#i literally just put down 4 sets and 2 characters and its already asking for death

[bitwynn]

As a person who likes playing genshin like the Sims and Animal Crossing, I HATE the fact that theres a fucking load value

Like dude my islands feel so fucking EMPTY because "oh no youve reached your furnishing limit nyeh nyeh nyeh" like bitch-- theres sO MUCH EMPTY SPACE I HAVENT EVEN REACHED THE RED LOAD YET COME ON

And like-- i get that they do it so the game can actually run better or something but like-- i kNOW hoyoverse can do something about it they just dONT WANNA

[stagefoureddiediaz]

Hi Kym! I apologize if you have answered an ask like this before, but I am curious for your opinion.

You've talked a lot about how intentional all the Buddie parallels are in terms of costuming for several seasons now, both with Buck and Eddie together, then with their respective girlfriends, and in comparison to Bathena. We are now even getting throwbacks to season 2 and Eddie's first episode with Buck's stonewash jeans! Tim is adamant in interviews that he never planned this bisexual awakening in advance (we know that Eddie was originally meant for Maddie ofc) and that he doesn't know where the characters are going yet, but even Oliver has said he intentionally leans into the Buddie of it all with his acting, or at least into Buck's then-presumed bisexuality.

My question is, with just how pointed and intentional the costume choices have always been, is Tim is lying? Or are the costume designers secret Buddie shippers and intentionally lean into this storyline too? How much of what we see in terms of costuming is the decision of the show runners/directors vs creative expression of the costume designers? Is there a point in the show for you where it became clear how intentional it was becoming with the costuming, where they may or may not have said, "we're going to commit to telling this story in subtext until we are allowed to tell it overtly"?

Thanks :)

Hey Cookie-Kat!!

How lovely to have you in my inbox, and what a great question!

putting my answer under the cut - because it got long!!!

The answer I give is going to have to be a bit vague I'm afraid because the reality is that as I don't work on the show and I'm not 100% sure on the set up of their various departments, I can't categorically state how they are going about things in 911 land! I can share my experience and knowledge of how things can be done and try to give you some sort of framework - but I can't definitively say that this is how they are doing things.

First up let's address the whole Tim lying thing.

Tim is all about subterfuge in interviews - its literally his job as a showrunner. I would take every thing he says in an interview with a giant grain of salt. the entire purpose of his interviews is to tease and hook people, without giving anything way becasue why would he spoil all the things he has planned that make people watch the show he is creating. If he came out in an interview at the start of the season and said

'yeah, we're going to do a cruise ship disaster and all these things are going to happen, and in episode 4 Buck is going to get kissed by a guy and figure out he's bi and Eddie is going to find out his girlfriend was a novice nun and its going to send him into a catholic guilt spiral, and maddie nad CHim are going to get married, but x, y and z are going to happen before they can get down the aisle'

Why would anyone tune in to watch the show? we'd already know what was going to happen so there wouldn't be any point - there would be no buzz and the viewing figures might be ok, but they wouldn't be remotely close to what they are. I know for a fact I probably wouldn't be tuning in - people like to be surprised, they like to speculate - we in fandom take it to a higher level, but even the general audience speculate - water cooler conversations about what you watched the previous evening and how you think it's going to play out are part of a show's appeal - part of how it keeps people watching - shared experiences are a powerful commodity, especially in network television and they cannot be shared if we all know what is going to happen.

I would also add that this season is the most explicit acknowledgement of buddie that we've had in interviews and that means something. The show - writers, actors etc have all been incredibly careful before no to ensure that they haven't crossed over into queerbaiting the audience - which is something I really appreciate them for. But this season, things have definitely changed. whether that is down to being on a new network, that actually has a marketing strategy and that actually seems to care about the show and the stories that they have wanted to tell, I don't know, but it is so refreshing and exciting to see.

Tim is a clever person - he knows exactly what he is doing and every single season, without fail we have him saying things in interviews that can be read in multiple ways - none of them have ever been lies - subterfuge is the name of the game - then if you reread them in the aftermath of the season, you can see what he said did in fact play out as he hinted at - he has the context that we didn't have at the time and that is why he can subvert and talk his way around things.

I genuinely don't think Tim planned to give Buck a bisexual awakening from the start - we know he never planned on the buddie of it all, but a good writer will go where the characters take them. As soon as you create something and put it into the hands of others (the actors, directors and crew) things can very quickly take on a whole new direction and a life of its own.

If you ask me, I genuinely don't think Buck could've had a bi awakening before this point - it wouldn't have made sense from a narrative perspective (and his death and rebirth actually make the perfect jumping off point to explore) until now because of the very nature of Buck.

There isn't a single show (by show I mean one that isn't a limited series which will by definition have a planned arc) on network television that knew where each and every character would end up at the end of the show or that characters journey (by this I mean when cast chose to leave a show). Yes they might have planned a few beats to hit along the way, but they wouldn't know the end point for the character. We have a perfect example on 911 - Michael - the show hadn't intended to end Michaels arc in the way it did - his journey as a queer man coming out later in life was an important part of the show - important for representation as much as anything - they had to adapt and change in light of what was going on with Rockmond and write out a character that they would've had other plans for.

The other thing I should mention is that When Tim says he hasn't decided or written the scripts for upcoming episodes, that doesn't mean he doesn't have a plan. He very much will have a plan. There would've been clear arcs for each character laid out at the start of the writing process for the season - they would want to get character a from one point to another by the end of the season. Its the how they get there that is the unknown - at this point we don't know the end points for any characters this season, but if we take season 5 Eddie as an example - at the start of the season he is post shooting and back at work, seemingly perfectly fine. By the end of the season he is genuinely in a good place having gone through his trauma arc. The arc they would've decided on for Eddie that season was to explore his trauma and how to get him from a 'seemingly' good place to a genuinely good place. From there they would've decided on various touchstones - so Ana being mistaken for Christophers mother and them being a family is his trigger to launch his arc. Chris being scared of loosing his father a major touch stone, pushing him into leaving the 118. His then feeling on the outside - left out and replaced by Lucy is his next one, followed by the fact all his army buddies are gone, another touchstone - coming in quick succession to build momentum and leading to his breakdown. Pushing him to actually get help - therapy is another touchstone - one that helps to get him to the end of the season in a vastly different place - healing but still working on things.

So you see - they generally plan an overall direction, but how they get there is the bit that is a bit fluid and can be determined to a certain extent by audience reaction (I don't mean that they would out and out rewrite the entire plan for the season for a character, but they might chose to lean into different aspects if the audience react in a certain way - we saw this with Lucy - planned for a bigger arc, but the audience reaction to her was pretty negative, so they changed direction with her character and cut her part down).

In terms of Bucks bi arc - they will have been waiting on how it was received before fully determining how to play it out for the rest of the season - I genuinely think we'll be seeing more of Lou as Tommy later in the season as a part of Bucks arc - The way Lou has spoken about it being initially a 4 episode arc, suggests to me that its always been intended to run it longer if reaction was good - which we know it was. My explectation remains the same - that Tommy will be around until either the end of episode 9, or the middle of episode 10, to get Buck to where he needs to be by the season end.

I am on the fence as to where exactly that is - Everything from set, costuming and the script is screaming at me that it's about Buck figuring out not only that he is bi, but that he is also in love with Eddie. That is his arc for the season. What I am unsure of is how they are going to leave things at the end of the season (and I think a part of that will have been determined by audience reaction), whether or not we'll leave him acknowledging his feelings to himself, to a third party (Tommy and or Maddie), or to Eddie himself. Of course part of it will be determined by Eddies arc and how far they plan on getting him in regards to dealing with his catholic guilt and what form and direction t hat is going to take, but I cannot see any reason to start exploring that aspect of his character if you weren't going to use it for a queer arc of some description.

In terms of costuming - which was the main point of your ask - sorry I get rambly in these replies some times - I always view it as the first 2-3 seasons at the very least will be about establishing a characters look and vibe within the wider show, and from then on you can start to play into themes and colour theory etc. Somethings you can establish earlier - especially if they are centric to a character more widely. Examples of this are Eddies army green tees and shirts - establishing him visually as ex military, or the black singlets that he wears when in an emotionally vulnerable place, or Buck wearing his white trainers as part of his search for self, or his white shirts as a signal of him being in danger. You can do this, because they aren't playing on anything in relation to other characters at this early point.

So the decision to take Buck out of jeans (stone wash jeans specifically - he's been wearing jeans they've just been black or dark navy) and have him in very obviously shorter trousers, creating a specific aesthetic for him - this smarter, fitted clean cut style that is different from his season 1 looks, has been about playing into his journey of searching for self - that is his big overarching arc - the one that spans multiple seasons.

The intent to do that, wasn't about Buddie (or bi Buck) when they started to use it as a visual marker for him. It was (and always has been) about Buck. about his search for meaning in his life and who he is, who he wants to be - about being his authentic self.

The reason I got so excited about seeing him in jeans once more, when the first stills dropped at the start of the season - was because I knew that it was a signal that this bigger arc was coming to fruition and moving into its next phase. The costume team have been sitting waiting for when the time was right to do this - its being done with such intention.

Of course I hoped that it would be buddie related - things were pointing in that direction from other costuming choices. And to me at least, I still think its very much buddie related - because to do this now - for this bi awakening arc - its too loud and too big for 'just' a bi awakening arc - its about something bigger for Buck - something long term (and I'm not saying Buck being bi is't long term, because obviously it very much is - bi rep is so important!) him figuring out he is bi is a smaller part of a bigger whole for his character. The implication of the jeans returning is that this part of himself he has unlocked plays into a bigger story. Bucks search for self has always been about finding love - about being wanted and seen and accepted for who he is. As a costume designer, I wouldn't personally be putting him into jeans at this point unless it was related to his endgame - being bi isn't enough on its own for them to decide to visually show that he has fully found what he has been looking for on his search throughout the seasons (the white trainers still being in used also play into this) because he is still looking for that lasting happiness - he's just taken a massive step forward to figuring out what it is and where it lies.

With regards to colour theory and the paralleling of Buddie with other ships such as Bathena or Madney. Colour theory alone it wouldn't be enough to convince me, it is in combination with other factors such as the paralleling of Bathena and Madney that it comes into play. The thing is, creating those parallels and colour theory combinations doesn't have to lead to something. I'm going to do a terrible job of trying to explain this, but I'll give it a go.

Various people, who work on the show in some capacity have all commented over the years that they weren't expecting the level of chemistry that Oliver and Ryan have. We also know that they have played into the buddie of it all with some of the scene choices they've made - sort of an acknowledgement of what we're seeing - the elf scene in s2 is a prime example - a nod to fandom and the fact that they are being shipped together - and an acknowledgement of the chemistry - without it necessarily needing to mean more (the same goes for things like the text comments on the botfly influencer livestream call etc).

Back then wardrobe are still very much in character establishment mode - creating and defining the looks of the characters, and playing into colour theory on an individual level, not necessarily on a partnership level (S2 Bathena would've been treated in this way as they were already intended to be an end game couple so you can play into colour theory much earlier), that comes later. I wouldn't have been able to write costume metas in season 2-3 in the way I do now, because the parallels didn't exist and the ground work hadn't been laid.

Once you get past that intial establishing phase, hat is when you can start to play into the colour theory much more in relation to specific characters and pairings. One of the clearest examples of this is Eddies black shirt green trousers combo that he wears at the loft when having serious conversations with Buck. He first wears it in season 3 at the end of the lawsuit/fightclub arc (3x09), and then we dont see it again until season 5 (5x04) at yet another scene in Bucks loft.

The meaning of the colours in that scene are important sure, it is playing into colour theory, but what is happening visually is that we're subconciously connecting dots and remembering that Eddie has worn this outfit before to talk to Buck - that means it must be a serious conversation, one very much focused on something Buck has done (or hasn't done depending on which way you look at things). Eddie has been in Bucks loft on multiple occasions between those two scenes, and Buck and Eddie have had multiple serious conversations in the intervening episodes as well. so why that scene if its not meant to make us connect dots?

Now on a fundamental level, those two scenes can be read as establishing the close friendship Buck and Eddie share - that they are following through on their s2 promise to have each others backs. its entirely correct to assume that - it is after all what those scenes are establishing. But what it is also doing is laying the ground work for if they want to take Buddie further. we know that the conversations about Buddie have been happening in the writers room and on set for a good long while, and even if you don't yet know if you're going to go in that direction, you would be foolish not to lay the ground work in a subtle way if you can, so that the option is there if you did decide to take that direction.

A show will use what ever tools are at its disposal to lay various foundations that it can then pick and choose to build on as it wants or needs to. It is why we see the pictures in Eddies house moving around, why things on the fridge change (fridge theory is not as out there as some people would have you believe - there is a whole thing coming up on Eddies fridge in reaction to guts and the digestive system - which will very much be playing into his catholic guilt arc!) in Christophers room move around and change - its not just about him being a growing (soon to be teenager) boy, its also about laying foundations for story arcs they might choose to develop down the line and the Buddie groundwork is no different.

Its not about the wardrobe team being shippers of Buddie - its much more about them knowing where a season is headed (in brad strokes, even if they don't have specifics) being really good at their job and now being able to bear the fruits of their labour from earlier seasons - they had been doing the same with buck and Taylor - now they're doing it with Buck and Tommy (and Eddie). It would've been super easy to spin the costuming for Taylor into more positive colours - especially on Buck - in season 5, but they had the bigger picture and knew she wasn't going to remotely be endgame, so they were able to play into that throughout the season. Establishing Tommy as a version of Eddie is building on the Eddie groundwork they laid and using it to make it very clear that we are supposed to see the similarities between them - its steering us as viewers towards thinking 'oh Buck has a type - He's dating someone like his best friend - he should just date his best friend' is all about subtly nudging the audience in the right direction - towards Buddie - its just most people won't pick up on it in a conscious way.

I'm not sure if this makes any sense or if it even answered your ask, but essentially the show is using everything at its disposal to tell the story its telling and they have been laying groundwork that can take things in various directions - they are just choosing to push the buddie agenda to an increasing degree (and I have said groundwork far too many times in this post!!)

Thaks for the great ask 💜💜💜

[crackedpumpkin]

Tbh i sometimes use ur stories for motivation to continue writing whenever I have writers block so I got to ask, how do you know what happens next?

Sometimes I let my imagination take the lead but sometimes I write a summarised plot down. But i need more advice sigh.

awwww thats so sweet of you!! im honoured that my writing is motication for you to continue, it brings me so much joy to see that what i write impacts people in some way im crying

also in terms of writers block, i suffer from it 24/7 to be honest ! but what i find that helps me a lot...

1. relaxation. stress always makes me even more unmotivated to finish, and recently ive been finding the joy in writing again, without the stress of constantly thinking of updating all my fics etc

2. always go back to the source material. whenever im stuck on a character decision or i just cant think of how to progress, i go back to the show or movie and rewatch it. it helps let the floodgates of your imagination open^^

3. i think of their dynamic a lot. for example, my character dynamics are mainly filled with banter between the two, and i think being sarcastic or finding inspiration from shows with a sinilar dynamic helps me with dialogue which in turn gives me ideas for scenarios

4. dont forget to love what you're writing^^ circling back to point 1, i constantly found myself putting off writing because i just dont feel motivated or happy to write it. its completely normal to feel this way!! to me, its just a sign that i need to relax a little more and allow the creative juices to flow.

5. find what works best for you. i tend to come ul with more fully fleshed out plot ideas when i bounce them off someone, and @theblindhag and i always end up talking about one of my fics and ideas on what to do next whenever we call. it's inevitable. the other day, we literally spent over an hour on the backstory and plot of an upcoming fic im already writing for sokka lmao

6. reacj out whenever you need help! sometimes a fresh set of eyes is what you need. perspective matters. are the nuances that you're trying to incorporate into the story evident enough? is the angst building up well? getting feedback is so important and whenever i see a comment or reblog on my fics im on cloud nine. hearing what others think about my writing brings me so much happiness

ps. please comment more on my fics u guys i need validation that im doing well and what yall wanna see :)

i hope these tips help, and feel free to drop an ask anytime ^^

[lovecolibri]

SaL anon here my friend after a very, very long week. This is actually my 3rd attempt at sending you an ask. First, I finally had time and was excited to type up something for the latest episode and then the Buck LI stuff came out and the mood for that was killed. Next I had mostly typed up my salty thoughts only to have my internet go down (yes, I whined at home "what i was going to read??!!" and pointedly ignored my very much filled bookcase because my ships aren't in them). So here let's see if this one works out.

So how is it KR and the promo dept always manage to kill any joy we have when we get fed any kind of Buddie content (the follow-up to the Eddie getting shot, and the 5b and premier come to mind here)?? Seriously Buck and Eddie more or less went on a date and had family night together and almost immediately they came back with "look Buck and Eddie are going to go on dates!!". Its exhausting cause it seems like any time they put out a story that might even be slightly suggestive of them being more than platonic bros they insist on following it up with stories to "prove" they are, no matter how recycled those plots are.

And okay let's take a second here to ask WTF is KR doing with these characters? In 6b alone we've had Buck dying, a coma dream, PTSD, super powers, and now he's getting a crush, and we STILL haven't finished the accursed sperm donor storyline??!! Bobby and Athena investigated had the death of a beloved friend 🙄 plot, HenRen had the nonsensical Denny secretly seeing his Dad which was never an issue before plot, and Madney and Eddie are just kinda there?? The other characters have had at best one storyline where the audience has to either invent or rewrite the backstory for. But for Buck he's had like 50 plotlines, none of which have really gone anywhere? I love Buck but I'd rather have him have 1 good arc and resolution than whatever this bullshit is. I'd easily take that screentime and give it to any of the other characters if it meant we got 1 well thought out and executed storyline. Instead we're just recycling and redressing old plots for everyone else while KR uses a magnetic poetry set to plan what Buck's doing from episode to episode. We have 5 episodes left in the season, 4-5 guest characters that are going to be incorporated (including 2 much beloathed ones 🙄🙄🙄), and nothing really setup for our mains to do (even Eddie dating isn't setup, it literally hasn't come up after Ana and you'd think they could have in 6a while he was watching his son mature).

Anyway, I'll stop the rant here though there's definitely more I could say. I'll close off saying I hope you're feeling better today since this week looks like its been rough on you. Sending you virtual tea, soup, and hugs!!

Long week is RIGHT my friend! I'm so sorry you were foiled in your previous attempts! I am right there with you on the Buck LI stuff just...sucking a lot of the joy out of things for me. Because of course we're doing this again 🙄🙄🙄 I was even writing up notes on a possible fic and you KNOW I haven't written anything since Malex and even that was before s4 started. But alas. That sucks about the power going out! I hate when that happens especially if I was in the middle of something! (Also I am SO with you. I keep buying books and then just...not reading them because my brain says "it's not our blorbos so no.)

I am just...so tired at this point. Like yes these people *may* not stick around, but even so, I don't want to loose out on Buddie scenes and Buckley-Diaz family scenes! I don't want Buck to have 90% of his time and discussions with some new character I do not know or care about instead of Eddie and the firefam! They already tried to do that with BT and it was the woooooorst! I want Eddie to have screentime and arcs but again, I don't want the little time we DO get to be wasted on some random side character! And lets be honest, there is no person they can introduce at this point that can compare with the relationship Buck and Eddie have already built and the ways in which they are the perfect partners for what each other needs. So the options are to a) cut down on seeing that relationship so their new het ones don't look so shitty and lame in comparison, b) have these women be mostly just Blurry Girlfriends in the background with no personality or depth just to have the boys paired off so they don't have to do Buddie while still centering their relationship so people can't call them out for not committing to Buddie because their "friendship" looks basically the same, or c) give them LIs that are basically the other's personalities transplanted into a female body in order to have the relationship be anything close to what Buck and Eddie need in a life partner. These are all terrible options, and I hate them, more than I hate the idea of them ending up single even though it undercuts their own narrative set up for the characters but that's a cop-out too.

ANYWAY

👏🏻👏🏻👏🏻 to everything about Buck's 700 shitty arcs this season while everyone else is mostly twiddling their thumbs. KR is literally the worst at pacing and planning, and constructing a season with any kind of flow. On the bright side, Ravi is coming back and Chim is going to get to do something! I'm so excited! I was really hoping for more of him and Bobby teaming up last week because the little crumbs we got were GOLD.

I did have a very emotionally rollercoaster-y week and the show being Like This absolutely Did Not Help, but I am making it work. Mostly with loooots of fic. Cheers friend, lets see if we can make it through the finale intact, if Buddie dreams can make it through the finale intact, and if the SHOW can make it through the finale intact with how these renewal negotiations are going.

[blindbeta]

Trope Discussion: The Blind Prophet / Blind Seer

This covers blind seers, prophets, clairvoyant characters, etc. Anyone who can see or predict the future, usually through seeing visions. This trope is extremely common. It also has roots in classical mythologies, religion, and literature. It is not necessarily bad on its own, but the way it is used in fiction and it’s popularity with non-blind writers makes it an uncomfortable trope for me much of the time.

I understand that not everyone will agree with me, but I think some of my suggestions can be helpful because this post offers potential ways to make this trope better for those who wish to use it.

I neglected to include it in my post about Things I Want to See More Of / Less Of in Blind Characters, but it is still something I want to discuss. I thought it warranted its own post. To get an idea of my thoughts on this trope, I don’t think it is so much harmful on its own, such as the cure trope, but rather I feel it is over-used and used in ways that contribute to ideas I find harmful. In the case of this trope, the ideas I find harmful refers mainly to the idea that blind characters need something extra or special that is designed to make up for their blindness.

The blind prophet or blind seer is something people seem to assign to their blind characters because it feels right. I would like writers to consider why this is, ways to avoid problems associated with it, and ways to be more intentional with how they design blind characters in the future. To clarify, I’m not saying you should never write a blind character who can see or predict the future. I’m not even saying this is best left up to blind writers. I’m saying I want writers to be aware and have more intent when they use this trope. Hopefully this post can help people do that.

I often receive asks or messages about blind characters who can see the future. A few common characteristics include:

1. this blind prophet is the only blind character

2. this blind character is the only person in the story who can see the future

3. this blind prophet is always totally blind - I have only received one message in which the blind prophet in question had some vision in one eye

4. seeing the future is portrayed as making up for or otherwise replacing the character’s lack of vision (again, the trope is almost always about a totally blind character)

So, in other words, this trope can be used for writers to make up for blindness, whether that means actually giving the character sight through their visions or making up for it emotionally. For example: “This character is blind, which is sad, but that’s okay because they can see even more than we can! They’re special!”

Let’s break it down.

Discussion: 1. this blind prophet is the only blind character

Why is this a problem? First, I think we are well beyond having only one blind character in our stories. Sometimes having one blind character feels as if the writer believes having more than one would be unrealistic. Sometimes it also feels frustrating to explain over and over that affirming stereotypes can often be avoided by simply having several blind characters. Unfortunately it often feels like a struggle to get writers to consider it. This means the only example of a blind person in the story is one who can see the future, which means they affirm this trope or stereotype for the casual reader.

Second, having the prophet be the only blind character tells readers that blind characters cannot exist without something to make up for their blindness. They can’t even exist in a story without this.

Discussion: 2. this blind character is the only person in the story who can see the future

Why is this a problem? This one is similar to the first one. We have the token blind character who is the only one who needs sensory based powers. Because, remember, the blind character needs to make up for something, apparently.

Why does the blind person always have to be the prophet? Why can’t they be the strong one or the one with teleportation? Why can’t they be, I don’t know, the person with power of attraction or display proficiency with a weapon?

Why do they always have sense based powers? Why not another power? At least a character like Toph is a powerful bender. She can do plenty of things aside from see, plus her adaptation was derived from everyday use of a power she already had rather than a power she was given for the purpose of seeing.

It gets a little disappointing when a blind person’s power is just the ability to — I guess — see? More on that in section 4.

Discussion: 3. this blind prophet is always totally blind - I have only received 2 story ideas in which the blind prophet in question had some vision

Why is this a problem? I’ll try to explain this part as best I can.

There is nothing wrong with having a totally blind character. That is not what I’m getting at here. My issue resides in the idea of seeing the future making up for blindness, and this means, the character usually needs to be totally blind.

I think this is a manifestation of the myth that all or most blind people have no vision at all. This is not true. In fact, the majority of us have some remaining vision. I asked my totally blind friend who said she had only met one other person who was like her.

I think this is also a manifestation of the idea that blindness needs to be made up for. With a special sight power and not with something like flight or technology-based powers. Writers who are consciously or unconsciously accepting this idea need to have a totally blind character. Because if the character has some remaining sight, what needs to be made up for?

Discussion: 4. seeing the future is portrayed as making up for or otherwise replacing the character’s lack of vision (again, the trope is almost always about a totally blind character)

Why is this a problem? I want to stress that these are two separate things. Both problems, but different ones that have roots in ableism.

When I say ‘making up for’, I refer to a blind character being given visions to make up for their lack of actual vision. As I mentioned before, this character, almost always totally blind, needs something to make up for blindness in the narrative. These visions can be brief ideas of the future or actual flashes of light or color. Either way, this character is being given a special kind of “sight” which makes up for their blindness. This can be a way for a sighted audience to feel better, or for the writer to feel as if they have made up for the character’s blindness. This is mostly emotional or mental. The character doesn’t need to actually see anything in order to fulfill this part of the trope.

The second part is about how sometimes the blind prophet can literally replace their blindness with their future visions. For example, they don’t need a cane while using stairs because they can predict when each step is. Or they might not be able to see people’s faces in visions. This erases their blindness. And in this case, why write a blind character at all?

On that note, discussion 3 also comes into play. If you want your character to be totally blind while failing to write them as totally blind, you shouldn’t be writing a totally blind character. In this instance, you probably shouldn’t be writing any blind characters, period, but I do think you would be better off writing a character with some vision instead.

Additionally, back in discussion 2, I said this: [quote] “It gets a little disappointing when a blind person’s power is just the ability to — I guess — see? More on that in section 4.” [End quote]. I wanted to add that having powers that just make up for a lack of sight is boring. I’m bored by it. Does it mean it can never be made interesting? Of course it can be interesting. However, that would require more work than some writers are putting in when this trope is used.

How to Avoid Some Problems

Problem 1: this blind prophet is the only blind character

To avoid: add more blind characters, specifically ones who cannot predict the future.

I generally advise adding at least 1 extra blind character, but for big tropes like this my happy area is 2 to 3 extra. You should have at least 2 to 3 blind characters in total to avoid both tokenism and this problem specifically. This means, if you have 1 blind character who can see the future, you should have at least 2 who cannot. This is the minimum.

The point is to expose readers to characters who do not follow the tropes they are probably used to and may even think are representative of blind people in general.

Problem 2: this blind character is the only person in the story who can see the future

To avoid: Set out to have characters who can see the future and who are specifically not blind. Also, have characters who are blind who cannot see the future.

I think, if you want a bunch of prophets in your story, this is a good way to go. You could also simply not have any blind prophets, but it depends on the story you are telling and if you have a bunch of prophet characters, you might wish to include a blind character among them.

For an ask relevant to this point, go here.

Problem 3: this blind prophet is always totally blind - I have only received 2 story ideas in which the blind prophet in question had some vision

To avoid: Create characters who are prophets with residual sight.

This problem is very much connected to problem 4, but I wanted to mention it just in case. It is not as much of an issue on it’s own.

Problem 4: seeing the future is portrayed as making up for or otherwise replacing the character’s lack of vision (again, the trope is almost always about a totally blind character)

To avoid: Don’t erase the character’s blindness with visions. Don’t give them visions as a way of making up for not being able to see at all / well. Don’t connect their powers to their blindness. The idea of [quote] “My character can’t see so what if they could - gasp - see in an extra special way” [end quote] is not that creative. Also see problem 3.

Additional thoughts:

Consider giving blind characters powers that don’t involve sight, at least not in such a direct way. Whether you have a blind prophet character or not. Perhaps another alternative could be giving them several powers.

I would like blind characters to have more unique powers, because I see this trope often. It would be fun to see something different or for this trope to be subverted somehow.

Again, I want more awareness and more intent from writers. Not necessarily complete avoidance of this trope. Would I like to come across it less? Yes. But there is still hope for it.

I hope this helps.

-BlindBeta

I also offer sensitivity readings. See my pinned post for more information.

Edit: @stealthetrees Yes I think it would still apply. Think of this type of character as also being totally blind.

[pale-silver-comb]

So I know absolutely nothing about Leverage except what I've been seeing you post lately and I have to admit you're making it look tempting to watch! Can I ask what are some of your favorite things about the show/reasons you would suggest people watch it? And is there really a poly relationship that is canon?

Okay. Okay, okay, okay, okay, okay. I am going to do my best not to just “asdfghkjl” at you and answer coherently.

In a nutshell, Leverage is about 5 people. 4 are criminals (Parker, Hardison, Eliot and Sophie) with different and unique skill-sets and 1 is an ex-insurance investigator (Nate) who, at one point or another in his career, has tracked down (or at least attempted to) the other 4. The whole show is essentially: man reluctantly reforms 4 criminals to use their criminal powers for good and 4 criminals move into man’s life and stubbornly refuse to leave because, goddammit, now they have morals. 

I’ve got a lot of favourite things about the show but the main ones are as follows:

1. Found family. And I’m not talking about loners who come together to fight crime and happen to co-exist to the point where they realise they happen to have found themselves a family. I mean, Nate and Sophie are the Drunk Uncle and Wine Aunt who somehow become Mom and Dad to 3 beautiful criminal children. Mom and Dad love their criminal babies and the kids love them (as well as each other, but we’ll come to that in a moment). You get amazing family moments such as: Mom and Dad packing the kids lunch before sending them out to kick corporate greed’s ass; Mom and Dad giving the kids ridiculously expensive and personal Christmas presents causing their most Grumpy Kid to go very very quiet and soft as he runs off to gleefully play with his new murder toy; the kids interrupting Mom and Dad’s big Movie Style Kiss to ask if they can please keep their new underground layer and huffing and puffing when Dad tells them no.

2. Found family: the OT3 edition. To answer your question, the OT3 is indeed canon, confirmed by the creator. Now, usually, “confirmed by the creator” infuriates me because most of the time it’s a way for a creator to be seen as “progressive” without doing anything to actually be progressive. That isn’t the case here. The OT3 are built up carefully and while it is obvious the creators didn’t originally intend for all 3 of them to become a relationship in the romantic sense, by mid-season 5 we are given a very clear picture of where Parker, Hardison and Eliot are heading in their relationship. There aren’t any kisses at the end to signal this but there are solid marriage vows in not only one but two episodes. (And by marriage vows I mean literal equivalents of marriage vows: “for better or worse” and “’til death do us part”. I’m not even exaggerating). The OT3 also doesn’t need explicit romantic narratives to convey how much they love each other. Their love is laced through the whole show, from the way they teach each other things to the way they respond to each other and work as a unit. The way they fiercely protect and admire each other. Like someone once said, if you need characters to kiss or say I love you to let the audience know they love each other, you are writing them wrong. 

Aside from that, each of the parings in the OT3 are just. Gah. They are so well done, with friendship being the solid basis for them all. The creators never expect the audience to assume anything about them or fill in the gaps. They give us their relationships on screen and reference many things off-screen to show us how these relationships continue to build in between episodes.

Hardison and Parker are a canon couple and date in the show: it’s approached slowly and they are so goddamned sweet. They are basically every fluffy slow-burn trope with a healthy dash of mutual pining in the mix. They are basically that quote “love is patient, love is kind”. (I would like to add their romance never becomes the focus of the show or overrides the importance of any other relationship they have with the other characters, especially Eliot.)

Hardison and Eliot are the Old Married Couple and from day one are already bickering and looking at each other/making comments that are found in every UST fic ever (not to mention Hardison has a very good knack for making Eliot grin like a little kid, when usually he’s basically an Angry Little Chef Man). They argue, they play, and love each other plain as day. 

Parker and Eliot are more subtle but every bit as wonderful. They have an unspoken connection and understand each other on a level no-one else can. Parker and Eliot are not good with giving themselves over to affection for different reasons (and Hardison plays a central role in helping them realise it’s okay to want it and have it- that boy has endless patience) but there is something so beautiful in the way the two of them come together on their own and develop their own special bond that works for them. Parker and Eliot are that trope where the characters don’t need to speak to understand each other perfectly. They just do. Their love language is a lot of the time non-verbal but speaks volumes. (Parker also likes to annoy the hell out of Eliot and Eliot....just.....lets...her. Because he’s soft. The softest, grumpiest boy.) 

I could go into so much depth for each pairing and their dynamics as a 3 but that's for another post.

3. Subverting stereotypes. There is the occasional hiccup in the show regarding stereotypes but ultimately, Leverage gets an A+ when it comes to writing characters and making them 3 dimensional people who are not defined by certain characteristics or events. Nate could so easily fall into the White Man Pain trope where he uses the trauma of losing his kid as a reason as to why he is entitled to act like a dick. Nate is a dick but he doesn’t use his pain to excuse it and I appreciate that. Hardison is a black man who is soft and nurturing. Easily the most empathetic and patient of the group. He’s nerdy, an actual genius, and has the biggest heart of all the characters. Nate is maybe the glue but Hardison is definitely the heart. Media’s usual aggressive, amongst other, racist stereotypes can fuck right off. Parker is canonically autistic (I am sure this was confirmed by one of the creators) and she is not defined by it. It’s not written as some kind of singular personality trait. It’s part of what makes up Parker but it’s only one facet of who she is and not once is her actions, thoughts or feelings treated like a joke. Sometimes people don’t understand why she does and says the things she does but it’s met with patience and fondness over the course of the show. Equally, it’s not met with over-caution. Parker is just Parker. No-one tries to change her. The other nice thing is Hardison, who always makes sure Parker knows she’s amazing because of who she is and not in spite of it. Finally, Sophie is in her 40s. She’s not treated like she’s past her prime. Ever. She’s sexy, smart and never is she pitted against or compared to Parker (who is younger) for anything. Sophie is amazing and there’s never even a conversation of “I may be older but I am still *insert adjective typically associated with younger women here*”. Sophie is possibly the first female character I’ve ever seen who isn’t just unapologetic about her age but has never had to apologise for her age. It’s a non-issue and that’s that. The women on the show are written so well, right down to secondary characters and it’s beyond refreshing.  

4.) It’s just fun. The show has a “monster of the week” type format. Except instead of a ghoul or a ghost, the monster is some corrupt wealthy and powerful individual or organisation. The show draws on real-life individuals to do this and therefore closely parallels real-life people and events. It addresses important political, economical, social and environmental issues while at the same time remaining fun and light-hearted. The characters constantly get the chance to play dress up and by GOD do they have fun with it. You get to watch Eliot beat up bad guys in the most delightful of ways, usually after a witty non-sequitur and with a weapon you’d never think could be a weapon. The dialogue and back and forth between the characters is everything. And finally - my favourite thing- the team can never resist striking a dramatic pose after they’ve taken down the bad guy, making sure the bad guy sees them. I mean, they COULD just walk away, satisfied they’ve taken the person down, but nope. They gotta be dramatic bitches 24/7 and pose like they are models for every single month of this year’s Criminal Calendar.  

5.) Competence Porn. So. Much. Competence Porn.  

Honestly, I could list a thousand reasons for why Leverage is amazing but to list them would to be spoiling so many amazing moments you’d get to discover for the first time on your own if you do choose to watch it. It’s the kind of show you can watch with an eagle-eye and sink your teeth into. But it’s also the kind of show if, you would prefer, put on in the background for something entertaining while you do something else. Each episode is about the job at hand but it’s made up of so many moments between the characters that show how much the creators and writers care about them. You’ll laugh, you’ll cry, you’ll do whatever it is you do when something Soft and Wonderful happens that makes your heart melt. I am so beyond grateful for Leverage. It’s everything I always wanted in a show. Nearly every show I’ve watched in the past 10 years has disappointed me in some way, usually either because the writers run out of steam or characters who I love are treated poorly or given some kind of unnecessary “shock value” arc. Leverage doesn’t do that. Leverage is what it says on the bottle. Fandom isn’t something I joined because I needed canon fix-its. Fandom only enhances and celebrates an already excellent canon. 

[dangermousie]

Hello !

I was wondering whether you could rate and tell us of your top 5 favourite webnovels/cnovels of all time ?! (Sorry if this has already been answered lol😅)

Thank you, stay safe and have a nice day🖤

Awww, thank you and that is such a lovely ask!!!

From n1 to n5, here they are (they happen to be all danmei.)

1. The Husky and His White Cat Shizun (2ha) - my n1 forever and ever.

Taxian Jun, the horrific cultivation emperor of the world who razed cities and destroyed sects, is surrounded on his mountain. The righteous sects are terrified to confront him but tired of living, Taxian Jun consumes poison and dies by suicide at the age of 32. And opens his eyes as 16 year old Mo Ran, Mo Ran long before he became Taxian Jun, Mo Ran who is excited at a chance to save the one person he loved and lost. Oh, and to deal with his loathed shizun, the unapproachable and strict Chu Wanning, his past life’s biggest enemy.

I have no idea if it’s objectively the best on this list but it hits every trope I love, its bleak worldview (the world will change only incrementally but that’s enough, average person will not appreciate the sacrifice but it’s still worthwhile, and love is worth everything) mirrors mine, and the sheer complexity of the plot and cascade of plot twists each of which is insane and yet completely logical, is amazing (this is a rare novel where it’s even more fun to reread than read for the first time because you keep seeing all the hints and trail crumbs laid out that you did not see the first time.)

And the characters!!! I mean, this novel has multiple universes/timelines, a side trip to the Underworld AND the demon realm, a plot more twisted than a store’s worth of pretzels and yet the thing that hits me the most are the characters. Mo Ran is my favorite web novel character of all time and I love Chu Wanning so. All the secondary characters are wonderfully written (and some of them made me bawl) and they are all complex. My opinion of all of them changed many times over; the novel doesn’t make it easy to love some of them but then you do and it’s so worthwhile! That slow change is one of the delights of the novel - I started out disliking the unpleasant, superior Chu Wanning and cruel, callow Mo Ran and then I loved them so so hard and cried for them so so hard and was in awe of their heroism and sacrifice and selflessness and capacity to love.

Oh, and the fact that this novel does something almost impossible - it has its protagonist start out as so clearly irredeemable and then slowly and painfully and thoroughly redeems him (without ever letting the reader forget what it is he needs redemption for.)

Also, for a novel that made me cry so hard I felt ill, this book is just so damn funny with the most sarcastic sense of humor imaginable (the serious angst doesn’t even kick in until 90+ chapters!)

Anyway I should stop or I will write a dissertation. But this is the one web novel that I would put in my top 5 not just web novels but any novels in any shape or form. The plentiful trigger warnings are there for a reason so stay away if they are an issue, but if not, if anyone hasn’t read it yet, what are you doing with your life?!

2. Stains of Filth (Yuwu) - another novel by the author of 2ha. Clearly she just pushes all my buttons every time. This one is much shorter and has a plot that is twisty but less twisty than 2ha. Still, all that means is that intensity and the pain are more concentrated.

Aristocratic Mo Xi and former slave Gu Mang were both legendary generals of the empire and lovers. But Gu Mang betrayed the country and switched to the enemy. Now he is back as a peace offering by that country and Mo Xi has to deal with the fact that his feelings are as strong as ever.

This novel!!! So much pain and intensity!!! So many amazing plot twists and supporting characters. The same bleak world view, the same unjust society, the same protagonists doing right things despite the cost. Mo Xi’s intensity and inability to let go (he’s imprinted on Gu Mang and that’s it) is romantic, bone-shakingly intense, and tragic all at once. And oh Gu Mang! So many times I just wanted to reach into the book physically to protect him. The novel deals with unjust societies, memory versus personality, what it’s like to be good in a bad universe etc. And it both made me sob and giggle, repeatedly, and sold me on literally death-defying (but not honor-defying!) love.

Oh, and special shout out to the fact that like 2ha, you may start out hating some characters and end up a rabid fangirl (cough Murong Lian!)

3. Qiang Jin Jiu - a dense political tome that takes a while to get going but then it’s a runaway train.

In a fictional dynasty, Shen Zechuan, the only remaining son of a disgraced aristocratic family and Xiao Chiye, the younger son of a family of generals guarding the border join forces (and then something else) to get power and pull down the dysfunctional system.

This is so elegant and smart (a rare web novel I’d recommend to anyone who just loves solid period fiction) and you probably need a notebook to keep track of the politics and military strategy. These characters are very very smart not just because the author says so.

As to the characters, there is a large cast and I love many of them, but for me the novel is made by Shen Zechuan and Xiao Chiye. SZC is gorgeous and delicate and icy and can kill you before you have time to blink. Saddled with the sins of the family he had no pleasant interaction with, he claws his way out of hell (seeing the sinkhole he was trapped in, literally as well) to take down those who wronged him but also to amass power so all the tragedy and corruption won’t happen again and the whole rotten system comes crashing down. XCY is a military genius who is trapped as a hostage in the capital because the court doesn’t trust his family. He longs to return to the plains of home and to take his rightful place. The two men start out as bitter enemies, then reluctant and sniping allies, then as friends and eventually as one of the most gorgeous, tender, swoony OTPs.

Anyway this is one is a bona fide masterpiece, equal parts smart and emotionally intense.

4. Wu Chang Jie - are you an emotional vampire? I am and this novel is a banquet.

In a highly fantastical setting, we meet our protagonists - the sunny Xie Bian and the intense and surly Fan Wushe. Xie Bian is a human who assists his master in conveying souls to the underworld and making sure no mishaps happen. Bian is concentrated sunshine in human form and to meet him is to love him. When the novel opens, his drunk master brings back another human to be his shidi and assist with duties - said human is uncommunicative, intense and surly Wushe. Bian is excited to have a shidi but little does he know that a story dealing with the horrors of past lifetime is about to start.

Anyway, why WCJ? So many reasons. It has such a dark bleak worldview - this world is a horrifying system where powerful cannibalize each other’s cores for an impossible chance to ascend, where gods have sealed off their realm and all that’s left is neverending human misery and hell (the only way you’d see a deity is if they’d been sent down to suffer over and over and over), where even reincarnation doesn’t fix things and bad acts are often unpunished. And the novel then asks - is it worth being a good person in such a world? More, is it worth being a good person in such a world when nothing good has ever happened to you and you have been repeatedly betrayed due to your goodness? And the answer, on Bian’s part, is an uncompromising yes.

Ah yes, the other reason to love this novel - the protagonists and their fucked up fucked up relationship. Bian (who was Prince Ziheng in the past life) is so genuinely good. But he is that rare thing - good but not saintly, noble but not cloying. So much of the novel is his getting taken apart over and over and barely able to put himself back together every time but his soul is still as amazing as ever.

And then there is Wushe (who was Prince Zixiao in past life, Ziheng’s not-bio-related brother.) Wushe is not a good person. He is a monster. And he loves Bian/Ziheng more than his life and his soul and the entire world but he’s also the one who hurt him more than anyone else ever could and did it over and over. His love survived a literal century of torture in the worst kind of hell and refused the usual memory loss of new life. But it also humiliated and broke Ziheng down to his constituent parts.

One of the things that is so fascinating to me about this novel is the question of what can be forgiven/what should be forgiven/what kind of expiation is enough/can you ever love someone who you loved so much and then he hurt you so badly and is now repentant? And it never sweeps trauma under the rug or hand waves it away but deals with it head on.

If you want healthy relationships, you should stay far away from this novel but if intense insane ones with a feral barely human one capable of destroying the world leashed by love and guilt to the sane deeply good one is your bag, come right in.

There is also the world building and the fact that yes, the big fall out between Ziheng x Zixiao is based on not knowing all the facts but it’s not “why can’t you talk?! This is dumb!” But is totally in keeping with both events and their characters. It’s reasonable for Ziheng to do what he does and for Zixiao to misunderstand and decide Ziheng is now his biggest enemy (but still one he’s fixated on) and for Ziheng to never be able to clarify.

Anyway, once again this is trigger warning central so please heed those, but if they are no issue, this one is wonderful.

5. OK, this is hard and switches between Sha Po Lang, Heaven Official’s Blessing and The Golden Stage depending on my mood. So what the hell, I am gonna write about all of them.

Sha Po Lang - so smart and so much clever world building. There is enough politicking to satisfy a Qiang Jin Jiu fan, it’s steampunk, and our two protagonists - Gu Yun, the empire’s most powerful general, who’s loyal to the empire despite being badly wronged by it, and Chang Geng, a cursed prince with barbarian blood and horrifying childhood - are wonderful separately and together. This is a huge slow burn but it’s totally worth it! They fall in love with each other’s hearts and brains and ability as much as anything. (Yes, this is the one with the yifu thing. Gu Yun is made Chang Geng’s foster father when he rescues him and brings him back to the capital as a way to keep CG safe in imperial strife. They are 12 and 19 at the time so clearly it’s never a parental relationship.)

Heaven Official’s Blessing (TCGF) - I love it’s sprawling narrative and cast, I love its inventive setting and picaresque story. It’s hilarious and can make me cry. But the novel’s place on this list is due to Xie Lian who is part Kenshin part drama WWX part pure goodness wrapped in heartbreak and trauma wrapped in sunshine.

The Golden Stage - two smart and principled (yes, they both have principles different though they may be) men navigate their arranged marriage, their past friendship and their past break up, become a super couple (one of the healthiest danmei couples I’ve ever read and proves healthy doesn’t have to be boring), save the country and bring down the emperor or two and just generally this is my rainy day book.

I guess I didn’t write as much for the three n5 candidates as I did for 1-4 but my brain is beginning to curdle so...

[cocochannel00]

Things that Husband!Harry would definitely do (a thread)

(If you don’t think that Tiny Desk Harry doesn’t give off mad husband!harry vibes - he looks so fluffy- then we can’t be friends)

- He’d sneak into your room the night before the wedding because he missed you even though he knows its bad luck and when you’re mad at him for it he would just smile and place a kiss on your forehead and say “I don’t need any luck, I just need you”

- At your wedding reception he would walk around the room introducing you to everyone as “my wife” as if they didn’t already know who you were 

- During your wedding dinner he’d spend the whole night whispering dirty jokes in your ear trying to make you laugh because he knew that even though it was your wedding day you were still spooked by all of the attention

- On your first year anniversary Harry wanted to surprise you by making you breakfast in bed so he started making pancakes as you slept. You woke up to the sound of your fire alarm going off and Harry blowing the smoke off a pan with a pillow. He’d give you a sheepish smile before mumbling a “maybe we get takeout this year?”

- During the holidays he’d hang mistletoe all around your house and force you to kiss him at every one. “Look love it’s mistletoe, you know what that means” he’d state with a grin. “Harry I just kissed you literally 2 minutes ago in the other room” you’d grumble “Doesn’t matter love, it’s mistletoe and those are the rules. Now come here and kiss your husband”

- Anytime the two of you would get into any sort of major fight where you would say “I hate you” he would shoot back “Well I love you so I guess you’re stuck with me” before going to sulk on the couch

- Whenever you went to his shows or stayed with him on tour he would force you to sit back stage and watch him from the wings so he could watch your reaction to his corny jokes and steal a kiss from you in between sets and on his bathroom breaks

- You agreed to be the designated drive for your group for a night out so Harry gets drunk and becomes extra clingy. He spends the entire night stuck to your side, shoving his face in your neck whispering “I’m going to marry you one day” to which you’d remind him quietly that you were already married. He’d then nod thoughtfully and mumbled “Well then I’m going to marry you again just in case” 

- One night you would be tossing and turning in bed unable to sleep and you would accidentally wake up Harry. You’d apologies because you knew he had to wake up early the next day, but he would just shush you with a quick peck before repositioning you so that you could lay your head on his chest. He’d then softly start humming the tune to one of the new songs he was working on until you’d fall asleep

- Harry would convince you that he was capable of building the Ikea coat rack the two of you had bought for your new home on his own so you’d go into the room next door to take a nap. When you woke up and hour later you found him laying on the floor facetiming Mitch as he tried to figure out why the last piece wasn’t fitting properly only for you to look at it and realize he had built half of it backwards

- Harry would come home late from one his movie shoots and would mumble a quick hello as he walked in through the door. You’d be sitting on the couch watching and episode of Dateline and he would throw himself next to you and lay his head on your lap. You’d start running your hands through his hair as you finished watching the last couple of minutes of the episode before asking Harry how his day was only to realize he had passed out on your lap and was now quietly snoring, a small trail of drool slowly coming out of his mouth

- The next season of your favorite show Handmaid’s Tale had come out so you and Harry started watching it. Every five minutes Harry would ask you a question about the show until mid way through you looked at him and bursted out “Harry if you ask me one more question about the show I’m sending you to our room”. Harry would pout at you and sink into the couch, grumbling about how it wasn’t his fault he couldn’t remember what happened last season before he shoved some popcorn into his mouth

- You’d need to go shopping at Target one day to get some decorations for your niece's birthday party and Harry would decide to come along. “This is our list Harry, we’re not buying anything that’s not on the list” you’d say in the car before getting out, but it would be hopeless because every other aisle Harry would pick something up and say “babe we need to get this” and you would stare at him and say “is it on the list?” and he would grumble a no before sulking back down the aisle to put it back

- On road trips when he let you pick the music he would grumble when you would change the song every 30 seconds. “Love just choose a song, it’s not that difficult, gave you the bloody playlist” he’d state as you would continue to skip through the songs mumbling “I’m tired of that song though, just wanted to hear the chorus”. “Is that what you do with my songs too, just skip all the good parts to get to the bloody chorus?” he’d ask mockingly as you gave him a sheepish smile and mumbled a “sometimes” before finally picking a song

- It would be nearly 4 am and you would still be awake reading your book in bed as Harry slept soundly next to you. You could feel the tears running down your face as the main character just had their heartbroken and a soft sniffle left your nose which caused Harry to startle awake. “Babe what time is it?” he’d mumble as you continue reading, paying him no mind. He’d turn on his phone and groan as he saw the 4 flash at him before turning to see the tears on your face. “Oh no love did she get her heartbroken again? Sure they’ll get back together by the end” he’d state, knowing this was your third rom-com book of the month. You’d mumble a yes as Harry gently dog eared the page before you could protest. He turned off your lamp before tucking you into his side, pulling the covers up to your chin, letting you crying into his chest over your fictional characters

- You and Harry going to your 15th high school reunion together and he gets jealous when he sees you talking to your ex-boyfriend from when you were 16. He’d come up behind you and wrap an arm around your waist while placing a kiss to the side of your temple before reaching out his free hand to introduce himself. “Hello I’m Harry. The Husband” he’d say as he shook your ex’s hand just a little tighter then necessary

- Harry would be overly invested in your work place gossip so when the two of you would have dinner together he would constantly ask questions about what happened with your coworkers that day. “So did Stacy and Justin get caught yet or does Janet still have no idea? Did Kathleen ever get that promotion? If I ever see Garrett I’m going to punch him”

-  He’d force you to wake up early with him so the two of you could workout together in your home gym, but you’d just sit on the floor against the mirror in your workout clothes staring at him. After several attempts at trying to get you to stretch with him he’d give up and say “If you’re not gonna workout at least give me some motivation babe” so he’d do his abs workout in front of you and every time he came up from a sit-up you’d give him a kiss

- Harry would come down with a cold and he would turn into a 5 year old boy and try to milk it for everything it’s worth. “Think the doctor mentioned that cuddles would really help with my headache, love.” “Harry I don’t think that’s what the doctor said” you’d reply as you placed a cold wash cloth on his forehead. “Don’t think I would have forgotten such an important order from her. Now, come here I want to cuddle my wife” 

- He’d come home from the studio fidgeting with his beat-up blue iPod in his hand as you were finishing up a quick dinner for the two of you. He would gently place the iPod on the counter next to you as he poured himself a drink to calm his nerves. You’d stare at it for a minute before asking “Is it finished? Can I listen?”. He’d nod before you gave him a quick kiss and took the device to the living room, leaving him there with his thoughts. An hour later you came back into the kitchen, tears streaming down your face as you ran up to hug him. “Liked it?” he’d ask nervously, this being the first time you’d heard the finished album. “Absolutely loved it” you’d whisper back causing Harry to release a deep breath before taking your face in his hands and kissing you roughly

- He’d start every award acceptance speech with “I’d like to first thank my wife for always supporting me” and then try to catch your eye in the crowd, giving you a soft smile that was only meant for you before going on to thank everyone else

- “We need an intervention Harry. Why are your suits in my side of the closet?” you asked as you came down stairs with one of Harry’s Gucci suits. “I was running out of space and I didn’t think you would notice” he replied with a blush. “Well I did so either you move them or I’m throwing them out” “Love but they’re Gucci you can’t just-” “Ah ah ah I don’t care. My side of the closet” you’d state before dropping the suit in his lap and walking back upstairs

So many others come to mind but these are just a couple that came to mind. I’ll probably do a Dad!Harry version at some point as well 

[blue-pastel-cat]

Xiaobedo Fanfic Recommendation

Welcome to my personal “if you are new to xiaobedo peeps please read these” list. As said before this is my personal list so please feel free to reblog/comment/hit me for not including any gem here. I might miss a lot of them because I am drunk or blind. (mostly have them on my to read and then forgot as I am being assault by real life shit).

I would like to say first that so far there are 150+ Xiaobedo fics on Ao3. I can’t review all of them but I can say that I have read a majority of them. Most of them are just pure love and I would like nothing more than a thousands thank you for all the fic writers who spent their free time writting these gems for us to read for free. But these...these takes the cake as it finds a special landing spot in my heart that I would just thrust them into someone’s hand if they say “I am new to this ship can you recommend me?”

1. Orange dust by bobamilkteas (Wes)

In which Xiao learns to open himself up to the world a little more after the collapse of Rex lapis's contracts but it was not always easy for a soul doomed to eternal damnation. Meanwhile, Albedo liked to tempt fate where the extraordinary are concerned.

If only the traveler's comrades are made of saner bunch.

Comment: Long ago when I like both Albedo and Xiao as a character, I was wondering hmmm....will anyone actually even write about them lmao they never met each other. I am surprise to see this one as the 3rd fic in the whole 3 Xiaobedo fic on Ao3 (yeah back when there’s literally only 3 fic for this couple). I was like I’ll read it for the curiosity, I’ll probably won’t ship them. And that people is how I put my clown make up on my face upon finishing reading it. This ONE fic alone convert me into a devotee of Xiaobedo. Please consider joining me in this circus if you want to know what is Xiaobedo. I would put this as the first of my “Big 3″

Orange Dust also come with its compliation of short stories over the course of the game and a big sequel to it. Please also consider reading ALL OF THEM.

2. Solar Wind by birdpriestess (Sparrow)

For the yaksha, his duty was his life, and his life was his duty. No human could ever hope to understand the eternal war he fought out of sight and in silence.

So why, then, did he feel that Albedo would understand?

---

Finding himself at death's door once more, Xiao is saved by a surprising person, setting off the unlikeliest of adventures.

Comment: Do you like crying? Do you like the feeling of getting your heart ripped into pieces as the author destroy your emotions over the end of each chapter as the story picked up the climax? Yeah, this one is for you masochists. The action, the characterisation, the drama THE EMOTIONS OH WOW. I kid you not that it was so good I read this while workinng when I am not suppose to me. Also, this fic has my favourite characterisation of Gold ever. I love that dramatic queen Mad Alchemist. AND DAIN. I LOVE DAIN IN THIS FIC. Our dearest Sparrow manage to toy with our feelings like how I bully ruin guard for big numbers lmao. This is the secound of “Big 3″ of my Xiaobedo list.

Again, just like Orange Dust, Solar Wind comes with its own compliation of short stories of what came after that. Please also consider reading ALL OF THEM.

3. Castle of Glass by AlchemicalStardust (Morgie) 

A black shadow rises over Huaguang Stone Forest. Caught in the wrong place at the wrong time, Albedo flees the shaking ground and the crash of boulders tumbling form the sky. As the dust settles, Albedo finds a young man – an Adeptus – amidst the carnage. Despite the karmic agony ripping his body from the inside, Xiao’s only question is “How?” How did a human survive after witnessing his battle?

Comment: The last of the “Big 3″ of my Xiaobedo list. And it is still on going! Castle of Glass? More like I AM IN A GLASS CASE OF EMOTIONS! Have you read a fic about 2 people yearning, longing, reaching out for each other so damn well that you just want to throw your phone in the air as they both had their impending doom coming down upon them? Yeah this is one of them. You will like want to be stuck in the moment they express how much they just yearn for each other’s love and care that you want to shake the author for what comes next. Like...everytime Morgie update I am expressing my gratitude at the end of the chapter by writing on Xiaobedo discord “MORGIE COME HERE AND LET ME BONK YOU WHY ARE YOU ENDING IT THERE”

trust me when you read you will def feel the same. With just Big 3 and their compliation alone that would give you like a LONG list of reading already LMAOOOOOOO

4. Find a place to call it home  by yamajiroo 

Our room, he said. Xiao’s brow twitches. Zhongli never said anything about this. But then again, perhaps he should anticipate this from the beginning...

Xiao looks over at Albedo, who is now tilting his head, his look as innocent as ever.

“Are you not okay with sharing a room?”

Comment: College AU for Xiaobedo! One thing that I love this is the slow burn and what made me LOVE LOVE LOVE this fic more is how cute Klee is in this fic. Their relationship in this one is very simple, but that simplicity highlight why their chemistry work. Xiao is someone who was just very gentle, who was largely misunderstood by his lonesome nature. Albedo was someone who like peace and quite in his introvert bubble. And how they respect that bubble that each other has actually made their relationship work. I love it when fic highlight this and this one captures it.

5. I Can't See Your Face From the Other Side of the Classroom by MissWeaver  

When Albedo and Xiao unexpectedly start eating lunch together, they begin to find that they have more in common than anyone would have realized. They both struggle in their own ways with blossoming feelings, too many assignments, and annoying classmates as they navigate a relationship for the first time.

Comment: I’ll be honest, I usually hate high school au just because its so cliche. I don’t even watch and drama/anime surrounds high school student anymore LMAOOO (unless it’s very good). So if there’s an high school AU that I actually keep come back and read after a couple of chapters, it means that the cliche that I hate wasn’t there or barely was there at all. The pinning in this fic makes me want to bang their head together sometimes LMAOOO The tag wasn’t kidding when they said both Xiao and Albedo are bad at feelings. Also that’s a lot of heart broken caused by these two idiots XD

6. new world, same me, same bullshit  by  bobamilkteas (Wes)

At the belly of Dragonspine, Albedo lost control to the festering corruption that permeated his senses and watched, from the recesses of his mind, as his devoured body turned his allies into enemies. Before his rampage reached its climax, he is sealed in a crystalized confinement by the last hand of Reindottir, where he then reawakens centuries after, in a rebooted Teyvat.

Comment: Yeah I know it was list in Orange Dust but here me out. This sets out in an entirely different universe. And if you like Polyamory, this one has Zhongli joining the duo and I love it because I also love ZhongXiao with my life. Time Travel is my biggest kink. Especially when I am the person who love it when people explore Archon War era/ Alatus!Xiao. So this one hits double of my kink. Of course it is still on going and I will bully Wes whenever I can to see that new chapter. Albedo is a total fucking badass in this story and I completely agree from using him in Abyss so often. Everyone should write badass Albedo.

7. misplaced heart of mine by  inkburn           

“If you are ill, then you should be resting at home. In Mondstadt.” He emphasized Mondstadt with a pointed look in his direction.

“I assure you I won’t be troublesome, Adeptus Xiao,” Albedo said, “You’ll find I’m a rather low-maintenance traveler.”

“Travel,” Xiao scoffed, “without airstep?”

Albedo looked him up and down. “Are your legs just for decoration?”

(albedo is sent to liyue on mandatory vacation. xiao is his unfortunate bodyguard.)

Comment: Most of the time you will see Albedo and Xiao starting their relationship with one of them taking interest in another. But this one took another approach, they starting off by make them hating each other’s guts LMAOOOO and I live for every second of it. There’s only 1 chapter so far but wow it was SOOO GOOD. I am really really excited for next chapter and is waiting patiently ;w;

8.  Blossom of Grace  by birdpriestess  

One day in Liyue Harbor, Albedo watches a street performance by an enigmatic dancer named Xiao. And he becomes completely obsessed.

Comment: Have you ever look at Xiao fight and thinking that he’s one of the most beautiful deadly thing ever? How it was like he was dancing around the battlefield? How about actual dancer Xiao being so absolutely beautiful and perfect and that slow burn of Albedo falling in love with that beauty with a touch of Modern AU and cute Ganyu as the Wing woman. Yes, Sparrow delivers yet again another beautiful slow burn and while it’s still ongoing it is worth the read.

9. i think we could make this work (could get used to this) by outspaced               

“Xiao? What are you doing out here?”

“I—”

“It’s raining,” Albedo says, as if it isn’t obvious. “You could get struck by lightning.”

“What are you doing out here then?” Xiao does the only thing he knows how to do, he challenges Albedo. “It’s raining.”

Albedo just hums. “If I get struck by lightning, it’s for science.”

Comment: A short one-shot where I read the summary and went “This is it... this is their relationship.” I am sold immediately. Oh god Albedo why are you like this.

10. Ephemeral by criedprinz        

“It’s not for your investigation, is it?” Aether asked mildly.

Albedo traced a finger around the sketchbook, considering the question. “No,” he admitted finally. “I... I just want to see them again.”

He opened the sketchbook to reveal the drawing he’d just finished. Aether nodded, clearly recognizing the sharp golden eyes.

“Xiao,” he said. “You were rescued by an adeptus.”

When a visit to Dragonspine goes horribly wrong, Albedo is rescued by an unknown stranger, wielding powers he's never heard of. Led on a search to find out who it is, he finds himself in the middle of an unforgettable encounter..

Comment: A really really well written one-shot that I love. The yearning oh godddd the yearning from Albedo side is just so so much that I have to put it here. (I think you can see the trend here lmao. I am a sucker for yearning). And the moment they get to meet each other again is just chef kiss. MWHAA

11. Idle Yaksha, Brilliant Yaksha by Pit0fTheEarth

Alatus didn’t have a lot of responsibilities to keep. He spent most of his days dancing across the sky and eating away all nightmares that plagued a person’s sleep.

But one fortunate encounter led to too many unfortunate ones, taking his carefree existence and plunging it in darkness. His wings, stripped from him. His gentle touch, replaced by an unforgiving grip of destruction.

There was a lot of blood on his hands. With each passing moment, it became harder for Alatus to recall the last time someone gently held him.

Comment: This is one of the ongoing fic where I am very very much excited on the take of Naberius. And the way the author portray Xiao when he’s still the innocent Alatus is just *clench fist*. Baby ;w; Baby why do you have to lose all that innocence. Also the fic has long LONG flashback to Xiao past and his relationship with Naberius. We are unwielding more what happened to both of them and why perhaps does this have to do with Albedo.

That’s it for now, might add more later! Thank you <3

[vizowrites]

“We” vs “Me”| or “Why BlitzStrike Works So Well For Me But Stolitz [as of episode 6].....Doesn’t”

Alright my Loves, so I said that I was going to talk in further detail about my feelings regarding Stolas and the multi-layered portrayal of his relationship with Blitz in the new episode, and today’s the day where that happens!!  First of all, though, before I really get into my feelings about things, I want to just make it ABUNDANTLY clear that I’m not trying to sway anyone from one side to the other, or trying to shame anyone for shipping two fictional characters.  I’m fully in the boat that you are completely entitled to ship whoever you want, but I also think it’s wise to at least be able to recognize the faults and flaws in a pairing--and especially to be able to recognize them in the context of an IRL relationship.  In this analysis in particular, I’m specifically focusing on these two relationships within the realm of the Helluva Boss universe [......Hell] and within the specific context of their characters as they’ve been portrayed in the show thus far.  And, my biggest disclaimer of all: I’m doing this for no other reason than I felt like putting my jumbled thoughts together into a cohesive post so that they don’t have to stay bouncing and buzzing around in my head.  Please keep that in mind that this is just pure personal opinion and interpretation before anyone comes at me with torches and pitchforks.  <3 <3 

SO WITH THAT LONG ASS DISCLAIMER OUT OF THE WAY 

Let’s finally get to the good stuff.  And the not so good stuff.  :D

So I don’t think it’s a surprise to anyone who follows me here that I’m a huge BlitzStrike fan.  What I think fewer people know is that when I first entered the fandom a few months ago, I actually was on board the Stolitz train like so many others that I’ve met here in the fandom.  Naturally Stolitz was the first major pairing I was introduced to, and I did find both the characters of Blitz and Stolas incredibly interesting and compelling in their own rights AND saw the potential in how they could really come to grow into one hell of a relationshp over time.  I was honestly really excited to see it happen, too.  

And then I watched Episode 5 [still my favorite episode, btw] for the first time and had this sudden question hit me like a truck that even now is still relentlessly burning in the back of my mind because I still haven’t found a legitimate answer for it: Why in the FUCK wasn’t Blitz falling head-over-heels in attraction to Striker throughout this fucking episode??

And I don’t mean that in a “They’re so hot and I ship them now why didn’t they get together?? DX DX” kind of way--I mean that in the genuinely perplexed “I don’t understand based on what has been presented to me thus far about Blitz as a character and the storyline overall why he’s reacting so nonchalantly to this whole thing”.  To Note: This is me wondering this from the context of what’s in the show itself, not from any extra fan materials like the Instas or Twitter or just straight up knowing that the most likely answer is that there are people on the creative team that ship Stolitz really hard and realistically wouldn’t have probably written Blitz as being attracted to Striker because that would just be--to quote Jack Sparrow--blowing holes in their own ship.  No, this is me disregarding ALL of that and trying to rationalize this with myself from the perspective of a fan whose entire knowledge of the show and its characters comes exclusively from what’s in the episodes themselves.  .....And that’s where I just can’t find my answer, except for the Stolitz positive “He’s not attracted to Striker because he’s in love with Stolas” answer.  Which really doesn’t even feel like a satisfying answer, because the entire vibe I’ve gotten from Stolitz in the show has just felt.....strangely.....off.  Like, the framework is there and the elements are there, but I’d felt as though they had so far to go still that it would be entire SEASONS before they got there.    

And THEN the new episode [Episode 6] came out and I’d heard a handful of fans going crazy because the show was finally addressing Stolitz in full, and I thought to myself, “Well, maybe if the show really is going to go with saying that the reason Blitz wasn’t interested in Striker is because he’s in love with Stolas.....sure.  I’m curious to see how they finally establish it in an episode, especially since there’s only two more episodes left in the entire first season.”  And then I watched the episode.  And then it hit me why Stolitz just does not do a damn thing for me but BlitzStrike does despite the fact that we’ve had 4/6 episodes [5/7 if you count the Pilot] of Stolitz but only 1/6 [1/7] of potential--not even canonical--BlitzStrike:

When Striker talks about Blitz, or interacts with Blitz, he always talks about them as a “we”.  As a team.  A partnership.  OR he just straight up puts the entire focus on Blitz and his accomplishments and keeps himself out of it entirely.

When Stolas talks about Blitz, he always talks about them within the context of “me”--of himself--of what Blitz does or should do for him.  Even here in episode 6, in the most “selfless” instance we’ve seen yet, where he does ask about Blitz’s safety first BEFORE going right back into how Blitz’s actions affect him and what Blitz should be doing in response for him.  Stolas’s focus is always automatically set to himself--and even when it comes to the people he supposedly loves the most.  

To explain what I mean here, let me give some examples directly from the show itself, starting with the Stolas side of things: 

Episode 1

Blitz, in the middle of trying to hide so much that he actually clamps both of his hands over his mouth just to muffle the sound of his own breathing, knowing damn well that this psychotic bitch who already shot him once won’t hesitate to do it again if she finds him.....gets a call from Stolas.  Stolas, who we clearly see from his leisurely hang out time in his bubble bath, is literally watching this happen and is fully aware that calling Blitz right then was potentially putting him in danger. But what does he say when he gets Blitz on the phone?  He offers--not help--but Blitz the use of his book in exchange for monthly sex.  Stolas literally uses Blitz’s peril as leverage here--consciously or not, though given the fact that he knows the situation at hand, I’d find it very hard to argue that he didn’t do this on purpose--just to get him to agree to be his bootycall until further notice.  

Stolas not only doesn’t lift a finger to help Blitz once in all of this--even at the moment where he and Millie are about to be shot in the face--but instead continues to stay on the phone talking about all of the things he wants for their upcoming future rendezvous.  He already got exactly what he wanted out of this and he still just continues to go for more for himself.

Episode 2

.....There are honestly so many fucked up things that happen here as far as Stolas and his relationship with Blitz goes but honestly the thing I want to draw the MOST attention to is actually Stolas’s storyline with his daughter, Octavia.  I know it’s a little left field, but bear with me--this is actually something I want to use as comparison for Stolas’s relationship to Blitz as we go along:

When Stolas first decides that he’s going to take his daughter to Loo Loo Land, he does so while completey setting aside the fact that she doesn’t want to go.  He just offers her assurances that it’s going to be so much fun because he remembers that she loved it so much when she was a little girl--effectively putting his memory above her wishes even as she’s sitting right there and telling him that she doesn’t enjoy the idea of going now.  

Stolas doesn’t actually notice just how uncomfortable he’s making Octavia throuhought their entire trip by spending his time sexually harassing paying more attention to Blitz than he is trying to cheer her up.  This tells me that Stolas--though I do believe he genuinely wanted to do something to make her happy--still wasn’t able to completely overcome his own self-centered tendencies at first even when it’s for her.  And this is the person that Stolas loves more than anyone or anything else in the entire world. It still wasn’t enough.

It’s only when Octavia runs off and completely breaks down that Stolas finally gets the much needed slap-to-the-face of reality to understand just what he’s putting his daughter through--and, for the first time in the entire show, he actually puts someone else’s needs and well being above himself.  It’s the one solid honest display of love that we see from Stolas in the entire show--and it’s how we as the audience come to learn that that’s how Stolas shows that he loves someone: When he puts their needs above his own with no strings attached or expectations of something in return.  A true selfless act just because he loves them.  **Keep in mind the parallel of Stolas carrying Octavia out of Loo Loo Land at the end, and how it compares to Stolas carrying Blitz out of D.H.O.R.K.S headquarters.

Episode 5

The. Fucking. Cigarette.  I had no idea that something so small and quick would be able to infuriate me as much as it did, but the fact that Blitz used the post sex cigarette to free Stolas from his wrist bondage but then Stolas turned around and put the cigarette out on Blitz’s horn which is literally a part of Blitz’s body just.....honestly it sums up exactly what I’m trying to get across in this entire huge ass post: Stolas only ever thinks of himself first and anything pertaining to anyone else just doesn’t cross his mind at all unless you blatantly put it there in front of his face.  And the fact that he’s still at this point with Blitz all the way here in Episode 5 is not.....promising for their relationship.

The fact that Stolas literally cannot stop himself from calling Blitz “Blitzy” or talking to him in such a condescending way no matter how frustrated Blitz gets and how many times he asks him to stop.  I just--how is that supposed to be interpreted as someone talking to a person that they love?  There’s no respect or dignity given to Blitz at all on Stolas’s part, and the fact that it seems to be presented as a “Oh teehee it’s just their cute couple thing” is just.....I really, really don’t like that.  It also doesn’t match with the Stolas in the very next episode which I quite frankly think is because the creators have been listening to the feedback from fans and were like “We need to SHOW THEM that Stolas actually does speak to Blitz respectfully!!” but that’s just my personal opinion there and, also, it still didn’t happen.  

Episode 6 

Keeping in mind that THIS is finally the episode where we see Stolas actually save Blitz from danger and demonstrate even the slightest inclination towards his well-being.....I think that honestly makes the next few things here even more fucked up

First and foremost: “WE”.  The second after Stolas asks if Blitz is alright and gets the assurance that he is, he roughly grabs his cheek and points out that “If you get in trouble, I get in trouble!  WE don’t want that”.  The fact that this is the first time that Stolas ever talks about Blitz in the context of “we”--when really what he’s really saying is that him [Stolas] getting in trouble is going to be a bad thing for all of them--is just.....so, so disappointing.  At least with this I could hope that perhaps the idea here is that Stolas is genuinely afraid that if he gets in trouble, he won’t be able to protect Blitz from the undoubtedly much worse trouble that he would be in as an imp, but still.  The fact that Stolas immediately reverts back to his self-centered perspective so quickly after supposedly being so worried about Blitz’s wellbeing, really makes it seem as though it’s just his own ass that he’s trying to protect.  And that.....isn’t  exactly what I’d been expecting from “the episode that confirms Stolitz is canon” feedback I’d been hearing.

"Am I going to get ANY thank you for the rescue Bltizy?”  This for me was kind of what actually lead to me having this whole epiphany over Stolas’s selfish perspective in the first place.  I realized that even here--even when he’s just been the most “romantic” towards Blitz that he’s ever been in any previous episodes up until now [and yes this shift in his character was incredibly jarring for me because of that]--Stolas still goes right back to thinking about what he’s going to get out of this now that he knows Blitz is safe.  Let’s take this back to that thing I was saying about Episode 2 and comparing how Stolas rescued Octavia and how he rescues Blitz.  Obviously they’re going to be different because it’s Stolas’s daughter vs his hook up BUT just think about where the focus is for Stolas in both of these scenes.  With Octavia, Stolas is entirely focused on making things up to her--taking her to do something she wants to do--even if it’s something that he himself doesn’t fully understand or isn’t fully into.  That doesn’t matter though, because the entire point is that he’s doing something just for her.  It doesn’t have to be about him.  But now go back to the scene where Stolas is carrying Blitz out of the room.  What does he do?  Ask what Blitz is going to do for him.  That just takes the idea that this scene was a confirmation of their love and throws it right out the window.  Stolas--as we’ve been shown before--would never ask for something in return from someone that he actually loves.  

Now let’s take a look at the one and only episode we have of Striker and Blitz interacting together, with an honorary shout out at hallucination!Striker’s appearance in Episode 6: 

Episode 5: 

Striker knows Blitz’s name.....and he uses it.  He’s literally the ONLY other character that we’ve seen so far refer to Blitz as “Blitz” instead of “Blitzo” or “Blitzy” by someone who wasn’t a member of I.M.P..  Aka someone who wasn’t a member of Blitz’s family.  He shows Blitz respect at that basest level, and only builds on that from there going forward.

Striker first recognizes Blitz for being “the bold imp that started his own killin’ biz”.  Not his hotness, not his skills in the Harvest Moon games because at that point he hasn’t seen them yet.....but for his accomplishment in starting up his own successful business down in Hell.  He treats it as an accomplishment.  With the kind of respect that comes with acknowledging another person for their accomplishments.  Right there, within two seconds of meeting him, Striker demonstrates more respect for Blitz than Stolas has yet to do in the entire show.

The Harvest Moon Festival Games.  Now this is something I find fascinating to think about from Striker’s perspective in particular.  We as the audience are shown pretty early on that Striker has a strong desire to be the one who comes out on top.  He likes the idea of being superior and he openly relishes in the praise and attention he gets for being better than everybody else.  ....Except Blitz.  When they tie in the games, Striker doesn’t seem bothered with sharing the spotlight with him at all.  If anything, he--again--respects just how skilled Blitz is in rightfully earning his place beside him on the stage.  That, to me, is HUGE.  I’m not going to go so far as to say that Striker necessarily sees them as equals because I think that might be going a bit too far for his ego but he does still fully acknowledge that Blitz is in the same general class as him: that is to say, better than most.  Worthy of the same kind of acknowledgement and praise that Striker gets.  I literally can’t get over just how big of a thing that is for what we’ve been shown of Striker’s character, and I think it’s unfortunately something that’s incredibly easy to miss or gloss over. :(

And now--for what I personally think is the most significant thing of all--we have: “We”.  How many times does Striker suggest during that final scene between them that he really wants Blitz to join forces with him as equals?  He never demands that Blitz join up with him, he doesn’t threaten him into joining up with him--Striker barely even hurts Blitz at all during their fight scene compared to how he tried to straight up murder Moxxie--and, most of all, Striker continues to acknowledge that Blitz deserves better than his current arrangement with Stolas.  And he’s right.  But instead of putting it as “I’M right and this is why you should do this”, he always puts his focus on Blitz himself, or the two of them together as a partnership:  “You are so above sucking on a a digusting rich pompous Goetia” | “We could be the most dangerous beings in Hell, Blitz” | “You could partner up with me and klll the unkillable--starting with the one that treats you like a plaything”.  It’s just--I honestly can’t believe it’s taken me this long to put together why Striker appeals so much more to me as a romantic interest for Blitz, but really breaking it down episode by episode and comparing the differences in wording between Striker and Stolas’s dialogue when it comes to Blitz is just.....holy shit. 

Honorary ShoutOut of Episode 6: 

The fact that the only thing hallucination Striker has to say to him is “But you don’t want to do things alone Blitzo!” is really, really interesting to me in the fact that he’s.....not......wrong??  Like, To be fair, Striker, RoboFizz, and Verosika all spill their harsh truths, but the thing is.....Striker’s is markedly different in that his wording really isn’t harsh or aggressive at all the way the other two are.  He’s just kinda stating a fact in an overexaggerated way because tripping balls hallucination sequence.  It’s very interesting to me that that’s the worst that Blitz can imagine him to say--as well as the fact that halluci!Striker calls him “Blitzo”, which is really weird considering that Striker’s never called him “Blitzo” once in the entire show.  Makes me kinda wonder where that came from tbh. 

Alright so, in conclusion of this very long and rambly styie post: I want to take things back to where I started by reiterating that this is not me trying to convince anyone that BlitzStrike is “right” and Stolitz is “wrong”, or that you should stop shipping what you’re shipping in the fandom.  This was just me honestly getting way more excited than I should’ve been over having my “Eureka!” moment for realizing why this new episode didn’t put me back on the Stolitz train like it did for so many other people--and why, in fact, it actually made me think even more favorably of the idea of Blitz and Striker being together.  

Thanks for sticking around with me for this very long read, I hope you found it interesting, and I really really hope that it didn’t piss anyone off or rub too many people the wrong way.  Like I said at the beginning, ship who you want to ship!!  That’s part of the fun of being in a fandom.  I’m just hoping that this might help make it easier to understand at least one perspective on why Stolitz is seen as being so problematic as a ship [as of where they are right now].  

Here’s to seeing where things go from here!! 

[simplysparrow14]

Volume 8 is eerily similar to Sleeping Beauty

So I was reading @magicaltimelady44​‘s wonderful post about How Volume 8 is following Mulan and I got to thinking about Nora (like you do) and I came to realization that Volume 8 is eerily similar to  sleeping beauty. (also please note that this is just an observation so if i get things wrong I'm sorry) 

Here me out:

First, I want to get this out of the way: Nora’s outfits correspond with Sleeping beauty’s dresses. to any of you who have never have watched sleeping beauty or it’s been a long time since you’ve watched it: don't know, In the Disney movie Sleeping Beauty, there’s a running gag where 2 of the 3 fairies that watch over Sleeping Beauty cant decide whether or not to make Sleeping Beauty’s Dress pink or blue. One wants it to be pink, the other wants it to be blue. Its a constant gag in the movie right up until the end. I bring this up because Nora is the only one in the cast that has this flip-flopping color scheme. In volumes 1-3, her outfit is mostly baby pink with a small midsection of Icy blue. In volumes 4-6, her outfit is mostly bright hot pink--hardly any trace of blue in sight.(except for her eyes). Now in volumes 7-8, its that warm baby pink again with that icy blue. Also if you notice, there’s blue underneath the pink (like the undercoat part is dyed blue, which could mean that if Nora wanted to, she could just turn her outfit inside out and have blue on the outside and pink on the little coller flap-things, which is a cleaver nod to “make it pink-make it blue”. ) 

Another thing that I’ve noticed is that when Nora becomes unconscious.  I know this could be chocked up to just the writing in that the entire volume takes place over 1-2 days, but in Sleeping Beauty there’s a very iconic line said by the villian: “Before the Sun sets on her Sixteenth Birthday, she will prick her finger on the spindle of the spinning wheel and fall into a deep sleep.”  Now I know that in this case there is no spindle or spinning wheel, but we all know that CRWBY loves to subvert the tropes and items used in their fairy tales. If Cinder’s glass slipper can be a sword than I’m sure Sleeping Beauty Spinning Wheel can be a fully-connected electric door that gives you electrical scars.

Now am I saying that it’s Nora sixteenth birthday when all of this is taking place? (no). Nora’s sixteenth birthday has already been passed. But the “before the sun sets” part is interesting. Mostly because of the whole “Volume 8 takes place in 1-2 days” part.  Need I remind you that Nora became unconscious a little before the sun began to fully set on day one. 

and when Team RNBW arrived at the Schnee Manor, You can tell that by the time that they got there, the sun had just began to set and the sky was turning that nice Ombre pinkish-purply-yellow color that it does just before the sun fully dips below the horizon. 

Another thing that I’ve noticed is that the characters that are surrounding Nora very much connect with Sleeping Beauty’s 3 fairies: Flora, Fauna, and Merriweather. 

Flora (flower) wears Red. Flora is the name of the general classification of plants and flowers. She shares similarities to Ruby mostly due to her being the leader and coming up with ideas that very much help the situation. 

Fauna wears Green. Her name is usually given to the general classification of  animals. The two characters that pertain to this are Penny and Blake. Penny is mostly seen wearing green and is very happy-go-lucky, and while Blake mostly wears monochrome/purple colors, she is generally classified as a “Faunus”. 

And Merriweather wears Blue. Weiss now wears very deep rich blue colors. SHe’s the one who’s very outspoken and usually tells it how it is. and is not afaid to call people out on their bullshit. I also point that who’s the one character (besides Nora) that’s commonly associated with a certain type of weather? Weiss Schnee (her last name literally means Snow and her emblem is literally a snowflake) 

All 3 of them guard and watch Sleeping Beauty as she sleeps.  

Now, you may be thinking: what does this have to do with Atlas and Mantle? I’m glad you asked. As we know, Atlas and Mantle are currently being over-run by Grimm (thanks Salem) and now the entire kingdom is in mortal peril and fear because of it. And now the big question right now is “How are we going to protect people now that both Mantle and Atlas are over-run with Grimm. 

Well, you pull a Brunswick farms and put everyone within the Kingdom to sleep. think about it: If everyone was asleep, the Grimm would think that both Mantle and Atlas are abandoned, and would possibly try to wander off. Or would most likely (after a few hours of destruction) think that they’ve killed everyone in the kingdom and then try to move on somewhere else.(or Salem would think that she had won and try to retrieve the relic from the rumble of a destroyed Atlas)  

 But how the hell are you going to do that? There’s no one in Remnant (currently) that has a semblance that can put people to sleep. We could use the Staff of Creation but then Atlas would fall right out of the sky, smashing the crater down below. 

Well, luckily for you my friend, you don't need to because there is already someone who can give you that same outcome with less sleepy-time goodness. 

And who has a very similar semblance that can mask an entire group of people and hide them from the Grimm???

This angsty bitch right here. 

And need I remind you all that he literally shrouds people in grey when using his semblance, just like how the fairies literally shroud people in that deep seaweed green color when they’re putting people to sleep in the movie. 

ALSO: In order for Sleeping Beauty to be rescued, her brave prince needed to fight against the forces of evil to get to her bedside. 

Where’s Nora’s Prince? Outside of the kingdom, willing and able to brave the incoming Grimm to get to her. 

And where’s Nora? In the castle, waiting for her (estranged) Prince to rescue her. 

[smash-chu]

As i've stated before i've wanted to make a Viva Piñata iceberg, and while i've enjoyed putting stuff on it and writing down some info on each point i need some help with putting more stuff on here! I'm sure some of you have some neat things, theories or rumors that would go on here, do send those my way (preferably with a explanation, too)

Explanation on each point can be found below

The TV show - Some people’s first exposure to the franchise was the TV show, made to go alongside the games as a sort of advertisement. It was made by 4Kids and had a total of 2 seasons, starring the 4 main characters: Hudson Horstachio, Franklin Fizzlybear, Paulie Pretztail and Fergy Fudgehog.

Rare games easter eggs - There are plenty of easter eggs to other Rare games throughout Viva Piñata, the easiest ones to note are the broken arcade cabinets found in the first game as well as the various nods to Banjo Kazooie - such as the Bird and Bear statue, Mumbo statue, Breegull backpack and Bottle’s Glasses. Stardos is Dastardos - The game never tells you this directly, but it’s an easy and obvious conclusion to make.

Twingersnaps and Fourheads - Without using a guide or looking it up you may actually be baffled on how to acquire these piñatas in game. There is no obvious hint in game to tell you to hit the Syrupent egg before it hatches on the third bounce, which means you either have to figure it out through experimentation or by looking it up.

Leafos False Rumors - Leafos is meant to give you good advice to help you out while you play the game if you talk to her, however not all information she gives is true. Some rumors include putting a Badgesicle in water will turn it into a Sweetooth, feeding a Doenut to a Pretztail turns it into a Mallowolf and so on. None of these actually work.

Piñatas aren’t permanently broken - When a piñata is broken it is magically repaired, at least when on Piñata island, reforming at the edge of a garden when broken at one. It is stated that piñatas are repaired after having been sent to parties, which would potentially mean that piñatas only magically repair themselves when on the island.

The PC Port - Not very well advertised, there was a PC port released for the first Viva Piñata game. There are a couple of differences between the port and the original Xbox 360 release, which are touched upon later.

Piñatas are genderless - Technically no piñata is given a gender in game, all piñatas function the same. While in the show gendered piñatas are present it could potentially be that piñatas are naturally genderless and then if they are sapient can choose genders which fit their identity.

Burger king toys - A bundle of burger king exclusive plastic toys of piñatas were made and sold alongside the children's meals, some of the piñatas were Elephanilla, Sparrowmint, Goobaa and so forth. These toys are nowadays rare and sought after by people who collect the very small amount of official Viva Piñata merch that exists.

Wildcards - Wildcard piñatas are unique piñatas that have a feature which makes it stand out next to others of its species. There are a total of 3 variants of wildcards per piñata, some being exclusively gained through trading piñatas online. In the original game wildcards were extremely rare and there was only one variant, while they were made easier to acquire in TiP.

Both the games and show are canon - Just what it says, according to the creators both the games and show are canon to Viva Piñata lore. This makes for some strange implications, but that is for later.

TiP Fence Glitch / Exploit - A sort of well known glitch often used while playing Viva Piñata Trouble in Paradise. Fences normally do not stop Ruffians and Professor Pester from entering your garden, as they simply destroy them when they’re in the way. However, if arranged in a specific pattern in the area next to the volcano they enter from, the fence will make them permanently stuck. They will be stopped at the very edge of the garden at the fence, unable to properly enter or do anything. This can occur unintentionally as well in both the original game and TiP, as sometimes Ruffians and Professor Pester get stuck on seemingly random things and become unable to do anything.

Domesticated piñatas becoming un-domesticated - A strange difference between the original game and TiP is the fact that you can no longer buy domesticated piñatas from the Paper Pet’s store. Instead of being purchased they simply appear in the wild like any other wild piñata, whether this implies that these piñatas are no longer considered domesticated or is just a game design choice is unclear.

Piñata cards - In Viva Piñata Trouble in Paradise there is a function which is called Piñata Vision, which utilizes the Xbox Live Vision camera. By scanning the card you can get the piñata or item displayed on the card, some of these cards feature the developers in the form of a piñata and characters from other games.

Language Dubs - The PC port of the original game has a lot of language dubs, translated into languages such as Dutch, Swedish, Spanish, Chinese and more. Some of these do not extend to the UI oddly enough, while for the majority of translations all of the game’s features are translated accordingly, with the exception of piñata names. The language chosen is determined by the language set for the computer, so if you want the game in a specific language you’d need to change the language of the computer before installing it.

PC port graphical downgrades - Oddly enough the PC port has some graphical differences compared to the original Xbox 360 release. Mostly the graphics being downgraded, even on the highest settings, such as the lighting and texture resolution on objects and the environment.

Some piñatas are sapient, others not - Because of the fact that both the show and games are canon makes some things kind of weird. Though even if the show wasn’t canon this would still be a thing - as thanks to the existence of Langston and some of the show characters appearing in the DS game. Most piñatas in the games act like animals and cannot speak, however in the show and with Langston they are very much as sapient as a human. What causes a piñata of the same species to be sapient or not? Why does no character in the game acknowledge this strange difference? We don’t know.

Magic is real - In the Viva Piñata universe, at least on Piñata Island, magic exists. Seen in the form of Leafos and Jardinero summoning items, Jack transforming items into other things, Seedos and other characters teleporting and both Dastardos and Storkos being able to fly. There are other examples of magic, nobody really explains why magic exists or to what extent it is used or capable of being, but simply something that is commonplace on Piñata Island. If magic exists in other places is unknown.

The DS game - Known as Viva Piñata Pocket Paradise, the DS game came out after both the original game and TiP. It features a mix of piñatas from both the other games, however not all of them, because of the limitations of being on the DS. It is pretty much just another Viva Piñata game where you tend to a garden, now using the touchscreen to use your tools and so on.

How the fuck does the family not recognize Dastardos as Stardos - A strange phenomenon considering at least Jardinero considers Dastardos familiar, but apparently none of the other family members have been able to figure out that Dastardos is in fact Stardos. Whether this is them just being very oblivious or not it’s still sad that they can’t even recognize their own family member after being corrupted. This is also even more strange considering Dastardos lives literally across the garden from his family, how have they not been able to tell by now?

Langston taking over the position of authority in piñata central from Jeffe - Apparently Jeffe used to be in charge of the piñata central and was later kicked off his position and replaced by Langston, this is to reflect how Jeffe was originally planned as the head of the piñata central before being replaced by Langston as influenced by the show. Why he was kicked off his position is uncertain, but theorized to be because of the fact that he turned into a piñata or half piñata from ingesting too much candy - though why this would influence him being kicked off i’m not sure. Maybe he abused the central for his own gain?

“They all wear masks, some are just more elaborate than others” - A statement from a developer when asked about the masks worn by the humanoid characters in the games, whether they’re their actual heads or some kinda mask. This was meant to clarify that all the human characters are fully human, however it still leaves some things unanswered - such as if they are masks then why can we not see Fannie Franker’s face inside the mailbox on her head? Or what does that entail for the Ruffians whose bodies are pretty much completely covered in their masks.

Squazzil name debate - A reference to how in game Leafos mentions that the name for the Squazzil was debated before you, the player, arrived at the island. Being apparently called Nonsquirrel as they were trying to figure out a name for the species. Whether this is true or not is uncertain, as Leafos does state untrue rumors sometimes.

The side characters in P-Factor - P-Factor is a minigame in TiP that is you showing off your piñata in a contest against other players or npcs. This minigame features both already existing npcs, such Leafos for example, as well as some made exclusively for the minigames. Some of these npcs include Maxime, Babochka, Nana Urf and more. They also make an appearance in the Great Piñata Paperchase minigame, however they are much more prominently presented in the P-Factor minigame.

Unknown blue flower - There is a blue flower which appears outside of the garden space as a decoration in the original game. This blue flower is not a flower which appears anywhere else, and cannot be planted in the garden either. Most of the flowers and trees found outside the garden space are plants that are available for the player, but this one flower is unique in that it isn’t part of those plants.

Leafos might be a lesbian - As it is very much implied that Leafos is the one who writes the entries for the items, objects, characters and piñatas in the journal one can glean interesting information and thoughts about Leafos. In the entry for the Pink Flutterscotch there is the sentence “A girl (that I may or may not have liked) once told me that the Pink Flutterscotch reminded her of a kiss.” Some people take this as an implication that Leafos may be a lesbian and or bi, which i personally think would be neat.

Unused piñata concepts - There are plenty of piñatas that never made it into any of the games, as one would expect. Examples of piñatas that never appear in the game but had concepts made for them are a Giraffe, a Platypus that would’ve been acquired by breeding a Quackberry and Sweetooth together, a Hammerhead shark with a sour form and a Kangaroo. A goldfish piñata was also part of concepts, however this piñata does appear in the game - as the fish in the bowl on Miss Petulas head.

Banjo Kazooie Mountains - One of the rarer (hah) easter eggs to spot in the original game, in the distance across the swamp where Seedos lives one can see a mountain which has Banjo and Kazooie carved into the mountain. This is much easier to see in the Xbox 360 version compared to the PC port, because of the higher resolution textures.

Silent piñatas - Every piñata is voice acted, or are they? One might notice that there are two, well technically eleven, piñatas that are completely silent. The Flutterscotches and Motdrops are fully silent, not making any noise. Why this is is uncertain, as other bug piñatas do have noises, such as the Taffly and Sweetle. It may be because normally no noise is associated with butterflies or moths in real life, or it may be because these piñatas are meant to be more akin to decorational than a “proper” piñata.

Dragonache flying away glitch - A glitch which is easily done in game, by making the dragonache engage in a fight with another piñata and using the menu to send it off from the garden. By opening the fighting view, which can be accessed to monitor the fight separate from the normal camera view, it will focus in on the two piñatas. The camera will become strange as the Dragonache flies away from the garden, letting you see out of bounds and see details otherwise obscured by things in the background around the garden. I recommend doing this after having done at least one mandatory fight beforehand, as you are forced to watch the first fight that occurs and will unable to do anything till it is finished. Thus if you do this glitch while forced to watch it you will be unable to access the rest of your garden for quite some time.

Giant Zumbug glitch - Not certain if a glitch or hack, there have been reports of a giant Zumbug in TiP which is acquired through unknown means. This giant Zumbug can be sent through the Xbox Live service, but more than that is not known.

Professor Pester is legit evil and fucked up - Even though he’s presented in the show as a bumbling idiot of a villain, he has done a lot of fucked up shit. Not only does he employ Ruffians to mess up other people’s gardens, including Jardinero’s garden, he is also the reason why sour piñatas exist. Making a sour goop which is used for creating sour candy, it is a candy which makes anyone who eats it sick and possibly corrupts them - this is evident in how he corrupted Stardos by giving him sour candy. He may have rather bland goals as a villain, simply wanting complete control of the piñata island and its piñatas, but he’s done some pretty messed up stuff to try and accomplish this goal.

Extra color variants - All piñatas, except for the Flutterscotches, have three color variants that can be acquired by feeding the piñata specific things. However, there are piñatas that have more variants than others, through being caught in the Pinartic or Dessert Desert, and then feeding those the same things. This will cause them to gain a different tint of color compared to their normal counterparts, as thanks to having a different default color because of being from a different region.

Giant and tiny seeds - You can gain a plethora of things from the mine, which includes seeds. Sometimes when the mine uncovers seeds there is a chance for the seed to either be bigger or smaller than normal, these seeds work exactly like their normal sized versions, but sell for different prices. The size difference can vary wildly, with really big seeds and incredibly tiny seeds that are hard to see.

Ivor has two mouths - Something that may be easily missed, but Ivor Bargain does as a matter of fact have two mouths. One for each “face” he has, for when he’s a beggar and a merchant, he can flip between the two by spinning his head, flipping his head up or down. This is a little freaky, and completely glanced over in game, left unexplained why he has two mouths or can flip his head upside down with no consequences.

Leafos is vegan - A very recent thing which has been observed through the rare cookbook that has been released, which features an array of rare game inspired recipes. Recipes which are vegan or vegan friendly are marked with “Leafos vegan approved”, which implies that Leafos is vegan.

Humans can become piñatas rumor - In game this is presented in TiP with Jeffe, which is a human piñata or a half human half piñata, he states “If you eat enough candy and pull a face in the wind you'll become a piñata, I never want to see another piece of candy let alone a piñata full of it.” as part of dialogue during P-Factor. We cannot confirm whether this is actually true or not, but if Jeffe’s statement is true then it would imply that humans can turn into piñatas. This in turn creates a lot of questions, such as why does this happen? Has this happened to people outside of Piñata Island? Is this something exclusive to just the island or candy from the living piñatas? Can this happen with animals as well?

Tamed sour piñatas reverting via mail - A gameplay mechanic which is not commonly seen is the fact that tamed sour piñatas can revert back to a sour state. This occurs when you send a tamed sour piñata to a player which hasn’t unlocked the tamed version of that piñata, when the piñata is taken out of its mailed box it will be the sour version. This happens in all the main games, including Pocket Paradise as well.

Dastardos and Seedos special interaction - I have not personally seen this interaction but many have reported Dastardos and Seedos having an interaction with each other in game. If people want to elaborate on this or have footage of it that’d be great.

Viva Piñata Candy Stash - There are a few piñata games which aren’t widely known, for example this Adobe Flash tower defense game developed and published by 4Kids TV, known as Viva Piñata Candy Stash. This game features Professor Pester trying to steal the player’s candy using Ruffian robots, and to stop him the player builds towers invented by piñata characters from the tv show.

Piñata mascot suits - As part of promotions and promotion material there exists mascot suits of some piñatas, such as the Horstachio, Pretztail and Fudgehog. Whether these suits are kept in storage somewhere or have been thrown away we do not know.

[forasecondtherewedwon]

Hex Life

Fandom: WandaVision Pairing: Darcy Lewis/Jimmy Woo Rating: E Chapters: 10/10 Word Count: 34k

Summary: Guest starring Agent James E. Woo as himself and introducing Dr. Darcy Lewis as Mrs. Darcy Woo!

Or: Darcy and Jimmy are sent into the Hex to retrieve Captain Monica Rambeau. Finding out Westview has cast them as a married couple is only the first of the surprises that await them.

read ch. 1 one / 2 two / 3 three / 4 four / 5 five 6 six / 7 seven / 8 eight / 9 nine / 10 ten

this fic is now complete!

Jimmy’s going to be a dad. He was going to be a dad in a black-and-white sitcom world and now he’s going to be a dad in a world on the regular spectrum, so the colours really aren’t as big a deal as his impending fatherhood. Possible fatherhood. As much as he’s always secretly wanted his own little Jimmy Woo Jr., he didn’t know if it would be in the cards for him—pun obviously intended—and the last thing he wants to do is influence Darcy either way, especially since he’s only known her a couple days and doesn’t have a clue if a baby was really part of her life plan.

It can’t just be rose-coloured glasses making him see his wife warming to the idea though; when she continues down the hall ahead of Jimmy and Monica, he spots her careful cradling of the baby bump. He can barely stand not touching her. The instinct to shelter others has always been one of his strongest and now he feels it intensely. He longs to protect Darcy, to hold Darcy, to love— Well. Jimmy clears his throat at the very thought and Monica gives him a suspicious side-eyed glance.

“Dry throat,” he lies, tapping his neck in a probably highly unconvincing gesture.

“Uh huh.”

Yeah, she doesn’t sound convinced.

He’s rescued by a burst of sound from the bedroom and dashes ahead of Monica in case Darcy’s in trouble. When he bangs the bedroom door fully open, she’s fine. She’s laughing. He sighs and looks where she points. The queen-sized mattress they shared has changed back to a pair of narrower beds.

“Seriously,” Jimmy says flatly.

“Well, the big bed worked its magic,” Darcy concedes. She pats her rounded stomach. “Mission accomplished.”

“Aw jeeze.”

Ignoring his distress, she sits on the end of the closest bed.

“What I like is that they’re magically made. I didn’t end up having to change the sheets. This is really the next step in home technology.”

“Honey, don’t encourage the magical forces that control our home décor,” he pleads, beckoning until Darcy rises and takes his outstretched hand.

“Better than getting on their bad side. In the AI uprising, you wanna make sure you’re friends with the robots.”

This is an outrageous statement coming from a credible scientist, so Jimmy squints down at her for a minute before saying, “Thanks, house,” aloud, just in case appeasing the Hex now saves him from being closed into a room with no door later, if the walls rearrange to form the ’70s model of their current home.

“You did the smart thing,” Darcy assures him.

As they leave the room, she keeps hold of his hand. He shoots adoring glances at her.

“Hey, Monica,” she says, calling to their guest, who seems to have gone to investigate the walk-in closet. “Accommodations aren’t going to be a problem. I can give you some pajamas too because I think I own at least a dozen pairs, as I’m sure you’ve already discovered…”

But when they look in the closet it’s… not a closet.

“Or maybe the Hex destroyed all my pajamas and I should take back my overtures of friendship,” Darcy corrects.

“Welcome to your nursery,” Monica says. “I’m guessing from the look on Jimmy’s face that this is new.”

It’s spartan, but there’s no doubt in Jimmy’s mind that the room is now intended to be exactly what Monica said. There’s a crib in pieces on the carpet and a rocking chair in the corner. Though he can’t remember this room having even one window, there are now two. The blinds are drawn against the night and curtains patterned with stars and streaking comets hang from a rod mounted above the window. Automatically, he pulls Darcy into his side. He feels her rest her head on his shoulder.

“Man, the Hex is really giving us the hard sell,” she comments.

Just like that, he’s guiding her around by her upper arms and propelling her from the room. He glances over his shoulder to see Monica following with an amused smile. At his nod, she pulls the door shut.

“Ignore it,” Jimmy tells Darcy. “Don’t let that room influence you.”

“Oh, like that’s easy.” She rolls her eyes.

“I know it’s hard not to picture reading Jimmy Junior to sleep in his crib, or watching him learn to roll himself over on the carpet, or cuddling him in your arms in the rocking chair as the morning light—”

“Jimmy Junior?” Darcy asks, interrupting Jimmy’s rapidly solidifying daydream.

“You know what? I’m starving,” Monica announces, putting a hand on each of their shoulders to head off the awkward pause. “How about you two show me some hospitality? I’ve had a long day of being mind-controlled.”

“How ’bout some comfort food?” he asks. “I make a mean bowl of chili.”

“Sounds great.”

So, Jimmy cooks for them. His attention is unequally divided between the simmering pot, Monica leaning against the counter next to him as she recounts the scene at the meeting when Wanda went to take his call, and Darcy sifting pickily through the contents of their fridge. He glances over after putting the lid on the pot to let the chili finish cooking and sees his wife contemplatively holding an egg like it’s Yorick’s skull. Ok, well, he’s just going to leave her to her thoughts.

He sets bowls of chili for himself and Monica on the dining room table. Darcy, justifiably finnicky, takes longer to decide what she’ll be able to stomach, reflexively rubbing the baby bump as she plunders their kitchen. Finally, she comes to sit down. She’s brought a spoon. That’s it. Jimmy’s going to ask, but Darcy just scoots her chair close to his and takes intermittent mouthfuls of his serving while the conversation continues on. He sighs in unannoyed exasperation and alternates dips of his spoon with hers.

It’s just another weird routine they’ve settled into, and like everything else, it didn’t take long.

“You two didn’t know each other before this assignment, right?” Monica checks, motioning between Darcy and Jimmy with a slice of buttered toast.

“No, why?” Darcy asks, dropping a chunk of tomato from her spoon onto his. (Apparently, she doesn’t like tomatoes.)

Monica smiles and says, “No reason.”

She seems ready to accept them as they are, whatever they are. She goes back over the events of this afternoon for Darcy’s benefit—who was zoned out staring at an egg at the time—then the three of them turn to talk of tomorrow. What does Monica feel she needs to try before she’s willing to concede and leave the Hex with them? What can she try? How can Jimmy and Darcy assist her? They talk themselves in a circle of possibilities, limitations, and Monica’s unswerving negative answer to suggestions of her leaving the Hex without getting through to Wanda. Eventually, they decide that the best plan may be no plan, since they’re up against Westview’s ever-shifting magical properties.

“We’ll get up in the morning and see what the world looks like,” Monica says.

Jimmy’s going to reply when the Captain’s expression alters.

“Are you remembering?” Darcy asks her astutely. Monica stares at her. “I don’t want to pry, I’ve just seen that look on a lot of people’s faces lately. People who came back.”

“This isn’t dissimilar,” Monica admits. “When I get anywhere near Wanda or the other characters with speaking parts and start to lose control to… Geraldine—” Jimmy thinks the look on her face is both disgusted and deeply hurt. “—I do get this feeling like the world is going on without me. Only I’m there. I’m right there. I haven’t made up my mind yet if it’s worse than being gone entirely then coming back to find nothing’s the same.”

“Yeah,” Darcy says, soft, sympathetic.

“I don’t know what else the members of this community have been through, but I know I don’t want them to have to keep going through this too. I can’t imagine how tight Wanda’s grip is on the people who were here when she started this. Not sure I’m qualified to be the one to tell her how to let go of her grief and move on.”

Monica blinks quickly and gives a forced smile.

“That was good chili, Jimmy.”

He nods in thanks because he can’t find the right words to say.

They’re all carrying something and Jimmy thinks about that as the three of them clean up, then splinter off to get ready for bed, tired for different and shared reasons. (He changes into his pajamas in the nursery—they found their clothing in a new, regular-sized closet in the bedroom—while Monica and Darcy take the bathrooms.) The Captain’s carrying her recent bereavement and the unignorable sense of responsibility she feels to help Wanda and the Westviewers, possibly precisely because she isn’t ready to confront her own loss. Darcy’s doing some literal carrying with the baby bump her pajama top is buttoned over when she steps out of the en suite bathroom to let Jimmy in to brush his teeth. She’s an astrophysicist who, while studying a television diversion from reality, was brought rudely back to earth by circumstances as real as they come.

What Jimmy’s carrying is actually carrying him: his hope. It’s a good thing to have in his line of work, but a tough thing to keep when the world’s been through what it has. A baby is the least likely and most longed-for thing he would’ve confessed to wanting if someone asked him what was missing from his life.

When it’s acknowledged through awkward glances that, yes, Monica’s taking one of the beds and Jimmy and Darcy will share the other, he climbs under the covers his wife holds open for him. She rolls away from him to lie on her side and he gets comfortable on his back. The Hex has definitely eased up on what it wants for their romantic development because this is the first time he’s been in bed with Darcy and not felt himself caving to the need to have sex with her. Oh, the desire to touch her is as powerful as ever, but the kind of touching he craves is as tender as the flesh of that peach he brought her earlier in the day.

But he doesn’t want to crowd her. Figuratively or literally. Between finding Monica and calling Wanda, making love to Darcy all afternoon and being presented with her pregnant belly in the evening, it’s been a dog’s breakfast of a day. The mission abruptly became just the second most daunting thing he needs to pull off. Now, he’s driven by the impulse to be near Darcy. She doesn’t know it, but she’s drawing him in like gravity and he can only cross his fingers for a soft landing.

Jimmy almost jumps when she reaches for him in the dark, hand feeling behind her until it finds his. She drags his arm over her and he flips onto his side to make it easier. Though Darcy lets him go when his arm’s around her, he doesn’t know where to rest his hand. Tentatively, he places it over her belly and she wriggles back into him. Heart bursting, he holds her more securely to his body, smooths his hand over the bump, and soon falls asleep.

—

The floor wakes him up. He’s just fallen out of bed.

Disoriented, Jimmy sits up in a tangle of comforter and squints at his bed companion in the morning light. They must’ve repositioned while they slept, but that alone wasn’t what forced him to and over the edge—he can see the shape of Darcy’s belly beneath the sheet. It’s noticeably larger than it was yesterday.

He’s still trying to come to terms with that when she sleepily grasps the comforter and yanks it back over her body. Jimmy chuckles and rises into a stretch. Monica’s bed is empty and neatly made, so she must be up already. Before entering the Hex, his internal clock was strict too. Since, he bends to the needs of his subconscious, which seems happiest when it’s allowed to sleep in, particularly if Darcy’s warming the sheets next to him. This is only their third day in Westview and the second time waking up here, but it feels wonderfully routine. As satisfying as completing his consistently-timed morning run or pouring exactly the right amount of milk into his cereal.

Although he’d like to let Darcy sleep, it’s weird now because he’s staring. Anyway, they need to tighten up their operations even further today if they’re going to get out of here soon. Monica requires either success or closure with Wanda, so Jimmy’s determined to help with that. And if Darcy’s pregnancy takes another leap forward, well… that’s another time crunch to consider.

She’s lying on her side, facing him, belly in the space where he fell asleep. Gently, he brushes hair out of her face and strokes lightly up and down her arm.

Darcy gives him a murmured “Hi” with her eyes still shut.

“You gonna get up?”

“Inaminute,” she promises, words running together.

“Alright.”

Jimmy hovers for a second, then darts down to kiss her forehead. She pats his shoulder clumsily in response.

He might as well have had his own eyes shut, blind to everything but Darcy, because it takes opening his wardrobe to realize Monica was correct—everything’s changed again. WandaVision has embraced the ’70s. The shirts and suits he was pretty comfortable with have been traded out. Those items still exist, but now they’re aggressively patterned. There are flared pant legs. There is so much corduroy. Out of the row of shoes tucked into the bottom on his side of the closet, half have platform heels.

“Oh god,” Jimmy groans softly, sifting through for something that won’t feel too much like a cheesy costume.

He ends up with jeans—his only pair of pants without a pattern—and a striped shirt with wide lapels. The Hex’s makeover of his closet has him so beaten down that he doesn’t even pick out a jacket. He doesn’t have the heart for business casual. At the sight of a long-sleeved jumpsuit, Jimmy closes the closet door securely. They have to get out of here. This will be the thing that breaks him.

Slouching into the bathroom, he drops his selections on the counter and takes a shower. As he washes his hair, his fingers slow their scrubbing. Is his hair… longer? He finishes quickly and steps out to find the mirror fogged with steam. He wipes it clean with his forearm, examining his reflection. This place isn’t through with him yet: the Hex has given him a mustache.

Jimmy screams.

“Fine!” Darcy shouts back to his wordless noise of dismay. “I’m up! God, you could’ve just set an alarm and OH MY GOD, HAVE YOU SEEN THE SIZE OF THIS BABY BUMP?!”

He sighs on behalf of himself and his wife, slicks his too-long wet hair back with a comb, then starts in on shaving off the mustache. It immediately grows back.

“Come on,” he complains, cursing the Hex. “Why’d you give me a razor then?!”

Luckily, his annoyance fades the minute he sees Darcy. She’s swearing up a storm about needing to pee and her head looking too small for her body because the Hex has straightened her hair, but he takes all of her restless irritation in with a dazed smile on his face. Adjusting her glasses—now almost circular, with rounded off corners—she catches sight of his new look and erupts into laughter. Whatever the Hex does to mess with their appearance, at least they’re each other’s best medicine to combat it.

“I don’t want to be insensitive,” Monica starts when they walk into the kitchen hand in hand, “but are you significantly more pregnant than you were yesterday?”

Jimmy watches Darcy nod and slips away from her to throw some more bread in the toaster from the bag Monica’s left out on the counter for them.

“You’d think it’s just this big, shapeless dress,” Darcy says, “but no.” She pulls the fabric taut over her stomach to show the size of her belly more accurately. “I don’t want to say it, but the size of this thing makes me think the Hex is leaving me room to grow.”

“And if that dress is only for today…” Monica says.

“Jeepers,” Jimmy concludes.

They eat together in their reconfigured living room. It’s not until Monica’s kicked back in one of their low chairs, ankle propped on her opposite knee, that Jimmy notices her patterned pants.

“Those aren’t from Darcy’s closet are they?”

“No. I’m assuming they’re my clothes from yesterday with the matter recycled for a new decade. Believe me, this outfit wouldn’t have been my choice if I had anything else to pick from.”

“I wouldn’t be too sure. I had a whole closet and still ended up with this,” Jimmy says, motioning to himself.

“My retro Secret Agent Man,” Darcy states admiringly, leaning her head over to bump against his shoulder. Ok, he thinks, smiling at her, I can be alright with this for her.

When Monica rises to turn on the television, Jimmy realizes this is the first time they’ve had one in the house. He remembers seeing a set in the Vision residence when he and Darcy were watching an episode on the S.W.O.R.D. base, but he didn’t notice the lack once they got here. Probably because that first night was taken up with flirting, and then yesterday was split between scouring the downtown for Monica and holing up in the bedroom with Darcy. Watching the screen buzz to life now is like witnessing something truly futuristic and spectacular.

“Well, whaddaya know,” he says as the opening sequence of WandaVision begins.

“You think the TVs in here play anything else?” Darcy wonders aloud.

“Maybe not,” Monica says distractedly as they all turn their attention to Wanda and Vision’s adorable antics—the ice cream, the tandem bicycle. “It’s a pretty big coincidence that this show started right when I turned it on.”

“I can see an even bigger coincidence.”

There’s no need to guess what Darcy means. Wanda’s baby bump is obvious in nearly every shot of the introduction, particularly emphasized when she and Vision dance together, his hand on her belly. It’s all maternity clothes and Vision reading pregnancy books and while it’s wholesome, it’s also chilling.

“We’re doing the same plot,” Jimmy says.

“It’s like we’re… their understudies,” Darcy agrees, shrinking back into the cushions.

“Maybe Wanda figured, if you two wanted to be in the show so bad, she’d put you in the show,” Monica theorizes. “Her show. Exactly the way she’s living it.”

“So she’s teaching us a lesson? On what? Abstinence?”

“Could be a misguided attempt to gain your sympathy.”

“Or it really is all about control,” Jimmy suggests, cynical after the reveal that the pregnancy that’s upended his entire life isn’t really theirs. It’s not original. They’re following a Newlywed Couple template.

“Hey,” Darcy says, grabbing his arm, “this wasn’t all Wanda. She might’ve set the scene and, yeah, maybe we were more the goatherd puppets than we were Fraulein Maria and Captain von Trapp, but we did this.” She pulls his hand to her belly. “Wanda doesn’t decide what we do next.”

“What I suggest you not do next is consult Dr. Misogyny over here,” Monica says, gesturing at the television.

The doctor is condescending to Wanda and Vision about the facts of life during a checkup (in their living room?). He lowers himself even further in Jimmy’s regard when he refers to expectant mothers as “little ladies” and implies that the changes in their own bodies are beyond their understanding.

“What a quack,” he decides. “We’re not going to see that guy.” He’s startled to recall his promise to Darcy the previous evening, about options, his intention not to make up her own mind for her. Lowering his voice, he tilts his head close to hers. “I mean, we’ll do whatever you want. Including…”

Jimmy trails off and casts his eyes down. He still means it, wants Darcy on board with this 100% or not at all, but the whole thing’s been a roller coaster and he’s not great at pretending not to feel anything. With his wife so much further into her pregnancy today, it’s obvious that this baby will be born and they’ll need to decide who’s raising it. He thinks the two of them together could rear a pretty incredible kid, but if she wants out, is he prepared to be a single parent? The other option besides her, him, or both of them raising the baby is adoption. They’d need to leave the Hex before taking those steps (it’s not like he’s going to encourage Darcy to hand the baby over to a mind-controlled Westviewer), and just thinking about it, with everything he already feels for the baby, makes him certain that he’d rather rearrange his entire life than pass on this chance at a family. However unorthodox their beginnings.

“Don’t worry,” Darcy says calmly, pulling him from his spiral. “That guy will never get the chance to compare my uterus to a vegetable garden.”

“Fruit,” Monica corrects without looking away from the television.

“Right. Fruit. He’ll have no say about any of it. And he definitely won’t get the opportunity to be patronizing as fuck while he tries to give us the sex talk.” She looks Jimmy right in the eye and says, “I won’t let the asshole doctor-man say a word about your banana.”

Chuckling, he looks back to the screen. The doctor has departed and Vision’s currently baffled over Wanda’s newly expanded stomach. Uh oh. He jerks his head around to check and, yep, Darcy’s baby bump appears to be keeping up with the sitcom star’s.

“You two stay here,” Monica instructs, on her feet when Jimmy glances over.

“Where are you going?” he asks.

“To Wanda’s. If things continue at this rate, she could give birth in this episode. That’s going to make her even more protective of her family and her space and I’ll have an even harder time getting near her.”

“Are you sure you want to interrupt?”

They both glance at the television for a moment to observe Wanda and Vision debating baby names in the nursery. There’s nothing distressing about the scene—in fact, the couple looks as much at ease as Jimmy’s seen them on the show—but that doesn’t mean it couldn’t change, and quickly, if Monica inserted herself. He just isn’t sure how that would go and he doesn’t like any plan where he can’t foresee all the possible outcomes.

“Guess I just have a feeling,” Monica says, looking unsettled.

“Well,” Darcy pipes up, “in the world of science, having a feeling is forming a theory, and in this place… I think having a feeling you should do something might be Wanda giving you your cue.”

“You’re not beyond her control,” Jimmy tells Monica, “just farther away from it. What if Darcy’s right?”

“If Wanda wants me there, I’m not going to resist,” she replies firmly. “She’s the key and we need her cooperation.”

“Good luck,” Darcy bids her.

With a nod to them both, Monica strides across the living room and opens the front door.

“Speaking of keys,” Jimmy recalls, but the door shuts before he can offer to let her borrow their car to get to Wanda’s.

Maybe the Captain has a different plan. Maybe she’s just bending to Wanda’s influence. Whichever it is, he can’t go after her. Monica was right—he has to stay here with Darcy today, especially because her belly seems larger when he looks again. He glances at her face with a question on his and she nods.

“And I felt a kick,” she says.

“Really? Could I…? Do you think I could…?”

Darcy rolls her eyes at his reticence and guides both his hands to the bump. When he feels something nudge his palm, Jimmy tears up.

“That’s our baby,” Darcy confirms.

“Feels like they have my softball windup,” he murmurs.

“Or my pre-coffee restlessness.”

“Our baby,” Jimmy repeats, staring into her eyes—finally blue for the first time in days, give or take a decade.

They’re having a marvelous family moment until the power goes out. Lights, TV, the hum of the fridge in the kitchen, everything. Seconds later, it all comes back.

“That was strange.”

“I wondered what Wanda’s magic was doing to the power grid,” Darcy says. “I’m still curious about the finer points of what happens when electricity meets power generated by an Infinity Stone. Really, I’d expect Wanda to have this kinda thing under control, but I guess if she’s— Ugh!”

Her pained noise has Jimmy cupping her face, pushing back her hair, trying to figure out what happened.

“She’s distracted,” she says.

“By what?”

“Labour.”

“What? No.”

Sure enough, when Darcy stands (with Jimmy leaping to his feet to support her) and stretches her back, her bump looks big enough to contain a baby that’s almost ready to be born. Ready to be born?! Jimmy thinks. In our house? With no doctor? Just because the one on TV rubbed him the wrong way doesn’t mean he’s prepared to write off every doctor, nurse, and midwife in Westview. He would very much like to place responsibility for this delivery in the hands of a medical professional, not his own!

Even as the TV’s flickering back to life, he helps Darcy away from it. That just shows how serious things are. He knows how quickly she became invested in the sitcom when they reviewed the ’50s episode at the base.

After some frantic thought, he’s thinking the bathtub is going to have to do. People do that right? With home births? Although he attempts to guide Darcy in that direction, she doesn’t even want to sit down on the edge, let alone climb in. No, she wants to pace, and as she paces, she rubs at her lower back, wincing.

“We could look at the nursery,” he proposes. “Might take your mind off it.”

Jimmy knows it could be a weak suggestion, an insult to imply that anything could take Darcy’s mind off whatever discomfort she’s currently feeling, but the Hex, with its radioactive walls, smiles down on them for once. With his arm around her to take some of her weight, they hobble into the baby’s room and it’s… perfect.

The walls are dark blue near the ceiling, almost black, fading to periwinkle halfway down the wall. The lower portion transitions from blue to pale yellow, then a blazing orange right before the baseboard.

“It’s a sunrise,” he comprehends.

“Yeah,” Darcy says softly.

Though he feels like he got slightly ripped off by not being allowed a chance to do any of the decorating, he does admire the Hex’s choices. At last, his wife’s been represented in this space, in this house, and it’s beautiful. There’s a shelf full of space-themed board books, a plastic jumble of play versions of scientific tools like telescopes. A dangling mobile of the planets. After easing his wife into the rocking chair, Jimmy holds up a pack of glow-in-the-dark stars.

“Should I put these up?”

She smiles.

“I would be all over that shit if I could, but I trust you to do a good job.”

“Oh no. Do you want me to do real constellations?”

“The baby’s not gonna know the difference. Make it look however you want.”

She rocks, assuring him something about the motion is helping her manage the intensifying pain of her contractions, and Jimmy finds a small stepping stool to help him reach the ceiling. The sway of the chair in the corner of his eye, the morning light through the curtains, and the sound of Darcy breathing are things he already knows he’ll never forget.

Before he’s stuck all the stars in the pack to the ceiling’s white paint, she calls him down from the stool.

“I need to walk again.”

Darcy says it with grit and Jimmy doesn’t argue, even when walking appears to put her in even more distress; she groans and pushes her free hand against the wall as they stroll out of the nursery and down the hallway.

“Let’s check in with Wanda,” Jimmy says helplessly.

This is who he is now: a husband in over his head, desperate to gain tips about delivering a baby from a TV sitcom. An overwhelmed real estate agent. A man with a mustache.

They return to the living room and the TV playing WandaVision in time for Monica’s entrance. Based on her free use of ’70s slang and the general discord between the Captain Rambeau Jimmy’s been getting to know and the woman on the screen, he knows they’re looking at Geraldine. Wanda’s back in control of her character alright, and Jimmy wants to know who it’s helping. The scene’s centered around some joke about Wanda attempting to hide her pregnancy, which is no good for him. He needs a step-by-step guide, not a magic-resistant stork!

“There better not be a fucking bird in here,” Darcy gripes, alternately crouching and standing as every position fails to make her comfortable. “If I see a fucking, goddamn, sonofabitch, motherfucking—”

“I know, sweetie, I know,” Jimmy assures her, rubbing circles between her shoulder blades with the flat of his hand.

“The betrayal,” she mutters when Wanda elects to lie down behind a couch.

It completely blocks their view. If this were a regular show, Jimmy would understand that. Sitcom viewers would definitely appreciate a little TV magic over graphic, up-close-and-personal birth footage, but here at the Woo residence, one FBI agent and his astrophysicist wife really just want the truth! If Monica had agency, he’s sure she’d shove the couch aside to help them out, but with Geraldine at the helm, he’s confronting the fact that he and Darcy are on their own.

“Let’s go, Darcy,” he says, steering her towards the bathroom. “We don’t need her.”

“Are you sure?”

He’s never heard Darcy sound so uncertain and knows he’ll have to bluff his way through this. When the Avengers aren’t around, the regular people must step up. Reminding himself of that has gotten Jimmy through more than one tough day on the job and he tells himself it’ll get them both through this.

“Of course.”

In the bathroom, Darcy kicks out of her underwear and uses Jimmy as a crutch to climb into the tub. Her face is scrunched up severely and her hands are braced against the walls of the bathtub, so he tries to watch and understand what she needs. When all the tension in her face and body burst out in a shout, he grabs her hand. Her fingers curl around his palm in a death grip.

“How about some nice warm water? Water, Darcy?”

She nods rapidly, eyes clenched shut, and he turns on the facet, then quickly reaches behind her to plug the drain. The stream wets his sleeve and, when he withdraws his arm, hits her hair around the level of her shoulders and begins to soak the back of her dress. Between contractions, Darcy sighs in what sounds like relief.

“That feels good,” she acknowledges.

“Good,” is all Jimmy can say back. He kisses her face and squeezes her hand in his. “Good.”

He’s back to scrambling for a solution soon enough when the warm flow of water down her back stops being enough to soothe her. He helps her out of her sodden dress, tossing it behind him to splat on the tile floor.

“What do you need?” he asks wildly, leaning over the tub.

“Earplugs,” Darcy tells him before emitting a scream shrill enough to probably be heard by their neighbour’s dog, Dipper, down the street.

Jimmy doesn’t think, he just does. Snatching a towel off the rail, bracing his wife’s foot against his shoulder as her leg spasms, reaching into the water to collect their baby when the Hex (he assumes) does them the favour of letting one long push be sufficient to expel him. Him. Jimmy and Darcy’s son.

He’s beaming through the happy tears, delicately wiping at the wailing baby with the towel and passing him into Darcy’s outstretched arms as she shakes with astonished laughter, hair wet, head resting back against the jut of the faucet.

“That wasn’t so hard,” he jokes.

Darcy sits up, sending a splash of water over the side of the bathtub to slap the floor, and he knows the Hex is interfering again to make her capable of anything besides exhaustion after what she just accomplished. She twists sideways in the tub until she’s closer to Jimmy. He wraps an arm around her wet shoulders and peers down at the face of their boy, already drowsy after exercising his tiny lungs. Jimmy can feel Darcy studying his face.

“Jimmy Woo Junior?” she asks.

And he knows the rest is going to be gravy.

—

Inside the Hex, the magic of television is real. They didn’t need to fake Darcy’s pregnancy with a cushion to make her belly, round and taut as a beach ball, disappear entirely only minutes after giving birth. They didn’t need a set of twins or triplets playing Jimmy Woo Jr. to swap in a quiet baby for one that starts to cry. There’s no trick lighting or fudged angles, just Darcy sitting on the couch (in dry, non-maternity clothes) catching their amazingly calm, less than an hour-old son up on the details of his origin story—Darcy’s wording.

It’s shaping up to be a nice, if highly unusual, family day in, until the tension starts to mount on-screen. Probably something Jimmy could’ve caught sooner if he weren’t spending 50 seconds out of every minute stroking the baby’s teeny-weeny hands while he hopes Jimmy Jr. retains zero memory of his dad’s mustache. When he hears Monica mention Wanda’s brother by name, he’s fully alert to the episode and knows he has to act. That close to Wanda, Monica’s control should be fully suppressed beneath the character of Geraldine. If she’s breaking through to ask Wanda person questions, questions that are almost definitely going to provoke an emotional response, Monica must be fighting like crazy to surface. Jimmy decides that’s his signal to get over there and help bring this thing to a satisfying conclusion so they can all leave the Hex.

“You’re not going to Wanda’s without me,” Darcy informs him, planted in front of the door when Jimmy returns from grabbing his keys.

“Darcy, you can’t. The baby. I’d stay with him and let you go, but I’ve never heard you mention particular skill in hand-to-hand combat and I can’t guarantee things won’t turn violent.”

She snorts.

“Liar. I could be the world’s biggest hand-to-hand badass and you’d still be trying to protect me right now.”

He stares at her and Darcy stubbornly lifts her chin as she holds his eyes.

“Ok,” Jimmy concedes, “yes, I would.”

“Please don’t leave us here,” she says, cheek pressed to the baby’s. No, no, no, he can already feel himself wanting to surrender, to have them with him. Darcy kisses their son’s face, then holds his hand to gesture while she pitches her voice higher, pretending to speak for Jimmy Jr. “I want to meet Auntie Monica.”

He gives her a look and reaches past her to open the door. Instead of trying to exit around his family, he waves Darcy through ahead of him. (She looks down at the baby in her arms and goes “Yaaaay! Isn’t Daddy a soft touch?”)

“You didn’t persuade me,” he says, leading them to the car and holding the door for Darcy while she climbs into the back seat with the baby. “This is strategic.”

“Is the strategy common sense? I feel like you should’ve gone with that from the beginning. Bringing a scientist to a magic fight is good thinking, for, like, balance and shit.”

Jimmy backs down the driveway as gently as he can. Their car’s been modernized (well, for the latest decade) and while it now has seatbelts, it wasn’t equipped with a car seat for their son. He’s going to have to drive with the utmost care.

“Hopefully, there won’t be a fight,” he reminds Darcy, “but if there is, you won’t be anywhere near it. You and Jimmy Junior are staying in the car. Alright?”

When he darts his gaze to the rear-view mirror, he sees his wife looking out her window, making a show of not listening to him. Jimmy sighs.

Without thinking, he navigates back to the street where they dropped Monica off yesterday. Wanda’s house is just down from Dottie’s; he remembers the number from watching WandaVision. Jimmy draws up to the curb and parks. He glances back at Darcy, but she’s still ignoring him.

“I’ll try to be right back,” he tells her anyway, eyes dropping longingly to the serene face of his sleeping son. He’s heard that about babies and car rides.

Jogging up the driveway, he does a doubletake of a ragged slash in the wall between Wanda’s property and her neighbour’s. There’s not exactly anything wrong with a damaged cinderblock or an amateur handyman job, but the crevice in the stone stands out in a world so aggressively styled and manicured.

Wishing for the reassurance of his gun at his hip in case things go south (it’s the first time he’s even thought about the gun since the night he and Darcy arrived), Jimmy enters the Vision residence without knocking.

Orienting himself to what he was just watching on TV in a house less than a mile from here, he walks across the entryway, attracting the attention of both Wanda and Monica. They’re standing across from each other in the living room. Raising his hands to show he intends no harm, Jimmy sweeps his eyes over the scene in assessment, like he has a hundred times before. Monica’s expression is alarmed under superficial friendliness—the look of someone trying to placate an attacker. With her aggressive, forward-leaning posture and the way she’s positioned herself between Monica and the cribs (he’s surprised to see more than one, but he did miss some of the episode while he was delivering his son in their bathtub), Wanda fits that role.

“Wanda,” he says, taking a step towards the seating area, “you don’t want to hurt her.”

“Are you working with her?” Wanda demands. “Who are you? I’ve never seen you before.”

“James Woo. I’m not here to hurt you. Neither is Geraldine.”

“You don’t want to hurt me? Then why do you come asking questions? Saying things—” He can see her chin wobble from here as she teeters on the edge of tears. “—about Pietro. You didn’t know my brother.”

Her statement is directed at Monica, but Jimmy tries to bring her focus back to him. Of himself and the Captain, he’s the one with an exit at his back, whereas Monica’s hemmed in by a large bookcase.

“I didn’t know your brother,” Jimmy agrees. “I do know about him, but we don’t need to talk about that. I don’t want to upset you, Wanda, I just want you to let me leave with Geraldine.”

“Oh, I’ll let you leave,” Wanda says, cocking her head as she raises her hands. This motion conveys the opposite meaning to Jimmy’s—she does intend them harm.

He’s contemplating what’ll happen if he tries to rush her when Darcy charges through the front door he left open.

“Don’t!” Jimmy gasps, making a grab for her, but his body is tense with caution and Darcy has the momentum to dodge him, stepping down the level into the living room.

“Look,” Darcy demands of Wanda, whose expression is torn as she chooses between facing Monica and this new intruder.

Jimmy’s mentally composing and rejecting ideas of how to proceed when their unwelcoming host lowers her hands. She’s looking where Darcy directed her to, at the baby in Darcy’s arms.

“He was born less than an hour ago, and I only found out I was pregnant yesterday, but that doesn’t matter. I know it’s the same for you, the circumstances and the… yeah, whatever. You know about the Big Bang, right?” she continues, jumping to the next thought.

“Yes,” Wanda says carefully.

Jimmy’s terrified to move closer and set Wanda on the offensive again. He glances at Monica, who seems to be thinking the same thing, frozen in place.

“From nothing to so much, in an instant,” Darcy’s saying in her condensed history of the universe. “Science is supposed to be full of all these rules. Like, every scientist dude important enough to remember had some law or formula or method that we map everything on top of when we’re pretending we understand all this. Being in science isn’t a goal I’ve had for a long time—I mean, I probably wouldn’t be in it now if the world hadn’t more or less ended—and if all I ever heard about the workings of the universe was rules, I would’ve stayed away. Who likes rules, right? Who wants to be told that things are the way they are because something outside of your control says so? My point is…”

She takes a deep breath, then another one, shifting until she’s blocking Wanda’s expression from Jimmy’s view.

“Sorry, I just gave birth, you know how it is,” Darcy says when she goes on. Jimmy’s stricken with exasperation, adoration, fear, and pride. “My point is that I love science because, while science is laws and rules and equations, science is also standing outside at night and staring up at the dark. There are explanations for every light that’s up there and why, even when you’re away from big cities and the sky seems so black and close, you don’t fall up into it, although it kinda feels like you could. Science can tell me why, and it still feels like magic when I look at the stars. And we’ve all been traveling out here in space together, getting made and unmade and made again because the right ingredients needed to create something as precious as a planet, or a baby, or the clay that’ll make the bricks that’ll make the house never disappear. Suns explode, asteroids collide and get chipped away… things can separate down to their smallest part, life can…”

“End?” Wanda asks.

Jimmy’s stunned to hear the word come out choked. Cautiously, he leans to get a glimpse of Wanda’s face. It’s covered in tears. Darcy’s nodding.

“But everything’s valuable. All matter gets reused.” Jimmy wants to grab her and pull her to safety when she takes a step closer to Wanda. “I get it if you’re sad and you’re not ready to talk about it. I’m not gonna say it’s ok, because I’ve heard Monica’s testimonial on exactly how much it sucks to have you in her head, but I do think you should let us leave now so you have a few friends out there when you inevitably need people on your side.”

“You can go,” Wanda agrees, swiping at her nose. “I won’t hurt your baby.”

“You’re not going to hurt my friend either,” Darcy says, beckoning for Monica to cross the room behind her. “Or my husband.”

“No,” Wanda says.

Monica reaches Jimmy and they wait for Darcy in the entryway.

“I bet all that control feel really good,” Darcy theorizes. “Taking it into your own hands. But I think you know that focusing on the beautiful, magical stuff doesn’t mean the rules no longer exist. Maybe you can find a way to accept them both.”

“It’s time for you to leave,” Wanda says, firmer now.

“Not looking for a life coach, got it.”

She joins Jimmy and Monica, bouncing the baby lightly in her arms. Wanda ushers them out of the house ahead of her. Jimmy glances back to see her close the door after herself with a twist and red glow of her hands.

“What about waiting in the car?” he mutters to Darcy as they stride down the lawn.

His self-proclaimed wife stares at him.

“I’m not the kind of person who waits in the car. Would the kind of person who waits in the car give a speech like that?”

Jimmy’s at an honest-to-goodness loss for words.

She gets into the car willingly enough now, Jimmy in the passenger’s seat while Monica slides behind the wheel.

“Wanda’s told me how to stand, how to move, how to walk since I got in here,” Monica says, turning the key in the ignition. “I’m driving myself out.”

“It’ll part for you when you get there,” Wanda calls to them from the lawn. “The barrier. I suggest you do not attempt to enter again.”

“I think we’ve all had our fill,” Jimmy informs her cheerfully through his rolled-down window.

She doesn’t respond to this, so Monica executes a three-point turn and takes them back up the street the way they came. From there, they turn out of the subdivision, but Jimmy snags a last look at Wanda through the back window. There’s a light breeze blowing her dress and hair and she looks like she could be anyone. A suburban mom of twins? Why not. He doesn’t know if he’ll ever see her again in person, but he has plans to catch her show.

“Wanda’s changed the roads,” Monica says as she drives. For his son’s sake, Jimmy’s grateful that she isn’t speeding, though he wouldn’t blame her for trying to get out of here as quickly as possible. “None of them lead out of town.”

“Literal tourist trap. Brilliant,” Darcy declares from the back seat. Jimmy reaches an arm back blindly and feels her close her hand around his.

“But,” Monica adds, “I remember Ellis Avenue being the closest cross street to the edge of town. We find that, then drive over the grass. Things may get a little bumpy.”

“We’ll survive.”

Jimmy twists around to look at Darcy. He nods. They will. They’ll survive.

They cross Ellis and take the car off-road. The barrier remains invisible, but…

“I can feel it,” Darcy says.

“Like we did the day we came in,” Jimmy recalls.

“It still wants us out,” Monica interprets. He sees her staring uneasily ahead. “Was I naïve to think I could change anything by coming in here?”

“No, Captain. It was brave.”

“Didn’t work though. We aren’t leaving with Wanda.”

“It could work,” Darcy says. “We left her with a few things to think about. We’ll watch WandaVision and see.”

“That’ll be strange after being a part of it.”

“You think so?” Jimmy wonders. He takes a deep breath, enjoying the fresh air and the sunshine, playing with Darcy’s fingers laced through his. “I think it’s returning to regular life that’s going to feel strange. Out there, it’s easy to see all this as a TV show, but everything in here is real.”

“We’ll make Hayward understand that.”

“I’m bringing back some compelling evidence,” Darcy says, followed by kissy sounds directed at Jimmy Jr.

The air just a couple of car lengths ahead of them abruptly glows red as Wanda reveals the wall of the Hex. Jimmy and Monica exchange a look, but she doesn’t slow down. They pass through without resistance. All of a sudden, it’s night. Monica lets out a relieved sigh.

The S.W.O.R.D. base is looming, exterior lights ablaze, but Jimmy looks backwards, checking that Darcy and the baby are alright.

“Same as you left us,” she says, pulling back the blanket to show him the face of his son.

He gives her a slightly melancholic smile.

“Not quite, Dr. Lewis.”

“I’ll have a lot of work to do,” Darcy notes thoughtfully, “but time for you and me to go on dates will be on my list of demands.”

“You have a list of demands?” Monica asks, laughter in her voice.

“After being forced into the Hex, where I could’ve lost my life? Fuck yes, I have a list.”

“What else are you asking for?”

“The coffee I requested on day one and a desk in a better spot so there’s room next to it for the crib that will also be on my list.”

Monica laughs aloud now.

“Is this a benefits negotiation or a baby shower registry?”

“Let’s get back to the part where we’re going on dates,” Jimmy says. “How’s that going to work?”

“Jimmy, darlin’,” Darcy begins, “will you go out with me?”

He leans to look around his seat at her.

“Darcy, we were married. We have a baby. Don’t you think we can—”

“Answer the question, Agent Woo.”

“Of course I’ll go out with you,” he says.

“And that’s how it works. Easy-peasy.”

She gives his hand a squeeze before releasing it to hold Jimmy Jr. more securely as Monica pulls up to a building and brakes. Already, S.W.O.R.D. agents are rushing out to meet them, but Jimmy drops back against his seat and smiles to himself.

“‘Easy-peasy.’”

[dukeofonions]

The Problem With Asides

Before I get into anything I want to clarify that this is not going to be a criticism of the two Asides episodes we’ve gotten so far. This is a critique of the concept of Sanders Asides as a separate series from the original Sanders Sides. A second note I want to make is that this is, just as all my other posts are, a personal opinion. This is not meant to be an attack on anyone, just a general criticism from a confused writer and viewer of the show. 

And final disclaimer: A lot of what I’m going to say is based on information that I no longer have available. It’ll mostly be me recalling things I heard and if I at any point get something wrong please feel free to let me know. 

That being said, let’s get into this, shall we? 

(Fair warning this post is very long hence why I’ve divided it into parts so feel free to read then come back as you wish)

Part One: The Concept of Asides

Some time ago last year, I believe shortly after Dealing With Intrusive Thoughts came out, was when the idea for Sanders Asides was first announced. The basic concept of it being shorter, more lighthearted videos focusing on the Sides outside of the main storyline. This format would allow them to give us more Sides content in between the long waits for the main series since those episodes were beginning to take more time to produce. 

Of course, everyone was eager for more Sides, so the majority of people were excited. Not only that but due to the main series tackling heavier themes, the episodes were becoming more angsty with less time for the characters to just relax and goof off with each other. The idea of having episodes reminiscent of the low stakes, sillier, happier content of season one was a welcome break from the more complex episodes and would be a nice return to form for the series. 

We were also informed that these episodes would be much simpler than their main series counterparts and wouldn’t disrupt the work being done on Sanders Sides, which meant we didn’t have to worry about long gaps between the main story episodes, right? 

(Another disclaimer: I am perfectly aware of the main reason why we were not given as much content last year and am not blaming Thomas or the team for doing what was necessary to keep themselves safe and hope they continue to do so as this continues into the new year)

Jump to November 22, 2019, where we got our first official episode of Sanders Asides, roughly five months after DWIT came out. Which, for this fandom, was record time to get more content and I was pleasantly surprised by how quickly they were able to get this out. Though at the same time, I wondered why it took five months to make what was meant to be a short, simple episode. 

So imagine my surprise when I went to watch the episode and saw it was nearly 20 minutes long. Which, okay, isn’t that bad when you compare it to the lengths of the more recent Sanders Sides episodes. But at the time, I was under the impression that the Asides would be, well, much shorter. The longest I expected would be maybe 15 minutes, but you know what? It’s the first episode and it has been a while since we’ve had Sides content, so maybe they wanted to give us a little extra due to the long wait. 

I started the episode and at first, I was overjoyed when I saw the first shot of all the Sides sitting in the living room in their onesies about to have a movie night. This was exactly what I’d been hoping to see from this series! It’s pretty much a staple thing in the fandom for the Sides to have movie nights together, and now it was happening in canon! 

At the moment, I had high hopes for this series and was filled with joy. 

Then that hope and joy were immediately crushed when I realized this was yet just another Virgil-centric angst episode. In fact, this entire episode was, well, exactly like a regular Sanders Sides episode. Sure, there were some jokes here and there, but the tone of the episode was no lighter than the last Sanders Sides episode. If anything DWIT felt lighter in comparison to this one. 

Which leads me to ask, what the heck happened? 

Part Two: Literally the Same Show

At this point in time, we’ve only had two episodes of Asides. Usually, I try to hold off my judgment of a series until I’ve had at least one other episode to see if my original criticisms still stand. 

To be fair, I did think Flirting With Social Anxiety was a step in the right direction. More comedy, a lighter tone, yes. Perfect. But again, just like with Are There Healthy Distractions? This episode quickly dove right back into the angst pool, and just like ATHD it was a pretty long episode, clocking in at almost 25 minutes. 

Not only that but again, both FWSA and ATHD don’t feel any different from the episodes we’ve been getting in Sanders Sides. 

1. They’re just as angsty.

2. Roughly the same length as Sanders Sides episodes.

3. Take about just as long to produce.

4. Contain a lesson to be learned. 

Which, okay, you can have lessons in lighter shows too, but we’re already getting that in Sanders Sides and Sanders Asides was described as, well, being less plot heavy. Yet so far both episodes are still tied in with the main plot. 

ATHD deals with the aftermath of DWIT, not directly but it’s pretty obvious that the whole thing with Virgil’s reveal at the end of that episode is being addressed in the background. Which, kind of takes away the impact of that ending, but I’ll get to that later. 

Then FWSA takes place after Putting Others First and again, is dealing with things from that episode in the background. Again though, this isn’t necessarily a bad thing. It makes sense to see the characters dealing with things from past events.

So why is it a problem here? Because, again, Sanders Asides is meant to be a separate series, and all the subtext brought on from the episodes in Sanders Sides makes the plots in these two episodes confusing. 

For example, I was perplexed during my first watch of FWSA because I couldn’t understand why the focus of the conflict was lying. I didn’t understand why Virgil and Roman came to the conclusion that Thomas’ reason for being unable to approach Nico was because he was lying to himself, when both the title of the episode and what we were shown points more to, well, social anxiety being the problem. 

(Quick note: One could argue that this was done purposefully to have Virgil putting the blame on Janus since he doesn’t like him and wouldn’t want to admit that he was the one responsible, but this series has had a bad habit of favoring Virgil in the past so until we get more answers I’m gonna leave this on the backburner) 

It didn’t help that I had no idea when this episode was meant to take place in the timeline, and I originally thought it could take place a bit after season two since Roman and Virgil seemed to be doing better, but more on them later.

All of this bugged me until I found out that FWSA takes place after POF, and after watching the live stream that followed and getting some more context, the lying thing made a bit more sense, but the fact that I was as confused as I was just caused more frustration to build up. And I wasn’t the only one who got thrown off by the “Lying is wrong” message of FWSA so I had to ask again, why was this episode a Sanders Asides when apparently, you need information from the last Sanders Sides episode in order to understand it?

So you’re telling me, that the second episode in what is supposed to be a separate series that isn’t meant to be a part of the main plot, is now integral to the plot of the main story you’re telling in what is, as you have said, a separate show? How does that make any sense? 

Okay, one could argue that Thomas getting a love interest doesn’t really fit with the current storyline that’s going on in Sanders Sides, and that is a fair point. The problem with that is, FWSA takes place right after Putting Others First. 

You all remember what happened at the end of that episode, right?

Part Three: Intrusive Plots

At this point we’ve all become rather accustomed to the long waits in between videos, it’s nothing new to us, and for the most part they haven’t done anything to harm the current plot of Sanders Sides. Sure, the length of time between videos can cause people to lose interest, but for the most part the tone of the last three episodes of Sanders Sides hasn’t differed much and the story flow is still going along smoothly. 

Let’s start with Selfishness vs Selflessness, which is the episode that sets up the big climax for season two. It’s still got its jokes and funny moments, but the overall tone is far more serious than previous episodes have been. This carries on into DWIT where Thomas has been so stressed out lately that he’s begun to have trouble with his intrusive thoughts. 

Virgil even gives a pretty good summary of Thomas’ current mental state: “He recently realized he’s a bigger liar than he thought he was, he doesn’t understand himself, he’s committed to skipping a big callback, and he’s sleep-deprived. So yeah, he feels like a piece of dirt who has no control over his life.”

And all that was a direct result of the ending of SVS, despite DWIT not being the direct follow up to that episode the two are still intertwined. Remember that for later.

DWIT ends with the long awaited reveal of Virgil having been a “Dark Side.” Even though the majority of the fandom had figured it out by as early as Can Lying Be Good? That didn’t take away from the emotional gut punch that this scene was and it’s one of my favorite moments from the series. I may have to make a whole post breaking that scene down but what matters is that this scene was a turning point for Virgil’s character.

We’ve seen him trying to hide the truth from Thomas ever since Janus and Remus started popping up, and there were close calls with both of them nearly revealing it themselves and continuously dropping hints to Thomas. Only for Virgil to admit it to Thomas himself, and leave before Thomas can even say a word. 

We don’t know for sure how Thomas is feeling in this moment, but it’s clear he’s been shaken by this. He doesn’t really have a lot of time to process it before he remembers to acknowledge the audience and close out the video. 

This comes up again once we finally get to the monster of an episode that is POF, the follow up to SVS that everyone had been waiting over a year for. Right away we see that Patton and Roman will be at the forefront of this discussion with Logan popping up every now and then, but who doesn’t show up in this episode despite having played a role in SVS? 

Virgil. 

He’s nowhere to be seen and his absence is definitely felt. Why wouldn’t he be part of this discussion? He was there in SVS and had a lot to say on the matter, he was even part of the decision to choose the wedding over the callback! So why wasn’t he there? 

Well, just look at the ending of DWIT and there’s your answer. Of course he isn’t about to show his face after that. Not when Thomas is already under so much stress already and he isn’t sure how Thomas will react to seeing him-

*insert random voice whispering off to the side*

 Wait, Virgil has seen Thomas since DWIT? When? 

*whispers continue*

Oh, right, they interacted in Sanders Asides. How did that go again? 

*whispers explain*

Huh? Thomas said he’s cool with Virgil despite revealing that he’s been hiding something from him this whole time? That “something” being the fact that Virgil was once considered part of the others that were currently making Thomas’ life miserable?

*whispers confirm*

Really? They’re both okay with each other now? Well, good for them. 

So wait, then why didn’t Virgil show up in POF? He was there during the first discussion and honestly he’d have more of a reason to show up than Logan who wasn’t really present at all in SVS. 

*whispers explain* 

He just wasn’t need there? Hm, alright. Guess that makes sense… 

Well okay, Virgil and Thomas are on good terms once POF rolls around, Virgil isn’t present during the conversation because he isn’t needed and I suppose his presence would make things worse. Especially once Janus revealed himself, he wouldn’t allow him to get a word in. Even though Janus could probably silence him but I digress. 

Fast forward towards the ending of POF, remember when I said to remember how SVS and DWIT were connected? Well DWIT is just as important to POF, acting as a bit of bridge between to the two episodes. 

Janus brings up Remus (both directly and indirectly) twice in this episode.

First here:

 Notice how Roman’s breakdown is already being foreshadowed here, the camera focusing on him while “Logan” says this isn’t an accident. 

The second time Remus is brought up is at the very end after Janus has revealed his name:

“Oh, Roman thank God you don’t have a mustache. Otherwise between you and Remus, I wouldn’t know who the evil twin is.” 

(No I am not posting screenshots of this scene I already got emotional over the last one)

As we saw at the end of DWIT, Roman does not have a good relationship with is brother. So much so that when Thomas refers to Remus as such, Roman creates a different analogy that compares Remus to a mirror, reflecting everything Roman doesn’t want to be. 

Roman desperately wants to distance himself from Remus, not wanting anything to do with him. We’ve only gotten a glimpse of just how far this loathing goes, and part of that comes from Roman finally breaking down after being told by Janus that if it wasn’t for a mustache there’d be no difference between him and Remus.

This shook Roman more than anything else in the show has so far, moreso than him being the one to decide that Thomas should give up the callback. He was the one that pushed Thomas to make that decision, believing it was the noble thing to do, only for it to only make Thomas feel worse and then be told by Janus that his “noble sacrifice” was all for nothing. 

Janus, the one who had been supporting Roman throughout SVS, buttering him up and encouraging him to go after his dream, told him that his sacrifice was worthless. Then to top it all off Janus admits what he did and brushes it off as a joke. He doesn’t apologize to Roman, leaving him in the dust, then when Roman responds by laughing at his name he’s shot down even lower. 

And when he looks to Thomas and Patton for help, for answers, anything.

They stay silent.

Patton tries to reassure him, telling Roman that they love him, but he doesn’t believe it. He sinks out, and that’s the last we see of him.

Selfishness vs Selflessness, Dealing With Intrusive Thoughts, and Putting Others First are three of the biggest (and dare I say most important) episodes in the series. The three almost act like a trilogy, with POF leading to something bigger, the season finale. Which will be culmination of all three of these episodes. 

We’ll be seeing Virgil’s reaction to Janus having been accepted by Patton and facing his own past as a “Dark Side.” Then we’ll find out what has become of Roman after he disappeared at the end of POF, and how it now affects his relationship with Thomas.

*whispers return and begin to whisper*

I’m sorry what?

*whispers repeat*

Virgil already knows about Janus getting somewhat accepted? Well okay I guess he would, wish we could have seen his reaction to that but oh well, no big deal. At least we got the Roman and Thomas confrontation to look forward to. 

*whispers whisper*

Roman has already interacted with Thomas since POF? When?!

*whisper* 

In FWSA? Oh yeah, how did that go again? It was super awkward right? Since Roman doesn’t really trust that Thomas loves or values him?

*whisperly whisper*

They get along just fine as if nothing happened? 

*whispersty*

It looks like he might still be upset with him since he’s being a bit passive aggressive? 

*whisper* 

Can’t really tell because the three are too busy trying to talk to a cute guy at the mall? 

Okay, I guess that all makes sense… 

Looks like Roman and Virgil still aren’t on the best terms with Thomas but are able to push that aside to help him talk to this handsome stranger, and hey, it worked! Thomas now has a boyfriend! Just look at Roman and Virgil at the end, they’re both so happy with Thomas! 

Looks like now they can focus on this new chapter in their life and leave the events of POF behind them. I mean, now that Roman and Virgil seem pretty cool with Thomas it would just feel weird to suddenly have them angry with him again, wouldn’t it?

Part Four: The Problem

Sanders Asides was originally described as being a series separate from the main storyline of Sanders Sides. Promising us shorter, less complicated episodes to give us a little something in between the longer, heavier episodes in Sanders Sides. This was a great idea that ended up falling apart the moment it began. 

When I was going through SVS, DWIT, and POF I mentioned that the three of them felt like a trilogy. All three of them link together to tell one bigger story, and on their own they get the job done. They set up the season finale perfectly to the point where you have an idea of what to expect and what to look forward to. 

The main things being the aftermath of Virgil’s reveal and Roman’s breakdown, which would most likely cultivate in them teaming up against Janus. This would also involve Virgil coming to terms with his past and Roman having to face Remus. 

Of course, none of this has been officially confirmed, but given everything we’ve seen up to this point it just makes sense. 

The story for season two is nearly complete, all we’re missing is the conclusion. 

Then Sanders Asides showed up and threw everything off course. What was supposed to be its own thing crept into a story that was already (for all we knew) set up and being put into place. 

We were told that the Asides wouldn’t do anything to disrupt the flow of Sanders Sides, yet it’s been confirmed that there will be one or two more episodes of Asides before we get the season finale. 

Why? Why are these episodes necessary when everything was set to move forward after POF? If these episodes are that important that they absolutely have to be made before the finale then why are they simply not part of the main series? 

You could say “Well they’re not directly tied to the main plot, that’s why.” But need I remind you that Asides as a concept was just intriduced after DWIT came out? These episodes were written specifcally for Asides, which unless I’m wrong means that they were just added into the main story with no planning whatsoever. 

FWSA honestly feels like it should have been the start of season three, something that should have waited to be introduced after season two wrapped up because it’s just too much. 

We already have so much to unpack from SVS, DWIT, and POF now we also have a new love interest on top of that? 

Virgil and Thomas’ resolution doesn’t even feel all that special because it wasn’t talked about directly between them. Thomas was indirectly letting Virgil know they were still okay, so what does that leave for us? All that build up about Virgil being a “Dark Side” only for it to be brushed over like it was nothing, and this happened in an Asides episode, not even in the main series. 

It also makes Virgil’s absence in POF confusing when they had already set up the perfect reason for him to be absent in DWIT, but according to the first episode of ATHD Virgil and Thomas are okay with each other. Sure, Virgil being there might have made things worse but at that point everyone was making things worse. 

We no longer have a confrontation between Thomas and Roman to look forward to because in FWSA we see them interacting as normal. Even the passive agressiveness isn’t anything new to Roman and really, it all just sounds super petty which he had been known to behave like that even when nothing is seriously wrong. Not only that Roman is overjoyed at the end, having finally gotten something he desperately wanted, the happy ending he deserved.

All that’s left for him is to fave his feelings towards Remus, but what would even happen there?

The problem with Asides isn’t the quality of the episodes, FWSA is actually one of my favorite episodes. The problem with Asides is that the team is taking what should have been something small and turning it into a far too elaborate for what its original purpose was: To give us more lighthearted content to enjoy in between the waits for the heavier episodes.

Instead it just feels like they’re adding onto something that really didn’t need adding on to, creating more work for themselves when it just isn’t necessary, and that worries me.

Final Thoughts

Honestly, it’s hard for me to make all these judgments when no one has any idea what the finale is going to be like. And usually, the team is able to excede my expectations and create something amazing. 

But with all these new Asides episodes that feel like they’re just being crammed in at the last second, it makes me wonder how the rest of the series will go if they continue down this road. 

Season two started September 1st, 2017, it is now January 3rd, 2021. Throughout season two the production of episodes became more elaborate, and there have been complications that arose from trying to make these videos as a result that sent production screeching to a halt. And on top of that, these Sanders Asides have been added to create even more work for Thomas and the team.

I don’t understand why they’d do this to themselves when it’s already become more difficult than ever to make videos in general, not just Sanders Sides. 

We were offered something simple that would have satisfied everyone during the difficult times, only to be given something that honestly, wasn’t even needed. I do appreciate Thomas trying to get us more content, but I don’t think he or the team realizes just how content we’d all be with just a five minute video of the characters we love just doing something as simple as hanging out and having fun, especially with how dark things have become all around us. 

We don’t always have to be watching these characters struggle, sometimes we just need to see them be genuinely happy.

(Thanks to everyone who took time to read this monster of a post, I did not mean for it to get this long but it’s been dwelling on my mind for a while and I wanted to make sure I got out everything I wanted to say. Again, this is all just a personal opinions and you are not obligated to agree with me. If you have an objecting opinion I would not mind hearing it but please keep any discussions civil.)

[why-this-kolaveri-machi]

please. i can’t do this alone.

Titans 3.01

thoughts! thoughts! thoughts! some red hot thoughts!

SPOILERS ahead.

1. one episode in, and this season already looks set to give me everything i want. its abandonment of plot and storytelling conventions as it goes from one point to the next at breakneck speed; its cheerful bastardisation of iconic storylines from the comics; the ‘as-you-know-bob’ clunky exposition on one end and extremely restrained, subtle explorations of complex character dynamics on the other; endless shots of neon bleeding into black and blue corridors, shadows and silhouettes; my delight in seeing it celebrate and deconstruct the dark nolan-y batman aesthetic at the same time; my bafflement that it’s so fucking goddamn obsessed with the batfam when it’s supposed to be about the TITANS; kory just... saving every overburdened, clunky scene that she’s in by her sparkling charisma. just... *chef’s kiss*. muah. my show is back, in all its glory.

MY SHOW IS BACK, Y’ALL!

1.5. i mean... this show is so artful and weird and not afraid to go absolutely bonkers in exploring its characters’ psyche, but can just about barely stage a passable comic book fight when every tom dick and harry and their new streaming services can deliver ones that are far more exciting. i love this show with every atom of my body.

(there’s something to be said about rooting for the underdog as well. a pleasure in finding something to love about what other people dismiss. but! enough navel gazing! i have fictional characters’ navels to look at! metaphorically! and maybe literally!)

2. i expected jason’s death to come about pretty early in the season as soon as i heard rumours that red hood was showing up, but for it to happen in the first five minutes of the first episode... that’s a record. 

(well. “happen.” still don’t know what exactly went down there.)

2.25. GOD. jason is such a tortured and tragic character in this show, used and passed around by people with alleged good intentions, never really fitting in anywhere. he’s veritably bleeding vulnerability and the need to belong, the need to be known, and yet the tragedy is that his death proves that nobody in his life knew anything about him at all; that they only saw the flimsy walls he put up to protect his soft core, and thought that that was all there was. that they say they loved him, but blame him for his own death. 

dick is flabbergasted that jason can read, though we know from last season, from what jason revealed to rose, that he has a love for plays and music. barbara is quick to dismiss his actions as ‘impulsive’. bruce has no idea that his supposed son was building his own little chemistry lab right under his nose, and beyond that, no idea that jason needed structure, stability and validation beyond being left alone in a huge house with a treasure trove of dangerous weapons. kory thought his decision to fight the joker was from not learning and growing when the guy tried to kill himself last season and nobody apart from dick even tried to talk to him about it! did you consider that he might still be suicidal? especially after the titans admitted to having “given up” on him because he was just “too hard”?

2.5. the one thing that’s been consistent across all three seasons (so far) of the show is the unreliable narrator trope. there’s a reason why the characters’ dismissals of jason’s actions as impulsive is so repetitive; why jason’s death is a mystery dick feels compelled to solve. it’s a flailing attempt to know his brother much too late--but with red hood, maybe he gets a second chance, just like he got one with the titans. this is what jason’s arc has been building up to. this is ‘death in the family’ but more fucked up in some ways. it didn’t linger on the death because the death wasn’t the point. the joker isn’t the point. everything that came before it is.

this way it will also make perfect sense that the red hood’s main enemy becomes the titans rather than batman.

2.75. goodness knows what’s going on with jason’s little chemistry project. at first i thought he was immunising himself to joker gas or something, but maybe it’s what passes for lazarus pit juice in this universe? 

anyway, it’s pretty impressive that jason learnt all of that from a college chemistry textbook. STOP BRINGING UP THAT HE READ SOMETHING, DICK--

2.8. i’m glad that dick doesn’t immediately sink into self-loathing and guilt and tries to investigate jason’s death while also acknowledging how he failed him. it’s like he actually learned something from the last two years! 

anyway. more about dick later. 

3. oh how i love titans!bruce. a lot of characters had a lot of Opinions on his reaction to jason’s death in this episode, but again, i ask you to consider that they’re unreliable narrators, and this universe’s bruce is a product of how it shaped him. bruce wayne has become a phantom to himself--an artifice borne out of vigorous discipline and crushing self-denial. 

bruce has been batman for a very long time, and without a robin for much longer. (dick must be... in his early thirties? so he was robin for about, say, 10-12 years according to the timeline of the show. that still makes bruce pretty old when he took on his first robin.) things have... calcified (possibly parts of his brain). the personal cost and the collateral from the mission he’s taken up for most of his life is too much to countenance; it has to be a war, and war requires sacrifice. 

on some level bruce knows that’s a lie. he’s so goddamned alone. what’s he going to do? sit down and cry? who’s going to listen to him now? oh, is he going to just stop being batman? who’s going to stop gotham from consuming herself then? he’ll just have to forge ahead, do better next time, maybe he’ll be firmer with them, or kinder with them, or notice more things, or train them harder, or spend more time--

3.25. don’t get me wrong: titans!bruce is an asshole and a half. his roster of potential robins was honestly bone-chilling. the fact that there’s a twisted root of compassion makes it more disturbing. 

3.5. alfred’s dead! it must’ve been pretty recent, because i could’ve sworn that dick tried to call alfred in the very first episode of season 1, or at least considered calling him... 

what a devastating double-blow for bruce then, losing his father-figure and his, uh.... son-figure so close together.

4. i don’t know about barbara yet. i mean, i like her, but she had so much clunky expository dialogue to deliver this episode, and for an episode that was named after her, she only showed up halfway through it. but i like the weight of history behind her interactions with both bruce and dick and her compassion to bruce before he cruelly crossed a line. i also like the implication that she and dick have been in touch recently, and that she didn’t immediately try to guilt-trip dick about some perceived abandonment. it’d be too repetitive.

4.5. there’s also a sense that she ran interference for dick a lot whenever there was something Too Big and Emotional for him to confront directly, and i like and appreciate that character beat.

5. dick, my man! it really does feel like a substantial length of time has passed between the end of s2 and the beginning of s3... kory’s got a new costume, they’ve become celebrities in SF, working missions together, and dick’s actually smiling! genuinely enjoying his work and having fun with it for possibly the first time in the entire series! it’s really a far cry from the fractured, dysfunctional mess that they were at the end of the last season.

i just hope this doesn’t mean that they’ve magically reached a resolution off-screen to all of their fucked-upness from last season, and that the repercussions--for gar in particular--are actually addressed on screen. 

5.25. i mentioned this briefly above, but it really is so refreshing that dick doesn’t wallow in guilt and self-loathing after jason’s death; he acknowledges his and the titans’ failure, is able to admit to barbara honestly that he’s not doing great, and is actively trying to reach out to bruce to make sure he’s ok, is trying to investigate what made jason seek out the joker on his own, and is probably the only person not immediately buying that it was jason’s recklessness that got him killed. i love that dick is finally beginning to trust his instincts or just employ them at all after years of guilt and paranoia and self-loathing. we love some positive character growth!

5.5. another thing i love? the bruce-dick interactions on this show. every scene they’re in together is so fraught with tension, both of them holding themselves back, their emotions on a whipcord-tight leash. dick wants to reach out to bruce, is even somewhat familiar with this brand of denial in the wake of grief, but wants barbara to make the first move because he genuinely does not know how to get bruce to open up. his instincts are right, and wonderful, and genuine, but his expression has been smothered by years of trauma, emotional and physical self-discipline, and what i suspect is poorly treated mental illness. 

it takes a lot for him to finally explode at bruce at the end of the episode--in a way he hasn’t done even when his only opinion of bruce was ‘fuck him’--and it’s all the more startling for how subdued he’s been through the episode, how much he’s been holding back his emotions for bruce’s sake. love it.

5.75. it sort of hurts my heart to see the flying graysons poster in jason’s room. there are a few implications:

a) jason settled into dick’s old room despite living in a giant mansion with dozens of other rooms he could’ve used

b) he didn’t take down dick’s poster--not when he moved in and was idolising him, not when he moved out of the titans and was sort of hating him. i wonder if the reminder of what dick was before robin--that he was forged out of unspeakable tragedy--gave jason the connection to dick that he so desperately wanted in real life

c) dick moved right back into the room and slept on the bed that was now jason’s. grief can be so quiet and piecemeal sometimes.

6. i spy the beginnings of actual arcs for both gar and kory! i just hope that with the move to gotham their stories don’t fall to the wayside...

6.5. i’ve known tim drake for less than ten minutes but if anything were to happen to him i’d kill everybody 

7. this review has gone on for too long and i am tiRED. however, before i leave: i miss some of the dedication-to-aesthetic that titans season 1 used to have. remember how the first few episodes didn’t really feel like a superhero show but something out of gothic horror? there was something gorgeous and raw about that, about open landscapes and the road and creepy buildings looming up at the end of it. moving to titans tower in s2 really ruined a lot of that for me, given its ripped-from-architectural-digest aesthetic, all smooth and clean and artificial. 

i hope that we really explore gotham’s hellscape in interesting and innovative ways instead of camping out in the batcave all the time and indulging in the show’s unending love for long corridors, neon backlights and silhouettes.

8.....

9.  wait, fuck, HOW CAN I FORGET ABOUT HOT PSYCHIATRIST GUY (TM)??? NONE of you prepared me for his return! NONE OF YOU! i gasped! i got up and did a happy dance! 

listen, titans writers, if you’ve had a peek at my titans s3 wishlist, please go ahead and give the other items on the list a go too, thankyouverymuch.

[queen0fm0nsterz]

It seems the "legacy" that Six and Mono has do needs each other so they can bonded together just so they'll get the right mindset for them to grow into monstrous adults given Mono becomes the Thin Man after he's betrayed by Six and Six gradually becomes worst with her hunger to where she eats up the Lady after she gets hurt by Mono destroying her trust

Yes, and it saddens me to literally no end.

We get to witness how their friendship grows only to see it ripped apart. Both parties suffering the consequences of their actions.

For some reason this ask got me to think, so... Here's a bunch of mini theories I have about The Square (Thin Man, Lady, Mono and Six) that I wanted to share with you guys but never had the chance to. Be sad with me or else.

1) Pacific Thin Man.

The Thin Man wasn't actively trying to kill either Mono nor Six. He only wanted to separate them, which is why he chased Mono away. I think this is almost universally agreed on.

2) The Thin Man wasn't trying to get to Mono at all and only used him to leave. He wanted Six from the beginning.

I actually think the Thin Man was doing what he's always done, even back when he was still Mono: taking his friend back at all costs and keeping her by his side so that he could protect her. Would explain why he only starts running after Mono when he tries to free her from the TV.

I mean, he had plenty of other occasions to get a hold of Mono. My boy literally travels through the TVs a bunch of times before getting here, but the Thin Man only shows up when Mono is actively trying to take Six away.

All three times we see him in person are related to Six.

First time: he takes her.

Second time: Mono tries to take her back so he steps in to stop him.

Third and last time: The Thin Man is the only thing standing between Mono and the Signal Tower, in which Six is trapped.

This would also explain the Thin Man's official description. Let's give it a read:

"As the ever-present hum of The Transmission chokes the airwaves, The Thin Man continues his endless journey through this desolate place, haunting the shadows, searching for something. "

The something would of course be his old friend. Although, he may be mistaken without even realizing it, which brings me to my next theories ...

3) Mono is the only one stuck in a loop.

This is mostly based to the meaning behind his name, especially compared to Six's.

We all know that his name means single, one, only, alone. Many people made the connection with the word "monophobia", a.k.a the fear of being alone, and that's an incredibly valid and fitting connection, but I think it may have an addictional hidden meaning just below the surface.

Because, let's be honest. If they wanted to keep the number theme, why not name him "One" instead?

Mono is a... very unique child. He's the only one capable of controlling the transmission, which is why the Eye keeps him around: to use that power as it pleases. I wouldn't be surprised if it messed with the timeline so that Mono was reborn again and again and again.

The number 6 written on the door could symbolize the fact that this Mono we're seeing is the sixth one.

I tried to check for a 7 on Mono's door at the end of the game, but couldn't see anything.

OOOOR, it could be referring to the Ladies of the Maw, which leads me to...

4) Six and the current Lady are NOT the same person...

The main reasons why I believe this is something that everyone seems to forget.

Guys. THEIR COMFORT SONGS ARE COMPLETELY DIFFERENT.

"And what does that mean?" EVERYTHING MY GUY. LITERALLY EVERYTHING. In a series where characters don't speak, it's up to the visuals and music to tell us the story - which means their role is extremely important.

It seems strange to me that they would use two songs that are so drastically different in melody and pacing if the characters are supposed to be one and the same - especially considering just how personal the songs are to both. For example, when Mono becomes the Thin Man, the latter's theme is prominent in End of The Hall, but when Six eats the Lady it's her own theme song that prevails.

Fortunately, we get a clear listen to both music boxes in the games, so we can hopefully make a comparison.

Here's Six's music box and The Lady's.

5) ... But Six does grow up to become the next Lady.

This. Just, this entire thing.

You see, for the Maw to keep running, it needs a Lady to lure people in and turn children into Nomes. We can assume that it works in a similar fashion to the Signal Tower.

Which basically means that the two structures only function if there's an Host they can feed off from, otherwise they fall apart, just like the Tower did at the end of LN 2.

Let's put it this way: Six absorbing the Lady's powers is the same as Mono sitting on the chair. They sealed an invisible contract with the Eye from which they can't break free, destined to be it's slave until the next Mono and... a possible Seven take their place.

6) The Lady can't leave the Maw...

I already mentioned this in the previous one, but basically what I mean is: The Lady is the only Host of the Maw. If she leaves, the entire thing crashes down.

7) ... But she's been in the Pale City.

We've got proof of this because a lot of paintings and pictures on the Maw depict various sections of the Pale City and some of their citizens. Both the Hospital and the School get their time to shine in these, especially ones the Bullies (I think it's finally time for me to push my "Teacher & her students on the Maw" agenda) who can be seen around the Residence.

Admittedly, most of these paintings aren't placed in the Lady's quarters, so maybe they just belong to her employees who hang them around to decorate the place a bit like Roger did, BUUUT! There's a very particular set of paintings that can be found in her quarters.

Well well well, if it isn't our blob bestie 🙃

Based on what we know, the only location we find the Eye blob is the Signal Tower, so... I think it's pretty safe to assume that's where she saw it. Then again, when did she see it? Probably when she was a child, before the got on the Maw for the first time. Talking about the Maw...

8) How much time has Six been on the Maw?

This may be kind of an odd question, but I wanted to answer it because it has always bugged me. Me, the fool, trying to form a cohesive timeline in this extremely vague franchise... Sigh.

Anyway. First of all, let's give the Maw's official description a read:

" The Maw arrives every year. Always at the same time, but never in the same place, it creeps and crawls and buries its claws deep beneath the glistening water. And there it sits in vast silence. Waiting.

Soon after, they start to arrive. The guests. The monstrous, sweating, hungry guests. All seams bursting, bodies bulging, eyes dead with boredom. They shuffle up the gangway and into the mouth of The Maw. And then they are no more.

For none of those that enter have ever returned to tell the tale. At least, not yet... "

So the Maw comes up once a year, stays there for a while and then goes underwater once again. When the Ferryman takes an unwilling Six to the Maw by boat, implying that Maw has risen.

And the next time we see the outside world in in LN, when Six climbs her way up in that wonderful scene. We can see the guests coming in again, so we can assume it's been at least a year.

The thing about the comics that is really funny to me is that it implies that Six has been wandering around since when she first got on, meaning both Roger and the Chefs are already aware of her presence and are familiar with her. The thought of them being like "Oh no this kid again" when they meet her in the game is so funny I can't.

Also, Mono has been trapped in the tower for at least a year by now :)

9) Mono glitching?

I got to think about this while playing LN 2. You know when Mono starts absorbing the glitching remains? If you don't get too close that he "eats" them but manage to stay close enough, you'll see that Mono himself starts to glitch a bit.

Huh. Leaves room for thought.

Anyway, this is all I have for now.

MASTERPOST