I kept mucking, until I heard him shouting for help. I went out into the aisle and he’s there shouting at another groom and demanding to know the emergency vets number (it was a weekday morning btw, so he didn’t need the emergency vet, he just needed the regular vet but that’s meaningless anyway). I went over to see what was happening and he tells me his horse (Bert) is ‘acting weird’ and needs a vet immediately, so I offer to go see Bert for myself and then call the vet if necessary.

So basically yeah Bert was masturbating. Had an erection, was rocking about rubbing it on his tummy, and did NOT want anyone going in his stall or touching him. John points at Bert and says something like “see, he’s sick!” and then tells me Bert tried to attack him when he entered the stall and I just, I dunno, I cough and say that Bert is fine and just wants some privacy right now, figuring that the obvious erection might be a giveaway as to what’s happening? But John turned to me and blurts out word for word “are you an actual retard” and then starts cursing at me and telling me I know nothing and Bert needs a vet etc and so on. I kind of blanked on everything else he said after he called me a retard to be honest because WTF? I don’t really know what went on in my brain in the next few seconds but I ended up shouting – yes, shouting, extremely loudly, it fucking echoed in the stable – “he doesn’t need a vet because HE’S JUST MASTURBATING” in John’s face and then walking back to the stall I’d been mucking.

As I got back to the stall I heard laughter from a couple of aisles over. Apparently my co-workers and some riders who were there had all heard me shout and found it hilarious, and that made me laugh too because it was so freaking ridiculous. I honestly kind of forgot the entire encounter afterwards because we had a horse who actually needed a vet a little while later and yeah, John and Bert just slipped my mind.

I didn’t remember until that afternoon when my boss came to see me and said he’d had a complaint from John who wanted me fired. I did not get fired but I did get ‘warned’ (just a formality, my boss didn’t actually punish me but wanted me to act like I had been if John questioned me later, which he never did). John complained that I’d treated him like an idiot, spoken down to him, and “acted above my position” (those were the exact words he used) causing people to laugh at him. I explained the entire situation to my boss, who also laughed, and that was that, nothing else ever came of it aside from my co-workers telling the story of me shouting HE’S MASTURBATING so loudly it scared a pony into jumping so suddenly that it farted to everyone they possibly could.

Since then John has ignored me even more than before which I honestly consider a blessing, and I would leave this situation thinking I’m NTA except that one of my co-workers brought their boyfriend to the stable recently and when they introduced us the boyfriend said something like ‘oh right, you’re the asshole who talks down to people who don’t know everything about horses’ and yeah. My co-worker was blindsided by that as well and we basically both said you don’t have to know everything about horses to know what an erection means, but since then I’ve been wondering if I am TA in this situation? Like, clearly there were better ways to tell John what his horse was doing, but he called me a retard and also I get paid to take care of horses not to teach the birds and the bees to fifty year olds so I don’t know. I’ll let Tumblr decide.

So, AITA for telling John his horse was masturbating?

Additional info: I'm on a rota with other stable hands so I sometimes groom Bert, muck his stall, attend to his vet/farrier appointments, give him worming paste, etc and so on. I am not his trainer and have no input into when he gets to leave his stall. I've mentioned to my boss a couple of times that he boredom stims and should be in a paddock with other young horses, but John refuses to agree to that for reasons I don't know. My boss has since spoken to Bert's trainer who is now trying to convince John to let Bert have more time outdoors.

What are these acronyms?

[staying-elive]

It's no secret that I loathe Sabra/Ruth and think that role should've been filled by Sharon Carter, but it just makes so much sense!

As former SHIELD and CIA, there's no reason to doubt that Sharon could've manoeuvred her way into being Ross's head of security or some high position. (If a foreign former Black Widow can, Sharon definitely can.)

Plus, it could've continued her being secretly the Power Broker. Especially since adamantium is now on the table, i think we could've easily tied those plots together. If she's a weapons dealer/crime lord, of course she'd want to be whispering in the ear of the US president in order to get close to that.

And Sam uncovering that plot? Betrayal! It could've shown Sam's traits in believing the best in people, particularly those he considers friends, and his loyalty, and being betrayed could bring about some end of act 2 angst but by the end, recommits to his belief in people can be better. (Throw in Bucky a little, being suss on Sharon cos I love the TFATWS moments where he seems jealous of the Sam/Sharon flirty moments.)

Ohh, if the Sharon reveal happened after Joaquin is shot down, you could still have the beautiful hospital scene, Sharon enters as Bucky leaves ("Well he's a ray of sunshine/friendly as always /sarcasm). And then maybe she says something that triggers Sam's suspicion and then bam Act 3 action! (Dunno how the Leader and Hulk Ross still tie in, but idc it's a Cap film, not a Hulk sequel).

Actually, the more I mull over this, the more I'm remembering this rather excellent SamBucky fic called Spycraft for Beginners.

I mean look at this shady queen. I've seen Revenge

Basically, I'm realising I want a beautiful Frankenstein of Brave New World and this fic to add to my incredibly-specific-mental-rewrite of the MCU which is canon compliant in all ways except the things i personally have a grudge against. 😂🤣

[writingquestionsanswered]

hiya! for writers who are complete beginners, kinda sorta maybe write at a high school level, can't describe to save their lives, have overall bad flow (as in they can't decide what little moments scenes to think up and even write, if they do, they're no good), have been told countless times to write daily and just read more but that doesn't cover the basics or foundations of creative writing, not like they can learn from a book bc they're a hands on learner anyway and p.s they're super broke so can't afford writing classes and no library near them offers free ones ---- aka me :( --- do you have any advice? lol i feel kinda doomed and that maybe writing isn't for me, but I don't wanna get my hopes down!! with the right tools, it's possible.

Free Resources for Learning How to Write

I want to start with addressing why you've been told so often "to write daily and read more" as a way to learn how to write. It's very difficult to learn and excel at a craft if you have no experience with said craft. You can read all the information in the world about how to forge a sword, but that doesn't mean you'll be able to pick up a hunk of metal and be able to forge a beautiful sword. You need to spend a lot of time watching other people forge swords, and spend a lot of time actually practicing each step yourself if you want to get good at it. Writing works the same way. Reading lets you experience what fiction should be, writing lets you practice each step for yourself.

Fortunately, there are lots of ways to read fiction for free. You can borrow books from friends, family members, and members of your community. You can check out books and e-books from your local library if you have one. You can look for Little Free Libraries in your neighborhood. There's also a lot of legally free fiction available online. Project Gutenberg, Planet E-Book, Bartleby, Literature.org, Classic Literature, Classic Short Stories, Wattpad, Archive of Our Own, Library of Short Stories, Levar Burton Reads, and sites like Kobo, Amazon, and Audible often offer freebies of both e-books and audio books.

Other free ways to learn how to write:

1 - Follow bloggers and vloggers and authors on social media who talk about the craft of writing. Some of my favorites are: Joanna Penn/The Creative Penn, K.M. Weiland, Liselle Sambury, Abbie Emmons, Hannah Lee Kidder, Brittany Wang, Alyssa Matesic, Bethany Atazadah, Lindsay Puckett, Alexa Donne, Shaelin Writes, Ellen Brock, The Writing Gals, and Sincerely, Vee.

2 - Follow writing craft blogs here on tumblr: (some suggestions) @writingwithcolor, @howtofightwrite, @heywriters, @cripplecharacters, @lgbtqwriting, @fixyourwritinghabits, @wordsnstuff, @yourbookcouldbegayer, @lizard-is-writing

3 - Watch writing craft videos on YouTube: If there's something specific you want to learn about, say, "how to structure a scene," type it into YouTube and many different videos will pop up that walk you through how to structure a scene. Just look for one that strikes you as appealing!

4 - Look for free writing resources online: many authors (especially indie authors and writing gurus/coaches like Joanna Penn, K.M. Weiland, Bethany Atazadeh, Brittany Wang, and Abbie Emmons) offer free writing resources on their web sites or by signing up for their newsletters. Often you'll see writers participating in free online writing summits/workshops which you can sign up for and either watch the videos live or via video playback that is offered for a short period of time (like 24 hours.)

5 - Do a Google Search: believe it or not, there's not a single thing you could want to learn about writing that you can't find for free on Google. If you want to learn how to improve your grammar, go to Google, type in "tips for improving grammar" and you will get a million articles that will tell you how to do just that. Want to learn how to improve your story's flow? Google "how to improve story flow" and you'll have your answer. You can even search for free worksheets, guides, and workbooks on just about anything you want. "Free character development worksheet" brought back a ton of nice looking free worksheets. "Free worldbuilding workbook" brought up several free workbooks and worksheets to help you with worldbuilding. Everything you could want to know is out there.

And, bonus: you can always read through the posts in my WQA master list to get help with a wide variety of craft and writer-related issues.

Happy learning! ♥

•••••••••••••••••••••••••••••••••

I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

[grey-sorcery]

[Title]: Magical Potency: Improving the Efficacy of Magic

Suggested Reading

Finding Balance Threshold Theory Correspondences  Conceptualization Vs. Visualization Visualization: Effective Implementation Basics of Energy Work Basics of Spellcasting Spell Logs Intro to Gnosis Bias in Witchcraft The Subtle Body Axioms of Energy Work The Wellsource Energy Work & Spoon Theory Shadow Work: First Steps Intro to Grounding

Introduction

Magical potency refers to the efficacy and strength with which a spell is executed. This encompasses the accuracy with which the ritual is performed, the precision of the elements involved, and the intensity of focus and energy channeled into the endeavor. In simpler terms, it's about increasing the likelihood of a spell's success, assuming all other requisite and advantageous factors are adequately addressed. 

The significance of magical potency cannot be overstated. For practitioners, the objective is not merely to perform rituals but to execute them in a way that yields measurable results. In the same manner that a scientist would aim for exactness and reliability in an experiment, a magical practitioner should aim for a high degree of potency in their workings. Achieving this standard is more than a matter of personal pride or skill; it is about the responsible wielding of one's abilities to bring about change. When potency is elevated, the outcomes are more predictable, thereby enhancing the reliability of the magical practice as a whole. Moreover, it minimizes the risk of unintended consequences, which can range from inconsequential to potentially hazardous.

The Magical Potency of a Vast Majority of Publications, From Tumblr to Books

Candle Magic

Candle magic serves as an excellent entry point for neophytes in magical practice. Its allure lies in its straightforward design and uncomplicated mechanics, making it accessible for beginners. However, the simplicity that makes it attractive also serves as its Achilles heel. A plethora of publications, ranging from social media posts to books, frequently omit crucial details that are indispensable for ensuring the spell's effectiveness. For instance, many resources neglect to delve into the nuances of "intent," often misconstrued as mere desire, even though it is actually  one's personal truth. Furthermore, these publications have a tendency to reduce the complexity of the practice to mere lists of correspondences, thereby overlooking the intricate mechanics that govern how a spell functions. This dearth of comprehensive information is a disservice to newcomers who seek a robust understanding of the practice, and it impedes their ability to enhance the efficacy of their spells.

Candles & Twine "Cord Cutting"

Another practice that has gained considerable attention is the use of candles and twine for what is commonly referred to as "cord cutting." On the surface, this practice provides valuable insights into personal relationships. However, a closer examination reveals significant shortcomings. Most notably, the ritual fails to fulfill its purported function of severing emotional or psychic connections—what is commonly referred to as "cord cutting." Instead, it remains an exercise in symbolic action that lacks the mechanics necessary to bring about real change. The information provided in popular publications often restricts itself to symbolic associations, failing to offer a comprehensive guide to the mechanics or other vital elements that could make the practice genuinely effective. Consequently, any results are likely psychological in nature, rather than stemming from genuine magical activity, unless utilized as a tool for divination.

Sigil Magic

Sigil magic enjoys widespread popularity due to its accessibility and the relatively common understanding of its mechanics—albeit mainly within the framework of the psychological model. Its versatility is another strong suit, capable of serving as a supplementary element in various other magical practices. However, it's crucial to scrutinize the limitations of this method. The preponderance of popular sigil crafting techniques derives from, or modifies, the Spare method, which operates solely within the psychological model. In essence, this approach amounts to subconscious suggestion rather than authentic magical action. As a result, practitioners may find themselves constrained by a limited scope of magical efficacy. Furthermore, the lack of accessible information on alternative methodologies exacerbates the problem, leaving practitioners with a narrow, and sometimes misleading, understanding of what sigil magic can achieve. The ubiquity of this practice also means that misinformation and misinterpretation are rife, further muddying the waters for those seeking to deepen their understanding and improve their skills.

Increasing the Magical Potency of Common Practices

Candle Magic

To augment the efficacy of candle magic, a considerate approach is essential. First, it's crucial to identify the traditional symbolic associations of various elements involved in the spell and consider whether your own personal correspondences might be more effective. Next, identifying a central point of focus, or state of gnosis, can serve to concentrate your energy more efficiently. This focus should align with your own deeply-held beliefs or personal truths to maximize the spell's efficacy.

Another vital step involves contemplating the specific means by which the spell will manifest its effects. This doesn't merely involve wishing for a particular outcome, but rather planning out the logical steps and mechanisms that will make it happen. This also involves doing conscious energy work that goes beyond mere mental imagery. Instead, one should focus on manipulating energy via the subtle body and energetic senses, perhaps using breath work, gestures, and/or vocalizations as aids.

Identifying the emotional state that will best serve the spell is another significant aspect. This emotional state should be in harmony with your personal truths and can serve to fuel the spell's energy. Additionally, writing out the specific mechanics of how the spell will function can provide clarity and enhance focus during the actual performance. Memorizing all actions or incantations can also prevent disruptions that might break your concentration during the ritual.

Cord Cutting

For those looking to enhance the efficacy of cord-cutting rituals, a complete overhaul is likely required. 

Before the working, contemplate the means through which the spell will manifest its effects as to avoid any negative or harmful outcomes. Utilizing twine and a knife—or scissors, for those concerned about safety—can create a strong symbolic action that aids the spell. It's also beneficial to use correspondences, either mental or physical, that are directly connected to the target individuals. This requires either a strong personal knowledge of the individuals involved or a potent taglock to symbolize them.

Conscious energy work is again advisable, and this should be done without relying solely on mental imagery. Maintaining a state of focus, or gnosis, throughout the entire working is essential. To deepen your understanding and improve the potency of the ritual, you might also study various philosophies or religious teachings concerning the concept of fate or destiny. 

Identifying an emotional state that aligns with your personal truth can also serve to fuel the energy of the ritual. Once the primary cord-cutting action has been performed, the common chords and candles approach can be employed as a form of divination to gauge the likely effectiveness and manifestation of the spell.

Sigil Magic

For those looking to venture beyond the well-trodden path of the psychological model in sigil magic, a multitude of avenues are worth exploring. To start, one should consider researching or contemplating how sigils could function within different paradigms or frameworks. This might involve developing an entirely new method of sigil crafting that deviates from the commonly used Spare method.

Contemplating the mechanics of how a non-psychological sigil could function is equally important. This might involve studying different cultural practices or philosophies to gain new perspectives. Researching various methods of charging and activating a sigil can also yield valuable insights. Different modalities might be more effective depending on the specific nature of the application in which the sigil will be used.

When incorporating a sigil into another spell, it's crucial to think critically about how the two will interact and complement each other. Drawing the sigil while in a state of deep focus, or gnosis, can enhance its accuracy, If this state is backed by strong emotional energy that aligns with your personal truths, its momentum will increase. The precision of a sigil can also be highly increased by performing energy work consciously while drawing the sigil. Finally, selecting a method of charging and activation that complements both your own capabilities and the specific nature of the working can serve to greatly enhance the overall potency of the spell.

General Practices and Methods to Improve Magical Potency

Research, Study, Experimentation, and Recording

The cornerstone of enhancing magical potency lies in a rigorous approach that involves research, study, experimentation, and detailed recording. When conducting research, it's imperative to look beyond sources that merely resonate with you on a personal level; instead, aim for a diverse array of reputable sources to avoid cognitive bias. Subsequently, study these materials assiduously, revisiting them often to consider ways you might expand or refine the practices described.

The use of experimentation, formulating and documenting predictions about how a spell will manifest is invaluable. These predictions should be dated and revisited to assess the spell's effectiveness. Sharing these predictions with other practitioners can serve as a check against confirmation bias. Conducting low-stakes spells can also serve as a useful methodological testbed, helping you refine your approach based on outcomes.

Maintaining a log of your spells is an essential practice. This archival process will facilitate a retrospective analysis, enabling you to discern which variables contributed to or hindered a spell's effectiveness.

Being Critical

Critical thinking should permeate your magical practice, although it's best applied either before or after a working, not during, so as not to disrupt your focus. Discernment in planning a working can preemptively address potential issues. After the spell's completion, seek feedback from anyone aware of the working but not of its projected outcomes. In your analysis, consider mundane factors that could have influenced the result, recognizing that magical outcomes often manifest through seemingly ordinary means. Keep a record of both successes and failures, and understand that setbacks are educational opportunities, not indicators of personal inadequacy.

Helpful Practices

Regular meditation can serve as a foundational practice for enhancing focus and understanding your inner landscape. Additionally, action flow states can be achieved through rhythmic, lyric-free music coupled with physical activities in sync with the beat. This can facilitate a trance-like state beneficial for magical work. Shadow work, while in no way is necessary, can help you uncover deeply rooted personal truths, while the development of personal symbolic associations can facilitate more potent states of focused awareness.

Energy Work

Contrary to popular misconceptions, energy work is neither a form of mental imagery nor a misapplied concept often referred to as "intent." It involves a nuanced understanding of one's subtle body and its energy centers. Identifying your Wellsource—the origin point of your energy—can further deepen your practice. Mastering the art of manipulating this energy effectively can be a powerful tool in improving magical potency.

Appropriation and Decolonization

It's crucial to recognize the importance of decolonizing one's magical practice. This entails a conscious effort to eschew cultural appropriation and to respect the origins and contexts of various magical systems. While learning from diverse traditions can enrich your practice, it should never involve taking elements out of their cultural context for personal use without proper understanding and initiation. Decolonizing your magical practice is a significant endeavor that requires sustained commitment, self-awareness, and active engagement. Here are some steps to help you in this important journey:

Educate Yourself: The first step in decolonizing your practice is to become knowledgeable about the histories, cultures, and traditions from which various magical practices originate. This will help you understand the contexts in which these practices were developed and how they have been affected by colonization.

Acknowledge Origins: Always give credit to the cultures, traditions, and communities from which certain practices and tools originate. This is not only a matter of respect but also a way to counteract the erasure that often occurs when practices are appropriated.

Assess Your Sources: Evaluate the materials you are using to learn about magical practices. Are they written or produced by individuals from within the tradition? Do they provide historical and cultural context? Are they respectful and do they avoid exoticizing or commodifying the practices they describe?

Reflect on Motivations and Entitlement: Examine your reasons for incorporating specific practices or tools into your own practice. Are you doing it because it's "trendy" or because you feel entitled to pick and choose from other cultures? Such motivations can be indicative of a colonizer mindset.

Avoid Cultural Cherry-Picking: Engaging deeply with another culture's practice means more than just adopting its magical or spiritual elements. It involves an understanding and respect for the culture as a whole, including its history, struggles, and contributions.

Engage in Dialogue: If you are interested in a practice that originates from a culture different from your own, try to engage in a respectful dialogue with individuals who belong to that culture. Seek their perspectives and listen to their experiences, and ask for their insights into ethical engagement with their traditions.

Prioritize Marginalized Voices: Elevate the voices and teachings of individuals from marginalized communities who are sharing their own traditions. Their perspectives are often sidelined but are crucial for a genuine understanding of these practices.

Financial Support: Whenever possible, support practitioners from the culture of interest by paying for their services, buying their products, or donating to causes they recommend. Economic empowerment is a form of reparative justice.

Revise and Reassess Continually: Decolonization is not a one-time action but an ongoing process. Keep updating your practices as you gain more knowledge and understanding. This may mean abandoning practices or tools that you now recognize as inappropriate for you to use.

Be Accountable: If you make a mistake—and most people do when they are learning—own it. Apologize, learn from it, and make amends if possible. Then take steps to ensure you do not repeat the same mistake.

Advocate and Educate: Use your platform, however big or small, to educate others about the importance of decolonizing magical practices. Share resources, engage in conversations, and challenge instances of appropriation you encounter.

Practice Humility: Recognize that the process of decolonization involves continual learning and that you won't have all the answers. Be open to criticism and willing to change your viewpoints and practices accordingly.

How Appropriation Negatively Affects Magical Potency

The act of appropriation in magical practices not only raises ethical concerns but also has deleterious effects on the potency of the rituals involved. One of the most glaring issues arises from the isolation of a practice from its original cultural context. Traditions, rites, and spells often have deeply ingrained cultural meanings and histories. When extracted from their native milieu, these practices lose the richness and nuance that contribute to their efficacy. The symbols, words, and actions employed in a ritual are often deeply tied to the specific geography, language, and folklore of its origin. Stripping away this context can dilute the ritual's power, rendering it a mere simulacrum of its original form.

Another significant concern pertains to the connections with spirits and ancestors that are inherent in many magical systems. These relationships are often built over generations and are rooted in specific cultural narratives, myths, and practices. When one appropriates these systems without a genuine link to the cultural lineage, the connection to these spirits and ancestors becomes tenuous at best. In some cases, this could even be seen as a form of spiritual trespassing, which not only questions the ethical standing of the practitioner but also diminishes the effectiveness of the ritual. These ancestral and spiritual links act as conduits for magical energy, and without them, the practice becomes hollow.

Lastly, the issue of alignment with one's personal truth cannot be ignored. Each individual has a unique set of beliefs, experiences, and perspectives that inform their magical practice. When one adopts practices from another culture without proper understanding or respect, there is a high likelihood that these borrowed elements will not align well with one's personal truths. This dissonance can create an internal discord, which in turn weakens the potency of the magical working. A harmonious alignment with one's core beliefs and experiences often serves as the bedrock upon which effective magical practice is built.

Implementation of the Concepts Discussed

The efficacy of magical practices can be significantly bolstered by adeptly incorporating cognitive techniques related to memory and repetition. One such method involves capitalizing on short-term memory. After assimilating beneficial information, executing a straightforward magical working immediately afterward can aid in embedding the newly acquired knowledge. This rapid recall and application essentially serve as the anchoring of the information more firmly by immediate utilization. This technique leverages the brain's natural propensity for retaining recently processed information and puts it to practical use, thus enhancing the likelihood of a successful magical outcome.

Subconscious memory plays a similarly pivotal role in the refinement of magical practices. The consistent and repeated consumption of relevant information can precipitate a subconscious framework that thereafter influences your methodologies. Over time, this reservoir of deeply ingrained knowledge becomes an almost instinctive guide during magical workings. The more frequently you engage with this material, the more it seeps into your subconscious, ultimately serving as an internal compass that steers your practices toward greater potency. Hence, the diligent study of reputable materials can lay the groundwork for a more effective and nuanced magical practice.

Repetition, both cognitive and practical, stands as another invaluable tool in solidifying one's magical practices. Repetitive engagement with the material, whether it's through written summaries, vocal articulation, or mental rehearsal, can fortify the neural pathways associated with that specific information. Furthermore, the regular enactment of magical workings that incorporate these concepts can engender a form of habituation. These practices, through repetition, become ingrained behaviors, thereby increasing the ease and fluidity with which they can be executed. This habitual nature, in turn, contributes to an overall enhancement of magical potency.

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[theinternetarchive]

have you any book recommendations

many! i like a lot of genres so here is a quick overview of my favorites. it really depends what you're looking for. i'll do a little summary of each book.

theory/philosophy

psychoanalytic film theory and the rules of the game by todd mcgowan – this is the ultimate beginner's guide to contemporary film theory. it will teach you the basics of lacanian psychoanalysis in easy terms and with real life explanations/examples. if you want to learn film theory, and you don't know where to start, absolutely start right here. you will not regret it

civilization and its discontents by freud – yes i am recommending this entirely seriously and in earnest. this book is great. freud, dying of cancer and disillusioned with the world, outlines the problems with contemporary society, namely his distaste for the way that technological progress has not been made in the name of human happiness, and in fact works against man's best interest, creating all the problems it claims to solve. relevant now more than ever.

nonfiction

bird by bird by anne lamott – this book is as much a writer's guide as it is a memoir as it is a how-to for life. lamott is witty and real, she's honest and somber and funny, she gives excellent advice, advice that has gotten me out of the depths several times. "perfectionism is the voice of the oppressor, the enemy of the people. it will keep you cramped and insane your whole life."

novels

moby dick by herman melville – this may seem a strange rec as it's a classic that everyone knows, but not enough people put their time into moby dick. it's long winded, flourishing prose that i really never tire of. he makes some of the most poignant observations during the most insignificant of moments, this book is rich with philosophical meaning and absolutely must be read at some time in your life. it will make you reflect on life and death, mortality, love. also there's technically gay marriage in this book and it's from the 1860s.

the price of salt/carol by patricia highsmith – i'm sure many of you are familiar with the film and also know that it's a book, but i don't think many have read it and i must say, it is phenomenal. absolutely thrilling. a love story for the ages.

rebecca by daphne du maurier – everyone know the hitchcock film, but the book is better. hitchcock didn't even really respect rebecca, the novel or the film, but i think both are masterpieces. rebecca, the novel, is interior and dark. it is like the movie, but in my opinion it's more visceral, the writing is just so particular, i can't really put a word to it other than beautiful, even if that sounds like i'm simplifying a bit.

poetry

the complete works of arthur rimbaud tr. paul schmidt – the best rimbaud translation you can possibly get your hands on, all poems ordered chronologically along with letters and short biographical sections, giving you a real picture of rimbaud and his life. he is my favorite poet by miles, marrying the obscene, disgusting, perverse, and the beautiful to create revolutionary poetry. he is such a singular writer with such a particular voice, and schmidt perfectly captures his manic, confusing energy and tendency towards violence.

the selected poetry of ranier maria rilke – rilke is phenomenal, read his work, it is a must. this volume blows me away whenever i open it. i found myself enamored with rilke's work after reading the duino elegies (featured in this collection), and he never disappoints. there is something present and real about every poem i've read. he just had the way.

new and selected poems volume one by mary oliver – mary oliver needs no introduction, but this is my favorite volume of hers. if you're unfamiliar or just haven't read her yet and you want to start somewhere, it should be here.

[wandaluvstacos]

I am begging people to stop buying this damn sewing machine for anyone older than 12.

As a toy for children, it's acceptable. If you ACTUALLY want to sew something, do not get a cheap piece of crap from Walmart for $35!! You'll work on this thing for 15 minutes, it will suck, you will get frustrated, and then you'll tell yourself that you are simply incapable of sewing and that it's too complicated for you. But it's not your fault-- you are working with a child's toy. That's like giving up on driving a car because your Barbie Jeep's battery dies the first 5 minutes you're in it.

My two recommendations:

First and most recommended: You get a LIGHTLY USED modern plastic machine for cheap off Facebook Marketplace or your local sewing machine repair shop. I'm talking less than 10 years old. You ask the seller "do you use this regularly" or "has this been serviced". Try to buy from someone who has used the machine recently because they'll know its ins-and-outs. You can find a modern machine for like $30 on Facebook Marketplace from someone who has actually used it (I would not recommend Goodwill or anywhere you can't speak to the person who used it before you, if you are just starting out). One highly recommended modern machine for beginners is the Singer Heavy Duty.

It's $200 new but you can easily find one much cheaper used. It's simple to use and will hold up to basic sewing for the time it will take you to decide whether you want to sew or not. Other modern Singers suck ass; save yourself the trouble. Go with the Singer Heavy Duty or a Brother, or even a Janome if you can find one cheap enough. Stay away from anything that's not a time-trusted brand.

The Brother CS6000i is a decent beginner's machine.

Again, do not buy machines off eBay unless they make it CLEAR that it has been fully serviced and is in perfect working condition. They honestly aren't much cheaper used on eBay than they are new, so best to buy it from someone on Facebook Marketplace or at a sewing machine repair place.

Second recommendation: Buy a VINTAGE METAL machine that has been fully serviced or in perfect working condition. These are more difficult to find serviced, so I wouldn't recommend it unless you find one on FB Marketplace (though the one I got on eBay worked perfectly out of the box). There will be TONS of very cheap vintage machines on FB Marketplace, but the problem with these is that they've often been sitting in a cabinet for 20 years, unused. Not great for learning on. You can also buy one of these machines and have it serviced, but having a machine serviced will cost more than the machine is worth, more often than not.

There are benefits to a vintage metal machine over a modern plastic one. it will last your lifetime. It can sew through thick, difficult fabrics. They're much better looking imo. They likely won't break unless you drop them down a stairwell. However, the oldest ones only do a straight stitch, and speaking as someone who has vintage and a modern machine... the automatic buttonholer and overlock stitch are nice to have! But the vast majority of the stitching you will do will only be zig zag (for stretch knits/elastic) or straight stitch. The zig zag feature became available in most domestic sewing machines by the late 1950s.

Any vintage machine made before 1970 will be fine to sew with; everything was pretty good quality back then. 1970s era Kenmores are ugly and basic but they are cheap while also being excellent machines, and they're the "newest" domestic machine you can get that's still all metal.

Any Singer will have easy-to-replace parts, have easily findable user manuals, and every sewing machine repairman will be able to fix them. The uglier ones in the 1960s are dirt cheap, if you make sure it's not younger than the 628 or 337. Both of these machines are the cheapest vintage all-metal Singers you'll find and they work fine (and they do zig zag stitches).

Do NOT get a Touch n Sew or Stylist made in the late 1960s or later. Generally if it has plastic buttons, it's got something plastic inside (not always, but with Singers, often). These Golden Touch n Sews are in fact Touch n Throw (away).

Any old black machine will be fine and very simple to use, and I think they look gorgeous, but they only straight stitch, so you won't be able to sew your own leggings on them. If you only want to make curtains, quilts, or bags or something, they will work fantastic for that. Just make sure they're serviced, as these things usually are not.

I'm going to talk to my younger, beginner self: Just because it's a used, older machine does not make it worse!

Even used modern plastic machines can work fine. It's rare that people are selling a machine as WORKING when it doesn't work. People tend to be honest about it. Usually they are selling it because they lost interest, it was given to them by a family member, or they just don't use it enough to keep around. Buying used is almost always the best, cheapest option for a beginner. Stop buying these cheapo gadgets on Amazon! They will only make you hate sewing machines.

[shrine-of-the-theoi]

Hi! I'm a beginner to Hellenic Polytheism. I tried to find basics and stuff, but I never talked to Hellenic polytheists.

I wanted to ask about the basics and especially your relationship with fandoms made from greek mythology — Percy Jackson and other. I saw some hate people in those fandoms, and that makes me really unsure of how to worship and also be a part of this religion.

Helloo pal!!

Remember a respectful relationship with the Theoi (Gods). GODS AREN'T THEIR MYTHS. To learn about the Theoi, you can check out theoi.com which is excellent. Also books like Hesiod's Theogeny, Illiad and Homeric hymns. But remember...AVOID OVID AT ALL COSTS PLEASE. Because He's a Roman poet and his poetry was influential during the Renaissance, which included mythification of the Gods. The result of which is fandoms like Percy Jackson. These myths are what makes up "the Greek Mythology". But these myths aren't the gods. To know the Gods, we must clear our mind from these myths first- some of which describes certain Gods and goddesses as "evil".

Start learning about the the history of the Gods. Their are different classes of Gods like Titans, Primordial and Olympians. Check this out in theoi.com Research the offerings you can make. Remember the Gods won't be angry at you unless ofc you do smtg gravely heinous or disrespect any of them. Also numerous offerings are not at all necessary. Just a fresh glass of water everyday is enough if you have problem making regular offerings. You can include candles and incense and that's it the Theoi are content. Advisable to clean and tidy before starting worship- doesn't mean you'll have to take a bath everytime before praying. Just washing your hands is enough. You can offer certain objects to the Gods to enchant them. Like i plan to gave a clawclip to Hera and request her to bless it.

You might stumble across phrases as "working with". Don't worry. If you work or don't work with a certain deity, doesn't mean you're any less. Simple devotion and even that is cherished by the gods. Working with a theoi simply means having assistance of a certain Gods or Goddess to achieve smtg personal. Worshipping...is just fine.

Next, you can use a necklace as a pendulum if tarot and oracle cards isn't an option in receiving guidance or answers from the Theoi. Start recording your research work in journals. Write some poems and prayer. Doesn't have to be flowery. Simple appreciation of the Theoi, their praises, or a request for their guidance can be prayers as well. Good at art? Offer your drawings.

Lastly if you have trouble setting physical shrines or kharis, worry not. Set up digital shrines. For that you can use the "collage" feature of pinterest or draw one in digital art apps. Physical offerings are a trouble? Make digital ones where there's no limitation. Pictures of offerings like fruits, beverages, baked goods and all, animal correspondences, EVERYTHING. You can make a digital shrine blog like this one or create boards on Pinterest for the Theoi and save pictures that you feel like. Acts of services are as much an offering as food. Engage in books for Athena, create something in honour of Hephaestus, learn about herbs and their uses for Apollo, appreciate art for Dionysus, help elders in the name of Hera and Zeus cuz they are the protectors. Take care of yourself for Aphrodite, laugh for Hermes, condemn wrong to the society in the name of Ares. And that's just enough devotion as someone who makes physical offerings. Honour the Theoi in the daily life.

Keep learning, cuz there's no stop to that and always be respectful for its the most important aspect of any religion. Comparing who's stronger, who's good bad...nope!! That's what the ones who read "mythology" do. We? We are not mythology students but devotees. And for us, The THEOI are way more glorious than their itsy bitsy myths. The Theoi aren't their myths and this is an ancient religion and not just mythology.

Hope this helps!! Let me and others here on Tumblr know whenever you need help. You're always welcome. Check out @khaire-traveler , @dionysianivy , @olympianbutch , @wingedfoolnearthesun , @athenaeum-of-the-herald , @atheniangrace , @theoi-of-olympus . Their blogs can be a major help for you as you start off. Khaire 🧿🥀!!!