#how did i not-

[koobiie]

shoutout to everyone who wants to infodump but cant string together coherent thoughts to form sentences and instead just look at you like this

[razzafrazzle]

Just Checking In! (aka Something About Red Triangles)

[unforth]

Y'all I know that when so-called AI generates ridiculous results it's hilarious and I find it as funny as the next guy but I NEED y'all to remember that every single time an AI answer is generated it uses 5x as much energy as a conventional websearch and burns through 10 ml of water. FOR EVERY ANSWER. Each big llm is equal to 300,000 kiligrams of carbon dioxide emissions.

LLMs are killing the environment, and when we generate answers for the lolz we're still contributing to it.

Stop using it. Stop using it for a.n.y.t.h.i.n.g. We need to kill it.

Sources:

[redstonedust]

i appreciate the attempts a lot of game devs are making with gender neutral character creation, and i appreciate that it's actually a very difficult task to implement that depending on the game's base code. but it's so funny to me when you hear an uproar because some game has "entirely removed the gender option from character creation!!!!!" so you go to check it out and its just like

[nat-20s]

name a more iconic thing to happen for the fictional qpr community than Donna Noble quite literally meeting her soulmate and being like hmm. there's no one I've ever wanted to fuck less

[the-gayest-sky-kid]

god i love my friends. shout out to people who love their friends. this is a post for friend lovers

[adyophene]

Husk's secret weapon

[tactfullyinappropriate]

It's like we all collectively forgot as a society that friendship and just connection in general takes effort. Even if you meet someone you immediately click with, it takes hanging out about 20 times (!) to become friends. And guess what, some of those 20 meetings might be awkward or unimpressive.

We all want to reap the benefits (having a friend circle, having a partner, getting married) without doing the work (going to events, interacting with people, learning to handle conflict maturely, dating). Myself included. If I could, I'd never leave the house or go on another mediocre date again... except, that's part of the process.

I guess what I'm trying to say is, the cure to the loneliness epidemic is touching some grass and building tolerance for tedious in-person interactions.

[captainsaltypear]

IS ANYONE ELSE GONNA TALK ABOUT THIS OR

[webshood]

time travel fanfic idea where Jason comes back to before he was adopted, him and Batman still meet and he still ends up being adopted by Bruce Wayne, but he just refuses to acknowledge Batman and Robin, he acts like a civilian boy, he has over thirteen extracurriculars that Bruce does his best to keep up with. He regularly works out and trains all the fighting he's learned over the years, he goes on a gap year before college to recuperate the all blades and pretends to be the civilian in a family of crime fighting vigilantes.

He's doing pre-med and keeps nagging his siblings to go to college too (Cass, Tim), Duke is the one who spends more time with him bc everyone else is nocturnal and sleep through the day, but Jason likes to drive Duke to his classes and pick him up so they can have lunch together, Damian had a hard time at first, because Jason speaks every language that he speaks and all bat related things have to stay at the cave, his league training didn't prepare him for a civilian brother.

During an attempted kidnapping during one of the Wayne galas, Jason's whole plan almost gets blow up because one of the guys has taken a woman hostage and his Red Hood fried brain just pounced on the dude with all his might, wrestled him for the gun and kept him stuck under his boot with the gun pointed between the guys brows.

He had to pretend to be scared when Batman came to the rescue and act like he didn't know how to handle a gun.

+ Alfred 100% thinks Jason was on a children gang and that's why he's so good with knives, guns and rifles, but who's he to say anything about people's past

[hinamie]

mentor

[prouvaireafterdark]

listen I know it's heartbreaking that Claudia dies and it's understandable to wish she didn't, but let's please not accuse the writers of fridging her. to do so is a fundamental misunderstanding of the story and is frankly insulting to the intelligence and skill of the writers of the show.

Claudia's death, and the overwhelming grief and regret her parents experience because of it, is quite literally the point of the entire story. she dies because Anne's daughter Michele died of leukemia when she was five years old and there was nothing she or her husband could do to prevent it.

writing IWTV was how Anne coped with the unimaginable loss of a parent losing her child. she created a story about a little girl that could not die and then killed her anyway. Claudia's death is a senseless, unavoidable tragedy, just like Michele's was. the grief that haunts Louis and Lestat for the rest of their lives is the same grief that haunted Anne and her husband.

so when you're accusing people of killing Claudia off to benefit a story about two men, please remember that in real life sometimes parents lose their children. please remember Michele Rice.

she's the reason Claudia exists.

she's also the reason Claudia cannot be saved.

[bunabi]

They're done: the Forbidden Halftone Brush Pack of your dreams.

Nine free halftone brushes for Clip Studio Paint. I will not be making another set of these so grab 'em now or never. Upload instructions are included in the folder! Thanks for your support! 😭

Past Freebie Brushes | Subscriber Brushes | And My Brush Tag

[hamletthedane]

I was meeting a client at a famous museum’s lounge for lunch (fancy, I know) and had an hour to kill afterwards so I joined the first random docent tour I could find. The woman who took us around was a great-grandmother from the Bronx “back when that was nothing to brag about” and she was doing a talk on alternative mediums within art.

What I thought that meant: telling us about unique sculpture materials and paint mixtures.

What that actually meant: an 84yo woman gingerly holding a beautifully beaded and embroidered dress (apparently from Ukraine and at least 200 years old) and, with tears in her eyes, showing how each individual thread was spun by hand and weaved into place on a cottage floor loom, with bright blue silk embroidery thread and hand-blown beads intricately piercing the work of other labor for days upon days, as the labor of a dozen talented people came together to make something so beautiful for a village girl’s wedding day.

What it also meant: in 1948, a young girl lived in a cramped tenement-like third floor apartment in Manhattan, with a father who had just joined them after not having been allowed to escape through Poland with his pregnant wife nine years earlier. She sits in her father’s lap and watches with wide, quiet eyes as her mother’s deft hands fly across fabric with bright blue silk thread (echoing hands from over a century years earlier). Thread that her mother had salvaged from white embroidery scraps at the tailor’s shop where she worked and spent the last few days carefully dying in the kitchen sink and drying on the roof.

The dress is in the traditional Hungarian fashion and is folded across her mother’s lap: her mother doesn’t had a pattern, but she doesn’t need one to make her daughter’s dress for the fifth grade dance. The dress would end up differing significantly from the pure white, petticoated first communion dresses worn by her daughter’s majority-Catholic classmates, but the young girl would love it all the more for its uniqueness and bright blue thread.

And now, that same young girl (and maybe also the villager from 19th century Ukraine) stands in front of us, trying not to clutch the old fabric too hard as her voice shakes with the emotion of all the love and humanity that is poured into the labor of art. The village girl and the girl in the Bronx were very different people: different centuries, different religions, different ages, and different continents. But the love in the stitches and beads on their dresses was the same. And she tells us that when we look at the labor of art, we don’t just see the work to create that piece - we see the labor of our own creations and the creations of others for us, and the value in something so seemingly frivolous.

But, maybe more importantly, she says that we only admire this piece in a museum because it happened to survive the love of the wearer and those who owned it afterwards, but there have been quite literally billions of small, quiet works of art in billions of small, quiet homes all over the world, for millennia. That your grandmother’s quilt is used as a picnic blanket just as Van Gogh’s works hung in his poor friends’ hallways. That your father’s hand-painted model plane sets are displayed in your parents’ livingroom as Grecian vases are displayed in museums. That your older sister’s engineering drawings in a steady, fine-lined hand are akin to Da Vinci’s scribbles of flying machines.

I don’t think there’s any dramatic conclusions to be drawn from these thoughts - they’ve been echoed by thousands of other people across the centuries. However, if you ever feel bad for spending all of your time sewing, knitting, drawing, building lego sets, or whatever else - especially if you feel like you have to somehow monetize or show off your work online to justify your labor - please know that there’s an 84yo museum docent in the Bronx who would cry simply at the thought of you spending so much effort to quietly create something that’s beautiful to you.

[poorly-drawn-mdzs]

Hey now, Let her cook!

[tiptoethewordsgo]

alex hirsch being the #1 billford shipper