#getting high and listening to music together!!!!!

[totalswag]

tell me if you like it — RAFE CAMERON

authors note HIGHLY recommend you listen to me & you by cassie remix because it gives me total rafe vibes. i'm so close to 800 lovies, i adore you all. i switched my style with line dividers and i'm probably gonna stick with it for now on.

summary you've had your eyes on rafe cameron for sometime now and everyone knows your attraction towards him. you attend one of his parties one friday night with your girlfriends and make your official move on the kook king.

warnings drinking, smoking, alcohol, drugs, partying, kissing/making out, mentions of sex,

Rafe Cameron sent out a text about throwing a party at his place while Ward and Rose are out of town for the weekend. The minute word got out people were talking about the party.

You knew the instant after receiving the text that tonight would be the night you made your official move on Rafe Cameron. Everyone, including Cameron, knows you've had your eye on him for a while.

Rafe is waiting for you to make your final move, according to Topper and Kelce. To you, he appears to be playing a game, a waiting game. So you've been playing the game he prefers.

You’ve always wondered why Rafe himself hasn’t made his move on you yet. The thought runs through your mind occasionally.

The party was full when you arrived. People were drunk, smoking weed, doing other drugs, dancing, and who knows what else.

You came in with your head held high, scanning the crowd for your friend group, but first you needed a drink.

You walked into the kitchen, which was stocked with various types of alcohol. You are craving seltzer, so you grabbed a truly from the fridge. You went on a search for your friends after closing the frigid.

Your name was called from the corner of the house by the girls. When you saw them wave you over, you turned in their direction. When they saw you approaching, their mouths dropped open.

"I must say Y/N, you look so hot!" Ella, one of your best friends, says she's hyping you up by gazing at you up and down.

"If Rafe doesn't get you tonight, he's definitely going to miss out," Melina says, resting against the wall.

The other girls agreed with Melina and Ella's comments.

"You two are really kind. Plus, y'all look so good I might melt" you compliment them back.

"I'll be making my final move on him; I just need to find him first," you say with a nice smile, gazing over your shoulder for Cameron boy.

"Dude we saw him earlier walking out back to smoke a blunt with Kelce but haven't seen him since" Ella informs you.

Thirty minutes go by, you four are dancing together to the beat of the music. Laughing and drinking together while listening to music that keeps you dancing.

For the past five minutes you can feel eyes on you the entire time you’ve been dancing with the girls. You lift your head up slowly, Rafe is standing with a group of his friends.

You’ve been waiting so long, I’m here to answer your call.

I know that I shouldn’t have had you waiting at all.

You two lock eyes. No one is breaking it.

He's dressed in a white tee, black cargo pants, a gold chain around his neck, and a snapback. Oh, that gold chain.

As you continue to dance to the beat of the song, tension builds in your body. Knowing Rafe is watching gives you excitement. You look over your shoulder, he's looking at you amongst the crowd of people.

You tell the girls as you pull away you are gonna have a little chat with Rafe for a moment but knowing that will be a for a while.

When Rafe sees you getting closer, he feels his body tense up. More so with excitement.

“Hey Rafe,” you smiled nicely, giving him a hug, running your hand down his arm.

He wraps his arm around you, “hey Y/N” Rafe says, looking down at you softly, “How are you enjoying the party?” He asks before taking a sip of his drink in his free hand.

“Yeah, I am. My friends and I have been having a great time” You say, trying to play it off you are about to make your final move.

Throughout the conversation, you keep eye contact, something you've always done with people. Conversation was casual yet with a hint of flirtatious moments.

Rafe's body communicates that he is attempting to maintain his calm. You tilt your head slightly, a smile spreading across your face.

"If you girls need anything I'll be around the house," he lets you know, moving his hand in a circling motion.

Your thinking tells you to say something that will catch him off guard.

Slowly nodding, stepping on your tiptoes, placing your free hand around Rafe's neck and dragging him to your height, "What if I need something from you?" Your voice sounded enticing, as you pull away.

Your gaze lands on the gold chain. Playing with it, twisting it with your index finger. 

Rafe's lip slides against his bottom lip, forming into a smirk. He knows what you are doing to him. He likes it.

I know I shouldn't have you waiting at all.

I've been so busy, but I've been thinking about you.

What I wanna do to you.

"Oh really, what would that be? enlighten me,"

Oh he's really good you think to yourself.

"I think you know what I mean, Rafe."

"I don't think I do, Y/N," mocking your tone.

In your mind, you want to go and see what he does, or you want to stay by his side for the rest of the night and sleep in his sheets. It can go either way, but you'll most likely be in his sheets, or not.

You finally inform Rafe that you'll be getting back to your girlfriends, who are waiting for you someplace in the home. The look on his face indicated that he did not want you to leave him.

He leans nearer and places his hand on your wrist, "No, don't leave right now. Can I give you a tour of the the house?" He suggested.

You give him a questionable look as if you were debating it.

"Vip access for special people,"

Jack pot.

"I would love that."

The rest of the night, you stayed at Rafe's side. You had him hooked around your finger and it only took you a few words out your mouth. The expressions on your girls' faces were wonderful; they were secretly cheering you on across the room. Of course, they kept a close eye on you while enjoying themselves.

When Rafe took you around the house, he made sure you had the best tour of your life. You could not believe how large the house was. He showed you his room last, which was maintained clean and tidy. His tv is on the wall below his dresser. The smell of cologne flooded your lungs and smelled pleasant.

After, you two took a few shots, smoked a joint, played drinking games, danced, and made out.

You now have your back against Rafe's chest, and his hand is around your waist, holding you close. You'll occasionally move your hips to the side to the beat of the song, causing him to pull you closer.

Everyone has taken to the dance floor in the huge living room. You both circle all of Rafe's buddies. You've met them many times before. Your girlfriends were a few feet away.

Rafe's hand was gliding itself up and down your waist then your ass giving it a couple squeezes.

You turn around and place both hands on his lower the abdomen. You looked at each other with lust and desperation. You examine his lips first, contemplating whether you should kiss him first. You do. 

Lips moved in sync. Tongues fighting for dominance. The feeling felt electric. Your body was craving him more and more.

"I think it's time I gave me another good tour, but this time in my bedroom," he breathlessly mumble in your ear, eager.

You groan from his words, nodding.

The way he spoke those words to you made you feel like you were on cloud nine. Excitement in your lower stomach started jumping.

Before you head upstairs, Rafe wraps his arm around Topper's shoulder, whispers in his ear, "Make sure you get these people out of here in an hour, then you can either stay here or go home." Topper nods and pats his shoulder.

You couldn't take your hands off each other on the way up to his bedroom; laughing, touching, and kissing. 

"You look so beautiful tonight, couldn't take my eyes off you," he says as he lays you on his soft sheets, runs his hands down your sides, and admires your physique.

The words coming out Rafe's mouth made your cheeks grow red. You watch Rafe's eyes scan your body before he grabs the hem of your shirt, pulling it over your body.

You feel yourself grow impatient, Rafe senses it, he smirks.

"Don't worry, angel, we're just getting started," he said, dropping his head, kissing your stomach, and moving closer to your underwear line.

Your hands slide through his hair, gently pulling, eliciting a gasp from Rafe's lips. You smirk at yourself.

Pulls your skirt down and throws your underwear across the room before bringing itching closer to your core. Chills run down your spine, and you breathe heavily as Rafe's breath fans on your bare core.

The sexual tension grows stronger. Rest of your night consisted of the both of your moans filling the bedroom.

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[popironrye]

The Lost Boys

Leisure Headcanons

💋 David 💋

Is a skilled fire arm shooter. (Loves the cowboy aesthetic)

Has his own gun hidden in the cave.

Doesn't get the chance too often, but will ride a horse when the chance arises.

Likes wood carving. Mostly non specific whittling into basic shapes or animals. It helps him relax.

Movie nut! When the boys go the Max's store to fool around, David makes sure to tuck a movie or two that catches his eye in his coat. Tends to watch them alone, all the questions from Paul would just grate on his nerves too much.

I imagine David would be like REALLY good at origami for no particular reason. He doesn't even try, just once the boys do it just because and he's just the best at it.

I don't know if vampires can emerge in water in the lost boys lore, but if they can David loves to swim. Chilling in water clears his mind.

💀 Dwayne 💀

Skater boi! Does a lot of sick tricks, but when you can levitate it's less impressive. XD

Doesn't care for guns, but likes archery. Hammers his own arrow heads. Dwayne and David like to pick a spot in the woods to shoot make shift targets.

A real book worm. Will spend a lot of time just silently reading for hours.

Takes up knitting from time to time. He prefers hand knitted blankets and throws rather then the store ones.

Likes to make jewelry. Made his own necklace.

Enjoys all types of puzzles. Cross word, jigsaw, and brain teasers.

Can sew and offers to sew up holes made in all the clothes the boys decide not to get new ones.

🌿 Paul 🌿

Can play the guitar.

Also likes to sing, and is pretty good at it. Wanted to start a band, but the other boys weren't up for it.

Has the biggest music collection and is always hogging the tabletop/cassette/cd player.

Amateur photography. Just likes to take photos randomly. Some are really artsy.

Got really into tie dye for a while. Although he might have just been high.

When he wants to relax, Paul really likes to stargaze. Laying outside the cave looking at the sky and hearing the waves of the ocean just makes him feel at peace.

When David isn't using the tv monitor, Paul enjoys quite a few video games. He also likes to take on the arcade and carnival games at the boardwalk.

🪶 Marko 🪶

Aside from pigeons, Marko will try to domesticate a number of animals to the cave, including stray dogs, cats, deer, badgers, squirrel, foxes, bats, and even a black bear once.

He did in fact not domesticate a black bear, but he did wrestle one.

He does his own patchwork on his jacket.

Like David, he likes to sculpt into wood, but he usually carves patterns and landscapes into more grand pieces.

He's also a skilled painter. Mostly he'll paint murals on sections of the cave David says is ok for him to paint on.

He collects sea shells on the beach.

He'll style the others hair. Especially David who he'll cut and dye in the way he likes best.

🔥Pack Activities🔥

Dart throwing. The bigger the target the better. David and Dwyane are very competitive at this one specifically.

Rollerblading. Put wheels on shoes, what more can you want?

Listening to music. The boys have very wide music tastes and sometimes they cross over and they all like the same stuff. They take turns around the player of their choice to just smoke, drink, and listen to the sounds of the music plays.

Card games. Specifically poker when they're all together. They make things more interesting when they make bets.

And of course motocycle cruising and board walk loitering.

Something that always strikes me with vampires in fiction and indeed with any immortal creature with the high and emotional intelligence of humans. IMMORTALITY IS FUCKING BORING!

I mean, think about it. Imagine you're given all the free time in the world with very little responsibility with no fear of getting sick or tired allowed to do pretty much whatever you want. What would you do? Cause I would go stir crazy. So I came up with these dumb little head canons on how I image the boys specifically would pass the time in their little vampire lives that doesn't revolve around murdering and feeding off of people.

Of course cruising on their bikes come to mind. And there's a couple in the movie we get to see like Dwayne's skateboarding and Marko's fondness for pigeons but I wanted to throw more possibilities out there. :3

[neoflect]

sharing some of my disorganized jojo musical thoughts now that ive had a week to sit on it and ive rewatched it several times over. i intended to wait to publish something like this until a subtitled version was available, but im not seeing any indication that thats happening any time soon so for now youll have to deal with my loose interpretations from my extremely rudimentary and rusty japanese… so take what i have to say about the finer points of characterization with a grain of salt. gratuitous spoilers below obviously, both for the original source material and the changes made in the stage production

my feelings are OVERWHELMINGLY positive. of course there are things i can criticize or that i would have personally done differently but oh man… i have literally not thought about anything besides this fucking show for a week. im 100% confident in saying this is a better adaptation of the source material than the tv anime. sorry to the davidpro staff, i respect their hard work and their love for jojo and their dedication to what is by any metric a pretty difficult property to adapt off of the page, but i dont know if i can ever forgive them for leaving half of the first episode’s storyboard on the cutting room floor in order to fit a standard half-hour tv slot, especially considering that what they cut is some of the really crucial character-building stuff. happily those scenes are not only reproduced in the stage version, some of them are expanded upon!

with the quick disclaimer that i’ve only managed to get my hands on the final 4/14 performance with shotaro arisawa and yoshihisa higashiyama, from what i’ve seen the casting is perfect. i’m sure there’s a rip of the 4/13 performance somewhere (i’ve seen clips) but i haven’t been able to find one… every single performer knocks it out of the fucking park, the cast chemistry is incredible and even the minor characters are loaded with charisma. and mamoru miyano… my god… mamoru miyano i owe you an apology. i was not familiar with your game. of course hes been killing it for decades at this point but i had soured on him a little bit recently because i felt like he was overcast in everything and i just didnt connect with his dnt reinhard at all, so when the casting was initially announced back in august i was underwhelmed, and of course my standards for the dio role in particular were astronomically high… i’ll go more into detail later in the post because i have so so many things to say about dio’s characterization here but mamoru miyano’s performance is like, life-changing. i had impossible expectations and he exceeded them.

sorry if im gushing. i am a hater by nature. its unusual for me to be so thoroughly pleased with something. im not even a musical theater guy. these are strange new feelings for me.

just to balance things out i’ll talk about a couple of the things that didn’t really work for me: first of all, the music is just ok. my initial draft of this post called the music “bad” but three additional viewings later i have warmed up to some of the songs. i don’t know if this is a shortcoming by dove attia as the composer or if it’s just me, as i said i’m not a musical guy and a lot of the genre conventions of musical theatre are not really the things i look for in music that i enjoy, but like… even at their worst they are serviceable. nothing here is sonically unpleasant to me. high points are “resolve of the ripple” (zeppeli’s hamon training song, a jazzy swing number - it’s simply catchy and fun to listen to) and the closer “phantom blood” (a sweeping ballad that reprises the earlier “light and darkness”/”golden spirit” leitmotifs into an epic duet between jonathan and dio as they join hands and walk off into the darkness together… made me cry! i wont lie! on every single one of my numerous viewings this one got me misty eyed!)

wait i forgot this is supposed to be the part where i’m being critical. ok my most loathed song in the musical is “dio’s world”. sorry dio nation. it doesn’t really work for me. i think this might be a case of my standards/expectations being too impossibly high because it’s not even really the worst song in the whole thing. and of course miyano eats it up so it’s not really his fault. i just find it kind of underwhelming… i find the melody a little grating, it’s kind of just a generic rock number, it’s just missing a particular je ne sais quoi…. the essence of dio isn’t there… lyrically though i am obsessed with the premise of dio recruiting his minions by selling himself as a kind of social revolutionary who is upending and inverting the brutal hierarchy of post-industrial victorian society with zombie blood magic. you win some you lose some.

the second sticking point for me is the costumes. they’re perfectly serviceable… adequate… but i mean when it comes to jojo “serviceable” and “adequate” costume design obviously falls well below what’s expected, right? a lot of the outfits have kind of a boxy, almost flat-looking kind of unflattering fit on the actors, which if i wanted to be generous i could attribute to the challenge of bridging the gap between these frail slender musical theater twinks and the two-meter-tall 250lb roided-out beefcakes theyre meant to be embodying. (bearing this discrepancy in mind a lot of the insane martial arts stuff in the second act doesn’t really land with the oomph that it should, but i also understand logistically why this kind of casting is not practical, and all things considered i think shotaro arisawa does a really incredible job of embodying jonathan joestar even though he kind of looks like i could snap him in half over my knee like a twig. he’s very cute. so i’m not mad about it.) of course, again, logistically, i understand that in a stage musical production, where actors only have minutes to complete costume changes, some sacrifices have to be made to the creative vision in the name of practicality. nevertheless this is jojos bizarre adventure!! i want to see some fucking baubles!!!!!!

which is all to say that… after carefully considering it for some weeks… i still have extremely mixed feelings about dio’s grink ass feather bathrobe look. it’s not that i dont think its something he could wear (the concept of dio lounging around in his gothic vampire palace doing re-animator style body horror experiments on the local wildlife in this “officer i have no idea what happened to my husband”-ass nightgown is nothing short of hysterical to me) but then he wears it into combat and i felt a little disappointed… it has the same unflattering fit issue as the other outfits in the show, and it is just such an un-araki-like design… where are the gaudy color combinations? the bizarre geometric patterns? the tease of an exposed boob/thigh/midriff? erina gets a stage-original dress design that i have fewer issues with because the excessive pleats and ruffles have more of an araki-esque sensibility, but every time i look at dio’s robe it feels like there’s something missing.  i’m going to choose to be nice about it because it’s not at all a deal breaker and, again, mamoru miyano devours the look. it’s fine. it’s always fun to have a new dio outfit. if anything, the fact that the blu-rays are being marketed as “2024 cast version” gives me hope for the possibility of a future production with a new vision for the costume design. (although the fact that this was such a difficult production - with stunts and pyrotechnics and moving setpieces - that its entire first week was cancelled indicates to me that the prospects for a future production from a different company are impossibly slim. i guess there’s always hope?)

in terms of the writing and the changes that were made from the original narrative, honestly i don’t really have an issue with anything that was cut. sorry if there are any diehard stans of Poco’s Unnamed Sister out there who are steamed that their favorite minor late phantom blood character got the axe, i kind of understand how you feel because i’ve been malding over david pro cutting the Danny Lore for eleven years, but i think it was the right choice and the story flows so much better. the real juicy meat at the core of phantom blood as a narrative and the thing that brings it head and shoulders above so much of the rest of jjba is the character-driven drama - that deliciously pulpy victorian gothic family tragedy - and the relationship between jonathan and dio. the musical beefs up the character drama and slims down the action-driven second half by trimming out the extraneous battles. the only real downside i see to this is that the absence of tompetty and his prophecy makes zeppeli’s arc and death feel INSANELY abrupt, but tbf that’s not a deal breaker for me. sorry zeppeli. you were born to die.

okay. okay. i think 1500 words into the post is enough fucking around so let’s talk about the real reason why you and i both know we’re here

musical dio is SO fucking sad. he’s positively wretched, you guys. he was born in a wet cardboard box all alone and forced to eat cement when he was six. he cries even more than he does in the source material and even when he’s not crying he frequently delivers his lines as though he is moments away from bursting into tears. back when the musical first opened i was snooping on the reactions on jpn twitter and one commenter said they could see miyano’s tears and snot from the nosebleeds even without opera glasses, a remark i initially assumed was hyperbole but that i now think probably was not. araki’s dio is certainly tortured and a deeply pathetic crybaby beneath all the cruelty and posturing, but changes in the musical and miyano’s embodiment of the character bring this pathos to the fore. he is literally haunted: dario’s ghost lingers, a manifestation of all of dio’s traumas and insecurities that emerges from the recesses of his memory to taunt him with the reminder that he will always be his father’s son, all the way up until the very minute that jonathan breaks down the door to his vampire lair. i am OBSESSED with this - not only for the obvious reason that i delight in dio’s suffering personally but also because kong kuwata is a delight and he fucking kills it every time. also lends itself to a category 10 leitmotif moment at the top of the second act when dio emerges from the charred ruins of the joestar estate singing dario’s theme and calling out to jonathan - if i had to pinpoint this is probably the moment when this musical stuck for me as the Real Deal. they Get It.

the first solo number in the show is dio’s disney princess I Want song (amazingly, simply titled “dio”) where he weeps for his late mother and his wretched lot in life, and then - in a creative decision that made me clap my hands and hoot and holler at my screen in real life - there is a reprise of this number (delivered, naturally, through tears) when dio is almost arrested for murder and decides to become a vampire instead. so there’s this amazing hopeful uplifting inspirational orchestral music accompanying the onstage action of dio ruthlessly slaying jonathan’s dad and then getting pumped full of lead by a bunch of cops. it is brilliant. 10/10 no notes. it’s moments like this that i think really sell the “softening” of dio in the stage version for me, even though i am historically Not A Fan of fanworks that take a similar angle - like, yes, he is sad, but specifically he is narcissistically obsessed with the spectacle of his own suffering, he is boiling over with bitterness and rage for everyone around him who (by his own estimation) could never hope to have suffered as much as he has. this sensitivity and self-pity he wallows in are not expressions of a guilty conscience or a desire to change - they’re entirely the opposite - every cruel and monstrous deed dio commits is always justified to himself because he is simply the saddest little boy who has ever existed. he has been done wrong by the world and so there is no limit to the depravity he may reasonably respond with. i’ve seen several commenters describe this as a drastically different interpretation of the character from araki’s dio (and someone told me on twitter that mamoru miyano himself has also said this, but i cba to go digging for an actual source so take it with a grain of salt?), but i… dont think thats the case! dio’s obsession with his own weakness and his self-perception as the eternal underdog (as compared to jonathan) are certainly more exaggerated in miyano’s performance, but i don’t think this is an angle to the character that’s been manufactured out of whole cloth. the genre conventions of the stage musical force the melodrama up to eleven and dio’s incredibly repressed angst is the most rich vein to mine for that. hair-trigger sadist dio is still here, it’s the same guy, he’s still killing people mercilessly, you’re just getting to see him sing a big ballad about his feelings instead of confining those to an internal monologue.

if anything, the exaggeration of dio’s pathetic/cowardly/crybaby traits combined with his megalomaniacal aspirations and bottomless well of cruelty is just right. it’s perfect. fucking around, finding out, and then trying to weasel his way out of the consequences with crocodile tears just so you don’t see him drawing his knife to cut you clean open… yeah. thats the stuff. thats my one true blorbo. sad to say i will love him for ten thousand years.

i think that might be all i have to say… or at least all i feel like saying here… most likely ill come back and edit this post later. i certainly have some additional thoughts and some more esoteric/controversial takes but they’re not suited for a public blog. real ones will understand. im keeping my eyes peeled for somebody to translate this thing but to be frank i am kind of enjoying this little corner of fandom as it is right now: just the asians and the true hardcore phantom blood phreaks. i have not had this much fun in jojo fandom in almost a fucking decade. as soon as somebody publishes an english version my timelines going to get flooded with all the most deeply annoying “kono dio da” “speedwagon waifu” reddit guys and 15 year olds and my suffering will proceed. unfortunately this is my lot in life and i am doomed to be here forever because dio put a worm in my brain

[louisupdates]

FULL ARTICLE ON EUPHORIAZINE

By Saskia Postema 26.4.2024

Mere days after winning “Artist of the Year” at the inaugural Northern Music Awards, Louis Tomlinson is celebrating the only way he knows how – by giving back. Tomlinson just dropped a surprise album, which includes a curated list of live performances over the past years. It’s a risky move, as live albums are notoriously difficult to make worthwhile. But there’s no doubt about it: Tomlinson is deserving of that award, and the recordings on Louis Tomlinson: LIVE deserve to live forever.

After an initial stop-start to his solo career, Tomlinson has certainly flourished since finally getting to hit the stage. He’s been touring extensively over the past few years, performing a mix of tracks from his first two albums. Both were solid records that heavily referenced anthemic, rich sonic soundscapes. In fact, Tomlinson previously admitted that he wrote certain tracks with a live show in mind. Indeed, songs like “Face The Music,” “Out Of My System” and “The Greatest,” from his No. 1 selling album Faith in the Future, absolutely benefit from the live instrumentals compared to their studio versions.

It isn’t often that live performances consistently seem to not only live up to but objectively improve the perfectly engineered studio recordings. Perhaps it’s the love that the album so clearly captures for live music that does it. The singer-songwriter is an avid fan of his own fans and gets to share a collective experience of joy with them. Just listen to the crowds serenading Tomlinson in return during “Chicago,” recorded live in – you guessed it, Chicago. From Tomlinson’s perspective, audiences across the world have always been part of breathing life into these live recordings. Now, people get to live that same experience with him by listening to this record that is woven together with impeccably mixed joyful screaming in the background.

Tomlinson’s storytelling isn’t hindered by the crowd’s reaction. Rather, it is bolstered by it. In both power ballads like “Common People” as well as raucous tracks like “Silver Tongues.” The live setting seems to function almost akin to a prism – each song shining brighter, richer, fuller. Perhaps the only track that is tighter in the original version, is the seductive “Written All Over Your Face.” Nonetheless, the instrumental break and palpable, wild excitement make for an enjoyable listen.

Similarly, right in the middle of the highly addictive “All This Time/We Are Beauty” mash-up, a fan can be heard screaming “I love you” if you listen closely. The sheer adulation of the crowd is decidedly earned. Tomlinson has worked hard to prove himself, despite never having lacked the talent. Perhaps merely the confidence that he could do it, would do it, has done it. Nevertheless, he’s been open about the tension between his own love for music, and his at times debilitating need for perfection. As he’s settled into his career, a quiet undertone of determination and grit, of relief and fulfillment – of gratitude remains in every single show.

On “Saturdays,” you can actually hear Tomlinson mumble that the view’s never been better from where he’s stood on stage. It’s a high-maintenance track with all the right ingredients for a Tomlinson classic. There’s confessional lyricism, emotive delivery, and a gradual yet powerful crescendo in musical arrangement. It needs to be sung with conviction, and it’s clear that Tomlinson pulls power from the audience to deliver.

Notably, none of the covers that Tomlinson frequently incorporates in his concerts made it onto this live album. With that in mind, perhaps this release signals that Tomlinson has finally embraced his own artistry. Because if anything, Louis Tomlinson: LIVE is a reckless celebration record. An ode to joy, the synergy between artist and audience, and the impact of well-timed, flawlessly executed live guitar solos.

[hldailyupdate]

Mere days after winning “Artist of the Year” at the inaugural Northern Music Awards, Louis Tomlinson is celebrating the only way he knows how – by giving back. Tomlinson just dropped a surprise album, which includes a curated list of live performances over the past years. It’s a risky move, as live albums are notoriously difficult to make worthwhile. But there’s no doubt about it: Tomlinson is deserving of that award, and the recordings on Louis Tomlinson: LIVE deserve to live forever.

After an initial stop-start to his solo career, Tomlinson has certainly flourished since finally getting to hit the stage. He’s been touring extensively over the past few years, performing a mix of tracks from his first two albums. Both were solid records that heavily referenced anthemic, rich sonic soundscapes. In fact, Tomlinson previously admitted that he wrote certain tracks with a live show in mind. Indeed, songs like “Face The Music,” “Out Of My System” and “The Greatest,” from his No. 1 selling album Faith in the Future, absolutely benefit from the live instrumentals compared to their studio versions.

It isn’t often that live performances consistently seem to not only live up to but objectively improve the perfectly engineered studio recordings. Perhaps it’s the love that the album so clearly captures for live music that does it. The singer-songwriter is an avid fan of his own fans and gets to share a collective experience of joy with them. Just listen to the crowds serenading Tomlinson in return during “Chicago,” recorded live in – you guessed it, Chicago. From Tomlinson’s perspective, audiences across the world have always been part of breathing life into these live recordings. Now, people get to live that same experience with him by listening to this record that is woven together with impeccably mixed joyful screaming in the background.

Tomlinson’s storytelling isn’t hindered by the crowd’s reaction. Rather, it is bolstered by it. In both power ballads like “Common People” as well as raucous tracks like “Silver Tongues.” The live setting seems to function almost akin to a prism – each song shining brighter, richer, fuller. Perhaps the only track that is tighter in the original version, is the seductive “Written All Over Your Face.” Nonetheless, the instrumental break and palpable, wild excitement make for an enjoyable listen.

Similarly, right in the middle of the highly addictive “All This Time/We Are Beauty” mash-up, a fan can be heard screaming “I love you” if you listen closely. The sheer adulation of the crowd is decidedly earned. Tomlinson has worked hard to prove himself, despite never having lacked the talent. Perhaps merely the confidence that he could do it, would do it, has done it. Nevertheless, he’s been open about the tension between his own love for music, and his at times debilitating need for perfection. As he’s settled into his career, a quiet undertone of determination and grit, of relief and fulfillment – of gratitude remains in every single show.

On “Saturdays,” you can actually hear Tomlinson mumble that the view’s never been better from where he’s stood on stage. It’s a high-maintenance track with all the right ingredients for a Tomlinson classic. There’s confessional lyricism, emotive delivery, and a gradual yet powerful crescendo in musical arrangement. It needs to be sung with conviction, and it’s clear that Tomlinson pulls power from the audience to deliver.

Notably, none of the covers that Tomlinson frequently incorporates in his concerts made it onto this live album. With that in mind, perhaps this release signals that Tomlinson has finally embraced his own artistry. Because if anything, Louis Tomlinson: LIVE is a reckless celebration record. An ode to joy, the synergy between artist and audience, and the impact of well-timed, flawlessly executed live guitar solos.

[misc-obeyme]

for the drabble thing kinda 👉👈 (mostly be rambling per usual but could be an idea). I've been listening to music non stop at work and favorite record by fall out boy came on today

and there's a lyric that goes "and I confessed, confessed to you riding shotgun, underneath purple skies" and it screams mammon and mc to me. ALSO the rest of the song makes it sound like past tense/lost love/one that got away...angst potential too. Like reminiscing? Mc moved on but he never did.

I just like thinking about different ways he may confess, and if he'd just blurt it out without thinking? Or maybe he's hyped himself up, he's driving mc up to a hilltop to stargaze, he's got it all planned - and something mc does just makes him blurt it out

if it was something silly like turning on the A/C before he could finish asking them to, because MC just knows him that well, that would be hilarious

Mammon: hey uh, can you-

mc, already turning the dial: i got you

Mammon: i am in love with you.

- ✨ anon

also, partially related but Flu Game by the same band reminds me so much of nightbringer!mc and I could go on forever about it

Yes this feels very Mammon to me... blurting it out before he means to lol! I do like the angst of MC moving on, but he never did, too! That's some good potential right there.

BUT I did a drabble based on the rest of the idea, that he's taking MC to a hilltop to confess but doesn't quite make it lol.

Mammon knows he has to tell you. It's been stewing inside him for a while, brought to his attention every time you meet his eyes, every time you say his name, every time you touch him or hug him or do something before he even asks. He's nervous to say it, but he won't risk losing you because he was too afraid.

He has it all planned out. What better way than to take you for a drive? Up onto the highest hilltop in the Devildom. Thinking about it makes his pulse race. He's on high alert all day, not able to focus on anything except the moment when those words pass his lips.

Mammon rehearses what he'll say. He thought about getting poetic, but in the end he decides it's better to just be straightforward. To be honest, to be true, to tell you exactly what he needs you to know, so there is no possibility of miscommunication. He chants it in his head all day. I'm in love with you, I'm in love with you, I'm in love with you.

You settle into the passenger seat of his Demonio like you belong there, riding shotgun beside him. He wants to say it right then, before he's even started the car.

I'm in love with you.

Mammon holds it in as you click in your seat belt and smile at him before turning on the music. It's a playlist you made together of all the songs you both love most. As you start singing along to the chorus, he wants to say it again.

I'm in love with you.

Mammon's eyes are on the road, but you are all encompassing. Despite this, he doesn't let his attention wander from the task of driving. He cares too much about you to be reckless.

He hasn't said much because he doesn't trust himself to speak. The road gets tricky as he starts up the winding cliff side to get to the highest hilltop. He can't look away from it, but he's sweating. He wipes quickly at his forehead.

"Hey, MC, can ya-"

"I got you," you say, already turning the dial.

His heart skips. And the words he's been repeating in his mind all day come bursting out. "I'm in love with you."

For a moment, the only sound is a soft song that has begun to play. Mammon's mind is buzzing, full of static at the shock of what he's just done, what he's said. He didn't even make it up to the hilltop.

"Er- I mean-" he starts to say, but it's too late.

He sees you reaching toward him in his periphery. He takes your outstretched hand without even thinking about it.

"I love you, too," you say, simply.

Mammon holds your hand like it's the only thing keeping him alive as he finally makes it to his destination. He stops the car and turns to you, taking in the way your eyes are shining brighter than all the stars and city lights streaming in through the windshield. He leans over to kiss you and the current between you is like lightning, brighter and more intense than any other light could hope to be. Wild, unpredictable, full of passion - just like him.

masterlist | Thank you for reading!

[regheart]

deep down i'll never stop being an astrology girly so here i am reading about the compatibility between marauders era characters and i might be projecting but i think they're pretty close to how i picture the dynamics

lily & severus

Capricorn and Aquarius friendship compatibility is pretty high. Both of them are the kind of people that go picky when selecting their BFFs and believe in investing in them thoroughly. If they closely get along with each other, they will share a shrewd bonding that would be liked by all around. With fun and excitement in their friendship, Capricorn and Aquarius friends share a lot in common. Both love to search for timeless things and believe in scorning fads. Where Aquarius shows its creativity, their Capricorn buddy just perceives it all right and calculatedly and right with them. Therefore, as pals, they could effortlessly get along, but only if none of them becomes critical or demotivating.

james & sirius

Both Scorpio and Aries are ruled by the planet Mars in astrology. The energies of two Mars natives could lead them to either become allies or ruthless enemies. Arguments in friendship are inevitable but the differences won't exist for long. Aries, as they like to be the starters of things, claims the spotlight in the Aries and Scorpio relationship, meanwhile, the Scorpio stays behind the scenes to support the Aries intellectually and emotionally. Aries and Scorpio could have a wonderful friendship and achieve great success while having their share of fun.

sirius & remus

These two Water Signs are terrific friends. Protective Scorpio loves caring for vulnerable Pisces. The whimsical Fish enjoys lifting Scorpio's spirits. They're highly creative people who love collaborating on writing, music, and design projects. When they're not working, they have fun trading books, watching movies and going to concerts together. These two Scorpio Pisces friends are intense souls who often form friendships within a fringe group – think Skater-punks and Metalheads. Scorpio, in particular, likes to look down on mere mortals and frightens people off with their menacing demeanour and sometimes, eyeliner and multiple piercings. Pisces is fashionably depressive enough for fringe dwelling but recognizes much of Scorpio’s schtick is self-preservation – they soothe the scorpion beast with creativity and off-beat spirituality. Scorpio understands Pisces chaotic mind and teaches them how to focus on one idea before moving onto the next.

james & remus

The Aries sign in astrology is ruled by the planet Mars while, on the other hand, Pisces is ruled by the planet Jupiter. The influence of Mars keeps the Aries strong and active. Jupiter’s influence adds intensity to their friendship. Aries could help Pisces realise their dreams, and on the other hand, Pisces could provide a recess where Aries could display the softer side of their character. In a nutshell, both the signs complement each other well in a relationship. And as they do so, the chances of their friendship turning into something special are always high.

lily & james

(romantic compatibility) Here comes your knight in shining armour Aries. Apart from the initial A, there are literally thousands of other things that take the Aries and Aquarius compatibility beyond imagination. The Aries are usually attracted to the Aquarius owing to the latter’s charming personality. The Aries and Aquarius are very idealistic individuals and extremely good at communicating their thoughts and feelings with each other. In love, the Aquarius are a bit reserved but open and excited about learning the hows and wows of the relationship. These two signs usually go well together in general and they support each other through thick and thin.

(communication) The Aries and Aquarius conversations are so fulfilling that many people would literally pay to listen them talk. It doesn't happen often for the Aries to find an idol in someone, but an Aquarius does inspire them. An Aries would listen to the Aquarius with sheer curiosity, all excited about what they might discover. Meanwhile, Aquarius also enjoys their role as a sharer for they have so much to say. However, Aquarius is not up for ridiculous conflicts and usually cuts the other person from their life to safeguard themselves from the same. Thus, it is recommended that the Aries rein their impulsive nature and urge to counter when they converse with Aquarius.

am i crazy or does it actually make sense???? i also wish we knew what is peter's solar sign. i feel inclined towards gemini or cancer, but i'd love to hear if anyone has any thoughts on this

source

[nadvs]

okay i’m on my period and ive been listening to fourth of july by sufjan stevens on REPEATTT😭 it’s inspired a fic idea that i think u would absolutely nail !!!!

sad ofc but rafe’s ex (moved out of the obx) gets news that he’s passed away. it’s centred around her going home, going thru the motions of how jarring it is that someone as big and powerful and stoic as rafe is just….gone. not there anymore. the lyrics of the song are great inspo ofc, but yeah just a huge ball of heartache and emotional despair!

if u wanted to lighten things up a pt2 could be like rafe faked his death vibes, angst and reunion and love and ahhhh!

၊၊||၊၊||၊၊ fourth of july / sufjan stevens

ˏˋ°•*⁀➷

content warning death, drug abuse

When you saw the post on social media, you thought it was a sick joke.

But then you read the comments, full of canned condolences and useless prayers, and your refusal to accept the news crumbled with every typed word until you couldn’t possibly deny it any longer.

Someone commented asking how. Someone else replied overdose.

Sorrow and loss and shock and nausea swirled through you. You paced around your bedroom, chest heaving, glancing at the door as if someone was coming to pull you out of the nightmare.

Eventually, you found the strength to text Sarah. You still had her number even though you broke things off with Rafe three months ago.

She gave you the details for the funeral that Saturday.

It’s a hot, sunny afternoon when you make it to Kildare Island. It’s wrong that the world is still spinning, boasting beautiful weather on a gruesome day.

You think bitterly about how people are surely enjoying the sun today, all while the man you still love is being buried.

When Sarah sees you at the church, she gives you a mournful, forced smile. You hug her, your eyes swollen and red and aching, your throat burning as you tell her I’m sorry and are you okay?

You’re not sure if Rafe told her about why you broke up.

— and i’m sorry i left, but it was for the best though it never felt right

He hated that you wanted to move to another state for a job opportunity. He didn’t understand why you didn’t want to stay, why he couldn’t just take care of you.

You told him this was for the best and he’d find a girl who’d make him happy. He told you that was bullshit.

You doubt Sarah knows. He never spoke much to his sister unless he was fighting with her, so she likely has no idea why you ended an otherwise happy relationship.

There’s a large photo of him sitting on an easel at the front. You’re surprised they found a picture of him smiling.

It’s grainy and clearly zoomed in, likely from a group photo. He always had a great smile. He hardly showed it.

The lights hit the photographed blue of his eyes dully. Nothing like how he looked when he was alive. Even beneath the anger and bitterness Rafe carried around, he had a brightness in his eyes reserved solely for you.

You watched it fade the day you left him.

— make the most of your life, while it is rife, while it is light

When you see the coffin resting above the plot in the cemetery, you think you might be sick.

You knew Rafe liked coke. You feel naive now that you didn’t realize it was a problem. He just did it at parties when you were dating. At least, you thought he did.

Maybe you could have prevented this.

You remember the way his arm was wrapped around your waist at one of the last beach house parties you attended together. It was when you were still considering the job offer, knowing deep down you were going to take it.

He smelled like cologne and sweat and Rafe, his cheek against yours as he spoke over the loud music.

“You can’t move,” he said, chuckling and high out of his mind. “Look how much fun we’re having, baby.”

“I’d have more fun if we left,” you told him. He scoffed. But then he led you out of the party, down to the beach, hugging you from behind, kissing your neck as you sat in the sand.

“How’s this?” Rafe murmured. He earned laughs from you, his lips on your neck. “Fun?”

“Yeah,” you replied sincerely.

But you still left.

You can hardly listen to the sermon, but one part reverberates through you like it’s being screamed into your ears. We don’t face this life or death without promises.

There was a time when you and Rafe lived in a promise together. But now you just live, and he doesn’t.

Sarah finds you as you’re opening your car door to leave. She tells you it would feel wrong not to show you. They went through his phone. There are messages he sent to you that remain undelivered.

You blocked him after the break-up. You thought it was the right thing to do, but deep down, it felt more wrong than anything.

Your hand trembles as you hold the phone up to your face. It’s jarring, touching something that big, strong, abrasive, loud Rafe owned and used every day, and now he’s buried yards away from you, nothing but coldness and weakness and stillness. He owns nothing now.

Sharp spikes dig into your heart when you see that he sent you a string of texts the night he died.

i can’t stop thinking about you

i love you and i can make you love me again

come back

or i’ll come to you

please try one more time with me

“Thanks,” you tell Sarah, handing back the phone, when in reality, no part of you feels grateful upon seeing words he tried to say to you but couldn’t. You would have been better off not knowing.

You leave a part of yourself in that cemetery. It died with him. Because Rafe always said you were the only one who loved him and he left this earth thinking you didn’t anymore.

[annwrites]

exactly what he needs, pt. 2 ♡ ⋆｡˚ | pt 1

— pairing: nate jacobs x fem!reader

— type: ficlet (multi-chapter)

— summary: you & nate hang out in your room (after he snoops through it right in front of you), then ask each other questions, & he dresses & does your hair before you head out to spend the evening together.

— tags: conversing, getting to know one another

— tw: sexualization, lying (nate manipulating the truth), dollification

— word count: 6.2k

— a/n: I edited this numerous times, but fucked myself over by writing part 1 in present-tense to begin with, which I'm not always great at. So, if I messed up the tenses anywhere, please ignore it. Going forward, I'll probably be publishing further installments in past-tense.

Next post will be reader & Nate going shopping & having dinner!

The next morning when you wake, it only takes a few minutes for you to remember that Nate will be there in a little less than an hour, and the nerves immediately set in.

Surely people will see you getting out of his truck. What will they think?

You shake your head. It doesn't matter. Not really, anyway. You don't much care what any one person of the student population thinks of you.

You know high school is just a blip—a very brief moment in time, where it seems like every little thing you experience can be the end of the world, but it's really all just the beginning.

People will think whatever they like. It's not your job to try and change their minds. Not that trying to do as much would work anyway.

Once you've quickly showered, dressed, pulled your hair into a high ponytail to keep it out of your way, and eaten breakfast, you don't even have time to wait by the door as Nate's truck pulls up. You quickly pull on a pair of boots and step outside, locking the door behind you.

When you look up, your stomach does a flip when you see Nate holding the passenger-side door open for you.

You walk over to him. "You don't have to get my door for me, you know."

He shrugs, taking your backpack from you, setting it in the backseat with his. "I want to."

You tell him thank you as you climb inside and he shuts the door behind you.

Once you're on the road, he's the first to break the silence. "You can listen to whatever you want on the radio."

In truth, it's a bit too early for music for you. "I'm ok."

"Did you eat already?"

You nod. "I had a bowl of cereal."

He gives a slight frown. Not a very healthy start to your day. Something full of sugar.

"Do you want me to pick you up something on the way?"

Your eyes go wide. "Oh, no, I'm fine. Thank you, though. It's nice of you to offer."

He decides tomorrow he's bringing you breakfast, and he won't be asking for permission beforehand.

You're both silent again for a moment and the truck slows as he pulls up to a red light. He briefly wonders if you know how to drive. If not, he'd be a more than willing teacher.

"If you don't mind, I'd like to ask you something personal. If you do, just tell me to fuck off and you don't have to answer."

You look at him. "Ok..."

The light turns green and the truck picks up speed again. "I noticed neither of your parents were home yesterday. Were they both at work?"

You grow quiet for a moment, a pregnant pause settling between the two of you as you look out the window at the passing houses.

"My dad was...is. He travels a lot for work, so he's not home much."

He nods, deeming it good news, at least for him. "And your mom?"

You're quiet for even longer this time. Then, "I've never met her."

Minus Lexi, you've already divulged more to him in that short sentence than you have to anyone else at East Highland.

"I'm sorry to hear that." He's not sure that he means it. He despises both of his parents and, if anything, in this moment, is envious of you, due to your lack of relationship with both of yours.

You shrug. "It's fine."

He wants more than just 'it's fine'. He wants to know more, as it's clear it's something which bothers you. He wants you to give him emotional vulnerability for just a moment. Something he can use in the future to work his way in closer to you.

"Do you know anything about her?"

You shake your head. "My dad refuses to talk about her. After a few fights when I was younger where I tried to get him to, I gave up. It's probably for the best. She made her choice, and I think me knowing anything about her would just make things...more difficult. My life, I mean."

Even if you still felt like you were chasing shadows sometimes.

He nods. If nothing else, it's one less person he'll have to go through to be with you. Two less, from the sound of things.

Finally, he turns into the school parking lot, taking his usual spot and he shuts the truck off.

"I'll get your door for you," he states before getting out.

You unbuckle yourself, not sure what to think of his insistence with the whole door thing. It just doesn't seem to be something men much concern themselves with anymore—getting a girl's door for her—at least not teenage boys, that is. But perhaps he's different. Maybe it's just the way he was raised.

Nate opens your door and grabs his backpack, sliding it over his shoulders, then grabbing yours as well.

You get out and go to take it from him, but he continues holding it.

"Turn around."

Your brows furrow for a moment, but do as he's asked. You quickly realize what he's doing and adjust your arms as he slides your bag onto your back. He's really going the extra mile to be a gentleman, you think.

Once the truck's doors are closed and he's locked the vehicle, he places his hand against the small of your back as you walk into school together.

You look perfectly calm on the outside, but on the inside, your anxiety levels are rising with each pair of eyes turning your and Nate's way.

When you spot Lexi, the look on her face is nothing short of bewildered. Next to her sits Cassie, who's fuming.

You're torn away from looking in their direction by Nate coming to stand in front of you. "See you in third period."

You nod and give him a small smile, going to sit with Lexi, despite Cassie giving you that same glare from yesterday. A worse one, really.

"What the hell was that?" Lexi asks, her tone full of concern as you sit down beside her, setting your bag on the table.

"Nothing. He just drove me to school, that's all."

"And home," Cassie says, voice full of malice.

Lexi looks from her sister, then back to you. "The two of you are not hooking up."

You flush. "No. He just gave me a ride, that's all."

"Ok, but why would he do that? The two of you never talk. You're not even friends."

You do your best to ignore Cassie's unsettling stare.

"I'm just—" You immediately shut your mouth. You should've thought further ahead, should've thought about what excuse you would give people when they inevitably ask why the two of you are hanging out all of a sudden.

Nate asked you to keep it a secret and you aren't about to betray his confidence. If you do, you're sure he'll fail and never bother asking for help again.

"Just what?" Lexi prods.

"We're just hanging out. It's not a big deal. I promise."

Suddenly, Cassie stands, angrily grabbing her bag, jerking it off the table and storming away.

Lexi rolls her eyes. "Just ignore her. I don't know why she's still hung up on him, anyway. He treated her like crap." She shifts in her seat, facing fully toward you now. "What I can believe even less, however, is the fact you're giving him the time of day. He's an asshole. He was abusive toward Maddy and wanted to keep screwing Cassie so long as she kept it a secret. He uses people, Y/N."

Abusive? You knew he and Maddy had argued quite a bit, but nothing that severe.

"What do you mean by abusive?"

She shrugs. "I don't know much, since she and Cassie obviously aren't friends anymore. But I know a good portion of it, at least, was emotional. Maybe verbal, too. Then again, I don't think she was any better." Lexi glances behind you, and you don't dare turn around, now worried the subject of your conversation is who she's looking at. "She gives as good as she gets."

Once the school day is over and you go to drop off your books at your locker, you find Nate leaning up against it.

He smiles when he sees you and you give him a shy smile in return.

You put your things away, then look to Nate.

In truth, what Lexi told you had gotten to you a bit. You try to tell yourself that it's all nothing more than hearsay, and you're only tutoring—not dating him—so whatever had occurred between he and Maddy and Cassie is none of your concern.

"You ready?"

You nod, and, just like this morning, he places his hand firmly against your back.

Once you're in his truck, you notice Maddy staring at you today, just a few cars away. She and Kat are both looking in your direction, Maddy clearly getting worked up and Kat obviously trying to calm her down, and your eyes widen when she begins heading in Nate's direction.

Before she can reach him, however, he gets in the truck and pulls out of the lot, leaving her standing there, staring after the two of you.

You're glad whatever was about to happen has just been avoided.

Over the next week, you and Nate go to your house every day after school to study. You gradually get to know more about one another, like you learning he has a brother—which you'd somehow managed to forget over the years—and he tells you how passionate he is about personal fitness, something to which you don't much relate.

It'd been abundantly clear since day one that he dislikes his father. But that dislike—even if he talks about him very little—clearly, somewhere along the way, became loathing. It's all in the tone he uses, the language he uses when he's brought up.

But the thing that always seems to calm him—make him happier—is talking about you.

He asks you every question in the book: favorite food, color, flower, song, type of music, art, what you want to be when you graduate, the kind of house you want to live in. The list is endless.

And then the day came when he asked to see your room, with you standing awkwardly in the doorway as he surveys every inch.

He starts with your bed, your fluffy white comforter with small pink flowers printed across it, and your plethora of pillows. And then he notices the small brown teddy bear leaned back against said pillows. He briefly picks it up, smirking to himself, then looking at you.

“Do you sleep with this?”

Your face goes blood-red. “Y-yes.”

He studies it for a moment longer, making a mental note to one day buy you one himself, wanting you to sleep with one that’s come from him instead.

In truth, while you think about you sleeping with a stuffed animal as embarrassing—at least for another person to now know about—it’s a major fucking turn-on for him. You’re that innocent that you still sleep with a teddy.

He sets it back down, throwing a “that’s very sweet” your way before moving on to your bookshelves.

Not that he’s read or heard of the grand majority of the novels you have, he can tell by the titles and covers alone that they’re all either romance or fantasy. He supposes he understands that: you trying to escape through stories. Stories where you can go somewhere else, be someone else. Have a new family, new friends.

And then he thinks it incredibly sad—just how lonely you are.

It’s not like he isn’t already aware of it, because he is—has became more and more so as the last week has gone on. Everyday he’s come to your house it’s been empty. But to see your shelves crammed full of books—your one attempt at escaping into a better life—he vows in that moment to start working faster at bringing the two of you together into a relationship.

You need him.

You like stories about princesses trapped in towers and white knights coming to save them? Then that’s exactly what he’ll be for you. He’ll rescue you from the lonely hell you’re living in and give himself to you fully. He’ll dedicate all of his time that he can to you. And he plans to spoil you fucking rotten.

He looks over the various trinkets you have set on—and on top of—those shame shelves. Porcelain figurines of unicorns and cats, a small jeweled crown, some candles and a few faux plants.

He turns back to you. “Which one is your favorite?”

You shift nervously from one foot to the other. “The Lord of the Rings, actually. I…I really like Éowyn and Faramir’s story.”

He nods.

He’s never watched the movies, and has obviously never read the book, so he makes a mental note to at least do some reading on the characters you’ve mentioned to understand you better.

He then looks over your entertainment center and the small collection of DVDs you have alphabetically organized in one of the cubbies. Beauty and the Beast, Ever After, Stardust, The Last Unicorn, The Princess Bride, among a few others.

He then steps over to your closet and pulls the doors open without even asking your permission first.

You don’t much react to him doing so, supposing that everything in there you’ve worn to school at some point anyway.

He’s met with skirts and sweaters and dress blouses. Another thing he’s going to have to change—your wardrobe. It isn’t exactly “frumpy”, but it isn’t feminine enough for his taste, either. He wants your clothes to reflect who you truly are. Sun and baby doll dresses, and tennis skirts with the right pretty tops will suit you far better. Sandals and delicate flats. Your hair curled and actually down for once, perhaps with a bow in it. And he’ll buy you a few nice pieces of expensive jewelry as well. Maybe take you on a shopping trip to Tiffany one day.

He closes the doors in front of him.

What he really wants is to go through not just your bedside table, but also the top drawers of your dresser. He's curious if you've ventured into the territory of lingerie and sex-toys yet. And if so, what your preferences are.

He doesn't like to imagine you using more than a vibrator on your clit to get yourself to orgasm. As for lingerie, he doubts that you own any, but he often pictures you in lacy panties and pastel teddy nightgowns.

He adds such things to his mental shopping list of things to one day buy you.

Speaking of orgasms, however, he'd come thinking of you nearly every night for the past week.

He imagined you on his bed, naked, your pussy soaked for him, your legs spread wide as he teased you until you were begging for him to put himself inside of you.

He imagined all the things he'd teach you in bed, sure that you're inexperienced.

And only after you promised him that you're his—belonged to him and wanted no one and nothing else but him—did he finally join your two bodies together.

Finally, he sits on the edge of your bed. He then glances to the chair which hangs from the ceiling in the back left corner of your room, directly facing where he now sits.

You walk over, sitting in it.

He then lays back on your bed, feet still planted firmly on the floor, arms folded behind his head—God, he’s so tall.

“Do you not get lonely here?” He asks, turning his head to look at you.

You lift one of your socked-feet onto the chair, wrapping your arms around your bent knee. You shrug.

He shakes his head. “Don’t do that.”

Your brows furrow. “Do what?”

“Act like you being left alone all the time doesn’t matter. It matters; you matter.”

You remain quiet. Then, “I’m used to it. I like being alone.”

He refuses to believe that, knows it’s bullshit.

You’d only spent a week together, and only a little over an hour every day at that, but it’d not taken but a couple of days for you to—at times—talk his ear off. At one point, it’d nearly gotten on his last nerve, until his stomach dropped and heart broke when he realized why: how fucking long had it been since you’d had someone—anyone—to really talk to? Someone who bothered to truly listen? How long had you stayed silent, withdrawing further and further into yourself, until you’d built up an entire fantasy world within your mind and soul, which became your new reality?

And so he promised to himself—and mentally to you—that he’d never, even if it were true—tell you he doesn’t care what you have to say. He won’t be just one more person to hurt and let you down. Just like he knows you won’t be as much to him.

You’re good for him. He could tell as much from the first day he spoke to you.

He stares at you for a moment, making you squirm. “I don’t believe that.”

“Ok.” You don’t particularly feel like arguing. He can believe whatever he wishes.

He frowns. He dislikes that you don’t seem to much care what his opinion of you is. He supposes it’s a strange dichotomy. Going from Cassie who, it was all she cared about, to you, who clearly can’t care less.

“You’re really telling me that talking to barely anyone at school, except occasionally Lexi, and being alone in this house all the time doesn’t ever get to you?”

You shrug. “It’s just what I’m used to.”

In all the talking to him you’d done over the past week, all of it had been surface-level. About history or the new book you were reading, or something you’d read in a news article. None of it was actually truly about you.

If his plan to get in deeper with you—to know you like no other person on the planet does—is going to work, then you need to give him more.

“What if it wasn’t?”

“What do you mean?”

He shrugs, looking up to the ceiling. “What if we started hanging out more often than just when we study after school? We could text or something, too.”

You appreciate his being concerned for you, you think it really kind of him. Even if makes you the least bit uncomfortable. You tell yourself it’s simply because it’s something you’re not used to: someone showing genuine concern for you.

“I don’t want to be a burden.”

He looks at you again. “You wouldn’t be. I like spending time with you.”

You’re not sure how to respond, so you just say thanks.

“I feel like for the last week I’ve done nothing but ask you questions about yourself. Is there anything you want to know about me?”

He’ll never admit it, but your lack of interest in him hurts his feelings. It makes him feel like you aren’t nearly as attracted to him as he is to you.

“I just didn’t want to make you uncomfortable.”

He smirks. So that’s why. Always so fucking considerate; his sweet girl.

“You won’t.”

You think for a moment. The things you really want to ask him about are too personal this early on (even if you’d told yourself such things were none of your business, you can’t help wanting answers). Like why he despises his dad so much, and what happened with him and Maddy and Cassie. And what happened at that New Year’s party which landed him in the hospital?

You start smaller. “What made you want to play football?”

He considers giving you some bullshit answer—which will seem a plausible enough explanation—and giving you the actual truth. Finally, he decides on both. “It gives me something to do, for one. A reason to push myself harder. It gives me something to focus on. And football is a contact sport. So when I’m pissed off, I finally have something to take it out on.”

“Like when you’re angry with your dad?”

He grows silent.

“I’m sorry. I shouldn’t have-”

He shakes his head. “It’s ok. It’s not like I’ve exactly been subtle about my dislike of him.”

He doesn’t elaborate further than that.

“So…what’s your favorite color?”

He laughs. “I don’t know. Black, I guess.”

Somehow it seems fitting for him.

He looks at you, able to read you. “But that’s not the kind of question you want to be asking, is it?”

“I don’t want to overstep boundaries.”

He leans up on one elbow. “Then how about we make it fair? You ask me one actually personal question, and then I ask you one. And we both have to answer. No matter what. As soon as one of us refuses to, I head home.”

You think about it for a moment, worried about the sorts of things he may ask, but you have an out. “Deal.”

He smiles. “Alright, ladies first.”

“Will you tell me what happened during New Year’s?”

He sits up fully then. “Fezco smashed a bottle over my head, then beat me within an inch of my life. He got the upper hand immediately by doing what he did with the liquor bottle. He almost fucking killed me, all for a worthless druggy.”

Your brows furrow. “Who?”

“Rue went to him with some made-up story about me harassing her and some friend of hers online. When in reality I want nothing to do with her. So then he threatened to kill me and finally fucking tried to.”

“Why would she do something like that?” It feels like he isn’t giving you the whole story. He’s laid out the edges of a puzzle, but is withholding the middle.

He shrugs. “She’s a drug addict, how should I know?”

Before you can reply, can think of a polite way to say: so what’s the real story here, he takes his turn.

“How come we were never friends?”

“What do you mean?”

“I mean, we’ve known each other since we were five-years-old. We grew up together, have known each other for over a decade now. And only in the last week have we really finally talked, or spent any amount of time together.”

You lean back in your seat. “Well, just because you grow up with someone doesn’t mean that fact has to serve as some prerequisite to becoming best friends or something. Sometimes people, even from a young age, just don’t click. You were always running around on the playground, playing sports with others. I was always sitting off to the side and reading or coloring or playing with toys. I guess you were just more outgoing than me.”

“You know what they say: opposites attract.”

You tell yourself he’s just referring to friendship.

He lays back again. “Well, it may’ve only taken eleven years, but we’re friends now. I just… I just wonder what things might’ve been like had it happened sooner.” He sighs, then, “Your turn again.”

To an extent, you wonder that, too. Mostly just what it would’ve been like to have a best friend for that long.

“What happened between you, Maddy, and Cassie?”

“Not going to give me an easy one, huh?”

You let out a small laugh.

“Me and Maddy had been together since sophomore year. I guess we just grew comfortable with one another, even if we weren’t always happy. Even if it wasn’t always healthy. It didn’t start out toxic. We were happy at first. For awhile. A long while. But she just…it was like she wasn’t pleased unless we were fighting and then making up.

“It was just a constant cycle of her beating me down, then trying to build me back up again through sex. She just…she made me feel like shit about myself. As both her boyfriend and a man. It was like it wasn’t bad enough: the shit I dealt with at home with my dad. She just had to become one more problem in my life that I was forced to deal with.

“I’d hoped that if I loved her hard enough, if I gave her enough, she’d love me back the way I wanted to be loved. The way I loved her. Turns out I was just a fucking idiot.”

Tears sting your eyes. You feel so sorry for him. To be so young and to have already known an emotionally abusive relationship was heartbreaking. It was one reason why you refused to date at such a young age. You were all too young to understand yourselves, nevermind another person. Not in the context of loving and taking care of them, at least. You all were barely even fully-formed people yet.

So that was what Lexi had been referring to before. Just like everything, there were always two sides.

“And Cassie?” You ask, softly.

A muscle in his jaw feathers. “Just a giant fucking mistake. We first hooked up a couple weeks after Maddy and I had broken up…again. It happened on New Year’s Eve. I just…maybe I was trying to get even for what Maddy had done to me at the beginning of the school year—fucking a guy in the pool at McKay’s house—right in front of everyone.

"And then we hung out more, and at first I thought she was different. Maybe better for me. Until she started blowing up my phone with hundreds of calls and texts, screaming one night in my room about how crazy she was, how she’d never let me be with anyone else. How she was better for me than all the rest.”

Your brows raise. That unhinged? Cassie had always seemed so sweet and demure to you. But you’d also hardly ever been around her outside of school.

And dating—being in relationships—seemed to sometimes bring out the worst in people. Facets they themselves didn’t even know they had.

“I’m sorry, Nate. I never knew Cassie was so…” You trail off, until he fills in the rest for you.

“Psychotic?”

You laugh. “I wasn’t going to say it like that, but…” You shift legs, wrapping your arms around your other one now. “Your turn.”

He remains lying back, wanting this question to come off as something he’s casually asking. Whereas, in reality, he’ll be holding onto every word of your answer.

“Have you ever dated before?”

You feel like you suddenly want to use your out, but refrain. It’s a simple enough question, with a simple answer. “No.”

He looks over at you. “Never?”

You shake your head. “Nu-uh.”

His brows raise. He’d never known you to have a boyfriend before, but until recently he’d not exactly kept tabs on you.

It surprises him.

“Have you never kissed anyone or had sex?” He prays the answer to both is no. Also hopes you don’t cut his questioning you short.

You’re quiet for a moment, the two of you just staring at one another. Until, finally, you decide to answer. “No. And I’m not ashamed to say it. Not having done either of those things is a choice, just like having done them is as well.”

He sits up, hunching over to try and hide the erection he can feel forming.

No one has ever been inside of you—not in your mouth, not in your pussy, and not in your ass. Another pair of lips have never even touched your own, another tongue has never tasted you. Another pair of eyes has never explored your lovely naked body.

He wants to know what you do, then, to satiate yourself when the mood strikes. Do you rub at your clit until you come? Do you finger yourself—he wonders if your hymen is still intact? Do you bunch a pillow up between your legs, humping it until you've finished and the case is soaked? Or do you take and rub your teddy against your wet, needy pussy until you’re sore and can’t take it anymore?

God he wants to know what you fucking taste like. Wants to feel your fingers in his hair as he goes down on you. Needs to know what your perfect pussy feels like around his cock.

But he knows it’s too soon for any of that. For you, at least.

“That’s not something to be ashamed of. Not nowadays. You should be proud of yourself for having held out this long. I admire it.”

You shrug. “It’s not that hard to do.”

He smirks. “That’s because you’ve never done it before. Once you’ve been with someone in that way…giving up that kind of intimacy is difficult.”

You think any kind of intimacy must be hard to let go of after having it. Whether it’s emotional, intellectual, physical…sexual. Maybe it’s one more reason you keep most people at arm’s-length. If you never let anyone in, then you’ll never have to worry about losing them.

You clear your throat. “My turn.”

He lays back again.

“Can I ask about your dad?”

He flexes his jaw. “What about him?”

“Why do you hate him so much?”

There’s a long pause and then he finally sits up. “I guess it’s time for me to go.”

You plant both of your feet on the floor, now sitting on the edge of your swing-chair. “You don’t have to. I’m sorry. I was just curious. Since he always seems so…perfect, you hating him, I guess, is just a source of confusion for me. Then again, maybe that perfection is the source of it: your hate. I don’t know.”

“That’s part of it. But not all.” And that’s all the answer he’s willing to give you.

Letting onto his hate for his father in the first place was a mistake. But that loathing sometimes seeped out. And he feels like he can be honest with you. He trusts you. So, sometimes he lets go a little. That lid he keeps so tightly screwed slips loose sometimes in your presence.

He stands and you fill with guilt.

You’d gone too far. You’d known better—that asking about his father would end up being a mistake—but you’d brought him up anyway. And now you’d ruined the day.

“You really don’t have to leave. We can talk about something else?”

He pretends to consider that for a moment. When in reality, he’s all too-pleased that you’re so eager for him to stay.

Then, he steps over to you, standing in front of your seat, towering over you as you look up at him. He briefly thinks that this would be a perfect position for the both of you to be in as you take him into your mouth.

Then, he kneels down. One week was all it had taken for you to bring him to his knees.

He reaches up, grabbing either of the ropes the chair hangs from from on either side of you. “It’s Friday.”

You smile nervously. “That’s very observant of you.”

He smiles, letting out a small chuckle. “I just mean that it’s only four o’ clock; still early. We could go do something together.”

He begins to lightly swing you, just barely.

“Like what?” You ask quietly.

He shrugs. “Whatever you want. I could take you to dinner, take you shopping. I’ll take you wherever you want to go, even if you just want to drive around.”

You don’t know how to respond to his offer. “You don’t have anywhere else you need to be?”

“Not at all.” He wants so desperately to touch you, but he sees you like a newborn fawn, easily frightened; skittish. So he refrains. For now at least.

You glance to the set of glass doors beside the two of you which lead into your backyard. At the sun still high in the sky and tree branches blowing lightly in the wind. And then you look back to Nate, seeing no good reason to waste such a beautiful day cooped up inside.

“Okay.”

He smiles. “Good.” He stands, offering you his hand.

You take it, doing the same. “I’ll just be a minute, I need to change again. Don’t really want to go out in sweats.”

He nods, going to leave, then stops by your closet. He pulls the doors open and you watch as he pulls out a light-pink sundress, then turns back to you, holding it out in your direction.

“You don’t have to wear it, but I don’t think I’ve ever seen it on you at school before. Just thought it might look nice.”

You gently take the dress from him.

He speaks before you can tell him no. “I’ll be waiting in the living room. Take your time.”

Once the door has shut behind him, you look down at the dress in your hands, then at the things you usually wear—the clothes you feel most comfortable in—beckoning you from your closet.

While you dress, Nate leans back on the couch, hoping you wear what he’s picked out for you. In truth, he wants to dress every inch of you. He wants to do your hair, your makeup—even if you never wear any. He wants to pick out a cute matching pair of lingerie for you—so only he knows what’s under your clothes—your shoes, your jewelry, even your perfume.

He isn’t sure why it means so much to him—perhaps it’s just another thing he feels the need to have control over. He wants you to look nice. He knows you’re capable of matching his ideal picture of what he wants you to be in his head.

When you finally emerge from your bedroom fifteen minutes later—you’d spent half of that time sitting on your bed considering putting the dress away—he’s left speechless.

You’d put on the dress, along with a cute pair of sandals, your toes already painted a pleasant shade of pink, which just so happens to match the item you’re now wearing. And between your breasts hangs a necklace.

You stand in the entryway awkwardly, one of your hands clutching your other arm. “I feel ridiculous,” you whisper, your face red.

He stands, coming to position himself in front of you. “You look beautiful.”

You’re surprised by his response. Wearing something which shows off so much of your body makes you want to crawl out of your skin.

You’d considered putting on a cardigan to cover your arms, but it’s almost ninety-degrees outside. So you decided against it.

He reaches around to the base of your ponytail, his thumb, index and middle finger gripping your hairband. “May I?” He asks, looking down at you.

You feel dumbstruck by the sensation of the base of your hair in his grip, so you just nod.

He gently pulls the band free, your hair falling over your shoulders and down your back, coming to rest just above your ass.

He’s never seen hair as long as yours before. Why the hell do you keep it up all the time?

He flexes his hand, the holder now firmly around his wrist and he reaches up with both of his hands, running his fingers through your soft hair, massaging your scalp as he styles it.

You just stare up at him, his face the picture of concentration as his fingers work against your head, through your long strands of hair. Your eyelids droop just a bit out of the feeling of relaxation that comes over you, goosebumps rising on your arms.

Nate takes note of that, as well as the quiet whimper in the back of your throat as his fingers brush against the base of your neck for just a moment. He likes that you like the way he’s touching you. He wants to know what other places his fingers and hands could explore that would get him similar results.

Finally, once he deems your hair presentable to his personal satisfaction, half of it falling down your back, the other half split evenly over both of your shoulders, he slips one hand into his pocket, the other coming to rest under your chin, making you look up at him again.

He feels blood rush to his cock at the flushed, lax look on your face as your hooded eyes stare up into his own.

“Why don’t you wear your hair down more often? It looks very pretty like this.”

“It gets in my way,” you state, your voice now having a dreamy quality to it.

He really likes you like this. All soft and submissive and dressed how he likes. He wants you wrapped around his finger sooner rather than later. Completely his in every single fucking way imaginable.

Today will be one step closer to getting that future.

He deems what you’ve said a good enough answer, but he knows you’ll have to get used to it. Your hair being down suits you far better than it being up.

He steps away, walking over to the door, holding it open for you.

Once you’ve locked it behind you, he holds open the passenger side door of his truck for you, same as always, shutting it firmly once you’re inside.

[dailytomlinson]

Mere days after winning “Artist of the Year” at the inaugural Northern Music Awards, Louis Tomlinson is celebrating the only way he knows how – by giving back. Tomlinson just dropped a surprise album, which includes a curated list of live performances over the past years. It’s a risky move, as live albums are notoriously difficult to make worthwhile. But there’s no doubt about it: Tomlinson is deserving of that award, and the recordings on Louis Tomlinson: LIVE deserve to live forever.

After an initial stop-start to his solo career, Tomlinson has certainly flourished since finally getting to hit the stage. He’s been touring extensively over the past few years, performing a mix of tracks from his first two albums. Both were solid records that heavily referenced anthemic, rich sonic soundscapes. In fact, Tomlinson previously admitted that he wrote certain tracks with a live show in mind. Indeed, songs like “Face The Music,” “Out Of My System” and “The Greatest,” from his No. 1 selling album Faith in the Future, absolutely benefit from the live instrumentals compared to their studio versions.

It isn’t often that live performances consistently seem to not only live up to but objectively improve the perfectly engineered studio recordings. Perhaps it’s the love that the album so clearly captures for live music that does it. The singer-songwriter is an avid fan of his own fans and gets to share a collective experience of joy with them. Just listen to the crowds serenading Tomlinson in return during “Chicago,” recorded live in – you guessed it, Chicago. From Tomlinson’s perspective, audiences across the world have always been part of breathing life into these live recordings. Now, people get to live that same experience with him by listening to this record that is woven together with impeccably mixed joyful screaming in the background.

Tomlinson’s storytelling isn’t hindered by the crowd’s reaction. Rather, it is bolstered by it. In both power ballads like “Common People” as well as raucous tracks like “Silver Tongues.” The live setting seems to function almost akin to a prism – each song shining brighter, richer, fuller. Perhaps the only track that is tighter in the original version, is the seductive “Written All Over Your Face.” Nonetheless, the instrumental break and palpable, wild excitement make for an enjoyable listen.

Similarly, right in the middle of the highly addictive “All This Time/We Are Beauty” mash-up, a fan can be heard screaming “I love you” if you listen closely. The sheer adulation of the crowd is decidedly earned. Tomlinson has worked hard to prove himself, despite never having lacked the talent. Perhaps merely the confidence that he could do it, would do it, has done it. Nevertheless, he’s been open about the tension between his own love for music, and his at times debilitating need for perfection. As he’s settled into his career, a quiet undertone of determination and grit, of relief and fulfillment – of gratitude remains in every single show.

On “Saturdays,” you can actually hear Tomlinson mumble that the view’s never been better from where he’s stood on stage. It’s a high-maintenance track with all the right ingredients for a Tomlinson classic. There’s confessional lyricism, emotive delivery, and a gradual yet powerful crescendo in musical arrangement. It needs to be sung with conviction, and it’s clear that Tomlinson pulls power from the audience to deliver.

Notably, none of the covers that Tomlinson frequently incorporates in his concerts made it onto this live album. With that in mind, perhaps this release signals that Tomlinson has finally embraced his own artistry. Because if anything, Louis Tomlinson: LIVE is a reckless celebration record. An ode to joy, the synergy between artist and audience, and the impact of well-timed, flawlessly executed live guitar solos.

[louistomlinsoncouk]

⭐⭐⭐⭐⭐

Mere days after winning “Artist of the Year” at the inaugural Northern Music Awards, Louis Tomlinson is celebrating the only way he knows how – by giving back. Tomlinson just dropped a surprise album, which includes a curated list of live performances over the past years. It’s a risky move, as live albums are notoriously difficult to make worthwhile. But there’s no doubt about it: Tomlinson is deserving of that award, and the recordings on Louis Tomlinson: LIVE deserve to live forever.

After an initial stop-start to his solo career, Tomlinson has certainly flourished since finally getting to hit the stage. He’s been touring extensively over the past few years, performing a mix of tracks from his first two albums. Both were solid records that heavily referenced anthemic, rich sonic soundscapes. In fact, Tomlinson previously admitted that he wrote certain tracks with a live show in mind. Indeed, songs like “Face The Music,” “Out Of My System” and “The Greatest,” from his No. 1 selling album Faith in the Future, absolutely benefit from the live instrumentals compared to their studio versions.

It isn’t often that live performances consistently seem to not only live up to but objectively improve the perfectly engineered studio recordings. Perhaps it’s the love that the album so clearly captures for live music that does it. The singer-songwriter is an avid fan of his own fans and gets to share a collective experience of joy with them. Just listen to the crowds serenading Tomlinson in return during “Chicago,” recorded live in – you guessed it, Chicago. From Tomlinson’s perspective, audiences across the world have always been part of breathing life into these live recordings. Now, people get to live that same experience with him by listening to this record that is woven together with impeccably mixed joyful screaming in the background.

Tomlinson’s storytelling isn’t hindered by the crowd’s reaction. Rather, it is bolstered by it. In both power ballads like “Common People” as well as raucous tracks like “Silver Tongues.” The live setting seems to function almost akin to a prism – each song shining brighter, richer, fuller. Perhaps the only track that is tighter in the original version, is the seductive “Written All Over Your Face.” Nonetheless, the instrumental break and palpable, wild excitement make for an enjoyable listen.

Similarly, right in the middle of the highly addictive “All This Time/We Are Beauty” mash-up, a fan can be heard screaming “I love you” if you listen closely. The sheer adulation of the crowd is decidedly earned. Tomlinson has worked hard to prove himself, despite never having lacked the talent. Perhaps merely the confidence that he could do it, would do it, has done it. Nevertheless, he’s been open about the tension between his own love for music, and his at times debilitating need for perfection. As he’s settled into his career, a quiet undertone of determination and grit, of relief and fulfillment – of gratitude remains in every single show.

On “Saturdays,” you can actually hear Tomlinson mumble that the view’s never been better from where he’s stood on stage. It’s a high-maintenance track with all the right ingredients for a Tomlinson classic. There’s confessional lyricism, emotive delivery, and a gradual yet powerful crescendo in musical arrangement. It needs to be sung with conviction, and it’s clear that Tomlinson pulls power from the audience to deliver.

Notably, none of the covers that Tomlinson frequently incorporates in his concerts made it onto this live album. With that in mind, perhaps this release signals that Tomlinson has finally embraced his own artistry. Because if anything, Louis Tomlinson: LIVE is a reckless celebration record. An ode to joy, the synergy between artist and audience, and the impact of well-timed, flawlessly executed live guitar solos.

[pettyprocrastination]

jonathan and argyle had a stronger emotional bond and chemistry than steve and eddie ever did in canon. In this essay I will-

[clarabow-mp3]

so many actors who NEED to be doing musicals but either can't or won't. the biggest stars in film used to be CLAMOURING for a musical we used to be a proper country.

[bmpmp3]

i do think its kinda funny when i see someone in the year of our lord 2024 talk about vocal synth music like its all gone downhill since like 2010 because like dont get me wrong i love a good niconicodouga-ass 2008 ass vocaloid joint BUT also like. the past couple years have had the most fascinatingly creative and expressive uses of vocal synthesizers ive ever heard in my life DJFSKHJDFS dont write it all off just yet!!

[aheathen-conceivably]

URL Song Game 🎶

I was tagged by @antiquatedplumbobs who also invited me to live in her dragon cave, sitting atop our trash treasure pile of music we’ve collected like flotsam through the years. I tried to sort through the trash heap treasure hoard that is my iTunes and Spotify for stuff I’ve actually been listening to lately, so come on down and do a lil dragon dance with us....

A - Art Deco, Lana Del Rey H - Hurricane, The Band of Heathens E - Evangeline, Stephen Sanchez A - All My Love, Led Zeppelin T - The Fruits, Paris Paloma H - Hollywood Forever Cemetery, Father John Misty E - Eat Your Young, Hozier N - Never Really Mine, The Lumineers - Free Space! Push Off, The Palms C - Colors, Black Pumas O - O Mary Don’t You Weep, Bruce Springsteen N - Night Moves, Bob Seger & The Silver Bullets C - Catamaran, Allah-las E - Everybody Dies - Billie Eilish I - I Feel Free, Cream V - Velvet Ditch, The Arcs A - All Along the Watchtower, Jimi Hendrix B - Babe I Know, Nathaniel Rateliff & The Night Sweats L - L.A. Woman, The Doors Y - You Should Probably Leave, Chris Stapleton

(I was also tagged by a few other folk and have seen this going around for a while so if you see this and wanna do it, please consider yourself tagged and then @ me so I can see too!)

[angelnumber27]

Ummm guy I had lil crush on in high school n I are gonna hang out this week, he’s been actively trying to see me for months but I am insane and scared of social interaction loll

I told him like couple months ago I liked him in hs and he was like omg I had a big crush on you in high school too LMAO

in high school he was dating one of my best friends so it was not at all even something I would have ever EVER even considered at the time but now idk

He’s so fucking sweet and kind and down to earth and he makes music and understands chronic illness like he gets me and he’s just really cool and understanding and empathetic and kind of a complete angel and im excited but also scared to see him lol I hope I can act like a human ☠️