“Do you really know Wonder Woman?” Jason asked, peering at the trophies that were spread throughout the Cave. There were rows and rows of costumes, Batman and Robin both, and Jason was reminded all over again that Bruce had been doing this for years. Jason didn’t remember a time before Batman, he’d seemed as ubiquitous as the smog that choked the streets right up until he’d slammed a tire iron into the mass of shadows and learned about the human underneath. “I mean, personally? Outside of crime fighting?”
He might’ve believed Batman knew Wonder Woman, but Bruce Wayne had always seemed like a bit of an idiot, and watching him attempt to blearily cut pancakes with a fork and spoon this morning had only confirmed it.
“Yes, Jason,” Bruce sounded amused from all the way over by the Batcomputer. “I know Diana. This is the fifth time you’ve asked me that question, by the way.”
Jason rolled his eyes. So maybe it was, but he wasn’t convinced! “I don’t know, B,” Jason said, wrinkling his nose up at a brilliantly colored peacock of a costume with a high, flared collar and a deep neckline. “I’m still waiting on some proof.”
“Mh-hmm,” Bruce said. “Is that what you came down here for? To pester me into letting you meet Wonder Woman?”
“No!” Jason whirled on him in a tone of deep outrage. That was a secondary goal, he just didn’t want to miss an opportunity. “Alfred said you wanted to see me.”
Bruce blinked, before his face light up with comprehension. “Oh, yes, I nearly forgot! I have something for you.” Jason trotted over to the Batcomputer to watch Bruce rummage through a stack of files. He darted a quick glance at the computer, but whatever Bruce had been working on was closed.
The man hadn’t forbade him from entering the Cave after Jason had Figured Out the Secret—read: caught Bruce dressing the massive bruise across his stomach, which on its own wasn’t suspicious, but with Bruce’s wide-eyed look of guilt and surprise, assembled the pieces together—but Jason didn’t want to test the limits. So far, he only wandered where Bruce let him, even though he was itching to get his hands on those bat-shaped throwing stars.
“Here,” Bruce emerged with an envelope, which Jason took with a healthy degree of wariness. It was Gotham, where ordinary packages meant fear toxin or laughing gas or a hundred other deadly gags. “Go on, open it!”
Jason considered it for another long moment, but decided that Bruce hadn’t rigged it to explode. He opened the envelope and peeked inside.
“This is money,” Jason stated, staring at the cash. The bills all looked like twenties, and there was at least twenty of them in there. Probably closer to five hundred dollars. He looked up at Bruce, who was smiling tentatively at him, and carefully didn’t touch any of the bills. “Uh, what’s this for?”
“It’s an allowance.”
“An allowance?” Jason stared, puzzled at the envelope. He’d heard of allowances—Sandra from next-door-before-he-lived-on-the-streets had gotten ten bucks each week for watching her baby siblings and Ty from the-first-foster-home had gotten some spending cash if he did his chores, but Mom never had the money to spare to pay Jason to help around the house.
Not a problem for a guy as rich as Bruce, but Jason hadn’t done any chores here. Much less five hundred dollars’ worth of chores.
“Is it enough?” Bruce asked, looking concerned. Enough? Enough for what?
Before Jason could open his mouth to respond, the Batcomputer emitted a shrill alert and Bruce’s countenance changed completely, going from an open, soft smile, to something harder and focused.
“I’m sorry, Jason, I have to get this,” Bruce said, not looking away from the screen. “Why don’t you head up for bed? And let me know if you need more.”
Jason knew better than to interrupt him and he headed up the stairs as Bruce began speaking in a low voice to someone who sounded like Commissioner Gordon. He didn’t realize he’d taken the envelope with him until he reached his room.
He set it down on his dresser. Bruce hadn’t told him what he had to do to earn his allowance, and Jason didn’t want to touch it until he confirmed it wasn’t like, shoveling shit or something. He’d ask him tomorrow.
But part of him was still warmed by the gesture. Bruce was treating him like he was his real kid, not like a foster kid only around for a stipend or to look charitable in the eyes of other people. Jason flopped down on his bed and considered, not for the first time, how lucky he was.
He had a huge mansion to live in, and he got to go to a fancy school starting Monday, and he apparently got five hundred dollars just for doing his chores.
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You know, it's rather interesting to me that Taylor Swift's parasocial relationship with her fans is honestly more akin to a YouTuber than a writer's. When I scroll through her tag on tumblr/Twitter, it's far more regarding the connection to her personal life/relationship developments than the actual metaphors/fictional story she might be telling. Everything comes back to how her songs reflect back on her relationships with Joe/Matty/Travis/Jake/insert ex-boyfriend here. And what fascinates me about it is that even though she complains about it, she leans into that very perception because it strengthens the parasocial bond.
The marketing for TTPD so clearly being about Joe Alwyn and the songs to Matty Healy. The marketing/video for Red TV so CLEARLY being about Jake Gyllenhaal, with so many of the new lines in All Too Well specifically being digs at him (I'll get older but your lovers stay my age, casting an actor that looks like him for the video, specific lines in I Bet You Think About Me). The fact that songs like Getaway Car and Bejeweled and Gorgeous and London Boy and Lavender Haze being picked apart at time of release and long after for signs of relationships crumbling. The way she uses surprise songs in relation to her relationship development with Joe/Matty/Travis. The damn TTPD "stages of grief" playlists where she deliberately undid/changed the meanings of old songs just to keep her audience speculating on her love life.
It's not sexist to point out that her wielding her love life is a marketing tool and that the strongest connection to her audience isn't the strength of her writing/the composition of her music- it's her deliberate crafting of a connection between her music and her personal life, leaving the audience invested in her music as an extension of Taylor the Person/Girlfriend rather than Taylor the Artist.
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2,977 civilians died tragically in 9/11, 343 being firefighters.
Since then it has been “Never forget.” for over 20 years, the US attacked and destabilized an innocent country, and white ppl have further pushed the narrative that Muslims and Middle Easterners are all “evil terrorists”.
Now, in less than 6 months the OFFICIAL death toll in Gaza exceeds 30,000, half being CHILDREN. At least 200 doctors have died and many were TARGETED by IOF soldiers. I have seen children dismembered, maimed, sniped, run over, crushed, starved, scalped, exploded, burned, and strung up on the side of a building.
I have seen men, women, and children desperately digging through the rubble to find their mothers, fathers, sisters, brothers, children, friends, lovers etc.
I have seen brave doctors run outside to save injured civilians while at extremely high risk of being shot by snipers.
I have seen a father carrying BAGS full of his children’s remains.
I have seen a young girl, no more than 9, with a leg, an arm, and a hand blown off while her scalp hangs from her skull.
I have seen doctors speak out against the cruelty and ethnic cleansing while surrounded by the bodies of those they tried to save.
I have seen hundreds of pictures of NICU babies who were going to die soon because the hospital was about to run out of electricity.
I have read the first hand story of a father who traded one of his children for one of his brother’s children so that if one group dies at least one of their children would make it.
I have read posts from lgbt+ KIDS talking about how they regret not kissing their crush because they just watched them DIE.
I have seen the public posts of IDF and IOF soldiers where they show off the underwear and lingerie they looted from the drawers of the Gazans they are massacring.
I have listened to the screams of mothers after hearing their child is dead.
I have watched a teen boy’s gaze harden into something cold and empty after his entire family died in front of him, leaving him completely alone.
I have seen an IOF soldier throw a father and his baby into a giant wood burning oven just for fun.
I have seen many children with shell-shock, shaking because their minds and bodies can’t comprehend the horrors they have experienced.
I have seen tanks run over women actively giving birth on the roads of Gaza.
I have watched oldest siblings, no more than 11, take on the responsibility of keeping their younger siblings safe. I cannot comprehend how incredibly stressful that must be.
A little 6yo girl was trapped for 2 weeks in a car surrounded by the dead bodies of her family as they rotted.
This is all done with American tax dollars while companies like McDonalds give free food to Israeli soldiers. We are quite literally paying for this. 20% of your work and hard earned money is paying for the genocide of innocent people in Palestine.
This is NOT a political issue. This is a human rights issue.
Pro-Palestine is Pro-Humanity.
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Wes Weston: IRS.
Wes Weston is used to billionaires having sketchy finances. An offshore account here, and offshore account there-- A second home in a tax haven. He's never seen books like Wayne Enterprise's before.
"What even is BASE jumping? Why do they have a whole Applied Sciences department with only one guy working in it?"
Wesley Weston had questions for Bruce Wayne. Questions he would get answered, if the billionaire was ever actually in his office. This was why he found himself rumbling up to the Wayne's well manicured, monoculture lawn in an only slightly questionable Uber.
"Wes Weston, IRS," he whispers, practicing under his breath before knocking on the door. "Wes Weston. IRS," he says more confidently, fumbling to get his badge out of his pocket. The door swung open, and he jumped. Goddamn rich people with their motion detecting doorbells.
"Dick Grayson, Blüdhaven P.D."
---
Wes Weston stood back from his cork board as rain pelted his hotel room window.
"Holy ghost. Bruce Wayne is the fucking Batman."
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