Yiga Clan & Master Kohga /Captive Reader TOTK Quick (Semi-Crack) Imagines
Kohga will with all seriousness complain of cravings for bananas and of 'hormones' because of his potbelly 'food baby'. This is absolutely just an excuse to laze around and not do anything remotely considered work. He's on maternity leave and it's not even paid!
He's mostly disinterested in what you're doing around the place, but he'll call for you like you're one of the clansmen if he's bored and has nothing better to do. He likes getting in the way of you doing chores, even though he was the one that suggested you 'earn your keep' around here anyway.
He likes tinkering and will mutter to himself the whole time.
"Hmmm.... maybe if I just... put that there... and this goes there... Yeah, that seems that'll do it." "Hup, heavy, up we go."
Sometimes he'll forget you're there, though he's the one that asked for you not even ten minutes ago.
"Don't do that!!!" or "Holey Schmoley!!" "--You shouldn't do that to a guy!!!"
"...and...huh...maybe if I-" *pauses, suddenly whipping his head to look in your direction* "--and you!! Quit staring at me with those two eyes!!! It's really unnerving!!"
He's flustered when you catch him making mistakes, even though he's admittedly pretty good at what he does.
Sometimes he stops what he's doing and cranes his neck to the side a little without explanation. Or he'll walk into a room and stare unresponsively at nothing for an uncomfortable length of time. You have no idea that he's not actually dissociating in the direction of the wall, he's giving you the side-eye while you go about whatever you're doing. It's not exactly inconspicuous, but you think nothing of it as he nods to himself and walks out.
He doesn't show it, but he pays you a lot more attention than he lets on.
The same can be said for most of the clansmen. You pretty much live in a prison cell turned bedroom, and your only door is a dismantled wooden spike lever system that sort of holds up a shoddy curtain on a good day. That said, you've missed the small gaps between the door frame and the curtain enough times that you've definitely been accidentally peeped on, much to the embarrassment of both parties. You've been careful not to repeat that mistake after it happened more times than it should have. They've learned not to barge in without announcing themselves at the very least.
With the introduction of the 'Hydrant', a mysterious Zonai device that spits out water, they're getting a little crazy with the building expansion ideas. Needless to say that the first iteration of the spontaneous indoor water fountain was a sheer failure-- or a resounding success depending on who was asked. In fact, water in the desert has become a big talking point, and with the introduction of these weird bulbous gourd-fruit-things, you're definitely not worried about shriveling up to a crisp anytime soon.
Not when you've been ambushed a countless number of times for target practice and smacked right dab in the face with exploding water plants. It'd be more likely your skin would rinkle like a raisin from all the splashing at this point. Hydrants, splash fruits or whatever they were calling them... Your torture never ceased.
Kohga might snicker, tossing them at you from behind a wall or pillar, but his joy is short-lived when one of his blades masters catch him and pluck him off the ground, ushering him back to his makeshift workshop while he whines and kicks the whole way back.
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sherlock holmes deduces you are trans before you've figured it out yourself and refers to you with those pronouns and then when you look confused is like "ah...had you not arrived at that conclusion yet?" and wafts away in his dressing gown to smoke seventeen pipes, leaving you in a gender crisis
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I think Dick and Jason would have multiple “what the actual fuck are you saying right now” with Tim and Damian when it comes to quality of life/monetary differences. Sure, Dick and Jason got used to Bruce’s “is $100 a good enough tip on a $30 bill?” shit, but hearing Tim talking about a new laptop he bought for $5000 literally is like a punch in the gut.
If they ever went on a cruise (which they totally wouldn’t because cruises are floating death traps), Jason and Dick would be in awe of the fancy amenities, where as Damian would be unsatisfied with the quality, since he grew up with every single amenity known to man. Tim would just feel like it’s all normal since the Drake’s were extravagant and travelled all over the planet.
Jason : My bedroom is bigger than my fucking apartment.
Dick : I could do a full gymnastics routine with the space in my room.
Tim :
Dick :
Tim : My room is normal sized…
Jason : You grew up in a mega mansion. I hardly think you’re the benchmark of a normal room-
Damian : I must agree with Drake. This room is frankly underwhelming.
Dick, staring wildly at him : What do you mean underwhelming- Dames there’s an aquarium wall in your room.
Damian : Yes. Underwhelming.
Jason :
Dick :
Jason : Do you want to-
Dick : Jump off the boat? Yes.
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"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.
but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)
mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…
the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.
every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.
first, the snake part of the chimera appears to be modeled after some species of coral snake mimic
which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.
which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.
the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.
walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?
well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.
you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?
it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.
when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.
and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.
kui laid it out in three panels better than i could hope to.
yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.
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