#having a break up arc without being in relationship

[realfruittaste]

I saw this post a while ago, where someone pointed out to me, that mike interprets every fight he has with will romantically.

So, I was thinking about this, and yes! He always pushes back harshly “We’re friends. We’re friends!” “It’s not my fault you don’t like girls!” which to me, either means that he knows Will is in love with him, which his reaction would then just be cruel OR there's some feelings there from his side too, and because of his internalised homophobia he deals with it in this way.

Viewing it from the perspective of a closeted gay/bi guy, he feels the need to enforce and emphasize a heteronormative perspective on his relationship with will, while actually he is the one viewing it from a homosexual lens. He feels this need to point out not only his own "straightness" but also Will's presumed straightness. He views and experiences every fight he has with Will romantically, similar to a fight you'd have with a significant other.

This is why the rinkomania fight remains the best byler proof to date because “We’re friends. We’re friends!” didn't make any sense! Because yes mike, obviously... Will was talking about y'alls relationship as friends... This could mean Mike is aware of his feelings for Will but is actively surpressing them. Which can be interpreted in one of two ways to me personally, namely Mike thinks Will is straight and his feelings are unrequited, or maybe Mike is scared of Will reciprocating?

I feel like that's an overlooked perspective, especially considering the time in which the story takes place, the 80s, during the aids crisis. Most bylers tend to assume that Mike isn't aware of Will's feelings, but what if he is? What if he has known this whole time, or maybe since some time before the rain fight? Or atleast prior to season 4?

In this case scenario, what if Mike is scared of his own and Will's feelings. Not only having the fear of whether Will would reciprocate, but also what if Will reciprocates. Maybe, both could be equally scary... Doubts about what if Will is actually straight and he misread the situation, but also being scared that maybe he is gay and they do indeed both like eachother, and where does that leave them...

Mike having grown up in a homophobic small town, growning up hearing and reading about gay people dying, in the tens of thousands, to aids which was often referred to as the "gay plague", the government doing very little to adress the situation, no gay marriage, obviously. The idea that he wouldn't want neither himself, nor Will to be gay doesn't seem far-fetched to me.

So, yeah… the idea that his internalised homophobia (which stems from fear) extends to not only himself, but also the person he's in love with (aka 'he isn't gay because I don't want him to be gay because if he is then I have to face my own feelings) is a perspective I haven't seen many other byler shippers talk about.

[sanjarka]

one of the weirdest things about everyone thinking everlark aren’t horny for each other is of all the ya love interests at the time peeta is one of the ones with the least angst about getting close to katniss in a time of vampires and werewolves it was always ‘she loves me but we can never touch’. peeta was ready to touch and kiss katniss whenever she wanted. he was kissing her when he could in the first games. he was making out with her in his lap, and the only angst was he thought he should die. the least angsty part of the books is how much they enjoy touching each other. it’s just so nice to see a ya novel where physical intimacy isn’t treated as the actual forbidden dilemma, just a respite

oh absolutely but now you also got me thinking about the fact that actually peeta (and everlark) really does have a lot of angst it's just not done in a typical way. now maybe you don't agree with me and that's completely fine but the way that peeta makes sense to me is that, basically, he's been searching for the proof of love his entire life. waiting for his parents to be proven wrong. waiting for a sign that life doesn't have to be lived like that. so he's very much ready to be with katniss whenever she asks only he doesn't understand that he's not really ready to be loved himself. obviously i don't think any teenager is, but considering his upbringing i don't see him being comfortable with being seen. which is exactly what being loved means.

for example if i were to transfer peeta into a modern universe i could genuinely see him as someone who jumps from relationships, giving anyone a chance to love him because he's that desperate. but what he ends up doing instead, is self sabotaging by never allowing himself to open up in a significant way because it would involve acting like a flawed not perfect human being. to return to the canon world, for as much as both katniss and haymitch put him on a pedestal, he really makes it easy for them to do that in the first place. because he reads people well and he can tell what they need he's going to prioritize acting in the right, appropriate way over being honest.

whenever he's vulnerable (especially in the first book) he's using it to save katniss. or both of them. he doesn't wear his heart on his sleeve because that's just who he is. it's on purpose. it's how he rebels.

/ in many ways i see the progression of his and katniss's relationship to be the first honest relationship he has. it's not perfect, it's a process but it still very much stands out from anyone else in his life. another reason as to why the hijacking works so well for his character arc eventually is because katniss still needs him. after everything, after he was forced to be the worst possible version of himself it's still only him for her. katniss still wants him. that has to be a start of a realization that he can open up, that he can wake katniss up after he had a nightmare. and it's still going to be hard. i still think it's something that katniss has to, at times, almost force out of him. but that it gets easier over time, or maybe just more possible. that they both end up in a relationship in which they understand that you need to allow someone to see love you. that it's not really possible without that permission. /

katniss on other hand knows exactly what love is. for her love was what almost killed her and prim. and i'm not trying to romanticize asterid's response to burdock's death because her depression very likely exists outside of him, but if she hadn't loved him as much as she did, it wouldn't have been a strong enough trigger. her parents loved each other in a way that no other parents are described doing in any hg story so far and they are punished for it (every love story is in one way or another. arlo and lil are hanged; the moment snow and lucy gray's relationship starts breaking is when the world they live in forces them to survive in any way possible even if it means killing people; lenore dove eats the gumdrops). and so what i'm trying to say is that katniss understands just how much love can hurt when it is lost and she doesn't want it but peeta wants to be hurt so he can prove it exists. so the angst is very much there but it's different to how it usually goes.

anyways... thanks for the ask 🌷

[wisteriasymphony]

Oh wait did you as a husband ?? Cause I’m sure there’s also plenty of instances ( implications?) of him uncharitable. Like that episode where he compares Adrien to Emilie— she was “too emotional”

This is true! Another instance of a very awesome line which I love and cherish with all my heart that is, like many things with Adrien... a throwaway line that is never brought up again. Like you say in the ask, it's implication. And implication is fine, I fucking love implication, implication is my friend and lover and we make out on a picnic blanket with a view of the gorgeous river periodically.

The issue, of course, is sometimes we have to step back and think about when we're giving the writers too much credit by filling in the blanks. ML is notorious for never saying anything with their chest, never committing to anything. The most recent and most popular episode to date is a LGBTQ allegory, and the show loves its allegories (comic books, bread, etc) because they get the credit of progressive themes without ever having to actually use the terminology.

That aside, let's be real for a moment. ML is, at its core, meant to be episodic. This means that character arcs don't really happen as much as traits get strengthened through repetition. Chat flirting with Ladybug even though multiple episodes have her telling him no? Marinette always getting into zany antics regarding her crush on Adrien? Repetition to strengthen the trait. You were, at least initially, meant to be able to catch any episode and understand the basic foundation of each dynamic because they would be static and as unsubtle as getting flattened by a schoolbus spiked with nails.

In that case, there would be no reason to not strengthen the trait of Gabriel and Emilies' relationship being imperfect through repetition. Have him comment on it once per episode or even once every three episodes. Have Adrien bring up multiple times in a season that his parents used to fight or otherwise had a rocky relationship. When Adrien tells Gabriel he's happy that him and Nathalie are close, have him compare it to Gabriel's relationship with Emilie. Hell, you could probably make an entire episode around Adrien's conflicted relationship with how his dad grieves Emilie and how he treated her when she was alive! This would also work since the way that episodic series break up the monotony of traits strengthened through repetition is by having a central situation focused on for only one episode. Ex: The Bubbler is our foundation for Gabriel being neglectful. Evillustrator is our foundation for Nathaniel having a thing for Marinette. These are both traits that are arguably only important for their respective episodes.

As I previously stated, I am not against implication and/or nuance. The thing is, I don't write stuff that is demographically suited to TV-Y7, nor does my work rely on extrapolations of supposed nuance in order to say things. If I want to impress upon an audience that Gabriel is a bad husband to Emilie, I will make it undeniably clear. The show does not do that because for their purposes, it is more narratively convenient to make Emilie a two-dimensionally perfect Dead Wife In A Montage Where She's Under The Bedsheets, and to make Gabriel and Emilie come off as a perfect couple only doomed by their own tragedy.

[luna-azzurra]

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[joshujin]

dude, nice try!

teaser • series masterlist • part one ▶

joshua hong has had the immense privilege of living 30 whole years without ever feeling so much as an ounce of jealousy. that is, until you come prancing into his picture-perfect life on your dumb burner account with evidence that his long-time girlfriend is cheating on him… with your boyfriend.

as he gets tangled in your chaotic plan to get back at your adulterous partners, he begins to wonder if this growing discomfort in his chest was ever even heartbreak to begin with, or if it’s something entirely new to him—something that has the ability to eat him alive from the inside out.

♫ get him back! olivia rodrigo ⟡ hot girl bummer blackbear ⟡ lackin’ denise julia ⟡ is this love xg ⟡ why can’t i? liz phair pairing: joshua x fem!reader cw: strong language, mentions of/implied sexual activity tags: strangers to partners-in-crime to partners-PERIOD, joshua pov, pining, he fell first AND harder hehe, a few smau bits but mostly writing, no smut, inspired by get him back! by miss rodrigo, basically john tucker must die except joshua is sophia bush hehe iykyk a/n: this was a request for jealous!shua and i’m laughing bc i started responding to this anon and said i was going to just answer with bullet points bc if i didn’t, this would turn into a whole thing. and here we are anyway… with a whole thing lol. i know he doesn't seem super jealous here, but consider the joshua x jealous arc a slow burn haha. anyway, enjoy this teaser!

dividers by cafekitsune! cover by yours truly!

joshua's phone pings, and it’s one message from you, just a little over 24 hours since your last message went ignored.

he glances down and feels his stomach turn.

i have evidence.

an hour later, joshua and jeonghan are sprawled across the latter’s living room. when they’d seen your message, both of them had quickly and wordlessly vacated the cafe they were holed up in, gotten to jeonghan’s apartment frighteningly fast, and rifled through the series of messages you sent—all of them photos you took of your boyfriend’s phone screen.

at first, joshua was just annoyed at how hard snapchat made it to read messages; most of the ones sent by whoever your boyfriend was were deleted. he was ready to wave you off and call your “evidence” a reach. but then, he got to more damning photos—photos he was vexed jeonghan got to see too.

because they just proved his know-it-all best friend right. mina was a fucking snake.

he’s shocked at the lengths they went to to be able to communicate with each other without being caught.

but perhaps the most damning piece of evidence of them all comes last: a photo of a woman’s naked back as she laid on her side in a bed—that wasn’t joshua’s or mina’s—away from the camera. it could’ve been anyone. the small tattoo at the base of her neck told joshua exactly who it was.

“so what now?” jeonghan asks, both of them still starfished on the floor and staring at the ceiling after spending several minutes furiously swiping and cussing at his screen. “let’s fill all her shampoo bottles with hair remover,” he answers his own question before joshua can even open his mouth. “oh! or we can follow her around, inevitably find this dude, and kidnap him! i’m sure this y/n person will appreciate that too!”

joshua doesn’t bother entertaining his best friend with a proper response, choosing to ignore the suggestions altogether. his mind is racing a mile a minute, trying to find the point in his relationship mina might have started straying away. has it been happening the entire time? or did she recently decide joshua wasn’t fulfilling her needs to her liking?

“… his car and it’ll probably break down and explode at some point later that week?”

he frowns, realizing jeonghan has been suggesting ridiculous things they can do to mina and your boyfriend the entire time he was contemplating his relationship. it’s his first time getting cheated on, but he isn’t surprised at his best friend’s reaction to it. he’s more surprised when silence blankets over them for several long seconds before jeonghan asks:

“are you okay?” he sighs. “i know that’s a dumb question to ask. you’re obviously not going to be okay after finding out your girlfriend cheated on you.”

his frown deepens at that. it’s a fair statement. he always imagined this kind of thing would throw him into some kind of jealous rage—emotions he’s not really familiar with. rage like yours.

he wonders if he had been the one to find out about this, would he have had a meltdown the way you did? make a burner account and find you to tell you the way you did? try to find someone to commiserate with—even if it’s a stranger—the way you did?

no, probably not. he was telling the truth when he told you that all he would do is break up with mina.

and he’s incredibly confused to find that, contrary to what jeonghan is saying, he feels very okay with that. he can’t really imagine caring enough to do anything more, and he doesn’t know why. shouldn’t he care more?

if you and jeonghan were wrong about him loving mina the way he was so convinced you were, why didn’t he care more?

“joshua,” jeonghan reaches over and pokes his shoulder. “speak. you’re scaring me.”

he snorts. “i’m fine.”

“okay…” he responds slowly. “so still in shock?”

“no, i really think i’m fine,” joshua says, shaking his head at the ceiling. “i feel… normal. i guess just confused about when and why she decided to cheat.”

“you did nothing wrong. she’s just a conniving, slutty ingrate who doesn’t know that she’s throwing away the most decent man in the universe,” he assures him. “which brings me back to my initial question. what should we do now to punish said conniving, slutty ingrate?”

joshua sighs. “we’re not doing anything. i am breaking up with her as soon as she gets off work.”

jeonghan perks up, rolling over onto his stomach and crawling to him until his head appears in his line of vision. his best friend has a shit-eating smile on his face that makes him instinctively roll his eyes.

“can i be there?”

he knows he should say no. it’s an absurd request and it shouldn’t even take joshua more than a second to answer. but as he thinks about it, jeonghan continuing to smile at him like a little devil on his shoulder, he thinks it might be nice to have him there and shame mina for cheating in a way he knows he doesn’t really care to do himself.

he shrugs. “sure, why not?”

jeonghan squeals with delight, scrambling to get up. “come on, we have to make sure you look smoking hot so it hurts her twice as bad. you can borrow my leather pants.”

“leather?!” joshua repeats. “it’s the middle of summer!”

joshua texted mina to let her know he wanted to talk to her after work and he would be dropping by. she told him several times that tonight wasn’t a great time and insisted they wait until tomorrow, but he couldn’t bring himself to give a shit about her convenience, so here he is, with jeonghan practically vibrating with excitement at his side, standing outside her apartment building.

“i still think you should’ve worn the leather pants,” his best friend says, “but you look killer. she’s gonna shit herself.”

joshua recoils at the idea but thanks him anyway.

“ready?”

he sighs. “yeah, i guess. ready as i’ll—oof!”

he stumbles a few steps and right into jeonghan as someone violently shoves him, continuing to push and slap at both him and his best friend until they’re several steps away from the entrance to mina’s apartment.

“what the—”

“and what the hell are you doing here?!” a female voice shrieks.

he wants to yell at this stranger for putting her hands on him. he wants to tell her to have some manners and to get away from him. at the very least, he wants to glare at her until she shrivels up in shame and scurries away. but all ideas of even attempting to do any of that die as soon as he lays eyes on the stranger.

your instagram photos don’t really do you justice. your photos were well-taken and curated perfectly for your profile, but now that you were—for some weird reason—standing in front of joshua and jeonghan, he can confidently call your photos dirty liars. he can’t blame them, though. he has a feeling no camera in the world can capture how pretty you actually are in real life.

prettier than anyone i’ve ever dated, his intrusive thoughts remind him. prettier than mina.

“well?!” you screech when neither of them answer you, making them both flinch. you don’t notice your effect on them, though, because you’re busy frantically looking between them and the entrance of the building like you’re scared the three of you will be seen.

he knows jeonghan is thinking the same, exact thing he is because he is never rendered silent.

“i—uh,” joshua stammers for what he thinks might be the very first time in his life. “we…”

jeonghan glances at him, face twisted in amused confusion before he schools his expression and points his signature stunning smile at you. “you’re y/n! hi!”

“who the hell are you?” you turn back to them, cross your arms, and practically bark at him.

his best friend’s laugh is exaggerated and several decibels louder than it has any business being. it grates joshua’s nerves. he glares at him but jeonghan pays him no attention. “i like her,” he mutters to him before saying, “i’m jeonghan.”

“okay, jeonghan,” you spit his name like venom, obviously unimpressed, making him giggle.

joshua rolls his eyes at him and his increasing giddiness. his best friend doesn’t date often, but he shouldn’t be surprised that he enjoys this kind of vitriol. jeonghan is, at his core, attracted to the same chaos he himself is made of.

“what are you doing here?” you ask again, raising an eyebrow at joshua to make it clear you’re talking to him.

“i’m… here to break up,” he answers weakly. “with mina! i’m here to break up with… mina.”

he doesn’t know what’s come over him, but being confronted by you in person and unnervingly close in his vicinity has him forgetting how to properly communicate. the thought of blocking you was a lot easier when he had no idea if you were a real person. now, he feels like there’s no escaping you.

“what are you doing here?” jeonghan asks the question he forgets to return to you.

you ignore him, eyes staying trained on joshua as you speak, and something about you pretending like his best friend doesn’t exist forces him to fight down a smile.

“you’re not breaking up with her today,” you order him confidently, like you know saying it is enough for joshua to agree. if the way his palms start to sweat are any indication, you might be right. “she’s up there with siwoo.”

“who’s—”

“my boyfriend,” you answer before jeonghan can finish his question. “i followed him here when he told me he was getting drinks with coworkers.”

joshua’s stomach flips. he’s not really sure how anyone can even think about another person in your presence, let alone cheat on you. maybe your intensity scares siwoo, though. it definitely kind of scares him.

“you mean… they’re up there right now… and they’re probably…” jeonghan’s sentence trails off, but you’re you and you don’t shy away from finishing it.

“fucking?” you ask with a biting and sarcastic enthusiasm. “yeah, jeonghan! probably!”

joshua winces. your fury was already palpable via DMs, but it’s near suffocating in person. it grabs him by the neck and shoves his face back into the dilemma he was quietly contemplating back at jeonghan’s apartment: why isn’t he sharing the same anger? why isn't he doubled over, throwing up at the idea of mina having sex with someone up in her apartment at this very moment?

“are you hungry?” you ask joshua.

“what?” he asks dumbly.

“are. you. hungry?” you repeat, irritation laced in your voice.

“i am!” jeonghan announces.

you give him a blank stare before looking back at joshua. when he fails to say anything, you sigh, your temper appearing to deflate infinitesimally.

“they’re going to be a while,” you inform him like you’ve done this before. “there’s a fried chicken shop i like nearby.” okay, so you’ve definitely done this before. “we can eat and… talk, i guess.”

“we would love to talk. right, joshua?” jeonghan asks, pinching his side with more force than necessary. he fights to keep from jumping.

"sure," he finally agrees. "i could eat."

"thanks for ignoring me amidst my weekend-long menty b, by the way," you say sarcastically as you set down a pitcher of beer and three glasses next to the tray of friend chicken on the table.

"ment—?"

"mental breakdown," jeonghan whispers to him as he reaches to pluck a piece of fried chicken from the tray.

instead of depositing it on his own plate, he stretches across the table to put it on yours. joshua's eyes involuntarily narrow at the gesture. he doesn't realize he's glaring at his best friend until he speaks again.

"what?" he pouts at him but his eyes glint with mischief. "ladies first."

"thanks," you murmur, not-at-all sounding thankful. jeonghan snorts. "well? explain your rude behavior." he looks back over to you to find you sulking. you add more chicken to your plate even though you haven't touched the one jeonghan gave you.

"ah." joshua shakes his head. "i was just... not all the way convinced."

"and now?"

"now what?"

"i take it you're all the way convinced?" you clarify as you tear into your first piece of chicken like you haven't eaten in years. with a full mouth, you add: "i mean, i assume you are if you're here to break up with your girlfriend."

"uh... yeah..." he nods slowly, distracted.

joshua is often described by his friends as a gentleman—elegant even. with the exception of jeonghan and mingyu—the two people who know him best—he is always polite and accommodating. he's careful that his clothes are always pressed and lint-free. he always has good posture, and he does his best to remember his table etiquette, especially in the presence of elders. he tries to be buttoned up and put-together almost all of the time, sometimes even to his own detriment.

so staring at you, wiping soy garlic sauce off your mouth with the back of your hand and talking with your pieces of chewed up chicken tucked into one, puffy cheek, he should absolutely feel repulsed.

he frowns at you and knows it probably looks like he is repulsed by you. but really, he's just confused about why you look so endearing sitting there, eating like it pains you to while taking turns glaring at your drumstick and glaring at him and his best friend.

"hello?" you wave your saucy fingers in front of joshua's face. "is he always this... spacey?" you ask jeonghan without taking your eyes off him.

"i'm glad you asked! no," the man next to him answers—also through cheeks full of chicken. "i've actually never seen him this nerv—"

"sorry, what were you saying?" joshua interjects before everyone at this table, including him, has to face the fact that yes, he is very much nervous and he's unsure why.

you sigh as you wipe your fingers on a napkin. "what is it about me that men's eyes just begin to glaze over as soon as my mouth opens?" you complain, the signature rage joshua has come to expect from you in the one hour he's known you bubbling back to the surface.

his eyes widen in horror at the thought of you mistaking his fascination with disinterest. "oh! i didn't—no, i'm not—i—"

"what joshua is trying and failing miserably to say," jeonghan cuts in, sneaking him a look that screams get it together, "is that no one here is ignoring you. he's just... trying to process all of this. after all, you had all weekend to think about this, and he just realized you were telling the truth, what? two hours ago?"

you stare at jeonghan with the same unimpressed expression you’ve been forcing on him since you met him. after a moment, your gaze travels to joshua, and he gives you a meek smile. you finally hum in understanding.

“sorry, i know i’m projecting. i’m just all…” you wave your hand wildly near your temple to mimic a muddled brain. “siwoo has done a number on me.”

joshua finally gains enough composure to string a sentence together. “i’m sorry i ignored your messages… and blocked your burner account.” you cringe at that but nod an acceptance of his apology. “and i’m sorry i’m not fully present right now. jeonghan’s right.”

kind of. not really. he was processing your existence more than he was processing being cheated on, to be frank.

“i’m just… trying to understand what’s happening, i guess. for what it’s worth, i find it really unbelievable that anyone would ever cheat on you.”

he ignores the way jeonghan inhales deeply and slowly through his nose. only joshua would be able to tell it’s the equivalent of him scream-giggling and kicking his feet when he’s trying to be discreet.

your eyebrows rise like you’re shocked joshua is capable of more than grunts and one-word replies.

“ditto,” you say plainly. joshua can’t help the immediate laugh that escapes his mouth at that, and he’s pleased when you smile for the first time since you met. “mina seems dumb. and not just because she and siwoo are ruining my life. you’re very handsome. and if you blocking me on instagram so fast was any indication, you seem very loyal too.”

you say it easily, as if giving out compliments like that is no big deal to you. maybe it isn’t, but even if that’s true, he’s going to appreciate it nonetheless.

unfortunately, that appreciation manifests in a fierce blush joshua feels spreading across his face like wildfire, much to his mortification. he doesn’t remember the last time he blushed like a pathetic schoolboy with a crush. it was probably when he was an actual pathetic schoolboy with a crush.

he clears his throat, choosing to ignore the compliment. “yeah, i guess we have the same, bad taste in dummies.”

you suddenly groan, throw your head back, and blink rapidly at the ceiling like you're trying your best not to cry. both men glance at each other and fidget awkwardly at the abrupt change of mood, neither of them being great at handling a crying woman. joshua has little to no experience with it and jeonghan tends to fall back on ill-timed jokes during times of distress.

"i followed him here months ago," you tell them unprompted. “i followed him here so many times because he was always so fucking sketchy. but his lie always involved ‘one of the guys,’ so i just thought his friend lived in that building.”

“and you found out this weekend…?” jeonghan asks carefully. joshua rubs the back of his neck nervously.

you nod, squeezing your eyes shut briefly before bringing your line of sight back to them. your eyes are glassy but your efforts to keep from crying were mostly successful.

“he lent me his laptop because mine stopped working,” you explain, rolling your eyes like having a broken laptop on top of all this is almost enough to send you over the edge. “his texts are connected on there too. i was at a cafe with a friend, and one of those verification texts came through. i ignored it but a few seconds later, it messaged again and i saw that he’d replied on his phone.”

“he told her it was safe to text,” joshua says, remembering the photos you sent.

“yeah…” you breathe, hugging yourself tightly and rubbing your arms as you try to self-soothe. “and i just sat there in front of my friends, watching him make plans with her in real time… brainstorm the lies they agreed to tell us… and i just had to pretend to be normal or else i would’ve burned that cafe to the ground.”

jeonghan coughs as he chokes on his chicken a little. joshua pats him on the back absentmindedly, eyes never leaving you, even as his best friend stretches across him, still coughing, to pour everyone a glass of beer. you sniffle as you accept your glass with a small nod, your body visibly relaxing after the first sip. he tries not to gawk when you finish the entire glass in one go.

joshua thinks this is probably what someone in love should look like when their heart has been broken: drunk and sad. now that the initial shock of seeing you in person has worn off, he can see how tired you really look. there are dark, bruising circles under your eyes, visible even under your makeup, and your hair looks like it was haphazardly put up into a ponytail to avoid having to wash or brush it. your eyes are tinged pink, a little swollen, and dull, like you’ve been crying all weekend. you have been crying all weekend.

and joshua? he’s asking himself why he hasn’t felt the urge to cry at all yet because right now, he could be the poster child for soon-to-be-ex-boyfriend who is going to be okay has been okay, is okay, and will always be okay. aside from his irritation with mina and her insane audacity, today is like any other day.

he’s never had his heart broken before this, but maybe it’s just different for guys. he read somewhere that men’s emotional intelligence develops a lot slower than women’s; maybe he just hasn’t reached a level of maturity you have.

“anyway,” you say as you stifle a tiny burp that makes jeonghan giggle for the nth time tonight, “i’m going to ruin his life.”

okay, so maybe maturity is the wrong word.

“wh…” joshua glances at jeonghan for confirmation he heard correctly.

his best friend’s eyes are lit up with excitement as he leans forward with impossibly even more interest in what the pretty lady across the table has to say. joshua would slap him if they were alone. what for, he doesn’t know, but he would.

“sorry, what was that?” he asks, trying not to sound judgmental at the risk of setting your anger off again.

“she’s going to ruin his life,” jeonghan answers for you giddily. “what are you going to do? i told joshua he should fill mina’s shampoo bottle with hair remover.”

that earns the two men another smile from you, but this time joshua finds himself annoyed it was because of something jeonghan said.

“oh my god, that’s vile,” you say even though you’re grinning and obviously love the idea. “maybe i’ll add that as a little cherry on top for siwoo.”

“oh, he’ll be so ugly,” jeonghan claims like he’s already daydreaming about it.

“you don’t even know what he looks like,” joshua murmurs.

“i don’t need to,” he responds, smiling as he stares off into the distance. “a stupid motherfucker who can cheat on our lovely y/n here like that has to look like ass.”

you roll your eyes at the compliment but your cheeks turn a cute shade of pink anyway.

“well, making him bald will look like child’s play when i’m done with him,” you match jeonghan’s dreamy tone, and joshua feels a chill of fear from having the two of you at the same table crawl up his spine. why was he a magnet for agents of chaos?

“is that why you haven’t broken up?” he asks. “you’re scheming to ruin his life?”

you frown. “what makes you think we haven’t broken up?”

joshua shrugs. “maybe the fact that you followed him here and then shoved me and my best friend into next week to keep us from attracting any attention?”

jeonghan snickers and your cheeks turn a darker shade.

“ah, right.” you nod once. “sorry about that.” you don’t look sorry at all and joshua finds himself thinking it’s amusing. “i suppose that was a bit… rude.”

joshua hums like he’s contemplating your apology but he knows it’s clear he’s fighting a smile as he brings his beer to his lips.

you sigh. “anyway, yes. that’s why i’m still with him. he doesn’t even know i know. i’m trying to get my ducks in a row and figure out the most devastating way to leave him.”

jeonghan smirks. “my kind of girl.”

joshua’s foot finds his best friend’s and stomps on it as hard as he can without thinking twice about it. it almost shocks him—how much it felt like instinct—but after the day he’s had, he thinks he’s entitled to a bit of a tantrum. maybe this is how he is when his heart is broken. a little mean.

“ow, what the fu—”

“so what’s the plan?” joshua asks loudly when your eyes snap up to jeonghan mid-sip over the glass of your beer.

you lick your lips clean of foam before setting the glass down, and joshua forces himself to look away when he notices how plump and pink they are.

“well, to be honest… i haven’t been the smartest,” you admit, seeming timid for the first time since you barged into his DMs. it’s an odd look on you. “i—um. i kind of rely on him… financially.”

the explanation comes tumbling past your lips after that like you’re afraid the two of them are going to judge you if you allow even a second of silence to pass.

“i had a job! i had a great job! but siwoo’s a bit traditional, and he comes from a more conservative family that really buys into gender roles, and i mean, fuck that, right?”

you give them no chance to agree.

“i’m a feminist! i swear to god i’m a fucking feminist!” you’re practically shouting now and the two men are so stunned, they can’t bring themselves to notice or care that the other patrons of the restaurant are starting to look over. “but i was in love! and i thought i was going to marry this moron! so i convinced myself i wanted to stay home and i wanted to clean the house and take care of a man—”

you say the word with so much disgust, both joshua and jeonghan struggle to keep from laughing.

“—and he was so happy when i quit my job like he’s been asking me to, and i thought i was happy too, like, what woman doesn’t want to be taken care of by a rich man?!”

you pause to burp briefly but it still isn’t enough time for either of them to get a word in.

“though again, i was in love! i was looking at that shithead through rose-tinted glasses! he’s nothing but a spoiled mama’s boy with a rich family! that asshole doesn’t have to do anything for the wealth he has! so now it's, like, what woman wants to be fake-taken-care-of by a 30-something-year-old mama’s boy?!”

the words come with even more disgust than “man.”

“and he had the nerve to act like he was better than me because i had to make everything i had before i met him! like, dude. if your bank account is still connected to your fucking mom’s, lower your goddamn voice when speaking to me!”

his best friend’s mouth drops open in absolute joy-filled shock at your biting remark. he’s enjoying meeting someone as chaotic as he is too much.

“and what was it for?! empty promises that he would propose soon?! endless faked orgasms for a man who’s afraid to give a woman head?!”

jeonghan chokes again, this time on nothing. joshua has more decorum but he can’t help the way his face turns bright red.

“you’d swear i was harboring a monster down there the way he cringed at the mere mention of oral, like, what is he, 12?!”

joshua has to avert his eyes to the ceiling of the restaurant at the mention of your “monster,” and he can’t even get it together long enough to nudge jeonghan when he bursts into hysterical laughter. they might as well be nonexistent, though, because you keep barreling through your rant.

“i was on track to be a director before 30! i was a fucking star! and look what he made me!” you screech, words slurring.

it takes your slurred speech and yet another burp for joshua to realize with mild horror that the pitcher of beer is almost empty, and that he and jeonghan are still on their first glasses. he elbows his best friend, who’s still cackling, and motions at the pitcher. jeonghan sighs happily as the last of his laughter leaves him and mutters a quiet: holy shit, pretty aggretsuko can drink.

“he turned me into a housewife without even making me a wife! and let me remind you: I AM A FEMINIST!” you slam your palms against the table with each word to punctuate your point. joshua can see why you picked aggretsuko for your burner account. “i support a woman’s choice to be a housewife if that’s what she wants, but my dumb ass didn’t realize that this isn’t the life i wanted until this fucking weekend! god!” you groan miserably. “all of this heartache and for what?! he cheated on me and now i’m jobless and about to be homeless and completely broke, and i…”

you seem to abruptly run out of steam, slumping in your seat and looking at your near-empty glass of beer pitifully. joshua has the urge to round the table and give you a hug, but he stays put, trying to process the whiplash of witnessing what he imagines is a mini “menty b.”

you take a few breaths before quietly saying, “i can’t believe this is what being in love got me.”

something violently lurches inside joshua’s chest when you say that.

“i can’t believe something that’s supposed to be as beautiful as love blinded me so badly.” your voice cracks. your eyes well with tears and this time, you make no move to stop them as they begin to streak your face. “how the hell can love hurt this much?”

joshua’s mouth falls open to say something—anything. any kind of comfort or kindness or advice. but no sound escapes his lips as he watches your heart break into tiny, little pieces in front of him.

he’ll look back at this moment and realize this was the first time his heart learned something he, himself, didn't know yet: what he had with mina wasn’t love—that maybe, he had actually never even been in love before. there’s no world where mina would ever have the kind of effect siwoo has on you on him, and there isn't anything mina can do that would make joshua scorn the concept of love because it's something he never even experienced with her.

but for now, all he can think is that, despite barely knowing you and despite being somewhat afraid of you, he has an insatiable want to fix this for you. he wants you to stop crying. he wants to see the rare smiles they were gifted tonight on your face once more. most of all, he wants to make the man who made you cry sorry for ever entering your life.

the words are out of his mouth before he can think twice about them.

“i’ll help you.” you immediately stop crying and look up at him with wide eyes. “i’ll help you ruin this idiot’s life. and when the two of us are through with him, i promise you he’ll be afraid to breathe within a 10-mile vicinity of you.”

[vilonnie]

I think because ann is often brushed off as a token cheerful, airheaded girly character there's a tendency to limit her insight to the areas that are expected of her (i.e. relationships, fashion, pop culture, etc) which doesn't account for the way she is deliberately and consistently established as the most insightful character in the game time and again. on fashion – ann notes her appreciation of harujuku subcultures at one point because it is unconventional and earnest, and as someone who has always stood out she understands the value of expressing yourself proudly without being weighed down by others opinions. also, during yusukes social link, ann is ultimately the one whose thoughtful reading of the sayuri and the understanding she's able to glean from it allows yusuke to reorient his perspective + break out of his slump. she has an interest in art and her perceptiveness lets her identify yusukes internal conflict with unerring accuracy from an abstract painting with no explicit details. and with yusuke in general she is the most preoccupied with his feelings and his needs during that entire arc and even when he pushes back against them she is the one constantly extending her hand and checking in on how he's doing.

but really throughout the whole game she is always approaching other people with extremely careful consideration to the point where it's a defining trait. out of all the phantom thieves, it's her relationship with makoto that is arguably the most centered in makotos arc. and during the conflict between those two ann is nowhere near flatly positive – on the contrary, the part of her that is brimming with rage, melancholy, and compassion is fully in the spotlight. her criticism is only so cutting because of her ability to see straight to the heart of things. but the resolution demonstrates what ann is capable of more than the conflict itself, pairing her ferocity with the gentleness and kindness that permits makoto and her to relate to + support each other. later ann is able to compare futabas mental state with shihos and her conviction drives her to once again relate to futaba, approaching her where she is at. it's ann who hesitates to leave haru when the spaceport starts collapsing. it's ann who lashes out so furiously, and so pointedly, at shido primarily on akechis behalf.

and of course anns uniquely discerning eye comes from the same place as the rest of her strength – her integrity and honesty of character. in fact ann is a person who knows exactly what her values are and is so sincere and unwavering in them that it is naturally impossible to sway them. when ann is faced with cruelty and derision her immediate response is to reframe it as a challenge and use it to reaffirm her respect for both herself and her opponent, something that takes incredible emotional maturity. notions of who ann should be or what she should prioritize cannot touch her because she knows to live her life on her own terms – she acts on admiration for the women in her life and already understands strength and beauty as going beyond appearances without having to be taught. she is inspired by and inspires those who support her every day; when the phantom thieves are unsure, she is always, always, the one who is continuously driven to help those in need and stand up for the weak, and she will never forget that. I didn't even say anything about alice hiiragi.

ann is a character who has to contend in universe with incorrect perceptions of her as shallow and substanceless, but she is feminine and doesn't get good grades, and so fans still often fall into the trap of depicting her as lacking critical thinking and a complex interiority – which is a shame for a character who is never once treated that way in the original game itself (for all its other problems with her writing.) ann is frequently vital to problem solving and her choices are often directly responsible for driving the plot forward, filling a role that no other character could perform. idk just. hello have you thought about ann takamaki on this fine day

[asha-mage]

🌶️

The MCU's Spiderman is not a poor execution of Peter Parker's character concept. He's not even poor execution of Miles Morales's character concept.

He is a poor execution of Terry McGinnis's character concept.

Peter Parker and Miles Morales both have so many fundamental pieces to their characters that are just missing for the MCU's Spiderman. Familiar names are floating around him- Aunt May, Mary Jane, Ganke Lee- but the fundamental ideas that make up Peter or Miles arcs just are not there. Themes like Miles's family expectations, Peter's constant money struggles, and the balancing act of doing good vs trying to live your own life are all absent. Even the idea of power and responsibility isn't properly introduced until the THIRD MOVIE when that really should been the central theme from the beginning.

Rather the MCU Spiderman has way more parallels with Terry McGinnis. Both are young hot shot teenagers who end up being taken under the wing of established and experienced hero who is on their way out. Both have complex relationships with their mentor which in a lot of ways serves as the driving force of their character arcs. Both gain high tech suits which enable their heroism. Both are viewed (or at least supposed to be viewed in MCU Peter's case) as heirs to the legacy of this hero.

It falls apart when you get into how they are different. While Uncle Ben is implied to have existed and be dead by the time MCU Peter is introduced in Civil War it's never actually confirmed and never properly comes up. Meanwhile the death of Terry's father is essentially the inciting incident of Batman Beyond: it's what motivates and drives Terry and the murder and it's fallout are the main focus of the first two episodes of Batman Beyond.

What's more MCU Peter's relationship to Tony is grounded in the fact that Tony just shows up one day and essentially taps him to join the Avengers. Bruce by contrast initially tosses Terry out on his ear, and when Terry turns up seeking justice for his father Bruce can't offer him anything but 'go ask the cops for help', and when that goes exactly as poorly as Terry said it would, Terry breaks into the manor steals the Batsuit and goes to stop Powers himself. Terry has active agency in his own choice to be a hero, which helps define his relationship with Bruce and to heroism. While MCU Peter was doing his own superheroics prior to Tony showing up in Civil War (not that he ever does much of that in future movies) his relationship to Tony is defined by Peter's dependence on him and his quest for Tony(/the Avengers)'s approval. And because they don't even bother name drop Uncle Ben or flashback to him, we're left with the impression that the main thing driving MCU Peter is that quest for approval. His motivations are never more complexly explored, and we don't even really see him just running around Queens stopping muggings or car crashes or anything that hints he enjoys or feels the need to actually help people.

And I think that gets into the final and most important difference between the two. Gotham not only needs Batman, it visibly and obviously and terribly needs Batman. Batman Beyond leans into this because decades without a Batman have left Gotham a cyperbunk dystopian hellscape. The city needs someone to stand up to the darkness, to be a symbol of hope, to be aspirational. Terry taking up that mantel means fighting supervillains, yes- but mostly it means doing what the original Batman did. Solving murders, stopping muggings, rescuing people from burning buildings or fighting off street gangs like the Jokerz.

But even in the earliest MCU movies, New York only needs superheroes when the current world ending threat shows up. Otherwise the city is all bright shinny clean streets filled with haplessly content citizens. This is the only reason that Vision's position of 'Our very strength invites challenge' in Civil War makes any sense- because the only purpose of these Superheroes is usually to fight a threat they where somehow responsible for creating. And this problem hits 'friendly neighborhood Spiderman' the hardest because he only has a responsibility to use his great power to solve problems, if their are problems in need of solving. Most of Peter Parker's (and Miles Morales's, Gwen Stacy's, or any other Spiderperson's) day is not fighting alien armies or netherworld gods. It's stopping break ins, rescuing people from car crashes, or dealing with other small scale local threats, that none the less benefit from someone with his abilities to make them better. Either New York in the MCU is an ideal utopian city where the police have everything handled apparently (which ha!) or Peter is apparently not interested in stopping bad things from happening. He spends so much of the first movie basically begging Tony to give him superhero things to do, not realizing that he could go outside and find people that need help on his own.

In conclusion MCU Peter Parker isn't 'regular Peter Parker but not an underdog', or even 'Miles Morales but white'. He's 'Terry McGinnis but without any agency in his own heroism'.

[heartbeerry]

i got a soft spot for you / r. c | part one

pairing: rafe cameron x female reader

part one / part two / part three

cw: exes to lovers, angst, rafe redemption arc, brief mentions of alcohol/substances, some swearing, there's sweet and fluffy reconciliation at the end.

summary: y/n breaks up with rafe due to his problem with alcohol/substances. summer passes by and they find themselves at the same place one night. rafe is determined to prove he's changed for the better.

inspiration: soft spot by keshi

♫ i don't go out, but i’ll do it for you

you never liked it when i drink too much

i hate to dance, but i’d dance with you

'cause i’d do anything to feel your touch...

. . .

the condensation from the full glass of whiskey pooled in rafe's grasp.

he hadn’t had a drop, instead opting to swirl the amber liquid in a circular motion. he let out a small sigh as he ran his fingers over a fresh buzz cut.

it was his first night out in weeks, his inner circle dragging him from his house to "let loose". once arriving at the bar, one of them shoved a glass in his hand and left him to stew in a faraway corner.

rafe was heavily considering taking a sip, giving in, letting all of his progress go to waste.

that is until he spotted you from across the room.

his heart clenched at the sight of your smile, directed towards a group of your friends. you looked happy. without him.

it had been an entire summer since the break up and you were clearly handling it well.

rafe on the other hand, was in pieces.

unbeknownst to you, he had been diverting all of his frustrations into getting clean.

he moved towards the spiral stairs to get to the upper level without catching your gaze. he knew your fun would end if you caught sight of him.

rafe's stomach bunched in knots as his hand gripped the railing. he was stumbling, failing at pushing down the onslaught of thoughts threatening to consume him.

"don't you think you've had enough, babe?" you nudged rafe's shoulder, unable to disguise your concern. he hated when you looked at him like you were almost afraid of what would happen next.

you were at a pool party and rafe's inebriated state was resulting in hushed whispers throughout the crowd.

"i know when to stop, y/n. don'tcha worry, let's just have sum good ol' fun." he slurred back. then, before he could take another sip of his beer, rafe was tripping over his own two feet into the pool, bringing you down with him.

rafe felt hot wet tears line his lids as he recalled that night. the night that broke all of your resolve. the next morning, you were packed up and out of his life. he couldn't blame you, he knew he was a disgrace.

it hadn't been the first time his drunken state had caused a problem in your relationship. but to you, it would be the last.

the already raw revelation stung all over again as rafe looked on over the dance floor from the upper balcony of the bar. you looked amazing, absolutely perfect and - were now being chatted up by some glorified finance bro.

rafe could tell the guy was asking you to dance, by the sheer shit-eating grin on his face as he placed an outstretched hand in your direction. when he saw you hesitate, his heart lurched, begging you to decline.

the moment dredged up another memory - this time, one he couldn't dare to misremember.

"come on, baby," you grin, tugging gently on rafe's ring clad hand. "i really want to dance, everyone is already on the floor!"

rafe beamed up at you, your infectious smile giving him the necessary energy to get up from his seat.

he would rather soon drop dead than attempt to dance, but the look on your face was immeasurable and he would never give up the opportunity to feel your touch.

that was just a month into your relationship, but rafe knew. he knew he was wrapped around your finger as he ambled across the dance floor at your cousin's wedding with the dexterity and grace of a newborn fawn, your laughter filling his ears.

rafe all but threw the glass down on a nearby table, whiskey sloshing from the rim. he jammed his palms into his eyes, willing himself to use the breathing exercise you taught him for when his anxiety rose to a dangerous level.

when he removed his hands from his face, rafe wished to be anywhere else. the deepest depths of hell would be more appealing.

on the floor below, you were in the middle of that mellifluous laugh as your new dance partner was spinning you in circles.

rafe scaled the stairs to the back entrance, battling the pure anguish in his chest.

he couldn't breathe.

swinging the door open, rafe stepped into the humid night.

. . .

i’m wrapped around your finger and i can't stop

you know i got a soft spot for you... ♫

part two

[johanna-swann]

Also, "Oh okay, so the gender reveal cake was just for Jee-Yun, everyone else already knew" (including Buck I'll assume). But then again even though it was a very low-key event the Wilsons were still invited. Madney planned something special for Jee-Yun to find out the sex of her little sibling and they invited the Wilsons to share that experience with them. Buck was once again missing without explanation.

Feels off. Not extremely so if you see this as an isolated event. There have been other instances this season where it felt like Buck was either not being considered or willfully excluded though. Tbh at this point I have to wonder if this is intentional and leading somewhere or if the writers haven't noticed their own pattern.

I mean:

The other character spent zero thought about the Bucktommy break-up and immediately told Buck to just "move on, get back out there" when Buck was still very clearly not over the end of one of the longest and most serious relationships he has ever had.

When Maddie was kidnapped not even Eddie hugged him, he went straight for Chimney. Like. That is Buck's sister. Did nobody think that Maddie's husband and her brother might need support?

Eddie was planning to move away, said out loud that everything that matters to him is in Texas and when he found out Buck overheard this he didn't apologise or clarify what he meant by that, he doubled down, accused Buck of spying, of trying to make him pick Buck over Chrisopher and of making "everything about himself as usual". Buck didn't behave perfectly here either, but he apologised for his part. Eddie did not and it was an insane expectation in the first place to assume that his best friend wouldn't have complicated feelings about him moving 800+ miles away.

When Buck told Maddie about Abby she didn't take him seriously, she made a homophobic joke about Abby turning men gay (Buck isn't even gay) then Josh took over the conversation. (Criticism for the queerphobia goes to the writers, not Maddie as a character, but even if her joke had been politically correct it seems a little dismissive.)

When Buck entered Hen's house after spending hours doing yard work for her he was told to to return the next morning for more chores (I'm okay with Hen's teasing here, she was entitled after everyone forgot her birthday), but Buck was then also sent home without explanation while four of his closest friends ate dinner together?

Buck and Christopher haven't really mentioned each other the entire season. Season 6 depicted them as incredibly close and in season 7 Buck had two very important conversations with Christopher, once about Chris respecting his girlfriend(s) which turned into a conversation about Shannon and once about the Doppelgänger mess. Buck is arguably the adult Christopher trusts the most outside of Eddie himself. How is this not even mentioned?

When Buck and Tommy hooked up in episode 11 Maddie didn't take that seriously either. She double checked whether Buck had feelings for Eddie or not, but wasn't even considering the possibility that Buck was still thinking about Tommy. She naturally assumed that the "he" Buck said he should call was Eddie.

Maddie also gives Buck this lovely "learn to be alone" advice which could be read as genuinely kind, possibly good advice (like "don't make a bigger mess out of this thing with Tommy than it already is if you aren't sure about your feelings"), but it also seems kind of cruel when it's said in so few words to somebody with major abandonment issues who is already feeling lonely and has recently been left behind by his boyfriend and his best friend.

Now we have the gender reveal event that Buck wasn't a part of.

All of it gives very strong "not everything is about you, Buck" vibes, but in the worst possible way. Instead of an arc that's actually about positive character development it seems like they're distancing Buck from every member of his found family. It doesn't come across as Buck being overly emotional or childish, it comes across as the other characters not caring about Buck. It also doesn't make Buck look just lonely (as in everybody has that one person who's theirs and Buck doesn't) (if it was that I'd say, oh they're finally giving him an endgame love interest), it really looks like he's not taken seriously by his friends.

For a lot of the things I listed there are simple explanations, but those only work if we are given those explanations. Of course it's possible that Buck didn't want to stick around for dinner with Henren and Bathena after getting tired and all sweaty and dirty from said chores, but then say that instead of just sending Buck away with a tupperware. Give Eddie a line about how he was being selfish too or that he didn't want to think about losing Buck and everything he built for himself in LA. Give at least one of Buck's friends a line where they ask Buck about the break-up when after weeks and weeks he's still baking with no end in sight. Let Maddie say "figure out what you want by yourself by concentrating on yourself before you make a rushed decision" instead of "I know you're feeling really lonely, but just deal with it".

Right now we have to work to find a way to interpret these scenes in a way that makes the firefam look like they care about Buck in their everyday lives, the show sure as hell doesn't give us that context. If this isn't intentional then what are those writing decisions?

If it is intentional, especially paired with Buck stepping up as an actual friend/mentor to Ravi this could be the beginning of an arc where he becomes more independent and grows beyond what everybody else sees in him (the talented and kind-hearted, but impulsive and naïve kid).

On top of that Buck hasn't had an actual arc since...? I don't even know. The only thing that has happened to him these past to seasons is he started dating a man and then that relationship gets a little complicated. The other characters had a shit ton of traumatising and bizarre shit happen to them while Buck went on a few dates.

I really don't know what's going on here tbh. But considering that the season only has four more episodes and considering what we know about those episodes.... Where would they even find room for Buck character development?

[jedijenkins]

About the structure of The Librarians: The Next Chapter and the potential Future of the Franchise (from a longtime obsessive fan):

sometimes i genuinely forget that your average person is not knowledgeable about how making television works, and don't really pay attention at all to the behind the scenes activities of the people who make television.

to everyone responding to The Librarians: The Next Chapter trailer with negativity along the lines of "why are there new Librarians" "why is Stone the only one there",

i am actually shocked to realize you guys are unaware of the entire reason the first Librarians show exists in the form it does. But then i realize i'm probably the weird one for knowing all of these specific details but here we go: The only reason Eve, Ezekiel, Jenkins, Cassandra and Jake even EXIST is because of scheduling conflicts. Noah Wyle wanted to come back to star in a spin off of the original movies very badly, but he was currently under contract in the middle of filming the final few seasons of Falling Skies. If you're unaware, when you're under contract to finish a certain amount of filming, you can't just break that contract without serious legal repercussions. Not to mention, Noah wanted to do Falling Skies justice. So the executives behind both projects and Noah came to a scheduling compromise - something that Noah was only able to do because of the pull he, Dean Devlin and John Rogers have, not something most actors can easily swing - to where he could finish his work on Falling Skies while also appearing in The Librarians in the time he wasn't filming for Falling Skies. This meant that Noah would be able to be there for at least a couple episodes for the first few seasons, but not all of them. Naturally, you can't have a show where the ONLY main character, the ONLY Librarian, is gone half the time for the first few seasons. So the obvious and genius solution they came up with? More Librarians.

An ensemble main cast that would be able to hold down the fort and keep the show moving forward when Noah/Flynn wasn't there. And they specifically wrote it in a way to where it made perfect sense character wise for Flynn to be absent, both because of the plot and because of Flynn's trauma and fear of commitment. They made Noah Wyle's inability to be there the whole time an integral part of the plot and themes, and constructed the rest of the show around it.

And then when Falling Skies was finished filming, Noah was able to appear more regularly in s3 and s4 of the show, while still being absent sometimes to maintain the consistency of his character arc. The group and plot was set up to allow it to make sense for him to be able to come and go as needed.

I want you to take a second to digest this information. Your favorite characters and their relationships with each other would never have even existed if Noah Wyle had been completely free at the time the show was being started. We would have no Eve Baird, no Ezekiel Jones, no Jacob Stone, no Jenkins, no Cassandra. It would be just the Flynn Carson show, just like the movies. Flash forward seven or so years, and Dean finally gets the chance to bring the franchise back again - but all the actors from the first show are now, just like Noah was, tied up in contracts and schedules for stuff they are already doing. The person with the most schedule flexibility? Christian Kane, because the other shows he's working on currently are also under Electric Entertainment. All of the actors have confirmed they DO WANT TO RETURN WHEN THEY ARE AVAILABLE. They have told Dean this, they talked about this at the convention panel at ElectricCon, and I even personally talked to John Harlan Kim during the meet and greet about how excited he is to eventually return whenever he can. They will return when they can, and these new characters are perfectly set up to work alongside them smoothly the second they do.

Therefore Jake is the best choice to be the first returning character to bring in the new characters and establish their connection to the Library, because they are new recruits, not replacements. This is a CONTINUATION spin off, not a reboot. The Library is once again expanding it's employee base and becoming even more of a capital-O Organization than it already was in the first show. This makes sense both externally and internally.

Externally, this is exactly what they did when they made the first continuation spin off show based on the movies. They created a new ensemble cast of main characters to form relationships with the previous characters in the franchise, and to hold down the fort when those characters are off screen because their actors are currently busy. Internally, expanding the Library even more is the natural progression of the plot and themes that where being explored in the original show. The entire point of the final season, if not the show, is that it was always a mistake to have only one Librarian, a mistake made out of fear. The natural endgame of the themes of the show was to invite even more people to join the Library - there where even multiple side characters heavily set up to potentially become future Librarians themselves. (Lucy Lyons for example). These new characters are not replacing the old ones, they are holding down the fort so that the old characters have a franchise to come back to in the first place. Because if they had to wait for all the actors to be available again to make the new Librarians show, it wouldn't get made, because the people with the money don't wanna wait when they're greenlighting a show. When you get greenlit on a concept, you make it now or you never make it. This was true when Noah was too busy to be the sole main character of the first show, and it's true now when the actors where too busy in 2022-2023 to all return at once for the new show's first season. And a final but EXTREMELY IMPORTANT POINT: Dean announced this show while talking about expanding The Librarians universe, and then at ElectricCon he announced that what he REALLY wants to do is bring back the original show if next chapter is successful, and have both the next chapter and the original librarians team's show airing at the same time while crossing over constantly with each other. Essentially creating a shared Librarians television landscape for characters to move throughout. But that will only happen if The Next Chapter is successful enough. So PLEASE, open your hearts to these new characters and these new actors, because they are in the exact same position the cast of the original show was in. I was there, movie fans where complaining that it wasn't a show solely about Flynn and Flynn alone. But when once the show actually aired, they all quickly shut up, because the day Dean Devlin makes Librarians characters that aren't worth obsessing over is the day hell freezes over. If you don't support The Next Chapter, you will completely lose any chance of seeing those older characters return. Trust me, guys. Relax. You will love these new characters just as much, and you will see the old ones again if this show gets more seasons. So if you want that, you better start getting hyped!

[teapartyprincess4two]

omg can you make a chris version to the talkative fic? my english isn’t very good i apology if this doesn’t make sense!

Talkative- C. Sturniolo

pairing: Yapper!reader x Boyfriend!Chris

classification: SFW & NSFW headcannons

inspiration: request^^

warnings: some 18+ content, use of y/n, established relationship

summary: head cannons of Chris with a talkative, yapper girlfriend!

Talkative- M. Sturniolo (Matt’s Version)

Talkative- N. Sturniolo (Nick’s Version)

—

☆ SFW

You love to talk and that’s something Chris has loved about you from the moment he met you. He, much like you, is extremely extroverted, but every girl he’s talked to in the past has always found him to be too much. You’re his perfect match and although he also likes to talk, he loves to listen too.

☆ Chris never gets tired of hearing you talk, “Babe tell me the story about the teddy bear again.”

☆ You retell stories in such a detailed way that he can’t help but burst into laughter even if he’s heard it before.

☆ When you talk about your friends, it’s like you’re explaining their lore in full detail each time.

☆ “No, babe, that was Savannah. I’m talking about Teala,” or “Dude, I’m telling you that’s why they fired that bitch.”

☆ He has all the characters memorized, even categorizing their lives into arcs, episodes, and seasons.

☆ “Wow Teala is in her villain arc,” and “On this weeks episode of, Who the Fuck is Getting Fired!”

☆ He loves asking you questions because you somehow know the answer to everything.

☆ You’ll be eating dinner and suddenly a random question will pop into his mind, “Y/n, what does litigate mean? I heard someone use it today, sounded fancy.”

☆ You look up at him mid bite, slightly confused but also intrigued at a new topic of conversation.

☆ “I think it has something to do with the law, I don’t know, babe. But one time I heard someone say that on one of those court shows…” you drone on for a while.

☆ Chris always Googles the answers afterwards, not because he doesn’t believe you, but because he truly thinks you’re the smartest person on this planet and you haven’t been wrong yet.

☆ You’re both equally insane, you’ll laugh like crazy people no matter where you are.

☆ You tell the best jokes too, your mind works so fast that you’re able to create comebacks and quick, witty remarks to everything he says.

☆ Sometimes you’ll join him and his brothers on grocery trips, and the both of you wander off just completely in your own world.

☆ You’re the only person who can catch Chris off guard.

☆ You’ll say something completely unexpected and outlandish, causing him to pause whatever he’s doing and stare at you in shock.

☆ “Babe! No way you just said that.”

☆ “I said it, and I’ll say it again.”

☆ When you’re with friends, you tend to talk over each other and your friends almost break their necks switching their attention between you and Chris.

☆ To other people it might seem like you’re fighting each other for the spotlight, but in reality you’re able to bounce off each other’s energy and add on to whatever the other says.

☆ He knows what it’s like to be called annoying, so if anyone ever makes you feel uncomfortable for being talkative he defends you without hesitation.

☆ “Watch your fucking mouth. Don’t say shit like that about her.”

☆ Every conversation you have is full of inside jokes that no one else can keep up with, and it’s literally something new every week.

☆ Although other people are confused by the jokes, you and Chris understand each other fully, almost like you speak your own made up language.

☆ You make each other laugh so hard that your cheeks and ribs will start hurting.

☆ “Chris stop! I’m gonna pee,” you wheeze, rolling over on your side as you try to catch your breath.

☆ He keeps going though, making you laugh harder by making silly faces and funny voices through his story.

☆ After long days of filming and being away from you, he’ll cuddle up next to you in bed and murmur through the drowsiness, “Talk to me baby.”

☆ You know he’s tired so you don’t talk his ear off at a high energy, you just retell your day and play with his hair, kissing his face between sentences.

☆ He loves the sound of your voice, each word as sweet as honey, instantly lulling him into a peaceful sleep.

☆ You’re very opinionated and sometimes you say something he disagrees with, instantly creating a debate between the two of you.

☆ The debates always start off innocent, just you two going back and forth with opinions and the occasional fact.

☆ It’s not until it gets personal that Chris gets upset, giving you the silent treatment until you’re begging for him to talk to you again.

☆ “Chris, I’m sorry! Just talk to me, I’m so bored without you!” He tries putting on a tough guy act, but it never lasts long so he’s forgiving you within seconds.

☆ When you’re around older people, they always comment on what a nice, kind couple you two are because you engage in conversation with everyone.

☆ “What a nice old lady,” Chris says, slinging an arm around you as you both walk away.

☆ “Such wisdom,” you chime in, both of you falling into a fit of laughter. You could never take anything serious.

☆ NSFW

☆ Chris knows not to look too into your conversations with other guys, but sometimes he can’t help but get jealous.

☆ He’ll lose you at a party and find you talking to a stranger, an excited aura surrounding you as you jump from topic to topic.

☆ When he sees the guy becoming too comfortable and touchy, he makes his way over to you and inserts himself in the conversation.

☆ Later, he’s fucking you to teach you a lesson and clamping a strong hand over your mouth to keep you quiet, “This dirty little mouth of yours got you in trouble, Princess.”

☆ Other times he just gets turned on by your voice.

☆ He wants you to talk him through the sex and guide him on what positions you want.

☆ “C’mon baby, tell me how bad you want it.”

☆ Despite you both being talkative, there’s times when you’re so fucked out you’re speechless.

☆ The only sound that fills the room is skin slapping and Chris’s animalistic grunts, followed by your whimpers and small squeaks.

☆ He relishes in it, “This dick has you speechless, huh?”

☆ All he gets in response is a whimper, as you claw at his back for support.

☆ Chris loves when you dirty talk him, using your words to say filthy things to him.

☆ It riles him up beyond belief, and if you keep it going he’s lasting at least 3 rounds.

☆ Afterwards, he loves cuddling or spooning, both of you talking for hours about your future together.

—

MASTERLIST

A/n:

Happy birthday to me! (It was yesterday at this point)

Thank you for this request and NEVER apologize for your English/ grammar. I’m a bilingual education major and I firmly believe you don’t need to apologize for that EVER. I luv u!

Also I’m bilingual (English & Spanish) If any of yall ever want to send in a request in Spanish, go ahead bbys! LOS AMO 💋💋💋

Lastly, I’ll admit that this was harder to write than Matt’s version idky

- L.A.M.B👼🏻💗

—

taglist: @nicksmainbitch @sturniololovers @mayhem-72 @worldlxvlys @gnxosblog @meg-sturniolo @creamoncreamoncream2 @mattnchrisworld @sanyi5 @lustfulslxt @whicked-hazlatwhore @tworosesblackthorn @mxqdii @fawned01 @junnniiieee07

note: if you want to be tagged in my fanfic related posts, you can access my TAGLIST and comment 💐

[searchingforserendipity25]

actually no, the best lawrellini conclave post-canon/au concept i can summon rn is innocent iv attempting to very earnestly match-make his dean of the college and secretary of state.

breaking their vows Would be a sin but considering the byzantine methods they are deploying to avoid being anywhere near each other inside the smallest city state in the world is:

an unnecessary complication to the new pope's ongoing mission to Make Empathic Changes For Good (Intersectional Version), which is going full steam ahead, with the sort of dedication a man who lives life expecting to be assassinated still, and means to make every day count.

oh, they're professional, of course; but poor monsignor o'malley is left trotting up and down the apostolic palace to share messages between their offices, because they refuse to text for post-conclave paranoia reasons (bellini) and because the expectation of replying in a digital format is a psychological torture for the emotionally-repressed luddite (lawrence). poor ray does not complain, but he has confessed to the pope his ankles aren't what they used to be.

they are old men, they are kind and very capable men. breaking their vows is a sin, of course. but to live is to sin inevitably. wasting good love into discomfort is far worse, vincent benítez thinks. they have to talk it out, at least. if he is to trust them to salvage something worthwhile out of the church, he has to believe they can salvage something true out of their friendship.

just kinda sad at this point, honestly.

the thing is. well the thing is. there is no polite way to tell the supreme pontiff you and your bestie already tried the secret romance thing once. and it didn't take.

they had their friends-to-secret-lovers, their shared office, their upstate drives with autumn leaves rusting and good music on the radio.

desperate embraces in the confessional of the new york cathedral. brushing hands and long glances that turned to long pining that turned to a summer of forbidden romance, turned to the anxiety of hiding their relationship to the world.

the rush of joy turned to unsustainable amounts of guilt, the longer it went on. misunderstandings, really: a lot of assumptions without communication. more resentment than either of them wanted to have for each other. the love was there, a great deal of it, but it was far from enough, when it put into question the work they were doing.

twenty years, give or take, since they last kissed in the pantry of a food kitchen in brooklyn, and put an end to the thing between them. they had their sad break up, their ex-lovers-to-friends again arc.

aldo went to paris, lawrence went to rome: they wrote, sometimes. called, met during conferences, meetings, conclaves.

the late holy pope's managed to get them to stop avoiding each other and get their shit together to pull off his own liberal win election years ago. they're fine now; they're good, they're okay. genuinely, mostly.

twenty years. recent events had made clear how much there was still to be understood between them, but they'd recognize each other's breathing in the dark anywhere. innocent xiv had managed to get them in the same confessional, on false and well-intentioned pretenses.

'it is sweet, really.' aldo says, trying to straighten his cassock, trying for wry irony, trying not to guess at the familiar profile, near enough to touch. 'are you going to tell him, or am i.'

'later,' thomas says. he swallows. it would be the easiest thing in the world, to press a hand against the grid of the partition, to pull it back, tug apart the curtains; for the curve of his adam's apple to move against aldo's palm. 'i'll explain it all.'

aldo snorts. 'maybe not all of it, if you please,' and it is enough to make lawrence quirk his mouth. the quality of the air between them alters, just enough for the closeness not to feel too suffocating.

there's nothing to be told, really. nothing to fix. only a misunderstanding. there is no way to explain the distance is not spite or shame, it is just distance. the measure of grace they give each other, now, after spending too long secluded together.

self-protection, yes; but also kindness going both ways. there is nothing to be talked out. there hasn't been anything to talk about for twenty years. if they give it enough time and enough turns of the rosary, one day that will even be true, god willing.

their eyes adapt to the gloom quickly. this part has never been difficult.

it would be the easiest thing. moving in the dark, pressing close, quieting gasping breaths with a mouth or a hand. he tilts his cheek, brushes the evening's stubble against aldo's. lightly, so it does not leave a mark - he has felt the phantom-sense of it before, he always does when they sit near.

the thing is, the confessional is closed from the outside.

but they are, after all, the secretary of state, the dean of the college of cardinals. between the two of them, they have enough master keys to open anything in the palace from the inside out, if either of them truly wanted to get out.

[raven-at-the-writing-desk]

A fun question your opinion: In each arc, what do you think is the theme of each arc? ( It can be a motif, messages, subject)

These are a mix of jokes and serious thoughts ^^ just to avoid the post from being too heavy overall!

The Rose-Red Tyrant:

Breaking free from perpetuating a cycle of abuse

You are your own person, not a puppet controlled by your parent/guardian

At the same time, you have to take accountability for your own actions (your background can explain your poor behavior toward others but it does not excuse that behavior)

Control that is too constrictive will only push away potential connections and experiences, keeping you isolated and complacent

Anger management classes are good for you, guys

The Usurper from the Wilds:

Let’s play fairly and be good sports!

Judging people for their merits rather than by titles or birth

What makes someone worthy to lead is noble behavior and attiude

Standing up for what’s morally right, even if everyone else seems to be against you

You have value, worth, and hope in spite of what others may tell you and put you down for

It’s totally okay to get revenge on the asshole that tripped you that one time/j

It’s technically not a crime if you don’t get caught (except Leona did, in fact, get caught)

The Merchant from the Depths:

Don’t be ashamed of your past self—embrace it, accept it, and use it as a point of reference for self growth

Be the bigger person rather than becoming a bully yourself

Let your accomplishments speak for themselves

There is no “easy way out” or shortcut; be prepared to face the consequences of your actions

Not everything is as it may seem (think about the “trick” with Azul’s contracts)

… Read the terms and conditions very carefully and think things over before you sign a contract 💀

Schemer of the Scalding Sands:

Wow, this baby can fit so much generational trauma!!

Sometimes you just miss each other’s messages or greatly misinterpret the other’s intentions (Kalim giving Jamil the benefit of the doubt, Jamil obviously being the Bad Guy and everyone else has to point that out to Kalim)

There’s a very complicated relationship between those in power and those without power; this can breed hatred for those at the top

Talent and skill left unacknowledged can fester into resentment

Institutions of higher education can and will accept monetary bribes, what are you gonna do about it?

Not everyone wants to reconcile and make friends; this is okay and should be more normalized

A Beautiful Tyrant:

You can try your best and work hard, but life doesn’t owe you anything (depressing thought, but unfortunately true)

Beauty is not limited to just one’s looks; beauty can also extend to one’s character and actions

Your worth shouldn’t come from external forces; if you are satisfied with yourself, you will always be “beautiful” no matter how you look or what losses you may experience

Public opinion and the entertainment industry are brutal af

Screw gender norms 😤

The Watchman of the Underworld:

The grieving process in general

Moving on from the past instead of fixating on it and letting the past consume your present and hold you back from a future

Learning to forgive yourself

Reaching out and making new support systems/opening up to others to help you cope

Bearing the sins of your ancestors (Shroud family curse)

The Lord of Malevolence:

Change is inevitable, all good things must come to an end; we must learn to accept them and bravely move toward the future

Love endures, transcending race (Sebek), blood (Silver), and time (Lilia)

Self-sacrificial love (Maleanor for Malleus, Lilia for the other Diasomnia boys, Dawn Knight for his own family, etc.)

Is it “true” happiness if it is a fake reality, a convenient dream?

We hate and fear what we do not understand, even though we have the capacity to

You cannot live forever in a happy fantasy world where none of your loved ones/favorite characters leave you, your trauma doesn’t exist, and everything conveniently pans out how you want it to; sooner or later, you must “wake up” and face reality (this point is particularly meta; it applies both in-game and in the real world, speaking to us players and our relationship with the escapist fictional content we consume)

Prologue: Welcome to the Villains’ World and Overall Main Story:

The power of friendship :))

Revisionist history (cuz… y’know… Great Seven and all)

We’re stronger together than alone

It’s okay to rely on others

We may be very different people from very different backgrounds, but it is still possible for us to understand one another

[thenationofzaun]

Arcane Season 2: Episode 7 rant

"Arcane Season 2 may have been rushed but episode 7 was the best of the series!" "Arcane 2x7 was so beautiful and the closest to Season 1's vibes!" "Episode 7 was the only good part of Season 2!"

Anyway, Episode 7 was terrible and here's why:

- Multiverses are a sign of creative bankruptcy. Leave shit like that for fanfiction. Or at the very least, non-canon supplementary material. Highjacking an entire episode of the FINAL act for an AU "what if?" in an already rushed and overstuffed season was an idiotic choice. They essentially left only 2 episodes for Act 3 to resolve a multitude of different plotlines, character arcs, and relationships. All for "alternate timeline" drivel that caters to the lowest common denominator.

- The Piltover/Zaun conflict resolution shown in this episode is incredibly insulting. The way a show writer explains it (1:49:00), Vi's death and martyrdom makes people from both cities reevaluate their lives and come together to build a better future. This is implied by Marcus's devastated face when he finds Powder crying over Vi's dead body. This tragedy apparently made Piltover see the error of their ways and decide to turn over a new leaf. In this timeline, Silco also found the apology letter Vander wrote him and forgave Vander. Let's break down why this is insulting. The very first scene of the series shows enforcers brutally killing Zaunites on the bridge without any remorse, and in front of their children. When the kids blow up Jayce's lab, the enforcers chase them down and attempt to arrest them, despite them being kids. Later, Marcus and his enforcers ruthlessly abuse and threaten Zaunites while looking for the children, whom he refers to as "four sump rats". Piltover's Council have no problem with this, as every single one of them bar Heimerdinger urges the enforcers to "turn the Undercity upside down". Marcus later throws Vi into a horrible dark shithole of a prison where she is tortured for years while he lives a cushy life as Sheriff in Piltover. Yeah. So the idea that the death of one "sump rat" would make this 200-year old corrupt, classist, authoritarian and evil government who, up till now, have never given a single fuck about the children of Zaun, turn a new leaf is laughable. Remember when Aang suggested showing Firelord Ozai baby photos to make him good again and everyone rightfully laughed at him? How is a show for 7 year olds more mature than this so-called adult show? This isn't even touching how offensive it is that the lesbian kid's death makes the world a paradise. It was not intentionally homophobic as this plotline was the lesbian writer, Amanda Overton's idea (she said so in the video I linked). But lesbian writer or not, intentional or not, this shit is so sloppy and insulting. Embarrassing that she didn't realize how this would come across in the show.

- People like this episode for Ekko/Jinx shipping fanservice, but their relationship isn't even explored in the main story. This girl Ekko is making out with isn't Jinx. She has been stripped of everything unique about Jinx that actually make her who she is. This is Powder, who's somehow perfectly sane and normal, who has fuckall to do with the Jinx we actually know. Ekko's relationship with our Jinx has zero organic or believable development. He never reacts to her becoming a symbol for Zaun. He never reacts to his Firelight lieutenant's change of heart towards Jinx. He and all the Firelights just suddenly have no problem teaming up with Jinx despite her spending years murdering them and their friends. Jinx never even spared a single thought for Ekko throughout the entire show. She blows him up in 1x07, then never mentions nor thinks about him again until 2x09. If she thinks he's dead, she sure shows zero guilt about it. She doesn't seem to give a fuck about that boy lol. The writers did not have the talent to explore the complexities of this relationship within the main universe, so they crafted a convenient alternate universe where nothing went wrong and absolutely nothing too dark or complicated stands in the way of an Ekko/Jinx romance. Because who needs writing that actually grapples with the complexity of a broken friendship and two people who have hurt each other irreparably, when you can just make them kiss in an uncomplicated, unchallenging, unserious lighthearted AU? This is supposed to be the tragic romance everyone's raving about? "Ekko/Jinx would work so well if Jinx wasn't Jinx and was a completely different character😍" Lol.

- "Didn't he try to kill you?!" Who are you talking to Ekko? If you are talking to Silco, then this is a massive plot hole. Ekko shouldn't know that Vander tried to kill Silco. According to Season 1, that shit took place in the far past and Vander never told anyone about it, owing to the fact that the kids had no idea who Silco was. Season 2 retcons that and says that Vander tried to kill Silco after the bridge incident and the kids all knew Silco, which is a blatant plot hole that contradicts Season 1. If Ekko's talking to Vander and Silco just assumed he was talking to him, that makes a bit more sense. But it doesn't explain why none of the characters question why this kid who's known them for years is asking bizarre offensive questions that he should already know the answers to. Instead of "the greatest thing we can do in life is find the power to forgive" corny ass bullshit line, Silco should have said "Excuse me? We've been together for years and you've never had an issue before. Why bring up such a thing now? Is there something wrong, Ekko?" Same goes for Powder forgiving Ekko so quick after the horribly offensive shit he said to her for no reason, that he didn't give any explanation for ("Vi's dead? Was it you??!!!").

- Powder being revealed to still have the Hex crystals at the end of the episode. Let me get this straight: Powder accidentally drops a Hex crystal that explodes the building. This gets Vi killed. Enforcers arrive at the scene and find all the kids. Presumably, they know that the kids were there robbing the place. They never search the kids and confiscate the other crystals from Powder? What do they even think caused the explosion? Do they never investigate? Why are the remnants of the exploded crystal STILL embedded into the wall for Ekko to find? If the enforcers found it, they would surely have removed it right? You mean to tell me they either knowingly left that extremely dangerous shit there, or they never even found them in the first place? 100/10 logic.

- Powder being a perfectly healthy and sane girl despite growing up in Zaun, witnessing the death of her parents, and inadvertently causing the death of her beloved sister (remember, it was Powder who accidentally dropped the crystal which then exploded). This is a Powder who was already very insecure, already being belittled by Mylo, and already desperately attached to her sister. Powder who was already having hallucinations on the bridge as a toddler, and then in episode 3 when she's left alone in the Last Drop, before accidentally killing Mylo and Claggor. You're telling me this Powder accidentally kills HER SISTER VI, and she grows up fine with no guilt? Her guilt over killing Mylo and Claggor was crippling. You could argue that Mylo learned the error of his ways and comforted Powder, no one disparagingly called her a "jinx" ever again, and everyone raised her with love. Except...... Silco did all of those things in Season 1, and she still struggled with guilt and psychosis. Damn, I guess it really was The Big Bad Man at the root of all her mental health problems. Fuck complex gray writing I guess. Season 1 shows us that she already had hallucinations as a small child and in episode 3 before the deaths of Mylo and Claggor. But here in this AU she has none? I guess there really were anti-psychotic drugs and therapy in Piltover all along, which they generously shared with the sump rat who exploded a building instead of throwing her in jail like their pre-character assassination Season 1 selves would have done. And Vander, Silco, Mylo, and Claggor all somehow gained amazing skills at raising a traumatized mentally ill child riddled with guilt from accidentally killing her sister, and their combined efforts with the help of Piltovian Mental Health Awareness campaigns cured all of Powder's mental problems. Hurrah.

- Heimerdinger's pointless death that nobody ever mentions or cares about ever again. Jayce and Viktor never find out about it. He was their mentor for years. The character assassination of Heimerdinger in general was insane. In Season 1, he was staunchly against the Hexcore and wanted to destroy it, citing the devastating Rune Wars that he is a traumatized survivor of. Just seeing the Hexcore was enough to give him flashbacks. He pointed out the danger of the Hextech gemstone. He was booted off the Council by Jayce, which was a huge dramatic betrayal, and prompted him to travel to the Undercity and face the product of his failings as a ruler. And in Season 2? He never reacts to the Council's death who were bombed WITH THE HEXTECH GEMSTONE. Three of his colleagues fucking died and he's cracking shitty jokes. (Who even found it funny when Heimerdinger snuck into the lab then kept dropping shit and saying "ball sockets!" Who is this humour for? Three year olds?) He doesn't have any opinions on Jayce using the Hexcore, the thing he was so terrified of, to save Viktor's life. His reaction to Viktor now being fused with the Hexcore is non-existent. He and Jayce never discuss the betrayal nor the Council nor the current political situation between Piltover and Zaun. Viktor ascends to godhood and looks very reminiscent of the destructive mages in Heimer's flashbacks, but Heimer never reacts to this either. What a fucking waste. His death in episode 7 was contrived and meaningless.

- Mage Viktor letting Jayce suffer and go insane for weeks surviving off scraps, then walk for miles and climb up to the top of the Hexgate on a broken leg, all to meet Mage Viktor anyway. Why didn't this mf just immediately reveal himself to Jayce, tell him everything, help him up to the top of the Hexgate and show him all the petrified bodies, and give him the Mercury Hammer? He needed Jayce to do all that shit by himself because? I swear Mage Viktor's convoluted time-travelling plan makes less sense the more you think about it.

[kinardsevan]

What is your opinion on Tommy coming back or not? And in they case we see him again, do you think it’ll be just for closure (ex: Abby in season 3) or maybe for a BuckTommy second chance?

fun fact: i was considering doing an entire breakdown with a bunch of Oliver's interviews from the start of this arc until now to point to my opinion:

Tommy is coming back. The romcom theme is still in effect, and we're only about midway through the 3rd act.

Long story short (and without sources right now), I think that the interviews were actuallly pointing in this direction with the wording for a hot second. We have OS telling us that he thinks the best relationships have a "will they, won't they" bit where the audience and the characters are pining. We've seen this play out on the show. And we also have to remember that Oli knew during this interview that the breakup was coming. We also have the interview (I believe it was the Decider one I linked last week) where he mentions choosing to fight for the relationship or not. I feel like a lot of people have taken the context of that and twisted it into "they didn't do it right away, so they're not going to". Except, there's ANOTHER quote of relevance, which is Oliver talking about how Buck's queerness isn't tied to Tommy or Eddie, and only to himself.

Obviously, there have been things said since 806 that would point towards me being delulu, except, here's the issue: TM, OS and LFJr are NOT going to tell us that Tommy is coming back if that's the intention. It would spoil the surprise of it all, and the win of it all. What fun is there in that? What TM has said is that Tommy is Buck's romantic past but that doesn't mean he won't turn up again in the future (all relevant and true facts which do not shut down a reconciliation). Lou never out-and-out said he was done with the show. He's said time and time again that he wants to come back. TM has mentioned Tommy coming around again. OS literally said in an interview "they may run into each other on scene and have it be awkward".

Now obviously we don't actually have the full story with how things went down and the show decided to go with splitting the boys up. I think the fact that Lou has called out the bullying but says he wants to come back suggests that it wasn't him saying it was too much. I have two theories that could honestly run concurrent with one another:

Evan and Tommy break up in 806 at the end of the episode. With 911 having 18 episode seasons, this quite literally only makes up the first third of the season. It set up the beginning of the year for us. We're now two episodes into the second part of the season with a pretty clear idea of where the next three will go and suggestions (by fans, nothing official) that the "soonest" we could see LFJr again is 812. This is reasonable, as it would be the end of the middle of the season. Knowing that TM has suggested he might do a multi-episode season finale, pushing LFJr back into the show in 812 (or even the end of 811 if we go with my theory that Eddie could possibly leave around this time and Tommy helps them pack up/his and Buck's first time spending time around each other again), there would still likely be something around this time period that would be around when they would open the doors to this. As it is, we know that 809 and 810 go together, and then we'd have 811 to really flesh out the end of Buck's fling. I think there's even more possibility of LFJr being in this episode as well because if the plan is to bring them back together (which everything has been suggested so far ON screen in terms of keeping Tommy "in" the story), three-episode arc gives us several things: a. it allows the show to make the point that Buck's queerness is not intrinsically attached to Tommy; that his interest in men is as equal as he know his interest in women is. b. it gives them the ability to also show that his feelings for Tommy are not based in Tommy being his "first", or Evan needing to "discover" more about himself. They're in love with each other, and the show has given us the pieces for that. LFJr has acknowledged it in an interview, Tommy loves Buck. We also know that Tommy's line to Evan is "you'd end up breaking my heart, and I don't think I could deal with that". When I hear that sentence, what I'm actually hearing is "I'm already in love with you, and if I let myself fall more in love with you by being with you every day all the time and this ends, I won't survive it". By relation, we have Josh ask Buck if he loves Tommy and Buck waffles, but I think this has more to do with his lack of understanding of what a healthy love is in a relationship, given his past relationships. He never got to tell Abby. Ali left. and saying I love you to Taylor wasn't about the core of actually being in love with her, which I think is another important piece for BuckTommy: they don't just love each other, they're in love with each other. Still, sometimes it's hard to quantify that feeling, and I think (as I've referenced before), for Evan it was easier to ask Tommy to share a living space with him than to share how he feels about him because historically, things haven't worked out well for him when he's been in love outwardly. Further, the questions Josh asks Evan are directly correlated with loving someone, and Evan answers yes to all of them. (I don't think I need to add this, but he also sees a future with Tommy, talks about being engaged or married. He's serious about Tommy in a way he never has been before.)

There's also the theory that the breakup happened because of scheduling conflicts. Now obviously the show could've found other ways to work around LFJr's scheduling issues by having Tommy go on a trip or what-have-you, but let's remember OTHER things that have been said by OS in prior interviews: a. back in June, he did an interview where he stated that he wanted and hoped that BuckTommy would go through issues that couples normally go through in their first year together. He wanted normal issues. This storyline IS normal. b. he didn't want to repeat Tarlos. By the very definition of what the show is doing right now, we're not. Tarlos and BuckTommy are their own things with their own reasonings.

One of the other things I also keep being pulled back to is these issues: first of all, we know how LFJr plays with the 911 demo, given that they got to see it last season. It's why he was written into more episodes after his initial four episode arc and brought back. ABC has also used BuckTommy in their own adverts, which suggests that they are very supportive of the relationship continuing because it draws in viewers. Truly giving that up for good feels like dousing yourself in gasoline and then considering striking a match. Second, people also keep calling out that TM only plans a few weeks in advance. I believe this is true with story beats. We know that the writers room has a general idea on character arcs, thanks to some of the discussion on the cheese page post-806. I really struggle to believe that TM didn't know going into going forward with the breakup whether or not he wanted to bring LFJr back. We know he waffled back and forth on the idea of the breakup, meaning he probably had other solutions on his mind for whatever LFJr's schedule needed adjusting for, and this is what he decided on. Also, even if 8b hasn't been broken down yet (we know it hasn't), they would still know at this point what they do or don't want, what their ideas might be. Solidification for why Tommy should be brought back is directly shown in the reaction by the GA and the fandom to the breakup. They may not know exactly how that reunion happens yet, but what they have suggested is that Buck's new relationship will be short-lived. That he's using it to cope. We also know he's still processing the break-up and still misses Tommy. These are all things that point to the story not being over. Plus, I feel (once again), if the story really was over and they didn't have plans to continue this in 8b, LFJr wouldn't be talking about wanting to go back. It be far more "yeah that sucked, but it's over now and what can you do? I'm off to this new show and I'll never be back." (I've commented also on the fact that the fangirlish interview comment about his "i'm going here, doing this, have some opportunities" statement is very run-of-the-mill. Obvs I could mean something. Or it could literally just be a canned answer.) (This might feel a little off-center, but I think his commentary on trusting TM and knowing what he's doing in one of his post-806 interviews directly suggests that he believes the story is going to be handled properly.)

I realize at the end of the day, all of what I'm piecing together could mean zilch and Tommy could possibly never come back. They could truly just drop the story and never circle back around, set fire to a beautiful arc and lose thousands (possibly millions) of viewers. I've certainly suggested myself being one of them. But I don't see BuckTommy only getting an Abby fix for two reasons. LFJr wants to come back and continue the story, and Connie Britton only ever intended to do one season. Also, the fling has been called out as being planned to be short-lived. Why bother mentioning that if you don't have other plans for the story.

The last thing I'll leave you with is my commentary from the interview Oli and Aisha did with the guy from Chicago. That reporter obviously liked the BuckTommy storyline and said he's choosing to believe that the relationship is paused, not over. By relation, we had Oliver say three things: (1 and 2) Buck is still looking for love, both in himself and with another person. (3)The season is only half over. Circle that back to 806-808. Buck is finding love in himself by dealing with it in a healthy way (so far) with the baking. We've also seen the "cracks" Oli mentioned with his continued urge to want to text Tommy, as well as him fighting it off by baking (referencing the "pendulum swinging"). Looking for love in others will likely be this arc where he tries to deal/move on. I feel like we collectively watched the end of 806, and then 807 and 808 yelling at the TV "you're in love with him, piece it together already!" (or maybe that was just me???). But truly, whether it's a fling, his therapist, or Bobby/Maddie/Eddie who finally spells it out of or him, I think there will be a point at which we see that come to fruition. The seeds were sewn in for it in the scene with Josh. Now it's just about watching those seeds sprout.

Final note: we've had a good run up to this point with these two. Did we truly thing that the honeymoon phase would last forever? (I didn't. Conflict and the pink bubble popping have to happen eventually.) If we really want to suggest that what BuckTommy has is real, they have to go through this and come out the other side. I think everyone is justifiably frustrated due to the 4 month wait on new episodes (I personally would not have left people hanging quite like this, but that's just me), but the narrative does lead us toward what the show is doing with the suggestion that it does have a natural (and good) conclusion. (Possibly with a helicopter/truck/jeep crash?!)

And just as my singularly LAST note, here's my other thing: Evan and Tommy both have abandonment issues. (Tommy's are clear based on the break up and we know Buck's.) By that correlation, when these two finally get back together, they're never going to fucking let the other go.

(This was so much longer than I intended it to be, but that's my answer 😂😂😂😂😂😂)

[scribz-ag24]

I've recently seen again a post talking about the Sableye and Dusknoir's relationship so i'd like to put my two cents in the discussion, for I love screaming into the void about PMD. (this isnt meant to discourage any other interpretations btw this is just my take on theirs and Dusknoir's relationship, bc I think they're very fun characters and I am very glad the game actually gives these minions a bit of relevance in se5).

Tbh I don't buy that Dusknoir treats the Sableye nicely, at least not out of kindness. I don't think he's a tyrant or inexplicably mean, of course, and I think his minions ADORE him, but i also believe that doesn't mean he's nice to them, sth that i consider meaningful for their character arcs.

Throughout the entire game he's exclusively giving them orders, in se5 he concocts a plan that involves thrashing them MULTIPLE times (he's lucky Grovyle isn't one to try and kill enemies in battle ig), and the cherry on top is that the first time we see him being fully genuine he does this:

(yes, he is in turmoil in here, but there's not a single thing implying that 1. this is an unusual response towards the sablye, 2. dusknoir feels bad for it at some point or is surprised at himself, 3. this has any impact in the sableye at all. You can argue these reactions happen off screen and we don't see them, they don't happen bc they have pressing matters to attend to or they happen after they return to life, and that's perfectly valid, but i'm sticking with what the game shows us, here.)

I must say, though, the fact that the Sableye, despite having been almost mindless pokémon up to now, STAND UP TO AND ATTACK Primal Dialga for their boss and even try to look after him despite him ordering them to check on Grovyle and Celebi first is SO important to me. they are goons to the bone and they love that scheming ghost so much.

My own view is that Dusknoir is generally polite to them (you wouldn't randomly break your own revolver or weapon without any reason, would you?), but is quicker to get mean with them than with people he doesn't know or he is seeking to manipulate. He doesn't care about their behaviour as long as they get the job done, which is why I think the anime thing of the Sableye climbing onto his shoulder isn't that remarkable, rather it's a very cute moment, one that is showing how they've been working together for long and how their size difference affects their interactions, but it is not necessarily conveying an affectionate bond (this is a bit random, but it reminds me of Disney's Jafar with Iago lmao. throw your pet sableye at your enemies so they mock them and then return to your shoulder). Additionally, Dusknoir letting the Sableye onto his shoulder is probably as close as we are gonna get to a villain turning around in his chair while petting a cat in PMD lol.

[this isn't meant to be a one-to-one comparison, it's just a detail i find cute and shows that this gesture can have multiple interpretations, with none being the only right one]

Leaving that aside, I hesitate to claim Dusknoir trusts his Sableye as allies, as Grovyle makes a point in the main story of how the Sableye (your Sableye, he says, as if objectifying them; not friends, but tools, weapons at Dusknoir's disposal) are lacking compared to the way hero/partner/grovyle support one another (power of friendship and hidden information babyyyy). The Sableye are used to Dusknoir's way of doing things, though, I'm sure. They know what happens when he's displeased, after all.

I think, most of all, the Sableye are meant to look disposable: they are 6 identical pokémon that almost act like a hivemind, and we are not supposed to think at all about how we may hurt them in battle any more than we do with the angry Manectric pack or random dungeon pokémon. This, I believe, is why the game has them stand up against Dialga and gives them unique dialogue at the end of se5. They're meant to show their inner shine, just as Dusknoir managed to do. They suddenly gain an individuality they had never shown while they were working to maintain the dark future.

Where they abandoned Dusknoir in the Old Ruins, now Grovyle has motivated them to look for their dignity and fight for a better world, and that starts with protecting their leader from Primal Dialga's rampage, and supporting his new objective and allies in their quest to save the future. In their own small way, they've also grown as characters throughout SE5.

I believe that, overall, Dusknoir saw the Sableye as tools, but thanks to their growth and clear care for him, there's a possibility he might start to see them (and by extension other pokémon) in a more genuine, less pragmatic / objectifying way in the future. Now that Dusknoir has the chance to live a fulfilling life, he may learn to care for others without surrounding himself by so many walls. If anything, I think their future is quite bright. Not that the Sableye would mind if he still thrashed them around, though lol, they're clearly not bothered much by it (special episode 0 had a great depiction of the sableye imo, you can check that romhack if you haven't yet).

In conclusion, look at these little guys who adore their can-get-mean-but-is-mostly-polite boss and probably have a body count but now are good, they're so cute: