#he comes back but does not know he is dead

[pellucid-constellations]

I'd Answer

You've been gone. Azriel's been broken. Something has to change, and Azriel would do anything.

Part 2 of If You Cared to Ask

“This is for you,” Mor huffed, plopping down a small bouquet of roses onto the growing garden that seemed to have sprouted on the table. “What is that, number twelve?” 

“I don’t know, I don’t count them,” you brushed off, your gaze falling on the gifts for a fleeting moment.

Mor hummed. “Are they doing anything for you?” 

“Not particularly.” 

Your friend shuffled into the small sitting room and gracefully landed in the chair beside yours, her eyes piercing a hole in the side of your head when you refused to look up. She sighed, and then sighed again, making a show of slotting her chin in her palm and looking forlorn. 

The third sigh was your breaking point. 

You placed your book on the table and turned to Mor with your brows raised. “Yes?” 

“Oh, nothing,” she airily replied. “I was just wondering when you were going to give this up. You don’t have to forgive the guy, but at least put me out of my misery and let me tell him where you’re staying. I’m basically a delivery service at this point. He says sorry again, by the way.” 

“Oh, well in that case—” 

“More than just sorry, but I can’t remember everything he said. It was all rambly and his face was all gaunt.” Mor pressed her fingers up to cover her eyes. “I’m not even sure if he’s eating. Rhys had to stop sending him out because he almost fell out of the sky.”

“Is this supposed to make me feel bad?”

You hoped your ruse was believable because hearing that Azriel was doing so poorly did make you feel bad. Your heart lept up to your throat at the prospect of your mate falling from the sky from exhaustion. But he had had so many opportunities to make this right and you weren’t about to give up your anger so easily. 

Mor offered a sad expression that looked authentic this time. “Y/n, he loves you. He’s an idiot and the whole lot of them are mindless fools, but Azriel has never loved anything the way he loves you.” 

“Yeah, I’m sure,” you snorted. “And he shows that love by forgetting me and then arguing when I’m clearly upset over it?” 

“I know. He told me how much of an ass he’s been. But, I promise you, I’ve known Azriel for a long time. He was just—just handling everything with Rhys poorly. He felt so so guilty when Rhys got trapped. You know that.” 

You bit the inside of your cheek and avoided Mor’s gaze. “I know.” 

The lack of vitriol in your tone had Mor perking up. “And you remember how hard he tried to get him back—how broken he was when Rhys sent out his last message. Az feels responsible for everything when it comes to his family.”

You didn’t need the reminder. The tortured way he carried himself over the past 50 years was evidence enough of the truth behind Mor’s words. And you had been there to soothe that pain, to help run the court that Rhys left behind. 

When silence persisted, Mor craned her neck to catch your gaze. “I’m not saying what he did was right, but you know he’s been in overdrive since Rhys returned. He goes off on those missions when Rhys calls, but… y/n, he only leaves without notice when his informants…” 

Mor trailed off. 

Your gaze finally flickered up. “When?” 

Mor bit her lip and winced. “He told me not to tell you this part. He said he didn’t want you to think he was making excuses.” 

“Tell me anyways.” 

“Fine. But you can’t rat me out.” Mor sighed and leaned back in the chair, still facing you. “He does go on every mission Rhys proposes, and that’s… stupid, but he tells you about those ones, I think. When he just up and leaves, it’s because—y/n, it’s because they're about you. You know there’s a slew of people that want you dead for your involvement up in Illyria. He has a team of informants with the sole purpose of listening for you name.

“He goes on Rhys’s missions because he doesn’t want his family separated again, but sometimes, it’s because he just wants to protect his mate.” 

A stone dropped past your ribs and into your stomach. “But, he never told me—” 

“You know these overgrown bats think that suffering in silence is an honorable thing to do,” Mor rolled her eyes. “They overwork themselves fighting the good fight or whatever and seem to forget that the rest of the world is still out there, facing the consequences of their actions. And… I think he just wanted you to feel safe. I think he’s been scared.” 

Something sickly climbed its way up your consciousness. You looked down at your hands as they rested in your lap. 

You hadn’t seen Azriel in six days, and each day had more anger coursing through you, building up a wall that you thought impenetrable. Because you were so angry; Azriel had disappointed you time and time again, left you feeling abandoned and alone, and then he got defensive about it as if you were the one at fault. 

Part of you always knew it was a defense of some sort, but you had thought it a defense of something nefarious. You had tossed around the idea of infidelity a few times, and that rivaled the thought of him simply falling out of love with you. 

But it was this. 

It was him hiding how hard he’d been trying to protect you—however idiotic his tactics may have been. 

“You can tell him where I am,” you murmured clenching your fingers into your palm. “And leave the door unlocked, I guess.” 

Mor had left the small apartment on the outskirts of Velaris before you finished your sentence. 

It took approximately 7 minutes for a tentative knock to sound at your door. 

Mor had left it unlocked, but there was still a knock. 

You took a glance at the pile of flowers on the table before heading to the front door. The old floorboards creaked under your feet, a reminder of the rundown apartment you had sought out after you left. It was a frantic process, searching for a place to stay; you hadn’t cared much for luxury or comfort.  

Opening the door was jarring. Azriel’s wings were half-raised as if he’d just flown down and then forgot how to control them. His face was pallid with dark smudges beneath his eyes. His hair was windswept, expected from the flight, but it looked tugged at and disheveled beyond that. 

“Hi.” 

Maybe you’d been looking him over too long because Azriel’s voice cracked at the single word. He sounded unsure, verging on afraid, and all you had done was pass over his figure with your eyes. 

You tightened your grip on the door handle. “Um, hi.” Your tone was harsher than you meant it to be. 

Azriel flinched. “I’m sorry, Mor said…” 

“No, I—Come in.” 

You stepped back and pushed the door open to accommodate his hesitant steps into your rental. Azriel stood in the middle of the space and wrung his hands as you shuffled behind him, a slight tremor showing in his fingers. You leaned back against the door with your own hands pressed at the small of your back. You watched Azriel’s lingering gaze trail over the flowers in the corner of the room. 

“You didn’t like them?” he meekly asked. 

Something inside of you hurt. 

“They were okay,” you answered. “But I didn’t want flowers.” 

Azriel nodded and his lashes fluttered shut. His hands twitched. 

“I’m sorry—for the flowers, I mean. They were a pathetic reason to send Mor to you. You wanted to be left alone.” 

“I did not want to be left alone, Azriel.” You kicked away from the door, bringing your arms across your chest for some form of protection. “I wanted you. I wanted you to care about me.”

“I do,” Azriel stressed. He took a step forward and the wood beneath his boot creaked. “I do, y/n.  I care about you more than anything—I love you.” 

“Then why couldn’t you show me? Why did it take me leaving, me getting hurt, for you to finally listen to me and see how much I’ve needed you?” 

Your chest was heaving, each word from your lips a choked gasp. Azriel took all of it and absorbed your full meaning, seeming to wince at every insinuation that he didn’t love you. His jaw quivered and he opened his mouth to speak, but nothing came out. 

“Why did you stop talking to me?” you asked, a broken rendition of your anger. “Why—Mor told me… She told me things. Things that make sense. But why does it feel like I don’t matter to you?” 

“My love,” Azriel stressed. Yearned. He rushed forward, abandoning all reservations and gathering you into his arms as tears began making headway down your cheeks. “I’m so sorry, baby. I can’t—I’m so so sorry.” His words were almost lost against your temple as he held you, each apology a whisper of a kiss against your skin. 

“You weren’t there and Devlon—he—” 

“I know, angel, I know and I’m so sorry. Had I known… Had I listened.” He pulled you back from his chest, crouching down to meet your eye and wiping tears from your cheeks. “All I’ve ever wanted to do was keep you safe. I thought I was doing that. I don’t know what Mor told you—” 

“She told me everything. She told me you’ve been following leads about me and taking on too much. She told me you’re scared.” 

Azriel breathed and it sounded anguished. “I am terrified. We lost Rhysand and now you are in the throes of a society that almost killed me. I—I wake up every morning and everything is good and I am so afraid to lose that. I thought I was protecting you, protecting us. But I almost lost you and—” 

You let out a breathy cry. “You could never lose me, Azriel.” 

He pressed his forehead to yours, the wetness of his cheeks now apparent. Azriel’s hands were firm on either side of your head and his fingers laced up into your hair. 

Gods, you missed him. 

You missed him and everything hurt. 

“I’ll do better. I’ll be better. Just please—please, don’t leave again. Please come home. Let me fix this.”

The want was overwhelming. It would be so easy to say yes, but it would be just as easy for nothing to change. 

“You can’t do that again, Azriel,” you stressed, shaking your head and causing your mate to draw back. Only a breath was left between you. “You have to tell me what’s going on. You can’t—you can’t leave me in the dark. You can’t make me feel like that.”

Azriel’s head shook in desperation. “I won’t. I promise I won’t.” 

“I need to know I can rely on you—trust you.” 

“You can, angel.” 

“I need to know that you love me.” 

A pained sound escaped Azriel’s throat. He licked his lips and reaffirmed his hold on your face, locking his eyes with yours in a beseeching gaze. 

“I love you more than life itself, angel. I couldn’t breathe when you were gone. I can’t believe I made you think that I don’t. You are my life. Let me show you. Please, let me show you.”

You tracked your eyes between both of his. “Okay, Azriel.” 

“I’m going to keep you safe.”

“I am safe.” 

“I love you.” 

"I know you do, Az. I know."

[audliminal]

It's just a game, right? Pt 2

pt 1

"It's like. Crazy, y'know?" Bernard's voice echoes in Tim's ears as he fiddles with his mask. "Like, when they started posting, I was kinda meh about it? I mean the first few videos they posted were just like. Basic shitty, scrambled audio, and the first clues were just like, real simple. Basic word replacement stuff; mostly vigenères, right? But now it's- they're using everything! The current drop is. It's layers, man. And I think it's intentional."

"Isn't it supposed to be intentional? I thought that was like, the whole point of an ARG."

"No I mean, like yeah obviously the clues are intentional, but like. The way the difficulty curve is just increasing. When this started it was so easy, but I don't think it was because they like, didn't know what they were doing or anything. Which, cool yeah that makes sense, you want people to buy in before it gets super hard or whatever, but there are, like all these threads that never went anywhere. And everybody kind of wrote them off as red herrings because they didn't seem to fit into the narrative that we had so far, but I can't stop thinking about them, you know?"

"I mean, they could still be red herrings, couldn't they?"

"Well, technically, yeah, but like. Why? It's one thing to have a dead end that maybe calls back to a previous clue or, like, reaffirms some detail from before but having something completely unconnected seems like a weird choice. Especially when the creator keeps telling us to dig deeper."

"What the fuck does that mean?" Tim asks with a laugh.

"No that's the thing!" Bernard's voice goes intense, and Tim momentarily stops putting his mask back together. "Literally every fucking drop those exact words are hidden somewhere in the mess of encryptions, and as things get more complicated, it's showing up more not less. And that together with all the fucking loose details that don't seem to fit in anywhere? I'm literally on the verge of going back to the beginning of the whole thing and solving it from scratch, bc I think we're missing a lot." Tim kind of forgets, sometimes, how similar he and Bernard are, but the in his boyfriend's voice is one he's intimately familiar with. That combination of obsession and frustration - and obviously it's not really serious because like, it's an internet game, but it doesn't matter what the stakes are, being stuck on a puzzle fucking sucks, and he can't exactly patrol what with his broken ankle, so maybe a fun, no-stakes challenge would be good for him.

"We were planning on hanging out on Friday, so what if you walked me through it from the start, and maybe together we can come up with some answers?"

"Seriously? Dude that would be so awesome! I will teach you everything I know about code breaking!"

"I mean, I do know some things, you know. You think I didn't have a spy phase as a teenager?" Tim smiles at Bernard's responding laughter. It'll be nice, he thinks, to mess with a puzzle where nobody's life is at stake.

[suhkusa]

It’s dark outside when you wake up from your nap. You feel uncomfortable and weird in your day time clothes, so you slide out of your bed and quickly change. The time spent on your bed is short when you finally check your phone. 

Your eyes widen when you read Osamu’s texts. You quickly type out a response on the lines of “sure,” before you’re sliding on your slippers and heading outside. As you close your door, you can hear the neighbor’s door swing open. 

You can see his figure in the darkness, and you know he can see you as well. The two of you meet on the sidewalk that connects the walkways of your guys’ house.

“Hey, Y/N,” he sounds a bit tense, but it’s the same old Osamu if you had to guess.

“Hey,” you follow him in taking a seat on the curb. A good amount of distance between the two of you, but just enough where you could still make out his facial features in the dead of the night.

“How have you been?” Osamu starts the conversation. He’s staring off into the distance.

“I’ve been good, just finished up finals. You?” 

“Same here, I suppose. And your friends?” 

Your head tilts in thought, “They’re good as well,”

There’s a moment of silence before a question that has been poking at your mind finally works its way out. 

“How come you’re back home? Isn’t there practice for the new season?” 

You can see his eyebrows raise from your peripheral vision. Did you say something wrong?

“Oh, well,” his legs bend so he can hold his knees a bit closer, “I quit the team a while ago,” 

Your eyes finally widen, “Oh shit, I’m sorry, I didn’t-”

“Nono, it’s all good. A lot of people are shocked when I tell them, too,”

“How did Atsumu react?”

The man beside you laughs a bit to himself, “As bad as you’d expect. It was around the time that… you know, happened so he had a lot of emotions pent up already,”

“I see,” is all you’re able to manage. 

You know. None of you ever seem to know what to call that situation. A few moments pass by as the two of you bask in quietness. 

“Do you hate me?” his question catches you extremely off guard. 

“What? No- I could never, ‘Samu,” your eyes are full of worry when you finally look his way. “I’m sorry if I ever made it seem like that. I care so much for you, even ‘Tsumu. I know I used to scold and fight with you a lot, but it’s because I really cared. You were my bestest friend at one point and it hurt to see you sabotaging your heart like that,”

“I-” Osamu runs a hand through his hair, “I’m sorry, too. For everything. I was childish and I didn’t know how to deal with my feelings for you. Atsumu came up with the idea. The truce, I mean. I just went with it, because on the off chance that you chose him, it meant he wouldn’t be able to have you,” but it happened anyways, you know he wants to say.

“I guess since it’s already out in the open, I can just say it. But I’ve liked you. I still like you. I’m sorry it’s stupid-”

You swiftly cut him off before he can continue, “It’s not stupid, like, at all. I liked you in our third year. I.. I was going to tell you but then you suddenly became distant, so the timing felt bad,”

Osamu sighs before tucking his face into his hands. “Fuck,” you hear him mutter under his breath.

“Is it really too late?” 

If you were caught off guard earlier, you didn’t know what to call this gut-wrenching feeling now. You already know the answer, but you’re scared. You feel like you’ve already screwed up so much, that any little thing you do next will just end in pieces.

“It’s not,”

You see him peek up at you from where he was looking down, urging you to continue. 

“I just… Just give me time, alright?”

All he does is nod in response.

And for once in your life, it feels the universe is finally reassuring you that it’ll be okay. 

BOTH AIN’T SH!T ( OSAMU VER.) — TIME

PREV | MASTERLIST | NEXT

NOTES.

osamu was falling asleep when y/n texted back but he jumped up when he heard the notif

his phone’s volume button is broken from throwing it after he texted

atsumu cried when he was fighting with osamu because too much was happening at the time (part of him felt guilty too)

© all writings belongs to suhkusa 2024. do not repost or change.

[eiraeths]

Penpals Ghost and Soap who met through an anonymous support group system for enlisted soldiers. Ghost didn’t want to join initially but some pushing from Price and he gave in. He didn’t expect much to come from it, a few letters here and there that’d eventually taper off and him and whoever his penpal was would forget about each other soon after.

Only that didn’t happen.

Ghost didn’t expect the person who wrote the letter to be in the same boat as him, sharing the same frustrations about support groups full of people trying to keep their head above the water, only to be organized and run by people trying to keep their head above the water. He didn’t expect himself to pick up a pen and start writing a response letter after reading the most horrid pun he’d ever rested his eyes on.

He didn’t expect to enjoy it, let alone want to know more about this Soap guy. More and more letters are sent and received and somehow, they integrate into his daily routine. He looks forward to the letters arriving twice a month. He never knew he could anticipate something.

Soap likes loud things, Ghost learns. Music, cars, explosions, any and everything loud. He has gym routines and lists upon lists of everything he does. He adores math and chemistry—for reasons Ghost can’t wrap his head around—and always goes on long-winded tangents about his day.

Ghost thinks he likes Soap.

One letter comes with a photo. A printed out polaroid with the center focus being on man with a mohawk. Soap says they’ve been talking long enough, and Ghost might as well know what he looks like.

Ghost didn’t expect for himself to track down a photo printing camera and send one back—no mask present—nor did he expect for Soap to call him cute. No one knew, but he kept the photo tucked into his plate carrier on every op. And he sure as hell didn’t expect to find himself flustered over some damn words.

A few years go by without a day missed. Ghost didn’t expect for Soap to miss sending a letter. Then two.

He didn’t expect to go to the mail room and his dread turn to excitement when he saw a letter addressed to him. Only to turn to dread when opening the letter to different handwriting, and knowing what happened, knowing Soap was dead the moment he didn’t see chicken scratch capital letters or random marks on the paper from where soap would tap his pencil while thinking.

He didn’t expect to feel this much grief over someone he never met in person. Didn’t expect to feel this much grief over what could’ve been, might’ve been if they had just met up.

[kentuckyfriedmegumi]

i’m PISSED about the way gege handled megumi’s character and i wrote an entire 1k-word analysis/rant on it

i think what makes me especially mad in the way that gege has handled megumi’s character is just in how much set up we were being given. yes, megumi was taken over and suppressed for 50 chapters, but we see how he haunts the narrative.

yuji is CONSTANTLY fighting, working to get him back, it is his MAIN focus in this entire fight. yes, he wants to kill sukuna, but it’s BECAUSE he wants megumi back.

“wake up, fushiguro.” (chapter 251)

i’ll do it as many times as it takes! “wake up, fushiguro!” (chapter 263)

in addition to the long, drawn-out “save megumi” arc, we had megumi’s growth as a character before then. he starts off as someone who does not see value in his life. he would rather sacrifice himself to save his friends bc he believes that their lives are worth more than his.

we see this in how willing he is to throw away his life and summon mahoraga. he’s NOT suicidal, it’s just that he would rather that HE be the one to die than anyone else that he cares about when it comes to a deadly situation (sukuna, finger bearer, etc.)

haruta is an entirely different thing, he was already dying. people who think he was stupid for summoning mahoraga on haruta don’t realize he was literally on the verge of death when haruta pulls up and slashes him from behind.

megumi’s mindset is also PERFECTLY defined in the baseball episode and in his flashback talk with gojo in the OoBO. he’d rather play support and sacrifice himself than have someone else sacrifice themselves for him. he needs to learn to be more selfish, greedier, if he ever wants to grow as a sorcerer.

but that contradicts with how he wants to live. he’s living for tsumiki, he’s a socercer for tsumiki. he doesn’t care about getting strong or being the best, he just wants to do what he can to support her, so he doesn’t mind if he’s the sacrifice play.

until yuji. yuji comes in and he dies in the detention center, and we see meg slowly morph into this desire to become stronger. he wants to be strong so he can save people, which is something that he never really cared about doing before, but he doesn’t know how.

then we get to the exchange event, the fight with hanami, and him getting taken out by the bud curse, and he realizes that he NEEDS to be stronger so he can save people like yuji and tsumiki. this is the start of his arc and after his fight in OoBO, he never summons maho again til shibuya

after shibuya (bc there wasn’t a TON of meg development-focused stuff in that arc), we see he’s had a MAJOR growth in his abilities and CT. he’s a lot more confident in how he fights, he’s very dynamic and cunning, and he’s using the shadows in a new way.

but on the other side of it all, he’s struggling a lot internally. tsumiki is awake, but she’s been roped into the CG. he’s wavering and he needs support. he’s stronger now, but he’s not strong enough. he wants to save tsumiki, but he doesn’t know how.

“so start by saving me, itadori!” (chapter 143)

after megumi is taken over sukuna, we see him fight back. he does originally and he suppresses sukuna’s technique in order to protect yuji. however, sukuna acts specifically in a way to sink his soul and submerges him in darkness.

this is the lowest point on megumi’s character. it leads directly into chapter 251 where megumi has entirely given up. he sees no purpose in living, his entire reason for being a sorcerer is dead. yuji tries to pick him up but sukuna cuts them off and we’re left with megumi no longer wanting to live.

this makes his recovery THAT MUCH more important. this makes his character arc SO MUCH more impactful. this is why whenever we get to ch. 266, and yuji and megumi FINALLY talk, it’s a beautiful convergence of their emotions as they talk about their loss and why they feel the way that they do.

this is why it entirely pisses me OFF that after we finally, FINALLY get megumi back, he is immediately sidelined with the rest of the B cast. we don’t get any post-battle discussions, we don’t get a continuation of “i’ll be lonely without you,” we don’t even get a proper conversation between him and yuji.

all of this buildup, this setup, this constant tension between megumi and yuji saving each other and yuji doing literally anything and everything to get megumi back, it all comes to a boiling point, it’s about to spill over the pot, and then it just… ????

i actually get so SO mad thinking about the way that megumi’s character has been concluded. unless this final chapter really does touch on him, his outlook on life, and his motivations now, megumi’s character was just entirely wasted and thrown to the side of the sake of other conclusions and new plot introductions.

we don’t even get a further explanation of “i’ll try to live for someone else.” we know it’s for yuji, we know he comes back because yuji tells him he’ll be lonely. but megumi deciding to live for another person is just putting him back at square one. UNLESS we learn that it’s different.

maybe meg is living for yuji but without the self-expectation and pressure he had when he was living for tsumiki. maybe he realized that even a simple life is worth living, so he will use yuji as a crutch as he finds his purpose again again.

something. ANYTHING. any sort of convo that indicates that megumi has NOT retracted into his old self. it probably is the case where he chooses to live for yuji, but is determined to live for himself, but JESUS can we not get a convo about that????

in conclusion, megumi’s character has been so BEAUTIFULLY written. he is so tragic with so many complex motivations and ideas. and we get all this converging together at the very end and it just… disappears. it’s immediately sidelined. how fucking frustrating is that.

[theoxenfree]

DARK POOL

aquatic monster x reader | 2.8k

you're mystified by the strange noises coming from the basement. despite your uncle attempting to thwart your concerns, you make your way downstairs into the basement one night and come across an appalling sight, and soon enough, a blooming infatuation.

warnings; 18+, double penetration, explicit sexual details, imprisonment (not mc), some unsettling details, roughly proofread, repost from my old blog 2kmps.

this is a concept piece for a potentially long one-shot! pls answer the feedback questions at the end + reblog!! it really helps to develop a well-rounded story for y'all!

Uncle told you that the rats in Cape Tellis liked to swim and when they were in search of food, they didn't care how long they'd have to paddle through the water to find it. Some would simply drift with the current for days; black-gray fur rotted off, skin peeled off bone, little faces disfigured by sea and salt, but they would keep going until their bodies nudged the rust-red walls of the lighthouse and found the energy to scale upward to a window and squeeze inside.

He mentioned this anytime you had something to say about the ruckus down in the basement—sometimes scratching, sometimes powerful, erratic thuds that you felt pulse through the floorboards, through the rubber soles covering your feet, and into your skin. That place was sealed behind a rusted metal frame and door, deadbolted and locked with a key he always carried on a chain through a belt loop.

It always jangled when he walked because he had a limp so bad that his entire leg always dragged a pace behind him and took a great amount of effort to haul forward. When you had asked of it, as memory dictated a handful of years prior he didn't have such trouble, he first claimed it had been a bad sinus infection that got into his brain and disrupted something neurologically. In another instance where he had stopped for a third time on an evening stroll together, he had said he scuffed with one of Cape Tellis’ formidable rats and the mangy bastard had won and taken a chunk of meat out of him before scuttling back into the walls.

“Just ignore it, it's normal that they're active this time of year,” he was saying while scraping fried eggs out of a pan onto your plate. Meanwhile, you winced to the usual commotion downstairs. “They get real flighty this time of year. The rats do. They get frisky and chase each other all around. I don't know nothin' about them besides being persistent, ugly things, but it may well be their special season.”

You ripped a sharp edge in your toast and prodded the egg yolk until the sunny orb burst, oozing out across your plate before you could scoop it all up in the bread.

“How long does it take for the rats to go away?” you asked with some interest in his answer, if for no other reason to know what sort of yarn he'd spin next. The bread was buttered, the eggs unseasoned, but you ate it all anyway while watching him. “Are they permanent residents or do they come and go? You must be feeding them if they stay here.”

Uncle took a long time to situate his bad leg under the table, longer to arrange his silverware and the direction of his food. “Oh, they have no interest in leaving, I don't think. If they really wanted to, I imagine they would've jumped back into the water and swam somewhere else.”

Each time the noises rose up between the wood slats under your feet during breakfast, Uncle told you not to worry about it, but you quieted every sound in your head to better hear rattling metal, reverberations of some sort—like having a man’s deep, anguished moan pressed right against your ribs. You weren't sure what you were looking for when you listened, only that you knew they were rats.

Uncle looked at you, his appetite pushed away towards the center of the table with his plate. “Let's go for a walk, yes? The rain won't come back for a few hours.”

When you did walk after a meal, granduncle would often have to lie down with his dead leg propped up on a short stack of pillows for a long while. It became something of a habit of yours to exert him too much after dinner, forcing him to keep up with your youthfulness—your merry prances and unburdened soul.

For what it was worth, he did the best he could to never be a hindrance. He didn't seem to fully understand his own limitations either, making it quite a simple thing to steal the key from his belt loop while he slept—deep and silent, so much so that you needed to drop a tissue over his face from make sure he was still breathing—and unfasten the lock to descend a set of slick, stone stairs.

There wasn’t much to at the bottom; a space half-flooded from seasonal rains raising the sea-level, old pieces of ship equipment hanging like ornamentation, an old folding chair that had yet to rust despite damp air, and a large hole in the ground that was dark like the throat of a nightmare envisioned in the most precious hours of night.

You held a plate of raw meat, freshly thawed from the freezer, outstretched with a flickering lantern in your other hand. Anywhere else, you'd have just brung a flashlight—but, he didn't like the bright lights, had ripped the last one out of your hands and smashed it against the wall. Oil lanterns were better tolerated, but he still seemed to cower from the gentle flickers.

So, you placed the meat on the seat of the folding chair and walked closer to the hole, wading a hand through seawater until touching braids of cold metal, chains pulled taut as though weighted down by an anchor. You gave the closest one a tug, always with the same caution as a child gripping his mother's clothes in uncertain times, and backed away.

He never made noise when he surfaced, always frightfully quiet, only indicated by a trail of bubbles that followed after where he roamed underwater. The first thing to emerge was a dorsal fin flared proudly from the middle of his head until midway in the deepest curve of his back. His eyes were on you, abysmal black things with a luster you likened to a landbound fish, and skin and scales that moved stiffly with his facial movements.

“You,” said the creature, toneless and in a voice far too raspy and deep to have an equal match amongst human men. “You have come. You are here.”

Months ago, he hadn't been capable of simple speech such as this. The noises he made were incompatible to anything you had ever heard—perhaps mere vocalizations he utilized underwater, possibly something long gone and archaic—but he had started mimicking you when you'd speak, and eventually you started slowing down, giving him the time to feel how the sounds vibrated in his own throat.

“I brought you food, again.” You gestured towards the seat with raw meat with your lantern, prompting his passing glance of interest before he was back on you. “Not hungry? He usually doesn’t feed you that well. I haven't been down here in a week or so, so I figured you'd be ready to scarf it down.”

“No.”

He came closer and the size of him grew, a towering figure with strong, broad-shoulders and a chest built to withstand the friction of the sea he used to own. His face, although hidden in darkness and flickering shadow cast from your lantern, gleamed as the light struck his iridescent scales. The shape of his lips were human-like yet taut, helping to comfortably fit his sharp teeth inside his mouth.

You'd wondered at times what exactly he was, what your granduncle believed him to be and feared so much to hide him away, chained to a wall. You fantasized that he could be the lost prince of some underwater civilization, or the offspring of several thousands of years of evolution between humans and something else.

He never seemed to understand you when you asked him what he was.

“Come,” his reach was limited by the chains that bound his limbs, keeping him shy of touching your body. “Come to me.”

With the lantern set aside, a distance you hoped wouldn't turn him petulant, you walked in his arms and the shackles and made home there as he surrounded you. His embrace was not the sort you could escape, nor was the kiss he pressed against your mouth.

There were parts of him you were too scared to touch, where his scales were like serrated teeth and he had much less control to retract at will like the dorsal find along his back. His lips were smooth and cold, however, a safe place for you to be on his body along with the hard flesh on his chest.

He pushed himself into your touch as your fingertips traced the shape of his torso, rose with the sprawl of his breasts and shoulders, molded into the ridges of his lower abdomen that you felt pulse and tense the further downward you roamed.

The sheath around his groin had swelled significantly and seemed to twitch when you smoothed your hand across it, kneading it gently to see what would come of doing so. You'd seen this only once before several months ago, a time where you'd been more frightened of him and fled from the basement for weeks when he'd acted more aggressive than usual.

It was one of the many things he had taken notice of that were perceived negatively—with fear and distance and shutting him away in this deep dark until you found the courage to feed him again, because your uncle was petrified along with being restricted in his ability to navigate the stairs with his lame leg.

So, he had learned to behave at the worst of times to keep food supplied, for you to stay wrapped up in him like this and so curious to challenge the extent of his self-restraint.

His kiss had grown full-bodied and restless and gone elsewhere on your body to a great expanse of skin. His face nuzzled into the fabric hiding your warmth from him, teeth tearing and fraying the threads that kept your clothes together until you stopped him.

“Stop—wait, wait, wait.” You walked back out of his arms once he was able to recognize the words. He reached for you despite the clattering bonds around his wrist, but you took your time to shuck the clothes from your body and fold them.

Once he had you back, he led you to the edge of the pool of endless depths and sank down inside of it. Your toes touched the very edge of darkness, stirring a rabble of butterflies in your gut that did not dissipate even once he resurfaced.

"Sit.” He gestured right at where you stood. “Sit down.”

The idea of having any part of your body submerged in the black water left you with little desire in continuing this, but you obeyed and slowly lowered your rear to the rim of the pool, legs speckled by goose pimples as the cold water gripped up to the inside of your thighs.

“Yes, good.” He was close enough to push your thighs wide apart and stick his tongue inside of you. You took in a great sucking breath, startled from the suddenness of it and the long, articulate appendage massaging a part of you in a way no one ever had before.

You leaned back on your arms when they weakened and shook from the sensations, eyes flicking towards the drab ceiling, wondering just how far under the living quarters of the lighthouse you actually were and whether granduncle would hear any lewd sounds that were beginning to hum in your throat.

“Keep going.” He said when you moaned, tongue retracted from your body to mimic the ministrations you made with your hand and fingers while you stroked yourself. “Keep doing it.”

He nudged your hand away to put his mouth over that stimulated spot instead, sucking and licking along you with such fervor that you dissolved into hard pants and whimpers, tempted to close your thighs around his head and push him away as the tight warmth inside of you flushed out with a kaleidoscopic burst of color and cool air following the trail of something slowly oozing out of you.

It took a second orgasm and chanting turned to cries to get him off of you. That brief respite ended when he took you by the waist and dragged you into the pool with him. By that point, you were too far spent to have anything but unshakeable indifference to the depths and the cold.

His kiss was as it had been before, rough and restless, forceful in a way that left you malleable and melting against him. Even when he had your front wedged between the rim of the pool and his chest, you couldn't bring yourself to react much.

You felt his thighs mold to the back of yours before the slim tip of his cock pushed into you, the girth of it thickening considerably at the base. The friction of the water wasn't an obstacle for him to fuck into you with greedy thrusts that threw your hips forward, knocking skin and bone against the wall of the pool.

“Oh, oh, oh, oh—” the ridges of his cock were an unusual feeling, catching your walls in spots, spreading you wider when he'd withdraw part way and plunge back inside. “Oh, shit—feels good. Harder. Harder. Harder!”

There was truly never any way to know how much he understood when you said it, something called into question when his thrusts slowed to a stop, but he stayed hard inside of you. For a moment, the water settled along with your heavy breaths and blood gushing through your ears.

Things slowly came back into focus—the dancing lantern light, the room temperature meat, the wicked water in which you were immersed to the waist while the rest of you was braced by him.

He shifted behind you, adjusting his thighs so yours went even wider. Before you could ask the things you wanted to, a new sensation stole your breath—the swollen head of a second cock, different in shape and size from the first, pushed into you and lay flush atop the other.

“Don't—don’t move.” You were struggling to do the same thing with such an enormous stretch you'd never had to accommodate before. Tension built in your throat, whether a sob or a scream or your own anxiety, and stayed there to cinch your voice into silence.

He soothed you with lips and teeth all over your flesh; the back of your neck, the cartilage of your ears and the underside of your jawbone. His large hands left the shelf of your hips and felt along your front side, nipples, chest, stomach, and groin where he tried to recreate the same pleasure on you now as you had done for yourself earlier.

“Good?” He nested his cocks deeper when he heard you moan. The pain of it was beginning to subside, but the strangeness of it remained. “Is it good?”

“Just—just don't hurt me.”

His hands were back on your hips to keep you seated on his thighs while he thrust into you. It wasn't as easy for him to move as it was before, perhaps realizing the limitations of a human companion, but continued in snappy pulses that made the water lap at the skin on your back and turned your thoughts into senseless, garbled things.

Soon enough, you were riding a sloppy, savage rhythm to which you had no control of whatsoever as he chased his end. In moments where he seemed to regress into a natural state, almost animalistic in the way he rutted into you and buried his cocks, one would slip out and go forgotten for a time. The length of it glided against your groin, a smooth motion underwater that prodded your sore spots before he was able to fit it back into place with the other.

Amid your luscious sounds were those of his own; labored, air-sucking rasps that rumbled from places more than just his throat. They were probably never meant to be heard above the surface of water, just as he didn't belong fucking a human while being chained to a wall.

You thought about that fact while the last thrusts he took seated his cocks so deep that you ached, hard surges of warmth flooding your insides in a way unexpectedly delightful. He clung to you with his arms and shackles even well after he had emptied himself in your body and retracted both cocks into their sheath.

After a while, he hoisted you out of the water and followed you to retrieve your clothes. He stopped short of the chains pulling in the wall, watching while you wiped away the remnants of him oozing down the backs of your thighs and redressed.

“Don't go.” He kissed you and let his cold lips linger over yours. “Stay here.”

You returned the affection as endlessly as he gave it, only thinking that sunrise would soon come to pull you apart.

a/n: so, this idea has unfortunately never been able to fully develop from a lack of ideas. with starting this new blog, I'm hoping to get enough interest and feedback to actually commit to this and bring a completed project eventually!!

are you satisfied with how the aquatic monster was written in this piece? what would you be interested in having added/taken away? what do you think could be improved upon/expanded? is there anything you're particularly curious about?

what sort of setting would you like to see this story take place? 19th century, the 90s, or modern e.g. 2010+? are you satisfied with the setting being in cape tellis? a location inspired by lighthouse coastlines with predominately dreary/cool/wet weather? if not, what type of setting would you prefer to see?

in terms of the storyline, are you more interested in seeing: 1) a relative goes missing, so you arrive at the lighthouse he owned to solve the mystery 2) mc being an underwater mechanic to fix a damaged dam 3) mc being part of a small group trying to capture proof of a "creature" lurking around cape tellis. 4) something else???

[peachesofteal]

Hi Peach, I’m a long time reader and I just love all your stories and watching how they unfold.

I just wanted to ask quickly if you had thought about writing something under the same wavelength of Simple Math or Dead Disco, like with an anxious or shy reader, but with Kyle and John together?

Would they react and treat reader in the same way Johnny and Simon do? Or would it be different?

I know you’ve got a few stories on the go so if not it’s all cool, feel free to ignore this ask. :)

Also can I just say I love when stories link to their titles and the way your wrote it in simple math, just perfect. I can’t wait to see where this goes but I’m so nervous for Bun it’s not gonna be easy, but at least she has Johnny and Simon this time! 🩷

I actually love this and shelved it for possible future things. I can tell you 1. The daddy kink would be out of control and 2. Reader would be the most weepy bundle of anxiety. Work from home baby that is too nervous in the grocery store or on public transit. Doesn’t like when strangers talk to her. Can’t take herself to doctor’s appointments. Loves yoga but can only go to the studio when Kyle takes her. Manages fine when they’re gone though, reads and cooks and gets her groceries delivered, keeps the flat clean and enjoys her routines. Has a cat (loves Kyle but hates John because he’s always shooing her away) that keeps her company. She does fine on her own, well even, but it’s nothing compared to her life when they’re fully in it.

I think at home when Kyle is out of his expertise, his element, the place where he thrives, he also starts to develop some anxiety that manifests in a desire for control, which John allows, to an extent. John carries the weight of the world on his shoulders and instead of coming to bed, he sits on the back patio and smokes a cigar to the end until one of them comes outside to curl up in his lap or rest their head on his thigh. Dead Disco very much revolved around Darling, and I think this dynamic would be different. Everyone would need a little bit of personalized care.

Also thank you! I love working the titles in 🩵

[bokettochild]

So the thing about a lot of Prince! Legend reveal fics is that they miss out on all the juicy bits of the aftermath. Warriors thinking of Legend as like this secretly honorable, noble person who should be protected as he carries the precious blood of Hylia

And then Legend tells Warriors to piss off and wins a battle competition for best trick shot kill and Warriors has to reconcile both images of Legend in his head

Legend meanwhile sees Wars treating him differently and is paranoid about waking up with a knife in his back bc he's a stain on the Royal legacy due to being a boy/raised as a commoner/rude

And then Sky wants to connect to Legend as family and Legend wants to stay away from any reminders that he's royalty

And his Hyrule! Have the guards gotten over the mind control and respect him but he doesn't trust them still? The royal knights he grew up knowing and trusting until his first adventure? Do the villagers of each town acknowledge him? Do they know there's a prince but not that it's Link? Do they think of him as a rags to riches story or as a class traitor?

There's so much good shit I don't see explored a lot in the prince!legend headcanon that I would love to see and so I'm excited about you seemingly want to focus on this rather than just the shock value

I'm so glad you're excited! I actually haven't seen the poll results yet, but the reception in the comments/tags has been overall very positive and encouraging, so i think i'll probably be writing this thing LOL

There is a lot of change I want to explore with the fic, but while fluff is a must, I probably will touch on the heavier aspects of what Legend's being a prince would mean for him, Hyrule, and the systems in his world in general.

I sort of like the idea of his lineage being an open secret to those who knew him growing up because he's a dead-ringer for the late queen, and since he never knew that, he's never made an effort to hide it. While there might be some who think of him as a class-traitor, I don't think it would be that many of them, since he does work for a living, doesn't live like a prince by any stretch of the word, and never puts on airs or treats the people of Hyrule like they're below him. He's hard working, helps anyone who asks, and generally is a decent guy, so the people who are most affronted at his existence would probably be other nobles/religious folks.

Wariors and Wild will probably both be having a lot of conflict with trying to reconcile the ornery vet to a prince, especially when he is still very much a teenager, but I think, since Sky and Legend are pretty close already in cannon, they'd come out okay.

My take on Sky probably doesn't care much about the royal part of things, just that Legend is family, and considering most of Legend's family was killed by Ganon, I think he'd enjoy having that.

Anyways, the shock factor will probably play a role, at least at the start as everyone finds out, but yes, I want to go beyond just the initial realization we all like playing with and actually dig into the world-building and dynamics and how Legend's being a prince effects all of that!

[bakugoushotwife]

in my opinion, gojo’s storyline has been handled so so poorly i can’t help but think it’s intentional. it is not bad writing to kill a character—even a beloved character. i know most people will dismiss my criticisms because gojo is so beloved to me and so many others. i’ve said before that i don’t mind if he died. does it hurt? of course, and i would still cry and be sad about it. but there is a beautiful way to do it. with respect and honor for his legacy—for what he has done for your manga, the characters in it, and audiences worldwide. but no…gege chose the path of horror and disrespect. at certain points i’d say to myself, well. this is a dark manga. but essentially gojo is the only character that receives this treatment. since the beginning—since suguru left him, he’s been wondering if he mattered because he was a person, or if he only mattered because he was powerful and useable. we certainly fucking answered that question. he is a weapon and nobody ever cared about him at all!!!

and we knew he was being used—he knew he was being used, but he is selfless. so he did it for his kids. for megumi and yuuji and yuuta—he wanted them to be safe. in these flashbacks it’s exceedingly clear that he knew he would die. again—that’s not my issue. gojo dying to sukuna makes plenty of sense and it would hurt to leave it there. but to give us an afterlife scene where he’s presented a choice—north and south—that concept lead nowhere, that’s truly fucked up. to leave all the subtle clues and hints for no reason but to keep people reading and theorizing his return is fucked up. to continue to use his imagery to promote your manga when you know he’s not even honored in your manga is fucked up. we don’t get a funeral or a grave for him. no one’s spoken about him in chapters despite him fighting for hours against sukuna and damaging him so much that yuuji could win, nothing. yuuta wearing him like a costume and no one is horrified about it. i thought his students WERE different. they weren’t jujutsu society yet. that’s why gojo was their teacher—shaping them into better human beings. how am i supposed to trust in their future when it seems they’re just as cold and heartless as everyone before them? no one has honored gojo in any way since the moment he died. and they’ve forgotten about him. he spent his entire life fighting and no one can even say thank you. gege intentionally used gojo to promote the end of his manga because he knows that gojo fans make up at least half of his fanbase so had we stopped reading when he died, he would have lost a lot of traction. he baited us intentionally, cruelly, and something that transcends storytelling. i’ve truly never seen a mangaka have this sort of vitriol for one of their characters and the people that love him.

we spent the entire last chapter talking about some random fucking mission when we have several unanswered questions and concerns. i thought gege said he wanted this ending to be shocking and something you didn’t see in shonen? tying everything up neatly where no one has any trauma or grief for what they’ve experienced, everyone comes back to life except the one character you hate specifically and choso, defying your own power structures and having everyone laughing into the sunset is exactly how shonen ends so what in the fuck is he talking about??

let me disclaim, this is not megumi hate at all. i love him very much and i am so happy he’s back with the group but like. he shouldn’t be able to even walk. he tanked unlimited void for over 6 minutes whenever that length caused irreversible damage to sukuna himself. not to mention the countless black flashes. so what the fuck? he doesn’t mention gojo at all?? the first time he laughs in this manga is after he reads a note written by his dead fucking caretaker about his dead fucking father? like i don’t believe. random open ended kenjaku/suguru mention just to piss me off, an absolutely no mention of gojos sacrifice or how they’ll miss him. i’m sick to my stomach. gege defiled his memory both in the story and outside of it. wow.

P.S. SUKUNA CARED MORE ABOUT GOJO THAN ANYONE ELSE (SUGURU IS NOT INCLUDED IN THIS I MEAN HIS STUDENTS AND SOCIETY)

[scoobydoodean]

i voted “????” cause i didn’t know what signal was, but i looked it up and i’ve got a nuance answer sorry: sam would try to make them use it, but literally nobody does, so he gives up 😁😁

Sam is so passionate about everyone moving to Signal for security purposes that he goes on strike and refuses to respond to texts that aren’t sent via Signal. Dean is the first to fall. He rolls his eyes but downloads the app purely because Sam won’t stop being annoying and preachy about it and won't respond to his texts about getting milk or eggs or whatever while he is out. Sam sends back, "I knew you'd eventually cave :))))" so Dean pours his expensive shampoo down the drain and replaces it with Dial hand soap and cuts holes into all his socks.

Sam basically bullies all their hunter friends into moving to Signal by making sad faces and talking about how he was locked in a maximum security secret federal prison for months and Signal protects him from being found by the government. 🥺

Cas is the one holdout Sam simply cannot get to use signal. And purely because Cas refuses to download another texting app when there is already a texting app on his phone. The very idea of having to do something like that fills Cas with a level of loathing humans have never experienced before. Sam can't passive aggressively refuse to answer text messages to make him switch because Cas doesn't text him anyway. He texts Dean when he needs something. When Sam needs to call Cas, CAS is the one who refuses to answer now. Instead, he texts Dean "What does Sam want". Sam and Cas nearly come to blows over this.

Afterwards, Cas adds Sam to the text group he started with Dean, Jack, and Claire, which is exclusively used for him to send text messages every four days that say “Not dead 🙏". Sam throws his own phone out the window.

[goodolddumbbanana]

Nexus to Moon: dramatic, mysterious, evil.

He is the monster. He forced me kneel, he hurts me, he makes me relived of all my mistakes. I couldn't fight him and the worst of it..... I. Scared. Of. Him.

Nexus to Sun: Bitch wants me to work for him and gets mad when I say no. Also... Cringe.

I am sorry but, has anyone felt a really drastically shift tones between Moon and Sun when they interact with Nexus?

Like Nexus really wants to hurt Moon, badly. He does not hesitate to cram his hands inside Moon's head, and mocks Moon for everything he did. It was intense, and we can feel it is Nexus the one who is in the control. And that Moon will not do or can try anything.

Also Moon gets kneel down and tortured pretty quick after that. Also he seems very scared of Nexus after each time he interacted with Nexus.

But Sun... I don't know man... I think I had made Nexus cooler in my head.

He is just so cringe. (THE GOD thingy makes me die a little bit whenever I hear him screaming that name)

I couldn't see the monster who hurt Moon with the way he was chasing Sun around and Sun just kept running like it is no ends tomorrow.

(Lmao dude just straight up pulling Naruto run on Nexus, really reminds me back then, of the times when Sun doing something stupid and Nexus just angrily yelling ran after him.)

And even when he had Sun at the corner, he couldn't say anything 'emotional damage' to Sun.

"What ... Are you insane?!"

"Yeah. I thought it was pretty obvious."

And baby girl is so obsessed with the fact he is no longer Moon, he thinks it is him who is still the one Sun calls for help. Which is sad and funny both at the same time.

Like we can feel a tiny small hesitant in Nexus's voice when Sun keeps saying 'Moon', like he thought Sun wants him to stop.

And how the issue gets dragged on the surface. Sun always feels like he couldn't help Nexus and Nexus also feels like he couldn't let Sun help him. (Because the same old story, Sun got hurt and kidnapped whenever he came with Nexus.)

"So now I have value for you?"

"Yeah, for once in your miserable life, you have value."

It is sad when they come back at each other like this. Especially when Nexus always says that he needs Sun back in the day.

"You had friends, you had a family. They love you."

Sun loves him. He still loves Nexus. He didn't want Nexus dead is one thing, but he seems so worried about Nexus (accidentally calling him Moon when seeing him got shot) and tries to make Monty stop shooting. Even after Nexus runway, Sun - the one who gets so infected by Negative Star power, still wants to know if Nexus is okay.

And when he was back at home, he wasn't even scared of Nexus, not like how he used to be terrified of Eclipse or Killcode or even when he interacts with Dark Sun. He seems just pissed and done at himself, and not even with Nexus.

"I didn't have friends. I was a replacement."

Nexus didn't consider Monty his friend. I mean it is totally understandable, especially when they hijacked his head before. But replacement... Really? Sure maybe at first with Sun, but what about Earth? She didn't know jack about you?

"Maybe at first, but I liked you."

Haha... Remember when Nexus said he was very appreciative of how Sun loved him more than Moon? Haha... Good times ...

"oh my..., cuz I was nicer to you."

"because you are nice."

"because I didn't beat you.... Guess what Sunny, you are nothing but a tool for me..."

He throws away any good things he did for Sun. He burned all their memories, and saw himself as a monster. He tried to make himself a monster towards Sun, and when seeing it didn't work, because Sun doesn't care about how horrible he is now, he straight down Sun with the 'I don't care about you' attitude.

"You know what... You are not worse than Moon. Hell you are not even better..."

'You are just exactly like Moon. ' I think it is what Sun wants to say. They are both so stuck in their own minds, never wanting to hear what other people say, what people are trying to prove they are so much better than this.

"I am me! NONE OF YOU COULD REALISE, I AM MY OWN PERSON!!!"

"I tried."

"No you didn't. You USED me. And now I am going to use you."

"I am sorry."

His voice seems so small. He sounds so heartbroken when he says sorry to Nexus, like we can feel the thought process behind Sun. He truly thinks everything happened was his fault, it is Sun's fault leading Nexus to become like this.

"Your apologies don't mean anything to me."

And Nexus sounds so wanting to move one, to get done with his job, to stop talking about the past. It doesn't matter if Sun says sorry or not, because he doesn't care. He doesn't want to care.

And the term he used... Dragging Sun into his lab and plug he into the machine, to let him never do any of his own will ever again....

What does Nexus think Sun will do with his own will? Like what exactly can Sun do? Yapping at his ears until it bleeds? Sun doesn't have any manipulated skills at all, he is so straightforward and honest to actually harm Nexus from behind, like, Nexus just needs to highjack Sun's head like Moon.

From my perspective, I think there are a lot of methods to let Sun do as Nexus plead, but Nexus only wants to stop thinking about Sun. Like if he fully controlled over Sun, he will not have to think about how Sun is disappointed in him anymore, He will not have to think of Sun as a human being, as his ex brother, as someone still cares about him.

And when Sun says he will not do as Nexus says? Nexus sounds didn't surprise at all. They understand each other too well to know even Sun sometimes a coward, he will not give up like that for Nexus.

Also... Why did he not just threaten Moon? Or Dazzle? Or Jack? Just like how he mocks Solar?

Did he not want his older brother to think of him lower?

"...I have you kneel at me, right ? So look at your superior being."

The way Nexus said that, it makes me feel sad. Like, Nexus so wants to cut off Sun, to make Sun think of him as a monster, to hurt Sun not even in the way it matters.

He still couldn't hit Sun at his lowest, I mean, back then, Old Moon even worse with Sun both emotionally and physically back in the days.

Even after so much nonsense craps, Sun still unharmed. He tortured Moon, he mocked Solar, but Sun.... There is no win in this fight.

Their fighting still looks so much more than their so used banter before... I wish Nexus and Sun will be still brothers ;.;

Sidenote: I love that Ruin tries to convince Nexus to think more with his head but just ends up giving up like : oh right, screw you then, asshole.

Very baby girl behaviour of him.

[f1ghtsoftly]

my head is scrambled but in Kate Manne’s “The Logic Of Misogyny” she put to words something I always, always knew was true.

Most of the time Men don’t hurt women for no reason, they punish women who assert themselves/their personhood. Misogynistic violence is a punishment, it’s a form of conditioning to get women to behave submissively towards men. To punish women for existing in public without male protection. To punish women for daring to think her intellect, athletic or artistic achievement could come before her sex.

I don’t present super femme anymore or hang around men outside my family basically ever-but when I did I was frequently targeted for sexual assault, usually by men who were frustrated they were attracted to me but couldn’t have me. They felt like I was taunting them-but asserting my right to exist as someone they were attracted to/without any sort of male protection or a male protection that didn’t involve sexual favors/submission. That wasn’t an accident, I’m sure if I meekly cowered behind a big boyfriend, I’m sure if I stayed inside, I’m sure if I didn’t assert myself as extraverted, intelligent, funny or charismatic those men would have left me alone-but that would have meant hiding myself from the world, hiding myself from other women and to me that was a bigger loss than a ‘lil danger. I made choices as a young person that I knew with certainty would bring me in closer proximity to men who wanted to hurt me, I decided that living a freer life was better than living a safe one. I don’t necessarily regret my assessment of patriarchy, I am sad that the price you pay for being an independent woman (in a social sense) in public is assault. I don’t blame women who think their safety is more important than making a statement. I’m sad for us both. I’m grateful I was able to find feminist communities because victimization isn’t just something casual you can shake off, even if it feels like men constantly target you/women in general.

Assault doesn’t just roll of your back either. It hurts. In the moment and for years afterwards it hurts. It’s always senseless. Always dehumanizing to the extreme. Always enraging. Always profoundly violating. Always a shock. I struggle to reconcile what I know about rape with what I know about people. I know people can be cruel, unthinking, insecure. I don’t know how someone can plot the rape of a friend or a stranger who has done nothing to deserve it. I don’t know how men can secretly tape their lovers, manipulate a young woman into sex she doesn’t want or do any of the things men do consistently or routinely. I don’t know how a boy could look at the face of his too drunk friend and go “this is my opportunity to have my way with her” instead of putting her to bed. Carelessness, thoughtless is easy to imagine. Conscious cruelty is not. Men know what they do and they either don’t care or like it.

I’m crying in a park in my Dad’s pickup truck. “There are worse things than this, you didn’t die-you’re alive” He says “this wasn’t your fault, I just want to keep you safe and what happened to you isn’t something I can control even though I wish I could”. “I’d feel better if you lived in Austin, because their self defense laws are better, there are lots of gay people there too”

He makes me laugh. I won’t move to Texas. He’s right, it’s not my fault, and helping me get better at self defense helps him feel like he can do something and while self defense does help-it’s not a perfect strategy. The misogynist’s prerogative is to snuff out the life force of the woman he interacts with, the only way to stop him from trying to do that is to become apart of the living dead. Even then, he’ll get your corpse.

There are worse things than rape in this life. A woman alive is better than a woman dead. I guess, but what life is it when constantly forced to battle for your right to live? When at a moments notice you can be filled from the inside out with death. Rotted from your insides out. I wish New York would let me have a gun. I wish I could make men afraid and polite in my presence the way I feel afraid and polite in theirs. I’m so tired of this.

[umbrellacam]

Dick performing death fake-outs on Tim: heheh, a harmless little prank :)) too easy, boy basketcase

Robin (1993) #67 - Tim: "Nightwing! Can you hear me, Dick? Please be alive. No." Dick: "Up here. You should see your face. You really looked worried." Tim: "Jerk." Nightwing (1996) #69 - Tim: "Can you hear me, Nightwing? Can you hear me?" Alfred: "Perhaps we should search for him?" Tim: "Where? There are hundreds of miles of caves. With the rock interfering I can't get a fix on him. He shouldn't have gone alone. He could be trapped or drowned or just lost or... Nightwing! Answer me!" Dick: "Right here, boy basketcase."

Tim: >:( not funny, how would you like it if I did something like that to y--

Dick, having Tim death fake-outs performed on him: TIMMMMM NOOOOO ｡ﾟ(ﾟT´Д`ﾟT)

Azrael (Vol. 1) #16 // Robin (1993) #67 - Dick: "Hey...Where is Robin? Don't tell me--" Alfred: "Yes. You're too late." Dick: "But the research lab at Gotham med has come up with a cure and they're distributing it right now. And you're telling me it's too late to--" Alfred: "Too late to do Master Timothy the slightest bit of good." Bruce: "That was in poor taste, Alfred." Dick: "TIM!" Tim: "Cheap shot, Alfie." Alfred: "How often does one get the opportunity?" Dick: "My heart's beating like ninety miles per." Joker's Last Laugh #6 - Dick: "[Robin] is dead? How...how do we know?" Babs: "The Huntress. She arrived at Arkham after him." Dick: "What was he doing at Arkham alone?" [Dick beating the shit out of Joker] Tim: "He's had enough, Nightwing." Dick: "Robin?" Tim: "It's me." Dick: "No... You're dead. It's a trick. An illusion. Another sick joke!" Tim: "It's me, Nightwing! Stop this!" Nightwing (1996) #97 - Dick: "ROBIN!!! Timmy, please..."

Tim: .......okay I swear I didn't do any of those on purpose. That one with the Clench was all Alfred.

Dick, wiping at his eyes: h-haha, funny joke

Tim: sorry u_u

Tim: but since, y'know. you're aware of how not-funny it is, do you think you could maybe stop--

Dick: you first

Tim:

Dick:

~*~*FLASHPOINT UNIVERSE REBOOT~*~*

Dick: (pressured into faking his death to go undercover at Spyral)

Tim: (inadvertently fakes his death by a thousand drone missiles)

Nightwing (2011) #30 - Bruce: "Everyone thinks you're dead. I need you to stay dead." Detective Comics #940 - [Tim is by all appearances killed in a hail of drone fire.]

Dick & Tim, after getting their preboot memories back: oh, god dammit

[orphiclovers]

Hear me out about yjh and blondes: 999 yjh x Uriel

YES I'm so into this pairing you have no idea. and lol about the blonde thing. yjh has a type.

I've talked about them some under the tag #999yjhuri (ship name pending...) so check that out but yeah I love them they're canon to me! I don't even know where to start talking about them because I have so much to say

The thing is that Uriel loved her captain so much. 999 is the only turn we know of where she was one of Yoo Joonghyuk's companions and it's sooo significant to that round specifically because she is an ANGEL and a constellation of the Absolute Good system!

Uriel saw this one man who sacrificed everything for his companions and decided she wanted to fight by his side. He was the 'good' she saw in the world. And then she had to stand by helplessly and watch as his soul and body withered from the outer world covenant. and see up close as with the same noble sacrifice she fell in love with he destroyed himself.

But they thought they could make it to the end of the scenarios at least, they were so close, but then at the very last moment he DIED IN HER ARMS!!! And she lost her mind with grief and swore eternal vengeance upon the one who took him away.

The good in her soul died with him! She who was the righteous 'absolute good' angel of Eden for thousands of years was so broken by his death she chose to become evil, to become the very thing she swore to destroy

And of course this neatly ties into spuri, the one who was the object of her single minded obsession for thousands of years. Even to the point when it made no sense, when she learned who he was, it didn't matter because the bloody path of vengeance was all she had and all that kept her alive.

And then there's the huge complicated mess of what SP thinks about 999 Uriel. His careful neutrality when she attempts to kill him and burns down his forest with all the inhabitants. The was he doesn't react because he thinks he is reaping what he sowed. He says to Kim Dokja that this is the consequences of his mistake - sees her as a divine punishment for his sins in the 999th regression rather than as a person who wants to kill him

And at the same time in his mind there exists 999, who, quote off the top of my head, 'sighs in lamentation at the sun' when she attacks N'gai. 999 is COMPLICATED and I won't get into his insane psychology in this post but in short, he feels pity for her and all the rest of his companions who turned into outer gods (and also SP...) but makes the frankly correct decision to not come back to them even though he technically COULD, because it would cheapen everything they went through. There is no way to turn back time and save your fallen companion, even when there is. He KNOWS they live in his memory and that's why he can never return (kim dokja anyone...). He does his best to stay dead, even in his afterlife.

And, stay with me here, there's the love triangle of it all.

Both Uri and SP wanted to save 999 but neither of them could. And she despises SP for killing the love of her life but they both wanted the same thing, for 999 to be happy!

I think about SPuri in the post epilogue OD household. Even though Uriel accepted that 999 wouldn't come back and gave up her futile revenge quest against SP, there's still lingering awkwardness and tension there. After hating him for so long it's difficult to act normal around him. I imagine she treats him with civil distance.

And then, when SP does something small that reminds her of 999, she has to look away to remind herself that 999 didn't want to come back and to respect his decision, berating herself for mistaking SP for the man she loves, which is disrespectful to them both.

Even though SP didn't often think of 999 and himself as the same person, I think spending all his time around the 999th turns companions + having 999s memories in his head would inevitably bring out old habits and that side of him more. To all around bittersweet feelings from the outer gods, not just Uriel

[davey-in-a-minivan]

Isabel Lovelace My Absolute Beloved

Lovelace is one of my favorite examples of one of my favorite kinds of characters, which is: woman who the world is trying so hard to kill and emerges beat up and spitting out teeth and still going.

(Relatedly, Eva Olivia Moreno is one of the few White Vault characters I really loved and it's on the strength of the joy I felt when i realized that not only had Eva NOT died when a rockslide separated her from the team, but instead dragged herself three days over the mountains, alone, covered in mud and blood and bruises, WITH ALL THE TEAM'S DATA DRIVES, to let the world know what was going on and demand rescue for the others. LOVE HER. Alessandra "Cockroach" Strong of the Penumbra Podcast ALSO falls into this category and I would've loved to see more of her)

Interestingly, I think Lovelace plays a similar role in-universe for Eiffel and Minkowski, in that they first encounter her as a 'character' in old audio logs whose survival they are rooting for at a remove -- when Eiffel and Minkowski listen to her logs but it's unclear whether she made it off the station, Eiffel shushes Minkowski's skepticism and says "let me have my badass space commando chick!!" In the absence of conclusive evidence he clings to the idea that she survived, for what i suspect are two reasons: (1) it means it's possible to survive and gives him and Minkowski a sliver of hope, and (2) it's not fair for her to die after trying so hard to save herself and her crew, and if she survived he can believe that there's some fairness in the universe.

After Kepler shoots Lovelace, Minkowski tells an imagined Lovelace how badly she wanted to get Lovelace home because she wanted to believe that she could go home, which feels like an echo of Eiffel's earlier sentiment--obviously by now Minkowski knows and cares about Lovelace as a person, but she's also a symbol of the ultimate survivor, who will do whatever it takes to get home. If Lovelace, who fought harder and longer, with more skill and fewer limits than Minkowski finds herself capable of, and still didn't survive, what chance is there for Minkowski and her crew?

WHICH MAKES IT SO FUCKING SATISFYING WHEN LOVELACE LIVES AGAIN.

I need you all to know--Lovelace was "dead" for, what, an episode??--in that time my then-roommate and I put up a SHRINE to her memory. She was too cool and tragic and extreme and funny and hot to die!!!

I'm very glad the universe and Gabriel Urbina agreed.

It's not only satisfying because I'm obsessed with her and wanted her back (which I admit freely). It's a riveting development in the story of the unkillable Captain Lovelace where we finally see that she CAN'T be killed because she's already dead. Functionally she's a ghost in the story, haunting the Hephaestus until she finishes her unfinished business, and there's a delightful sheen of destiny to her arc where I was like oh fuck they've already done their worst to her and she's still going. She's going to win this. I don't know what it'll cost her, this could still be a tragedy, but she's GOING to succeed.

What does this mean for the rest of the original crew looking to her as a symbol? Eiffel, Minkowski and Hera do survive, like Lovelace. It is possible. But it costs them a lot. Weeks after Lovelace dies, resurrects, and has the day-ruining revelation that she's actually the alien clone of the dead woman she thought she was haha, she talks about the discomforting effort she makes to be the real Lovelace, not the person that Goddard turned her into. I think once they return to Earth the rest of the crew will struggle in similar ways. Minkowski need to believe that Lovelace could come home, and she did. But none of them could be the same as they were before.

Now, obviously the extremes Lovelace had to go to in pursuit of survival and justice were difficult and upsetting for her. But they were also hot!! SO let's wrap this up with some of the most iconic Lovelace moments according to me:

1. The "run and hide" monologue Eiffel and Minkowski find - HOT. sorry i know this comes on the heels of her describing the harrowing tragedy of her crew members' deaths but like

that's hot!!! go girl, kill em all!!!

2. THE DEAD MAN'S SWITCH. she said im going big AND going home, through the power of insane resourcefulness and this nuclear bomb i made

3. "variations on a theme" is suuuch a good minisode

4. disabling the airlock during the clone jacobi situation without telling anyone

5. NAPALM

6a. broadly, the hostage situation during the coup, where she goads kepler into focusing on her instead of eiffel

6b. SPECIFICALLY the part of the hostage situation where she gets the show's one "fuck"

7. alien possession lovelace!!!! i know it wasn't quite her melting kepler's hand off but god it's a fun scene

8. time loop lovelace. i love a good time loop and the contrast between her yelling and goading and shooting things in the last argument but also being, like, pretty chill and pragmatic about it--this is just her method of causing enough trouble to break the loop--is fun

9. hera's and her intersecting journeys re: what it means to be a person

10. distracting cutter so minkowski can stab him with the harpoon!!!!!!

in conclusion: WHAT A CHARACTER

[ghostradiodylan]

Probably a lukewarm take, but other than the (lack of an) ending, the Laura and Ryan scenes are some of the worst written and conceived parts of The Quarry.

And this is completely separate from whether Ryan is interested in Dylan (he is, but that's another post and not important to this rant) or Kaitlyn; even if Ryan had no other potential relationships in the game, even if Laura wasn't practically married to Max, wearing his ring around her neck the entire time they're talking, it still would feel flat to me because nothing about it is earned.

Laura is on a killing spree with the single-minded goal of saving Max. She genuinely believes the only way to do that is to kill Chris Hackett. Even if you've made her argue with Max to the extent that they can, they're still a strong unit when she goes out to solve this werewolf thing once and for all. Even if you don't believe in love think their relationship would survive all this trauma, she deeply believes she owes it to him to rescue him, that is her entire guiding ethos during the game.

Ryan is going with her to try to keep that from happening because Chris has been his friend and mentor for years. We know Ryan has an absent mother, unmentioned father, and a potentially turbulent family life, and he's been coming to HQSC for so long that it feels like home to him, that Chris and his kids feel like family. Laura has already killed Kaylee. Even if Ryan completely bought into the werewolf thing by now, that would be a tough pill for him to swallow, given his reaction to her death.

Then, they fall in the titular Quarry and suddenly have the option to express a completely unearned sort of camaraderie with each other. Why is Laura asking Ryan about his love life in the first place? The question about him being single makes sense as a dig, but it doesn't make any sense for her to ask about him being a 'brooding and mysterious loner' because... she hasn't actually seen him do anything brooding or mysterious? How did she even get that impression? If Laura's got some kind of borderline psychic intuition then this is really the worst possible use of that ability--she should have foreseen her need to go to that motel and stay the fuck out of locked storm shelters instead.

It doesn't make a lick of sense for her to say that Kaitlyn looks up to him either. She hasn't seen that. Hell, we as players haven't even seen that! Kaitlyn seems generally tolerant of but unimpressed by Ryan. She has the option to be impatient with him multiple times and even get the chyron that she's ‘losing respect’ for him if he suggests she take the gun and go after Nick instead. This seems like an objectively good idea, since she's a much better shot than Ryan, a fact which the game keeps telling us despite refusing to give her a gun until the last possible second, though maybe the concern is that she'd have to drag Nick back to the campfire herself. (Honestly, I think Kaitlyn could do it, I think she's like a mighty ant who can lift many times her own weight, but that's not what this post is about.)

Ryan, for his part, shouldn't really be willing to talk about any of this with Laura either. He canonically doesn't even want to talk to his coworkers about his animation school decision (in the office scene with Dylan and at the campfire with Emma if you choose truth like a lunatic) and he's known them for at least two months, if not for years attending the same camp. But he met Laura a few hours ago and is suddenly willing to spill his guts about who he does or doesn't have a crush on and who does/doesn't have 'the hots' for him, despite the only experience they have together being her leaving his friend of several years dead facedown in a pool and expressing a strong desire to kill his father figure? I simply do not buy it.

I'm not sure if this was supposed to go along with the relationship system that they scrapped or what (there's not a single shred of Ryan and Laura stuff in the datamine that I've been able to find), but all it really serves to do is muddy the waters by trying to force some level of intimacy on Ryan and Laura before the big confrontation at the Hackett House. But that confrontation itself should have been the thing that forged that intimacy between them and allowed them to go on to fight Silas together.

Overall, I think it's a major sign that the back third of the game got a very rushed and, frankly, bad chop job (which we know is true) and that they struggled to tie the resulting loose threads off in a way that made any kind of narrative sense. It's a shame, because the writing in The Quarry is actually way better than most people give it credit for, it just wasn't allowed to pay off in a lot of ways that clearly were intended.