#informational post

[broomsick]

Short guide to varðlokkr

Briefly exploring ritual singing and spirit work in the nordic tradition, and their possible uses in neo-pagan practice.

Before performing divination, it's said that völur would sing, or more often than not, have someone sing a ritual song in order to "rouse the spirits". This ritual was a way to call upon nearby spirits—generally guardian spirits, to come and answer their questions. The practice of varðlokkur, or "ward songs/protection songs", is tightly interwoven with the art of seiðr. According to the few sources that mention the topic, it was performed by seeresses seeking to prophecize, or by women willing to sing it in their stead.

Before diving deeper into this topic however, it's important to note that the interpretation of the term varðlokkr, and in a sense, the very basis of its current scholarly understanding, depends on its possible etymology. Two hypotheses stand out in this regard: varðlokkr is either spelled with one or two k's, either varðlok or varðlokk. The former would refer to "locking", or "fastening", and is often associated with a passage in the Grógaldr (The Spell of Gróa) where the shamaness refers to Urðar lokur, or Urð's locks/bolts. In this case, the song is a matter of "locking" the spirits in. Whereas varðlokkr would stem from the same root (vǫrðr, meaning to guard or ward), but in this case, lokkr would come from lokka, meaning to lure, or entice. It's generally agreed upon that both these instances showcase how the idea of protection was a key element in the perception of this practice.

These so-called "Weird-songs" sometimes required the use of a rhythmical sound created using drum beating, rattles, or by hitting the ground with a staff. They served as an invocation to higher powers or local spirits, who would be keen to protect ("ward") the seeress as she glimpsed into the future. According to pre-Christian belief, the sound of these songs had the power to appease surrounding spirits, but also to entice and lock them into the space for the duration of the divination. Letting her spirit wander out of her body in order to scry, the völva/seiðrkona became vulnerable, hence the need for higher protection. Now "bound" to her until the completion of the ritual, the guardian spirits would be inclined to lend their help. Depending on the intepretations, this type of ritual singing could also have been a means to reach a trancelike state before fortune telling.

'Many spirits,' said she, 'have been present under its charm, and were pleased to listen to the song, who before would turn away from us, and grant us no such homage. And now are many things clear to me which before were hidden both from me and others.' Eiríks saga rauða, chapter 3

The trance aspect of this practice is often debated, however. Granted, it's possible to point out similarities between seiðr and the "out of body" travel of Sámi and Siberian shamans. After all, a few sources tell us that varðlokkr would also serve to bring the völva back into her own body once she'd prophecized. Still, scholars more often than not consider varðlokkr and other seiðr practices as putting oneself in a "receptive state" in order to comprehend messages sent from the spirit world.

At the beginning of the séance all those present seem to have taken part in the singing, but a special choir was appointed for continuing operations:  this is in several accounts said to consist of women or one woman. Singing continues throughout the séance, the purpose being to remind the shaman of his mission.  Some sources indicate that the singing was concentrated or confined to the final stages of the trance, and the aim here was to wake the shaman. Louise Bäckman & Åke Hultkrantz

Think of varðlokkr as a way to blend music, divination and spirit work. A modern practitioner who already works with Dísir, vættir, ancestors, and the like can involve these familiar spirits in the ritual, for example, by calling upon a passed loved one to protect them during divination, or even to aid in finding answers. It's generally agreed upon that during the Scandinavian pre-Christian times, the wisdom of the dead occupied a vital place in many such shamanic practices. One could seek advice from passed mentors or loved ones in this manner. Even disregarding the idea of "rousing" spirits and "locking" them, I believe that one could still use to music as ritualized invocation—especially when it comes to ancestor work, in order to ask for advice or insight.

Next to nothing is known about what varðlokkr actually sounded like. However, I think it's still interesting to explore the idea of ritual singing as a shamanic practice. For someone interested in experimenting with galdr, seiðr, or any such shamanic practices in the Nordic tradition, varðlokkr seems like a great place to start.

So how does one incorporate ritual singing into neo-pagan practice? I'm sorry to say that it's exceedingly difficult to somehow reconstruct varðlokkr, as history has left us with nothing but bits and pieces to work with. However, three main particularities stand out and aid us in tracing a general outline: 1. the Weird-song is sung before divination as an opening practice; 2. its purpose is to call upon spirits; and 3. it most likely served as a sort of short-term ward for the person performing the ritual. These three concepts may be preserved, and the freedom to build around them is yours.

For this reason, we even have the option to simply pick a song which feels sacred and play it before rune casting, or tarot reading for example (needless to say such a practice also applies to any and all methods of divination, including scrying). After all, there's really no indication that the practitionner must sing the song themselves. Even in the few accounts mentioning varðlokkr, the seeress isn't always the one singing.

But if you decide to sing the varðlokkr yourself, it's also possible to learn the lyrics to a song that's already part of your practice. If working with the spirits of the dead, and especially with passed loved ones, why not play a song that a given ancestor loved in life? Artist Einar Selvik has composed a short skaldic-type song called Vardlokk, which has understandably become my own ritual song. I play it to get into a spiritual state of mind, helping me tremendously before spirit work—which coincides in many ways with the original purpose of varðlokkr. But it's safe to say any type of music may be used. And if you're interested in trance or trance adjacent practices, chanting may be used in such a manner as well.

There are many ways for us neo-pagans to adopt the practice of varðlokkr, since in one way or another, music is always tightly intertwined with religious practice. One can choose to wholly disregard the spirit work aspect and simply explore the idea of ritual song and its ties to divination. No matter the case, shamanic practices were an inherent part of Nordic religious tradition, and I think it can be useful for modern practitioners to learn about them and explore the possibilities that they offer.

If you're interested in further reading, I've linked at the beginning of this post an ask I answered a while back pertaining to seiðr, galdr, and other shamanic practices of the Norse. Within the post are also a few suggested pieces of reading that have helped my personal understanding and research.

[grey-sorcery]

[Title]: Magical Potency: Improving the Efficacy of Magic

Suggested Reading

Finding Balance Threshold Theory Correspondences  Conceptualization Vs. Visualization Visualization: Effective Implementation Basics of Energy Work Basics of Spellcasting Spell Logs Intro to Gnosis Bias in Witchcraft The Subtle Body Axioms of Energy Work The Wellsource Energy Work & Spoon Theory Shadow Work: First Steps Intro to Grounding

Introduction

Magical potency refers to the efficacy and strength with which a spell is executed. This encompasses the accuracy with which the ritual is performed, the precision of the elements involved, and the intensity of focus and energy channeled into the endeavor. In simpler terms, it's about increasing the likelihood of a spell's success, assuming all other requisite and advantageous factors are adequately addressed. 

The significance of magical potency cannot be overstated. For practitioners, the objective is not merely to perform rituals but to execute them in a way that yields measurable results. In the same manner that a scientist would aim for exactness and reliability in an experiment, a magical practitioner should aim for a high degree of potency in their workings. Achieving this standard is more than a matter of personal pride or skill; it is about the responsible wielding of one's abilities to bring about change. When potency is elevated, the outcomes are more predictable, thereby enhancing the reliability of the magical practice as a whole. Moreover, it minimizes the risk of unintended consequences, which can range from inconsequential to potentially hazardous.

The Magical Potency of a Vast Majority of Publications, From Tumblr to Books

Candle Magic

Candle magic serves as an excellent entry point for neophytes in magical practice. Its allure lies in its straightforward design and uncomplicated mechanics, making it accessible for beginners. However, the simplicity that makes it attractive also serves as its Achilles heel. A plethora of publications, ranging from social media posts to books, frequently omit crucial details that are indispensable for ensuring the spell's effectiveness. For instance, many resources neglect to delve into the nuances of "intent," often misconstrued as mere desire, even though it is actually  one's personal truth. Furthermore, these publications have a tendency to reduce the complexity of the practice to mere lists of correspondences, thereby overlooking the intricate mechanics that govern how a spell functions. This dearth of comprehensive information is a disservice to newcomers who seek a robust understanding of the practice, and it impedes their ability to enhance the efficacy of their spells.

Candles & Twine "Cord Cutting"

Another practice that has gained considerable attention is the use of candles and twine for what is commonly referred to as "cord cutting." On the surface, this practice provides valuable insights into personal relationships. However, a closer examination reveals significant shortcomings. Most notably, the ritual fails to fulfill its purported function of severing emotional or psychic connections—what is commonly referred to as "cord cutting." Instead, it remains an exercise in symbolic action that lacks the mechanics necessary to bring about real change. The information provided in popular publications often restricts itself to symbolic associations, failing to offer a comprehensive guide to the mechanics or other vital elements that could make the practice genuinely effective. Consequently, any results are likely psychological in nature, rather than stemming from genuine magical activity, unless utilized as a tool for divination.

Sigil Magic

Sigil magic enjoys widespread popularity due to its accessibility and the relatively common understanding of its mechanics—albeit mainly within the framework of the psychological model. Its versatility is another strong suit, capable of serving as a supplementary element in various other magical practices. However, it's crucial to scrutinize the limitations of this method. The preponderance of popular sigil crafting techniques derives from, or modifies, the Spare method, which operates solely within the psychological model. In essence, this approach amounts to subconscious suggestion rather than authentic magical action. As a result, practitioners may find themselves constrained by a limited scope of magical efficacy. Furthermore, the lack of accessible information on alternative methodologies exacerbates the problem, leaving practitioners with a narrow, and sometimes misleading, understanding of what sigil magic can achieve. The ubiquity of this practice also means that misinformation and misinterpretation are rife, further muddying the waters for those seeking to deepen their understanding and improve their skills.

Increasing the Magical Potency of Common Practices

Candle Magic

To augment the efficacy of candle magic, a considerate approach is essential. First, it's crucial to identify the traditional symbolic associations of various elements involved in the spell and consider whether your own personal correspondences might be more effective. Next, identifying a central point of focus, or state of gnosis, can serve to concentrate your energy more efficiently. This focus should align with your own deeply-held beliefs or personal truths to maximize the spell's efficacy.

Another vital step involves contemplating the specific means by which the spell will manifest its effects. This doesn't merely involve wishing for a particular outcome, but rather planning out the logical steps and mechanisms that will make it happen. This also involves doing conscious energy work that goes beyond mere mental imagery. Instead, one should focus on manipulating energy via the subtle body and energetic senses, perhaps using breath work, gestures, and/or vocalizations as aids.

Identifying the emotional state that will best serve the spell is another significant aspect. This emotional state should be in harmony with your personal truths and can serve to fuel the spell's energy. Additionally, writing out the specific mechanics of how the spell will function can provide clarity and enhance focus during the actual performance. Memorizing all actions or incantations can also prevent disruptions that might break your concentration during the ritual.

Cord Cutting

For those looking to enhance the efficacy of cord-cutting rituals, a complete overhaul is likely required. 

Before the working, contemplate the means through which the spell will manifest its effects as to avoid any negative or harmful outcomes. Utilizing twine and a knife—or scissors, for those concerned about safety—can create a strong symbolic action that aids the spell. It's also beneficial to use correspondences, either mental or physical, that are directly connected to the target individuals. This requires either a strong personal knowledge of the individuals involved or a potent taglock to symbolize them.

Conscious energy work is again advisable, and this should be done without relying solely on mental imagery. Maintaining a state of focus, or gnosis, throughout the entire working is essential. To deepen your understanding and improve the potency of the ritual, you might also study various philosophies or religious teachings concerning the concept of fate or destiny. 

Identifying an emotional state that aligns with your personal truth can also serve to fuel the energy of the ritual. Once the primary cord-cutting action has been performed, the common chords and candles approach can be employed as a form of divination to gauge the likely effectiveness and manifestation of the spell.

Sigil Magic

For those looking to venture beyond the well-trodden path of the psychological model in sigil magic, a multitude of avenues are worth exploring. To start, one should consider researching or contemplating how sigils could function within different paradigms or frameworks. This might involve developing an entirely new method of sigil crafting that deviates from the commonly used Spare method.

Contemplating the mechanics of how a non-psychological sigil could function is equally important. This might involve studying different cultural practices or philosophies to gain new perspectives. Researching various methods of charging and activating a sigil can also yield valuable insights. Different modalities might be more effective depending on the specific nature of the application in which the sigil will be used.

When incorporating a sigil into another spell, it's crucial to think critically about how the two will interact and complement each other. Drawing the sigil while in a state of deep focus, or gnosis, can enhance its accuracy, If this state is backed by strong emotional energy that aligns with your personal truths, its momentum will increase. The precision of a sigil can also be highly increased by performing energy work consciously while drawing the sigil. Finally, selecting a method of charging and activation that complements both your own capabilities and the specific nature of the working can serve to greatly enhance the overall potency of the spell.

General Practices and Methods to Improve Magical Potency

Research, Study, Experimentation, and Recording

The cornerstone of enhancing magical potency lies in a rigorous approach that involves research, study, experimentation, and detailed recording. When conducting research, it's imperative to look beyond sources that merely resonate with you on a personal level; instead, aim for a diverse array of reputable sources to avoid cognitive bias. Subsequently, study these materials assiduously, revisiting them often to consider ways you might expand or refine the practices described.

The use of experimentation, formulating and documenting predictions about how a spell will manifest is invaluable. These predictions should be dated and revisited to assess the spell's effectiveness. Sharing these predictions with other practitioners can serve as a check against confirmation bias. Conducting low-stakes spells can also serve as a useful methodological testbed, helping you refine your approach based on outcomes.

Maintaining a log of your spells is an essential practice. This archival process will facilitate a retrospective analysis, enabling you to discern which variables contributed to or hindered a spell's effectiveness.

Being Critical

Critical thinking should permeate your magical practice, although it's best applied either before or after a working, not during, so as not to disrupt your focus. Discernment in planning a working can preemptively address potential issues. After the spell's completion, seek feedback from anyone aware of the working but not of its projected outcomes. In your analysis, consider mundane factors that could have influenced the result, recognizing that magical outcomes often manifest through seemingly ordinary means. Keep a record of both successes and failures, and understand that setbacks are educational opportunities, not indicators of personal inadequacy.

Helpful Practices

Regular meditation can serve as a foundational practice for enhancing focus and understanding your inner landscape. Additionally, action flow states can be achieved through rhythmic, lyric-free music coupled with physical activities in sync with the beat. This can facilitate a trance-like state beneficial for magical work. Shadow work, while in no way is necessary, can help you uncover deeply rooted personal truths, while the development of personal symbolic associations can facilitate more potent states of focused awareness.

Energy Work

Contrary to popular misconceptions, energy work is neither a form of mental imagery nor a misapplied concept often referred to as "intent." It involves a nuanced understanding of one's subtle body and its energy centers. Identifying your Wellsource—the origin point of your energy—can further deepen your practice. Mastering the art of manipulating this energy effectively can be a powerful tool in improving magical potency.

Appropriation and Decolonization

It's crucial to recognize the importance of decolonizing one's magical practice. This entails a conscious effort to eschew cultural appropriation and to respect the origins and contexts of various magical systems. While learning from diverse traditions can enrich your practice, it should never involve taking elements out of their cultural context for personal use without proper understanding and initiation. Decolonizing your magical practice is a significant endeavor that requires sustained commitment, self-awareness, and active engagement. Here are some steps to help you in this important journey:

Educate Yourself: The first step in decolonizing your practice is to become knowledgeable about the histories, cultures, and traditions from which various magical practices originate. This will help you understand the contexts in which these practices were developed and how they have been affected by colonization.

Acknowledge Origins: Always give credit to the cultures, traditions, and communities from which certain practices and tools originate. This is not only a matter of respect but also a way to counteract the erasure that often occurs when practices are appropriated.

Assess Your Sources: Evaluate the materials you are using to learn about magical practices. Are they written or produced by individuals from within the tradition? Do they provide historical and cultural context? Are they respectful and do they avoid exoticizing or commodifying the practices they describe?

Reflect on Motivations and Entitlement: Examine your reasons for incorporating specific practices or tools into your own practice. Are you doing it because it's "trendy" or because you feel entitled to pick and choose from other cultures? Such motivations can be indicative of a colonizer mindset.

Avoid Cultural Cherry-Picking: Engaging deeply with another culture's practice means more than just adopting its magical or spiritual elements. It involves an understanding and respect for the culture as a whole, including its history, struggles, and contributions.

Engage in Dialogue: If you are interested in a practice that originates from a culture different from your own, try to engage in a respectful dialogue with individuals who belong to that culture. Seek their perspectives and listen to their experiences, and ask for their insights into ethical engagement with their traditions.

Prioritize Marginalized Voices: Elevate the voices and teachings of individuals from marginalized communities who are sharing their own traditions. Their perspectives are often sidelined but are crucial for a genuine understanding of these practices.

Financial Support: Whenever possible, support practitioners from the culture of interest by paying for their services, buying their products, or donating to causes they recommend. Economic empowerment is a form of reparative justice.

Revise and Reassess Continually: Decolonization is not a one-time action but an ongoing process. Keep updating your practices as you gain more knowledge and understanding. This may mean abandoning practices or tools that you now recognize as inappropriate for you to use.

Be Accountable: If you make a mistake—and most people do when they are learning—own it. Apologize, learn from it, and make amends if possible. Then take steps to ensure you do not repeat the same mistake.

Advocate and Educate: Use your platform, however big or small, to educate others about the importance of decolonizing magical practices. Share resources, engage in conversations, and challenge instances of appropriation you encounter.

Practice Humility: Recognize that the process of decolonization involves continual learning and that you won't have all the answers. Be open to criticism and willing to change your viewpoints and practices accordingly.

How Appropriation Negatively Affects Magical Potency

The act of appropriation in magical practices not only raises ethical concerns but also has deleterious effects on the potency of the rituals involved. One of the most glaring issues arises from the isolation of a practice from its original cultural context. Traditions, rites, and spells often have deeply ingrained cultural meanings and histories. When extracted from their native milieu, these practices lose the richness and nuance that contribute to their efficacy. The symbols, words, and actions employed in a ritual are often deeply tied to the specific geography, language, and folklore of its origin. Stripping away this context can dilute the ritual's power, rendering it a mere simulacrum of its original form.

Another significant concern pertains to the connections with spirits and ancestors that are inherent in many magical systems. These relationships are often built over generations and are rooted in specific cultural narratives, myths, and practices. When one appropriates these systems without a genuine link to the cultural lineage, the connection to these spirits and ancestors becomes tenuous at best. In some cases, this could even be seen as a form of spiritual trespassing, which not only questions the ethical standing of the practitioner but also diminishes the effectiveness of the ritual. These ancestral and spiritual links act as conduits for magical energy, and without them, the practice becomes hollow.

Lastly, the issue of alignment with one's personal truth cannot be ignored. Each individual has a unique set of beliefs, experiences, and perspectives that inform their magical practice. When one adopts practices from another culture without proper understanding or respect, there is a high likelihood that these borrowed elements will not align well with one's personal truths. This dissonance can create an internal discord, which in turn weakens the potency of the magical working. A harmonious alignment with one's core beliefs and experiences often serves as the bedrock upon which effective magical practice is built.

Implementation of the Concepts Discussed

The efficacy of magical practices can be significantly bolstered by adeptly incorporating cognitive techniques related to memory and repetition. One such method involves capitalizing on short-term memory. After assimilating beneficial information, executing a straightforward magical working immediately afterward can aid in embedding the newly acquired knowledge. This rapid recall and application essentially serve as the anchoring of the information more firmly by immediate utilization. This technique leverages the brain's natural propensity for retaining recently processed information and puts it to practical use, thus enhancing the likelihood of a successful magical outcome.

Subconscious memory plays a similarly pivotal role in the refinement of magical practices. The consistent and repeated consumption of relevant information can precipitate a subconscious framework that thereafter influences your methodologies. Over time, this reservoir of deeply ingrained knowledge becomes an almost instinctive guide during magical workings. The more frequently you engage with this material, the more it seeps into your subconscious, ultimately serving as an internal compass that steers your practices toward greater potency. Hence, the diligent study of reputable materials can lay the groundwork for a more effective and nuanced magical practice.

Repetition, both cognitive and practical, stands as another invaluable tool in solidifying one's magical practices. Repetitive engagement with the material, whether it's through written summaries, vocal articulation, or mental rehearsal, can fortify the neural pathways associated with that specific information. Furthermore, the regular enactment of magical workings that incorporate these concepts can engender a form of habituation. These practices, through repetition, become ingrained behaviors, thereby increasing the ease and fluidity with which they can be executed. This habitual nature, in turn, contributes to an overall enhancement of magical potency.

Patreon Shoutouts!

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Cosmicaquamarie

To learn more about me or view my Masterpost, click here.

This post was reviewed and edited for easier reading by ChatGPT.

[fallloverfic]

S-Classes that I Raised/My S-Class Hunters information post

내가 키운 S급들 | S-Classes that I Raised (“SCTIR”) is a completed 1,165 chapter Korean fantasy webnovel on Munpia, Naver, Ridibooks, and Kakao by 근서 | Geunseo that has been adapted into an ongoing manhwa/webcomic (My S-Class Hunters) (though the manhwa is on hiatus at the moment after the conclusion of season 1). The second cover art is by onlyraii. The novel is published by 제이플미디어 | JAYPLEMEDIA.

Manhwa adaptation summary: "Yoojin is an F-ranker overshadowed by his little brother, an S-ranker. All he does is get in his brother’s way, causing trouble wherever he goes. When a seemingly routine dungeon raid goes wrong and costs Yoojin his brother’s life, Yoojin decides to use the wish granted by clearing the dungeon to reset his timeline. The plan was to lead a quiet life from now on… but now it turns out he can help other people become S-rankers?! Maybe this is Yoojin’s chance at building his own entourage of powerful metahumans… but it may be easier said than done." - Naver Webtoon

SCTIR the webnovel has an 858-episode main story, a 14-episode Epilogue [1], a completed 167-episode Side Story (sequel) and a 128-episode Epilogue [2] (sequel). It was first published on June 29th, 2018 (Munpia), and the final episode of Epilogue [2] was released on May 8th, 2025.

The main story and epilogue were reformatted into 35 ebooks (Naver, Ridibooks, Kakao), which began publication on May 1st, 2020, and the ebooks have interior illustrations from 비완 | Biwan for volumes 1-14 and a few other artists for the other 21 volumes. Here's a post on some of the interior art that JPLE has shared online.

The ebooks also have extra scenes in various places and possible revisions, which differs from what is available in the individual episodes. The Korean ebooks also began being released in paperback in November 2024.

A guide for reading SCTIR on Munpia and Naver (this is meant for another fandom, but it's also designed to work for anyone who wants to read any similar works on Munpia and Naver).

This is meant to be a collective post for information on the novel and manhwa, as well as translations, which will update as new information comes up.

Geunseo

Geunseo is the author of the webnovel. Back in mid-2022, Geunseo replied to questions from readers in a very long Q&A, which folks shared on various platforms.

Translations of the webnovel

There is no official English translation of the webnovel, though there are a few fan translators, but most are just people putting the episodes through machine translators ("MTL") and sharing those online, or doing modified/partial MTL, which involves MTL most/all of the episode and doing partial translation/editing on the results. There is also a lot of confusion because people tend to MTL the individual episodes, not the revised ebooks, so folks reading one but not the other one are going to have different understandings of the story.

Side Stories/Sequels

There are two side stories for SCTIR, both of which are sequels to the part that came before. The order is main story (not an official name, it's just the regular story) > Epilogue [1] > Side Story > Epilogue [2]. Side Story and Epilogue are only available on Naver for some reason.

SCTIR manhwa, My S-Class Hunters

SCTIR's manhwa adaptation is published on Naver Comics / Naver Series, began publication on November 15th, 2021, and is 153 episodes long. There's a trailer from right before it released on YouTube.

The manhwa is adapted by 제이플미디어 | JAYPLEMEDIA, with principle art by 비완 | Biwan, and the head of storyboard is seri. Other crew on the team include 징개 JINGGAE | JING_GAE (assistant direction), 김피로(KPR) | tired_kim, and 한흔 | hanheunhan. A lot of the crew share previews and behind the scenes material on their twitters. Although the manhwa is very far behind the novel, the crew are generally novel fans (Biwan did art for the ebooks, after all), and they will also sometimes do fanart for recent episodes of Side Story/Afterward, so be wary if you want to avoid spoilers. The manhwa currently stops in volume 7 of the novel, around episode 168.

The manhwa also differs in many ways from the novel, which is normal for an adaptation. Changes include some chronological reorganization of events, expansion of certain characters and relationships, some modifications to skills, additional scenes, etc.

The original Korean updates weekly on Naver on Tuesdays around 10:30-11:00 AM ET, though it's currently on hiatus after the conclusion of season 1. Most translations are currently some ways behind the original Korean, so they have a bit to catch up on during the hiatus if they're ongoing.

The English translation updates weekly at 9 PM ET on Wednesdays on Webtoon, and at 00:00 ET on Wednesdays on Tappytoon. The Webtoon version is free to read, but the last several episodes are paywalled, and these episodes can be accessed by cookies (the currency on Webtoon). Guide for how to read for free on Tappytoon. SCTIR's manhwa is also available online in French (though it seems to be on a hiatus since 2022), German, Japanese (俺が育てたS級たち), Spanish (Los clase S que crié), and Thai.

April Fool's Day Jokes

Both the novel and manhwa teams, like a lot of Webtoon manhwa teams, usually do a joke post for April Fool's Day.

The 2022 joke post for the novel was seemingly a parody of the then-unreleased novel cover by onlyraii. The 2022 joke post for the manhwa was a magical girl Yoohyun parody.

The 2023 joke post for the manhwa was Yoojin, Yerim, Yoohyun, and Peace making heart signs.

The 2024 joke post for the manhwa was to have most of the cast become dinosaurs.

[hyakinthou-naos]

Hello! Could you explain how you make your own authorial prayers? Or even explain how they are made?

Khaire Dollovee,

Thank you for your question! For my answer, I am going to assume that you mean authorial prayers as as synonym for self-written prayers -

When it comes to the hymns I write, I don't have a specific formula or process. I have personally been writing my own poetry and music since I was about 7, so for me most of my hymns are lyrical and/or poetic in nature. I personally believe that every hymn I write is divinely inspired through Lord Apollo himself or the Mousai. (Not that they are speaking through me, just that their blessings guide my work).

However, when I write formal prayers, I follow ancient tradition in how I try to structure my words.

"Any devout worshipper may compose such a verse. A prayer begins with the invocation, including the appropriate epithets and identifying characteristics specific to the particular God or Gods. Thereafter, the request or petition follows..." - Hellenic Polytheism: Household Worship (2014, pg 67)

You can see examples of this in this post in the "Opening Prayer & Deity Invocation" section, as well as in the other Hyakíntha ritual posts.

I hope that helped to answer your question. If you have follow up questions please don't hesitate to ask! Additionally, we offer free customized written works as a service the Temple provides to patrons and visitors. You can read more about that here.

Eirene - peace and farewell,

- Aön

[weirdstrangeandawful]

What is whump?

I get asked this question a lot so I figured I'd just make a post about it! I doubt a lot of people will see this since I'm a small whump blog but at least a few people will have a quick reference.

The short answer is that whump is a fictional genre of media. Like any genre, it's difficult for one person to entirely characterise but I'll do my best.

Whump is a fictional genre focused on the experience of pain. This can be physical pain or emotional pain. The pain could be acute or chronic. The focus could be on the recovery from the pain or on the pain itself. It's a super versatile genre!

Some frequently asked questions:

Okay, but how is this different from hurt/comfort?

This is a complicated question (hard to entirely characterise an entire genre, eh?) and it really depends on the writer. For me, hurt/comfort is a subset of whump where the comfort is required whilst whump is the larger, overarching genre where comfort is not an absolute necessity, but many others have different opinions!

What is a whumpee?

You'll often hear writers (especially prompt writers) in the whump community refer to characters as 'whumpee', 'whumper', and 'caretaker'. These are placeholder names like your good old A, B, and C. 'Whumpee' refers to the character experiencing the pain (literally 'the one being whumped'); 'whumper' is the (optional) character causing or contributing to the pain; and 'caretaker' is the (also optional) character helping care for the whumpee and alleviating the pain.

Why would I support someone who thinks people should experience pain?

Pain and adversity are facts of life. In fact, many of us as whump writers and readers engage with the genre to cope with pain and adversity in our real lives. It's important to remember that whump is a fictional genre and someone's interest in the fictional themes portrayed really aren't a reflection of what goes on in their real life. The name 'whump' may be contemporary but this is definitely not a contemporary genre (Shakespearean tragedies anyone?) so there is no use criticising its existence. If you don't like it, that's okay! Scroll on by and block the #whump tag if you need to. Like many artists, we're an accepting community and won't judge. In fact, we probably understand better than most that there is too much pain in the world and not everyone wants to read about more of it.

What's the difference between whump and BSDM/kink?

This is a complicated and very individualised answer. The oversimplified answer is that BDSM and kink are explicitly sexual/sensual whilst whump is not necessarily related to sex. But that is extremely oversimplified and doesn't cover all or even most people's experiences with either whump or BDSM/kink. The most generalised answer I can give is that whump is an overarching genre whilst BDSM and kink are individualised cultural practices and activites. But even that needs nuance and context to understand and apply. For me personally, I don't like combining the two because I experience them in very different ways, but that's just my experience!

Edit: I realise that I was not clear in the above answer. BDSM and kink are absolutely not inherently sexual at all. In my personal experience, I've found there to be a lot more overlap between BDSM/kink and sexual experiences than with whump but this is not true for many and maybe most people. No one person is qualified to answer this question.

[littledisgustingart]

🔥 PRINT STORE IS OPEN! 🔥

Hello dears! I've opened an InPrint, so you can now support me by buying prints of my works!

I'm running a 10% discount on all of 'em as a warm welcoming, and shipping worldwide is FREE until the end of the weekend!

Check it out here!

Big sappy jayvik print alert.

And big pathetic Arcane & BG3 men and gorgeous women alert.

And silly animal prints alert, of course 🙏

[chibishortdeath]

So I just found out I’m the first person to post about a specific character on tumblr and that’s pretty cool— anyway you��re all forced to know what Modulus is now :)

What is Modulus? A combiner and… nonexistent! He’s not real! He doesn’t happen in any continuity and only exists as a suggestion in an instruction manual for some reason! Who knows why they did that 💀💀💀, but it looks cool and is convenient for fanfiction reasons, so I’m not complaining!

This weirdo is truly something lol. There’s like uh absolutely no information about Modulus besides what’s on the wiki, so everything else is I guess just up to you then X,,,,,D. Which is where me being hyperfixated on transformers comes in— This guy justifies a lot of ideas I already had lol.

If I do ever actually manage to write anything I’ll be putting it on here cause I don’t have anywhere else to post fanfic d(^^ ). It’ll probs end up just screenshots of my notes lmaooooooo— unfortunately this guy is later story stuff and you’d have to read through my OCs and other arcs first to get there, all of which I have not finished writing whoops 💀💀💀 haha anyway—

Now you know Modulus is a thing. :)

[foreverinthepagesofhistoryy]

Three photos of The Romanov Family with Grigory Rasputin

Photo 1: Top Row: Olga, Middle Row: Anastasia, Alexei, Rasputin, Alexandra Feodorovna, Bottom Row: Maria, Tatiana, Maria Vishnyakova, 1909

Photo 2: Tatiana (obscured), Maria, Anastasia, Rasputin, Alexandra Feodorovna, Olga, 1907

Photo 3: Unkown Woman (if anyone knows who she is please tell me!), Maria Vishnyakova, Alexei, Rasputin, Maria (on the floor), Anastasia, Tatiana (above Anastasia), 1910

The Romanov family’s relationship with Rasputin is unlike the stereotypical “seducing madman” version that you might first hear. Alexei, the only son and heir to the Russian throne, was a hemophiliac (a disease where the blood cannot clot resulting in any minor bump or bruise could lead to severe hemorrhaging and even death) and had many accidents resulting in major pain for not just him, but for his entire family, especially his mother, Empress Alexandra Feodorovna. The Tsar and Tsarina (Nicky and Alix) were desperate to relieve their son’s pain and heard about Rasputin, a renound mystic healer, from some distant relatives and invited him to court to try to relieve Alexei’s pain. He came to court in 1906 and immediately calmed the boy who prior to this point would not stop crying, and managed to soothe both him and his worried family. Eventually the hemorrhaging stopped Alexei eventually made a full recovery. This “miracle” made Rasputin an immediate source of comfort for the family and became a new important friend. He visited the family often and Alexei and his sisters always looked forward to his visits, even Anastasia who was as young as 7 years old was writing to her mother saying:

“Mama darling! I really want to see Him. I wish him and his children all the best, and send Him my best regards, and all his family. I saw him last night, and I was very happy, tell] him please, my dear Mama…To my Mama from Anastasia”

“Thank you, Mama darling. Tell Anya that I send him my regards. Mama, what is his name? I don't Know My Friend's name is, and I love him so much more than can tell you. Anastasia”

Their relationship with Rasputin remained close throughout his life, various visits and letters, Alexei getting hurt and Rasputin writing or saying calming words and sharing aspects of religion. He remained very close to the family until his death, committed by Romanov hands, and they always remembered him as a close friend and confidant.

There was no love or romance between Rasputin and the “Russian Queen” as the tales tell. He was a friend and a tool to help soothe Alexei, her youngest child. A theory historians have, one that I agree with, is that Rasputin didn’t miraculously heal Alexei, his presence deeply calmed and set Alexandra at peace and because of that, Alexei got calmer because seeing a parental figure stressed while you are in pain doesn’t help you get better does it?

[alastorssimpforever]

INFORMATIONAL POST: this guy is an emotionally manipulative lil freak: @/ilovechalastor

He said he was his “dream girl” after talking to him for like two days about stupid fandom shit. Then after I set my boundaries he kept pushing and “asking if they had a chance”. He repeatedly disrespected my rejection.

Then the cherry on top is that he said he “needs smth to live for” with his god awful grammar and gave a vague implied threat of implying suicide to incite panic.

Behaviors exhibited: Love bombing, boundary pushing, guilt tripping, veiled suicide language, ignoring accountability, pity baiting and disregarded my emotional safety.

He also has terrible grammar so it’s a bit painful.

Bruh it’s shameful that he has that ship name for his user. HOW DARE HE. And I will be putting this in the Charlastor tags for obvious reasons.

He also said this in my community 😭😭😭:

[grey-sorcery]

[TITLE]: Blood Magic: Refutation, Practices, Safety, & Alternatives

Recommended Reading

Basics of Binding Anchors Basics of Spellcasting Spell Circles Correspondences Altars: Uses & Designs Spell Logs Energy Work: Fundamentals Bias in Witchcraft

IMPORTANT:

This article discusses blood magic as well as the actions and elements associated with it such as: bloodletting, infection, self-harm, and open wounds. Readers are encouraged to approach the content with critical thinking and sensitivity. If you find such topics uncomfortable or distressing, I advise against continuing further. The information presented is for educational purposes only and should not be construed as medical advice. Should you choose to engage with blood magic, it should be done so with respect for cultural traditions and safety considerations, which will be outlined. This article is not to encourage the use of any harmful practices, only to educate.

If you find the subject to be triggering but still wish to engage with the information, the last section of this article (highlighted in blue) has a diluted list of the article without triggering content and goes over alternatives for blood magic.

Like always, an asterisk* is used as a marker for a closed or semi-closed practice.

Introduction

Blood magic involves the ritualistic use of blood as a potent symbol and conduit for connection. Central to blood magic is the belief that blood, as the essence of life and vitality, carries inherent energies that can be harnessed and directed. This doesn’t necessarily require blood to be removed from the body. In a few cultures, such as Traditional Chinese Medicine, Ayurvedic Medicine, and some indigenous practices blood is utilized from within the body as a means for healing, directing energy from the subtle body, and developing a more thorough mind-body connection.

The applications of blood magic span a spectrum of purposes, each rooted in the practitioner's intentions and the energetic resonance of blood itself. While practices vary widely across cultures and individual traditions, common themes emerge regarding the uses of blood magic. Applications such as warding, binding, divination, and energetic balancing. 

Please be sure to engage in this entire article if you are able, and do so in good faith. Blood magic, as a legitimate magical practice, has been influenced and poorly reflected by media which has resulted in a portent of misinformation and misunderstandings. The aim of this article is to eliminate misunderstandings and promote safe and ethical practices.

Uses

Blood magic is employed for several purposes, each rooted in the idea that blood is a conduit of life force and energy. Primarily, blood magic is utilized in rituals aimed at strengthening bonds. It is believed that by incorporating blood into rituals, one can forge stronger connections with ancestors, deities, or the natural world. This practice is seen in various indigenous traditions where blood offerings are made to honor and appease spirits or gods.

Moreover, blood magic is often used in rites of passage. These ceremonies, marking significant transitions in an individual's life, such as birth, maturity, marriage, and death, incorporate blood to symbolize the transformation and the continuity of life. The act of shedding blood during these rituals is seen as a potent gesture, signifying the shedding of the old self and the emergence of a new, empowered identity.

In healing practices, blood magic is employed as a method of channeling energy to promote physical, emotional, and spiritual well-being. Traditional healers may use blood as a medium to draw out negative influences or to invigorate the body’s natural healing processes. This practice is not about the physical use of blood per se but rather the symbolic gesture, wherein the essence of life is called upon to restore balance and harmony.

The portrayal of blood magic in popular media has often led to widespread misconceptions and fear. Frequently depicted as sinister and malevolent, blood magic is associated with dark rituals, malevolent sorcery, and nefarious intentions. Such representations overlook the cultural and spiritual significance embedded in these practices, reducing them to mere sensationalist tropes.

A prevalent misunderstanding is the belief that blood magic is inherently evil or dangerous. This notion is fueled by horror movies, novels, and sensationalist media, which often portray blood magic as the domain of malevolent witches or nefarious cults. In reality, blood magic, like many other forms of spiritual practice, is neutral in nature. Its moral alignment is determined by the intent and ethics of the practitioner. For many cultures, blood magic is a sacred practice meant to honor life, foster healing, and maintain harmony with the natural and spiritual worlds.

Another common misconception is that blood magic involves human sacrifice or self-harm. While historical accounts do exist of bloodletting practices, particularly in ancient civilizations, modern practitioners of blood magic typically engage in symbolic acts rather than literal bloodshed. These acts can include pricking a finger or using animal blood obtained from ethical sources, rather than causing significant harm.

Furthermore, the false association of blood with the empowerment of spells is a particularly egregious misrepresentation. Blood is often depicted as a supernatural catalyst that amplifies magical abilities, granting practitioners extraordinary power. This portrayal is not only inaccurate but also undermines the cultural and spiritual significance of blood magic. The following is a list of media that inaccurately portrays blood magic or has been poorly represented in subsequent media. 

"The Book of Sacred Magic of Abramelin the Mage" (15th century)

"The Lesser Key of Solomon" (17th century)

"The Greater Key of Solomon" (17th century)

"The Key of Solomon" (14th or 15th century)

"The Grimoire of Armadel" (17th century)

"Rosemary's Baby" (1968)

"The Craft" (1996)

"Harry Potter and the Philosopher's Stone" (2001)

"Harry Potter and the Half-Blood Prince" (2009)

"Buffy the Vampire Slayer" (1997-2003)

"True Blood" (2008-2014)

"American Horror Story: Coven" (2013)

"The Magicians" (2015-2020)

“Supernatural” (2005-2020)

"Dracula" by Bram Stoker (1897)

"The Vampire Chronicles" by Anne Rice (1976 onwards)

"Harry Potter" series by J.K. Rowling (1997-2007)

"Twilight" series by Stephenie Meyer (2005-2008)

While some of these pieces of media do not directly promote the idea of literal bloodletting or the direct concept of magical strengthening through blood, their depiction and influence in later media does.

Process

The amount of blood required in blood magic rituals varies significantly depending on the specific tradition and the purpose of the ritual. Generally, only a minimal amount is used, symbolizing the essence of life rather than its physical manifestation. This minimalism underscores the principle that the power of blood magic lies not in the quantity of blood, but in the act of offering and the symbolic gesture it represents.

In most practices, a few drops of blood are deemed sufficient. This small quantity is often enough to establish the connection or achieve the desired outcome without causing harm to the practitioner. Overuse of blood is generally avoided, as it is not the volume but the act of offering that holds significance. This approach reflects a deep respect for the body and its life-giving essence, ensuring that the practice remains sustainable and safe.

Obtaining blood for these rituals must be approached with care and reverence. The method of extraction should prioritize the well-being of the practitioner or the source, emphasizing minimal harm and ethical considerations. 

Self-pricking with a sterilized needle or lancet is a common method. This technique ensures that only a small amount of blood is drawn, usually from the fingertip. The use of sterilized instruments is crucial to prevent infection and maintain hygiene. The act of self-pricking is often performed as part of a ritualistic process, with practitioners mentally preparing themselves and ensuring a clean environment.

In rare instances, some practitioners may opt for menstrual blood, which is seen as a natural and potent symbol of life and fertility. The use of menstrual blood is often considered deeply personal and is typically reserved for specific rituals related to fertility, protection, or transformation. 

In some traditions no bloodletting is required. Some of the most prominent traditions that use internal blood magic are Traditional Chinese Medicine and Ayurvedic Medicine. These traditions employ methods that emphasize the internal circulation and quality of blood as integral to health, vitality, and spiritual balance.

Traditional Chinese Medicine (TCM)*:

Within Traditional Chinese Medicine, blood holds a vital role alongside Qi (life energy) as one of the body's fundamental substances. Blood, known as "Xue," is considered essential for nourishing the organs and tissues, promoting growth, and maintaining overall vitality. Unlike external applications or rituals involving blood, TCM focuses on cultivating and balancing the body's internal blood through herbal medicine, acupuncture, and dietary therapy. Practitioners diagnose imbalances in blood quality and circulation based on symptoms such as pale complexion, menstrual irregularities, or insomnia, and tailor treatments to restore harmony within the body's systems.

Ayurvedic Medicine*:

In Ayurveda, the traditional medicine system of India, blood (Rakta) is regarded as crucial for maintaining overall health and vitality. Ayurvedic texts emphasize the importance of balanced blood circulation and purity to prevent disease and promote longevity. Practices such as Panchakarma treatments aim to cleanse and rejuvenate the blood through herbal therapies, dietary adjustments, and lifestyle modifications. Unlike external applications or ritualistic uses, Ayurvedic medicine focuses on enhancing the body's internal mechanisms to optimize blood quality and circulation. By restoring balance to the doshas (body types), Ayurvedic practitioners aim to harmonize physical health, mental clarity, and spiritual well-being.

Across these traditions, the approach to blood magic diverges from external ritualistic practices commonly associated with Western occultism. Instead, they emphasize internal cultivation, balance, and harmony within the body's natural processes. By focusing on enhancing the quality and circulation of blood through holistic methods, practitioners seek to promote holistic health, longevity, and spiritual well-being without the need for external bloodletting or ritualistic practices seen in other magical traditions.

Physical Applications of Blood in Use of Magic

The physical applications of blood in these practices are varied, each carrying distinct symbolic meanings and ritualistic purposes. Blood is often used to anoint objects, spaces, or individuals, thereby consecrating and imbuing them with specific properties. So long as blood is applied to archival materials and kept in a cool, dry, sterile, and dark place with little to no air circulation the DNA which makes up the taglock can remain intact for up to 500 years. However, luminal, microbial, fungal, and or chemical interactions may cause DNA to degrade in as little as a few days.

Anointing Objects: Blood is frequently applied to ritual tools, such as athames, wands, or talismans, to consecrate them and enhance their efficacy. This act is believed to imbue the object with the life force of the practitioner, creating a powerful link between the tool and the user. The anointing process is typically done with great care, often accompanied by sigils, chants, or prayers to invoke the desired energies. Anointing is most potent when used on absorbent materials such as cloth or paper. This is due to the blood, which acts as a dynamic taglock, becoming trapped within fibers. 

Marking Spaces: Blood can be used to mark ritual spaces or boundaries, creating a sacred and protected area for the practitioner to work within. This marking might involve drawing symbols or lines with the blood, establishing a physical and energetic barrier against negative influences. The creation of these sacred spaces is an integral part of many blood magic rituals, providing a contained environment for the practitioner's work.

Healing Rituals: In healing practices, blood may be applied to the body to promote recovery and balance. This application is usually symbolic, representing the infusion of life force into the afflicted area (So long as it is not an open wound). The blood is often applied with the fingertips, accompanied by specific incantations or prayers to enhance the healing process. The focus is on the symbolic gesture rather than the physical quantity of blood used.

Offerings to Deities or Spirits: Blood can also be offered to deities or spirits as a form of devotion and reverence. This offering is typically done by placing a few drops of blood on an altar or in a sacred space designated for the deity or spirit. The act of offering blood is seen as a profound gesture, symbolizing the practitioner's dedication and connection to the divine or spiritual forces.

Safety

The practice of blood magic, while rooted in tradition and symbolism, requires a conscientious approach to safety, even within very simple workings. Ensuring safe practices is paramount, as the involvement of blood inherently carries risks, particularly concerning hygiene and infection. This section provides a comprehensive guide to maintaining safety, highlighting practices to avoid, methods for preventing infections, and essential steps for cleanup and disposal. The risk of spreading disease through blood biological waste is a significant concern due to the potential presence of bloodborne pathogens. These pathogens, which include viruses such as HIV, hepatitis B, and hepatitis C, can survive in blood and other bodily fluids, posing a health risk to sanitation workers. When blood or biological waste is improperly handled or disposed of, these pathogens can be transmitted through direct contact with contaminated materials. This transmission can occur through needlesticks, cuts, or mucous membrane exposure, leading to serious infections. Additionally, pathogens can be aerosolized during certain procedures, increasing the risk of inhalation. Therefore, stringent protocols for handling, sterilizing, and disposing of blood and biological waste are essential. The use of puncture-proof and leak-proof sharps containers for needles and other sharp objects is crucial to prevent accidental injuries and subsequent infections. Furthermore, all contaminated materials should be disposed of in designated biohazard containers, which are then collected and treated by specialized waste management services to neutralize any pathogens. Adherence to these practices not only protects workers and practitioners alike but also prevents the potential spread of infectious diseases to the wider community.

Practices to Avoid

Certain practices in blood magic should be strictly avoided to mitigate risks and uphold ethical standards. Understanding these practices is crucial for any practitioner who wishes to engage in blood magic responsibly.

Excessive Bloodletting: One of the most critical practices to avoid is excessive bloodletting. The use of large quantities of blood is not only unnecessary but also dangerous. Blood magic typically requires only a minimal amount of blood—often just a single small drop. Overextending oneself by drawing significant amounts can lead to serious health complications, including anemia, dizziness, and, in severe cases, shock or death.

Using Unsterilized Instruments: Another hazardous practice is the use of unsterilized instruments to extract blood. Employing non-sterile needles, lancets, or other sharp objects increases the risk of infections and diseases. Practitioners must ensure that all tools used in blood extraction are properly sterilized and handled with care.

Self-Harm and Harm to Others: Blood magic should never involve self-harm or harm to others. The practice must be conducted in a manner that respects the well-being and dignity of all involved. Self-inflicted wounds or drawing blood from others without their consent and comfort are unethical and dangerous practices that must be avoided.

Sharing Blood: Sharing blood between individuals is a practice that carries significant health risks. Bloodborne pathogens can be transmitted through shared blood, leading to serious infections and diseases such as HIV, hepatitis B, and hepatitis C. Practitioners should never share blood or engage in rituals that involve the mingling of blood from multiple individuals.

Preventing Infections

Preventing infections is a primary concern when working with blood. Proper hygiene and careful handling of blood and instruments are essential to minimize the risk of infection.

Sterilization of Tools: All tools used for blood extraction, such as needles or lancets, must be sterilized before use. This can be achieved using medical-grade sterilization techniques, such as autoclaving or using single-use, pre-sterilized instruments. If reusable instruments are employed, they should be thoroughly cleaned and disinfected after each use.

Hand Hygiene: Practitioners should practice meticulous hand hygiene before and after handling blood. Washing hands with soap and water for at least 20 seconds is essential. If soap and water are not available, an alcohol-based hand sanitizer can be used as an alternative.

Use of Gloves: Wearing disposable gloves during the extraction and handling of blood can provide an additional layer of protection. Gloves should be disposed of immediately after use, and hands should be washed again to ensure complete hygiene.

Disinfecting the Extraction Site: The area of the body from which blood will be drawn should be disinfected with an antiseptic solution, such as alcohol or iodine, before extraction. This reduces the risk of introducing pathogens into the body through the puncture site.

Proper Wound Care: After the blood has been drawn, the puncture site should be properly cared for to prevent infection. This involves applying an antiseptic and covering the wound with a sterile bandage. The area should be monitored for signs of infection, such as redness, swelling, or discharge.

Cleanup & First Aid

Thorough cleanup and first aid procedures are essential components of safe blood magic practices. Proper cleanup ensures that the ritual space remains hygienic and free from contamination, while first aid addresses any injuries that may occur.

The use of a sharps container is critical for safely disposing of items that can puncture the skin and are contaminated with unsterilized biological materials. These containers are biohazard-marked, solid-walled, puncture-proof, and leak-proof on the sides and bottom.

Sharps Disposal:

Examples of Sharps: Needles, lancets, scalpels, knives, razor blades, glass slides, glass Pasteur pipettes, biologically-contaminated broken glass, and all sharps-associated medical devices such as syringes

Collection and Storage:

Immediately place all sharps into a designated sharps container after use. Use containers specifically designed for sharps disposal; avoid cardboard or repurposed containers. Ensure the sharps container lid has a restricted access opening and is fully closed when not in use. Store the container upright to prevent spills or contamination. You can obtain a sharps container from most pharmacies for free or for a low cost.

Treatment and Disposal:

Close the sharps container permanently when it is three-quarters full or when objects no longer fall freely into it. Do not force items into the container or shake it to make more space. Place full containers in designated biohazards waste pickup areas. Many pharmacies accept biological and sharps waste for disposal.

Liquid Biohazardous Waste:

Description and Examples: Includes bulk biological liquids like culture media and pooled clinical specimen liquids.

Collection and Storage:

Label collection vessels with biohazard symbols and the disinfectant used. Use non-breakable containers whenever possible. Store vacuum flasks in leak-proof secondary containers when not in biosafety cabinets (BSC).

First Aid Procedures

Treating Minor Wounds: If a minor wound occurs during the ritual, clean it immediately with soap and water. Apply an antiseptic and cover the wound with a sterile bandage. Keep the wound clean and dry, changing the bandage daily or if it becomes wet or dirty.

Addressing Severe Injuries: For severe injuries, such as deep cuts or heavy bleeding, seek immediate medical attention. Apply pressure to the wound to control bleeding while waiting for medical assistance. Remain calm and act swiftly to ensure proper care.

Monitoring for Signs of Infection: After any blood extraction or injury, monitor the wound for signs of infection, including increased redness, swelling, warmth, pain, or discharge. Seek medical advice promptly if any of these symptoms occur.

By adhering to these safety practices, practitioners of blood magic can mitigate risks and ensure that their rituals are conducted in a responsible and respectful manner. Emphasizing the importance of hygiene, proper tool use, and ethical considerations not only preserves the integrity of the practice but also safeguards the health and well-being of all involved.

Blood magic, with its deep-seated symbolism and intricate rituals, can sometimes require the practitioner to reverse or nullify the effects of a previously cast spell. Unbinding, or the process of undoing blood magic, is a crucial skill that ensures the practitioner retains control over their craft and can correct or withdraw magical influences when necessary. This section delves into scenarios where unbinding is beneficial and outlines the methodologies to effectively achieve it.

The following are some helpful resources about safety and clean up:

Basic First Aid

Sharps Disposal

Infected Wound Treatment

Counteracting, Unbinding, and Undoing Blood Magic

Blood magic can sometimes require the practitioner to reverse or nullify the effects of a previously cast spell. The process of undoing blood magic is a crucial skill that ensures the practitioner retains control over their craft and can correct or withdraw magical influences when necessary. When might undoing blood magic be a good idea?

Unintended Consequences: Despite meticulous planning, blood magic can sometimes yield unforeseen results. These unintended outcomes might stem from miscalculation, misinterpretation of the ritual's requirements, or external influences altering the spell's impact. In such instances, unbinding becomes necessary to mitigate any negative repercussions.

Changing Circumstances: Life is inherently dynamic, and circumstances that once justified a blood magic ritual may evolve, rendering the spell obsolete or even counterproductive. For example, a spell cast to protect a relationship may need to be undone if the relationship ends or transforms, ensuring that the energies involved do not cause harm or unnecessary entanglement.

Ethical Considerations: The ethical landscape of magic is complex, and practitioners may find themselves needing to unbind spells that no longer align with their moral compass. If a spell was cast under conditions or motivations that are later regretted, unbinding serves as a means of rectifying past actions.

Interference with Other Work: Multiple magical workings can sometimes interfere with one another, particularly if their purposes are not harmonious. In such cases, unbinding one or more spells can clarify the practitioner's magical landscape, allowing for more effective and focused rituals.

Psychological Relief: The psychological burden of knowing a blood magic spell is active can be significant. If a practitioner feels uneasy or haunted by a ritual, unbinding the spell can provide peace of mind, alleviating stress and restoring a sense of control.

How to Unbind

Unbinding a blood magic spell is a deliberate and structured process, requiring precision and respect for the energies involved. The following steps outline a general methodology for unbinding:

Reflection and Assessment: Before initiating the unbinding process, the practitioner must engage in thorough reflection and assessment of the original spell. This involves understanding the components, energies, and symbols used, as well as the specific outcomes achieved. Such introspection helps in crafting an effective unbinding strategy. Keeping a spell log will be invaluable for this purpose.

Cleansing the Space: Preparing the physical and ambient energetic space is crucial. This typically involves cleansing the area with purifying agents such as salt, sage, or other herbs known for their purifying properties, and energy work. The goal is to create a neutral and protected environment for the unbinding ritual.

Gathering Materials: An unbinding ritual may benefit from specific materials, which may include items used in the original spell (if available), purification substances, and tools for ritual work such as candles, incense, and a ceremonial knife. The precise materials will depend on the nature of the original spell and the practitioner's tradition. One component that will be absolutely necessary is the spell’s anchor.

Symbolic Acts of Neutralization: Symbolic acts can play a significant role in unbinding. This could involve burying, burning, or immersing objects used in the original spell in running water, symbolically returning the energies to the earth or cleansing them entirely. The act chosen should align with the practitioner's symbolic framework and the nature of the spell being undone.

Offering and Atonement: To maintain balance and respect for the forces involved, the practitioner may include an offering or act of atonement as part of the unbinding ritual. This could be a simple act of gratitude, a small gift to the natural world, or a gesture of goodwill that seeks to harmonize any disrupted energies.

Cleansing or Destroying the Spell Anchor: The original spell anchor, or object(s) that houses the spell must be cleansed energetically, or be entirely destroyed. Energetically cleansing the anchor means to isolate and unravel the energetic construct of the spell which is bound to the anchor. To destroy the anchor means to smash, burn, cut up, or dissolve the object until it is no longer identifiable. If the object is made of metal then it will require energetic dismantling, as not even melting the metal down will break down the spell unless it is diluted in other minerals or metals to a point where it is no longer chemically similar.

Sealing the Unbinding: Once the reversal actions are completed, sealing the unbinding can be used to ensure the spell's effects do not linger. This might involve the creation of a talisman, seal, or sigil which is then applied to the outside of the container holding the remnants of the original anchor. 

Post-Ritual Reflection: After the unbinding ritual, the practitioner should take time for reflection and grounding. This allows for the assimilation of any residual internal energies and provides an opportunity to assess the effectiveness of the unbinding. Meditation, divination, journaling, or simply spending time in nature can help in this process.

Monitoring Outcomes: The practitioner should monitor the outcomes of the unbinding over the following days and weeks. Observing any changes or shifts in circumstances can provide valuable feedback on the success of the unbinding and inform future practices.

Unbinding, like all aspects of blood magic, demands respect, mindfulness, and a deep understanding of the forces at play. By adhering to these structured steps, practitioners can responsibly undo the effects of their spells, ensuring harmony and balance within their magical practice and broader life context.

Alternatives to Blood Magic

For those who skipped the article, here is a diluted TL;DR list of the most important information from it with all potential triggers removed:

BM is binding magic and does not empower or boost a working

A single small pinprick is all that's needed, more than that approaches SH

There exist BM practices that do not require the removal of fluids from the body.

BM, for the most part, is just using a dynamic Taglock.

Safety is paramount

BM can be undone just like any other type of spell

Since BM does not in any way strengthen or empower spell work outside of self-binding, there are many alternatives. Blood within magic acts primarily as a taglock. It is for this reason that it can be replaced by any other taglock in spellcrafting.

Taglocks that can easily replace blood:

Signature: A personal signature is a direct representation of an individual, carrying the unique energy and identity of the person.

Photograph: A photograph captures the essence and image of an individual, making it an effective taglock for personal spells.

Hair: Hair contains DNA and is a physical part of the person, making it a powerful substitute.

Nail clippings: Like hair, nail clippings are part of the individual’s body and contain their DNA, serving as a strong link for spell work.

For BM that used blood as a conduit:

Blood is sometimes believed to act as a conduit in magic due to its life essence and connectivity. This role can be substituted by other substances capable of facilitating energetic transfer.

Light acids such as vinegar: Vinegar is a readily available and safe substitute. Acids can transfer electrons, which can be symbolically or practically useful in spells that require a medium to facilitate a reaction or transformation. Vinegar’s cleansing properties also add a purifying element to spellwork.

For BM for holding space:

When blood is used to hold space or create a sacred boundary, alternative materials can effectively perform this function.

Salt water: Salt water has long been used for purification and protection. Salt's crystalline structure and water's fluid nature make this combination a potent tool for creating sacred space.

Quartz (piezoelectric): Quartz crystals, due to their piezoelectric properties, can generate electrical charges and are excellent for maintaining energetic fields and enhancing spells.

Copper: Copper is a highly conductive metal that can enhance the flow of energy in spellwork. Its properties make it a useful substitute for blood in rituals requiring energy movement or containment.

Talismans/Sigils: These objects or symbols are charged with specific intentions and can effectively hold space or direct energy in spellwork. They can be custom-made to align with the desired outcome of the ritual.

For BM used for offerings to spirits or deities:

Offerings are an integral part of many spiritual practices, intended to honor and appease spirits or deities. Blood, being a potent life force, can be replaced by various other meaningful offerings.

Food and drink: Traditional offerings such as bread, fruit, wine, or other beverages are widely accepted in many spiritual traditions. They symbolize sustenance and respect.

Incense and herbs: Burning incense or herbs can serve as a fragrant offering, with the smoke carrying prayers and intentions to the spiritual realm. Specific herbs can be chosen based on their symbolic meanings and properties.

Flowers: Fresh flowers are often used as offerings due to their beauty, fragrance, and life energy. They can represent growth, renewal, and respect.

Candles: Lighting candles in specific colors can symbolize different aspects of the offering, such as white for purity or red for strength and passion. The flame acts as a beacon or signal to the spiritual entities being honored.

Coins or precious metals: Offering coins or small pieces of precious metals can symbolize wealth and prosperity, showing reverence and gratitude to the spirits or deities.

Personal creations: Handmade items, such as crafted objects, poems, or artworks, can be deeply personal offerings that convey sincerity and dedication. These can be tailored to the preferences and attributes of the deity or spirit being honored. This is the best alternative for BM in this regard.

Special Thanks to my Patrons!

Thank you for your continued support! My patrons help me maintain the drive to create content and help me keep food in my pantry. My patrons of Mystic tier and higher had access to this article a week before it was public! To see other perks of supporting me, click here!

Thank you for your continued support:

Megan Kipp!

Cosmicaquamarie

To learn more about me or view my Masterpost, click here.

This post was reviewed and edited for easier reading by ChatGPT.

[chichirid]

big informational post on israel & palestine

before i start, i want to say that the end goal is not defeating one side or the other. we want peace, for both nations to exist together. there are innocent and good people in both israel and palestine. here is a thread with basic information on the conflict.

trigger warning: mentions of amputations, chemical weapons, burning, general death and blood.

right now, there is a genocide happening in palestine. israel is using banned weapons that may not seem illegal to use, but are being used to kill innocent people who had no intention of joining nor fueling the war. this is a war crime.

DIME (Dense Inert Metal Explosive) are explosives made to release shrapnel that amputates the skin. this leads to limb loss & bleeding out. even after the limbs are amputated, victims have a high chance of dying from cancer as DIMEs were found to have carcinogenic tungsten.

White phosphorus bombs. I cannot explain in words how horrifyingly inhumane these are. White phosphorus can be released indoors as smoke, and contaminate water. They cause 4th & 5th degree burns, indefinitely burning as they go up to 1499 degrees Fahrenheit (815 degrees celcius) and the human body can only handle up to 122 degrees Fahrenheit (50 degrees celcius). White phosphorus is also highly flammable, and can be reignited during treatment. here is a thread with more information.

Armor piercing bombs. As implied by the name, they can penetrate metal and travel long distances. Armor piercing bombs are designed to pierce through bunkers, warships, and heavily enforced targets. They can easily destroy buildings and famously sunk the USS Arizona in 1941.

boycotting

the main companies to boycott because they support Israel are Mcdonalds, Starbucks and Disney Plus. my main advice is to PIRATE ALL YOUR MOVIES! here is a twitter thread on all starbucks recipes, and a helpful thread on how to safely pirate content.

blumhouse, the studio behind, FNAF MOVIE supports Israel. pirate the movie if you want to watch it.

Google also supports Israel, and recently removed Palestine from Google maps. some Google alternatives are

Lingual search

ecosia

duckduckgo - however there is speculation of data tracking.

here is an INCREDIBLY helpful google docs of all windows browsers that they could find made by @friendofthecrows

how to help?

talk about what's happening. tell a friend, post about it, repost information. if you feel the anger and resentment that this is happening across the world, don't lose your passion. you CAN make a difference. you are not only "one person". there are thousands of people fighting for peace. feel passionate, and keep fighting.

donate to charities, if you can. here is a thread of trustworthy charities to donate to. if you cannot afford to, arab.org generates web revenue that is donated to Palestine. clicking every day can support freedom, for free. no registration nor credit card information is needed.

[budgie-city]

"Budgie City" — how is it organized and what is the story about?

Hello, I'm glad you decided to read my lore article about "Budgie City". The second article talks about where this world came from in general and how I came up with the idea. If you haven't read that article yet, you can check it out here. This article right here will tell you about the world itself and the society of the budgies, as well as describe the plot of the book in general terms. I remind you that the book is currently in the process of writing and will only be published when I have finished it completely.

Fundamentals of the "Budgie City" world

Yes, this is a story about talking animals, in particular, about birds! Set in a world much more wild than our own, filled with lush forests and untouched lands, you can meet the wild variety of birds (the story focuses on parrots though) you may know from all across the globe. From Australian (Cockatoos, Cockatiels, Grass parrots, etc.), African (Lovebirds, Ring-necked parakeets, Grey parrots), and South American parrots (Macaws, Amazons, Short-tailed parrots) to Weavers, Sunbirds, and occasionally even birds-of-paradise - you may find a broad spectrum of non-predatory birds residing right here.

But, of course, the bulk of the population of Budgie City, the main setting of the story, consists of colorful budgies. The city is essentially a large colony that has developed enough to turn into a complex system that depends not only on internal organization, but also on foreign trading. Trading between colonies in their world is based on barter, though inside cities there are local currencies — in most cases they are not metal coins, since metal is a rare and heavy material for birds, but they have their own kind of money equivalent.

The only species that has mastered metallurgy are African Grey parrots. Their colonies settle near volcanoes, and they are one of the only birds strong enough to handle such heavy materials. Therefore, metal is the main trading resource for them.

To show you what other species living in the city have to offer, I have this small excerpt from the first chapter that summarizes this quite concisely:

"Large parrots, due to their large carrying capacity, could easily transport quite bulky baskets with all kinds of food or raw materials, therefore, instead of independently transporting goods to other colonies, the budgies simply unloaded the goods large parrots brought, loaded them with their own and sent them back. Macaws most often brought figs and wild apples, cockatoos were famous for their special success in growing berries and gathering wild bee honey, grey parrots were the only birds in these forests who tamed metal... each species could provide something of its own to others, and as a result, all neighboring forests lived on trade links with each other. Budgies were skilled craftsmen in the manufacture of wooden utensils, and their chicks were believed to have the softest fluff among all parrots. So the fluff of the chicks that came down with molts was carefully collected, and other birds used it for the most delicate bedding in their own nests."

For such mentioned exchanges between the different birds, there is a trading base in the city — a group of large platforms on the trunk of the main baobab, where birds arriving with cargo are received, and cargo from the budgies is sent to other similar colonies.

The Budgie city stands "on seven baobabs" — an analogy to one well-known large city in our real world, which I came up with in 2014, and has since then remained more or less unchanged.

As can be understood from the scheme, the Seventh Baobab is considered the main one — it stands in the center and it is surrounded by the main structures that secure the functioning of the city. The remaining six baobabs are mostly residential. Instead of roads there are rope bridges connecting the structures to one another, which prove quite convenient in the case of carrying something around or to simply reduce the energy consumption that continuous flying demands. They start from the platforms on the baobabs, form multi-tiered intersections on the lower and branching trees standing between the baobabs, whereby, of course, this web converges on the seventh central one.

As for common areas, there are the market, the canteen, the baths (some are located on the Third baobab + the pool in the crown of the Seventh) and numerous interest clubs scattered throughout the city. For example, there are several board game clubs based in the crown of the Fifth Baobab, which the main characters tend to visit, especially Gesha and Gosha (since the two initially met at checkers).

Seventh Baobab concept art (artwork by me and @blackteaarts)

How did Budgie City come into being? Are there other cities in this universe?

Budgie City was founded by Phoenix. A bird whose species is unknown to anyone, so she is considered unique by the other residents. In addition to that no one knows her real age — she outlived those who helped her founding the city, outlived their children and their grandchildren, and so on. At this point no one is even trying to guess how old she is and where she came from. There were rumors about her, which had long become urban legends that every chick knows — they say she has magical abilities and can control fire. But there is no real evidence of this anywhere. In fact, no one living in the city has ever noticed anything supernatural about her — she is just a wise, kind bird with beautiful plumage, who treats every citizen like a mother treats her chick — with love and care.

Chroniclers often tell stories about how she herself was once raised among budgies and considers them part of her kind, and therefore decided to create a place where her sworn brethren can live in harmony and prosperity. Until then budgies had never lived in a colony this large before — usually they resided in rather small communities scattered many hundreds of square kilometers away from each other. Therefore Budgie City is the biggest known colony around. In number of citizens, it surpasses almost all others, which is why it is the center of attention of all the inhabitants of the surrounding forests.

Other parrots and some weavers live in a similar way. Small colonies have built their settlements right around the baobabs — in so-called suburbs, but similar formations exist in other places very far from the Budgie City as well.

What is the plot of the book?

I want to clarify that the book is currently in the process of writing in the form of a paper draft, and will be published only after the completion of the full work. Here I will give a brief description of the plot in general, without spoilers or delving into details, but so that you can have an idea of what this story is about.

In the peaceful and steady life of Budgie City — a life without any prerequisites ever before, there is a sudden turning point — Phoenix disappears. Moreover, she does not just go missing, but literally incinerates, leaving behind only one golden feather. In its entire history, the city had never had to change its mayor before, since Phoenix had ruled continuously since its foundation, so confusion and panic among the residents ensues. The so-called Royal Family, a circle of Phoenix's close advisers, who are direct descendants of the budgies who helped her founding this city, decide to hand over the reins to whom they deem the most responsible and emotionally resistant of them — Clementine and Jack.

But in a fit of desire to preserve their relationship with their son Fenya, who is slowly distancing from them, the couple, without putting it out as a question to the rest of the advisers first, use their new powers, and hand the reign to him. Subsequently, Fenya is now at the head of the city — an unstable, egocentric, arrogant yesterday-teenager. Having been partially raised by a zebra finch nanny, he sees more traits of finches in himself than those seen in other budgies. Therefore invites them to live in the city and he certainly does not go into details about why finches were never favored in the colonies of parakeets. Because there are good reasons for that... Finches are not just small and harmless birds, especially when there are a lot of them. And very soon the residents of the city will feel the effect of the appearances of the uncalled visitors…

In the midst of the ever growing chaos lives Gesha. A quiet florist who loves his routine filled with greenery and quiet pastime, who had always rested in a rather small circle of acquaintances, is forced to get out of his comfort zone and starts acting against the messy situation at hand. All because, it seems to him, that everyone around him prefers to believe and hope that everything will get fixed by itself, when this is clearly not the case. His friend Gosha is of the same opinion — although he often gets a bit carried away by his desire to administer justice (periodically turning into stupid brawls). He's just like that — against everything bad and for everything good, but tends to cross the line sometimes. Together they decide to create a secret society where they keep records of everything that upsets the citizens in this new reign, and try to find ways to solve these problems. While Gesha wants to deal with the situation through negotiations, Gosha, as usual, is more eager for a showdown.

Further down the line, Yasha appears — a native of a remote village who came from distant forests, where Budgie City is only considered a legend. He is a hopeless dreamer and a restless talker, but just as he is looking for a cozy home in this, for him, new and magnificent place, it is meanwhile literally bursting at the seams. Which soon forces Yasha to take off the metaphorical rose-colored glasses and, together with his new friends, face the harsh reality head-on.

Will the united citizens be able to solve the problem of the finch invasion and pacify the restless Fenya? Or maybe even bring Phoenix back? You will find it all out when the book is completed!

Huge thanks to @annchanorsomethin for helping with translation of this article!

[hyakinthou-naos]

Temples vs Shrines (+Altars)

While the terms "Temple" and "Shrine" are often used interchangeably, there are distinct differences that should be understood and acknowledged.

Temple

Purpose: A formal place of worship where communal religious activities, rituals, and ceremonies are held. Temples are often dedicated to multiple deities, which is usually what separates them from Shrines. However, both Temples and Shrines can be dedicated to one or more deities. [A Temple is akin to a Church] Services: Regular services, ceremonies, and festivals are conducted in temples, often led by priests or religious leaders. Examples: Mandirs (Hindu Temples), Pagodas (Buddhist Temples) and Naós/Naoí (Ancient Greek Temples).

Shrine

Purpose: A shrine is an informal, more personal place of worship. While this is not always the case, Shrines are typically dedicated to one specific deity, saint, or spiritual figure. It is a place for individual devotion and prayer, or for community devotion and prayer in small groups or individually. [A Shrine is akin to an altar*] Services: While some shrines may have occasional ceremonies or festivals, they are primarily places for personal/individual devotion - rather than large communal worship. Shrines typically only function as a place of worship, and do not offer formal services or ceremonies. Examples: Home Shrines, Outdoor Shrines, and Shrines to Saints (Catholic).

*Altar

"If a Shrine is akin to an Altar, then what is the difference?"

A Shrine is a structure, space, or area that exists soley for the purpose of prayer and devotion - meanwhile an Altar acts as a workspace for magic and ritual alongside prayer and devotional acts.

[irondadmadlads]

i don't see anything in your pinned about this, so is it okay if people use your prompts? and if so, how would you prefer to be credited? :D

Is it okay? I am begging you to use my prompts! Please, I want to read the fics but I do not want to write them! That’s why I run the prompts blog! 😂

As for credit, if it’s posted on tumblr just @ me! If it’s on Ao3, drop my blog name in the notes before or after the story (@irondadmadlads).

You can also credit my Ao3 (Chara426) but not as many people know me by that name.

[jo-the-cosmic-being]

Everything you need to know!

Please feel free to send me whatever that’s in your mind, ask box is open to lovely people like you ♡

Masterlist

My little vegetarian corner

Join Lana’s sweethearts

Tiktok

Hi angels it’s nice to have you here!

🎀 name: Jules or Cosmy

🎀 pronouns: she/her/hers

🎀 christian <3

🎀 I’m from: 🇭🇺🇦🇹🇮🇱

🎀 flexitarian

🎀 aquarius

🎀 bpd (just a bit, pls be patient ♡)

🎀 I can’t see I have glasses

🎀 languages I speak: Hungarian and English and I’m A1 in German. I’m also trying to teach myself Japanese

🎀 Pinterest: https://pin.it/5cA8QgiiX (I don’t really post but I comment a lot and I think I’m really funny)

🎀 aesthetics: from girly pink pastel stuff and dark red cherry coquette to gothic shit idk honestly *cries in bipolar*

🎀 fav artists: Lana Del Rey, Rammstein, Ariana Grande, Marina, The Weeknd, Eminem, Billie Eilish, Sabrina Carpenter, anything early 2000’s, Worship music, christian metal…

I change so often so I can’t really explain my interests but I will try to (in alphabetical order bc why not?):

🎀 Animalsssss

🎀 Arcane

🎀 Art (just the concept of it, just art in general)

🎀 Ballet 🩰

🎀 Barbie movies <33

🎀 Classical music

🎀 Cobra Kai/ Karate Kid

🎀 Cod men ♡

🎀 Coquette aesthetic

🎀 Crows (just the fact that they exists)

🎀 Fashion

🎀 Football (…soccer…)

🎀 Formula1

🎀 Gilmore girls

🎀 Gladiator I and II)

🎀 Greek mythology

🎀 Hello Kitty

🎀 History

🎀 Jane Austen and other classic writer’s books

🎀 Japanese culture

🎀 Lana Del Rey

🎀 Makeup

🎀 Models (Adriana Lima, Naomi Campbell iykyk)

🎀 Modern family

🎀 Monster high

🎀 Mortal Kombat

🎀 Münich: edge of war (I’m gonna do everything in my power to make that fandom great again!)

🎀 Ninjago

🎀 Spiderverse movies

🎀 Star Wars

🎀 The chosen series

🎀 The hunger games

🎀 Thrillers (I’m scared of everything tho)

🎀 Vegetarianism

🎀 Wicked

🎀 2000’s movies (Mean girls, Devil wears Prada, Legally blonde…)

Games:

🎀 Fortnite

🎀 Dress to impress

🎀 Good pizza, great pizza

🎀 Minecraft

🎀 Cod

🎀 ඞ

Here you can find:

🎀 my random yappings

🎀 posts that makes no sense

🎀 food content

🎀 anything related to my current interests (reblogs, memes, incorrect quotes, fics…)

🎀 memes I make

🎀 tutorials on random stuff

🎀 just me speaking my mind

🎀 idk

Since I’m not specifically good at anything, I don’t even know what I’m doing so pls don’t expect anything from me :(

Requests I take:

🎀 Prayer requests

🎀 incorrect quote ideas

🎀 if you just want to chat <3

🎀 your silly little headcanons or anything you want to share

🎀 fics but not NSFW or too complicated bc I’m a lot smarter in my native language which is not English so it’s hard lol

🎀 anything, I’m bored and I don’t have a lot of friends with the similar interests as me so yeah…

Please DNI if you are:

Hateful, homophobic, transphobic, antisemitic, racist, pro-war, hateful towards any religion, anti-vegan/vegetarian or a bad person overall, I want my blog to be a safe space for everyone. I wouldn’t say it’s a 18+ blog, minors are mostly welcome but sometimes I reblog nsfw stuff.

See you later, or idk how to finish this <33

Dividers by fairytopea