#i can just write

[tirsynni]

So the issue about the right to post criticism on people’s fics have come up again. Okay.

First off, the most obvious thing: unless the person asks for constructive criticism, be very wary about giving it. Again, please, keep in mind: this is fanfiction. This is a story typed out by a fan in their free time and posted online for others to enjoy. This isn’t a work that someone polished with the plan to publish for money. This is a fanwork posted by a fan for other fans to enjoy. Most writers I know don’t want constructive criticism. They want to engage with other fans with a medium they enjoy. “I really enjoyed this and I hope you do, too. Here’s an idea inspired by watching that scene.”

Of course, some writers do want constructive criticism. They ask right in their notes for it, which leads to my second point...

What are your credentials? When it comes to offering constructive criticism, are you confident in your skills to offer it? People tend to be, yeah... and then tell me what they would have written. “This is something I would personally enjoy and I wish you had written this instead.” “This does not match my headcanon of the character and you should have done this instead.” “You should have written the other character as the top.” None of this is constructive criticism. None of this is helping a writer improve. When these thoughts occur, instead of leaving them as a comment, consider writing the fic yourself! Seriously! Go for it! That’s the joy of fanfiction! You want to see something? You can write it yourself!

But really, what are your credentials? Do you know how to edit? Proofread? Did you take classes? Do you have a degree? In what? What’s your personal experience? Can I see your resume? Can you offer constructive criticism in a way which will improve that specific writer’s specific style? Can you help the writer tell the story they want to tell and not you? Because that is incredibly challenging. It’s easy as hell to tell someone what you would like to see in their story. It’s also the reason many writing circles and writing groups fail: too often it dissolves into “This is what I like, so you should change this” or “Well, such and such heard from such and such that this is really important for fiction.” That’s not how actual constructive criticism works. That’s not how you help a writer grow. 

“Well, if someone is writing and posting stuff online, then I have the right to criticize them.” Do you enjoy having so many free works at your fingertips? Would you like to see it happen in the future? Because while you’re free to criticize, that writer is free to stop writing. Writers don’t have to post. Writers can delete existing fics. Writers can and do give up because they are so excited to post their project online, only for multiple people to offer them “constructive criticism,” making them feel like shit, while many other people enjoy the fic but don’t bother telling the writer. 

“I have the right to tell the author what I like.” You also have the right to write your own fic. Which is probably going to be more productive?

“I have the right to tell the author their fic grosses me out.” Great. You also have the right to tell that to random people you meet in the street. Go for it. I personally value the concept of “don’t like, don’t read.” You did choose to deliberately read that fic, after all. That’s all on you. The author didn’t put a gun to your head and force you to read that work.

“I have the right to tell the author their errors.” Did they ask? Why are you so focused on the errors and not what you liked about the fic? I promise, if you tell authors what you enjoy about their fics, that will help them grow their skills far more than criticism. Getting positive feedback encourages fic writing, and practice helps the writer with those errors far more than random people on the internet.

At the end of the day, is your constructive criticism helping? And honestly, is that “constructive criticism” for the author or for you to feel proud about your awesomeness or for you to lift yourself up by belittling someone else? Before you gave the constructive criticism, did you ask the person? Did you value their opinion enough to verify that they wanted it in the first place? Fuck, did you even take the time to ask the person if they wanted a beta reader? Because if someone is happily posting their fic and they didn’t ask for help via a beta reader prior to posting, it might be because they’re more focused on the fanwork itself than grammar and the such, and that’s okay. If you can’t play around with fanfiction, with what can you play around? It’s fanfiction. No life or death seriousness to it!

Generally when someone leaves me constructive criticism, it isn’t constructive. It is that person telling me what they would have written in my shoes. You doing that isn’t going to make me write it. Hell, if people keep it up, writers might not write anything at all.

It’s very popular now to call writers greedy when they want positive comments or engagement with their fanworks. It’s also popular to defend the right to criticize the author when giving a comment. I would really prefer for these people to just write their own fic. Write what they want to see in the world. Maybe it’ll balance out all of the writers not writing because they’re getting hesitant about posting their works or feel too discouraged to even write in the first place.

[akirameta84]

ironically ill probably be back to writing much more once school starts

why? the only god damn thing i can do at school is sit there with my laptop and write lmfao. i cant do schoolwork at school cause its too much noise and everything, so i do work at home

and during the summer im just playing video games all day lol

anyways i only have one more week of summer. ugh

sorry for the absolute dry spell of writing these past few months >.> i got one fic update and posted the start of a new long fic...also apparently i havent updated my wof au fic since april so uh. maybe that one ill work on next. either that or the god dang werewolf oneshot i need to wrap up

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[spectralsleuth]

Reblog and put your rare pair in the tags/comments! I want to see the depths people will go to create, for the most random two characters in the most obscure media.

[biggest-gaudiest-patronuses]

the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"

just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible

[lgbtlunaverse]

Nothing will dispell the "the curtains were just blue" myth faster than writing something yourself, because the amount of pretentious symbolism i am putting in my silly little fanfics is ridiculous. I mean SO much with these words, literally every single one of them. This fic has twenty five typos and zero correct uses of punctuation but if there's curtains you bet your ass I put thought into what colour they were.

[swordsandholly]

Thinking about a mechanic!AU where the 141 boys run a garage and need a new receptionist. They hire you because you’re just so cute (great tits) and have a decent resume but it becomes a slight problem when they realize you’re a bit… dense.

Total ditz to be precise.

But they can’t really get mad when you get the keys for clients mixed up and look at them with those big eyes all teary and a little pout pushing out your lower lip.

Price is the most patient, perfectly content to walk you through how to file paperwork and fill out forms. Instructing you in a low voice while his breath brushes the shell of your ear. It’s really their fault for having such a terrible system, you know? Don’t worry about it too much, dove. He’ll settle his big hands on your shoulders and gently trace up and down your arms. See? You’re getting it. Just needed some more practice, hm?

Johnny is more than happy to show you around the garage, rattling off everything he knows about all those nitty gritty details that go right over your pretty little head. He’ll pop open the hood of some sports car and point to the engine to show it off. No, bonnie, you’ve got tae get in close. Closer.

Until you’re bent entirely over in one of those too-short skirts you wear everyday. It takes all his willpower not to yank you into the supply closet.

Gaz is just so sweet to you. Always bringing you little treats and candies to suck on. To help you concentrate, of course. Always greeting you with a soft ‘baby girl’ at the beginning of your shift. Whenever you’re standing around be it at the printer or counter - wherever really - he’ll slip a hand on your waist. It always trails a little lower, his pinky just edging on the hem of your too tight jeans.

Ghost gets frustrated with you to the point of causing tears to well up in the corners of your eyes. He’s feels guilty, sure, but bloody hell just print the damn receipt. He avoids you for the most part. Until one evening when it’s pouring down. You forgot your rain coat of course, silly girl. He offers you a ride which you take happily.

After that he can’t get rid of you. You bring him coffees (how you remember his order word for word but not where you last left your own cup is beyond him) and giggle at his jokes. When a client gets too snappy or too loud he’s the first to step in - standing behind you glaring at them with his huge arms crossed over his chest until they back down.

[caramel-ribbons]

I just watched Avatar for the first time all the way through, and yeah, it’s great, but the one thing that surprised me was how different Katara was compared to the fandom interpretation I’d seen and internalized before watching.

Like, before you watch Avatar, you’ve seen all these memes about Katara and her mom, and based on those memes, you assume it’s one of those lines you have to get used to hearing at least once every episode. But then you watch the show and realize that she only talks about her mom maybe five or six times per season and you also realize she only brings her up when she’s trying to comfort someone or empathize with them because that’s how she processes her grief and that’s one way she connects with people.

Or you hear the infamous line, “then you didn’t love [our mother] the way I did” and you prepare yourself for one of the worst character assassinations ever only to see the scene after nearly three seasons worth of context and realize she was kinda right. She’s been the mother, the nurturer, the comforter. She’s been patient, gentle, and accommodating where everyone else has gotten to be insensible and reckless and childish, and the one moment where she allows herself to feel her grief, suddenly she’s this evil bitch and not, y’know, a 14 year old girl whose been thrusted into adulthood in a way no other character has. A 14 year old girl who should be allowed immaturity and raw emotion and anger instead of the patience and grace she’s been forced to extend to every character without even the smallest amount of gratitude or even consideration in return.

Or you see all of the clips where Katara puts Aang in the “friendzone” and you expect to have this wishy washy back and forth where Aang is putting his feelings out there only to have Katara neither commit nor express any clear reciprocation or rejection. Then you watch and realize that, as cute as the ship is initially, that there’s never a point where Aang returns any comfort or grace to Katara despite her always doing this for him to the point of coddling. That for as much as Aang says he loves her, he never seems to outgrow his perception of her so he can recognize her as someone who feels grief, anger, and pain as much as she expresses love, kindness, and maturity. And instead of having moments where he learns to see her beyond her strength or compassion, you’re instead given moments where Aang forces his feelings onto her, both romantic and non-romantic, and Katara is expected to just…shoulder those feelings the way she shoulders everyone else’s.

Katara is the most misunderstood character in the show. As much as people recognize the complexities of Zuko, Sokka, and Azula, they struggle to do the same for Katara because they see her struggles as somehow lesser, and therefore, less deserving of sympathy. They can handle her so long as she’s being endlessly patient and loving and kind, but the moment her endless love, patience, and kindness runs out, she’s suddenly this annoying bitch who can’t shut up about her mother or reciprocate Aang’s feelings. But Katara’s trauma does matter as much as anyone else’s. No, she wasn’t banished from her kingdom. No, she didn’t lose her entire community, and no, she isn’t the only one who lost her mother. But the difference between her and everyone else whose experienced loss because of the Fire Nation is that she’s never given time to process her trauma. Aang gets to lean on Katara constantly. Toph gets to express her feelings to Katara, and yeah, Sokka also lost their mother, but unlike Katara, he isn’t put in the position of being a substitute for everyone’s parent. He even admits that he sees his sister as a mother. The only characters who ever comfort Katara or allow her to vent is Zuko and her father and that’s, like, three scenes in a show where the other characters are consistently given opportunities to seek out Katara for unconditional support.

The fandom interpretation of Katara has been so bastardized that even those who haven’t watched the show know her for this fanon version and not for who she is. She’s such an interesting character beyond her fandom limitations, though. She’s brave, hot-headed, and hopeful as well as gentle and caring. She wishes to learn waterbending, not only because she wants to fight in the war, but because she wants to continue her culture’s practices because, and people often forget this, she also lost an entire subculture within her already fractured tribe. And she wants to defeat the Fire Nation both because of her deep love and empathy for other people, but also because she wants to avenge her mother. But because some of the fans have reduced Katara to a bitch who constantly whines about her mother and friendzones Aang, you wouldn’t know any of this, and it sucks because she’s the only character whose been dumbed down to such an extent.

[rexalogy]

Every Taylor Swift song

[ryukatters]

bf!bkg ignoring you because you won’t call him baby or handsome or whatever nickname you usually call him

“Katsuki— have you seen my charger? I can’t find it anywhere.”

You call out as you make your way down the hall from your bedroom. Your boyfriend is sitting on the couch, having a rotting party all by his lonesome to really live out his day off. It’s a rare occurrence for him to be so inactive, but you surmise even pro heroes can be lazy every once in a while.

“Kats?”

Still nothing. You know for a fact that he can hear you, because you can see the way he subconsciously perks up the minute you say something. Definitely charming, but not enough to quell the growing mix of irritation and worry (mostly worry) brewing inside the pits of your stomach.

You make your way across the living room, standing in front of his place on the couch. He’s still not looking at you. No matter, you just decide to straddle him instead. His hands automatically find purchase on your hips, fingers just a few millimeters shy of your ass.

“Katsuki. What’s wrong?”

“Dunno who that is,” he huffs, head turning to the side so you can’t see the way his lips quirk down into a pout. (Because he swears up and down that’s something he never does.)

“Kats?”

“No.”

“‘Suki?”

“Close, but still no.”

“Baby?”

“Yeah, baby?”

"Have you seen my charger, handsome?"

"In your desk drawer on the right."

You smile. You press an innocent kiss to the tip of his nose. He pulls you flush against him before you can pull away, capturing your lips with his, appreciating the way the two of you meld against each other. He tries not to look too disappointed when you lift yourself off him and stand up. You lean down to give him a fleeting kiss on the cheek.

"Love you, Katsuki."

"Think you've got the wrong guy, sweetheart."

[glorious-spoon]

i know we all laugh (mostly fondly) about the paper-thin plots in porn that only exist to make the sex happen, but i was reading some old stargate fic over the weekend, and i really think we're sleeping on the paper-thin hurt/comfort plot that only exists to force the characters to FEEL THINGS.

like, is this scenario realistic? no. does it make any rational sense? no. does it provide a built-in excuse for a character to collapse, bloody and disoriented, into the arms of his beloved/friend/partner? obviously, that's the whole point of this exercise.

i love it. it's my favorite thing in the world.

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[astearisms]

fionna and cake drawings before and after watching the episodes so far. it’s nostalgic and somehow cathartic and poignant and relatable and—it just started

[hailsatanacab]

Family Dinners - dpxdc

"Holy shit, you're Bruce Wayne!" Danny gaped, jabbing a finger at the man sitting at the head of the table.

The bustling dining room goes silent as everyone turns to look at him.

"Danny, who did you think was going to be here?" Tim asks, disbelief plain in his voice and Danny feels his face flush red.

"Sorry, I, uh, I guess I just never put it together. Tim Drake-Wayne. Wayne Manor. It, uh, makes sense now." He laughs sheepishly and scrubs at his neck before slumping back down into his chair.

"Well," Tim says with an indulgent sigh, "at least I know you're not just friends with me for my connections."

"Yeah, I'm really sorry, I just never thought about it, I guess."

Danny sinks lower as everyone around him laughs. Come to dinner, he said, the food is the best, he said, ignore the family, he said. Danny really wishes he'd listened to Tim and just ignored them—almost as much as he's regretting accepting the offer in the first place—but... he's having dinner with Batman.

Ancients, that's so weird!

The last time he saw Batman was in the future and, suffice it to say, it was not going well. There hadn't really been time for family dinners there.

Wait. Family dinners?

He peers around the table, openly gawking at everyone as it all clicks into place.

"Everything alright, Danny? Now realising who everyone else is?" Tim asks with a roll of his eyes.

"Uh... something like that..." Danny mumbles as everyone laughs again.

From further down the table, the smallest Wayne scoffs and clicks his tongue.

"I thought you said he was smart, Drake?"

"So, you all do it, too, then?" he asks, ignoring the jibe. Danny's only a little bit jealous as he thinks of how much easier they must have it, how much easier it'd be if his family had been on his side, too. "You all work together?"

"Nah," Dick says from across the table with a brilliant grin. "Tim's the only one that works with Bruce, we all have different jobs. I'm a police officer in Bludhaven."

"Disgusting." Danny blurts out without thinking—because seriously, what kind of self-respecting vigilante would also be a police officer?—before clapping a hand over his mouth. "Sorry."

The whole table laughs again, the loudest being the blonde girl a few spaces down from Dick. Look, Danny wasn't really paying attention to names when they were all paraded in front of him. Dick only gets remembered because his name is a joke.

Come on, Danny, recover!

"That's, uh, not what I meant, though."

"Oh?" Dick asks, cocking his head slightly to the side. Is it Danny's imagination or does his smile tense slightly?

"Yeah, I mean like, you know, in costume. It must make it so much easier to have everyone together like this."

"Costume? What do you mean?"

Yeah, Danny's not imagining it, everyone tenses up at that. It's really only now that he's realising that this probably isn't how he should bring up that he knows about their... night time activities. In fact, he probably shouldn't be bringing it up at all.

"Uuhhh..." Danny looks wildly around the table as he continues making his stupid noise. Think, think, think! There must be a way out of this!

"Danny?" Tim asks, looking concerned.

"Oh, Ancients, this isn't how I wanted it to go at all," he mutters, slipping even further into his chair. He's almost on the floor now and he so, so wishes it could just swallow him up.

His real first meeting with Batman was meant to be cool! He had planned to be Phantom, maybe save them from a tight spot, prove his worth as a mysterious and powerful ally as thanks for the help Batman gave him in the future.

"Danny, what are you talking about?" Tim starts tugging on his sleeve in an attempt to pull him back up from his pit of despair.

Eventually, Danny relents and sits up straighter, hiding his face in his hands and whining all the while.

"I'm sorry, I just didn't expect him to be here and it threw me off so now I look stupid and it's so embarrassing!" he wails, flailing his arms wide. "Why wouldn't you warn me that Batman was your adopted dad, Tim? Couldn't you have let me know?"

"I'm sorry, what? Danny are you alright? There's no way Bruce can be Batman, look at him!"

"Yeah," the blonde girl laughs from the bottom of the table, "look at him! That's a wet noodle of a man! Batman can actually do things, B is incapable of pretty much everything."

"Thank you, Stephanie," Bruce sighs, massaging his forehead.

It's... Those are the first words Danny's heard Batman say since everything went down and it's enough to knock him out of his embarrassment.

It's really good to hear his voice again. Especially now, when it's strong and healthy and full of personality—even if that personality is little more than a tired father right now—far better than how it had been, at the end.

Danny sits up, back straight, and grins. He's got this. He remembers it perfectly. Some people count sheep to fall asleep, Danny repeats his mantra to be certain that he'll never forget it.

"Gamma alpha upsilon tau iota mu epsilon, 42, 63, 28, 1 colon 65 dash 9."

Once again, the whole table falls into silence.

"Holy shit..." breathes the other D name (Duke? Danny's pretty sure he's Signal) from opposite Stephanie. "Isn't that...?"

"The time travelling code." The littlest Wayne says stiffly. "We have met in the future?"

"That's not just the time travelling code, Dami." Dick says, looking between Danny and Bruce. "That's the family time travelling code."

Danny's grin freezes in place.

"I'm sorry, what?"

"1 colon 65 dash 9." Dick explains, still flicking between him and Bruce. "It means you've been adopted into the family and we should all treat you as such, no questions asked."

"Tell you what, I'm about to ask a question." Danny says, dumbstruck. "You just told me it was a code to identify time travellers, not anything about being adopted! What the hell, B?"

Bruce looks about as shellshocked as Danny feels.

"We must have been close," he says finally, after opening and closing his mouth like a fish out of water a few times.

"No! Not that close!" Danny reels back, taking a deep breath ready to refute it all, but... "Well, I mean, you found me when I first got stuck, and you helped me get better despite being... And then we fought together against the, uh, bad guy, before he, um, he... before you couldn't."

An uncomfortable beat passes while they all pick up on what Danny tried so hard not to say.

"So, you're not from the future, then, you travelled there and came back?" Tim asks, breaking the tension and leaning forward with a glint in his eye.

"Yeah, it was a whole end of the world thing, but don't worry about it," Danny says with a hand wave, "It's all kosher now, won't ever happen."

"What did happen?"

"Seriously, don't worry about it, we cool."

"How long in the future was it?"

"About ten years? You were pretty spry for an old man, B," Danny laughs, wishing they'd get off the topic of what happened and get back to the adoption bit.

Everyone shares degrees of a cautious smile as they relax out of the shock, and Dick—whose grin is the biggest—says, "No wonder you got the family code, you're already riffing on him like one of us. How long were you there for?"

"A week, before I managed to get back to my present and stop him then."

"A week? Jeez, B, that has to set some kind of record, seriously."

"Oh!" Danny says, sitting bolt upright and blinking in surprise before pointing at Dick and bouncing in his seat. "You're Nightwing!"

"What?"

"That's exactly what Nightwing said when Batman told me the code! Makes so much more sense now."

Dick laughs and claps his hands, delighted.

"You were not formally adopted?" The grumpy small one—Dami?—asks, his face pinched.

"I didn't even know I was informally adopted."

"And your parents? Are they alive or dead?"

"Damian, stop—"

"They were dead in the future, but they're alive now." Danny says, looking down. He fiddles with the tablecloth, twisting the fabric around his fingers as he fights down the pang of sadness that he always feels when he thinks of them now. He forces a bright smile on his face and hopes it doesn’t look too strained. "I just, uh, can't talk to them much, anymore."

"Damian," Dick warns, "1 colon 65 dash 9. Treat them as family, no questions asked."

"This is Damian treating him as family, the little turd has no manners." Tim scoffs, rolling his eyes, but he gently bumps shoulders with Danny to knock him out of his funk. Danny can't help but send him a watery smile.

"I have the most exemplary manners, Drake, unlike some people." Damian spits, crossing his arms with a pout. "I was merely ascertaining his status to see how he could possibly fit into the family."

"I know this is all a bit sudden, Danny," Bruce smiles, ignoring Damian and reaching out to lay a warm hand on his arm, "for all of us. But if I felt strongly enough to give you that code after spending a week with you in the future, then you are more than welcome in this family, if you so choose it. I think I can speak for all of us when I say we'd like to get to know you a bit more."

"I know a threat when I hear it, Bruce." Danny snorts. "But, yeah, I get it. I'm sorry this is all so weird, it really wasn't how I wanted to find you again, but... I'm glad I did."

"So are we, Danny." Dick says, with a warm smile. "And formally or not, 1 colon 65 dash 9 means you're family. Welcome to the fun house! No take backs or refunds, sorry. You're stuck with us."

[kangals]

friendly advice from vetmed: I know that when your animal has an infection that is generating a lot of discharge, you want to describe that to the veterinarian, because it’s a concerning sign. that is true. I also know that the most common word for this type of discharge is “pus,” so it’s logical that that’s the word that you’ll use when describing what’s going on. and in English, we often add a “-y” when we’re using a word as a descriptor.

but. the word. the word you are looking for. is purulent.

please stop sending in messages telling the doctor that your dog has a “pussy wound.”

[biggest-gaudiest-patronuses]

woke up and someone spilled vanilla extract all over my dash, so as punishment you strange little beasties are getting all the VANILLA FACTS i know:

vanilla is the 2nd most expensive spice in the world (2nd to saffron)

which is why more than 99% of what we call "vanilla extract" is actually vanillin (vanilla's dominant flavor compound) and is not extracted from real vanilla.

luckily, even professionals struggle to tell the difference when it comes to things like baked goods. but there is a distinct difference in non-heat treated products like vanilla ice cream. real vanilla has a more complex, individualized flavor profile.

why is vanilla so expensive? because it is a ridiculously delicate & demanding crop. complete primadonna.

vanilla beans come from vanilla orchids. these crazy flowers bloom for A SINGLE DAY and have to be HAND-POLLINATED in a process that is exhausting, delicate, and requires specialist knowledge passed down over generations.

then, if you're lucky, you get vanilla beans.

which then require months of further specialized treatment.

the entire process takes about a year and can go wrong at any stage

vanilla has been cultivated for over 800 years (possibly much longer). the first known cultivators are the Totonac, an indigenous people of Mexico.

the Aztecs used it as a sweetener to balance out the bitter taste of cocoa. it was popular in a drink called xocolatl--the precursor to modern hot chocolate!

it is only pollinated by a very specific orchid bee!!!

which is why no fruit could be grown outside of Mexico until the 1800s

Edmond Albius, born into slavery, invented the pollination method we still use today--launching a global industry when he was just 12 years old.

today, the majority of the world's vanilla is grown in Madagascar

if you want real vanilla, read the labels carefully--it's harder to find than you think!

in conclusion, those tiny black specks you see in fancy vanilla ice cream? those are vanilla bean seeds! itty bitty orchid seeds!!! they are delicious and also a PRISSY BITCH!

(src)