#i don't think that thought would have occurred to me

[lotus-lost-n-found]

Some Batfam Headcanons because the brain never stops;

Jason hates being called "Bruce's Son". But he hates it more when hes called "One of Wayne's Orphans/Wayne's child" because fuck you I'm his son-! wait no--

With the exception of Damian, they rarely refer to Bruce as "Dad/Father". Either it didn't occur to them/didn't see the need to/thought it would be strange. But when Dick/Jason/Tim/Cass are tired or injured it might slip out. And Bruce might just crumble a bit at it

Doesn't mean they don't say it to their siblings when Bruce is out of Earshot.

"Dad said you couldn't." "What do you mean Dad said I couldn't use that mug? It's my mug!" "You snooze you lose Timmy Boy-" "Jason don't be an asshole-"

That being said Bruce says "son/daughter/child" at every available opportunity he can after he knows that they have acclimated enough that they wouldn't be uncomfortable/know they can tell Bruce that they don't want to be called that.

First time Bruce called Dick "son" in a way that meant "You are my kid" and not in a "This police officer just called me son with a brow furrow" way Dick grinned and carried on with the conversation. Later he wondered if his dad wouldn't like someone else calling him Son; but Dick thinks about the life he was given because of Bruce and thinks maybe his dad wouldn't mind.

Calling Jason "son" is a hit or miss situation, even before he died. The first time it happened he was confused, he didnt think that was the relationship they had and it made everything change for him. He got frustrated--not angry--with himself and Bruce at this sudden emotional turmoil. Wasn't he just the kid Bruce picked up in an alleyway? Wasn't he just some street rat in bright Robin clothing? (He lets himself believe that he can be Bruce's son. If for only a little while).

Tim cries after Bruce is out of earshot, it would've been a year or so after his parents died and he was adopted. He didn't think he could have been wanted like that again. Even if you think the Drake's had A+ Parenting or not, I don't think he would have gotten a lot of confirmation of being wanted otherwise.

Cass smiles, emotions carefully concealed under her expression. She's grateful she found Bruce and he doesn't mention it if she leans a bit closer in a request for closeness.

Damian doesn't expect anything less, he only appears satisfied. But also relieved that he has gotten the confirmation that yes, Bruce wants and accepts him.

[entitled-fangirl]

Peculiar (P 0.5)

Cregan Stark x seer!Reader

Summary: After a frightening vision, the reader has to make sure Cregan is okay.

Warnings: misinterpreting the Red mf Wedding 😭

A/n: THIS IS A PREQUEL TO THIS! And based on an ask!

Masterlist

...............................................................

She could cry.

The visions had been getting better. She had been doing better. But suddenly, a horrific sight flooded her mind and she couldn't stop it from happening. 

Stark blood stained the stone floors of a great castle.

"The Lannisters send their regards…" she sniffled. That was all she could remember of it. "The Lannisters…"

She feared what her great lord husband would think when he found out about her… peculiarity. He knew of it only in speech, never seeing it for himself. 

She couldn't let him view what she had become. 

Her handmaiden had told her to keep Cregan at arms distance in order to keep her dreams and visions from scaring him, or worse, casting her aside. 

But she couldn't handle it tonight.

She needed to see that he was okay.

She jumped up and walked out of her chamber, not bothering to grab her robe.

Her feet padded against the cold floor of Winterfell as she ran to his room. 

But once she reached the door that she knew was his, she hesitated. 

She should not interrupt his sleep.

She shouldn't bother him.

She shouldn't…

She knocked on the door and waited.

After a while, the door opened with a creak. Cregan's tired form filled the doorway. He was angry, reasonably so, thinking that a servant had interrupted his sleep. But seeing the culprit to be his wife, he softened his tone, "Whatever is the matter?"

"I… I just… I-" she stopped herself, realizing how pathetic her words had become.

Cregan tilted his head, rubbing his eyes forcefully. "What is it?"

"I needed to see you," she almost whimpered.

He paused and considered her words. "You wanted to see me?" He questioned.

"I needed to see that you're alright," she clarified.

"I am fine," he stated, holding his arms out as proof. "I was abed, slumbering quite peacefully. You have nothing to fret over."

She steadied her breathing, "Right." She rubbed her arm soothingly. "It was foolish of me to wake you. Please forgive me."

"I will if you tell me what caused such a ruckus in your mind," he stated, a twinkling coming to his eye as his mind finally was beginning to wake.

He hadn't gotten to spend as much time with her as he had hoped. She was skittish, and fairly so, but he couldn't find a way to connect with her. 

Perhaps it was because she wished for her own room. Or so Cregan had been led to believe. 

"Well?" He questioned when she gave no response.

"I saw something."

"Alright," he said as he took in her words. "What is it that you saw? Are you alright?"

"No, my lord," she persisted. "I saw something."

Oh.

He knew that she had visions, but he had yet to see the effects of them.

And now here she was, teary-eyed in the night at his door, begging to see that he was alright.

Whatever had occurred must have been quite serious.

He hummed in thought. Rather than saying anything, he moved out of the doorway, motioning with his head for her to come in.

She obeyed and walked into his room. She walked past him and began to observe his chambers.

The room was lit only by the flames of the fire in the fireplace. She walked to the fire to warm her.

Cregan shut the door and turned to her. "Chilled?"

She shrugged lightly as she stared into the flames.

He moved next to her. His hand brushed against her lower back in an attempt to sooth her.

"There was… there was blood," she whispered out. "Stark blood."

He felt a chill go down his spine. "Stark blood?" He rubs a hand down his small beard and huffs. "Sit down. I want to hear it all."

"You don't," she countered.

"I promise to you that I do. Now sit," he commanded softly.

She considered his words then nodded, sitting on the sofa by the fire. She pulled her legs up to her chest and began. "Well, I usually try to forget."

Cregan sat down next to her but left enough room to let her be comfortable. "If you don't wish to tell me, just say so."

"I'll remember. Just… give me a moment."

"Take your time," he remarked sweetly.

They sat in silence for a while.

"The lion will set a trap and the young wolf will fall. Red will rain down… as the king meets his match."

Cregan hummed. "That's a harsh dream, don't you think? Do they always frighten you like this?"

"There was… a feast… a…. A wedding feast. There was a Stark. I'm sure it was you, I'm sure of it. And… and a wife that I… I hope is me. She was with child but…" her voice trailed off completely this time.

"But…?" He pushed.

"But... the wedding was a trap. And you died. It was horrid."

"Do your dreams always come true?"

"Not usually. But… I imagine that they will one day. That day is just not come yet."

He thought for a while, leaning back on the sofa. "Is there anything else of note to this dream?"

"They said something. Before… before we were slaughtered."

His face paled, "You as well?" 

She nodded, "Well… I believe I may have been first. Me and…" the words got caught in her throat. "…the…the child."

Cregan's mind began to go into overdrive. The child? She believed he would ever let something befall her and a child of his in that manner? 

He already felt protective over the non-existent babe.

"What did they say?" He asked lowly as he looked to her.

She continued to stare at the flames. " 'The Lannisters send their regards.' "

Cregan stood and began to pace as he rubbed his forehead with his hand. The other was placed on his hip.

She watched his shadow dance across the ceiling as he moved. "Do you think me mad?"

He paused and turned his head to look at her. "What?"

"It's alright if you do. The people do. I've heard their whispers in the night when they think I cannot hear them. I imagine you whisper as well."

"You are my wife. Why would I ever-"

"-Please. Do not lie to save my dignity." She sniffled. "You have a wife that will surely go mad by her last days. It's alright to admit it."

"You're not mad, nor will you be," he stated forcefully, trying to make her believe it. "Do they speak to you in that manner? Do they say things to you?"

"Sometimes," she answered with a dead tone. She was indifferent to it all now. 

He sighed. "I understand your need for space, but I'd like you to move into here. Permanently. What do you think?"

"I shouldn't."

He marched to her and knelt in front of her. "I want you to feel safe. Wanted." He took her hand. "Whether this vision is the very vision of truth or whether it's all shit, I'm tired of this wall between us. Now, will you help me tear it down?"

She bit the inside of her cheek and nodded.

He smiled lightly, brushing her cheek with his calloused fingers. "Thank you. Perhaps you should rest. It's still fairly early in the night. Enough time to find sleep."

"I couldn't sleep now. I never can after seeing things."

"Hmm. Well… perhaps you'll indulge me by laying by my side as I rest?" He offered, hoping to coax her under the warm furs.

He wanted to further tease her, but stopped himself, knowing that she was working through her thoughts. "I'm only asking for your company and nothing more."

She nodded.

He smiled and took her hand, leading her to the bed and pulling the furs aside. "The journey from your room to this one must have been cold. Were you so concerned for me you didn't grab a cloak?"

When she said nothing, he took that as an answer enough. "Let us get you warm then."

The two settled into the bed, the constantly flickering light from the flames almost leaving them in darkness.

She laid on the edge of the bed. She didn't want to overstep her welcome. She wasn't sure how far that welcome extended.

But his large arm wrapped around her waist and pulled her to him, and a chuckle came from his throat. "I wouldn't invite you if I didn't want you here."

She snuggled into his chest and relished the heat that radiated from him.

"I am sorry I have not been more attentive to you," he mentioned. "I should have been kinder and more welcoming."

"No," she interrupted. "I've pushed you away-"

"-Because I made you feel as if that was the best outcome." He brushed hair from her face. "Don't fret about that anymore. And in the morning, I want a list of those who have spoken unkindly to you."

"What will you do?"

He said nothing, only holding her closer.

As she began to lull to sleep, he smiled. "I won't let a Lannister touch you. That I can promise."

................................................

A/n: dare I make a part 3 when she's pregnant???? And have more visions??? I love how much everyone was trying to figure out what they were

Taglist: @twinkletwinklenotastar, @kidd3ath,@yujyujj, @misswynters, @cosmosnkaz, @sithapprentice, @kaniromi, @lovemesomevesey, @its-jackie-bb, @8812-342, @thorins-queen-of-erebor, @kingdomzeldaquest @nyxbranwenn, @callsignwidow, @a1lexh-blog, @alyssa-dayne, @ethereal-athalia, @ashovertheriver, @dozcan123, @lady-dragon-rider

[blackbirdsnonsense]

So, I've seen a lot of talk on here and in YouTube videos about how to solve the problem of Apple's character regression from Way Too Wonderland to Dragon Games. Some have suggested moving WTW to AFTER DG or just completely erasing it all together but that would mess up the timeline too much.

And it occurred to me today that everyone's been thinking about it FAR too hard! There's a VERY simple thing they could have done to make it all work and hinges on this scene:

All they had to do was a have a quick focus on Apple's smile dropping for a just a second. Because that would show she still has just a little seed of doubt about this decision.

Which is a totally realistic reaction to have! We have ALL done something that we KNOW intellectually was the right thing to do but there's sometimes just the little nagging thought at the back of your mind that maybe it wasn't.

THAT is what Apple could have been dealing with in Dragon Games & THAT is what Snow White and The Evil Queen could have used to manipulate Apple the way they did and wouldn't have felt like the complete character regression that it did in the special!

Don't require any major timeline changes and still works a character flaw for Apple. I REALLY wish they had done that now!

[lena-in-a-red-dress]

Musician Age Gap AU Pt 14

True to Lena's plan, while the paparazzi on site hounds them for information on Kara, the rest of the world is too taken by the new song to speculate much on who Lena's *current* beau is.

Kara proves to be little more than an escort, following Lena from event to interview to even a hospital to visit the childrens ward. Even so, Kara doesn't mind. She has no thirst for the spotlight at her age, and is content to let Lena be front and center.

At the hospital, however, as she's lurking out of sight from the press cameras (legitimate press, looking for staged candids for the hospital's future use), Kara feels a tug on the hem of her shirt. Looking down, a frail little girl trailing a tattered blanket stares up at her.

"Can you read me a story?"

Without hesitation, Kara reaches for the girl's hand, and they manage to find a relatively isolated corner to huddle in. With a skinny children's book in her hand and the little girl tucked against her side, Kara reads aloud in a low voice, doing her best not to draw attention to herself.

Her efforts are for naught. When she glances up towards the final pages of the book, Lena's gaze is locked upon her, her gaze warm with something indecipherable. Upon being caught staring, she smiles, and cocks an eyebrow to check in. Kara nods, and Lena, satisfied, returns to the gaggle of kids crowded in around her for photos.

Lena is wrangled into a standing meeting with her mother once the children are returned to their nurses and caretakers, leaving Kara to linger on the periphery. To her surprise, Jess is the first to approach.

"Hi!" Jess chirps softly. "Lena has a few friends in town, and they want to take her out tonight before we fly out tomorrow."

Kara's eyebrows lift. "Okay...."

Jess leans in conspiratorially. "My guess is she'll invite you, but by out I mean clubs, bottle service, etc."

At that, realization dawns. "Ah. Thanks for the warning."

She won't mind declining, or spending an evening alone, especially in Paris. As eager to spend as much time with Lena as possible, she's loathe to infringe on Lena's time with friends--

"I don't suppose you brought anything.... appropriate?" Jess continues. "For the club, I mean."

Kara blinks, then barks a laugh. "Hah, no."

Jess nods, grinning. "Thought as much. I can pick up a few options for you, if you'd like..."

After a moment's consideration, Kara nods, smile growing on her face. "I'd appreciate that, thank you."

"Oh, it's no trouble at all! It'll be in your room by the time you get back this evening--"

"Jess?" Kara cuts in, a thought occuring to her. "Could you also pick up some workout gear for me? And maybe... keep all of it a surprise?"

The young woman brightens. "Sure-- do you prefer looser clothes, or more form fitting."

"Tight on the bottom, loose on top, if you can mange it?"

Jess makes a note on her phone, nodding. "Got it." She winks. "We'll put the rack directly in your suite."

"Thank you, Jess, truly."

"Oh," Jess grins, "it's my pleasure."

----

Lena approaches her shortly after, head tilted with an imminent check-in. "Doing okay?"

Kara nods. "Of course. Jess has been taking good care of me."

"Good," Lena purrs. She leans against Kara's chest, kissing her languidly. "I have a question for you."

Guessing it has something to do with the information Jess had imparted early, Kara feigns curiosity. "Uh huh?"

"I'm planning to go out with some friends tonight. Would you.... want to come?"

Kara acts out a thorough consideration of the prospect. In the end, she hedges. "Can I think about it?"

Lena nods. "Of course. And no worries if you'd prefer to take advantage of the time alone. I know this week has been..."

"Wonderful," Kara fills in, bringing a smile to Lena's face.

"Yes," she agrees, "but also a lot. I wouldn't blame you if you wanted to decompress."

With a nod, Kara leans in and kisses her again. "I appreciate that."

---

Lena's day continues until well into the evening, with the final interview wrapping up just before nine. Only the thought of seeing Lena in a new environment, with people who were not her mother, keeps Kara from groaning at the thought that the night was really only just beginning.

They split upon returning to the hotel penthouse, intent on refreshing with their own showers. When she steps out of the bathroom, towel wrapped around her, Kara makes her way to the rolling rack of clothes standing next to the closet.

She bypasses the workout clothes, noting only that Jess had fulfilled her request to a tee. The other half of the rack takes more consideration. Hanger after hanger displays dress after dress, all short, all glitzy. Lifting one of the hangars, Kara holds it against herself in front of the mirror, studiously regarding the figure staring back at her.

This is going to be interesting, she thinks to herself. Then she grins. No, this is going to be *fun*.

An hour later, Kara's putting on her shoes when she hears a soft knock on the door joining her suite with Lena's. "It's open," she calls.

"Hey," Lena issues quietly as she edges into the room. "Just checking in, have you made a decision about..."

Lena's words fall away as Kara rises from the edge of the bed, pulling herself up to her full height-- plus another four inch heels now strapped to her feet. Her hair is loose around her shoulders in waves that glint in the light, and her dress is short and layered with gold fringes.

Kara hasn't looked this good since college, and she feels the difference. She feels sexy, and powerful, and *thrilled* that Lena clearly sees it too.

"Oh," the younger woman breathes. Lena herself is clad in a rhinstone studded mauve dress. It comes to mid-thigh, but hugs every curve of Lena's body like a glove. Her sleek black hair is up in a high pony, the tail straight and shimmery. But her eyes are on Kara, and nothing else.

Kara slowly struts towards Lena with a sultry smile. "Does your offer still stand?"

Lena blinks, dazzled by Kara's beaded fringes. "Huh?"

Reaching out with one hand, Kara tilts Lena's chin up to meet her eyes. "Up here," she says quietly.

"Right. Sorry. Just--" Lena clears her throat. She shakes herself out of her daze. "I guess you're coming."

"If you'll have me."

Lena grins. "I'll have you right here if you'll let me..."

"I think I've been hogging you enough lately," Kara returns. "I wouldn't want to keep your friends waiting."

Even so, Kara takes Lena's hips with both hands, tugging her close enough for a kiss. Lena moans.

"Fuck 'em."

Kara chuckles. "I think that would make a bad impression."

Lena looks at her for a long moment. "You really want to meet them, don't you?"

Brow furrowing, Kara nods. "Of course." She pauses. "Is.... that okay?"

Lena's smile warms. "Yeah. It's just... new." Before Kara can ask what that means, Lena steps free, snapping her clutch shut. "Let's get out of here."

---

The club is glamorous, and clearly catering to a high end crowd. There's a cordoned area for paparazzi, allowing both photographs and unobstructive ingress to the establishment. When Kara slides out of the SUV, she's careful to immediately twitch her skirt down so as not to give the tabloids something new to talk about.

As always, she lets Lena set the pace. Lena takes her hand and leads the way into the club. Her free hand lifts towards the paparazzi as they walk the roped sidewalk to the building, in a wave or to shield her eyes or hide her face, Kara isn't sure. Before she could decide whether to do the same, the door opens to admit them, releasing a wave of music and voices from within.

When the door closes behind them, Lena takes a moment to scan the crowd. No one seems to recognize her, or, more likely, don't care. It allows Kara's gaze to catch on a tall, slender brunette at a both in the back, standing on the bench seat and waving them over.

Kara nudges Lena and points. Lena nods. "That's us!" she calls over the din. "Let's go!"

Lena tugs her through the crowd, and Kara soon finds herself watching as Lena throws her arms around the brunette. The hug is tight but brief, before Lena turns to pull Kara closer. "This is Sam!"

Sam thrusts her hand out, gripping Kara's hand firmly as she leans forward. "Kara! Nice to meet you!"

"And this is Jack!" Lena continues. "And Veronica-- who invited you?"

"Fuck you too!" Veronica returns easily. She eyes Kara up and down. "You're hot! Wanna dance?"

In an instant, Lena's arm loops through Kara's. "Sorry, taken! Bye!"

And then, Lena leads her back to the dance floor. Kara doesn't have the presence of mind to be upset at the introductions being cut short-- not with the way Lena's body soon moves against hers. Her movments aren't choreographed, but they may as well be with how quickly it melts Kara's insides.

For her own part, Kara struggles to find the beat. She eventually tries to mimic the bodies around her, but remains a half beat out of tempo until Lena gently grabs her wrists and guides Kara's hands to her hips.

It's too loud to even attempt to talk, but Lena's actions speak loudly enough. Her body moves sinuously, her hands resting atop Kara's, and with their bodies pressed together, Kara finds herself falling into step with her partner's. Soon, all that exists is the heat of Lena's body, the pulse of the heavy music, and the scent of Lena's perfume.

They dance for two songs before Lena calls a time out. They return to the booth only long enough to collect the others, before they all relocate to a second floor Kara hadn't noticed, where there's just enough air for Kara to hear herself think.

"We're gonna talk," Sam says, leaning in to murmur in her ear. "Later."

There's no malice in her voice, which prompts Kara to give an easy nod. She looks forward to knowing more about Lena's friends-- even if it means she gets a shovel talk or two.

Once they collapse in a booth, a server takes their orders for drinks and food-- for which Kara is grateful. She doubts the hunger in her belly will be sated by small bites from the bar, but it could perhaps tide her over until she and Lena returned to the hotel.

"Well," Jack says pegging Kara with a pointed look. "After that display, I think we deserve to hear how this happened." He gestures towards the pair of them, and Lena giggles.

"Kara barged into my dressing room," she delivers. Her fingers lace between Kara's under the table as she continues to relate the story of their meeting. When she finishes, Jack whistles.

"Quite the whirlwind for you then," he says to Kara. "How are you holding up?"

"Lena's been taking good care of me," Kara says with a smile. "It's been amazing to see her work."

Lena beams back at her. "You've been amazing." She shoots a look towards Jack. "Don't you dare scare her off."

"Only if you give me a dance, darling."

Lena sighs. "All right. Come on, before the food gets here."

Kara slides out of the booth for Lena to exit, and as she sidles past Lena kisses Kara's cheek. "The things I do for you."

"My hero," Kara grins. Lena isn't at all put out by the idea of dancing with her friend, and for all the warning Lena gave him, he didn't seem to be antagonistic about their relationship. She watches them go, glad that Lena has the chance to reconnect with her friends.

"Kara!" Sam calls. She waves Kara back to the table. "Come sit!"

Kara obeys, only for Veronica to slide out. "I'm going to find the restroom. You two have fun!"

Bracing herself, Kara turns to Sam-- who laughs and waves away her tension. "Relax... I'm not Lena's keeper. She's clearly into you, and you don't seem to be an asshole, so. I'm good."

"You're Sam Arias, right?" Kara asks. She hadn't been sure before in the strobing lights, but sitting so close she now recognizes the actress from some of the movies Esme likes.

Sam nods. "I'm filming in Florence right now, so I figured I'd stop by while I could. Jack has a cover shoot in Vienna, so we figured we'd make a night of it."

Warmth floods Kara's chest. She's seen how hard Lena works, and how solitary she's been since Kara met her. The fact that she has friends willing to bend their schedules to make time for her when they can speaks volumes.

"Mind if I ask you something?" Sam asks. Kara nods for her to continue. "What do you want out of this?"

Sam's not the first to wonder. The difference is that she's asked, rather than assume like Lillian has.

Kara shrugs. "Nothing Lena isn't willing to give." Sam looks at her, waiting for more. "I'm comfortable. I don't want her money, or her fame."

"Then why drop everything to go on tour with her?"

"Being with her makes me happy."

It's a simple truth, but a truth nonetheless. She can return to National City whenever she likes; Lena has placed no pressure on her to stay. But in National City, Kara's thoughts would stay with Lena, so why condemn herself to being stretched between two locations, when she has the freedom and means to simply stay?

"God, that's refreshing," Sam drawls. She takes a sip of her drink before she gives a broad smile.

"Positively saccharine," comes a dry voice from behind Kara, making her jump. She turns to find another tall brunette lurking over her shoulder. This woman's gaze, however, is far sharper than Sam's.

Sam doesn't seem all that surprised to see their visitor. "Andrea," she greets.

"Samantha."

Andrea sits on the edge of the bench, worming her way in so that Kara is forced to scooch to accommodate her.

"What's interesting," Andrea continues, "is that Lena finally found someone who has absolutely no impact on her career."

Though ostensibly that would be a good thing, the relish glinting in the woman's gaze suggests something much darker.

"Before she's chosen industry people. Singers, actors, reps and so forth. The kind of people who, if crossed, could end her career in a heartbeat. Untouchable."

Andrea leers at Kara, her smile tight and predatory. "But you... mmh."

Kara's features settle into a solemn glare, defensive. "What about me?"

"You're nothing," Andrea responds, as though it's the most obvious thing in the world. "So when you inevitably break her heart, which you absolutely will..." Andrea leans closer. "I'll be able to absolutely demolish you."

"Funny," says Lena, reaching between them to snag her drink. Her face is flushed, upper lip glistening with sweat, but her features are placid. "If only you had put that much care into our relationship *before* it ended."

Andrea blanches slightly, but her features remained solidly antagonistic. "Skimming the gutter, are you, Lena?"

"And happier than during the two years I spent with you," Lena returns smoothly. "Imagine that."

"Get lost, Rojas," Veronica drawls, approaching from the other direction. Andrea is cornered, and she knows it.

She rises stiffly. Moving to leave, she pauses at Lena's shoulders. "Lena--"

Lena scowls. "Please leave."

Andrea hesitates a moment more, but ultimately decides now was neither the time or place to push further. She leaves, and Lena watches her leave with a glower on her face, before she settles onto the bench seat next to Kara.

"Ignore whatever she said to you," Lena says stiffly.

Kara softens. "She cares about you."

"She doesn't get to," comes the sharp retort. "Not anymore."

The message is clear-- Lena does not want to discuss Andrea Rojas.

The mood lightens as Lena's friends expertly steer the conversation away from Andrea's interruption. It's not long until Lena's hackles ease, and she's once more laughing and having fun. Kara relaxes as well, accepting every one of Lena's invitations to dance.

When they leave, it's at Lena's request. Kara's surprised-- Lena's trademark energy still relatively untapped-- until Lena captures her gaze with a heady one of her own. They're on the dance floor when it happens, and Lena leans in to shout into Kara's ear.

"Wanna get out of here?!"

Kara hesitates only a moment, conscious of how Sam and Jack had crossed international borders to see Lena, before she sees Sam not too far off. The brunette's features are astute and smirking, confirming the she understands-- and approves-- exactly what Lena intends.

Before she nods, Kara turns her head to capture Lena's lips as she pulls away. She kisses Lena deeply and soundly, and when she breaks away Lena lists after her. Heavy eyes look up at her, dazed and hungry for more.

"What about your friends?"

"Sam says I've been eye-fucking you all night," Lena calls back. "I'd rather be fucking you for real." She grins. "Respectfully!"

Kara laughs, the sound lost in the music. "Uh huh," she says, mostly to herself. "Then let's go!"

Lena waves at her friends, earning cheeky grins from all three in return. Kara's surprised to see the time is already past 2am. Her blood buzzes in her veins, arousal and anticipation electrifying her nerves.

Kara enters the suv at Lena's slight push, which means when Lena climbs in she plants herself firmly in Kara's lap, hiking up her skirt to straddle Kara's thighs.

"You are so hot tonight," Lena murmurs. "I couldn't keep my eyes off you." She grins. "I wasn't the only one."

Kara blinks. She hadn't sensed anyone staring at her. Then again, she hadn't paid much attention to anyone but Lena.

"I didn't notice."

"I know," Lena purrs, leaning down. Her tongue laves across Kara's throat, before she engulfs all of her senses in a searing kiss. "So fucking hot...."

Kara glances frantically towards the front, hesitant to put on a show for anyone but Lena, but finds that the driver has already rolled up the privacy screen. Kara doubts the screen provides any amount of soundproofing, but it's enough for her to slide her hand under Lena's hitched skirt, cupping a bare ass cheek in her palm.

"Fuck," Kara groans. Her groin tightens, warming with arousal that leaks past her own thong. "Lena--"

"Let me, baby," Lena murmurs beside her ear. She suckles the column of Kara's neck, even as her hand deftly delves under Kara's dress. "I'm gonna make you feel so good..."

Expert fingers find Kara's clit and pause, pressing gently against the throbbing bud. Lena's fingers are warm, but still cooler than the heat between Kara's legs. She curses again, hips bucking ever so slightly.

"Not so fast," Lena croons. "I want you to enjoy this."

Kara's breaths are already coming hard and fast, as her higher brain functions swiftly cease to function. She grunts, pulling a smile to Lena's lips.

Long fingers slide tenderly across Kara's arousal-slicked opening, circling almost carelessly-- except Kara understands Lena knows exactly what she's doing.

"I want you to wait," Lena whispers. "Can you do that for me? Can you wait until we get to the hotel?"

Kara's teeth grind, lassoing any shred of self control she has left, even as Lena's fingers dip between her labia. She enters almost enough for Kara's walls to grip her fingers, but Lena is quick to react, withdrawing before Kara to gain any purchase.

"Answer me," Lena says.

"Y-yes," Kara stammers. "I-- I can wait-- ungh!"

A high, pitiful sound escapes from Kara's throat, wild and unexpected. She feels her cheeks tingle, and knows they would have turned a vivid red if she weren't already red from the exertion of the club.

Lena kisses her, long and slow and deep. As she does, a fingernail lightly catches on Kara's clit, making her gasp. She tastes the warm air and alcohol from Lena's breath, savoring it for a short moment before another stroke of Lena's fingers makes her huff in frustration.

"You're doing so good," Lena tells her. Her free hand strokes Kara's breast, teasing her through the dress until her nipple hardens and stands at attention. "Oh my god, Kara-- you are so beautiful..."

Kara moans plaintively. "I-- I wanna touch you... more--"

"Not yet," Lena chides. She rests their foreheads together, even as she continues her ministrations under Kara's dress. "Do you know what I'm going to do when I get you upstairs?"

Kara grunts, gasping for breath. She's on the verge of coming, and has to force her inner walls to relax lest she climax right then and there.

"I'm going lay you down on my bed," Lena continues, scissoring her fingers inside Kara and smiling sweetly when Kara squirms. "I'm going to lay you down, and then I'm going to ask you to spread your knees as far as you can. I'm going to make you stretch for me...."

Kara's thighs tense under Lena's, hungry in anticipation. Lena leans in close then, speaking low into Kara's ear.

"And then I'm going to put my mouth on you." Teeth scrape Kara's earlobe, sensitizing it for when Lena makes another pass, this time nibbling sharply. Kara throws her head back hard enough to bounce off the headrest.

"Would you like that, baby?" Lena asks, smiling languidly. "Do you want me to lick you dry? Suck on your clit until-- uh uh," comes a stern warning.

Lena withdraws her hand just before Kara climaxes. Kara gives a shuddering sigh, grateful even as she resents the sudden stillness. Her core gapes, walls flexing in search of something, anything to grip.

"You promised," Lena reminds her.

Kara nods, breathless. "S-sorry," she gasps.

"Shhhh," Lena soothes. Her hand returns, playing idly with Kara's clit. "You're doing amazing, baby."

She retracts her fingers again, less cruelly this time, and lifts them to Kara's mouth. Understanding her intent, Kara kisses Lena's slick fingertips, then parts her lips in invitation.

Lena carefully inserts her first and middle fingers, and Kara lets her tongue curl around them. The salt of her own arousal only heightens her senses further, and the pleasure in Lena's features only makes Kara want to perform perfectly, whatever Lena asks of her.

"I--I want...."

"Tell me," Lena murmurs. "Tell me what you want..."

Before Kara can find the coherence to answer, the car slows to a long stop. Lena's eyes flick up to glance out the back window. With a smile, Lena bends back down to capture Kara's lips in a soft kiss.

"You made it," she says. "We're at the hotel."

Lena wipes her damp fingers across her dress to dry them, then clasps Kara's hand and all but drags her out. If there are paparazzi waiting for them outside the building, Kara doesn't see them. She doesn't register much of anything until her dress is a pile on the floor, and Lena pushes her gently backwards. Her legs fold against the edge of the bed, and she sits with a thump.

"Lay back, baby."

Lena kneels, long ponytail spilling over one shoulder. "Let me take care of you."

And oh, does she.

Kara comes in moments, but Lena doesn't relent. She suckles Kara's clit, and licks ardently, endlessly, until Kara comes again and again.

She doesn't relent until Kara breathlessly pats somewhere near Lena's head, unsure if she actually makes contact. Nevertheless, Lena disengages and crawls over Kara, gazing down into her eyes with satisfaction and adoration.

"Worth the wait?"

Kara mutters a curse. She reaches up to snag Lena by the edge of her jaw, pulling her down to a deep, languid kiss.

"Do that again," Kara warns, "and there's no guarantee I won't explode on the spot, if that's my reward."

Lena beams.

"That was so hot. You-- Lena, I...." Suddenly, Kara's brain catches up to her. "Why are you still dressed?"

"I was a little busy..." Lena grins. Her chin is still slicked with arousal, which she wipes salaciously with her fingers.

"Fuck that," Kara growls. She fumbles for the zipper behind Lena's neck, but doesn't find one. "Off... off, off, off."

"Easy, tiger..." Lena casually reaches under her arm, and undoes the side zipper. Then Kara is treated to the sight of Lena peeling the dress up and over her head. Her boots, at least, are already off, leaving Lena utterly, delectably bare.

Lena tilts her head in a tantalyzing tease. She leans down, and the end of her ponytail tickles the hollow of Kara's throat. "How do you want me?"

"I want you so wet I could drown in you," Kara murmurs. Lena's cheeks heat in a ready flush. Carefully, Kara repositions them so that she was the one straddling Lena. She rubs the top of her thigh between Lena's legs, earning her a sweet mewling as Lena wriggles down to try and increase the pressure.

Rather than tease, Kara plants her knee in the mattress, a grounding rod for Lena to grind against.

"What do you need?" Kara asks simply.

"Drawer," Lena says breathlessly. "Under the scarf. There's a-- ngh, jeezus."

Now it's Lena's turn to be frustrated, and Kara finds that she enjoys the picture she paints. She enjoys it very much.

Kara gamely pushes off the mattress and pads over to the short dresser on the far wall. Fishing under the aforementioned scarf, she pulls out a dildo already fitted to a harness.

Lifting an eyebrow, Kara lets it dangle from her finger by one strap, shooting Lena a suspicious glance.

"Planning ahead, were we?"

Lena gives a cheesy grin. "Can never be too prepared," she teases. Her own eyebrow lifts in challenge. "Think you're up for it?"

Kara crosses back to the bed with dildo in hand. Lena returns to her back, and gazes up at Kara with eyes glazed by desire. She inhales sharply when Kara presses the shaft of the dildo between her legs.

"Tell me what you like," Kara urges, her voice low. She kisses her way up Lena's sternum, the licks the hollow of a slender throat. When she pulls back, Lena whimpers. "Tell me."

"I want you," Lena starts, her eyes hooded with want, "to hold me down, and fuck me senseless."

An all new wave of desire floods Kara, making her insides quake. She leans in close to Lena's ear, and feels her partner's breath catch.

"Challenge accepted."

[feminismisstillahatemovement]

You truly don’t believe that most women can genuinely love their husbands? Do you think the same is true in the inverse?

No, I believe that most women can fall in love, I just don't observe them worshiping the man they are with like a god for decades until death, the way a lot of men will worship a woman. There are some fairly simple evolutionary reasons for this, if you need me to go into them.

This particular difference between the sexes is, interestingly enough, one of the main reasons the attempts to make women heroes in modern films have failed so badly: the male hero has, for many thousands of years, always been a sacrificial role, in which he offers up his life on behalf of the tribe, which they traditionally reward after his death with honors and public gratitude. But in the western tradition we don't feel good thinking of women as sacrifices on behalf of men, and we can't sell that convincingly to the people.

In other words, if a male cowboy or astronaut or cop or fireman or whoever dies at the end of the film to save a woman and her children, we feel he has done good, and can leave the cinema oddly elated. Whereas, if a woman is beaten to death or torn apart or burned alive in order that a man she doesn't know gets to live, we don't feel that trade has been worth it, and we feel that film's a downer.

The feminist ideologues pushing for all these kick-ass action heroines misunderstand the 'hero' label as simply a nice shiny thing they want, because they see some men have it, but the thought of the women they are writing sacrificing anything never even occurs to them. So, instead of creating female counterparts to male heroes, they create extraordinarily selfish, belligerent and unlikeable Mary Sues, who simply beat up and kill men to get their way, and that is what is now being presented as a positive role model to young girls, just making the world worse one awful film at a time.

The root biological truth, that we all innately know but never openly acknowledge, is that males are disposable, and women are not, because women bear the children, and so must be protected more than men. Both men and women view women as more valuable than men, unless that man is supplying something extra and extraordinary to the tribe (or individual woman), and even then, that just brings his worth up to something approaching the level of care we have for women.

Another way of putting it: If King Charles III dies jumping on a bomb to save a mother walking by, we will think of him as a good dude. Whereas if Queen Elizabeth II had died leaping out of her carriage and jumping on a bomb to save the life of one of her footmen, we'd likely think of her as mentally ill, as it would be so outside of our hierarchy of values and expected behaviours.

Just some thoughts.

[vitaminseetarot]

I'm Back PAC: Last Summer's Lessons 🎡

Hey everyone, I'm finally back from my unexpectedly long hiatus (I didn't mean for it to stretch out through most of September!). I had a wonky phase and had to patch myself back together. August was rather foggy. I'll just go ahead and blame it all on the astro transits. ¯\_(ツ)_/¯

Thanks to everyone again for joining the last game and sending me your feedback. I'm not sure if I'll do another game before the end of this year because a huge flux of free readings is fun yet exhausting, but we'll see what Vitamin's cooking up next…

I intended to release this pick a card much sooner, but I pulled out a lot of cards so it took some time to let the messages in. I even had to change the title a few times but I feel this one captures the essence of the reading. Summer's energy was bumpy for many of us, but these seasons don't come without some learning experience to take away from it at the end. This pick a card is definitely for those out there who think time flies way too fast! As autumn is rushing its way in with its Halloween Spirit (lol) before I can even finish swimming and barbecuing, now would be a good time to reflect back on the warmer months for insight.

Pick whichever pair of neon stickers are calling you. Feel free to pick more than one or whichever one resonates best.

Pile 1: Hello!+Cellphone 📳 Pile 2: OMG!+Mixtape 📼 Pile 3: Cool!+Gameboy 🎮 Pile 4: Wow!+Turntable 💿

Pile 1 - Hello! + Cellphone 📳

Gemini - Cross-Pollinate, Strength, Anger, Shark, Messenger; Page of Pentacles, 6 of Pentacles, Ace of Cups, XII Hanged Man, 10 of Swords "It's your own responsibility to EXPAND instead of just contracting"

Hey there pile 1! I had a chuckle when I pulled out Gemini along with Messenger. It fit so well with your phone sticker. "Hello!" Communication was definitely the prime area of your life that was affected during your summer season. You could have a strong Gemini influence in your chart or had a sensitive response to this last Mercury Retrograde. You may have had a lot of expectations about how summer was supposed to go, or had some goals or prospects in mind that didn't turn out as you would have liked. The retrograde energy may have caused delays in things involving communication, like waiting to hear back from a company about a job interview, or waiting to hear back from somebody via text. "Hello, is anybody out there?" Some things may have slipped in between, appointments or online marketplace opportunities that suddenly went cold; whatever the case may be, you didn't hear back and you had to learn to let it go for your own sanity.

Now that it's said and done, you may be currently caught in a slump of how to move those previous goals forward. 10 of Swords at the end almost feels like a resistance or burn out. The pigeon wants you to crack the window open as it's ready to send out new messages in new places. This last summer was like a brief dry spell, but it's not meant to stay that way forever, or even now. The wind is picking up faster than you think, and the 6 of Pentacles shows the energetic tables gradually turning. The cards are suggesting to not hold on to any resentments or frustrations about what has or hasn't happened over the last season. It was not meant to be an energy to breeze through like a cakewalk, and it's especially tough when someone who's relying on communication in some way has to contend with those frustrations. But try not to take the mistakes, failures, no-shows, and ghostings in any personal way. Whatever occurred wasn't due to some real or perceived flaw in your character, it's sometimes how people and situations are for the time. Release all the built up anger however you choose and allow the energy of autumn to flow through, because the Ace of Cups shows a renewal that will quickly wash away the anger if you let it, the way salt water can wash away the pain of fresh hurts.

There is a risk with the shark in letting negative thoughts fester. The weather will change, and with that the mind must follow closely and not be stuck in a season that has already come and gone. We wouldn't wear a swimsuit and sunglasses on a chilly autumn evening, right? So why is it so easy for us to get stuck on past events as if we never changed clothes? The shark can smell vulnerability with a sharp nose, so there is a warning against ruminating and regretting about what went wrong as this will leave you still in the water like an injured duck unaware of its dangerous surroundings. And I say "risk" and "dangerous" not to scare you. But if something in your life hasn't worked out over the summer, it's okay to try again in the fall and expect different results. You aren't crazy for doing the same thing again, things may go differently this time! The real risk is in not doing, but instead choosing to remain stuck and inactive in the mind. The only danger here is in quitting altogether.

You are meant to grow this coming season, in a way that you can witness. I feel like you have done a substantial amount of growing over this last summer, but that may not be entirely apparent to you now. There has been a level up on the subconscious level that is capable of blossoming out into external growth if given the room. You will soon be, if not now are, called to action in some area or areas of your life that needs care but has been left hanging. Summer may have left you feeling tired, but for different reasons than just being overwhelmed from tasks. It can actually get tiring for the mind to hold on to too many goals and tasks at once. It takes mental energy just to remind the brain to do a task, even moreso if your task is to remind yourself of another task! ("Be sure to set a reminder for…") Try to accomplish a little at a time to relieve your brain of them. Give yourself the chance to stand up and have another go in the boxing ring. Summer may have felt like self-sabotage, but it doesn't have to define the rest of your year. If you act now, and in confidence, I know things can change for you as the seasons show us that we are always in a state of flux. Forgive yourself for summer so you can embrace autumn's opportunities in a warm sweater.

Pile 2 - OMG! + Mixtape 📼

Dignified - Strength, Confidence, Faith, Active Online Green, Everything is Temporary; I Magician, 2 of Wands, 10 of Wands, 2 of Pentacles, 9 of Swords "CREATE RIGHT NOW not just during soft good times"

Hi, pile 2! Over the past summer, you've been focused mainly around refining your talents. It could be doing something that you're talented in, whether you know it or not, or you could have the topic on your mind. You've been hard at work in developing this area, this feels more passionate than a mere interest or casual hobby. This is like a pianist who spends most of the summer perfecting a song, or an athlete who's staying in shape in time for back-to-school try outs. This is a field you feel comfortable in, you're mostly confident about your abilities even when rigorous practice does its best to wear you out. I'm getting a sense that even though you're pretty capable at succeeding through this one interest, it may be coming at the cost of the rest of your time. There's a sense of not having enough time to focus on other ventures like a social life or relaxation, so in spite of the overall positive energy I get from your talent, it's clearly draining other parts in order to burn brighter and hotter, like a energy inefficient light bulb. Something about the bulb must change to fit your current lifestyle. This summer, you have learned the importance of balancing work with leisure.

You have been spending time working out your vision for how you want to apply your talents. You could be practicing in time to complete a project for college, or busy with expanding your portfolio. This is a very ambitious, career focused pile, and I'm getting most of you reading this one are still in school. You could have gone to summer school this year too (no shame, I went to summer school once and had a blast). Your sunny days are seen as a free space for getting more work done. Active Online Green talks about accessibility or getting the green light for something, but I'm also noticing the "Active". It's like part of your mind is always on, always active. Summer was probably not the best when it came to maintaining a steady sleep schedule, with so many things to think about and your key interest being the topmost thought. With only a few weeks composing summer vacation, too many tasks piled up can create an artificial race to meet everything by a certain deadline. "OMG!" All this backlog combined with big expectations makes for a crammed season.

At times, things can get overwhelming, but when you look back on past success, it can fuel you to keep moving forward. That's one of the great things about having a portfolio, for whenever you're doubtful about your abilities. The immensity of too much work in a short span can wear down on self esteem, but there is no room to feel bad about your talent just because it's not always perfect or things aren't completed on time. Even the most accomplished get bogged down by their work. When I see bad sleep in a reading, I get concerned because I know that, while it seems harmless at first, it can spiral down health if it's not addressed quickly. Autumn is often busier energy wise than summer as school has started, and offices run by fiscal quarters, so it's important to catch up on sleep when you get the chance. Doing a lot of work in the summer only to do more in the autumn can be tiring, so carve out short times in between to relax or do something light and easy in between the flux. Don't always look at space as an opportunity to cram more work; sometimes that space is needed for a different reason.

Find a way to balance both the practical sides of life with the fun creative aspects. There will always be time to put focus into what you want to do, even if it's only for a few minutes a day. Mixtape suggests that you may need to mix things up a little bit by not working on one thing consecutively for hours and days at a time, as not even tattoos are often finished in one sitting. If work is peeling you away from something you really enjoy doing, time yourself to have that fun for five or ten minute sessions. Creative play is necessary for recharging mental batteries, that's what the card means by "not just during soft good times." Even when things get hectic as midterms get closer, a few minutes to sit back will do wonders. The seasons are temporary, so try to enjoy what you can when you can. Summer may have had its stresses and its phases of mental fog, but autumn can be filled with chances to sit back and enjoy the fall scenery for a spell.

Pile 3 - Cool! + Gameboy 🎮

Mercury - Messages, Flow, Anger, Pumpkin Spice, Let Your Light Shine; 8 of Cups, III Empress, 7 of Wands, 9 of Pentacles, 6 of Swords "You never get there and you never stay here"

What's going on, pile 3? I see that, like pile 1, you may have also been heavily affected by the Mercury retrograde that took up most of last August. Gameboy Colors, while considered obsolete now (seriously, no lil emoji? ;-;), boasted amazing features in handheld gaming asides from the nice colorful games at its prime. Using a cable link, you could physically connect two Gameboys together to communicate and share between devices. Now, we can do all that wirelessly, but it was literally game changing back then as it allowed players to play together, face-to-face. I see you've learned how to move past some old fashioned form of communication that isn't working for you anymore. You could have even swapped gaming devices, computers, or phones over this last summer. You could have erased old contacts from your phone or friends from social media sites. I'm even getting a change in terms of transportation, where you're choosing to go out instead of staying in or vise versa. You could have used a different way to get around last summer, like using a shuttle bus or traveling by boat or train. This could have been to get somewhere or (in a boat case) been a part of a social event or party.

There could have been a situation which roused up some heated arguments between you and people close to you, whether friends or coworkers. This arguing, regardless of what it was, wore down on your defenses and you decided to pull away. Much of the bickering could have been due to unfair comparisons made between others. Someone may have been aggressive towards you over feeling envious of something you are or have. Whatever it may be, I feel here that pulling back was the healthier option. Sometimes, people want to keep you involved in their tensions, but I see you refusing to engage in unproductive arguments that go nowhere. Summer just wasn't the season for that stress, and you knew better this time around. You addressed things calmly and with compassion. Maybe that's why they're worked up over your energy; just refusing to engage makes you look "Cool!"er by comparison. (This sounds spicy when I write it down but I got to call it as I vitamin see it ok!) Summer is a time for staying cool, and now that autumn rolls in, you can put more focus into enjoying its splendors.

The time was and still is ripe for self-care and inner nurturing. Retreating to heal allowed those old emotions to work themselves out until the situation no longer felt as harsh when remembered about. If a company is making unwanted changes at the office, at this point you're past the sweating and complaining with other coworkers because you're more in the phase of waiting for good days and better results. If a trip didn't work out because of miscommunication, the time is better for planning the next one instead of mulling over what went wrong before. Your energy is just like, so what if things weren't perfect because things may be better tomorrow? And I think that's a great mindset to have when shifting between the seasons. Pumpkin Spice is right above the poor 7 of Wands. This card is all about that basic girl fall vibe, cozy and warm and far far away from whatever nonsense happened in recent past. You're moving from acting like the warrior to acting like the empress who's ready to snuggle up with fuzzy blankets and a cup of tea while watching the leaves dance and flutter. I honestly don't think this pile misses summer, y'all seem ready to go for fall!

With all that difficult energy out of the way, you can focus more on how you want to fulfill your personal time. If you were a mod to an online chat or a part of a social group and you dropped out of that role for the season, then it will now be easy to re-allocate that time to something more enjoyable and soothing. It's the "moisturized, hydrated, in my lane, flourishing" momentum going here, it started in summer and it's a great progress to have all through autumn. I see you entering hermit mode to establish a safe space for yourself starting around August, and it's likely that you will be in that phase for awhile. No pressure to hook Gameboy cable links with anybody if they're gonna fizzle out your fun, right? Although Mercury retrograde is over, there will be times when that old smoke tries to blow through again. I don't see you remaining totally settled in the months to come, but it will still feel like an upgrade compared to last summer.

Pile 4 - Wow! + Turntable 💿

Neptune - Vision, Reflection, Passion, Mirage, Sound - Resonance - Frequency; King of Wands, 7 of Swords, Knight of Cups, IV Emperor, Ace of Cups "EVOLVE into non-complainer"

How's it going pile 4? Out of all the piles it seems like yours had the most amount of positive experiences, even if it was only from the start of the season. You wanted to have an action-packed summer to remember. You could have spent a lot of time by the beach or near bodies of water like lakes, soaking in the summer sun while you had the chance. I'm seeing so much here about dreaminess happening, like you went to a dream concert or an unforgettable party. With all the fantasy theme here, you could have visited a renaissance faire or an amusement park based around fantasy. On the other hand, you have both Neptune and the descriptive card Mirage, which both talk about illusion. And the 7 of Swords makes an appearance here, too. So perhaps something that was meant to be awesome may not have gone perfectly as planned, even if you still had a good time. Perhaps the seating at the concert wasn't perfect, or a rain forced an outside party to move indoors. More than one parade may have been rained on, or friends could have bailed out of exciting plans at the last minute. Nevertheless, you learned over this summer to go with the flow and have fun despite how situations or relationships end up as things still may have turned out wonderful anyway.

I'm also getting that over this summer, you may have met with someone special. It could have been at an event where you laughed while exchanging jokes and numbers. Perhaps your season was spent thinking about this fascinating person, whether they were a cute person you're crushing on or seeing a celebrity on stage (while dreaming about the backstage pass). The last few months could have had you swept up in a whirlwind of fantasy, imagining what could be based on brief but memorable interactions. It's important not let passions mislead you when you meet somebody during the rush of an awesome event. I'm not saying for certain you didn't meet the "one", but chances are if you meet them again, you will need to do so from a grounded place before anything can happen. Let's say you met them while vacationing far from home. Yes, they were cute, but take some time to reflect on your feelings before pursuing something that may realistically be tricky to pull off.

You may have either received or lost a pair of glasses. They could have been prescription glasses or sunglasses (why are sunglasses among the easiest things to lose?). I think this may be a message about learning to use all your senses. Look at things closely to understand how certain things happened, if for example you're figuring out how to prevent a bad occurrence from happening again. Like if a party didn't turn out right because the DJ used a bad playlist, then you must look more closely at the finer details for next time by knowing what kind of music or DJ will be more appropriate for the next party. If a surf outing turned sour because of low tide, find a way to schedule dates that better correspond with the ocean's changes. This past summer wanted to teach you how to become more adaptable to various shifts, like how a DJ remixes music at the turntable/laptop. The point isn't to always play things by rote; life has a habit of switching it up to keep things from getting too stale.

Now that autumn is on its way, you're heading for a fresh emotional start but with a clearer lens. You have walked out of the summer sun feeling greatly inspired by its magic. Now it's time to take hold of those inspired thoughts and feelings in the pursuit of a goal. If you're getting a strong magnetic pull towards something artistic, like making a song or writing a story, then this autumn is a great time to begin while all this emotional energy is potent. This urge may have started around the full moon in Pisces; if you start something now, it may be done by the next lunar eclipse or when the sun passes through Pisces, so roughly a six month period. We may perceive autumn and winter as calmer and quieter seasons, but that doesn't mean it can't be just as enchanting and memorable as summertime. It's within your hands to create something just as special over the next few months if you are called to boldly do so. I'm picking up so much certainty from this pile, like if there's something from the last summer you desire, it's within your power to eventually claim it or experience it again, only even better the next time.

This reading has not been evaluated by the FDA to diagnose, prevent, treat, or cure any disease or infection. Please ask your physician before going online.

2024, @VitaminseeTarot ™

[recurring-polynya]

Ranking my Habitual POV Characters, from Easiest to Hardest to Write

Renji. Too easy, actually. He's a yapper. I love him, tho, he is my favorite narrator and I would never write anyone else if I could get away with it.

Byakuya. I hate this for me, too. He is a man of few words, but internally, he is also a giant yapper. Uses all the fun words you can't use irl or people will know you are autistic, like "repast" and "phantasmagorical".

Orihime. Also very fun to write! Sometimes insists on honorifics. A minor yapper.

Uryuu. Easy, but not exactly fun to write. I just gotta let my brain go into full-anxiety mode and ride the wave. It works, but, like. I write fanfiction so I don't have to listen to my brain's anxiety barf, please and thank you.

Rukia (present day). She would be a lot lower on this list if I didn't have a ton of practice and spend twenty hours a day thinking about her.

Ichigo. I don't write him very much because he's already got a whole manga about him, but he is fine and remarkably well-behaved as characters go. Also an internal yapper, worse than Orihime but not as bad as Renji.

Hinamori. The only problem with Hinamori is that she uses an entirely different naming scheme for everyone she knows than anyone else on this list and also often insists on honorifics.

Chad. Very pleasant to write, but much slower than other characters because he very carefully considers everything he wants to say before he says it, including his own internal narration. Says exactly what he means to say, no more, no less.

Kira. I am perfectly neutral on writing Kira-POV, I just think he's more fun from the outside looking in.

Have I ever written a Hitsugaya pov? I don't remember, but I feel like he should go here.

Inuzuri Rukia. What happens to Inuzuri Rukia is no one's business but her own. It is certainly not mine, the author.

Ikkaku. The problem is that I am a yapper, so every time I write Ikkaku having any sort of insight or introspection, I have to roll it back at least twice. His narration is just the thoughts that occur to him, completely in the moment, absent any sort of analysis. I could never. Doesn't use any of the fun words. Writing Kenpachi-dialogue is this, but even moreso, which is why I avoid him as much as reasonably possible.

(if you're a fanficcer and want to make your own list, please do!)

[utilitycaster]

(you don't need to publish this because a) it's not a question and b) I don't want that maybe you're getting attacked/vagueblogged over it) I just wanted to say, that I originally came to your blog because of your nuanced, deep and really really good Caleb meta and that Imogenfans are missing out big time. I think, if Im/odna fans wouldn't have acted the way they did and talented people hadn't stopped writing meta about them, at least I would have warmed up to the characters way more....

Hi anon,

I hope you don't mind me publishing it anyway just because it's a good opportunity to elaborate on a few rather fanwanky feelings in one brief-ish statement.

I don't really care if people vague me and I think people who don't like being vagued are valid, but people who don't like being vagued, whine about it, and then continue to vague others are, understandably, idiots making the situation worse. Most people who had issues with being vagued re: the above simply stopped writing meta, which is why there's not much of it. Also a lot of what people call vaguing is just meta that disagrees with theirs, to be honest. I mean I do vague, a lot, and I'm very good at it, but I've also written 100% good faith meta about things I was thinking about the narrative without consideration of other peoples' opinions and it was called vaguing because I used aggressive tactics like citing my sources.

I've covered the fact that Imogen was actually treated very similarly to Caleb with the key difference that people who wrote meta about Caleb were treated badly by his haters, whereas people who wrote meta about Imogen were treated badly by her then-supporters who are now mostly defending Ashton and Dorian because Imogen started saying things they don't like and don't want to address. I just want to reiterate that if someone ever says that The Male Characters Played By White Actors Never Receive Hate you should just block them and stop taking them seriously. The hate is obviously not motivated by bigotry against real people, typically (though some criticism of Veth was certainly misogynistic even though Sam is a man, for example) but they still did receive pretty intense hate. It is kind of telling, personally, re a certain lack of backbone that people will bring up the horrible things people said about Liam or Travis or Taliesin in their own defense and then turn around and willingly engage with the people making these accusations they clearly know to be false, but you know. Unsurprising.

I tried to write something longer that really dug into the outline of events but it really comes down to this: a lot of the direct harassment (not vagueing) of meta writers, especially with regards to Imogen or Laudna, occurred during episodes like...20-50 of this campaign, and I think those doing the harassment either thought this would somehow make meta writers go "oh my god you're so right about the thing that you said I should die for not agreeing with, I'm going to write meta for you now" or that this would shut them down but wouldn't make other meta writers say "oh this environment has become hostile", which obviously it would. Coupled with the fact that this is when a lot of meta writers realized the campaign pacing was fucked and the party wasn't clicking in the same way past ones had and it really turned into a case of high risk of unpleasantness for a not really worth it reward for many of the meta writers who were around in earlier campaigns, and that in TURN meant that it's harder to have a good conversation without having existing chats so it's a less pleasant place for new fans. Anyway uh. I think the lesson here is that those C2 meta writers ARE around for Midst and Candela Obscura so it's also kind of a waiting game in the event that there is a future campaign (and if not, they will still be here for Midst/Candela/Possibly Daggerheart or future EXUs); they're just not here to write about Imogen or Laudna because it's not worth the trouble.

[sysig]

So much experimenting to be done, where to even start (Patreon)

[e-louise-bates]

I will admit that it never occurred to me that I would need to check the history book that claimed to be scholarly to see if it used references and footnotes, because how could a book be a scholarly work on history without such things, BUT NOW I KNOW BETTER.

[inkydoc]

sometimes you just gotta give things time to be lost. y'know, before they can be found.

thank you Carol, that was sorely needed :"D

[asinglesock]

just realized my fatal flaw and the great struggle of possibly the rest of my life. while watching a cdrama.

[chaddicus]

see the longer I play with my understanding of my transmasc experience and dysphoria, the more I grapple with the conflict between mocking fragile masculinity for refusing to allow the use of 'feminine' things vs knowing more and more keenly how much dysphoria I would and do get whenever someone associates something I do or use or wear with femininity. and no amount of people insisting that using "feminine" things doesn't invalidate someone's gender, man or otherwise, seems to have any impact on that dysphoria

we do need to untangle cultural perceptions of masculine vs feminine and respect for a person's gender, manhood in particular in this discussion, but I almost feel like knowing that means it's my responsibility to refuse to engage with those ideas for my own gender — and the problem is that knowing this is not the common understanding means knowing that other people *will* associate my use of feminine things as some sort of contradiction with any masculinity I may wish to express or identify with, and no amount of understanding the concepts and holding the principles can erase the revulsion and pain and fear I feel at the thought of people associating me with some concept of womanhood that I adamantly *do not experience or identify with.* fuck.

[skrunksthatwunk]

in the neverending tv series that is my life a season opener plot twist has just fucking. absolutely bodied me. my roommate for the next two semesters is the neglectful owner of rascal, that kitten i took care of off and on last year. What The Absolute Fuck

[inkskinned]

even 2 years ago people still said autism with a whisper. it was also how people sometimes whisper lesbian, like they're afraid of uttering a slur. autistic was either an insult or it was something terrible, a horrible burden only select people endure. "select people" were usually 9 year old boys and skinny white men.

they are not hispanic young adults with a dog and a life and friends. i can make (sustained, calculated, painful) eye contact. with certain people, i don't even have to count how many seconds i am holding their vision - i can just look at them. i can wear clothes that bother me, i will just have a worse day than usual. i might cry about any changes to my schedule - but change is scary! this is normal!

when i was 16 it was OCD. i mean that was the thing everyone said. i totally have ocd. they would arrange 6 colors of gel pen in rainbow order (no worry for indigo feeling left out) and they'd be "so ocd" about it.

if you struggle with intrusive thoughts, be careful at this next paragraph, but. at 16 i developed a compulsion that involved self-harm. my ocd was convinced i was simply forgetting that i'd hurt someone terribly - a thought that persisted for no clear or delineated reason.

at some point i will probably write about how the idea of "morally pure thoughts" was hell for me and others with ocd, but this was the odd dichotomy for many of us: they liked our "aesthetic", but were genuinely repulsed by our lived experience. "intrusive thoughts" now means "cutting your hair in the sink" instead of talking yourself down from believing horrible things. "so ocd" is a label without any true understanding.

it's something i've talked about before - in multiplicity - but i firmly believe in the veracity and necessity of self-diagnosis. i think it saves lives and it saves tragedies from occurring. as someone raised in a house that wasn't safe, self-diagnosis was, for many years, the only viable option. 15 and honestly googling: am i depressed or there demons affecting my behavior.

but it is not genuine self-diagnosis anymore, most of the time. it is a strange, blanched version of that whispered word autism. now certain traits are constantly seen as "autistic" - any passing intense interest. any flubbed social interaction. people say it while laughing - a touch of the 'tism.

and i like the acceptance! i do. i like that people are talking about it. i like that if i self-identify, more people speak up and say me too, bitch. but there is something-else quietly happening, the way it happened to OCD. the quirky, "fun" parts have been washed and sanitized and removed of all suffering. now it is just something that makes you "a little bit silly."

it took me 27 years on this planet before i learned to make friends. something about me just seems incredibly odd, i guess, some kind of radiation monitoring. someone once (in a way that was almost friendly) told me i am doing the right things, but in a way that's off-putting. i have scoured myself raw attempting to be charming.

someone on tiktok does a deep dive into their particular passion. the top comment says "what kind of autism is this lol". like we are a breed of animal. like it has no influence on our experience. like our life is a fresh breeze, an open meadow.

more often for me, life was a drowning.

[neverendingford]

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