#i need to like write a children's book about all of them

[wings-of-fire-confessions]

Is it just me, or is the way WoF presents disability... actually not that bad? Don't get me wrong, it is FAR from perfect, and I would love to see better representation as the series continues! However, I'll make my case:

I think the thing people criticize the most is when Turtle mentions that he and Anemone were working on a spell to restore Starflight and Tamarin's sight. This is definitely alarming; it plays into the tired idea of disabled people needing to be "fixed." But I think people forget that Turtle and Anemone are two young children with a limited view on the world. Their mother is extremely judgemental and believes in genetic superiority 😭 They might not understand that there is nothing wrong with being disabled, and that you can happily live with a disability. We also don't know if Tamarin or Starflight even consented to the spell, so it may have never been realized anyways. I would like to see Tui properly address this in future books, though. (And if it wasn't clear, I'm not justifying Turtle and Anemone's actions; just saying that there's context here that most people don't consider).

I'm also aware that the series villainizes some of its disabled characters (Queen Scarlet, Chameleon, Queen Battlewinner, etc.) Disabled people have a long history of being villainized, so it is understandable to feel uncomfortable about this! But it's not like WoF lacks ANY positive representation. Tau, Clay, Tamarin, and Starflight are all characters who I think are really cool!! And I like Mayfly and Osprey too (even though they're minor characters). I think even Peril could count...? And a lot of her character arc is about learning to live with her firescales.

And yes, there's stuff like The Weirdling Tower... but that is EXPLICITLY treated as a bad and gross thing, so I don't get why some people use that as proof that Tui hates disabled people. Same goes for ableist characters like Burn and Scarlet (who are also EXPLICITLY presented as horrible and evil).

My biggest criticism for the way Tui writes disability is that most of her disabled characters that are considered positive representation don't play a huge role in the books. We have Starflight and Clay, but when they get their disabilities, the arc that focuses on them is close to over. It would be nice to see more disabled characters that are more involved in the story.

.

[thechildisgone]

my family had 16 cats omg

[avaantares]

Fanfiction Authors: HEADS UP

(Non-authors, please RB to signal boost to your author friends!)

An astute reader informed me this morning that one of my fics (Children of the Future Age) had been pirated and was being sold as a novel on Amazon:

(And they weren't even creative with their cover design. If you're going to pirate something that I spent a full year of my life writing, at least give me a pretty screenshot to brag about later. Seriously.)

I promptly filed a DMCA complaint to have it removed, but I checked out the company that put it up -- Plush Books -- and it looks like A LOT of their books are pirated fic. They are by no means the only ones doing this, either -- the fact that """publishers""" can download stories from AO3 in ebook format and then reupload them to Amazon in just a few clicks makes fic piracy a common problem. There are a whole host of reasons why letting this continue is bad -- including actual legal risk to fanfiction archives -- but basically:

IF YOU ARE A FANFIC AUTHOR WITH LONG AND/OR POPULAR WORKS, PLEASE CHECK AMAZON TO SEE IF YOUR STORIES HAVE BEEN PIRATED.

You can search for your fics by title, or by text from the description (which is often just copied wholesale from AO3 as well). If you find that someone has stolen your work and is selling it as their own, you can lodge a DMCA complaint (Amazon.com/USA site; other countries have different systems). If you haven't done this before, it's easy! Here's a tutorial:

HOW TO FILE A COPYRIGHT COMPLAINT FOR STOLEN WORK ON AMAZON.COM:

First, go to this form. You'll need to be signed into your Amazon account.

Select the radio buttons/dropdown options (shown below) to indicate that you are the legal Rights Owner, you have a copyright concern, and it is about a pirated product.

Enter the name of your story in the Name of Brand field.

In the Link to the Copyrighted Work box, enter a link to the story on AO3 or whatever site your work is posted on.

In the Additional Information box, explain that you are the author of the work and it is being sold without your permission. That's all you really need. If you want, you can include additional information that might be helpful in establishing the validity of your claim, but you don't have to go into great detail. You can simply write something like this:

I am the author of this work, which is being sold by [publisher] without my permission. I originally published this story in [date/year] on [name of site], and have provided a link to the original above. On request, I can provide documentation proving that I am the owner of the account that originally posted this story.

In the ASIN/ISBN-10 field, copy and paste the ID number from the pirated copy's URL. You'll find this ten-digit number in the Amazon URL after the word "product," as in the screenshot below. (If the URL extends beyond this number, you can ignore everything from the question mark on.) Once this number has been added, Amazon will pull the product information automatically and add it to the complaint form, so you can check the listing title and make sure it's correct.

Finally, add your contact information to the relevant fields, check the "I have read and accept the statements" box, and then click Submit. You should receive an email confirmation that Amazon has received the form.

Please share this information with your writer friends, keep an eye out for/report pirated works, and help us keep fanfiction free and legally protected!

NOTE: All of the above also applies to Amazon products featuring stolen artwork, etc., so fan artists should check too!

[spacelazarwolf]

apparently a bunch of ppl on social media are trying to call for a boycott of rick riordan because of this statement in a blog post:

Becky and I are just back from a busy weekend with events at the Boston Book Festival and New York Comic-Con.

Before I get into that, however, some words to acknowledge the ongoing horrors in Israel and Gaza. As many of you may know, I am no longer on social media. My accounts post only updates on my books and related projects. I do not read posts, reply to posts, or share my thoughts about world events on those forums. That doesn’t mean I don’t have strong feelings and reactions. It means I am offline as completely as possible, except for the occasional blog post like this one.

I will say this: Over the last eighteen years, I have received many fan letters from young readers, both Israeli and Palestinian, who often told me that my books helped them escape the fear, grief and anxiety they were dealing with at the time. Some had lost family members to violence. Some were writing while in the distance they could hear explosions, gunfire, and the launching of rockets. They used my books as a way to escape into another world, where the monsters were fictional, and where demigods usually saved the day. While I am always glad that my books can help young readers find joy during difficult times, my heart breaks every time I hear about the things they have to deal with. I am grief-stricken by the horrific events now unfolding, especially because I know that they are part of a long historic pattern that has been robbing too many children of their childhood and perpetuating hatred for far too long.

I am also quite aware that when anyone, myself included, tries to speak about this issue, the reader is waiting to pounce, thinking, “Yes, but whose side are you on?” That is exactly the wrong question. If there are two sides to this issue, those sides are not Palestinian/Israeli or Muslim/Jewish. The two sides are humanitarian and dehumanizing. Dehumanizing has a long evil history. It is appealing and easy to buy into, because humans are tribal animals. We are hardwired to think in terms of ‘us’ versus ‘them.’ We are the real humans, the good guys, the ones with God on our side. Those other people are evil monsters who don’t deserve empathy. Hate mongers have thrived on dehumanizing for as long as there have been humans. It provides them with a purpose, a way to rally support, power, and scapegoats. It is easy to point to atrocities committed by our enemies, while justifying or minimizing the atrocities committed by ourselves or our allies.

Humanitarianism is a much harder sell. It requires us to empathize, to see other groups of people as equally deserving of dignity and quality of life. It requires not always putting ourselves and our needs first. But in the long run, humanitarianism is our only hope. If violence could end violence, if we could put an end to “those other people” once and for all, human history would read very differently than it does.

So yes, I am appalled by the Hamas attacks on Israeli civilians. I am appalled by the suffering of Palestinian civilians in Gaza. Both things can be true. Both things must be true. My thoughts are with all the people who have died, who have lost loved ones, who have had their worlds and their lives shattered, especially the children. More death and violence will not break this cycle, which has been going on for generations. There is no military solution. Even since I first wrote the post, only twenty-four hours ago, the Israeli government’s brutal retaliation against the entire population of Gaza has reached genocidal proportions. This is not only an atrocity. It is folly. Answering misery with misery only creates more fertile ground for extremism, dehumanizing the “other side,” letting hate mongers thrive, stay in power, and reduce us all to our most monstrous impulses. The only real solution is treating each other like equally worthy human beings, and negotiating a peace that allows all parties a chance to live in security and dignity, with hopes for a future that does not include bombs and rockets and gunfire. This means security and support for Israel, yes. It also means a secure Palestine which is allowed to get the international aid and recognition it needs to build a viable state.

Do I think that will happen? Unfortunately, no. Humans are simply too selfish, too ready to blame “the other” for all their problems, too ready to dehumanize, though I also believe, perhaps paradoxically, that most people just want to live their lives in peace and have a chance for their children to have a brighter future. The problem is when we don’t allow other people to have those same hopes and dreams — when it becomes a false choice of us versus them.

What can I do? I will continue to write books that I hope will give young readers some joy. I will resist the urge to demonize entire groups of people. I will call for less violence, not more violence. And when asked whose side I am on, I will tell you I am on the side of humanitarianism.

So with that said, I return to the world of books . . .

honestly, if you have a problem with this statement, it’s probably because he’s talking about you. this is exactly what legitimate activists (as in not just random westerners who share social media posts but on-the-ground activists who are doing real work) have been saying for decades. and i think all this really speaks to just how disconnected a lot of westerners who claim to be pro palestinian are from those activists.

if you can’t read a statement that says “i am on the side of humanitarianism and less violence” without immediately jumping to cancel them, you are the problem being discussed in the above statement.

[diamondcitydarlin]

Just fair warning- I said on my personal post about this that I wasn't going to talk about Neil Gaiman anymore, but as it's becoming clear that him and his publishers and anyone else who makes money off of him is circling the wagons and trying to bury these allegations, as well as some fans still defending and trying to 'rationalize' this information, I feel like, actually, we need to keep talking about him (as much as I cannot stand him and feel physically disgusted now when I so much as see his face somewhere). Specifically, the fact that he's a liar, master manipulator and should not, under any circumstances, be given access to his fans like he has in the past. At the very least. (And if you need to blacklist his name or even unfollow me so as to not be triggered, I completely understand, but I will always try to tag these posts accordingly and I think it's crucial right now that the truth be put where people can see)

This post specifically is in response to those 'rationalizations' I've seen, some that have gone as far as to blame the young fans/groupies that hooked up with him for being 'golddiggers' or just making a mountain out of a molehill for something they now regret. It's not that simple, yall. (And, again, this requires some amount of completely ignoring the story about him extorting his tenant for sex under threat of eviction of her and her three young children, I'm not sure how you 'rationalize' that under the best of circumstances)

So let's be clear here. What we know is that NG has routinely, for possibly an upwards of 30 years, pulled sexual 'partners' from his fan groups, most of whom are 18-22 year old young women (though possibly younger, accounts are coming forward of 16 year olds having allegedly been inappropriately touched/flirted/propositioned by him, which ig is the age of consent in the UK but still?? 16 year olds!!). This wasn't one or two times in the course of three decades, this was a constant pattern of behavior for him and for a very insidious reason.

This isn't to try to infantilize those fans or young women/young people in general or try to suggest that they couldn't have consented to sex with an older person or famous person. In fact, the onus isn't on them at all. This is about an older guy with a lot of fame, power and wealth choosing to sleep with people that he had already conditioned to idolize him and using that power imbalance to coerce them into doing things they didn't want to.

Regardless of one's age or gender identity, it can be difficult to impossible to say 'no' to someone like that. After all, you've been 'chosen' by the chosen one, you're special and not like everyone else, and if you don't do what the popular person everyone trusts is telling you to do you could end up ostracized. Alienated. Or worse. And you know what? Gaiman knew that! He knew it when he was crafting his 'approachable dad' persona on tumblr. He knew it when he was cultivating a fandom of personality. He knew it when he was having huge meetups to try to ensnare more victims. I hate to even think it, but I'm starting to believe he knew it when he was writing children's books too.

It's been talked about again and again in separate issues, but needless to say something not being strictly illegal does not make it inherently, morally okay. It does not erase the fact that this man has been essentially grooming his fandom to feel safe meeting/speaking with him so he can coerce those he can snare into sexual acts they're not comfortable with. That is predator behavior, whether strictly 'illegal' in the eyes of a court or not (but ofc I think he should be criminally punished even if I'm not naive enough to think he actually will be, because this IS rape and rape should be criminally punished)

I'm not personally advocating for anyone to give up being in his related fandoms, but what I am personally advocating for is that people don't forget who he is and what he's capable of, especially when he tries to crawl back to where he was (I'm almost certain he will eventually, as I've said).

Again, at the very least, we need to use what little influence we do have to keep him from infiltrating fan spaces again. He should not be on tumblr yukking it up with young people, he should not be at public appearances hitting on teenagers, he should not be given the unrestricted access to fans that he's 'enjoyed' for the past 30+ years because he is not a safe person. While I wish there was more in the way of restorative justice that could be done, I think at very, very least we should do what we can to limit his proximity to people he could hurt in the future. Make sure no one forgets, because sweeping this under the rug means Gaiman gets to hurt more people.

Lastly, no one is the wrong for having been manipulated by him. Let's make that very clear. What we're NOT gonna do is blame ourselves, each other, the victims, etc, for evil acts that Gaiman chose to do himself, time and time and time again. It doesn't help the situation and it certainly doesn't protect future potential victims. We were all duped because we're human and we attach and a lot of us want to believe there are good people out there, particularly those who make art that means so much to us.

And there are. But let's also use this a teaching/learning tool about how much faith we place in famous people in the future, regardless of how 'approachable' and 'safe' they might seem. Let's remember to have a healthy suspicion of creators/famous people that are oddly immersed in fandom spaces- yes, even the ones you still currently like that seem fine, as difficult as that may seem.

At the end of the day, we don't know them or what they're capable of doing or what they might be plotting to do to us. Support victims. Amplify their voices. Don't forget.

[universalitgirlsblog2]

🧁🍥STOP BEING LAZY AND PATHETIC🧁🍥

This post is my notes of Thewizardliz video on how to stop being lazy and pathetic. This account will be my digital notebook where I will write notes from Liz and Tam Kaur's videos ( LOL ) .

🧁WHO ARE LAZY PEOPLE ?

Lazy people are the forgotten ones. People that don't want to do anything with their lives, they will always end up on a sideline.

🍥REALIZE THAT NO ONE CARES IF YOU ARE LAZY

Everybody has problems. No one cares about your victim mindset and about how life was hard or unfair for you. Life is unfair to everyone . Life goes on. Everyone is busy with their own lives. We got to get moving !

🧁YOU AREN'T LAZY , YOU ARE PRIVILEGED

People that need to survive have no option to be lazy . People that are walking up the stairs and they can barely breathe , they have no option anymore than to lose that weight. People that are so vulnerable and their bodies cannot handle of them being so underweight have no option but to lose weight. People that have to go to work otherwise there is no food on the table. They have no option to be lazy. If you have the option to be lazy, you are privileged.

🍥THE HALO EFFECT

The halo effect is when we see a beautiful person , we will think that they are less likely to do something bad because we associate someone beautiful with being a good person. Its the same way with successful person. If we see a successful person in any field , we will assume that they are successful in all their aspects of life. Suppose if a person have a successful business , we will automatically think that they are successful in their relationships and everywhere. If you are lazy , you can't benefit from the halo effect . It takes effort to be beautiful and to maintain beauty. We only see these successes , we don't see the progress. Most people are privileged and have it all but most people come from zero and create it for themselves. It takes discipline.

🧁FOCUS ON YOUR LIFE FORCE : HEALTH , DIET AND RELATIONSHIPS

When you feel that you are lazy , focus on your life force . What is your life force ? Health and diet. Focus on moving your body and eat foods that don't spike your insulin and eat food that nourish your body. When you feel lazy or don't feel good , don't isolate yourself. Connect with your family and friends. Also focus on your relationship with yourself. What are you engaging your mind in ? Be connected to your own energy. Journal. Sometimes God or your guides are speaking to you but because your mind is constantly racing , you can't listen to them.

🍥CREATE ROUTINES AND STICK TO THEM

Humans need routines. You need a structurised routine. Sometimes we can't stick to routines but we need a base so we have something to go back to. I would like to add something here , I am reading a book by Brianna Wiest , it's called 101 essays that will change the way you think. There was line in the book . " As children, routine gives us a feeling of safety. As adults , it gives us a feeling of purpose ."

🧁CLEAN SPACE IS SELF RESPECT

Clean space is a clean mind. Not even cleaning after yourself is a sign of huge disrespect to yourself. Stop reading this and clean your room right now !!!!!

🍥THERE IS REASON WHY YOU MADE THAT COMMITMENT TO YOURSELF

Remember the reason . Remind yourself, " Why did I even start ? " " Why did I even want this goal ?" . If you don't want the goal anymore then do something else.

🧁THINK ABOUT WHAT STORY ARE YOU TELLING YOURSELF

If you are telling yourself that you are a lazy person , you will act like one. Your mom didn't carry you for 9 months just for you to say that you are lazy. Get a hold of yourself. Don't complain about how you don't have your dream life if you are lazy.

🍥REALISE YOU CAN CHANGE YOUR REALITY ANY SECOND

You can change your realities really fast if you start acting like the person you want to become.

🧁HEAL THE PAST AND MOVE ON

Go to therapy and heal from the past. You can change your story around . If you are a victim of trauma or abuse , don't just go around and tell people because they lose respect for you .

🍥YOUR BODY RESPONDS TO YOUR THOUGHTS AND FEELINGS

If you are constantly living in the past , reliving it , your body will make you ill. If you want a different outcome and different future, you have to do things differently. People around you don't need to change, you have the power to control that. You have the responsibility to heal yourself. What others did to you , it is on them . They will get their karma.

🧁ARE YOU LAZY OR DID YOU STOP PROGRESSING ?

People become happy when they start progressing. We constantly need that drive or something to strive for. Create a new project . Find a new hobby. Learn a new skill. Do something that you haven't tried before or pick something you used to love.

🍥TOO MUCH INFORMATION MAKES US LAZY

There is so much information on the internet to the point we don't know what to do. There are so many videos on the best diet , skincare or workout , we get consumed in other people's opinions and lives. We start filling their lives with our energy. ( Just a suggestion; you can search workout or skincare recommendations but at the end you should choose a diet or skincare or workout which suits you , not others )

🧁ARE YOU TOO CONSUMED IN OTHER PEOPLE'S LIVES ?

If you wonder to yourself : Why do I not have any energy left for myself ? Because you are too consumed in other people's lives so you aren't living your own.

🍥FEELINGS ARE NOT ALWAYS RIGHT

Feelings are just feelings. If we all just react to go out of emotions we would all unalive each other.

🧁ALLOW YOUR FEELINGS TO PURGE AND YOUR BODY TO HEAL.

Feelings purge by you feeling them. Release your emotions , don't suppress them . If you suppress those Feelings, they will get stored in your body and might show up later as physical illness. Sleeping is also healing. Let your body heal. Once that's done , get up and do something . Don't dwell there for too long.

🍥WHAT DO YOU FEEL VS WHAT DO YOU WANT ?

If you feel like eating unhealthy food but then you want your dream body. It doesn't correlate. You need to have discipline.

🧁COURAGE IS BEING VULNERABLE

Go outside and try to meet new people. Do something which you wouldn't normally do .

🍥LEARN TO ASK FOR HELP.

Learn to accept help. Sometimes God send people to help you. Ask help from God and you will receive help in miraculous ways.

🧁BE PRODUCTIVE ON YOUR OWN TERMS.

What does productivity look like for you ? What are your goals? Create that productivity mindset and visions. What works for others may not work for you.

🍥ARE THE PEOPLE AROUND YOU DRAINING YOUR ENERGY ?

If you have toxic people around you , you are constantly around them , you are going to feel bad. Distance yourself. No one can make you feel upset, you have the control over how you feel.

🧁CHANGE YOUR PERSPECTIVE ON SITUATIONS.

Most people are projecting their insecurities. Instead of feeling angry, have compassion for them. Similiarily , if you are going through a break up instead of thinking that they were the last person on earth. Think that your souls were meant to cross and then meant to separate. You learnt your lesson and they learn their lesson.Change your perspective on things .

🍥FOCUS ON THE THINGS YOU CAN DO

Think about three things you can do . What is your passion ? What makes you happy ? Who makes you happy ? Be grateful for these things. Realise that you can do alot and remind yourself of what you can actually do.

[magicalmanhattanproject]

man im just like. thinking about egg signs and how they've evolved over the course of the qsmp and how the qsmp has evolved over the course of the qsmp and just feeling so much love and affection for every part of the project. i dont have any grand overarching point with this just. like. here's a history of egg comms bc of the kind of person that i am

so wayyyy back ten months ago now at the start of the short and sweet egg event that was planned to last maybe a month at most, the eggs had their own custom, decorated signs!

[ID: Leo with a pink sign with an egg on the bottom corner that reads "hello" in all caps. Her nametag reads Leonardo. End ID]

They were extremely simple, single word signs. There was hello, hola, story, feed, sleep, and maybe one or two more and each was its own separate sign. The eggs could only communicate the most basic needs in words and everything else was through minecraft body language or just hoping their parents guessed right.

But obviously, there was a lot more that parents wanted to hear from their children. I'm not sure who was actually first, but the earliest departure from this system I know about is BadBoyHalo giving Dapper a simple oak sign so he could name his pet slime. (Screenshot from @/lxrd-ren)

[ID: Dapper wearing a diver's helmet standing next to a tiny slime in a boat with an oak sign reading "Bouncy (slmecicle but better)" End ID]

Parents quickly realized how much more convenient this was and pretty soon every single egg had stacks of signs to communicate with.

The next innovation came from Vegetta, who was the resident mod knower at the time. He knew about colored canvas signs and gave Leo signs in her favorite color purple because he loved her and gave her everything she wanted.

[ID: Leo's bed in her room under some Fooligetta fanart with a purple sign reading "<3" End ID]

Colored signs obviously had a lot of advantages. Being able to tell at a glance which egg placed which sign was a huge step forward in eggs being able to have long, complicated conversations as well as leaving obvious marks of their personality everywhere they went. It took a little while for them to be standard for every egg though. Bobby never stopped using oak signs even after Richas and Pomme both showed up with colored signs.

[ID: Two signs reading from right to left a red Pomme sign reading "we already started working on a guillotine factory" and a dark grey Dapper sign reading "thats the most french u have said so far pomme" End ID]

And this was the system for a while! And it worked pretty well for most people! The biggest struggle most people had was egg signs not being translated, but streamers adjusted to that by reading signs out loud so the translators would pick up on them. This also lead to adorable and fascinating dynamics like Richas swearing in signs he wrote for Bad and then warning Bad not to read them out. There was also the genuinely phenomenal development of Leolingo where Leo writes only in Spanish to Foolish because it's easier for her to write and he takes his time to puzzle his way through it and learn in a way that's super cool to watch someone else do onscreen.

Then Tubbo joined the server. And Tubbo himself had no problems at all with the system, but he is dyslexic and he casually mentioned offhand that it was getting kind of annoying to read signs after a ten hour long stream and the admin team Fucking Cooked.

Within 24 hours, they had TTS working on the signs. Within 48 hours, it was working on books too. I can't remember how long it took to get translation working, but it was definitely under a week.

And this opened up a whole new world of possibilities for the entire QSMP. The admin team has been on top of capitalizing on it for story purposes, but also just allowing the egg admins to speak in their native languages to everyone whenever they want has been so enriching for everyone involved. Leolingo is awesome but Foolish has been learning Spanish insanely fast and his process is a lot slower and more frustrating than most people can do in front of an audience of thousands of people without feeling discouraged. That's also one language. We've had everything from Foolish being able to check his work a bit more faster to Phil insisting on his eggs taking a day to speak to him in their native languages to Ramón writing a book for Fit in Cantonese, a language we haven't even seen on the server in any other context!

And all of it is fully understood and fully communicated! Sometimes the translators mess up but no one expects them to be perfect and people ask for clarification if the translator says something that doesn't sound right. It's not only a massive step forward in communication technology, but it's a great demonstration of how to use it and when you can and can't rely on it.

And finally, the most recent innovation! One of BBH's viewers sent him a dono saying they had trouble reading certain signs because they were too low-contrast. Bad, Richas, and Pomme just. Took it upon themselves to fix the problem right there and then. Based on One (1) bringing up their own personal struggle, those three came up with new signs that innovate tremendously on the originals.

[ID: Two separate images of the before and after. The first is the egg signs in their original colors with the corresponding egg's name written on them to demonstrate the font color and the second is in the new, higher contrast colors with the same text. The new signs also have custom decorations for each egg. The second picture also has two signs from Pomme in all caps that read "Send all the love to Richas he spent a whole night making this he's the best <3" End ID]

There are three main innovations visible in the above pictures

1: Obviously, the colors are higher contrast. The signs with white text have darker colors and the signs with black text have lighter colors.

2: The colors themselves are lower saturation. Richas said this made it easier for him personally to read them so he corrected that way, but that's open to change if it causes difficulties for more people than it helps

3: The decorations are for accessibility reasons! People with various different forms of colorblindness will find different sets of colors easier or harder to distinguish, but any of them can look at the decorations and use them to identify whose sign is whose instead.

But! Those innovations are not why I made this post! It's these ones!

[ID: The backs of the new signs when placed on the ground. Most visible are Chayanne's with vines and a hardcore heart, Sunny's with shining sunglasses, and Pomme's with an apple and the Eiffel Tower. End ID]

Richas added distinguishing marks to the backs of the signs too! This is something that Bad brought up specifically as something he wanted because it was hard for him to tell who was talking when he was using TTS from behind signs and couldn't see the colors at all.

We went from custom egg signs (a hotbar or so of words and nothing else to communicate with) through a long journey of expanding communication and expanding who we're bringing along on the communication and how easily they can join in and we've circled all the way back around to custom egg signs (they can say anything they want in any language they want and anyone will know it's them saying it from any angle)

and i guess i have enough feelings abotu that to write All This about it

[byooregard]

iwtv universe dashboard simulator

girlmand reblogged

😶‍🌫️gaysexinthecity Follow

not saying vampires are real but i think Daniel Molloy gets way too much shit . like if i was a pulitzer prize winning journalist in my seventies and some guy called me and was like im a vampire want an interview i wouldn't hesitate either. fuck man sure tell me about being a vampire. i'll believe you

🎆 magical-swiftie

reading Interview with the Vampire rn and Claudia and Madeline are sooo Long Face core

#now that i think of it a lot of tvl's songs fit this book really well #like #'she gave me life I gave her death'??? # that's so them!!!

🏞️ girlblogg1ng

btw if you're still listening to the vampire lestat, unfollow me now. and like, seriously consider why you're giving plays to a guy who appropriates ancient egyptian history for his vampire schtick, it's honestly sickening

#the vampire lestat #tvl #maintagging because people need to see this honestly #.txt

🌄sampire

keep seeing ppl try to cancel tvl for things hes said to his fans or how he talks about ancient egyptian mythology and not that song where he talks about fucking his mother. like im not crazy right he wrote a whole song about how he fucked his mother

💟 stingorarr

"we are your children/but what do you give us/is your silence/a better gift than the truth?" sounds like it should be some ancient Greek poetry but it's literally in a song by the vampire lestat!!!

it just hits so hard... like your parents gave you nothing but maybe the truth would be more unbearable than silence...

#tvl #the vampire lestat #twmbk #those who must be kept

sampire reblogged danielmxllxy

🌫️ beatlesrpf Follow

please tell me you guys arent serious about the vampire lestat. please tell me youre not stanning a man who wrote "im an actor in my makeup, i get fatter when we break up"

#guys please #this is worse than the tortured poets department

🤖 carrieblogging Follow

Based on your likes!

Hey, Tumblr, I need a little help here?

So, my best friend has been acting a little weird lately. Like, his sleep schedule has gotten really strange (stranger than normal 😅), and I haven't seen him without sunglasses on in a week?

His diet has changed, too, like he used to always be snacking whenever I'd call him, but now he doesn't eat anything that I can see.

He even cancelled our tickets to ComicCon!! I've been waiting to meet up with him for years, and now he's just bailed on me?!? I'm mad, but honestly more worried than anything....

#carrie speaks

🌌 marbellina124

guys I think I've found the vampire Armand at the MET 😏😂

#it doesn't match the dates from the book so like #yeah #but imagine.... #parisian mutuals you have a power that can be used

interview-with-the-glampire reblogged wormyworms

🪱 wormyworms Follow

mmm tbh the only reason i *don't* believe vampires are real is because if *i* was interviewing two vampires to write a book about their life? i would not be leaving that house without their fangs in my neck and eternal life. just saying

🌇 interview-with-the-glampire

understandable but have you considered. if I went to interview two vampires and got immortality and vampire sex out of that deal I wouldn't go around letting everyone know :/

danielmxllxy reblogged sampire

🌌 marbellina124

so were all in agreement he fucked that vampire right

#oh I think he fucked AT LEAST two of those vampires #iwtv #rb

[afro-hispwriter]

My Dornish Love

Aemond Targaryen x Martell!reader

Warnings- arranged marriages, heavy implications of masturbation

Wc- 2.3k

I don’t intend for this to be the only part, but we’ll see.

part 2

-

A marriage proposal between Martells and Targaryens isn’t unheard of. But the Martells always refuse in the end. They were far too stubborn and prideful the council members would think. 

There was a war coming, and everyone knew. The greens need all the support they can get. And having Dorne on their side can turn things around heavily. Dorne may not have large numbers of fighters, but their skills make up for it. 

When Qoren Martell received a letter from Queen Alicent in hopes that he would accept a marriage between his eldest daughter and her second son. Everyone expected the prince to decline, but he surprised everyone by agreeing. It was a tour for her to get to know the Prince but it was clear the decision had already been made regardless.

When you, the princess, found out. You were furious.

“I don’t understand, we have never accepted anything that would mean having Dorne become part of the kingdoms.” You paced in front of your father.

“And it is time to change that.” He says and you huff. 

“You know why they’re doing this, the Targaryens are on the brink of yet another war and they are making sure to bring everyone into it.” 

“We don’t know that.” 

“Yes we do, and you’re putting me in it.” When he didn’t respond you turned away to start walking away.

“Its simply a tour to see if you are compatible, Y/n. You and your brothers will be sailing for Kings Landing in two days, be ready.” 

-

Those two days came by quickly. Your handmaidens had some of your things packed for those three weeks and the ship loaders were finishing up. 

“What if I don’t like him?” You ask your father as both of you wait on the docks.

“Then you don’t marry him.”

“Im sure the decision is already made. This tour is just a formality.” You cross your arms. “You won’t even be there.”

“Your brothers will be there in my place.”

“What if he is cruel? Targaryen men are said to be cruel.” 

“Then I'm sure his death will be deemed a mere accident.” His voice almost had an amusing tone. A shipmaster called out that everything was ready. Qoren grabbed you by your arms and turned you to face him. “Write to me.”

“I will.” Your lip quivered and he kissed your forehead before grabbing your hand to guide you to a boat. Your brothers, Ryon and Deziel jumped in after you.

“Don’t miss us too much,” Deziel says waving at the man and Ryon rolls his eyes. 

“Don’t destroy Kings Landing,” Qoren says and walks away with his hands behind his back.

-

Aemond knew this conversation would come. This is what he was waiting for. He would do his duty, and he hoped the Dornish woman would agree. 

“I'm sure you hear how unprincipled the women of Dorne are, brother.” Aegon laughed next to Aemond. “They are wild in the brothels now imagine the princess herself.” Aemond continued to ignore him and paid attention to his book. “But I'm sure you know enough thanks to me.” Aemond tightened his hand on the book. “But I never see you have fun so you might have to rely on your betrothed.” 

Aemond slammed the book shut and stood up. 

“They will be here soon.” He says and starts walking out of the library. 

“The ship was only recently spotted and even then they are still a few days out. Don’t get your cock in a bunch.” Aegon mumbled the last bit into his cup. “Or maybe you can’t wait to stick-.” He was cut off by the library door slamming shut. 

-

Once the ship flying the flag of House Martell was seen on the Blackwater. The people of King's Landing were eager to see the Princes’ and the Princess themselves as most of them had only seen Dornish merchants.

The royal family went by carriage. Alicent gave her children one of her talks about being on their best behavior. It was mostly pointed at Aegon who sat there bored, Helaena sat fiddling with a bracelet, while Aemond looked out the windows. The carriage stopped just a few feet from the docks and a queen's guard member opened the door. Alicent stepped out first, followed by Helaena, then Aemond, and finally Aegon. 

A few ships had already docked. Mostly merchants were eager to set up their shops or make deliveries. The ship said to be carrying the princess and the princes docked and a plank was lowered. A herald of Dorne stepped out first and looked at the family. 

“Prince Ryon, Prince Deziel, and Princess Y/n Martell of Dorne!” People cheered loudly and clapped as they watched the three of you step off the boat. 

You grab Deziel’s hand and he helps you step off. The guards stepped off after and cleared a path. Ryon and Deziel kept their hands on the hilds of their swords as they began walking.

“I see the Queen and her children,” Ryon says and juts his chin over the hill. You looked over and saw the red-headed woman and the three silver-headed princes and princess. 

You looped yours and Deziel’s arms together and Ryon led you up the steps. You instantly saw the man who is your betrothed. He stood tall by his family, hands behind his back and a stoic look on his face. 

“The terrible, Prince Aemond,” Deziel whispers in your ear and you roll your eyes.

“Stop, I'm sure they are just rumors.” 

“Sure.” 

Ryon opened his arms with a smile.

“Your grace, how well it is to see you.” He says and grabs Alicents hands with care and brings them up to his plump lips. 

“Prince Ryon, the last time I saw you, you were a child.” She says with a slight blush. 

“Yes, well as you see. I have grown quite a bit.” If you knew your brother, you were sure he gave the queen a wink and his charming smile that makes so many women and men fall at his feet. Alicents face went redder and Ryon squeezed her hands before releasing them. “As much as I enjoy your presence, your grace, I was hoping to see the Hand. Speak to him about my sister and your second son.” Ryon flashed a look at Aemond.

“My father has other matters but I assure you, the Princess will be taken care of.” Ryon looked around before nodding.

“My brother will ride with all of you to the Keep as well. I still have other matters to deal with for my father.” 

“Of course.” The Queen says then looks at Aemond. “Aemond.” She gave him a tight-lipped smile and he knew what that meant. He stepped forward, his long legs had him in front of you. 

“Princess, I'm glad you are here.” His voice was cold but his face was neutral. He grabbed your hand and kissed it softly. You squint your eyes at him before smiling brightly.

“Prince Aemond, it is lovely to meet you.” 

“Hmm.” He dropped your hand and held his own back behind him. He stared at you, mostly taking you in while trying not to linger on your cleavage. Did you have a belly piercing? 

“Oh darling you should cover up a bit, someone brings the princess something to cover up.” Alicent urged and you instantly frowned.

“No it's alright your grace, I wear clothes like this all the time.” She gave you a tight-lipped smile before nodding.

“Well we best get back, you must be exhausted.” Alicent walked back to the carriage and Aemond stayed by you.

“Apologies about her, she is very modest.” He says and you shrug.

“Well, she is going to have to get used to it.” You say to him softly so nobody can hear. You received no response making you roll your eyes. 

“Let's get you home Princess.” You frowned.

Home?

-

When you sat next to Aemond in the carriage, your perfume hit his nostrils. You smelled heavenly, like fruit with a twinge of the salty sea. Nobody spoke on the road back to the Keep. 

But you and Deziel admired the outside. You had never been to Kings Landing so it was all new territory for you. It made you nervous. 

The horses stopped in front of the Keep and the door popped open. The Queen and Helaena left first, then Aegon, followed by Deziel, and finally you and Aemond. The castle was huge, you and Deziel started at it in awe. 

“It's quite ugly.” He says quietly you gasp and slapped his arm. 

“Deziel! Don’t say things like that.” Everyone looked at you in confusion so you just smiled reassuringly.  

“Our handmaiden, Thea.” Alicent beckoned over one of the servants. She was a pretty girl, with brown hair, fair skin, and green eyes. “I have assigned her to your service, she will lead you to your temporary chambers until a decision is made. Your brother as well will be shown his way.”

“Thank you, your grace.” She squeezes your bicep before leaving to go inside.

“Princess, would you like me to show you your room? I'm sure you are tired.” Thea asks and you nod.

“Lead the way.” She gives you a big smile before turning around. You start to follow her and you see Deziel had already been led away. You locked eyes with Aemond who stood by the horses now, watching you. “I will see you later, Prince Aemond.” 

-

“Your things will be brought up shortly princess, would you like me to draw you a bath in the meantime?” Thea asks and points to the small tub in your new room. 

“Yes and if you have any salts that would be greatly appreciated.” They did a small bow before leaving. You were finally alone, even if it were for a couple of minutes. Your new room was only a bit bigger than the one back in Dorne but extremely boring. 

You took the liberty of stepping onto the balcony to see where you would be living. The view was beautiful. Birds flew and you could see how tiny the small folk looked. 

It all still looked so sad, maybe it was the time of day but it made you miss Dorne all the same. They came in with some help to fill up the tub with warm water. She then dumped some soothing salts into the water.  

“Would you like help in undressing princess?” She asks and you shake your head. 

“No, that's quite alright, I will send for you once I'm ready.” She bowed and left. You hovered your hand over the water, letting the steam hit it. You slipped the material of your dress down your shoulder and it pooled at your feet. You kicked your flats off so they clattered on the floor. You grabbed the edges of the tub and slowly settled into the water. 

The warm water was welcoming after being at sea for over a week. You could have slept in it if it weren’t for a knock on the door. 

“Come in!” You yelled out and the door creaked open and you heard footsteps.

“Princess?” It was none other than your betrothed.

“Over here, Aemond.” You say and turn your head to face the panels that cover the tub from sight. 

“I wondered-.” Aemond rounded the corner and the second he locked eyes on your state, his long legs had him behind the panels again. 

“My apologies, I will leave you to your business.” He said and there was a slight shake to his voice.

“Cut the shit Aemond.” You say and he freezes. “Come back, I want to talk to you.” He didn’t move but you could see the top of his head. “I want to see the face of a man I might marry when I talk to him.”

“You’re not decent princess.”

“Oh stop being so honorable for 5 minutes please.” He heard the water move around. Aemond sighed before rounding the corner and revealing himself again. His breath hitched when he saw your figure, you sat facing him and the lack of bubbles gave him a clear view of your breasts. “Soak it in my prince, who knows how long it will be before you see me like this again.” 

Aemonds face turned pink at your words and suddenly his boots were the most interesting thing in the world.

“You stand strong but standing in the presence of a naked woman you shrink.” His fists squeezed. “Would you like to feel the touch of a woman?”

“What did you want to talk about my lady?” He says harshly, making you smirk. 

“I want to talk about our potential betrothal. Regardless of our choice, its clear this is dire enough that we need to get married but I will ask you , Aemond.” He looked up, this time his eye solely on your face. “Will you sleep with anyone else?”

“No, I will remain faithful to you during this as long as I receive the same from you. This isn’t Dorne.”

“I am aware, Aemond.” You frown. “I would like to get to know you though, maybe something good can come out of this.” His jaw tightened but it then relaxed.

“Of course, my lady.” 

“Y/n.” You say. “Call me by my name Aemond, we are going to get very close.”

“As you wish.” Aemonds hands went behind his back. 

“As much as I enjoy having you here, I'm sure they are close to bringing my things, so I can either make room in this tub for you or you best be on your way.” You say and grab the bar of soap and washcloth. “Or you can watch and just hide.” There was an amusing look on your face. 

He let out a ‘Hmm’ and gave you a small smile. 

“Another time, Y/n.” Your name rolled off his tongue so fluently. Aemond walked away until he made it to the door and shut it behind him. 

“You will be the death of me Aemond Targaryen.” And your hand dips into the water to find a home in between your legs.

-

Likes, reblogs, and comments are always greatly appreciated, they help me keep going!

[what-even-is-thiss]

I feel like when it comes to the stardew valley spouses Sebastian would be the one I settle down with but Elliot is the one I think about at night.

He shines too brightly. He’s a little too loud. But he still makes my gay little heart jump the same way it did the first time. Every time.

But Sebastian is more stable. Sebastian loves you but can still have his own life separate from you. And he’s there. Quiet, but he’s there.

But Elliot alone in his cabin side eyes me every time I walk down to the beach. I meet his eyes a bit too long at festivals. We both know. We both know if one of us asked we would. But we won’t. It seems that he’s destined to be lonely and I am destined to be trapped. If not in my corporate job then there on that farm with that cozy safe husband and children, crops that need tending to, animals that need feeding.

Is anyone unhappy? No. Elliot has his modest success. He can live modestly off of his book sales. In time he grows old on that beach just as he feared, but it’s not so bad. He’s the town eccentric. He’s the local writer. He writes a new novel every year. A cheap little thing bought at an airport bookstore. A romance writer whose books are eaten and discarded within a week. And he’s happy.

And I sell my little artisan goods. Cheese and wine mostly these days. We put a little skull and crossbones on the wine bottles, just to be edgy. Just because we can. Children grow up in a stable and happy home with all the space in the world to run through the blueberry fields, their adoption papers framed on the wall, their slightly weird alternative dads taking them on motorcycle rides through the mountains. We’re quiet. We only get out on Fridays. Everyone knows us but we don’t hold hands at the store.

Elliot and I sit at the same table in the bar that Leah does. I know her slightly less than I know him. This town has become weirder. That’s good. We chat. Elliot is a messy drunk. Sometimes he gets a little too close to my face when he’s tipsy but he always stops himself. Everyone knows I wouldn’t stop him if he leaned in. Including my husband. We’ve never spoken about it but he’s not dumb. Everyone knows. Everyone also knows that nothing has happened. But it always could.

But Elliot doesn’t lean in. Maybe it’s the smell of dirt on me that breaks the image of me he has in his mind. Maybe it’s the public space. Maybe it’s Sebastian playing pool in the corner. Maybe if he was drunk in a private space everything would come apart. Both of our perfect on paper little lives.

Maybe if this were one of Elliot’s books we would run away together, abandon everything in the middle of the night. But neither of us would like that, really. Both of us are a one person at a time kind of guy. And we both know I made the right choice.

I still have dreams though. Of him and I on a rowboat in the middle of the ocean. He cannot contain himself and kisses me in a fit of passion. Like a vision from another universe where I’m just as happy as I am now. A parallel mirror world where I never climbed onto the back of that motorcycle and ran down the hill to the beach instead, where everything lasted for more than just that one summer.

[sorapricots]

Breaking Point

Summary: In the way where you start to lose your shit after teaching the children in Xavier Institute for so long, your partner Logan decided it's time to take a break.

Pair: Husband!Logan Howlett x Mutant!AFAB!Reader

Genre: Fluff, Hurt/Comfort

Warnings: Curse words, reader have regenerative healing factor like Logan so she is actually as older as as Charles but look young, reader is married to logan, blood mention, 

A/N: it might seems crazy that I only come back here to write about Logan but damn I just cannot take my mind off from Logan. I might make one for Wade Wilson too tho. Also in all honesty I am not 100% proud with this one, but I just need to write this man so bad. So maybe I’m gonna make another one. 

Wc:  1,8k 

Beep... beep... beep...

You quickly turn off your alarm with a groan as you push yourself to sit on your bed. Another groan escaped your lips when you realized you broke another alarm for the third time this week and your husband is not beside you. You wipe your face harshly as you walk to the bathroom.

You take a cold quick shower in hope it can help you freshen up. A tired sigh was heard as you looked at yourself in the mirror. Eye bags can be seen even though it's not very noticeable. You quickly grab a concealer to hide your eye bags. Once you are satisfied with your concealer you quickly put on your daily-go-to make up and decide to put on a more neutral color outfit instead of your usual colorful one.

A black turtleneck paired with your favorite jeans, as you put on a worn-out brown leather jacket, and you decide to wear your boots for the last touch. You quickly put your wedding band on your finger before you forget it. And you decided to put the necklace your husband, Logan, bought for you almost 10+ years ago. You smile a little bit as your fingers carefully caress the vintage looking necklace.

As you grab your bedroom handle, you stop to kiss your wedding band, a habit you do before you start your day. Deep down in your heart, you hope today will be a more bearable day than the previous day. But of course your wish is only a mere wish when the moment you open the door you see students running past you with full speed almost hitting you. 

"Kids! No running in the hall!" You warned them before you carefully stepped out of your bedroom. 

"Good morning!" Ororo quipped when she saw you step into the kitchen. A mug of coffee in her hand and a muffin in the other. You give her a sweet smile before you grab yourself a cup of coffee.

"Good morning, ro. Have you seen Logan?" You softly asked as you sat yourself in one of the stools. Ororo looks at you for a second before blinking, trying to remember where the last time she saw the rugged guy. 

"Oh I saw him walk to the classroom, looks like he has History class to teach today." You hummed a bit as you took a sip from your mug. Eyes slowly darting to the clock beside the fridge.

"Ah shoot, I have class too. See you later, Ro." You quickly downed your coffee and put your mug in the sink before you walked to your class. You can hear Ororo wish you good luck as you walk away.

As you approach the classroom you can hear some of the students chattering. You take a deep breath before you open the door. Revealing a bit of chaos the students cause. You can feel the corner of your eyebrow twitch but you just let it slide as the students quickly take a seat when they see you.

"Good morning, everyone. I hope you had a nice rest last night. And I hope the assignment I gave last week is finished and ready to be submitted. Please put your work on my desk so I can grade it later." You speak as you grab some of the old literature books that you have. Students start piling up in front of your desk to put their assignments. All of them except one, John. He's known for not being punctual when it's about submitting assignments.

"John, where is your assignment?" You softly asked him as you try to calm down yourself as you can feel your patience running thin. He scratched his head before he let out an apologetic look.

"Sorry, Professor. I kind of forgot about it." He answered with full honesty. You close your eyes for a second before you give him a smile.

"It's okay, but as an exchange I want you to write a resume about this Pride and Prejudice by Jane Austen and I want you to submit it tonight." John almost let out a protest but decided not to when he saw you giving a look. His body slumped down on his desk before he nodded. You then continue your teaching session.

Suddenly there's a knock on your classroom door. You let out a quick come in as you write down something about old literature on the board. 

"Professor, Professor Hank asked you to meet him in his class." You turn around to see Rogue standing on the entry door. 

"Okay, thank you, Rogue. The class ends for today then. Make sure you do the assignment that I give you for today and I want it to be submitted next week. John, please do your assignment. I will wait for your resume tonight." Students start to pack up their belongings as you tidying up your desk. Then you walk to Hank's classroom to meet him.

A very chaotic sound can be heard in his class. You also hear Logan screaming. Your brows furrowed as you opened the classroom door. Suddenly you see a beaker with some weird color liquid in it flying and hitting your face. 

The classroom went quiet as sizzle can be heard. You stare at the people in the classroom blankly as your hand slowly touches your face. You can feel your skin sticky with both the weird liquid and blood. Eyes darted to Logan, Hank, and the students making sure no one else hurt as you feel pain on your face start to numb out due to your healing factor. 

"Shit." Logan quickly went to you as he held your face to make sure you heal properly. Ignoring the residue of the weird liquid that is still on your skin. You stare at him before your eyes start to become glossy. You rapidly blink your eyes while Logan pulls you into a hug. Trying to calm you down by swaying both of your body softly. Muffled sobs can be heard as he strokes your back.

"Hey, it's okay Bub. I got you. I'm here." Logan tries to pull you impossibly closer than he already did. He quickly looks behind him, telling Hank that he will be right back. Hank just gives him a quick nod before he starts to instruct the students to tidy up the mess they created. 

Logan quickly picks you up with bridal style and starts walking back to your shared room with you still crying in his arms. Your hands held to his neck as you shoved your face to his neck. Try to find comfort in his musky, pine, and mixed with tobacco scent.

Logan then proceeds to put you on your shared bed softly as soon as you both are inside the bedroom. He quickly picks his shirt and your shorts for you to change as he knows you always find comfort in his shirt. He went into the bathroom to grab your makeup wipes before he came back to you who was still sobbing with hands covering your face.

"Look up, pretty girl." He carefully pulls your hands and holds your chin. Frowning a bit when he saw your mascara ran down on your cheeks and red nose. He carefully wiped your makeup away and his frown deepened as he saw your eyebags. He leans down to kiss your forehead and your sobs get harder.

“Take a deep breath darling. I’m not going anywhere.” Logan starts to cup your face as he starts to lead you on taking deep breaths with him. You follow him soon after and a thin smile creeps up his face.

“Atta girl.” his calloused hand softly stroking your head as your sobs start to calm down. Your husband then continues to clean your face from makeup. You slowly lift one of your hands to hold his wrist that is still busy cleaning up your face. Logan then leans in to give you a quick peck on each of your eyes, nose, and lastly your lips before he pulls away. His hands carefully took off the necklace that he gave for you before carefully storing it back in the box. You slowly peel off your jacket and jeans as he walks back to you.

“Hands up, baby.” He instructed you as he took a seat beside you and he pulled your turtleneck up. You obeyed him by putting your hands up in the air. Allowing him to pull your turtleneck. He then starts to stroke your almost naked back, making you feel his warm palms to let you know that he is with you. 

“I’m gonna take your bra off okay?” he softly asked while his palms were still rubbing your back. You give an affirmative nod and his fingers skillfully take off your bra as he has already done so many times. You let your bra fall to the floor. Logan then pulls you to sit on his lap. Your hands immediately circling around his neck. He then pulls you into another hug while giving your shoulders a lot of soft kisses. It's a different kind of kisses. Nothing sensual, just comfort and love. And you hug him tighter. Letting his stubble tickle your skin.

Logan then pulls away and gives you his shirt and your shorts. You carefully take it from his hands. He stares at you full of love and adoration before he softly pushes you from his lap and walks to the bathroom to clean himself. You quickly put the clothes on and lay down on bed. Pull your blanket to cover your body and wait for your lover. Eyes blankly staring at the wedding band on your finger while your thumb carefully rotates it.

Suddenly a warmth starts engulfing you from the back. For the first time on that day you genuinely let out a soft smile. You quickly rotate your body so you can face your husband. 

"What's on your mind darling?" His voice is rough but there's softness and care behind it. His hand pushes your hair away from your face. You smile again and pull him into a kiss. 

"It's nothing. Just been tired from all of the work I have to do these past few days…" you answered in a low voice. Logan let out a low growl as he looked at you with sympathy.

"Let's take a few days off then. Let's go somewhere quiet. Just the two of us." Logan suggested while rubbing your sides before letting his hand stay on your hips. You stare at his face. Remembering every detail you can catch with your eyes. 

"Okay. Thank you, Lo." Logan smiles as he rolls to lay on his back. Pulling you with him to sleep.

"Anything for you princess." His words and his touch is the last thing you remember before you drift off to sleep

[lemonhemlock]

the reason why i don't think blood & cheese works without maelor is because it undermines the gravity of helaena's choice

in the books, as we all know, she has to choose which son to sacrifice. blood & cheese are going to kill one either way, so, whatever happens, if you want to get cynical about it, aegon will still be left with a male heir of his body. no, the horribleness of the choice lies not really in dynastic matters, but in basic humanity: which of your children are you willing to condemn to death? and helaena truly does try to make the best out of a bad situation, she picks not because she loves jaehaerys more, but because maelor is so tiny that she hopes he won't understand what's going to happen to him.

and she absolutely has to choose, because b&c threaten to rape her daughter if she doesn't. it's psychological torture. b&c just want to fuck her up in the head as much as possible and helaena tries her goddamnest to minimize the harm done to her family. to further compound on the tragedy, b&c kill the opposite child, so now she has to live out the rest of her days knowing that the son left alive is the son SHE herself marked for the axe. which is what understandably drives her to lose her mind

now, in the show, the "problem" blood & cheese have doesn't exist at all: that they can't supposedly tell the twins apart. but (as awful as it sounds, since it involves sexual assault) they could very easily check which child has male genitalia and be done with it. it's a "problem" that takes literal seconds to solve. they don't need helaena at all! it becomes irrelevant which child she points towards - b&c can always just check! she can't save jaehaerys in this situation no matter what she does, because b&c were never interested in jaehaera in the first place. in the books, she has the ability to save one child and this exact horrible "agency" bestowed on her torments her for the rest of her days. in the show, even had she pointed towards jaehaera, it would have been a narrative plot hole for the writers to have killed her without checking

likewise, in the books, she begs them to kill her instead, but, in the show, she offers them a necklace? you can't deny that the dramatic stakes are lowered substantially by making that change. which one of these options would have been more filled with pathos? personally, it just feels like this was phia's moment to shine and, while she did a good job with what she had, every narrative choice was somehow made to subdue this horrible event and left her only crumbs to work with. cinematically-speaking, this scene (as it was executed) does not even come close to the iconic moments that cemented GoT into the collective consciousness, which is very strange, as the subject matter is anything but mediocre

and that's not even getting into the rest of the plot holes that others have already pointed out, like:

- why are there no guards at helaena's door or anywhere else for that matter? not just on that hallway, but on many other hallways, she has to run quite a lot to get to alicent's chambers

- why is her room unlocked at the very least

- why is ALICENT's room unlocked, for that matter? she is having secret guilty sex with criston and she forgets to lock her door in a castle full of spies? anyone could have walked in

- not even getting into this whole thing just being one huge misunderstanding + minimizing daemon's and mysaria's roles :))

- NOT EVEN mentioning removing the trauma of alicent witnessing all of this, gagged and bound on her own bed, not being able to help or intervene in any way

i can understand the likelihood of these elements happening sometimes (maybe someone does forget to lock their door from time to time, maybe a guard does shirk their duties from time to time), but you can't write all of them at once without it turning all looney tunes. if you introduce too many aspects that defy logic in your story, it ceases to be believable and just becomes bad writing

___________________________________________

also, "they killed <the boy>"? not "my son" or "jaehaerys"? it sounds so removed, don't you think? helaena out there on her mother's floor dropping exposition for the audience 🥲

[fatesundress]

⭑ for the love that used to be here. tom riddle x reader

summary. you and tom are the only muggle-borns in slytherin, until one day he isn’t.

tags. angst, afab reader who is referred to as a witch a few times and rooms with girls but i don't think i ever use she/her pronouns or say the word girl/woman, biggest warning is that this is SO long (idk what compelled me to write a year 1 – post-hogwarts fic but here we are twenty thousand damn words later), blood purity and bigotry, dumbledore is greatly offended by the bonding of two orphans until he can capitalise on it, frequent wwii mentions (specifically the blitz), book clerk tom, MURDERER TOM… ministry reader, kissing, smut once they’re 21/22 May all the minors in the room exit at once, more angst, sad ending kinda, me spreading a very personal and very nefarious tom riddle agenda that is canon to ME but probably only like two other people

note. i need a shower and an exorcism after writing this shit. i'm exhausted. i don't even remember half of it. but i'm also SO stoked, this is my little (very large, frankly) 100 followers celebration! i've only been on here for about a month and the love has been so crazy so thank you mwah mwah mwah ♡

word count. 21.8k (i know... i KNOW)

You learn quickly that your shade of green is not the same as theirs. The rest of them are emeralds, even at that age — they glitter with their parent’s polish. You are flotsam, sea-sick, envy green; the putrid boiling stuff that brews in your cauldron when you look away for a second too long, and, really, it’s more of a stain than a colour at all. There is a fraction of a second where you find something powerful in that. You are not an easy thing to remove. And then it’s gone, because they want to so badly.

You learn, with a bit less tact, that you doesn’t actually mean just you; that it’s you and him whether you like it or not.

He evidently does not.

“It has to be completely fine,” Tom says to you in Potions, his voice small then but just as practised.

You narrow your eyes. “‘Scuse me?”

“I said the powder has to be completely fine.”

“I heard you completely fine. I know how to read.”

He stares blankly at you before returning to his own station, and that’s that.

It isn’t unheard of for muggle-borns to be sorted into Slytherin, so you’ve been told, but one glance around your common room and you can see it’s pretty damn rare.

There’s Tom Riddle, there’s you, and there’s a seventh-year girl whose knuckles are always white like she’s spent so long with her hands balled into fists that they don’t know how to do anything else. Tom Riddle is a prat, the girl is too old and unapproachable even if she wasn’t, and you are very good at being alone.

That decides it. Flotsam still floats.

Everything is — fine. It’s fine for months; you have no one and need no one and sometimes you catch a jinx in the back of Charms that zips your mouth shut or bends a foot the wrong way (a cruel reminder of how much more these people know than you) and your broom occasionally pivots so sharply the Flying professor has to stop you from careening into a wall and breaking enough bones for a week’s worth of Skele-Gro, but it’s fine. 

…It’s just that he’s insufferable.

The boy is eleven years old and he speaks like he’s stealing glances at an invisible lexicon between every word, more refined than any of the orphans you grew up with which makes you wonder which sort he’s surrounded by, and you take it upon yourself to theorise in passing if you could ever scare him badly enough his real voice would slip and he might just appear human for once.

Only it becomes clear when you’re stirring awake in the Hospital Wing after a mysterious bout of dragon pox (conveniently, all the pureblood children developed an immunity after catching it young) has rendered you bed-ridden and pockmarked, that you don’t think anything can scare Tom Riddle. He’s suffering just as well in the bed beside yours to keep the contagion to the two of you, and he’s all cold, eddied rage under sallow skin and beetling bones. 

“They’re going to kill you,” he says after three days of silence, when the room is dusted in moonlight so thin it’s like squinting through cinema noise or mohair fluff to try to see him.

You blink at the vague shape of him. “What?”

“If you don’t hurt them back, eventually, they’ll just kill you.”

In hindsight, it’s an assumption so hastily bleak only a scared child could make it.

I want to hurt them, you try to say, but for what follows you cannot: I want to hurt them but I’m not good enough to do it.

You roll over and pretend to sleep, and in the morning, you hurt them anyway.

It’s Avery who’s unlucky enough to be the first to test you when you’re three assignments behind in Transfiguration, still a bit groggy from your last dose of Gorsemoor Elixir, and actually, physically green. He tugs your hair and stings your cheek with the promise of “bringing a bit of colour back to your face” and it’s sort of funny how banal it is compared to the other transgressions you’ve been dealt — that this is the thing that makes you bare your teeth, grip your wand in a hand that still can’t hold half of it, and send Avery flying across the room with a Knockback Jinx.

Tom sits with you in the Great Hall for dinner that night, and he never really stops.

You practise spells by the Black Lake between classes and he’s anything but kind about the ordeal, but you teach each other. You end your days with singe prints and sore wrists and you often take more damage than he does, but sometimes, as spring settles in with warm tones (apple and jade and moss — all the greens you’d never imagined), you leave with less bruises than he does. It hardly feels like friendship. It feels much more like purpose.

When summer comes you don’t write to him, and you don’t expect he will either. You don’t suppose you’ve actually written a letter in your life. Instead you try new wand movements under your quilt every night and wait for August’s departure on a big red train.

You sit together when the day does come. He asks you if you’ve been practising. You frown and tell him you’re not allowed to use magic outside of school.

Second year is nothing but monotonous, antiquated theoretics. Most everyone complains. You don’t see why they should — they’re already aeons ahead of you — but that means you finally have a chance to catch up in your less-than-school-sanctioned meetings with Tom while the rest remain practically stationary. 

Deputy Headmaster and Transfiguration professor Albus Dumbledore is imperceptibly less soft with you than he was last year when you make the apparently poor decision to sit beside Tom on the first day, and you file the subtle shift in demeanour into some mental cabinet to review later.

You find workarounds with the librarian, Madam Palles, inclined to sympathy for the poor, orphaned muggle-borns to grant relatively unfettered daytime access to the Restricted Section so long as you keep it tidy and none of the books leave the library. That’s where things get a bit more interesting.

For a month you remain innocuous as can be. You browse through rare historical tombs and foreign biographies that would charge more galleons than you can conceptualise, and you never leave so much as a tea stain on the parchment. You smile at the Madam when you return the key each night, and walk back to the dungeons with your hands behind your back. It is, of course, totally unrelated that a month is what it takes for Tom to master the third-year curriculum’s Doubling Charm. An entirely separate affair when you meet him in the most secluded alcove of the library, slip him the key, and stifle your grin as he duplicates it perfectly. 

You discover Christmas break is your favourite time of the year. Nearly all the purebloods go home. The Slytherin dormitories are effectively halved.

It’s two weeks of earnest, uninterrupted work and sleep without fear of waking up with jelly legs or whiskers.

Madam Palles, most nights, makes a slight, drowsy effort of searching the library for leftover students before she casts the lights out and closes the door. Then, it belongs to you and Tom.

You’re splayed rather ridiculously over one of the big reading chairs on Christmas Eve, Lore of Godelot in hand, enthralled by a chapter detailing his controlled use of Fiendfyre through the power of the Elder Wand.

Tom is cross-legged and sat straight, his brows furrowed in concentration.

“What’ve you got?” you ask, leaning over to answer your own question.

Tom as good as rolls his eyes, holding up the book to give you an easier look.

“Magick Moste Evile?” You scrunch your nose. “Bit much, don’t you think?”

“It’s the stuff they’ll never teach us.”

“I wonder why.”

He steals a glance at your own book and smiles in that smug way that makes you want to slap him.

“What, Tom?”

He shrugs. “You might want to know you’re reading stories about the author.”

You look down. Lore of — Godelot wrote Magick Moste Evile? 

It shouldn’t really be surprising. Three chapters ago your book was recounting his months in Yugoslavia grave-robbing magical burial sites.

“Whatever,” you mumble, “It’s just a biography. Least I’m not reading the words out of his mouth.”

“Well, they’d be out of his quill.”

“Oh my God, Tom, shut up.”

All good things must come to an end. Term resumes and your hackles are back up. 

Abraxas Malfoy, Antonin Dolohov, Walburga Black and the best of the worst of your house have returned, sleek-haired and insatiable and deranged, truly, in such a manner that you don’t think you can be blamed for the instinct you feel every time you pass them to lunge like a wild predator or run like wild prey. All Tom does, though (and so you follow, because he’s standing with you and who has ever done that?) is meet their gazes with equal assuredness. He never seems bothered. He never seems animal. You are still all hammering heart and heavy lungs, and you are learning not to see the world through the eyes of someone who’s only ever had their fists to fight. You have magic, you remember. You’re good at it. You could hurt them, if you really wanted.

Not much is different that summer than the last. The war is hard. The food is hard to chew. You chip a tooth. You’re too afraid to fix it with the Trace on you, but you still smile because you will, and everyone seems put off by that. What is there to smile about? 

You suppose, for them, it’s a question with few answers. 

For you — you’re back on a big red train musing about the functions of muggle warfare with Tom Riddle, chucking a useless card from a chocolate frog out the window and moaning about how you wasted the sickle you found under your seat.

He’s gotten very good at ignoring your theatrics and going right back to whatever it was he was talking about. And you note, unrelatedly, he almost looks like he’s learned how to open the windows at Wool’s. (You dare not suggest he’s doing something so ludicrous as sitting in the sun too, but this is a start.)

Dippet, or the Minister, or whoever it is that’s in charge of the practicality of the curriculum, has become fractionally less stupid in the last three months.

You don’t have to rely on nights in the Restricted Section or weekends at the Black Lake to actually learn something anymore. Of course, without the assistance of those illicit extracurriculars, you wouldn’t be able to match up to your peers the way you are this year, but it’s nice to duel with dummies instead of motioning your wand vaguely over a desk, and you and Tom still climb the notice boards in rapid succession. 

They hate you for it. One of your roommates makes a pointed effort each night to glare at you from her bed like those jelly legs are back on the table, Orion Black (two years younger but just as nasty as his cousin) nearly trips you on your way to Divination, Abraxas Malfoy develops what you think borders on obsession with Tom, and for once it feels almost offhand to not care about any of it.

You’re beginning to think even at its best, Hogwarts is remarkably insufficient. This leads you to books mercifully unrestricted so you can read about a few of the other magical schools for comparison. Beauxbatons is renowned for providing most of the worlds alchemical developments, Uagadou’s early propensity for wandless magic makes it unfathomably more practical than Hogwarts, Durmstrang (though you scoff at their violent anti-muggle sentiment) teaches the Dark Arts as something beneficial rather than unforgivable, and — what do you learn here? Even with the hair’s-breadth of magical leniency you’ve been allowed this year, it’s no surprise so few recognizable names in wizarding history are Hogwarts alumni.

“Let me have a look at that,” you say to Tom one evening, when he’s peering once more over the pages of Magick Moste Evile. He’s a purveyor of knowledge in all forms, but he always seems to come back to Godelot in the end.

He raises a brow, handing it to you like your intrigue doubles his. “No more reservations?”

“Don’t get ahead of yourself. I’m only curious.”

“Curiosity—”

“Killed the damn cat, I know.” You glare at him through the pages. “I think that’s you, in this case though, since you’re the one in love with the bloody thing.”

He shakes his head as he reclines in the low light of the Restricted Section, muttering something that sounds like “ridiculous,” or “querulous,” or something else unimaginably fucking annoying.

You might be wrong. Retract your last quip and expunge it. If Tom’s in love with any book, it’s the behemoth dictionary he’s been spitting stupid adjectives out of since he was eleven.

But Godelot’s musings on the Dark Arts are fascinating enough that you can understand the appeal. He’s no wordsmith, and you appreciate that in a way you’re sure Tom deems regrettable, but his points are straightforward but thoughtful in such a way you can read in them how he was guided by the Elder Wand through everything he did. There’s a stream-of-consciousness to them. Something doctrinal you’re surprised to enjoy for all the obligatory English creed they washed your mouth with at the orphanage.

“Find what you’re looking for?” Tom asks, combing with little interest through the tomb you’d put down in favour of his.

“I’m not looking for anything. I’m just…” You sigh. It’s almost painful to say. “I think you were right, and — oh, shut up, don’t look at me like that — I don’t think we’re learning anything here. Not really; not as much as they do at other schools.”

“Of course,” he says blankly. “Hence this.”

This — restricted books and furtive duels — should not be necessary. 

“You know that’s not gonna be enough. For the rest of them, maybe, but not us.”

He tenses how he always does at the reminder of his difference. And you get it. Sometimes in moments like these you forget the reason you’re here in the first place. It isn’t just the rebellious divertissement of two academically eager students, it’s… survival. What future do you have as a penniless orphan in wartorn London? What future do you have as a muggle-born Slytherin who’s apt with a wand when there are a thousand more your age, just as skilled and twice as pure? 

It isn’t enough to be as good as them. You have to best them, and you have to do it forever.

The night stumbles into an exhaustive silence because you both know it’s true and it’s a bit too heavy right now. The answer isn’t in this room. Just you. Just him. So you sit in the dark and you stare through that muffled nighttime noise playing tricks on your eyes. The worst of the world can wait until morning. 

The worst of the world has impeccable timing.

A fault of both sides of the coin; the muggle world is a travesty and the wizarding world is just a bit fucking late, really.

So there’s the newspaper. It’s October first and the date reads September tenth. School owls are a joke and you can’t afford anything better.

And it’s a dirty, ashen grey. It smudges your green if you ever had it at all. You were born to this and you will return to it always.

BOMB’S HAVOC IN CROWDED PUBLIC SHELTER

MOTHERS AND CHILDREN AMONG THE CASUALTIES

DAMAGE CONSIDERABLE, BUT SPIRITS UNBROKEN

All you can hope to do is pass the paper to Tom and wonder without words what you’ll go home to.

The answer is very little when the summer clouds your vision with dust and you stand dumbly with your suitcase in front of nothing at all. You’d tried your best until your departure to keep up with muggle news, but it had remained, routinely, a month behind with the owls. By the time June arrived you were still holding your breath through May. Tom had attempted to reason with Dippet for summer lodgings at the school but you were both denied in light of the exquisite mercy — the bombs have stopped! The Blitz has ended! Go back to the aftermath and make do with the craters.

It’s a bit ironic that Tom’s orphanage survived and yours didn’t. At least you can finally see what all the fuss is about.

In truth, it’s more strange than anything. You feel unreasonably like you’re impeding on a part of him that has never belonged to you (if any of him does); that place where you intersect but never draw attention to. You remind yourself you had no choice in the matter. The system puts you where it wants to, and these days the options are slim. But it’s — the walls are amber-black tile and plaster, lined with sanitary-smelling hospital beds and a cupboard per room. Per room, you think; you’ve got one of those now, and with only one girl to share it with. 

You figure the reason for the extra space is probably not one you want to know.

Anyway, you don’t actually see Tom for two days. The caretakers bring you a tray of dinner that’s vaguely warm and a bit too salty and you sleep off the debris you think you breathed in that morning, half-sated and sun-tired.

But then you do see him, and he’s in these funny uniform shorts and a thick blazer and your greeting is an offhand joke about the scandal of his knees that he doesn’t seem to appreciate. He eyes your muggle clothes while you wait for your own set and you know you really don’t have any room to judge. 

He doesn’t, or at least doesn’t say he minds your relocation.

You spend half the summer waking up in the middle of the night to acquaint yourselves with the London tube stations, and the other half in whatever crevices of the orphanage you aren’t harangued by Mrs Cole every five seconds, which are far and few between. She seems to have decided fourteen is old enough an age to worry about your intentions unchaperoned, like it’s the bloody 1800’s, and admonishes you and Tom relentlessly despite only ever finding you quietly buried in useless books. 

You begin to miss Madam Palles and her invaluable pity. Everyone’s an orphan here. No one’s sorry.

“What’s his deal?” you ask one stuffy afternoon, reclining in your creaking seat to prop your legs on the desk.

Tom knocks them off (he’s so well-mannered that you sometimes push these little gestures of impropriety just to bother him) and glances at the target of your question. Some broad, blond boy who skitters down the corridor a shade paler than he arrived. You’ve yet to properly introduce yourself to anyone you don’t have to, so names are muddy when you try to apply them to faces.

He shrugs, but there’s a flash of something in his expression you’re fascinated to realise is unfamiliar. “He’s an imbecile.”

“...Riiiiight, but that isn’t a proper answer.”

You smile. Legs return to table. Timeworn Oxfords muddy the surface. Tom scowls. 

“There was an altercation last year,” he says tersely, “he’s rather fixated on the matter.”

“An altercation.”

“Very good, that is what I said.”

You narrow your eyes and he sweeps your legs off the desk again, gaze catching the unmistakable ribbon of an old bullied scar on your shin. 

“And I suppose you’re above such incidents,” he muses.

You cross your arms and huff. He always wins games like these.

You’re grateful when you return to Hogwarts in one piece after your final night of summer is spent underground, and the certainty of knowing where you’ll rest your head for the next ten months cannot be understated. 

But the worst thing has happened, and you blame it on the flicker of a moment where you missed Madam Palles like it was some jubilant, accidental curse to ever miss anyone. A foreign thing you remind yourself never to do again. 

She’s only gone and jinxed the locks to the Restricted Section so they cry like newborn Mandrakes when Tom’s replica key clicks in place.

For a second you both stand there looking stupidly at each other. Getting caught was a fear two years ago; you’d almost forgotten it was still possible.

Tom is quicker to collect himself. He grabs you by the arm and casts a Disillusionment Charm, and you don’t burst running out of the library like two blurry suncatchers reflecting the candlelight as your instinct heeds; you cling to the shelves and you slither silently to the door. (You’ll make a joke about it when you can breathe.)

Madam Palles the Traitor comes heaving into the library in her nightgown, a blinding blue light baubled at the end of her wand, and it’s really just theatrical at this point to use Lumos bloody Maxima when the basic spell would do the job just fine.

“Has she suspected us the whole time?” you say on gasp once you’ve made it to the dungeons.

“Perhaps someone else has,” Tom suggests.

“What? Malfoy?”

You think it’s a good first guess. It could have been any of the Slytherins, upon consideration, but Malfoy seemed most fixated on Tom last year and it wouldn’t surprise you to learn he’d been observant enough to follow you to the library and notice you don’t leave with the other students.

But Tom quashes the idea. “I’m doubtful. Malfoy is attentive, but Madam Palles is hardly partial to him.” (He had, in second year, set one of her books on fire while studying offensive spells.) “I suspect it was someone with more influence.”

Only no one has more influence than Abraxas Malfoy. The rest of the Slytherins follow him like lost pups. But then Tom might mean —

“A professor?”

“It may be.” He says it like he’s already decided his suspect.

He is, as always, and ever-infuriatingly, correct.

It’s that file you tucked away for later, reoccurring when you return to Transfiguration in the morning like a second epiphany: Dumbledore.

He assigns the term’s seating arrangements, which he’s never done before, and there’s something in his tone when he pairs you with Rosier that feels intentionally like not pairing you with Tom. You don’t think it’s paranoia clouding your better judgement, and by the way Tom’s gaze hardens as he takes his seat beside Malfoy, neither does he.

Dumbledore is suspicious for a number of reasons. He disappears for weeks at a time. The Prophet writes articles on his sightings in Austria and France like he’s an endling beast. He’s being sighted in Austria and France — two notable countries in Grindelwald’s ongoing war. Perhaps ancillary, you’ve decided the charmed glass repositories he uses to hold his old artefacts are the same ones encasing the least permissible books in the Restricted Section. And if that isn’t paranoia (which, you’re willing to admit, it may be) then you assume he has them so proudly on display because he wants you to know.

You consider it a warning.

Tom does not.

“Just give it up,” you hiss over a game of wizard’s chess, “I bet we’ve read every book in there twice already anyway.”

His jaw ticks as the sole indicator of his annoyance, and he takes your rook. You scowl.

“Tom, that man thinks you’re devil-spawn. You know he’s just waiting for an opportunity to catch you doing something wrong.”

“So?”

It sounds so petulant you think he’s been possessed by his eleven-year-old self. Then you think he was a lot wiser at eleven.

“So?” You make an aggressive move with your knight. “So don’t give him one!”

He stares at the board and his breath is just a trace sharper and you hate that you know him like this and no one else. You wonder if he knows you like that too, but resolve with ease that he does not. You’re hard frowns and lewd jokes and trousers torn at the knee to bare scars with stories you wish you could forget. There’s no mystery there. Tom is nothing but — gordian knots and fixed expressions and little patterns to learn like the rules of this stupid game between you. You must know Tom Riddle by every atom or not at all. And that isn’t a choice, really. You’ve never known anyone else.

“Are you stupid, Tom?”

You glance at the board. He’s got Check. A terrible, true answer.

“No,” you finish. “Then don’t act like it.”

Your king glances at you and you nod. He falls. The game is resigned.

Tom acts stupid.

Dumbledore knows.

It all happens very fast.

You strike Tom harder in the arm with Confringo than is likely necessary that night, and he returns the favour with a Knockback Jinx that thrusts you into the shallows of the Black Lake.

You gasp. The cold water feels like it’s swallowing you whole when it strikes, an envelope sealed around you and licked shut for good measure. Everything holds to you, and it’s fucking November. Your senses are so overwhelmed that you forget to murder Tom the instant you sink in. You forget to do much of anything.

You wade trembling out of the lake when sense returns and Tom huffs, peeling off his robe to treat the burn on his arm.

“You—idi—iot,” you mutter, trying to find the incantation for a warming charm but the words get stuck between your chattering teeth. “You stole a re… stricted book.”

Tom glares daggers at you between his poor healing job and you scowl, mincing through the grass and grabbing his arm. “Fucking imbec-cile…”

You’ve done enough damage that if he were anyone else you’d be proud of yourself, and somehow, simultaneously, if he were anyone else you’d be able to manage a pinch of guilt. But he’s Tom, and you know him by every atom, so you cannot be proud, and he’s Tom — he retaliated by tossing you in freezing water and now your clothes are clinging sodden and heavy to every inch of you, so you certainly can’t be guilty either.

“I borrowed it,” he says tightly. As if that means anything at all. And then he takes his robe and drapes it spiritlessly over your shoulders. “You could attempt communication before curses.”

“I could attempt communication,” you scoff, uttering a charm to partially close the gash on Tom’s arm, “Fucking h-hypocrite. I did communicate. You lied.”

“I —”

“Omitted information? Withheld the truth? Watch your mouth or I’ll steal your fucking dictionary, Riddle.”

You swear a great deal when you’re cold and mad, apparently.

“I won’t be caught.” His calm is infuriating. “It would hardly earn expulsion regardless.”

“It doesn’t matter! He knows it’s you! He was staring at you all class!”

“So nothing novel then.”

“D’you want me to blast you again?”

His lips form a flat line. No. That’s what you thought.

You sigh, clutching his robes in your fists to quell your trembling. “What’d you take, anyway? We never touch the encased stuff.”

That is, you assume, why Dumbledore was vexed enough about the whole thing to mention it in class today. A highly valuable book has gone missing, from a repository you dare conclude belongs to him, and he has to pretend all the while not to know it’s Tom who took it. You are out of the question. Theirs is some delicate vendetta you can’t begin to unfurl.

“Nothing anyone should miss,” Tom says, a complete non-answer as he stops to murmur a warming charm you could probably manage yourself by now.

“Tom.”

“It was an encyclopaedia. It’s entirely in Runes. I suspect it will take months for me to decipher.”

“God’s sake,” you groan. He really is exhausting. “I think Dumbledore’l take his chances and loot your dorm before that happens.”

Tom wipes a stray droplet of water from your cheek. His fingers are soft. “We should return. You look half-drowned.”

“I am half-drowned, dickhead.”

And you accost him in hushed tones the whole walk back. Runes, Tom, really? Threw me in the damn lake over a Runic Encyclopaedia? He accosts you just the same; You burned me first.

It does, in fact, take Tom months to decipher the Runes, and he’s quite secretive about it. He won’t let you see the book, won’t tell you what it’s about, won’t indulge your queries on how far he’s gotten or if it’s worth the way Dumbledore bores his eyes into the pair of you in the Great Hall with nothing but the glass of his spectacles to soften his censure. You consider — well — you consider taking your chances and looting his dormitory.

The day everything changes starts the same as any. 

You muse over breakfast about muggle news and how the way Tom holds his wand when he casts defensive spells is too sharp when it should be circular. He argues. You soften the criticism by telling him his offensive magic is stellar but you’ll always beat him in defence if he doesn’t swallow his damn pride and listen to you for once. (So, really, you soften it very little.) He doesn’t take Divination so you don’t see him until Herbology that afternoon and he’s silent enough during the hour you share with your wormwood plant that you know he’s done it sometime between breakfast and now. 

Tom has cracked the book.

It’s late spring and the night takes longer to settle than it did in the winter. Errant sunbeams still sparkle on the water when you meet him by the lake, and it’s warm enough to forgo a coat.

“Are you going to tell me what it’s about now?” you ask without preamble, arms crossed over your chest as he approaches.

He hands you the book like it’s worth something to you without his explanation, but you’re intelligent enough to gather something from the illustrations of two twined snakes embroidering the cover.

“I should have suspected it sooner,” Tom says before you can comment. “By the way Dumbledore acted when I told him… I should have known he would have wanted to keep it from me.”

“Tom, I have no idea what you’re talking about.”

“It’s an Encyclopaedia on Parseltongue and its known speakers.”

You flip through the pages and none of it means anything. “Parseltongue?”

“The language of serpents,” Tom supplies, and the two of you walk along the edge of the forest. “It’s almost exclusively hereditary.”

“Okay, so, what — you’re trying to learn it anyway?”

“I have no need.”

You frown. “You… you already know it.”

“I always have,” he says, and there’s something almost unrestrained in his voice. He’s proud in a new light, and it takes you a moment to understand and you’re not sure why exactly it makes your heart sink, but —

“You’re not muggle-born.”

“No, I’m not. And Dumbledore knows.”

“So, he —” You try not to sound crushed because why should you be? Why should it matter that he isn’t some exact reflection of you? He’s at your side, he’s still there, he’ll always be there — “How does he know?”

“When he came to Wool’s to inform me I'd been accepted at Hogwarts. I hadn’t known anything, certainly not that speaking to snakes is emphatically rare, so I asked him. He said it was ‘not a peculiar gift.’ Perhaps to keep my interest at a minimum.”

“Why would he lie?”

“Because it isn’t just that I’m of magical blood. I’m a descendant of Salazar Slytherin.”

You can’t be faulted for laughing. It’s not often Tom makes jokes, let alone funny ones.

“That’s good, Tom. Morgana used to have tea with my great-great-hundredth-great-grandmother, so that works out nice.”

He sighs, taking your hand and leading you further into the woods.

“Are you trying to murder me?”

“I might.”

“You’d be the first suspect.”

“No, I wouldn’t. You’ve far too many enemies.”

Not by choice, you start to scold, and then he stops, not so far into the Forbidden Forest that you’re afraid, but far enough you understand this is not something he’d chance showing you in the open.

He closes his eyes and whispers, and it’s — decidedly not English. And you know the sound of a few other languages, at least; this doesn’t sound like words at all. His consonants are pointed, his S’s stretched, the syllables repetitive but separated by a difference in cadence someone less perceptive might not notice. 

It shouldn’t be surprising; it’s exactly what he told you, but it startles you how much it reminds you of a snake.

“Tom?” you murmur, unsure at the prospect of speaking some ancient, unknown language into the air of the Forbidden Forest, and, underneath that, still reeling with the knowledge that this is real at all.  You’ve pinched yourself a few times to make sure.

There’s a low susurration in the grass, wet with dew that catches the moonlight, and you gasp, clinging to Tom’s arm when you see the blades part in helices for the space of an adder.

“It’s all right,” Tom says softly, almost elsewhere, his eyes zeroed in on the snake. “It won’t hurt you.”

You’re still by the balance of his arm and some petrifying awe as he extends a hand to the grass and the adder coils around it, weaving upward to his shoulder.

“Oh my God. Oh my God, Tom.”

The adder points its beady gaze at you, and Tom whispers something else in that strange language before it retreats in agreement or compliance or whatever could come close to expression on the face of a fucking snake, and maybe you’re dreaming this despite your pinching. Maybe you’ve lost your mind.

“Hope you didn’t just tell it to bite me,” you try, and it comes out half-choked.

He smiles. It’s partly for you and partly for this venomous little thing on his shoulder, and that’s a bit startling. Tom Riddle smiles for adders and you and not much else. 

“Should I?”

And all you manage, for whatever reason, is, “Don’t be like them now that you’re not like me.”

It’s out before you can stop it, welling from a small, scared place that embarrasses you to return to. A hospital bed when you were eleven. The walls of a bedroom ravaged by bombs.

Tom’s smile fades. “We’re nothing like them.”

The thing is, neither of you know that’s the day that changes everything.

You celebrate your fifteenth birthday in the Deathday ballroom with Tom, a stolen dinner pastry, a green candle, and a few sad ghosts. You try to learn how to dance. Tom thinks it’s silly. You tell him that’s only because he’s upset he keeps stepping on your toes.

Summer blisters when it comes.

Some of the children take jobs as mail-sorters and steelworkers and you clasp for whatever you’re (one) allowed and (two) capable of, which isn’t much. You’re both old enough at the end of the day to explore London on your own, opting to spend as much time away from the orphanage as Mrs Cole allots, but you only have knuts and pennies and you warn Tom it would be unwise to swindle muggles and risk a letter from the Ministry. So you work where you’re needed and you eat the rationed nonsense you always do and you miss Hogwarts terribly. It’s much the same: you’re together, you’re hungry, and you’re nothing like them. 

And then it’s different: Tom makes Slytherin Prefect, is suddenly tall, and you wonder in fleeting moments if his face has always suited him this well.

A stupid remark. You fervently ignore it.

Fifth year begins and you have almost the same number of electives as you do core classes, Tom has duties in his new role that take much of his spare time, and despite popular belief, you and him are not a mitotic entity, so this splits you up more often than it had in previous years. Which is fine. You still have plenty of things to talk about during meals and between duels, and you reckon you’ll share DADA until you graduate.

But in his absence, your attentions are forced elsewhere, and you should be grateful they land on something potentially promising.

It’s like Transfiguration just clicks for you this year. You’ve never been the greatest at Transformation (importantly though, you’ve also remained far from the worst), but fifth year launches you into Vanishment and something about that feels like a perfect equation. There are no complicated half-numerals and objects stuck between inanimacy and being — just unmaking the made. Nothing or not. You’re fucking excellent at it. You glean the theoretics fast and then the practise comes like breathing. Even the purebloods struggle as you Vanish Dumbledore’s Conjured garden snakes in brilliant tendrils of light. You exult unabashedly when you brush past them on the way out of class — who was it that didn’t belong in Slytherin?

You say the same to Tom and he rolls his eyes, but the amusement is there.

“Think you can talk to my snakes for me?” you tease, nudging him on the path to Hogsmeade.

“If they’re yours, I doubt they have anything worth discussing.”

And Dumbledore is… a hue nearer to the man you remember from first year. He praises your improvement and smiles when you can’t hide your giddiness as if equally impressed.

He doesn’t shelve people the way Slughorn does (you’re dismayed to find Tom has been invited to join the Slug Club and you have not) but you think if he did you’d be rapidly climbing your way to the top. Maybe get put in one of those neat little repositories he keeps all his best treasures in.

Dumbledore does, however, offer additional assignments for those who are interested, and tasks you with a few if you’re up to the challenge.

You always are.

The Tom-Dumbledore-Encyclopaedia debacle is apparently either resolved, or your part in it forgotten. 

Tom humours you when you’re both singed at the fingers from duelling, yours dipped in the lake while he buries his in the cold moss, about how Abraxas takes the seat beside him at every Slug Club dinner. He tells you he pretends to be very interested in the Malfoy’s business affairs and their stock in the Bulgarian Quidditch team’s win this coming spring. He tells you he finds it amusing to let Abraxas think he can make Tom his pet. Tom says he considers searching for Salazar Slytherin’s fabled Chamber of Secrets and showing Abraxas what a real pet looks like. You smack him in the arm.

He’s had an ego forever. He just has a few too many reasons for it now.

And maybe that’s why you push harder in Transfiguration, dedicate the majority of your studies to it, spend your Saturday nights scrutinising advanced techniques while Tom makes nice with Potions experts and politics with people who don’t even know what he is but like him anyway. It’s patronising, of course — borderline fetishistic; not a real like — but it scares you. Tom Riddle would not allow himself to be anyone’s pretty mudblood show pony if he didn’t have an ulterior motive.

Everything changes but the observable truth that he is still insufferable.

You’re lucky to see him twice a week if it isn’t in class, and the way it starts is so slow you don’t even fully understand what’s happening until Christmas break when Abraxas stays a few extra days and leaves by Dippet’s Floo instead of the train.

You don’t dare ask where Tom has vanished to in that time or why the hell Abraxas Malfoy would willingly subject himself to unnecessarily extended time at school with all his lackeys gone, and it isn’t because you don’t want to. It’s because he won’t tell you himself. It’s because you’re terrified the answer will feel like a broken promise, and you’ve come to realise (it’s been there for so long; such an obvious, tiny thing that you’ve never stopped to really dissect it) that it’s quite difficult to know someone at every atom and not love them a little bit.

You’re suddenly aware of the risk of it: you love him like an inextricable piece of yourself, and, well, you’ve seen war. You know what amputation looks like. You’ve seen the remains of structures designed to stand forever, and you’re strong like them — casts and gauze in all the weak spots because you remember the pain of breaking them — but those were blows dealt without the complication of loving the bombs behind them.

Tom is the green on your robes, the dragon pox tinge you sometimes think never truly faded when you look in the mirror too long, and all the shades you never imagined. Apple, jade, moss. The beginnings of emerald. (No, he couldn’t be that.) 

You wonder what the world would look like if he stole those colours back, and it’s much worse than some brutal decimation; it would leave you with too much. You would just be you without him.

So you love him into June like you always do, and you pluck his Prefect badge off on the last day of school and tell him it makes you jealous like a joke when it’s half-true. 

It’s raining when you walk to the train together, miserable for what should be summer but not at all remarkable in Scotland. Tom wipes it from your cheek. Your wrists are sore from vanishing bits and bobbles all night while you still can, never truly prepared for three months without magic, and you curl into your seat as soon as you’re in it. Tom wakes you up when you arrive back in London, startling you to find that you fell asleep at all.

It rains a lot that summer. There’s nothing much to see in the city and you can’t get anywhere else (you note: the Trace cares little about broomsticks but you can’t afford one of your own and flying might be the only thing Tom is bad at) so you’re stuck to the library again with a noseful of old paper and a certain prose that magical literature cannot replicate. You theorise a lifetime of reckoning with the mundane forces one to be more creative.

Perhaps it’s the cold that makes you sick. Perhaps it’s the state of your meals. Either way, your final weeks before sixth year are hell. Biblical, blazing hell.

The nurses aren’t sure what it is — another influenza epidemic you’re the first in the orphanage to catch — but they isolate you immediately and there’s not much care they can offer. 

You hear Tom arguing with one of them outside your door but can’t make out the words. Everything is dizzy, sweaty, halfway to unconsciousness but without its relief. You’d take dragon pox over this.

Some days later (though you can’t be sure because it feels like bloody centuries), he’s at your bedside, and you think even if you were lucid enough to ask what horrible thing he’d done to change the nurses’ minds, you wouldn’t. 

But you know he’s not beyond breaking wizarding law, because he’s muttering healing spells with a hand to your damp forehead, and you hazily find yourself reaching for him, trying to shake your head no.

“Not allowed,” you mumble. Your throat is sore and your nose is stuffy. You sound terrible and you probably look worse.

Tom is slightly blurry but you think he’s staring at you. You know if he is it’s with the utmost incredulity.

“Not allowed,” he repeats slowly. It’s very easy to picture him clenching his jaw. “I wonder, if the Trace is so exact that it can detect all forms of magic, it can’t also detect malady. You’re burning — and I’m to consider whether saving your life might be illegal?”

He’s angry. He’s angrier than you’ve seen in a long time; and you can actually see it now. His magic courses through you and your vision clears, bit by bit, until your depth perception steadies and you realise he’s closer than you thought. His jaw is, in fact, clenched.

You move to catch his wrist and manage it this time. “Tom.”

“Don’t argue,” he says thinly.

“You’ll get sick.”

His face is far too neutral for the way his fingers stroke your damp cheek. “Hm. Then it’s a good thing you’d break the law for me too.”

Of course he’s right — you love him. Which makes it a good thing he doesn’t get sick.

Some of the younger children do. The fever comes overnight for a girl who wasn’t in the orphanage last year, and it takes her by the next.

When you get back on the train to Hogwarts, the virus is circulating Britain and you’re livid. 

What Tom said is true; you consider the Trace’s precision and the details of the laws on underage magic — how one of the technicalities is that a young witch or wizard may be absolved of the consequences if the circumstances are life-threatening. You think about how it supposedly doesn’t care about broom-riding or Portkeys or Floo travel, and if the Trace is that complex, surely it understands sickness.

You only wonder if the Ministry would understand it. There haven’t been any epidemics in the wizarding world since Gorsemoor cured dragon pox in the sixteenth century, and when there isn’t healing magic there are antidotes and Pepper-Ups and herbs that muggles simply don’t have. The fatality of a fever of all things is not something you imagine could be comprehended by the sort of people who sent you and Tom back to London in the wake of the Blitz.

Of course, the Ministry hasn't written to you, you haven’t been forced in front of a representative from the Improper Use office, and you have no real reason to be upset.

You are regardless. 

It shouldn’t even be a thought: you immolating into oblivion protesting rescue because one of you might get in trouble for it.

A world you’ve never much cared for is blanketed in ash and its people are dying and you can’t help them. A girl is dead. You’ll return next summer and there will certainly be more.

Life is for the magical, you find. The muggles can burn.

It’s what makes you start to panic this year, knowing you’ve only got one more after it. You have no idea what you’re going to do after school, and it doesn’t help that Tom doesn’t appear to share the sentiment. He’s got Head Boy in the bag and when he isn’t with you he’s with Abraxas, who can surely provide him connections if whatever game Tom is playing at works (and you have no doubt it will), but it’s like you said in third year: that isn’t enough for you.

You remember with a small ache that you no longer means you and him.

And then — it makes sense. You feel incredibly stupid.

“You told him, didn’t you?” you ask Tom the first opportunity you can get him alone, in the glum blue light of the Deathday ballroom on your way back from supper.

He sighs like it’s a conversation he’d hoped to put off for longer. “You’re referring to Abraxas, I presume?”

“You’re referring to — yes, you prick, I’m referring to Abraxas. Of course I’m referring to Abraxas, or are there others? Dolohov and Nott seem unusually enthralled by you, now that I think about it.”

“And for a reason I’m supposed to be aware of, this is an error on my part. Should I be apologising?”

“Why did you tell him, Tom?!”

“Why?” he deadpans.

You throw your hands up. “Oh, for fuck’s sake.”

“Shall I provide you with my itinerary as well? Would you accompany me as I tour the third-years around Hogsmeade? Or can you do me the favour of trusting me to make my own decisions with the nature of my ancestry?”

“You’re keeping something from me and there’s a reason,” you say, stepping closer to him, “and forgive me if I want to know what it is when you were willing to tell me you’re the Heir of Slytherin and you can talk to snakes. What — what could possibly be bigger than that?”

Tom returns your approach with one of his own. His eyes are steady, dark, thick with lashes and you can’t reminisce on the details of the rest of him because that would be strange for a friend to do. Stranger to do it now, when you’re angry with him and there’s two sleeping ghosts in the corner and he’s framed by deep indigoes like the ripples in the Black Lake and — you’re doing it anyway.

To be short, he’s close, he’s very beautiful, and sometimes you despise him.

“Trust me,” he says again, without the derision of the last time. “This will change things for us.”

You frown, but it’s a weak upset in contrast to the explosion you came in here willing to make. There were at least twenty questions you meant to ask and you only managed one.

You are not his keeper. You know that. 

“Change them for the better, Tom,” you say on a sigh.

He blinks, and you think he’ll respond with a nod or a slightly offended ‘of course’ but he does not. He blinks and he just keeps looking at you. It’s disarming. It probably resembles the way you often look at him. There’s a rationale somewhere; you never see each other anymore, life is so incredibly busy, maybe he’s forgotten what you look like.

And he does nod, finally, but he does it with his thumb brushing the corner of your lip.

What? Sorry. What’s going on?

He pulls it away like he’s heard you. “You had something.”

You’re almost positive you did not.

Transfiguration this year brings Conjuration, which is an advanced and welcome distraction, and even more exciting when you consider no longer having to Vanish things you have no idea how to bring back. Dumbledore’s is one of three N.E.W.T classes you’re taking — Defence Against the Dark Arts and Alchemy besides. It’s easily your favourite.

You share it with eleven other Slytherins and twelve Ravenclaws. Four of them are muggle-born, and it’s hard to describe the ease you feel among them because you don’t think you’ve ever had anything resembling ease with anyone but Tom.

Your schedule is more crammed than it’s ever been, but it’s good. Two of the Ravenclaw girls invite you to Hogsmeade every other weekend, you share butterbeers when you can afford one, you study until you collapse, you take Dumbledore’s extra assignments and consider trying out for Chaser on one of your more restless evenings before waking up in the morning and resolving there is such as thing as too much of a good thing. Best not to get ahead of yourself.

Your contentment is remedied quickly.

Someone is found unresponsive in the dungeons. Dippet makes an announcement at breakfast that the boy isn’t dead, rather, petrified. No one is quite sure the cause, but the Headmaster warns a few minor precautions, suggests a buddy system, and says that after dinner studying should remain in everyone’s respective common rooms rather than the courtyards or library.

You know next to nothing about petrification, but the victim is muggle-born, and you suspect it was the result of a poorly performed statue curse by one of the many blood zealots in your house. The whole thing makes you hold onto your wand a smidge tighter, but you’re adamant not to let it drive you to paranoia like it would have a few years ago.

Tom nods at your theory when you manage to escape to the Black Lake together in November.

“That isn’t unreasonable,” he says. High praise.

You sink into the moss, sighing. “Do you think there’ll be more?”

He looks out onto the lake, the lapping waves, the crystalline beads that furrow them, midnight algae and flotsam you don’t think you belong to anymore.

You peer up at his silhouette in the dark. “Do you think whoever did it will do it again, I mean?”

“I don’t know,” he says finally, and after another pause: “but I don’t think it would be you.”

“How’s that?”

“No one would be senseless enough to try.”

And he sinks beside you with that, breath shaping the cold in steady, rhythmic clouds while yours are scattered. His robes brush yours and you take his arm with a sleepy hum, tracing patterns in the stars until your eyes feel heavy and he insists on taking you back to your dormitories.

One of the Ravenclaw girls, Marigold Wright, distracts you with a spare blue scarf and an invitation to her next Quidditch match. You watch from the stands and cheer as she catches the snitch to beat Gryffindor.

It’s a bit strange — having a distraction — having a friend. Mari is kind, smart, a good study partner who’s as keen on stepping into the advanced theoretics of Human Transfiguration a year early as you are. She’s funny in a vulgar way, introduces you to all her friends, shows you the best way to sneak into the kitchens, and you sometimes wonder if she was sorted wrong, but — her methods are creative, and she’s definitely intelligent. She’s also definitely not Tom.

You see less and less of him and more of her, Dumbledore, the Ravenclaw common room and the pages of progressive Transfiguration methodologies. He sees less of you and more of Abraxas, Dolohov and Nott and all the other purebloods, Slughorn’s soirées and Prefect meetings that cut into meals.

It happens again.

Second floor lavatory. A girl called Myrtle Warren. She isn’t petrified.

There’s a vigil the following week and her parents are there, two muggles whose sobs wrack the Great Hall even as the students clear out. Flowers descend from the charmed ceiling, little bluebells and white chrysanthemums.

You cry that night. You can’t remember the last time you cried.

This time, you don’t have to seek Tom out. He catches you on your way back from Alchemy and brings you to the Deathday ballroom with a melancholy glance in your direction that you don't hesitate to follow. You realise it’s an odd place to continue to end up in, but no one else goes there and you suppose that makes it yours.

You’ve seen Tom skinny and sickly and olive green, but today his eyes are circled with veined violets and the lack of summer sun this year has whittled him grey once more. He’s still beautiful. He’ll always be beautiful. But he’s tired and — sad — and for the six years you’ve known him you aren’t quite sure what to do with that.

You don’t spend too long pondering it. You just hug him with the dawning newness of a thing like that; a thing you’ve never done, and never really thought to do. (You ask yourself in bewilderment how you’ve never thought to do it before.)

He’s warm. He’s uncertain. He doesn’t reciprocate immediately. 

And then he does, and you understand without caveats or concerns that you stopped having a choice in your destruction the moment you chose him. He’s home, and that’s going to ruin you one day.

Your arms tighten around him and his around you, the rhythm of his breath holding you to earth when you begin to float away. Nothing makes sense in this moment but the mercy that in all the death you’ve seen, you swear to God you’ll never see his. As long as you’re alive, he must be too.

And there’s something to be said about the innate self-slaughter of loving a person (of loving Tom Riddle, especially): that it’ll cleave you in two, that you’ll say feeble things in his embrace that you should be above saying, like ‘I’m scared’, that his hand will find the back of your head and he'll tell you he knows, that that should not feel like enough but it will be. You’ll clasp your hands under black robes and hold this singular embrace together by the faulty adhesive of your fingers. Maybe you’ll cry again, like your body can suddenly comprehend its capacity for it and is making up for lost time.

The first sign that something is wrong, more than the obvious grievance of the death itself, is the Ministry’s happy acceptance of Rubeus Hagrid as the culprit.

The boy is maybe fourteen years old, half-blood — half human, mind — and no one has a bad word to say about him other than he likes to keep eccentric pets. Which leads you to wonder what pet he possessed with the ability to petrify one student and kill another and what cause he’d have for it in the first place besides two terrible, miraculous accidents.

That question draws an even stranger path. Mari says over butterbeers (on her, bless her soul) that she read somewhere years ago that Gorgons can induce petrification, but that she doesn’t remember much else.

One of the boys in DADA says that his father’s an auror, and heard from him that Hagrid’s pet was some sort of arachnid. Tom deducts five points from his house after class with a scowl on his pale face, muttering about conspiracy.

The second sign that something is wrong is that only one of those things would need to be true for the entire case on Hagrid to be called into question. If Mari’s memory serves right, how the hell did Hagrid come into ownership of a Gorgon? (Could Gorgons even be owned?) If the auror’s son is worth your credence, then what species of arachnid is capable of petrification?

You take to the library.

Unsure of where to begin and hesitant to draw attention, your research lingers into Christmas break and stalls some of your extracurriculars in Transfiguration. Tom is busy enough not to notice the new step in your routine, and you’re grateful not to have him breathing down your back, telling you you’re looking in the wrong places or you shouldn’t be looking at all.

The third sign is the end. 

You wish to retract it all. There are time-turners and memory charms and potions that could dizzy you enough to manipulate the truth; there is anything but this. You’d suffer the consequences for the bliss of loving him with one more day before the ruin — you’d write it down to remember through the fog: look at him, duel him without wanting to hurt him, kiss him to know that you did it at least once, have him, be had. You never will again.

He’d shown you the adder. He’d joked about the Chamber of Secrets. He’d spent months disappearing with Abraxas, earning the trust of the sons of the Sacred Twenty Eight. 

And he’d killed Myrtle Warren.

So it’s statue curses and Gorgons and Tom — speaking to serpents when no one else can, buttressed by pureblood boys who want people like you dead.

Don’t become like them now that you’re not like me.

He’s something else entirely.

What do you do in a moment like this? Panting into an empty library at a revelation you wish you could unknow, fingers digging into the hickory of your desk — another memory carved among the initials and hearts; how do you stand from your chair and leave like the world outside this room is the same as it was when you entered? There’s nothing to orbit. You are cosmic debris, tea dregs in a barren cup, flotsam.

You stand; and you tell no one. Not even Tom.

His presence in your life is so infrequent that you don’t even have to come up with excuses for your distance until three weeks after your discovery when you’re paired together in DADA to practise stretching jinxes. 

You almost laugh. He’s standing beside you, tall (lanky like he was when he was a boy if you look long enough) and serious, and you love him without knowing who he is anymore. You’ve skirted corners to avoid him and sat with Mari during lunch and breakfast like he’s some scorned lover to escape confrontation from and not someone who held you through a grief inflicted by his hand. 

“You look tired,” he says, inspecting the daisy you’d been tasked to elongate.

You glance at him. You are tired. It’s exhaustive, bone-deep, aching like nothing you’ve ever known, and maybe that’s why you can look at him and smile sadly instead of thrashing against his chest screaming for what he did. You suppose it happens enough in your head to satisfy. When you can sleep, you sleep to the thought of it. The waking moments are just blank.

“Mhm,” you hum, transfiguring the daisy stem back to its regular length.

Tom observes it with curious eyes. “You’re getting good at that.”

“I’ve been good at it.”

His lips turn, a small frown before he puts it away. You make the observation that he’s tired too; there are still bags under his eyes and his hands tremble ever-so-slightly with his wand when he loosens his grip on it.

His own doing and still you flicker with some relentless hope that he's drowning in regret.

“Sorry,” you say. A ridiculous thing. Do you intend to slowly push him from your life with weak disinterest and diverging academic avenues? As if he were something extricable. He’d never let you.

You’ll have to confront him, and that’s a revelation that holds its weight on your chest until you think you'll suffocate under it.

You’re in the blue light of the Deathday ballroom with a face you've never worn before when it happens, deep into spring, and you know then that you were wrong all those years ago.

He sees all of you.

Takes you in in the flash of a second and maybe it’s your quivering jaw that reveals you or the flint of betrayal in your eyes waiting to be struck and lit. Yes, you were wrong — Tom Riddle knows you at every atom too.

“Are you going to let me explain?" he asks before any hello. His jaw is tight but there’s nothing else to go on to judge his disposition. He's settling into impassivity like an animal drawing its shell. You will not be allowed in if you're going to make it hurt, and you might be the only one who can.

“Explain," you copy with a hard exhale, “Just tell me it wasn’t you. That’s all there is to say."

He stares at you. There’s nothing there.

“Tell me, Tom.”

Your breath catches on an automatic please but you don’t want to offer him that.

“I cannot.”

Then make me forget, you want to scream. Let it be summer. Let us work for pennies and breadcrumbs and be no one together.

It’s late winter and it’s too cold.

“You killed her,” you say quietly.

“If I told you I did not wish for it, would you even believe me?”

“What are you… so it was an accident?”

“There was — an opportunity presented itself that may never have come again; that does not mean I don’t find the nature of it regrettable.”

“Regrettable.” You’re laughing or crying or both, and you must look unwell. Halfway out of your mind.

He’s so composed in the face of it that it only makes you more incensed.

“You told me to change things —”

“You killed someone! Can you understand that?”

“You nearly died,” he hisses, “and if I am to apologise for recognizing it only as the first of many times, I will not. If I am to apologise for doing whatever is necessary to prevent it, I will not. The hand we were dealt will not be the hand we die to — so yes, I understand it. And one day so will you.”

“Don't," you spit, and your anger must look pathetic under your welling tears. “Don't you dare tell me that this was for me.”

“Do you want me to lie?”

“What could her death possibly bring me, Tom?”

“Her death is the first step to —”

“God, stop dancing around the fucking question!” Both hands have wound their way to your head, clutching at your skull like the brain matter might spill through one of the cracks he’s wearing down. “Just… tell me.”

“You recall Godelot's work," he says stiffly. The question of it takes you by surprise, peels the moment back like the rim of a fruit and you're left uncertain.

All you can do is nod, arms falling to cross over your chest.

“There was one form of magic he refused quite concisely to impart. I searched the Restricted Section for days, and under Dumbledore's watch that was not an easy thing to do."

You stole from him, you're urged to remind him, but it's something you'd say with a nudge of annoyance and a roll of your eyes. Such admonishment is small and far away.

“I found it at last in one of the repositories," he goes on, “Secrets of the Darkest Art."

“...What?"

“It's called a Horcrux,” he says. “Murder, by nature, splits the soul. The Horcrux simply makes use of the act; puts the soul fragment into something imperishable so that it is protected, rather than abandoned. In turn, your life cannot be taken. By malady, by magic, by sword — the vessel is destroyed but the soul lives on.”

You blink, feeling dizzy. “Myrtle was the sacrifice.”

“Myrtle was there,” Tom remedies.

“How lucky for you.”

“The circumstances could be ameliorated if one were to be made for you. I would have preferred it be someone who deserves it.”

“For — you’d do it again? Again, Tom?”

His brows crease, and even his upset seems contrived. There’s this barricade he’s placed that you, in all your infallible knowing of him, cannot puncture. It’s agony to begin to question what he could possibly be keeping from you in a confession like this.

“You killed someone, Tom. You — I would never ask you to do that. I would never live at the cost of someone else."

“No, you would not,” he agrees, though he shakes his head like it’s incredulous of you. “Do you think, even if I knew it were certain,  a summons from the Ministry would have stopped me from saving you this summer? Do you suppose the threat of punishment would cause me to waver at that moment? I know it would not hinder you. So, you have your lines and I have mine — you never needed to ask.”

And now it hurts. The emptiness clears and you can't stand yourself for crying, but you do. It comes out in ragged, breathless sobs, clasped behind your palm as you turn away from him. 

You've loved him since you were eleven. It's always been you two — it was always supposed to be you two. What is there to say to him? He's blurring in your periphery like in the midst of your sickness, and there's nothing he can do to heal you this time. Your vision will clear and Myrtle Warren will still be dead. He'll still be a stranger in the face of the boy you love. 

“Why," you whine, a wet, hollow stain in your voice you've never cried enough to hear before. “Myrtle was — wasn't — uh —" You swallow, hysterics severing your words. You can't really think right now. Your body wobbles and your head feels puffy and hot. This might be shock. 

Tom scowls like it irritates him to watch you push yourself, like this is just the unfortunate effect of you depleting your energy in a duel, not eating correctly, treating yourself carelessly. 

Of course you can't stand or talk or think. You're you, contemplating a life without him.

“Sit," he says in frustration. You smack his hand away when he reaches for you, but the world has turned a shade darker and you're slipping into it. 

He tugs a chair towards you with a silent charge and a reprimand, and your body doesn’t possess the wherewithal not to collapse into it the second it’s under you.

After a moment you can speak again, shaking hands steadied by your knees. “Did you… did you think I wouldn't find out? You know, the only thing that can petrify someone besides a serpent is a Gorgon. And — where would Rubeus Hagrid have found one of those?"

“I thought I would have time.”

“To come up with a good lie? Something I’d sympathise with?”

He bites his cheek. “Evidently the particulars matter little to you.”

Fuck him. “Fuck you.”

“Very cogent.”

“No, fuck you, Tom. We could have — we only had a year left and then we could — we could've done anything we wanted." You're crying again. You don't have the energy to be embarrassed. “And you chose this."

He’s indignant as he steps closer. “With what money? For what life? We are better than all of them and it’s never mattered. It never will; you know that. You told me that. You’re angry now, but you must know the truth of it. I would not forsake you. I would not lose you.”

You blink up at him, mouth stuck with some cottony feeling and cheeks stiff from crying.

“You have lost me, Tom."

He stills as if suspended. Some maceration must follow but it doesn’t.

You stand on weak legs to look him in the eyes. You wonder if he can see the love in yours. You wonder if he knows you will walk away despite it. (Of course he does. You’ve never lied to him.) 

You think about how his fingers seem to always find their way to your cheek and you put yours to his. The bone there is sharp, but the skin is soft. Boyish. 

There isn't a word for a goodbye like this. It shouldn't exist and so it doesn't. You just leave.

You fail your N.E.W.T courses. Quite spectacularly.

Mari sits beside you on the train with a soothing hand on your shoulder, and doesn’t ask what’s rendered you into a comatose husk since March. There’s no crying. You chew numbly on soft caramels from the trolley and stare out the window onto the hills.

That summer is spent in your bedroom unless you’re forced elsewhere. A new girl with skin so white it’s nearly translucent sleeps in the bed beside yours, taking meals on trays like you did in your first days here, tracing the cracks in the tiles, humming to herself in the dark. She makes you feel less pathetic for doing much the same. 

You’d been right in your assumption that there would be more dead upon your return, and wrong that there would be more empty rooms. There are always more orphans being made.

And then you receive a letter. It isn’t delivered by owl (only for secrecy, you assume, because there are no muggles who’d be writing to you) but it’s stamped with a vaguely familiar crest. Not Hogwarts’ waxen seal, but something undoubtedly magical. A cockroach and a cup, you think, squinting. Transfiguration.

You tear the envelope open and pull the letter out.

It’s from Dumbledore. Some of it melds together, but the key words stand out.

Spoken to Dippet… Exceptional promise… N.E.W.Ts… May be reconsidered… Upon dispensation… Be well.

Be well.

You are not. You are something half-drowned and half-burned, never enough of one to quell the effects of the other. Sunlight is sparse through your side of the orphanage. On the radio, they warn a pattern of one bomb every second hour. The only other warning is the sound when they fly overhead, and if you can’t run fast enough —

You write your answer in a crowded tube station with a spotty ballpoint pen. Tom is there, looking between you, the dust, and your shaking hands as if to say: tell me I was wrong.

Some of your letter melds together but the key words stand out.

Thank you, Sir. Whatever you need.

It’s a shock that you live to seventh year. It’s a shock that you do it without him — though he watches, and in his gaze you feel regressed. You’re alive, yes, but there’s something there… his dead weight, death-grip; his haunting. They always speak of the dead as something heavy. Something that holds onto you even after it’s gone.

You find that to be true.

Dippet’s condition that you remain in Dumbledore’s N.E.W.T class is that you achieve more than the standard requirement. Essentially, your final exam will be much harder than everyone else's: Human Transfiguration, mastery of petty Transformation (through the means of Wizard’s Chess pieces), Conjuration and Vanishment of various delicate objects — all done nonverbally.

Even Dumbledore seems sceptical, but it translates to more rigorous practise rather than resignation, assignments he doesn’t even task to Mari, though she’s just as good, and you can’t begin to understand why he cares so much. 

“I’ll entrust you with these while I’m away,” he says before Christmas break, sliding a sheet of parchment your way with a flick of his wand.

You frown, unfolding it. His instructions are always short now — you’ve learned to decode his meaning well enough without much exposition. 

Teacup to gerbil — to cat, and inverse.

Inanimatus Conjurus spell (cockroach and cup, as instructed) to be Vanished when perfected.

Study Antar’s Doctrine. Miss Wright will act as your partner.

Due February.

It’s far too much to be done in that time. “Sir?”

Dumbledore lugs a messenger bag over his shoulder that appears small, but he carries it in such a way you suspect it’s magically extended. He smiles wistfully, pushing his spectacles up the bridge of his nose. “You know, I often regret how much this war asks of me. A consequence of my own doing.”

Right — Grindelwald. Sometimes you forget between awaiting the next muggle paper. War is everywhere.

You nod. “I hope… Good luck, Sir.”

Another half-smile as he twists open a jar of Floo Powder, and then he shakes his head with something you almost decipher as amusement. A brittle sort. Tired. “Good luck to you.”

And then he’s gone, in a swath of green flames that do nothing to inspire any desire for Floo travel in you.

Antar’s Doctrine is simultaneously prosaic and grandiose. They read like excerpts of a journal and you yawn into them over your morning tea, stirring amongst the first-years, who are the only people at the Slytherin table you can stand to sit with. Your blood status is apparently nullified by your age, and the worst they do is look at you funny. You aren’t sure what Abraxas’s — Tom’s (the new hierarchy never fails to stagger you) — lackeys would do if you sat with the other seventh-years instead. A part of you longs to know. They certainly don’t bother you in class the way they used to, you aren’t tripped in the corridors, but you wonder how far Tom’s influence can stretch. He is the Heir of Slytherin, and he’s earned them. But you are nothing.

You’d like it if he would let them hurt you. You think the incentive would be enough to hurt him back. And God — God, you want to. You want to hurt him almost as much as you want him.

You practise through the doctrine with Mari, as Dumbledore directed. When you’re able to sever Antar’s egotism from his abilities, you can see why Dumbledore would recommend his book to you. It feels like slipping through a crack in glass without shattering the whole thing. You weave in and back out, and Mari grins when she returns from the shape of a teapot to her body without you needing to utter a word to do it.

In the back of your mind, you’re aware what you’re doing is nearly unprecedented. It’s spring, you’re months away from eighteen, muggle-born, and mastering nonverbal Human Transfiguration like it’s a Softening Charm. Mari tells you you’re the smartest person she’s ever met. It makes your cheeks go hot to hear such open praise, worse when you snap out of the thought that you believe her.

Grindelwald falls. The school celebrates in whispers until the evidence is in front of them — Dumbledore, returned without a scar, a new wand in his hand — and then they’re cheers. The feast that night is a great one, and he toasts to you from the end of the staff table, a discreet tilt of his cup before he takes a sip and returns to converse with Professor Merrythought.

You take from your own, and your eyes land on Tom, spine of his goblet tight in his hand. He’s looking at you like you’ve affronted him somehow. You could laugh — by choosing Dumbledore. Of course. As if it was a choice at all.

But if it bothers him… if it feels anything at all like the betrayal you felt, then — good.

You drink, and don’t look away.

By the time your N.E.W.T.s arrive you have a renewed confidence that you’ll succeed, even with the obstacle of performing each exam wordlessly.

There are only twelve students who came out of your sixth year class, so to divide resources for the tests is no grand task. You’re given a Wizard’s Chess set, a desk with assorted vases and goblets, an intricate epergne (you had to whisper to Mari to learn its name), and a Ministry worker borrowed like some laboratory mouse. You suppose it makes sense, though — you’re all capable enough of Human Transfiguration not to mutilate anyone, and performing on a classmate could obfuscate the results. It’s far easier to Transfigure someone you know than someone you don’t.

You start with the chess set, Dumbledore and the Ministry worker observing you as you turn pawns to knights and rooks to kings, the minutiae of the pieces drawing sweat to your brow. They change, and change, and change, and you don’t mutter an incantation once. The Ministry worker puts the set away and directs you to the glass. You Switch the vases with the goblets, Vanish them, and Conjure them again. The Ministry worker takes notes. Dumbledore nods affirmatively at you and you can exhale. The epergne is the hardest; so kitschy and elaborate you don’t know where to start when you’re tasked to Transform it into an animal. 

An animal — like that isn’t the vaguest instruction you’ve ever received.

You look at it on the desk, mirrors and glass and gold on protracted arms, and you go for the first thing you think of because the Ministry worker is staring at you like you’re inept and you see it in his eyes — this is the muggle-born one, this one can’t do it. 

You’re better than them. You can do it forever.

The epergne spins at the dip of your wand, and emerges more than an animal. A big glass tank appears in its place, round and gold-rimmed, water lapping at the sides. Inside it is a jellyfish. Emerald green, bobbing, tentacles and oral arms coiling against the glass like the limbs of the epergne had spanned its centre.

The Ministry worker swallows. Dumbledore smiles.

“And — and back?” the worker says, like that will be the thing that stops you.

You point again, mouth tight with irritation, and reverse the Transformation. A droplet of water smacks your face and you’re lucky to be so hot you can disguise it as sweat. You suspect even an error that small would cost you a mark.

You wipe it away. A strange thing happens; you imagine Tom brushing the water from your cheek at the Black Lake. You imagine his fingers in the rain.

The Ministry worker steps closer with a shameless frown. He tells you to turn his hair red. You do. He regards himself in the mirror and scribbles something down. He tells you to turn it back. You do. To grow him a beard, to change his clothes, to make him taller, shorter, this and that — all read from a list he does not appear enthused to recite. You do it all.

He shakes Dumbledore’s hand when it’s done, duplicates his notes for him to keep, and follows the other Ministry workers through the fireplace when everyone’s exams are finished.

You find out you’ve passed with an Outstanding on your birthday.

Mari drags you to the Three Broomsticks to celebrate, butterbeers on her. (They always are.)

“Can’t believe we’re about to graduate,” she says into her cup, froth on her upper lip.

You sigh into your own, partially giddy and mostly nervous.

Mari squeezes your face between her thumb and finger so your frown is puckered. “Chin up, genius. You’ll be excellent.”

You push her hand away but can’t help a small smile. “Outstanding,” you correct.

“Outstanding!” She bursts out laughing. “Bloody ego on you now…”

“Well, I am the smartest person you know.”

“I take that back.”

She pushes out of her chair with a slightly inebriated wobble. “Going to the loo. Don’t touch my chips.”

Your hands raise in surrender, and you steal only one when she’s gone.

You aren’t the only ones here to celebrate. (Your birthday and your mutual achievement, yes, but the Three Broomsticks is filled wall-to-wall with seventh years drinking their final nights at school away.) There’s music charmed to reach every corner, even yours at the little alcove hidden from plain sight. It’s nice to watch from here — the stumbling, the kisses meant for mouths that land drunkenly on cheeks and noses, the barkeeps that roll their eyes as soon as they turn away from all the newly adult customers, not yet learned or careless in their drinking manners.

It is not nice to be occluded from plain sight in such a way that you don’t notice Tom Riddle until he’s inches away from your table. It is not nice that no one else notices either.

On instinct you don’t make any impressive exit. He slides into the booth next to you and your brain short circuits for a moment at the warm familiarity of his presence beside you. Then it occurs that it’s been more than a year since this was remotely commonplace — that you cannot forget the reason why.

There’s not much time to decide whether you want to be vicious or indifferent or to debate on past precedent which would bother him more. You haven’t attacked him despite being concealed enough to do it unnoticed, and you haven’t shoved furiously out of the other side of the booth.

Indifferent it is. 

“Can I help you?”

“You’re causing quite the stir,” he says, taking one of Mari’s chips.

You’re allowed. It’s infuriating when he does it.

“Am I?”

“It’s enough to fail a N.E.W.T level class and be expressly petitioned back, but to have a special criteria set for your exams and manage an O on top of it all…” He inclines his head as if to appreciate your face so close after so long. You should not let him. “You are incomprehensible. It terrifies them.”

“They’re afraid of the wrong mudblood, then, aren’t they?”

Indifference effaced. You’re angry.

He seems to have come prepared, and shrugs your scorn off like a scarf you would have forced him to wear winters ago. “Of course, they have no reason to suspect Dumbledore might have ulterior motives.”

Ulterior — you certainly hope he isn’t suggesting this is based on anything but your merit, but then — you couldn’t begin to understand why Dumbledore cared so much, could you? You’d made brief inspections of his disdain for Tom in second year, his waning shades of kindness and the matter of his stolen encyclopaedia, but you hadn’t… you hadn’t thought at all about how his dedication to your progress only begun after you’d stopped sharing a class with Tom, how it had developed as you began to drift from one another in fifth year and accelerated in sixth after the first petrification and Myrtle’s death. How Tom had worn you down with a weighted glare at Dumbledore’s little toast.

It wasn’t because you had chosen Dumbledore, you realise. It was because Dumbledore had chosen you.

“Why don’t you worry about your pets, Riddle?” you snarl, “I’m sure there are bigger problems with your lot than my exam results.”

Something in his face shifts at the name. You swell with distorted pride.

He mends the reaction by looking you over in more detail, his features schooled into something he must know you can’t deduce. You try not to squirm under the intensity of it.

He reaches almost mindlessly for your collar (there is nothing mindless about it, you’re sure) and smooths the fabric gently with his fingers. “I always liked you in this colour.”

You blink. His thumb just barely brushes against the skin of your neck before retreating, and your mouth falls open.

“Don’t do that,” you say. Truly a sad attempt. Your repulsion is more with yourself than him, and that’s not at all right.

Where is Mari?

“Your friend was at the bar, last I saw her.”

You stare at him with wild eyes. How the hell — ?

“You were always easy to read,” he supplies, and leans in so you can follow his line of sight to the tiniest sliver of the bar visible between two columns, where Mari looks deeply engaged in conversation with Leo Ndiaye, one of the Gryffindor Chasers.

You take a sharp, exasperated breath at her antics. She might be more in love with the competition than the boy himself. They’d never last without Quidditch to bind them, but you can’t fault her for wanting a bit of fun.

“Well then —” 

Right. Tom hasn’t actually moved away. You turn and his face is just there.

His eyes dart forthwith to your mouth, and — no. No, he won’t be doing that and neither will you.

“...I’m off to bed.” Stop talking to him like he’s your friend, you think miserably. Stop looking at him like he’s your —

“That would be wise.”

He’s still looking at your lips.

No one else is looking at you at all.

It could exist in just this moment, you deliberate; separate from everything else.

Except nothing about Tom exists in its own moment. He’s all over you all the time, skin and bone and soul. You hope you still have a place in the broken fragments of his.

“So I’ll be going now,” you say again.

“I haven’t protested.”

But he’s leaning in, and he has to know that’s impedance enough.

“But you will.”

His lips touch yours. “Yes, I will.”

You grab him by his shirt and you’re kissing him. You’re kissing each other like either of you know what the hell it means to kiss anyone, but you’ve learned the rest together, haven’t you? Your noses bump and you don’t care. You just need to kiss him, and — God, you make some noise against his mouth and the hand cupping your face spreads to capture more of you, greedy and wayward — he needs to kiss you too. It’s a horrible thing to know. It leads you to pose too many questions.

The need must have begun as want, and when did the want begin? How long has he looked at you and wondered what you’d feel like to kiss, touch, mark? (He’ll never have the latter. You swear that.)

You’re pulling away in intervals. “You don’t have me, you know.”

“I know,” he responds, lips on the corner of yours.

“You still lost me.”

“I know.”

“I hate you.”

He pauses for a moment. “I know.”

You kiss him again. Long and soft, memorising his cupid’s bow and the tip of his tongue, and when one of his hands moves to your waist you part from him like you’ve been burned.

“I —” You resist the urge to touch a finger to your lips, standing abruptly from the table and adjusting your shirt. Your body feels like an evolutionarily faulty vessel, too easy to please, though you can’t imagine it responding to anyone else this way. Or perhaps your mind is the problem. Not wired well enough to resist an evidently bad thing. “Goodnight, Tom.”

You thought there wasn’t a word for your goodbye, but that’s it. So simple it sinks you. Goodnight, Tom. I’ll dream of a morning where I wake up beside you, but you won’t be there.

He grabs your hand before you can go, licking his lips and it haunts you to think he’s savouring you. It stings a place deep in your chest you’d spent all year trying to heal.

“My door is always open,” he says.

He lets you go.

You graduate with Mari’s hand in yours, and you aren’t afraid.

Dumbledore requests that you stay for the summer to help him prepare for the first year’s curriculum in the fall. It’s a ridiculous opportunity for someone your age — free lodgings and a stellar impression on your resume, and — you can only accept it with an ire you haven’t felt since the spread of influenza in muggle Britain.

If he’s offering you lodgings now, he could have done it all along.

It sends you down a horrible train of thought while you move your things from the Slytherin dormitories to a little chamber a few doors down from the staff room; Tom will be removed from Wool’s this year. Will he stay at Malfoy Manor? But Tom is still publicly muggle-born — Abraxas’s parents would never allow it. Will he find a job, a flat? Will he swindle muggles once he turns eighteen and the Trace is no longer an obstruction?

You think of him often. You think of his offer.

My door is always open.

Plenty of doors are open to you now. Why should you want to go back to his?

Still, the Second World War ends in November and you feel like you can breathe at a depth you never could before. The school doesn’t celebrate like it did with Grindelwald. No one but you seems to care at all.

It’s a tempting door.

The year passes in a blur of graded papers and lessons Dumbledore sometimes involves you in and sometimes does not. Most of the first-years care little for you, but there are two Slytherin muggle-borns who look at you like a new sun to orbit. Everything is worth it for that.

You see Mari when you can, and find she’s training with the Italian Quidditch team, who apparently are smart enough to care more about skill than blood. She says she misses the complexities of Transfiguration, but any career in it was always going to be yours. Smartest person she knows, she reiterates. Biggest ego too.

The next summer Dumbledore informs you of a posting at the Ministry. Something small with a smaller wage. He emphasises the weight of his personal recommendation, but that you won’t be respected unless you claw tooth and nail for it. You don’t take long to consider a chance to make an actual income with an actual career doing something muggle-borns simply don’t do before you’re nodding assuredly and asking him what you need.

Better clothes are first, and all you can afford until further notice. You take to Gladrags with intent to purchase for the first time in your five years of wandering in the shop with eyes bigger than your wallet, and the owner looks at you with distrust when you slide her your sickles.

The Ministry job is truly, infinitesimally, insignificant. 

It’s far down in the Department of Magical Accidents and Catastrophes. You’re a glorified secretary, and you recall the few times you’d worked as a mail-sorter during the war. It’s some sick irony that you’ve landed yourself in a pile of paper once more.

But the money, though offensively scant to someone with better options (and it’s infuriating the options you deserve), is more than you’ve ever had, and within the next year you’re able to leave the castle and take a cheap room at an inn in Hogsmeade. You’re close enough to Dumbledore to aid him when he needs you, but far enough to feel like your school days are departed, and you need not worry about memories lurching unexpectedly at every corridor. 

A sick part of you still reaches for your mouth sometimes to remember what it felt like to be kissed. That part of you wishes for Tom. You could kiss him into oblivion. You could find a way to make it hurt him back.

My door is always open.

Then you’ll slam it bloody closed.

Mari invites you to her first professional game and you cheer for her in the stands, a green, white, and red scarf around your neck in place of her old blue.

She wins and you get drinks in a muggle pub. You kiss a man at the bar. You go home with him. His hair is dark, but not dark enough. His lips are soft, but the shape is wrong. He makes you feel good, but you wonder if in another life, the dream is true; you roll over in the morning to Tom beside you, and he makes you feel better.

When you can find time between the monotonous demands of your job, you’re in the Transfiguration classroom, staying behind to help the Slytherin muggle-borns with their Switching spells.

It’s one stupid accident the next fall that changes things.

A muggle bank has been robbed, and whatever idiotic, panicked witch or wizard was behind it apparently found themselves incapable of getting the deed done with a simple Imperius Curse (you can’t imagine, based on the scene, that they’re above Unforgivables), and somehow ended up leaving the building half-charred and teeming with at least six bank tellers Transformed into birds, two chirping into the floor tiles with broken wings.

“Renauld’s on it, though,” your coworker says when the news finds your department.

“Renauld?”

He’s a year older than you, a pureblood with parents in high places, and endlessly fucking hopeless.

“Well, yeah —”

You push out from your desk, files fluttering behind you. “Renauld will expose the whole damn wizarding world if he touches that building.”

“But McCormack sent him.”

“Where is it?”

“I… McCormack said that —”

“Where is it, Flack?”

“Um. Um, near King William, I think. Moorgate or, um —”

That’s good enough. You toss the Floo Powder into the fireplace and go.

The place is a mess. You don’t even have to look for it. There’s some ward around the street, bouncing muggles away like an invisible end to a map they don’t even register is there. At least that’s handled right.

But you slip through it and curse under your breath at the muggles trapped inside the wards. They’re like fish prodding at the dome of their bowl, and some run up to you demanding explanations when they see you unaffected by it. You brush them off — Obliviation is not your strong-suit — though you do shout at a pair of DMAC wizards uselessly standing guard outside the bank.

“What the hell are you doing?” you ask on approach. “Renauld’s supposed to handle the inside, yeah? You deal with fixing them.”

You point toward the frantic muggles, and the officials just regard you with vague confusion at your presence. “Renauld said —”

“Oh my God! Fix. The muggles.”

You afford nothing else before pushing past them to enter the bank.

It’s quite impressive, actually; Renauld, the result of generations of foolproof breeding, is waving his wand around like he’s just stepped out of Olivanders for the first time.

“Heal their wings,” you say without greeting.

Renauld jumps. “What? What are you doing here?”

“Heal their damn wings. They’re easier than human limbs and healing magic’s the only thing you aren’t completely shit at.”

“Who authorised you?” he hisses.

“I did.”

In hindsight, it should have gone horrifically wrong. Your wand could have been taken and your life might have been over in all ways that matter, flung back into the muggle world where you’ve always been told you belong.

But Renauld vouches for you. You Transform the walls, you fix the burns, you mend the bank to something presentable. A muggle robbery — dangerous, financially tragic, but believable. And your suggestion to heal the injured bank tellers in their animal forms might be the thing that saved them. When Renauld mends their wings and regenerates their blood, you Untransfigure them, and the other DMAC officials alter their memories with haste.

You were completely out of line and utterly right.

It isn’t something people like you are allotted.

Your probation period is dreadful. You hide in your room at the inn most days, Vanishing little stained panes on your window to feel the warm breeze of air before you Conjure them again. You help grade papers, though Dumbledore is displeased with you and the night is a silent one. He assures you curtly that he’s doing his best with the Ministry to amend this.

And… he does.

With Renauld’s help and the corroboration of the other DMAC officials, you’re back at work by the start of the school year.

It’s a slow process — almost eight months of meaningless paperwork — before the next incident occurs and you’re hectically ushered to the scene like a belated understudy. And then it happens again. And again. And again.

There’s really no choice but to promote you.

Your heroics are torn from a Gryffindor cloth, so says Flack. You urge him never to say such a thing again.

By your twenty-first birthday, you think about Tom almost exclusively in your sleep. You’re much too busy to think about him anywhere else.

The summer is warm and Hogsmeade is lively. You’ve vacated your room at the inn for a little house on the outskirts of the village, decorating it how you like — discovering what you like. You’d never had a chance to find out before.

Mari visits when she can once you have your fireplace connected to the Floo Network (you yourself prefer Apparating) but her name is slowly working its way from the Italian papers to the British ones, and she has so much to tell you there isn’t possibly enough time in her days to tell it. There’s also the matter of Leo Ndiaye, who has, recently, gotten on one knee and proposed to her. If there had been a bet on them ending up together, you would have been out enough galleons to put you in debt.

After especially gruesome days at work, you and a few colleagues make a habit of getting sherries at the Siren’s Tail, complaining that sometimes the nature of your work is akin to an auror’s but without the notoriety and pay.

“Oh, please,” says Emilia Alves, twirling her straw, “have you seen the shit the aurors are up to lately? I’d rather be a blimmin’ Unspeakable.”

“You’d have to be able to keep your mouth shut for that, Alves.”

Emilia punches Renauld in the arm.

“What are the aurors up to?” Flack asks.

“I dunno much. There was a murder all the way in Albania, s’posedly. Reeked of dark magic.”

“Nothing new,” you join, and then frown. “Why’s our Ministry dealing with it though?”

“I dunno. I got word from Hillicker that the Albanians didn’t know what to make of the mess. They’ve never seen anything like it.”

“Hillicker’s not a source,” Renauld scoffs.

“Yeah? Why don’t you ask your daddy for something better?”

“Alves, I’ll have you know —”

You lean in over the counter. “What do you mean they’ve never seen anything like it?”

She grins. “Why? Storming a bank robbery wasn’t exciting enough for you?”

You roll your eyes, taking a drink.

That ought to be the end of it. One extraordinarily lucky incident to push you up the career ladder was rare enough — there is absolutely no way digging around a case that has nothing to do with you or your department could ever end well.

But something about it itches.

You make nice with Hillicker. She’s a year younger than you and far too kind for her own good, and she gushes freely about her husband’s work as an auror (they must be a perfect match for him to gush freely about it with her). It’s a bit manipulative. You have no excellent excuse for it, but… ambition, and all that, you suppose. Flack’s Gryffindor theory is studded with holes.

You are green, through and through.

Emilia’s updates are meaningless when you garner so much information that you’ve already heard everything she has to say over drinks, and at this point her and Hillicker might be a step behind you. Emilia still only knows about Albania; peppery little details of half a story. Hillicker discusses an assortment of murders with no real string between them, and Dumbledore regards you with cool heeding when you bring up the matter with him.

You see him little nowadays but you’ve never been close in any true sense, traces of resentment budding over the years like rainwater collects on glass until the stream finally slips.

You visit Hogwarts mostly for your Slytherins, fourteen or fifteen now, unafraid of the distinction of their blood.

And then there’s one night after you turn twenty-two where drinks take place at yours for a change, Mari and Leo included and happily wed. You have no sherries but your ale is just as well, and it’s only you and Renauld who are sober by the time everyone else is vanishing into the fireplace and going home.

That makes it much worse when you sleep together. 

There’s no excuse of having had a glass too many — so sorry, I’ll be on my way then, and him stumbling over his trousers to get out of your hair. Of course, he does that anyway, scratching the nape of his neck when he reaches your doorway in the morning.

“Thanks for the — well, you have a nice home — I do think I should —”

“Yes.”

“Right.”

“Oh!” He turns around at the last second. “Er — I know you’ve become a tad obsessed with… Hillicker mentioned another, anyway. Hepzibah something. Killed by her own elf, the aurors suspect.”

“Oh,” you echo, sheets pulled up to your shoulders. “Thanks, Renauld.”

“I thought you might like to know. Don’t be daft about it.”

You’re incredibly daft about it.

There’s something reminiscent about Albania in this case that wasn’t there with the others. The tide of dark magic ebbing across the scene, the cherry-picked information released in the Prophet, the claim of an old, dumb House Elf who poisoned her mistress like the Albanian peasant killed in some insoluble accident. 

The itch exacerbates.

You see him in your dreams again. He peers over Runes in a stolen encyclopaedia, he whispers to an adder on his shoulder, he kisses the corner of your mouth and it isn’t enough. He kills you, again and again. You kill him too.

You wake up and he isn’t there.

It’s a new low when you’re invited to the Hillicker’s anniversary dinner and you end up digging through the drawers of their study halfway through the night.

The Albania file offers nearly nothing. There was the charred residue of dark magic imprinted on a hollow tree in the fields of the peasant’s hamlet, but nothing detailing more than a blank imprint of the Killing Curse in his eyes. Still, you tuck the knowledge away for the file of one Hebzibah Smith, whose tea did indeed have traces of poison, but whose den was also ripe with a layer of darkness that didn’t line up with the Ministry’s tale of senile elf.

And then there’s the forgotten matter of her being a purveyor of ancestral artefacts. The file doesn’t recount whether any are missing, since the woman was wise enough not to proclaim all her possessions to the world, but it’s something. A scratch.

You travel to Albania that Christmas. The neighbours in the peasant’s hamlet have skewed memories, so they provide little help, but the man’s house was left almost untouched.

You tear the place apart and Transfigure it back together when you’re done.

All you find, in the end, is a scrap of an old envelope in a suitcase.

R.R

It could be that it’s old. The cursive seems ancient enough. But you swear the letters have the distinct shape of quill ink — too artful for any pen — and maybe that wouldn’t matter if it weren’t for half a wax seal stuck to the torn edge of the envelope. Stained but silver, the barest hint of two ribbons, a crest, and the letter H.

You return to Hogwarts posthaste.

It’s snowing in the courtyards and you waddle with a duotang under one arm to pretend you’re here for something scholarly, an array of excuses prepared in case you run into Dumbledore, but you don’t.

The Grey Lady is as beautiful as she’s rumoured to be. 

You ask her about her mother, and she’s silent, an expression on her face like you’ve struck her.

“Is it found?” she whispers. The snow floats through her.

Your heart hammers as you consider how to approach this. She thinks you know more than you do, which means there’s something to know.

“Yes,” you say. And you dare further with the context you know, “In Albania.”

“Oh,” she hums. “Oh…”

And if she means to say more she doesn’t seem able, washing away through the balusters, then the walls. You think of your house ghost and what he did to her, and you feel sorry for a second.

Madam Palles expels you from the library the moment you find what you’re looking for, and you rush past a throng of staring students to the staff room fireplace. It’s too far a walk to the border of the castle wards to Apparate. You bite back the preemptive sickness, get swallowed by the flames, and go home.

There are blanks to fill in but you do it easily. Rowena Ravenclaw’s diadem. Hepzibah Smith and her assortment of unregistered artefacts. The stain of dark magic. Something so rare not even the aurors recognized it.

But you do, because he told you.

You wonder on your search to find him what object he used when he killed Myrtle Warren. Nothing special, you think — maybe even the closest thing he could find. These murders involved more preparation. He got to mark them however he wanted.

It’s almost disappointing to find him here. In a little flat over Knockturn Alley with a view of charmed coalsmoke and the brick wall of another shop. 

It’s as tidy as his room at Wool’s, the only dirt the irremediable age of the building itself. The whole place looks almost slanted, large enough only for the bare necessities; a kitchen, a toilet, a bedroom that looks more like a closet, and a study/dining room/den you can’t imagine he hosts many gatherings in. You rescind the mere thought. Whatever gatherings Tom Riddle is having these days, you’re sure you can’t begin to imagine at all.

You wait, legs crossed on an old loveseat, fiddling with your wand.

The door clicks open when the snow has turned to hail and there’s no light but the few scattered candles you’d lit on the mantelpiece. 

It strikes you only when he’s standing before you that it’s his birthday.

You’re in Tom Riddle’s flat, on his birthday, adorned by the orange glow of half-melted candles, and you know everything.

He eyes you carefully, a hint of surprise at the sight of you after four years that even he needs a second to recover from. And then he's even, inscrutable Riddle again, and you dare to think, come back.

“I placed wards," he says, hanging his bag on a rack by the wall.

“I thought your door was always open.”

You see his posture change from just his silhouette.

“Wards never work in Knockturn,” you offer additionally, “not really. There's too much conflicting magic; one border cuts into another; leaves a little sliver behind if you’re smart enough to find it. You should know that." 

He turns to you. You take in a moment to acknowledge how he's changed. It's hard to see in the curtained moonlight, and it seems unreasonable to imagine he’s grown, but you think he has. An inch taller, perhaps. Two. Maybe the dress shoes. His arms are bigger under his button-down, but not enough to consider him muscular. His black hair isn't as perfect as you remember, and you suspect a long day of work undoes his curls. You always liked him better that way in school, after a night duel at the Black Lake, his robes askew and his hair a mess. Evidence that you were the only one to dishevel him. Now you were — what? Did he even think of you anymore? Yes. You'd always think of each other.

“Duly noted. What are you here for?” He tries your surname like a foreign language.

You cross your arms, and you're acutely aware that he's observing your changes too. You're not the matchstick witch he once knew. Your emotions are cultured now, taut to mirror his. You wear dull, formal grey, and that glowing green tinge that should be gleaming on you is under a thick carapace. That’s for Mari, Flack, Emilia — even Renauld. Not for Tom.

You wonder if he knows it was Dumbledore who put in the word that got you this uniform. You wonder if he resents you for it.

“There’s been talk at the Ministry," you say finally, “A string of murders. Whispers of something — some dark magic they don’t understand. And you know they're careful about things like that after Grindelwald."

“A string of murders... Hm. That might imply you understand a connective thread. Is there some sort of accusation being made?”

“Oh, I'm sure you'd be flattered by accusations. There’s not enough there, as it stands. Just whispers." You sink more comfortably in the seat and the springs make a concerning sound. “But I know you."

His hard, sharp gaze falters for a moment. You watch the flames dance behind him, the firelight playing against the lines of his shoulders, and feel your heart skip a beat. “Who else is speculating?"

“No one." Your fingers brush over the book spines on the coffee table. “I guess their attention hasn't been drawn to a book clerk yet, even if you have taken residency... here." You say it with no shortage of disapproval. 

Knockturn was never where Tom belonged. You'd once imagined a flat together in muggle London, taking the telephone booth to the Ministry together, changing the world together. It's a wish that's a lifetime away now.

“Is this a warning? I assure you, I don’t need the condescension.”

“I'm not warning you," you scoff, “I — I'm seeing you. God knows I'll probably never get the chance to do that again once you get yourself locked up in Azkaban, which you will." 

You sound exasperated. You sound half-pleading. “What are you doing, Tom? Is this — this is really what you want?"

“Yes."

You shake your head. “I don't believe that." And then some of that fiery spit returns to you, and you feel like a child again, stuck in the London tube stations holding his hand at every plane that flew overhead, scowling that you needed his reassurance. Scowling that you were afraid.

“Well, your conjecture is ever-appreciated. Shall I lend you mine? Shall I congratulate you on your revolutionary position at the Ministry? Or is it Dumbledore I should afford my thanks?”

“I earned this,” you hiss.

“You deserve it,” he amends. “But do not lie to yourself and pretend that’s why you have it.”

“Fuck you.”

He smiles. “There you are.”

“I don’t need your congratulations, Riddle. Dumbledore doesn’t need your damn thanks. But,” you say, biting back the snarl that wants out, “you could thank me. After all, I could turn to the Ministry any minute with the truth of your heritage. I could tell them about Myrtle, the Horcrux — Horcruxes.”

The humour dissolves from his face and you despise the immense glee it brings you.

“Oh, did you think I didn’t know? Didn’t understand the connective thread? You are sentimental under all that… fucking posturing, you know. I’m sure it’s all very romantic to you — making Horcruxes out of Hogwarts artefacts. Shame it’s such an insult to your intelligence.”

“Very good,” he says after a long, terse silence. You’re sure he’s thinking just the opposite.

You hum, meddling with your nails. “So what’s your plan?”

“I’d need a Vow for that.”

You laugh. “I’m not that desperate.”

“You’re also not an auror, are you?” He tilts his head appraisingly. “And yet you’ve found your way here.”

“How many do you plan to make? How many people do you plan to kill?”

“A Vow.”

“Absolutely not.”

“Tea, then? Biscuits?”

“Oh, I shouldn’t. I read in the paper the other day about a poor old woman who had her tea poisoned.”

“Hm. Terrible shame.”

Your fist clenches around your wand. “Is it paying off well, Riddle? It must be a good life if you’re willing to split your soul to hell and back to have more of it.”

He smiles at the barb in your words. “You never were good with subtlety.”

“I wasn’t trying to be subtle. This place is horrific.”

“I was referring to your inability to see more than what’s directly in front of you.”

“Oh, really? And what more should I see than a boy who’s very good at getting weak men to bow and do very little else? I’d try to see the bigger picture, but I reckon it wouldn’t fit in here.”

Tom regards you colourlessly. You are slate, Ministry-grey, impermeable like palace portcullis. 

“I suppose I should have killed you.” He says it with the nonchalance of a forgotten chore. He says it like you’re a stain. 

He doesn’t say it like he feels any terrible urgency to remove you; and you think, this time, you’d feel more powerful if he did. You think it’s far more debilitating to sit here and be looked at like he regrets wanting you alive more than he wants you dead.

“Yes,” you concur, “I suppose you should have.” 

You place your wand down on the table and scoot your chair away for good measure. “It’s never too late to rectify your mistakes.”

Tom, for a moment, looks surprised. That makes you feel powerful. You’d take more of that.

“You have wandless magic,” he tries. A weak recovery.

“Scout’s honour, Riddle.”

He doesn’t move for a moment, then fixes his wand in his hand and rises, doused in the same inscrutable calm that always used to drive you mad. Now something in you gleams with the knowledge that he only ever looks like this when he’s trying not to look like anything at all.

He steps closer and it gleams brighter. It trembles inside you and you know, distantly, that this is insane. You’re weighing your life on a childhood trust that was shattered years ago, and you don’t think you’ve ever been that good at faith, but he’s approaching you and that gleam you feel is reflected in his eyes and you just… know. Your spilled blood once crawled with his. There’s no undoing that. Half of you is made of the other.

“I should have killed you,” he repeats.

It’s a murmur. Stilted. Angry, even. Angry that you made him this and there’s no fucking rectifying it — what a joke that is. What an immensely you thing to suggest.

“Yes,” you agree.

It’s a breath. Low. Proud, even. Proud that you’re his only mistake and he’s going to make it again.

Tom kisses you. It’s a murder of its own kind. You kiss him back, and — you were always going to kill each other like this, weren’t you? It’s you and him whether you like it or not.

There should be no love in it. You know that. Love is far behind the both of you, stifled in a gasp at the back of your throat on your eighteenth birthday and the soft, selfish hands of a seventeen year old boy. This is mutual destruction. Spite and teeth and skin that’s cold under your fingers.

He was your first in everything but this.

You push back at him and feel the hunger, the need in him, like a flame as he kisses you deeper and harder, and you find yourself losing yourself to it all over again, like you're back in the dark alcove of a pub where you told him goodbye, pushing to extend the juncture. And then he lets out a hitched, gravelly sound; not a moan but enough to make you shudder.

You pull him onto the sofa and crawl onto his lap.

“How long?” he asks thickly.

You don’t have to ask what he means. You bite against his neck, nails under his shirt as you struggle to pop the buttons open. There must be a violence in all your want for him because if there isn't it's just loss. It's just another thing you'll give him without taking anything back. 

“Sixth year," you pant, “in the Deathday ballroom when we fought for the first time. You — ah — you put your thumb on my mouth. Since then."

You hear a sharp intake of breath, and his hand moves up your back to pull you impossibly closer. His voice is ragged. “Should I tell you how long I’ve wanted you?"

You shudder a breath. “Since —" And it's a bit hard to talk with the way he's rolling your hips — “Since when?"

His lips twitch into a mirthless smile, hands spanning your thighs as you start to rock against him. “When you burned me, and I sent you into the lake." 

You swallow, agonised by the slow pace his grip forces you to keep when all you want to do is go faster. 

“Your uniform was terribly wet,” he says, mouth tracing your jaw. “Did I ever apologise for that?"

“N-no.”

He tuts, the hushed sound warm and deadly on your neck. “Bad manners. I must have been distracted."

Oh. Oh, you think. It seems pointless to flush in the position you're in now, but the knowledge that he wanted you then and you hadn't even known is... all the more devastating. 

But you shiver at the question of how he’d wanted you, in what amount of detail, in what precise way. You almost want to ask. See it for yourself. 

You don't think you'd manage the words. He’s hard underneath you and your head wants to lull toward his shoulder but a big hand holds you from one side of your jaw down the length of your neck, his tongue laving up the other. Instead you’re balanced only by his hands and his mouth, rolling against him because it’s all you can do like this.

He’s marking you, you realise with a gasp, and your fingers bury in his hair to remove his mouth from its descending assault on your collar. Not that. You’d sworn against that.

Your fingers return to his buttons and he copies you by finding yours, pulling at the fabric tucked into your trousers until it’s discarded entirely. You press your hands to the planes of his chest and watch him, your mouth agape as his eyes linger on your chest.

His heart is pounding and he must know you’re about to comment on it because his lips are on yours again and he adjusts his position and your fingers dig into his shoulders at the delicious new feeling of him pressing into your thigh. 

You move for his belt. He moves for your zipper. It’s some sort of race, whatever you’re doing, and you’re at an unfair advantage when you’re still fumbling with his buckle when his hand is already carving a slow path to the band of your underwear. You're scalding under the journey of it, little stars pricking you under every new inch he explores.

He dips in and your eyes wrench shut, grasping frantically for his wrist.

“Shh,” he says softly, caressing your cheek with his spare hand, thumb finding your mouth how it did all those years ago and you want to curse him. The fucker knows exactly what he’s doing.

You shake your head, chest rising with heavy breaths as you return to his belt and scrabble to unbuckle it.

“So tense,” he murmurs. The hand at your cheek draws over your lower lip before it falls to your back to hold you closer. “Rest now.”

And his fingers trace you where you want him most, brushing past your clit as he pulls his face back to watch you.

You sink into the feeling, still swaying on his lap, a half-efforted attempt at finding friction in the hardness between his legs that feels fruitless because it won't be enough until he's inside. Your hand just grips onto the fabric of his unzipped trousers and stays there. It’s a pause. An obstacle on your path to him that you need just a moment to recover from before you’ll make him feel just like this. Better. Worse. It’s hard to tell which is which.

He’s stroking at you now, pleased by the way you lurch against him with every touch.

You have to recover, you have to make it even, you have to… you…

A finger presses inside and you moan.

“You came back to me,” he whispers, close enough to be kissing you but there’s just the stutter of his breath. It's a fucking religious thing to say, the way he does it.

“Doesn’t make me yours,” you breathe.

He shakes his head. “I know. You’ll still take it though, won’t you?”

Oh, fuck.

He makes a sound of approval. “Good.”

Good. Fine. Your hands slip from his zipper to the meat of his thighs, pushing yourself forward so the shape of him is firmer against you, and Tom slips another finger in.

You’ll take it, won’t you? Yes. 

Maybe you don’t need to tear him at the seams (though you want to) to make it even. Maybe this is punishment enough. That he can have you like this and it still won’t make you his, that he’ll give you everything and you’ll lap at it with half the greed he possesses.

You ride his hand, clutching his shoulders, rocking your hips. You take all of it, and it builds something delirious inside you, that it’s him doing this, his perfect fingers, the shape of his lips, the soft dark of his hair when you find your hands in it again. The feeling makes you stutter, and he has to move you by the waist himself to keep the momentum when you can't do it yourself.

He’s painfully stiff, pushing up against you with a degree of self-control that feels like it can only end disastrously for the both of you, and you start smattering kisses down his cheek. You tilt his head back and lick a stripe down his neck. Rest now, you'd say if you could.

But he adds a third finger and your head falls, a cry planted in his collar when you come, and you don't think you say anything.

Tom holds your legs steady, guiding you through it like this is just another one of his studies. You are what he knows better than anything else, and still he wants to learn more.

“Look at you,” he mutters, dipping you back to press his lips down your chest, unclasping your bra while you’re still breaking, the sensation swelling again when he takes a nipple into his mouth.

“Tom,” you try to say. Your mouth is the sticky sort of dry that words refuse to come out of.

“Will you give me more?”

Give, not take. You fuss into a stolen kiss, grappling again with his trousers, pulling them down until you can palm him through his boxers.

He hisses, gripping your wrist like he hadn’t just done the same to you, and then he’s pulling you up and off the couch, trousers discarded with what must be magic because you blink and they’re gone. Greedy boy. (You have no room to judge.) Your back is to the wall an instant before his fingers are on you again, pushing your underwear down your thighs until it falls at your feet like they despised to ever part from you.

You arch to feel him press against your stomach, pushing off the wall so that you can meld to him but he just closes in on you to do it himself.

He goads the heat from you when his fingers push in again, still wet, coiling how you like, where you like —

“Want you,” you protest shakily, hand on his abdomen.

That must kill him a little, because he curses under his breath (a thing he never does) and the immediate absence of his touch is cruel when he goes to free himself from his boxers. You reach for him without thinking as he does, and he pins your hand beside you when your fingers so much as graze the length of him.

You sound frail, but you have to ask. “Is this how you wanted me?”

A cruder version of you would go on. Is this how you pictured it? Taking me against a wall? Have you waited for it all this time?

And you don’t belong to him but you’re so incomprehensibly, contradictorily his. You’ll want him forever. He could do anything, and you’d be his. You could haunt him into his lonely eternity, and he’d be yours. Then, you suppose — haunting him makes him yours by principle.

Maybe you already do.

Tom practically growls into your mouth, pressing against you and — God, it’s skin on skin. He's right there. You could push forward and —

He slides in. You cry out at the feel of him inside you, the angle of it like this.

“I wanted you,” he says lowly, your legs wrapped around him, “everywhere.”

You’re gripping him so tight you think he’ll bleed under your nails and somehow you still feel on the brink of collapse when he thrusts deeper.

“I thought mostly of your mouth,” he rasps. “It felt depraved to imagine it wrapped around me, but then I thought of you splayed out before me instead. That maybe you’d like it if it was my mouth on you.”

You whimper.

“Would you like that?” he asks, hands spanning your hips to snap them into his, like you are a piece removed from him he seeks to reattach.

If you wanted to answer you couldn’t. You’re clinging to him and the rising surge inside you, carved between your legs like something sweltering and unfixable. It rushes in and he pulls out of you. He pushes in and you cry for the release of it, the moment the wave lurches over the edge, but he won’t let you have it.

“But,” he says, and your eyes want to roll back at how heavy his restraint is, callous in the tone of his voice, some leash at his neck he must tug himself lest you take it from him — “If I knew how well you’d take me like this, I would have thought of it much more.”

Taking him, again — you don’t feel at all like that’s what’s happening. You feel possessed. You are buoyant in his arms: his and his and his.

“You can — uh — you can — ”

"Hm?" He brushes down the slope of your brow, your cheek, back to the edge of your mouth, wiping a trail of saliva from your chin. “Poor thing.”

And he slams into you again, drawing a mewl from you that slices your unfinished thought.

You clench around him, flames wild and fluttering at every contact of his skin on yours, and there are too many to count. Too many points where they intersect, just some blend of bodies connected at every curve.

“You’re going to give me more,” he says, like it’s an epiphany when you already told him you would.

You remember then. What you meant to say. “You can take me too.”

You feel him twitch inside you, his pace stilling for a moment, and the thumb on your lip slips into your mouth. Your lips close around him and he curses again.

He fucks you with a finger in your mouth and his teeth clamped over your shoulder, soothing the sting with his tongue. His pace is too slow when he drags his free hand between your legs, but you understand its purpose well enough that the mere recognition almost destroys you. 

He’s patient in bringing you to the edge because there's time here. A slow agony that severs you from the rest of the world until it splits you down the middle. And he may not ever have it again.

You have to promise yourself he’ll never have it again.

But the movement of his fingers against the same spot he’s hitting inside you is too much at once, and you won’t last. You drool around his thumb. You let him mark you. You can see on his neck you’ve marked him too. And you hope impossibly there’s a scar. You hope the little death you coax from him claims him as yours for eternity, keeps him even when you're gone. You tighten, lurch for the edge, and make him mortal once more.

Tom holds you there, your cries reverberating as he sinks another finger in your mouth, and then he’s gasping at your neck, peeling back to look you in the eyes when he spills into you. Your eyes screw together and he releases the sounds you make by holding you by the jaw instead.

“Look at me,” he says, and for the strained need in it you do.

You come down to earth and you kiss him, wetness dripping down your thighs as he pins you to this moment. You love him. You’ll always love him.

He’s still inside you when he’s secure enough to bring you to his bed, only removing himself from you when you’re safely in his sheets, legs surrendering their grip on his waist as you pull apart. You pant into the cold linen of his pillow. Everything smells like him. There’s something empty now; the reason you came today; the reason you left four years ago.

You love him and it isn’t enough. Not even to look at him, the sleepy hint of the boy you knew in his eyes, and know that he loves you too.

“Goodnight, Tom,” you say, finding home in the warmth of his chest.

You’ll dream of a morning where you wake up beside him, but you won’t be there.

[paragonrobits]

i was just thinking about how in later Discworld books, even as its an unspoken understanding among everyone in Ankh-Morpork that Carrot is the King of the city and he's probably the last descendant of the original ruling line, not only does Carrot avoid pushing the narrative to exploit it unless absolutely necessary, but it never de-emphasizes the fact that he's a dwarf by adoption

Even in later books Carrot is still regularly writing letters to his family in their mine; he thinks of himself as a dwarf, he is CONSIDERED to be a dwarf by all except the most hardliners of dwarf society (and even they can't outright deny him dwarf status, the best they can do is say he is an anomaly); he might USE his narrative status as the One True King, but in his heart, to himself, he is still the child of the Ironfounderssons.

His human heritage is functionally irrelevant to him unless he needs to make use of it, much like his ancestral sword. And it occured to me, what if he actively chose to distance himself from his human heritage because he learned about them in later books and found nothing worth acknowledging?

Carrot is in a weird place because he is the One True King, a narrative status that makes him the good and wise king who knows only truth and justice and comes bringing goodness to all, and this is quite a contrast to the ACTUAL kings of Ankh-Morpork, who were universally at BEST a bunch of horribly useless and inept absolute rulers that are living embodiments of 'the aristocracy are dumber than a sack of doorknobs' the series leans into, and at worst are implcitly some of the most horribly sadistic and cruel people in the setting.

One particular example is Lorenzo the Kind, the last king of Ankh-Morpork, whose name was deliberately ironic; he was so horrifically sadistic that he spelled the end of the kingship because he's the one who was killed by Suffer-Not-Injustice Vimes, who because no one was willing to judge him because kings were considered Special, just dragged him off his throne, cut off his head, and the surviving family members were exiled from the city.

Lorenzo is the last member of Carrot's biological ancestry we have definitive information on, off the top of my head, and he paints a dark, horrific image. He's painted as the absolute nadir of horror from the ruling classes, and is heavily implied to have been a sadistic pedophile with a penchant for torture (at the very least Carrot and Vimes both note that he was apparently fond of children and was painted with a lot of them nearby at all times, discussing it in a way that suggests a DEEPLY uncomfortable topic neither of them wants them to address, and later in Feet Of Clay Vimes points out that Lorenzo had unspecified but horrific machines in the basement).

Carrot is very strongly implied to, at least starting from Men At Arms (in which he discovers he is the king), have investigated his ancestry, and he's able to elaborate on their actions and history, and this also marks the point where he carefully but firmly emphasizes his dwarf heritage for the rest of the series.

He found out who his ancestors were, and discovered they were horrifically evil people, and that Mister Vimes was fully justified in being proud of his ancestor putting them down like rabid beasts, and it leads to him firmly emphasizing that his family are the Ironfoundersson dwarfs.

[kateksmallcuteowl]

June 29: Single Parents/Uncles AU for an event by @bagginshieldweek24

I deeply regret that the challenge is a day late! Exams are merciless to me, and even though I started drawing in advance, I still couldn’t handle the deadline 😅 I promise to catch up with feedback tomorrow, after passing bioinformatics exam.

More headcanons and details under the cut>>

— It’s an alternative Middle-earth universe with hobbits, humans, dwarves, and elves, but set in modern times.

— Thorin grew up in Erebor in a royal family (which makes sense), is accustomed to good coffee, can distinguish different types, and knows which brewing devices are best. Now he has moved to London for work and discovered that both dwarf and human coffee shops would often use cheap beans or bad coffee machines, or they grind the beans incorrectly, or even set the wrong amount of grams of coffee per espresso shot. In general, they save money wherever they can, mostly selling the vibe and relying on the fact that taste isn’t important to most of the customers. Elves occupy the niche of coffee connoisseurs, but Thorin would rather drink filter coffee from a kettle on the roadside than go to elves. And then he discovers that hobbits, little hedonists, love good food and GOOD COFFEE! Of course, in hobbit cafes, he has to sit on low chairs and by the small tables, and at first, the other patrons looked at the dwarf in their company strangely, but it’s worth it. Thorin is willing to sit with a bent back if he gets a quiet and cozy atmosphere, excellent Wi-Fi, and delicious coffee (an office in London is good, but sometimes you need to get out of the four walls to not get nuts).

— Thorin rarely drinks pure espresso, preferring softer variations. He also has a sweet-tooth.

— Bilbo is a children’s book writer, mainly known for a series of fantasy novels about a brave hobbit who traveled over and under the mountains, rode in barrels, and played riddles in the dark (Bilbo, in canon, wrote his memoirs, which all hobbits except Merry and Frodo knew primarily for Hobbiton children, so I think he would primarily write for little hobbit kids).

— It’s not a real feather he uses, but a ballpoint pen with attached feathers, like those sold in souvenir shops. Bilbo bought it after a tour to the Tower of London. He likes the ✨vibe✨ and the fact that he can twirl the feather part around his lips when he’s thinking. (It’s literally an instruction on how to seduce Thorin)

— Mr. Baggins only drinks doppio. The cup is big compared to him because it’s hobbit ceramics, and the portion sizes for hobbits, who love treats, are no smaller than human ones.

— Bilbo has taken care of Frodo since his parents drowned in an accident. Frodo is about 8-9 years old here.

— I love the headcanon that hobbits’ ears react to their emotions, so the fact that Frodo doesn’t lower them when Bilbo scolds him is a good sign. Bilbo is a good uncle.

— Thorin and Bilbo have seen each other several times on Wednesdays. Usually, they don’t care about other patrons, but barista keept trying to serve a doppio to the stern scowling dwarf in black leather jacket, and a cappuccino with whipped cream to the little curly hobbit in a plaid sweater. They’ve had to swap their drinks several times.

— Thorin read Mr. Baggins’ books to his nephews in Erebor and quickly figured out who always sits at the table near the window in his favorite cafe. Thorin likes Bilbo’s books but doesn’t know if he’s married because he keeps his personal life private. Seeing Frodo, he immediately assumed he was Bilbo’s son, considering how the little hobbit looks at him.

— Bilbo immediately noticed the stern ( handsome) dwarf sitting with his eyes glued to his phone, but he always felt too awkward to speak with him. How do you even start a conversation with a stranger, especially from another race? So when Frodo, rather bluntly, commented on his appearance, of course, Bilbo was embarrassed. No, he absolutely agrees with Frodo. The exotic braids, unusual for short-haired hobbits, look amazing on the tall dwarf, and the iron clips highlight his blue eyes perfectly, but isn’t that a bit rude to point that out? Wouldn’t a dwarf decide that he is trying to mock his culture?

— Bilbo saw that while he was scolding Frodo, Thorin turned away and for some reason tugged angrily at his braid, so he decided to muster the courage and compliment him himself to ease the awkwardness and not seem rude (not at all because he would gladly say what Frodo did himself and not because Mr. Dwarf has much more attractive features he’d also like to make a comment on, not at all, what are you talking about, no-no-no).

— The dwarf didn’t seem offended at all.

— They started talking and found out that Thorin’s nephews love Bilbo’s books (Bilbo was flattered by this news. He’s still surprised when his books are read by anyone other than hobbits. (Gandalf didn’t tell him that his books are popular among all races. Mostly because for other races they play the role of kids books where main protagonist is a cute mice)).

— And in the end, as we see, they exchanged numbers 🌚🌝

— They will meet again, but without Frodo and not just for coffee.

— The end✨✨✨

I’m still experimenting with a flat-color style and lineart so I’ll be glad to know what do you think about it. Hope the comic was enjoyable!

[bvidzsoo]

Grease and Oil

⨳Mechanic!Mingi⨳

TW: cursing, smut wrap it before you tap it

Word count: 5,6k

A/N: I don't think I'll ever let go of bleached spikey haired Mingi. It changed something in me, I'll never be the same. I have nothing to say except...why did I even write this? Song Mingi stop haunting me, thank you. It's not the best, but the best I can write lol. Feedback is very much appreciated!

            The smell of grease, oil, and gasoline weren’t something unfamiliar to me, nor were they nauseating. It was something I was used to. These were familiar scents; scents which I have started associating with home. Cars, too, were something I associated with a feeling of familiarity, of something dear to me. Walking inside my father’s car service was like a second home, a place I knew like the back of my hand. I wasn’t huge on fixing cars, but I knew a few things here and there. Despite my father’s attempts at making me a great mechanic one day, I struggled to understand the in-depth parts and mechanism of a car, therefore I settled on appreciating their beauty. Can’t say my father was too happy about it, but his concerns faded away when I found a path for myself. I applied to a college, choosing to study literature as I struggled finding anything else I liked. Perhaps creative writing was a subjected I happened to enjoy too, but I had no idea where my degree would take me one day. I had no intentions of teaching English literature, the children these days were awful and very disrespectful. My short temper would’ve surely gotten the worst of me if placed in a situation where I had to deal with rude kids. And so, I settled on reading my books and pouring my feelings out into short poems when I wasn’t at college. Or by wasting my time away at my father’s car service. It’s not like I had anything better to do—I actually did, but procrastination is my best friend. Besides, most of his employees are above the age of thirty-five, and two of them I have known since I was a little girl, they could be really fun to hang around…and it’s not like I would often stop by because my father has an employee who is barely a few years older than myself. And it’s definitely not because he is the hottest man alive I have ever seen. He’s a tall and lean guy, his posture immaculate with his shoulders always pulled back, his long legs worth envying and shoulders so broad you could hide behind them and nobody would see you. In the summer, he usually wears tight tank tops, showing off his humble muscles, biceps finer than most guy’s of his age. And his pants, which are fireproof, cling onto his body, showing off his narrow waist. This guy was a sight for sore eyes and I couldn’t blame the few ladies who would occasionally stop by, completely taken aback by this guy’s visuals. It wasn’t fair that he had a perfect body, especially when his face was good-looking too. God sometimes had favorites and Song Mingi definitely was one of them with his long nose, sharp eyes and cherry red lips, a singular mole underneath his left eye decorating his flawless skin. His personality also made him desirable and that just made him a dangerously charming and handsome human being. Perhaps my frequent visits to the service during the summer were sort of his merit too, not just the want to spend some quality time with my father as he spent little time at home. I knew he was busy; I couldn’t blame him. His service was one of the best in our little town and money didn’t just magically appear, you had to work hard for it and that’s what he did, he worked his ass off all the time. The fact that he has employed Song Mingi was just the cherry on top, the little motivation I needed to perhaps learn more about cars.

I was settled on top of my father’s working desk, tools pushed to the side, feet dangling as I watched him work on a car’s engine, getting more and more furious by the second as he couldn’t find one missing screw. I watched quietly as his phone rang again, making him sigh loudly before he straightened himself up and took the call, eyebrows furrowed. It was a hot summer day, the AC did little to nothing inside the hot service, and the use of different electrical tools only created more heat inside the spacious room. I had started fanning myself, overhearing my father make an appointment as an obnoxiously loud engine whirled past the entrance to the service, making my heart skip an excited beat. It was lunch break, and Mingi had just returned from eating his meal. He was gone by the time I had arrived; I was rather lazy this morning and thus didn’t bother getting out of bed before 12 pm. My father turned towards me as he finished his call, looking rather irritated. It wasn’t directed at me; however, I still knew a lecturing would follow because I sat on his tool desk…again.

“Get off, Y/N, I asked you so many times not to sit there,” He sighed tiredly as he headed for the exit, “I have to examine a car, are you coming to the front?”

Certainly not before I have seen Mingi, “I’ll wash my hands first, they feel slimy, meet you at the reception, dad.”

He nodded once and hurried outside, phone already ringing once again. Summer seasons were always busy, work pilling up quickly. I started fanning myself with my hands as another heatwave hit me, making me sigh. Not even a tank top and shorts were enough to stop me from sweating buckets. I pushed my hair behind my shoulders and gripped the table, about to jump off it, when the man I stayed behind for finally showed up. He walked through the open garage door, having to duck as it wasn’t raised enough for his towering height. He had his back to me as he walked inside, carrying two boxes, muscles of his arms bulging as a few guys greeted him, instructing him where to place the boxes. However, nothing could’ve prepared me for the wave of shook which rooted me to my spot. My mouth hung open as my eyes remained trained on Mingi, and I could only hope nobody noticed my shameless gaping. Three days ago, when I have stopped by last, the man’s hair reached his shoulders almost and was a faded light brown. Now, his hair was completely bleached blonde and stood up in all places, spikey. A hairstyle definitely shouldn’t have made my tummy do flips, yet I had nothing to swallow as I watched Mingi laugh with a fellow mechanic, explaining something to him animatedly. His black tank top was tucked inside his beige pants, a black belt holding it against his hips securely. A black bandana was tied to his left bicep and I licked my lips as my eyes ran over his frame, stopping for a second too long on his ass. Perhaps crawling onto the wall sounded like the most normal thing to do right now. Just as I was about to look away, the man he was talking to briefly glanced at me and Mingi suddenly turned his head, eyes falling on me. Looking away right now would mean admitting that I had been staring at him, so I forced myself to smile nonchalantly at him and blame the flush on my cheeks on the extremely hot weather—which combined with Mingi’s presence only made my body heat up even more. I didn’t want to admit it to myself, but I’d do anything to get railed by Mingi while he wore his working clothes with grease smeared on his cheek. My heart skipped a beat as a lazy smirk appeared on his lips as he took off towards me, making me gulp in panic as I straightened my posture.

“Hello, princess.” He called once he was close enough and I rolled my eyes at the nickname, acting as if I totally hated it. It did bother me at the beginning when he started calling me that, but I didn’t mind anymore. And it certainly shouldn’t have made me blush.

“Hi, Mingi.” I greeted him back, smiling as I crossed my legs and leaned forward, holding myself up by my hands. My knuckles hurt from the grip I had on the table, but I ignored that.

“What brings you here today?” He asked nonchalantly, crossing his arms in front of his chest. I didn’t want to look, but his biceps were bulging and I’m just a simple woman, “Thought you washed your car when you stopped by last time.”

Ah, yes, the good old excuse of washing my car when it didn’t need washing yet. To be fair, I had a cleaning problem so that was the main reason why I washed my car so often, Mingi being here was just another thing to motivate me to stop by more frequently.

“I did, I’m not here for that.” I admitted, clearing my throat as Mingi’s sharp eyes narrowed slightly, mischievous glint appearing in his eyes. He hummed shortly, the sound deep in his throat, reminding me how hot I found his raspy and deep voice. He had once whispered in my ear as he snuck up on me, wanting to scare me, and I swear to God, I almost reached Heaven that day.

“Are you here for me then?” The cute pout of his lips and the finger he pushed against his cheek definitely didn’t match the sultriness of his words and the look in his eyes. It made me take a deep breath as I forced myself to roll my eyes, embarrassed that he had a feeling I was only here to see him. I mean…I did wear my favorite off-shoulder top just because I knew we would see each other.

“Why the sudden change of hairstyle?” I decided to change the subject, but it only made Mingi smirk as he looked at me almost victorious, almost as if he knew I didn’t answer him because he was right. Mingi ruffled his already spikey hair with a shrug of his shoulders.

“Just wanted something new,” He answered, “besides, it’s so hot these days, my long locks only made me sweat more. I feel like a new man right now. What do you think, do I look nice?”

Nice was little said, I would’ve described him more like: hot, sexy, attractive, gorgeous, mouth-watering, “Yeah, you look nice. It suits you.”

Mingi smiled happily and bowed lightly before his phone beeped. I didn’t understand how a man like him could be so cute while looking like a Greek God. My eyebrows slightly furrowed as I watched Mingi chuckle and smile down at his phone, quickly typing something on it. Perhaps he was seeing someone? Of course, why would a man like him be single? It shouldn’t come as a surprise; I should have thought about that sooner. But then again, he never mentioned a significant other. With a sigh, I jumped off the table and dusted off my shorts, running my hands through my hair. Mingi paused, looking up at me through his long lashes. I forced a smile on my face, suddenly discouraged by my own thoughts, as I grabbed my phone off the table.

“Got to go, dad’s waiting for me.” I mumbled as Mingi’s eyes slightly narrowed, eyes swiftly running over my body. He nodded wordlessly and I turned around, taking off towards the exit.

“That top looks really nice on you.” My steps halted for a second as I looked back at him and chuckled before exiting the garage, walking towards the reception, ignoring the butterflies in my stomach at the simple compliment. I should probably download a dating app and find someone available to obsess over.

            The blaring music and blinding disco lights in the living room were becoming too much as my tipsy head swirled around like a disco ball, throat parched up and dry from the lack of water. Certainly the amount of alcohol I have had was enough for the night as I pushed people out of my way, slightly wobbling as I headed for the kitchen, desperately needing water. A super rich guy from college threw a huge ass party and invited some guys over from our college, one of them being one of my close friends. I wasn’t one to turn down a good party, and when the alcohol was free, I would certainly attend it. Seonghwa and I had teamed up and played beer-pong together, kicking Wooyoung and San’s asses, but losing to Hongjoong and Yunho. We should have known better not to challenge those two competitive monsters. All in all, the night was fun and after having lost Sooyoung to some hot guy, I hit the dancefloor with Wooyoung and San, the three of us dancing our hearts out to every song. After a while, I grew concerned and started calling Sooyoung, making my two dancing companions almost take my phone away after six missed calls. But it didn’t take long for Sooyoung to finally text me, telling me she was upstairs with a Yeosang named guy smoking some weed, and that she’d be down in no time. I rolled my eyes at the text, huffing as I handed Wooyoung my phone to take care of. My skirt had no pockets and I forgot to bring a fanny-pack, I have grown tired of holding my phone, Wooyoung’s back pocket would do the trick until Sooyoung returned and I could give my phone for her to put in her little purse. The music wasn’t as loud in the kitchen as it was in the living room and it was also less packed, which made me grateful as I walked over to the window and pushed it open, smiling contently at the cool air which hit my face. I certainly needed to cool down. I grabbed a red cup which looked relatively unused and filled it with tap water, downing it in mere seconds only to fill it up again and again until I felt satiated. I threw the cup away and leaned against the counter, holding my thumping head in my hands as I closed my eyes for a second, thinking it would help. But it only made me more nauseous and I quickly opened my eyes as I massaged my forehead, still leaning slightly over. Somebody next to me asked if I was okay and I quickly nodded, telling them that I just needed a moment to regain composure again, and I’ll be off dancing once again. However, a weirdly familiar deep voice suddenly filled the kitchen, some high-pitched giggle following straight after the ridiculous joke the guy told. My nose scrunched up at the very cheesy pickup line which followed and I snorted, unintentionally catching their attention as they didn’t stand too far away.

“Y/N?” The deep voice asked surprised and my eyebrows furrowed as I finally raised my head, smoothing down my hair as it fell in my face.

“Oh, Mingi.” I muttered just a little surprised by his presence here. I wondered how he knew about the party, however, the black-haired girl by his side was a tell-tale. She was a student at my college and she was pretty as fuck. I sighed, and unintentionally glared at her, unimpressed by her presence next to Mingi. It’s not like I knew her well to form an opinion about her, but personally, I didn’t like her that much. Especially since Mingi seemed to be here with her. My eyes fall back onto him and my brain blanched for a second, never having seen him outside of the car service up until now. Him not wearing his tight-fitting clothes was something new and I couldn’t help but let my eyes run all over his body, taking in the sight in front of me. He wore a loose-fitting white t-shirt, the front slightly tucked inside his grey ripped jeans which were baggy. He wore a black pair of convers, and a black fanny-pack was pushed around to his backside to not bother him. However, what made me take a second to process what I was seeing were his accessories. His necklaces were layered as he wore a red braided like material which sat snugly against the base of his neck, then a silver chain followed, and a silver cross which reached just bellow his collarbones. His wrists were decorated with silver chain bracelets, matching the chain around his neck and he wore various rings, some bigger than the other, his right-hand sporting four meanwhile his left three. If all of that combined with his hair wasn’t enough, his fingernails were also painted black, albeit already coming off in some spots, but still painted black. He was a sight for sore eyes and it took everything in me to not grip his arm and walk us upstairs, completely disregarding the girl he was here with.

And she just had to speak up, “Oh, you two know each other?”

“Yeah, her dad’s my boss.” Mingi answered before I could and I raised an eyebrow as the girl took me in, unexpectedly smiling at me as she placed an arm around Mingi’s shoulders. My jaw tensed subconsciously and I licked my lips as I leaned back against the counter, crossing my arms in front of my chest.

“We go to the same college,” She told Mingi, offering her hand to me, “I don’t think we’ve ever really introduced each other, though. My name is Jennie, I’m Mingi’s cousin.”

“Cousin?” My eyebrows raised as I shook Jennie’s hand, “I’m Y/N, by the way.”

“Unfortunately, yes.” Mingi playfully pushed Jennie off himself as he answered my question and Jennie just rolled her eyes.

“Whatever, giant, if I leave you alone with Y/N, will you behave?” She raised her eyebrows threateningly at Mingi and he just chuckled, raising his hands in surrender.

“I always behave.” He defended himself quickly, but sounded like he didn’t mean it at all.

“No, you don’t.” Jennie rolled her eyes then looked back at me, “I have to find my boyfriend, he’s somewhere here around, probably drunk off his ass. If Mingi bothers you, just knee him in the stomach really hard and come and find me, I’ll kick his ass for you—”

“I’m right here, you know.” Mingi rolled his eyes and ruffled Jennie’s hair, “Get lost before I chase you away.”

Jennie scoffed but walked away after she waved at me, leaving me alone with Mingi. My hostile behavior slightly dropped, but I couldn’t help look at Mingi with narrowed eyes. I knew what I heard while I was fighting the urge of throwing up. Why would anyone flirt with their cousin? That was disgusting.

“If Jennie is your cousin…why would you say a pickup line to her?” I couldn’t help but ask him accusingly. It made Mingi laugh as he stepped closer, smiling cheekily.

“Eavesdropping, weren’t you?” I opened my mouth to deny his claim, but Mingi didn’t let me, “First of, ew, that’s literally my cousin do I look like I fuck with family? And second, that pickup line was actually sent by someone whom I have been talking to, and I was just reading it to Jennie.”

“How many girls are you talking to currently?” The question tumbled past my lips before I could even think about it. I only could blame the alcohol for making me so straightforward and embarrassing.

“Wouldn’t you like to know…” Mingi chuckled and stepped closer, invading my personal space. I gulped and pressed myself harder into the counter, hands coming to grip the edge of it. A smirk appeared on Mingi’s lips as he leaned down to be eye level with me, eyes searching my face before they settled on my lips briefly. My head was spinning and perhaps I was seeing things, but his tongue poked out for a second, “You look really hot.”

I gulped and let out a quiet breath, looking down at myself. The leather skirt clung onto me like a second skin and the flower decorated corset did little to nothing to cover what I would usually hide. It was Sooyoung’s idea to dress up like this, she wore a matching set except her corset was green meanwhile mine pink.

“Uh, thanks.” I whispered and didn’t dare move as Mingi lowered his head even more, looking through his lashes as he looked me in the eyes. He’s never stood this close to me before; it only now made me realize the height difference between us. And I couldn’t help but faintly smell gasoline despite his strong cologne.

“Dressed up for someone?” He muttered and I felt a warm finger lightly trace the skin of my right arm. I gulped nervously and ignored the goosebumps on my skin.

“I didn’t know you’d be here—” I tried changing the subject, it seemed to be a habit of mine lately.

“But if you did know, would you have dressed up for me?” Mingi’s raspy voice whispered in my ear as he leaned closer, my mouth opening without a sound coming out. My tipsy brain didn’t exactly know how to function in that moment and that meant I had nothing to say. But as he pulled back, we made eye contact, and his intimidating gaze pulled an answer out of me instantly.

“Yes.” I would totally hate myself in the morning for admitting that, but I couldn’t help myself. Not when he was standing so close and saying things like that. A smirk pulled onto Mingi’s lips and suddenly his hand raised as he gripped a strand of my hair lightly and twirled it around, brushing it behind my ear. I watched him mesmerized, body slightly trembling because of different things. The opened window brought in the chill breeze and we stood close to the it; Mingi’s closeness and touch made me want to crash my lips against his, and I was fighting every fiber in my body to stop myself from doing that, thankfully not tipsy enough to lose all rationality.

“I think I know about your little secret, princess.” Mingi’s tone was playful as he suddenly cupped my cheek and tilted my head back, hovering his face over mine, eyes tracing my features slowly. I hoped my red lipstick wasn’t smudged and that it would be smudged in no time.

“What secret?” I asked confused, biting my lower lip as Mingi’s Adam’s apple bobbed up and down as he swallowed, his fingers slipping towards my nape as his thumb pushed against my cheek.

“About your little crush—” He barely whispered, eyes on my lips as my mouth parted, heart beating like crazy, “on me.”

Before I could answer him, his teeth caught my lower lip between his and he sucked on the flesh, making my face flush as I mewled, hand holding onto his waist for more stability as the counter wasn’t enough anymore. He held eye contact as he released my lip and I felt like crumbling onto my knees and giving him anything he wanted as my grip tightened on him, head pulled closer to his by the grip he had on my nape. Mingi’s lips barely brushed against mine and I tried to close the impossibly little distance between us, but he just tsked and smirked.

“Good girls eventually get what they want, princess, be a bit more patient.” I couldn’t help but groan in frustration as Mingi released me and took a step back, smirking as he swiped his thumb over my lower lip, smudging my lipstick. I threw him a glare, but he just laughed and then turned around and walked off with a cup he grabbed off from the counter. I couldn’t help but lick my lower lip, pressing a palm against my racing heart as I tapped the sweat off my forehead, needing another cup of water to cool off.

            And I didn’t even have to wait for too long. Four days after the party, my father asked me to stop by the car service because he couldn’t decide what color to choose for the tuning he was doing for one of his friend’s car. I couldn’t have been happier to stop by as I made it my personal mission to stay away from that place for as long as possible, embarrassed by what happened between Mingi and I at the party, but also because I wanted to torture him a bit too. I could only hope he yearned to see me as much as I yearned for him. My father was out, having to pick up some pieces in the nearest city, which was half an hour away, so that meant he’d be gone for approximately an hour and a half. Everyone was gone by now from the car service as working hours were over, everyone except Mingi, of course. He had to catch up on his work as he had to skip a day for some undisclosed business. And yes, Mingi should’ve been working right now on that old car nobody actually wanted to fix, but here he was, balls deep in my pussy, thrusting into me like his life depended on it. I guess he was just a simple man too, and he fell exactly into my trap as I walked through the garage door wearing my little sundress, high heels elongating my legs. It didn’t take long for Mingi to stop whatever he was doing as he dragged me to the backroom, where there were no cameras, and pushed up on the table, wasting no time in undressing himself and working up the both of us. My head was thrown back from the constant pleasure his movements brought, his length reaching places no one else has before, my right hand gripping his bare waist as I rolled my hips to meet his thrusts. Mingi was biting his lips hard, holding onto my hips as I had to hold myself up with one arm, muscle straining with each strong thrust. Perhaps I should have expected him to be vocal, but the whines he would let out every now and then only turned me on even more, dragging my own moans out of me. Grease stuck to his left cheek, just underneath his mole and his already sweaty body from working was glistening once again, smelling strongly of the substance he has been working with to clean rims of the old car.

“I bet you’ve been fantasizing about me fucking you covered in grease and all sweaty from the long day I’ve had.” My only answer was a loud moan as he hit the sweet spot which made me see stars, and for a second, all I could hear were his own pants and the table squeaking louder and louder with each thrust.

“You have no idea—” I moaned as I clenched around Mingi, mind blanching for a second as he hit that spot again, “How fucking hot you look—like this.”

My fingertips dug into his hips and Mingi suddenly leaned down, pressing my back flat against the wooden table, rotating his hips as he suddenly slowed down. My mouth opened in a gasp and my legs went around his hips, one hand tangling in his blonde spikey hair as the other went around his shoulders to anchor myself. Mingi groaned in my ear as I clenched around his length again, his thrusts painfully slow on purpose, making me try to move my hips, but he had me pinned down by his heavier body.

“Fuck, please—” My whine was muffled by his lips as he pressed them against mine, pushing his tongue past my lips as I kissed him hungrily, wanting to feel more and more of him. Our lips moved messily against each other as Mingi slightly quickened his pace, but it still wasn’t enough. My eyebrows were furrowed as it started becoming unbearable and I whined, pulling my head away and choking on my words for a second, “I’m going to fucking die if you don’t go faster.”

I couldn’t believe Mingi had the audacity to smirk as he bit my lower lip harshly, making me push his head away as he chuckled amused, fake pouting at me.

“Thought I said good girls get what they want—” He completely stilled, bringing tears into my eyes out of frustration as I gripped his nape, trying to move against him to no avail, “And you’re being rather impatient right now.”

But before I could say anything, the slightly stood up and pulled almost fully out before slamming in again, his pace relentless and thrusts sharp as he threw his head back, moaning, making me grip onto his lower arm as he hit my g-spot over and over again, making my back arch as broken moans left my lips, nails digging into his skin. I was going fucking insane as his thumb found my clit and he started rubbing circles on it, making me cry out as I felt my orgasm building up, ready to snap any second as Mingi’s moans got higher and higher, my walls clenching tightly around him, bringing him closer to the edge as well.

“Fuck.” He hissed at a particular sharp thrust, his hips almost stuttering but I managed to meet his movements, desperate for my own release as I clawed at the wooden table, back arching as the pleasure became unbearable and the knot in my stomach snapped, making me let out a high-pitched moan, only for Mingi’s lips to muffle it as his hips stuttered, his own release following mine, filling me up. My body trembled and my lungs heaved for air as I came down from the high, our lips touching with Mingi as we both panted into each other’s mouths. His scent was intoxicating and I couldn’t help but burry my head into his neck and lightly bite down on his perfect skin, making him shudder. He didn’t pull out yet and I felt him twitch slightly, making me chuckle.

“So, I’m hot when I’m all sweaty and covered in grease?” He spoke up, voice raspy, and his words made me laugh as I allowed my head to rest against the wooden table, throwing an arm over my eyes. I could feel Mingi’s smile as he pressed a kiss against the corner of my mouth, swiftly pulling out.

“I said it once, I won’t say it again.” I peeked at him as he quickly pulled up his boxers and tight pants, adjusting his tank top.

“If I knew all I had to do was change my hairstyle for you to finally let me fuck you—” Mingi shook his head as he helped me off the table, smirking when I had to lean against it for support, my legs having gone numb, “I would’ve done it a lot earlier.”

“Perhaps if you weren’t so oblivious,” I threw him a glare and pulled up my panties, adjusting my dress, “You would’ve noticed how badly I wanted you since the first time I laid eyes on you, idiot.”

Mingi laughed and threw an arm around my shoulders as he pulled me into himself, “Now that that’s out of the way…do you want to date or do you want us to just fuck?”

His question made me pause as I looked up in his eyes, biting my lower lip in thought, “You want to go out with me?”

“I sure do.” Mingi said it like it was the most obvious thing, then he jutted his chin towards mine, “What about you?”

“What do you think?” I asked with a chuckle.

“That we should go for a second round—”

“Mingi!” I pressed my palm over his mouth and threw him a little glare, “My father could be back anytime, you know. And yes, I do want to date you. Unless you’re always this annoying.”

Mingi fake laughed as he pushed my hand off his mouth, “Aren’t you just so funny?”

I stuck my tongue out at him and he tried kissing it, making me yelp and push him away, which made Mingi giggle as he placed his hands in his pockets, “So, tomorrow at six?”

“But you better shower before you come pick me up.” I pointed a finger at him as we went to leave the room.

“I thought I smelled hot—”

“You can’t smell hot, so just—” I sighed and looked at him, “Just—dress up. You—I mean, you know, you looked really good at the party. I haven’t seen you out of your work clothes before.”

“Aw, aren’t you so shy right now and stuttering all of a sudden?” He cooed and poked my cheek, “As if I wasn’t inside you—”

“Y/N, you still here?!” I heard my father’s voice shout from afar and I threw Mingi a warning look as I pushed him away. He walked towards the car he had to fix defeated, throwing me those sad puppy eyes and a pout as my father walked inside the garage.

“Hi.” I waved at him and he smiled, glancing at Mingi.

“You can fix it tomorrow too, you know?” My father said as he went to put his own utensils away. Mingi hummed but said he didn’t have much until he was done, liar. My father glanced at me and I looked away from Mingi, smiling at my father innocently. He just shook his head and threw his keys at me, making me clumsily catch them.

“Go pick up your mother, I’ll stay behind and help Mingi fix the car.” He muttered tiredly as he walked up to my soon-to-be-boyfriend, oblivious to what Mingi would soon become to him as well. Not just an employee, but perhaps a part of our family too. I jokingly saluted my father as I stopped in the doorway, turning to look at Mingi, who was already watching me.

“Goodbye, Mingi.”

“Bye, Y/N.” Mingi tried to fight the smile off his lips as I turned around and ran off with a giggle, cheeks burning suddenly with embarrassment.

Good girls eventually get what they want, don’t they?

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