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writingwithcolor · 3 years

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Arab Character Joining Corrupt Superheroes, Police Parallels

Anonymous asked:

I’m writing a story with a Arabian diaspora main character. The story is about corrupt superheroes, and how they affect an oppressed superpowered minority. The main character is one of these superheroes, naively joining them in his teens believing he’s going to help people. Doesn’t help that his parents are having money trouble. Eventually he ends up fighting a superpowered crook, and gets a bystander killed.

1)I know portraying an Arabian character committing violence is a pretty touchy subject, even if accidental. Is there any way I can write this that makes it clear to the reader that the action itself is messed up without the unfortunate implication that Arabs are violent?

2)A large part of the story is the MC’s parents reaction. They are loving parents, however after this incident happens, they are confused and ashamed. While they still love him, they temporarily cut ties with him. Eventually they reconcile and start to be a family again. In my research (they are diaspora Saudi Arabians), Family is very important and tight-nit. Shame towards the family is to be avoided at all costs. However I’ve also read that disowning a family member rarely ever happens. Is there a way to write this kind of narrative with respect to this aspect of Arabian culture?

Let us begin with some terminology.

- If a person is from Saudi Arabia, they are Saudi Arabian, or more commonly, Saudi. This is their nationality.

- They may or may not be Arab. Arab is an ethnicity. Not all Saudis are Arab. Not all Arabs are Saudi.

- Arabic is a language. Lots of people across the world who are neither Saudi nor Arab speak Arabic.

- Arabian on its own is a word used to refer to a specific breed of horses.

If you are referring to humans, you want to either say "Saudi Arabian" (both words) or “Saudi” to indicate nationality, or "Arab" to indicate ethnicity. If you’re looking to describe your character’s culture, you probably want to call it Saudi culture. (While grammatically correct, talking about “Arab culture” doesn’t make much sense because Arabs are an incredibly diverse ethnic group and there is no such thing as a single monolithic Arab culture).

Now for the first question. In my mind, the issue is less about the character committing violence, and more about the premise of the story and how it mirrors real-life oppressive structures. You have an organized group of superheroes who think they are doing good by fighting “crooks” but in reality are enacting systemic oppression upon a marginalized group. This immediately brings to mind police violence, racial profiling, and the way that policing in North America is used as a tool of white supremacy while glorified in propaganda as a force for good. Essentially, you are telling a story about a character who joins an oppressive policing force, enacts violence upon a marginalized group as a result, and (I’m assuming) eventually realizes that they are not, in fact, the good guys. This is very close to being a “bigoted character learns not to be bigoted” story. I recommend re-examining your premise in light of the real-life parallels and asking yourself whether this is the story you want to tell.

The issue is compounded by the fact that your character is an Arab teen, who in real life is more likely to be the one facing racial profiling from the police. Taking this character and making him the oppressor in your story makes the already flawed premise even more problematic, especially if the characters in the oppressed group are white.

As for your second question, it seems believable to me that a teen’s parents might reject him if they learned that he committed a crime. However, when the family in question is Arab, you are suddenly feeding into harmful tropes about oppressive and violent Arab parents. You are asking if there is a way to write this respectfully. I believe that there is, but it requires a great deal of care, nuance, and cultural awareness. While it is possible to write a Saudi Arab character grappling with the consequences of violence and familial estrangement in a compelling way, the way your ask is phrased leads me to believe you are not equipped to do it justice.

- Mod Niki

Think about why Arab people committing violence is a touchy subject, and then think about the general propaganda narrative that came about from the act that made things so touchy.

It’s going to sound one hell of a lot like what you have here.

Military and police use buckets and buckets of propaganda to continue hooking in young, impressionable teens to commit state-sanctioned colonialism and oppression. That propaganda looks suspiciously like “we have health insurance, we will pay for your education, you just have to do what we tell you even if that means hurting or killing others, but it’s okay because you get to be the hero in the situation.”

Now, propaganda is a very powerful tool. I was taught, in my media classes, that controlling the message means shaping reality. The media is built as a propaganda machine, and when you start to see who owns what media properties you start to see some really disturbing patterns (Rubert Murdoch owns a lot of right-wing sources across America, the UK, and Australia, and he’s too rich to investigate his culpability in spinning terrible narratives found in right-wing publications. He owns the big names).

As Niki said, this situation mirrors police violence and police-sanctioned terrorism. And the very, very unfortunate implications of making the target of police violence be in that wheel. But I want you to look at the media situation that has made the plot happen.

Because even if you swapped out ethnicities, you’d still have a reckoning to do with the American culture that their primary social safety nets involve killing people.

I am not kidding.

Some of the most well-funded unions in the country are police unions. These people have pensions. They have health insurance. It’s damn near impossible to fire them. They get overtime very well mandated, and it’s a known thing among defence lawyers that arrests happen right before a cop’s shift will end so they get the overtime of filing the paperwork. They absolutely go into poor neighbourhoods and recruit based off people needing an escape, and them having the money to provide it.

A similar sentiment is true for the military, except they push for college education a bit more and don’t really have overtime, but they do have deployment bonuses. So the way to get extra pay for yourself is to go out and do colonialism outside the borders. The military doesn’t necessarily like it when the economy is doing well, and don’t like the idea of college being affordable, because they rely so heavily on poverty and fear of college debt to recruit.

The story you’re telling here goes so far beyond an individual’s actions and instead taps into America’s single biggest cultural investment: that oppressing others makes you a hero.

The Pentagon funds most military media out there as a propaganda tool, including most superhero movies and a large number of video games. This is in their budget. They will also go so far as to literally commission the games to exist. Part of getting that funding is you cannot critique America’s military, basically at all (the only exception I’ve seen is Ms Marvel, but that’s set in the 90s). This turns any sort of military-using media into a potential propaganda tool.

And the thing is? Even if you fall for that propaganda and were part of the military or the police, you still have to reckon with the fact you put whatever your own desires were above a huge track record of those groups being terrible. You still have to reckon with the fact you didn’t realize they were wrong, and were complicit in a lot of crimes.

This goes very far beyond “the action is terrible” and goes into “the system is rotten to its core, and you chose not to believe it, or to believe you could change what was built with blood.”

“Good” police officers get fired. If you try to question anything, if you try to say this action is wrong, you will absolutely get destroyed. Military’s much the same. You need some degree of buy-in to the concept of white supremacy to sign up for the military or the police, because you need to see their actions as not deal breakers instead of actions that violate multiple international laws.

In short: you need to see the people being oppressed as deserving of being oppressed to some degree in order to participate with police and the military.

Marginalized people can hold this belief, it happens. But that is a very sticky situation that outsiders shouldn’t touch.

It’s possible but difficult for you to write a white person having this sort of arc, but it would be extremely challenging to have it not come across as a white guilt story. To not have a socially aware audience roll their eyes at how long it took. You’d definitely not be writing a story with a diverse audience in mind, because you’d mostly appeal to those who saw the propaganda as just fine and not that bad.

This isn’t even getting into the oft-cited adage that boys who bully others become cops, while girls who bully become nurses. And the more police atrocities become mainstream news, the less and less people can convince themselves that becoming a police officer is a good thing.

Which brings me to the point of: how well-documented is this oppression? Is this character walking around in an oppressive situation like, say, pre-social-media where there was no direct access to the oppressed groups and you could close your eyes and look away even if it made national news? Or is this in a media connected world where these oppressed populations have a voice in the narrative?

The former has an angle of the character slowly realizing the horror and it’s slightly more forgivable for their early ignorance. But in any sort of world where there’s access to the people getting hurt? Things get more and more “ignorance is indistinguishable from maliciousness.” And keep in mind, these stories are read in the real world, where police brutality and war crimes go viral, and a lack of knowledge is getting harder and harder to defend as a position.

Media plays a huge role in shaping our perception of what’s happening. Cameras on a situation makes different activism tactics work, as we can see with how activism changed in the 60s and 70s as tv reached the masses. Social media has made it possible for you to look up firsthand accounts of discrimination within seconds.

This is a factor you are absolutely going to have to consider, when you want to look at how nice your hero is seen by marginalized or otherwise socially-aware people. If there is a way to find out how bad this superhero organization is before you sign a contract with them? Then that doesn’t look particularly good on the “hero”. You’d really have to establish them as super idealistic, super sheltered, super desperate, and/or just swallow the knowledge that they really don’t see anything that happens “over there to those people” as that bad.

All of the above is more than possible. And they’d still be seen as complicit no matter what justification you gave, because they are.

Does this mean all corrupt organization stories are off limits? No. The reason these stories have such deep cultural resonance right now is because of the propaganda I outlined above.

But you as the author are going to have to examine your own engagement with the propaganda narrative and do your own private reckoning so your own sense of guilt and compliance doesn’t bleed through the narrative too strongly, so you can tell a good story instead of an overt message story that’s you working out your own feelings.

By all means, write a story where police and the military are taken down, where propaganda is weaponized and the media is controlled (because that’s sure as hell the modern world).

But know that stories where the hero discovers the corruption already have a ticking clock because we, in the real world, are slowly being faced with a mountain of apathy instead of ignorance. The knowledge of oppression is out there so much that marginalized people are tired of the ignorance defence.

As the saying goes, “privilege is the ability to ignore the oppression of others.”

Propaganda, centralized media, and strategic cultural investment made it possible for police and the military to have a chokehold on their public perception. But that’s changing. The chokehold is starting to fade, people are starting to question their beliefs.

The past year has shown that knowledge isn’t the issue; it’s white supremacy. People don’t want to believe that any of this is that bad. People want to believe that oppression is justified, that if people just followed the law they’d be fine. They don’t want to question themselves. And marginalized people are tired of these narratives where, suddenly, people snap out of it. Because there was so much evidence to show it was bad, but it was only when you do one of the worst crimes imaginable that you realize this is bad? It’s only when it becomes personal that things are worth looking at critically?

No. And you need to examine where you are in processing your own complicity before writing a story where you’ve swapped around the ethnicities to try and distance yourself from the problem, where in the end you made the target the oppressor.

~Mod Lesya

#police brutality #oppression #arab #saudi arabia #military #superhero #superheroes #asks #violence #propaganda

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andreafmn · 3 years

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I'm Not Afraid - Chapter 1

Word Count: 3,325

Characters: Female Reader Argent Character, Original Male Argent Character, Derek Hale, Allison Argent, Scott McCall, Stiles Stilinski, Isaac Lahey, Lydia Martin, Chris Argent, Jackson Whittemore

Story Description: (Y/N) Argent arrived at Beacon Hills to put to rest her father's sister, Kate Argent. For the first time, her family has decided to settle down and sustain a life in this interesting small town. After 17 years, (Y/N) has the opportunity to establish interpersonal relationships but will she be ready to face the complications that come with relating to her cousin's, Allison, friends; especially, the infamous Derek Hale. She will face the adventure of being associated with the Derek and McCall pack as well as being faced with the discovery of certain aspects of her life she never imagined.

*DISCLAIMER* I do not own in any way Teen Wolf, all credits of the pre-established characters, script, and storyline belong to Jeff Davis and MTV Network. The only thing I own is Argent Reader insert, her immediate family, and her storyline, as well as her effects in the others' storyline.

Chapter: 1/?

Chapter Description: (Y/N) finally arrives at Beacon Hills for the funeral of her aunt and meets a certain wolf to which she feels a special connection.

A/N: Second fandom I'm writing for. I love Teen Wolf so much and the trope of hard Derek but only soft for you makes my heart sing. If you enjoy my writing I’ll also be posting them in AO3 and Wattpad along with other stories (I also hope to start taking requests if ya’ll want) Hope you enjoy and all constructive criticism is encouraged.

Next ->

Chapter 1

I hugged the black coat to my body as hard as I could whilst pushing through the sea of press. Our family's last name became quite known after the reports about my aunt, whose burial we were attending. She had allegedly burned down a house with people in it. She killed them in cold blood. I hugged my grieving uncle and his less grieving wife, then my cousin who had a painful look on her face. I hugged her the longest. She let herself crumble on my arms, sobbing uncontrollably. Even though she was a horrible person she was still our aunt, family.

I took my seat behind Allison when my father, my mother, uncle Chris, and aunt Victoria stood up. Allison didn't lift her head and neither did I. I just tried to comfort her.

"It's been such a long time I don't expect you to call me grandpa." We both looked up to see a white-haired man who resembled the Argent features. "Don't worry about it, just call me Gerard." He hugged both of us, an overpowering aura emanating from his being. When we were engulfed, I looked to the side and saw two boys squatting behind a gravestone. If they were hiding, they were doing a horrible job at it.

"But I prefer Grandpa," Gerard said walking to his seat. I sat back down and drifted off during the whole ceremony. Once it was over, I joined my parents and we drove to our new house. I have a feeling that life here will be very interesting.

That weekend I decided that I had been putting working out off for too long. I changed into comfortable workout clothes and gave food to my dog, Brody. I headed out the door, put my earbuds on, and started to jog. I really didn't know where I was going since it was a new place for me, all I know is that I kept running until I reached the woods. The bad thing about this, I had no idea how to get back home. Even though I knew of this sidetrack and I knew I would be late to get back home, I kept running, needing a release from the mundane feeling of being new in town and having to reunite from our estranged family in a funeral.

I had gained a lot of momentum. God knows how fast I was running at this point that is until I hit something, it almost felt like a wall. When I looked up, I saw a very handsome guy. Spiked hair, green eyes, and slight stubble. If it weren't for the fact that I was already sweaty I would have started to sweat showers of how nervous I was. That is until he opened his mouth.

"Watch where you're going." He growled at me.

"How about you fucking move and not be a prick?" He looked at me with big eyes, probably in surprise, but quickly changed to his menacing look. Who was he trying to fool?

"Well, this is private property, which means that you're trespassing, meaning you should pay more attention to your surroundings."

"I'm sorry but a burnt-down house with almost no walls or roof is barely a property. So, how about you stop being an idiot and I can be on my way." I started to jog once again but he gained my attention once more.

"You're new here, aren't you?" I turned around to face him.

"What's it to you?" He raised his eyebrow.

"I'll take that as a yes." The cockiness oozed out of his pores.

"And why the hell should that matter?"

"Because no one would dare talk to me that way."

"Who would be afraid of a little sour wolf?" He tensed up. "Dude, chill. I'm just kidding. But I doubt anyone would be afraid of Mr...."

"Hale. Derek Hale." He said extending his hand to me. Gee, after screaming at me he wants us to be acquaintances. I thought about not shaking his hand, but I didn't want to be rude. Well, more than I have been already.

"(Y/N). Argent." I shook his hand. Strong grip. Suddenly I felt a rush of déjà vu; I had met him the day before. "Wait, aren't you that guy I accidentally hit with my grocery cart yesterday?"

"Yeah, that really hurt. You hit my ankle. You could've had me limping."

"But you're not, so be grateful I didn't break your ankle." He laughed. "Damn, if I had known how cocky you really were, I would've hit you harder."

"So, you admit that you hit me?"

"Oh yeah, of course, I hit you. Accidentally that is."

"Yeah, yeah."

I looked around trying to find where the hell I had come from but there wasn't even the slightest trail as to where I was to go.

"So, miss (Y/N). Do you even know your way home?"

"No, but I'm sure I can find my way back." Then, he took keys out of his pocket and pointed to his car.

"Come on, I'll drive you around and you just tell me when something seems familiar."

"And why should I go with the guy that almost ripped out my throat for bumping into him? For all I know you could be driving me to my death." I crossed my arms over my chest, and he let out a loud sigh.

"Look, I'm sorry for snapping. But I'm trying to be nice. That doesn't happen very often."

"Alright, Mr. Hale. I'll let you take me home just because you are being nice now, after being a prick, and I'm exhausted."

"See, no one can resist me." I rolled my eyes at his cockiness. Seriously does he buy cans of it on eBay?

"Don't get cocky with me. I can punch the living daylights out of you." He chuckled and started to drive.

We drove for about 20 minutes until I finally recognized the curb that led to my house. Upon arriving at my driveway, I got out of the car and walked to the driver’s side.

"Give me your hand” For some reason, I felt compelled to do so. He took a pen and wrote down a number. "Call me if you ever need a tour of the town."

Three weeks later, I walked inside the school to meet up with Allison. I moved here with my family since dad had some business taking float. Being the new kid in town is never fun. I would know. I switch schools almost every year. The pro and con about this would be not being attached to anyone. Usually, I'm the one who doesn't talk to anyone and is called a freak. A derogatory term given to people who are way too different from others, but a title I wore proudly.

"Oh my gosh, (Y/N)! How have you been?" Allison wrapped her arms around me and hugged me tightly. It was as if she hadn't seen me just three weeks ago.

"Hi, Allison. I've been good, getting acclimated to the new town. You?" You would think that because we were cousins, I would be more affectionate towards her but honestly, I wouldn't see her again for like three more years, so what's the point?

"I'm good. A little rocky at the start of coming here but good." Then, a boy with a buzz cut and one with great brown hair walked by and smiled at Alli. "Ooh, you should come meet my friends. Stiles, Scott!! Come here." The boys turned around with goofy grins on their faces.

"Hey, Allison. Who's this?" Buzzcut kid said.

"This is my cousin, (Y/N). She just moved here from Virginia."

"Pleasure to meet you. I'm Scott." The one with the great hair said.

"Nice to meet you, I'm Stiles." I shook their hands and smiled.

"Nice to meet you, too, buzzcut." Allison and Scott laughed but Stiles only ran his hand through his hair, suddenly becoming hyperaware of his lack of locks.

"Allison. Who might this sexy lady be?" I rolled my eyes. The last thing I need is a narcissist with a god-complex trying to get close.

"Oh, Jackson, this is my cousin, (Y/N)."

"Hi." He extended his hand and looked me up and down.

"Hi." I smiled sarcastically, and when I didn't extend my hand, he dropped his.

Finally, after standing awkwardly behind Allison whilst her friends talked, the bell rang. Talk about saved by the bell.

"Hey, (Y/N), what's your first class?" I checked my schedule.

"Um, chemistry."

"Oh, good, then you're coming with us to Mr. Harris' class," Scott said pointing towards him and Stiles. I smiled and walked behind them.

Once we got to the classroom everyone turned to me, the ever-present sign of being new in the class evident in the stare of my classmates.

"Um, hi, my name is (Y/N) Argent and I'm new." The teacher, whom I guess is Mr. Harris, turned around to face me.

"Oh, yes, Miss Argent. Welcome. You will be sitting next to Isaac Lahey. Lahey, raise your hand." Once Isaac raised his hand, I noticed he was sat near Stiles and Scott. Two people I was trying to avoid. As I walked past, I accidentally pushed Stiles' book on his lap, startling him, resulting in an awkward descent from his lab stool onto the floor.

"Hi, again. I guess we are gonna see a lot of each other for the rest of the school year." I nodded and he scratched the back of his neck. "So, um, what school did you come from?"

"Lancaster High," I responded whilst writing down what Mr. Harris was writing on the board. Stiles kept trying to talk to me, but I would only give him short, cold answers or just ignore him. That is until Mr. Harris called our attention, that's when he finally got the memo to shut up.

"I'm sorry to bother you, but I just wanted to introduce myself since we're gonna be seated next to each other all year. I'm Isaac."

"I figured." I tried giving him my best smile. The vibe he was giving off seemed like he needed it. "I'm (Y/N)."

"Well, nice to meet you, (Y/N). Now I'll leave you to the class because if I don't I know I'll be failing even more than I am."

"Oh, well, maybe I can tutor you some time. I'm actually really good at science. My mom was a chemist professor once upon a time so I'm bound to understand all this."

"Really?!" His puppy eyes seemed to light up and I nodded. "That would actually be amazing."

"Sure thing. Now let's get back to class."

After Chemistry finished, I put everything in my bag as quickly as possible and sped to my next class, Math. Thankfully, none of Allison's friends shared this class with me but I did share it with Isaac. I didn't consider him much a friend but more an acquaintance in desperate need of help.

As the day progressed, I noticed the rest of my classes were shared with one or more of Allison's friends. They all tried to strike up a conversation but were quickly discouraged when met with my one-worded or vague answers. Especially, Stiles. He tried especially hard to get answers out of me, only being met with the occasional laugh or stare at his comical occurrences. He seemed like the kind of person you could just open up to. The same could be said about Scott. His shy nature was alluring, and he portrayed himself as a very trustworthy and loyal being.

But I would not allow myself to let them in. My whole being yearned for a real friendship, someone to share nothing and everything; never again.

At lunch, I sat outside and ate my food quietly, a book in front of my face to shield my eyes from the sun the prevalent stares of my peers. After some minutes of appreciated loneliness, the empty table was filled with conversating teenage bodies. I smiled politely but, in my mind, I was cursing them out.

"So, (Y/N), how's your day been?" Allison asked whilst munching on an apple. I swallowed what was left of my bite and answered.

"Fine, thank you." This time no one pressed on after my short answers, finally getting the hint of my disinterest. In the corner of my eye, I saw Isaac sitting under a tree munching on half a sandwich. I excused myself and went to join him, heavily enjoying his tranquil aura.

"Oh, hi, (Y/N)." He smiled sheepishly.

"Hey, Isaac. Is that all you're eating?"

"Yeah. I'm not very hungry." He looked down as if he were ashamed.

"Nonsense! Here," I gave him the other half of my burger and another bag of chips I had in my bag. "You can't tell me you're not hungry. You're a boy in peak development."

"Thanks." He smiled as he continued munching on his food. I put on some music and we continued eating in silence. No conversation required.

The day went on smoother than it started. Classes flew by fairly quickly and the incessant chit-chat seemed to diminish. During last period I was like every other student, anxiously waiting for the bell to signal the end of the school day. When my pleads were answered, I packed the necessary book into my bag and left the rest in my locker, expertly avoiding any more social encounters. Quickly, I made my way to the waiting open car door of my father's car, ignoring Allison's beckoning me t.wards the small group of friends.

"How was your first day, darling?" My father spoke up breaking my attention from the scenery.

"Like any other first day I've had." I smiled. "The towns might change but school is always the same."

Finally at home, we were greeted with the sight of my mother cooking; people were coming over.

"(Y/N), honey, Chris, Victoria, and Allison are coming over tonight. So, go do a quick workout and come back to get ready." I nodded and ran to my room to change into workout clothes.

My routine would normally consist of waking up, working out, go to school for a dreading eight hours, come back home, workout again, do my homework, eat, and go to sleep. I lead a very monotonous life and it had been this way since I could remember. One of my earliest memories was of my father teaching me archery alongside Allison, a great distraction to our always disrupted home life. As I got older, my father started training me in boxing and knife maneuvering. How would these skills help me in life were still a mystery but I felt safe knowing them.

I got changed and decided to take Brody out with me on a quick jog through the woods. "Hey, boy, ready to go?"

He jumped on me which I took as a yes and started for the woods. We ran down the same trail I had been going on for the past three weeks. Mostly, I went down this track in hopes that Derek would make an appearance, and today was not the exception. As the ruins of his house came to view so did his tall figure.

"Trespassing again?"

"It doesn't count if I know the owner." During our greeting, Brody's leash slipped out of my hand and he ran to jump on Derek, leaving slobbering licks on his cheek. "I'm so sorry."

"Don't worry about it." He chuckled and helped me bring him down.

"I guess he likes you, even though he doesn't like anyone but me. Guess you're special."

"Maybe." He grinned.

Out of nowhere, I hit him in the shoulder. "What was that for?!"

"For trying to run me over with your shopping cart two days ago. It was uncalled for."

"No, it was revenge. You hit ME first. In the ankle."

"You're still on with that. Come on, sour wolf. That happened three weeks ago, and it was an accident."

"Whatever. Come on, I'll give you a ride home. It's getting kind of dark." This had also become part of my routine. After "bumping" into Derek he would offer to drop me off at my house, claiming it was for security.

"Okay, we're here. By the way, the offer to show you around town is still up. Just call me whenever." He said as he stopped the car in front of my house.

"Alright, will do, and thanks for the ride, Derek. I'd invite you in, but my family is coming over."

"No worries, maybe another time."

"It's a date. Anyways, thanks again. See you when I see you."

"Okay, goodnight."

"Night." He waited until I entered the house and drove away.

"Munchkin, is that you?" My father screamed from the kitchen.

"Yeah!" I screamed back.

"Okay, well, go take a shower and get ready your uncle will get here soon."

I hurried up the stairs and hopped in the shower letting the hot water stream down my body calming any aching muscle that was palpitating. In my room, I searched through my closet for an acceptable family dinner outfit, deciding a grey sweater and black jeans would be enough. I braided my hair out of my face and went downstairs to help my mother set the table.

After we put the last plate the doorbell rang.

"I'll get it!" I ran to the door and was greeted by my uncle. "Uncle Chris!" I jumped and he hugged me. There was no doubt that he was my favorite family member, his presence was always welcoming. His wife on the other hand was as cold as the winters we spent in New York. She was nice but absolutely scary. "Hi, Aunt Victoria."

"Hello, (Y/N)." I hugged her and said hi to Allison.

"Come in, guys." They walked in and I closed the door behind them.

"So, (Y/N), how have you been?" Uncle Chris asked while stuffing his mouth with mom's famous lasagna.

"I've been good. I mean, moving all the time takes a toll on you at first, but I got used to it. It's easy now to pack it all up once the school year ends."

"Oh, honey, that must be so hard on you," Victoria said. I could not read her tone, her words spoke in sympathetic notes with an underlying melody of sarcasm. Not knowing what to answer, I bit my lip and nodded.

The whole evening was spent on us catching up and eating, laughing, playing games, but the good times came to an end when the clock hit 9:00 pm. It was stupid to set a curfew, but my mom usually had everyone in bed at this time, 10:30 as of late.

"You better come around the house more often." Uncle Chris demanded and hugged me.

"Yes, sir." I raised my hand to my eyebrow and saluted, as did he.

"Let's go, Chris. And thank you for the lovely dinner, Rebecca," Victoria said linking arms with my uncle and smiling at mom.

"No problem. Come by any time." They talked for a bit more and after they left, I went upstairs to change for bed.

"Momma, I'm gonna go to sleep."

"Okay, honey. Goodnight." I went upstairs, brushed my teeth, and put my hair in a ponytail.

Before bed, I made sure everything I would need for the next day was packed into my bag and made sure my alarm was set. I pulled all the throw pillows from my bed and set them aside, then making my way to the window to draw the curtains. Something caught my attention in the backyard, though. My eyes squinted trying to make out the figure in front of me. Blinking the confusion away, I made a double-take and looked back at an empty yard. I laughed to myself as I crept into bed. Why would Derek be in my backyard?

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502 notes · View notes

theradioghost · 4 years

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I don't know if you're still doing podcast recs, but if you are, I really like dramas, horror, sci-fi, honestly anything that gives you the feels (especially if it has lgbtq+ rep). I am not much of a comedy person though unfortunately. The only podcast I finished was tma and I really loved it.

The recommendations are always on tap here, whenever my askbox is open! You might wanna check out:

Archive 81, for a found-footage horror about mysterious archives of tapes full of encounters with otherworldly horror, dark rituals, cults, and a long-suffering archivist with the same name as the show creator who plays him, which despite all that could not possibly be more different from TMA and yet easily matches it as one of the best horror stories I have ever enjoyed. The sound design on this show is basically unparalleled – where TMA has fairly minimalist sound design, A81 goes all out. Quite a few lgbtqa+ folk also.

I Am In Eskew, for a surreal, Lynchian horror about the city of Eskew, where it’s always raining and the streets are never the same twice, as narrated by a man who is trapped there and the woman hired to find him. Take the most viscerally disturbing episodes of TMA as a baseline for how intense this show is, then imagine the Spiral built a city and invited all the other fears over for a party. Also right up there as one of my favorite horror things ever, and recently ended, so you can listen to the whole thing right now.

Within The Wires, for a found-footage scifi dystopia, telling stories from an alternate-history world. Three of the four seasons focus on lgbtqa+ leads, and the first season, a set of instructional meditation tapes provided to a prisoner in a shadowy government institution, is still some of my absolute favorite creative use of medium and framing device ever.

Kane and Feels, for a surreal noir-flavored urban fantasy/horror hybrid, about a magically-inclined academic (and sarcastic little bastard man) named Lucifer Kane and his demon-punching partner with a heart of gold, Brutus Feels. They share a flat in London, they bicker like an old married couple, and they fight supernatural evil. This show WILL confuse the hell out of you and you will enjoy every second of it.

Alice Isn’t Dead, for a weird Americana horror story about a long-distance truck driver, criss-crossing the US in search of her missing wife. Along the way she discovers that both of them have been drawn into a dangerous secret war that seethes in the empty and abandoned expanses of America, and that inhuman hunters have begun to follow her. Also finished! And as the title kind of gives away, the lesbians do not die!

Janus Descending, for a sci-fi horror miniseries about two scientists sent to survey the remains of a dead alien civilization on a distant planet, only to learn all too well why the original inhabitants have disappeared. You hear one character’s story in chronological order and the other in reverse, with their perspectives alternating, which is done in an incredibly clever way so that even technically knowing what will happen it still holds you in suspense right to the end. Also, it made me cry, a lot.

SAYER, for a sci-fi horror with a touch of dark comedy, and probably the single best use of the “evil AI” trope I have ever seen. Tells the story of employees of tech corporation Aerolith Dynamics living on Earth’s artificial second moon, Typhon, in the form of messages from their AI overseer SAYER. The first season is great, the second season is okay, and the third and fourth seasons are fucking amazing.

Tides, for a really interesting sci-fi about a lone biologist trapped on an alien world shaped by deadly tidal forces. It’s different from just about any other sci-fi I know, focusing more on the main character’s interactions with and observations of this strange new world, where she’s very aware that she is the alien invader. (Also I don’t think any of the characters are straight.)

Station to Station, for a thrilling sci-fi mystery where a group of scientists and spies on a research ship (the ocean kind) discover that the time-warping anomaly they’re studying might be causing people to vanish from existence. Corporate espionage and high-stakes heartbreak abound. (And once again I’m not sure anyone is straight.)

The Strange Case of Starship Iris, for Being Gay And Doing Crime IN SPACE! Or, decades after a war with an alien species leaves humanity decimated and under the control of totalitarian leaders, the lone survivor of a research mission joins up with a ragtag crew of rebels and smugglers to figure out why the very government she worked for tried to kill her, and to stop them from inciting a second war. 100% lgbtqa+ found family in space heist action and it’s glorious in every way.

Unwell, for the horror-ish Midwestern gothic story of a young woman who returns to her hometown to help her estranged mother after an injury, and discovers that there is something just a little bit wrong, not just with her mother, but with her mother’s house, and with the whole town. Subtle and creepy. The protagonist is a biracial lesbian, one of the other major characters is nonbinary, the cast in general is super diverse.

The Blood Crow Stories, for an lgbtqa+ focused horror anthology! The four seasons so far have been the stories of an ancient evil stalking the passengers of a WWI-era utopian cruise ship, a dark Western mystery about a group of allies trying to stop the mysterious killer known only as the Savior, a 911 operator in a cyberpunk dystopia who starts getting terrifying phone calls from demons, and strange and deadly goings-on at a film studio in the golden age of Hollywood. Everyone is Very Gay and anyone can die, especially in season 1.

The Tower, for a melancholy experimental miniseries about a young woman who decides she’s going to climb the mysterious Tower, from which no one has ever returned. Quite short and very, very good.

Palimpsest, for a creepy, heartbreakingly sad and yet incredibly beautiful anthology series. Season one is the story of a woman who suspects her new home is haunted, season two is a turn-of-the-century urban fantasy about a girl who falls in love with the imprisoned fae princess she’s been hired to care for, and season three is about a WWII codebreaker who begins seeing ghosts on the streets of London during the Blitz.

Mabel, for a part-horror, part-love story, the kind of faerie tale where you feel obliged to spell it with an E because these are the kind of faeries that are utterly inhuman, and beautiful, and dangerous. Anna, the new caretaker for an elderly woman, leaves messages for her client’s mysteriously absent granddaughter Mabel. An old house in Ireland has a life and desires of its own, few of them friendly. Two women fall in love and set out for vengeance against the King Under The Hill. Creepy, strange, and gorgeously poetic.

Ars Paradoxica, for a sci-fi time travel Cold War espionage thriller. Physicist Dr. Sally Grissom accidentally invents time travel, landing herself – and her invention – in the middle of a classified government experiment during WWII. As the course of history utterly changes around them, she and what friends she can find in this new time must struggle with the ethics of what they’ve done, and the choices they’ll have to make. An aroace protagonist, Black secret agents, time-traveling Latina assassins, Jewish lesbian mathematicians, two men of color whose love changes the course of time itself, this show says a big fuck you to the idea that there’s anything hard about having a diverse cast in a period piece and it will break your heart, multiple times. Also finished!

The Far Meridian, for a genre-bending, poetic, at-times-heartwarming-at-times-heartbreaking story about an agoraphobic woman named Peri who decides to begin a search for her long-missing brother Ace after the lighthouse in which she lives begins mysteriously transporting to different places every day. I can never forget an early review that described this show as “the audio equivalent of a Van Gogh painting.” Suffice to say it is beautiful, and fantastically written and put together.

What’s the Frequency?, for a Surrealist noir horror mystery set in mid-20th-century LA. I’ll be honest, I’m not sure I can really explain what goes on in this show, but it features a detective named Walter “Troubles” Mix and his partner Whitney searching for a missing writer. Meanwhile, the only thing that seems to be playing on the radio is that writer’s show Love, Honor, and Decay, which also seems to be driving people to murder. Fantastically weird, deliciously creepy.

Directive, for a short sci-fi miniseries about a man hired to spend a very, very long trip through space alone, which doesn’t seem all that sad until suddenly it hits you with Every Feel You’ve Ever Had, seriously I don’t want to spoil it so I won’t say anything more but listen to this and then never feel the same way about Tuesdays again.

Wolf 359, for honestly one of the best podcasts out there, containing all of the drama and feels, seriously this show ended over two years ago and I still cry literal tears thinking about it sometimes. It has definite comedic leanings, especially in the first season which reads a bit more like a wacky office comedy set in space, but it takes a sharp turn towards high stakes, action, and feelings and that roller coaster never stops. Take four clashing personalities alone on a constantly-malfunctioning space station eight light years from earth, add some mysterious transmissions from the depths of space, toss in some seriously Jonah-Magnus-level manipulative evil bosses, and get ready to cry.

or, may I suggest Midnight Radio? It’s a lesbian-romance-slash-ghost-story completed miniseries about a late-night 1950s radio host in a small town who begins receiving mysterious letters from one of her listeners, and I have been assured by many people and occasionally their all-caps tweets that it provides ample Feelings! (also I wrote it.)

#holy fuck when did this answer get that long?#anyway I uh. hope at least one of these sounds good to you!#podcast recs #bobbie recommends things #Anonymous #asks #my posts

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booksbookandmorebooks · 4 years

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Joe’s New Neighbour Theories.

Hello lovelies, i’m back again with, shock horror another ‘YOU’ inspired post because quite honestly I haven’t been able to stop thinking this show since i finished it a few weeks back. So today i’m here to bring you a quick list of who i believe could be Joe’s new neighbour, spoiler alert, the one that we are introduced to at the end of season two. I have also included my own personal theory below, just for my own spin on things.

If any of your views differ please let me know below!

Beck.

Now when looking online I found this to be a big fan favourite but sadly that is just what I think this theory is, a fan favourite. While I do follow the whole eastenders death (you never really accept anyone's really dead until you see a body and can identify it yourself. Anyone that watches it will remember how many times Dirty den came back to life, lord give me strength) I just don’t think that this would be logical or even a good idea from show runners, beck is a part of Joe’s past, of which has helped form him into the unhinged murder we know today, Beck was needed to help kick start his decline from sanity in season one and to establish the kind of person he is to force him to face her would be completely pointless at this stage as we can already see he is haunted by her throughout season 2, there would be no shock value to their interaction not to mention that we have also seen another past girlfriend come back from the dead very recently and would be just a cheap story telling tactic in my opinion.

Dr. Nicky's wife.

Now this is a theory that really peaked my interest. While we can assume through Dr. Nickys conversation with forty at the prison, his altercation and affair with Beck in season one wouldn’t of been the first time he had been unfaithful to his wife and from his reaction when talking about it, seeing his self hatred and disgust we can rather safely assume his wife was most probably aware of these dealing and has continued to take him back due to her strong feelings for him, her strong sense of denial and family,the pressure to keep the family together trope. But I think it would be such an interesting twist if regardless of all this his wife still blames Joe for ruining her perfect family image and is driven mad by her need for revenge. Which lets be honest, would not be a hard task as joe has never seen her and would be completely unaware of her appearance making him a very easy target for her mad plan. Especially if she is aware of Joes insatiable need to be loved and accepted thus making it very easy for an attractive woman to manipulate him.

Forty’s friend or family member.

We all remember the very intense scene where forty begins to connect the dots in regards to who Joe really is and his tarnished dark past, but due to everything we know about forty's loud personality his habit of majorly over sharing and his insane need for attention, I don’t think it would be completely ridiculous to assume he had most likely shared his findings with a friend or family member before confronting Joe. so when he turns up dead and is pinned for all of Joe’s crimes it wouldn’t take a genius to put two and two together and figure out what happened especially with this persons previous ‘dirt’ on Joe.

Forty's mother.

This is one of my own theories i thought would be an interesting take on the shows plot.

I’m not sure if anyone else picked up on the very strange vibes coming from loves mother at the end where her and love are stood together on the door step waving at Joe, yes I am fully aware she has just lost her child BUT maybe, just maybe, due to their uncomfortably close relationship forty could of shared these findings with his mother and in light of fortys death could of inspired her to create this very long and malicious trap set for joe, lulling him into a false sense of security to take him down once and for all, the perfect revenge for her child's death. When we look at loves past and unhinged view of justice it wouldn't be that much of a stretch. Whats that saying again...

‘’the apple doesn't fall far from the tree’’

Joe’s mother.

Another widely accepted theory I saw cropping up over and over again was that this neighbour could be Joe’s mother. Which is another theory not completely out of the question. It has been set up very cleverly by the shows creators if this is the case, we have been introduced to her numerous times through a variety of flashbacks and throw away comments from Joe. It wouldn’t be a stretch to consider that while beginning to obsess over his mother and his child hood in the last season he has managed to track her down (as we never saw an official ending or death to his mothers story) manipulate his way into her town and community to fuel this new sick kind of obsession with how to worm his way back into her life. Although I feel like a mother, once faced with her estranged child would feel some sort of connection even on a very small scale, a familiar feeling or even just a sense he is more than a random stranger. Who knows, if she has a new life, husband and family we might see Joe’s temper stem from a different catalyst and be fuelled by his anger at being replaced and forgotten by his mother.

My personal theory:

My own theory is based around the mother idea but I believe that it wont be his real mother, now bare with me while I explain.

Throughout the whole of season 2 we begin to see Joe's already unhinged mind begin to unravel further, he is being haunted by the ghosts of his past, we see his methodical plans when encountering victims disappear as he seems frantic rather than the calm collected Joe we know, we see him break down in needle therapy with one of loves friends and begin to weep uncontrollably while repeating very telling and oddly open mantras to himself and so many other very out of character actions and reactions, all of this I believe is to help set up the biggest theme in season 3. The undoing of Joe.

I think we will see him begin to obsess over a woman who will most probably share very basic similarities with his mother (as any middle ages woman in the suburbs would) yet when its revealed she will be a complete stranger to Joe. we will see him project the feelings of betrayal hurt and abandonment on to this poor unsuspecting woman, and maybe begin this odd Norman Bates style fantasy and be driven not by the need to romance or sustain a relationship with this woman, but to force himself into her life, seeking acceptance. Although it is Joe, so nothings really off limits with this guy lets be honest.

We even see Joe and a friend having a conversation about marrying their own mothers in season 2 i mean come on! Talk about blatant mommy issues, wow.

But there we go a little collection of theories about who the next victim will be in season 3! I hope you enjoyed this post and ill see you next time!

#Joe Goldberg #Will Bettleheim #penn badgley #YOU #Netflix #younetflix #YOU theories #YOU netflix #YOUS2 #YOU season 2 #YOUseason2

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oopsabird · 4 years

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IFD Author Showcase - oopsabird’s SamiCharlie (Wonder Woman 2017) Works

Hello all! Since today is February 15 was International Fanworks Day, I thought I’d get around to something I’ve been thinking of doing for a while, which is a masterpost of all the Wonder Woman (2017) fics I’ve written for the pairing Charlie/Sameer! Yay!! Shamless self-promotion time!!

Click under the cut for all 15 of my works for this ship in the order I originally posted them! Plenty of reading to fill up your reading week or procrastinate whatever you “should” be doing lol

Unfortunately this probably won’t show up in the tags due to the amount of links it has, so reblogs would be super super appreciated, as are comments and kudos from those of you who click through!

These works represent the small public part of the huge amount of writing growth I have had in the last two years, and a big effort to build a ship tag from the ground up with my friends, and I am so so proud of them!! Every word of a comment or kudos means the absolute world to me, as making these fics has helped me rediscover my creative self again after so many years of being estranged from that part of me - they are an expression of creative joy.

Hope you enjoy!

1. And In The Morning [1838 words]

If that snowy night in Veld had been the calm before the storm, this sunrise was the stunned quiet in the wake of the hurricane. The moment to look around and take stock of what made it through the vicious night - and what didn’t.

Missing scene/coda: Sameer at the airfield, after.

Warnings: N/A | Fandom: Wonder Woman (2017) | Characters: Sameer, Charlie, Chief, Diana Prince | Relationships: Charlie/Sameer, Charlie & Sameer | Date Posted: 28 Nov 2017

Additional Tags: Hurt/Comfort, Missing Scene, Friendship, Friendship/Love, Pre-Slash, sober Charlie

2. je le veux [7697 words]

Diana believes in love the same way children believe in fairytales - with optimism and wholehearted conviction.

or;

Over the course of their mission in Belgium, Diana deduces from watching Sameer and Charlie that they obviously must be a devoted married couple. This conclusion would in fact be news to everyone else on the team — including Sameer and Charlie.

Warnings: N/A | Fandom: Wonder Woman (2017) | Characters: Diana Prince, Sameer, Charlie, Etta Candy, Chief | Relationships: Charlie/Sameer, Diana Prince/Steve Trevor (mentioned), Charlie & Sameer, Etta Candy & Diana, Wonder Squad Found Family Feels | Date Posted: 27 Dec 2017

Addtional Tags: Mutual Pining, Intimacy, cultural misunderstandings (of a sort), Implied/Referenced Alcohol Abuse/Alcoholism, Recovery, Grieving, well-intentioned meddling friends, Diana Prince vs 20th-century homophobia, aka Truth Coming Out Of Her Well To Shame Mankind, Fluff, Get-Together Fic, Post-Movie, non-explicit references to homophobia, sober Charlie

3. gambit [7390 words]

gambit: in chess, a sacrifice used to gain an early advantage in space or time at the opening of a game.

or;

Sameer does something arguably reckless, and consequences ensue.

Warnings: Graphic Depictions of Violence | Fandom: Wonder Woman (2017) | Characters: Sameer, Charlie, Chief, Etta Candy | Relationships: Charlie/Sameer, Charlie & Sameer, Wonder Squad Found Family Feels | Date Posted: 3 Jan 2018

Additional Tags: Canon-Typical Violence, liberal mis-use of historical timelines and the field of medicine, Hurt/Comfort, a dozen tropes stacked together in a trenchcoat, Mission Fic, Minor Injuries, Serious Injuries, Interrogation, Get-Together Fic, Post-Canon, Whump, epilogue compliant, sober Charlie

4. To Burn And Keep Quiet [5660 words]

Sameer and Charlie tell their secrets, yet still keep them secret all the same. Etta gets caught up in the middle of their mess, and prays for patience.

Additional Tags: Mutually Unrequited, Mutual Pining, Friendship, Miscommunication, Pre-Canon, Post-Canon, yes it can be both, oblivious idiots in love, Hospitals, Etta gets caught in a minor moral conundrum, Secrets, Pining, Male-Female Friendship, Unresolved Romantic Tension, Period-typical attitudes towards homosexuality, (not Etta because she's a good person), Bisexual Character, Pre-Slash, epilogue compliant, sober Charlie, Implied/Referenced Alcohol Abuse/Alcoholism

5. so much like stars [6668 words]

Sameer gets Charlie back from the drink - and all that which comes with him, too.

or;

How the rest of the team spent that night in the village.

Warnings: N/A | Fandom: Wonder Woman (2017) | Characters: Sameer, Charlie, Chief | Relationships: Charlie/Sameer, Charlie & Sameer | Date Posted: 31 Jan 2018

Additional Tags: Pining, Canon Compliant, Mid-Canon, Missing Scene, Undressing, Past Alcohol Abuse/Alcoholism, the result of watching the "evening in Veld" scene way too many times, Friendship, Unresolved Romantic Tension, probably some UST too but it's subtle I think, Emotional Hurt/Comfort, Light Angst, Diana/Steve Trevor (mentioned), sober Charlie

6. Next To Me [2604 words]

After the war Charlie's drinking stops, but the nightmares don't. Luckily, he has people who’ll take care of him - if he can learn to let them.

Warnings: N/A | Fandom: Wonder Woman (2017) | Characters: Sameer, Charlie, Etta Candy, Chief | Relationships: Charlie/Sameer, Charlie & Sameer | Date Posted: 18 Mar 2018

Additional Tags: Post-Traumatic Stress Disorder - PTSD, Nightmares, Past Alcohol Abuse/Alcoholism, Friendship, Emotional Hurt/Comfort, Post-Canon, Angst, Mutual Pining(if you squint), Team as Family, Charlie and the fight against toxic masculinity, epilogue compliant, sober Charlie

7. take my heart (clean apart if it helps yours beat) [4147 words]

This thought more than any other makes Sami’s heart twist in his chest; he wishes he could turn back time, lift the troubles from Charlie’s mind and give him the peace he deserves. Steve says this new mission of theirs could end the war, and while Sami isn’t quite naive enough to wholeheartedly believe this, he quietly hopes that it can be true, because he isn’t sure how much longer they can hold on otherwise. A small group of missing scenes from the last night in London before the mission.

Warnings: N/A | Fandom: Wonder Woman (2017) | Characters: Sameer, Charlie, Steve Trevor | Relationships: Charlie/Sameer, Charlie & Sameer, Sameer & Steve Trevor | Date Posted: 1 May 2018

Additional Tags: Angst, Hurt/Comfort, Alcohol Abuse/Alcoholism, Canon Compliant, Missing Scene, Post-Traumatic Stress Disorder - PTSD, Pining, Miscommunication, Etta and Diana appear briefly but not enough to tag

8. a degree of difficulty [2603 words]

Without the drink to cloud his judgement, Charlie finds himself prone to worry.

or;

A small cutscene preceding the battle at the airfield; a moment of reassurance.

Warnings: Chose not to use | Fandom: Wonder Woman (2017) | Characters: Charlie, Sameer, Chief, Steve Trevor | Relationships: Charlie/Sameer, Charlie & Sameer, assorted minor/background team feels and friendships | Date Posted: 27 Aug 2018

Additional Tags: Ficlet, Past Alcohol Abuse/Alcoholism, Anxiety, Emotional Hurt/Comfort, Pre-Slash, Friendship, sober Charlie

9. i don’t know if you would listen [2509 words]

After the village battle and before the celebration, Charlie seeks out absolution in Veld's broken church.

Warnings: Chose not to use | Fandom: Wonder Woman (2017) | Characters: Charlie, Sameer | Relationships: Charlie/Sameer, Charlie & Sameer | Date Posted: 5 Oct 2018

Additional Tags: Character Study, Past Alcohol Abuse/Alcoholism, Canon Compliant, Religious Discussion, Pre-Slash, Friendship, Sami being beautiful in the twilight (again), Mid-Canon, time to unpack my massive box of Charlie feels (again), Prayer, sober Charlie

10. dìon [1944 words]

dìon — Scottish Gaelic; verb meaning “to protect”, “to safeguard”, or “to shelter”.

or;

Sami vs the forces of winter.

Warnings: N/A | Fandom: Wonder Woman (2017) | Characters: Sameer, Charlie, Etta Candy | Relationships: Charlie/Sameer, Charlie & Sameer, Etta Candy & Sameer, Etta Candy & Charlie | Date Posted: 8 Jan 2019

Additional Tags: Winter, Pre-Slash, mild whump, Fluff, Mutually Oblivious Pining, Sharing Clothes, epilogue compliant, sober Charlie

11. let me come with you [12,013 words]

the woods are lovely, dark and deep (but i have promises to keep)

or;

When things go awry on a mission in Italy, it's Charlie's turn to risk everything for his family, and pray they'll bring him home. Sequel and mirror to gambit.

Warnings: Graphic Depictions of Violence | Fandom: Wonder Woman (2017) | Characters: Charlie, Sameer, Etta Candy, Chief | Relationships: Charlie/Sameer, Charlie & Sameer, Etta Candy & Charlie, Charlie & Chief, Etta Candy & Sameer, Wonder Squad Found Family Feels | Date Posted: 4 Apr 2019

Additonal Tags: Mission Fic, Established Relationship, Action & Romance, Angst with a Happy Ending, Hurt/Comfort, Interrogation, Team as Family, Canon-Typical Violence, (maybe a bit above that), Whump, tropes tropes and more tropes, sober Charlie, Serious Injuries, Post-Canon, epilogue compliant, liberties taken with medical accuracy, Angst and Hurt/Comfort, Peril, Romance, Multilingual Character, i love Charlie and i am terrible to him, Torture

12. a small enough love [1016 words]

i don’t want to die. i just want a little goddamn rest and a small enough love that i can breathe around it.

Charlie sleeps. Sami keeps watch.

Warnings: N/A | Fandom: Wonder Woman (2017) | Characters: Sameer, Charlie | Relationships: Charlie/Sameer, Charlie & Sameer | Date Posted: 20 Aug 2019

Additional Tags: Napping, Pining, Friendship/Love, Pre-Canon

13. (you say it best) when you say nothing at all [2073 words]

Sameer prides himself on knowing over two dozen languages (and counting) — yet somehow, he has never really needed any of them for him and Charlie to understand one another perfectly.

Warnings: Chose not to use | Fandom: Wonder Woman (2017) | Characters: Sameer, Charlie | Relationships: Charlie/Sameer, Charlie & Sameer | Date Posted: 14 Oct 2019

Additonal Tags: Post-Canon, Getting Together, Post-Traumatic Stress Disorder - PTSD, Past Alcohol Abuse/Alcoholism, Implied/Referenced Racism, Emotional Hurt/Comfort, Nightmares, mild whump, aka Charlie gets his ass kicked a bit, No Dialogue, sober Charlie, Sameer makes a fuss, Charlie doesn’t actually mind, Angst with a Happy Ending, but like mild angst, Men Crying, Friends to Lovers, First Kiss

14. remedy [4027 words]

Sameer has spent a long time pretending he doesn't hear Charlie's nightmares, both to shelter his friend's pride and hide his own feelings.

Then the war ends, and Charlie gets sober, and damn near everything changes.

Warnings: Chose not to use | Fandom: Wonder Woman (2017) | Characters: Sameer, Charlie | Relationships: Charlie/Sameer, Charlie & Sameer | Date Posted: 12 Nov 2019

Additional Tags: Pre-Slash, Post-Canon, Mutual Pining, Post-Traumatic Stress Disorder - PTSD, Nightmares, Emotional Hurt/Comfort, sober Charlie, Paris (City), Sharing a Bed, Accidental Cuddling, Repressed Idiots, Past Alcohol Abuse/Alcoholism, Post-War, Tenderness, Mutually oblivious

15. and if the night comes (and the night will come) [2164 words]

well at least the war is over

Charlie isn’t the only one who has his share of nightmares.

Sameer just happens to be a lot quieter about it.

Additional Tags: Nightmares, Post-Traumatic Stress Disorder - PTSD, Role Reversal, Emotional Hurt/Comfort, Fluff, Singing, Established Relationship, Post-Canon, Post-War, Cuddling & Snuggling, Multilingual Character, sober Charlie, Sameer is painfully selfless, Charlie is Trying His Best god bless him, Lullabies, Tenderness

If you’ve made it this far and still somehow want more, please go check out the 17 other works for this ship by my dearly beloved friends and muses Elri and Kaye, and my pal Bug. Hell, check it out anyway. Couldn’t have done all this writing without them, I simply couldn’t <3

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aelaer · 5 years

Note

☕ Stephen's backstory, comics vs MCU. Just how much would you like them to be alike? Would you be interested in Stephen having a new background? Or would you prefer the Donna timeline to be there? What about Victor, too? 👀

As you know, we really don’t have a lot of information on MCU Stephen’s backstory other than that Donna’s death was filmed at some point, we just haven’t seen anything of it. I can tell you what similarities I do and don’t want, at least:

Stephen’s dad:

Name: His name is Eugene, but I am fine with them updating the name for something more common to babies born in the 50s (as opposed to the 1900s) to fit with the timeline being moved up in the MCU.

Personality: This is a quote taken from the Expanded History of Stephen Strange on the 616 Marvel Wiki that sums up Eugene’s personality:

“However the wonderment of childhood was quickly quashed by Stephen's father Eugene, who was a no nonsense businessman who often chastised his children for pursuing activities that he considered a waste of time, such as birthday celebrations. One day Stephen tried to show off the ribbon he won in a spelling bee, and was punished by his father. Seeking Eugene's approval, Stephen decided to become just like his father, dismissing anything other than the pursuit of money as a trivial waste of time.”

I 100% do not want this. I find the trope of “distant from dad because he was emotionally/physically abusive” a really tired one; there are thousands of ways for families to fall apart, and abuse doesn’t need to be a part of any of them. No one necessarily needs to be fully in the right, and no one needs to be fully in the wrong. And frankly put, that’s how a lot of real relationship problems actually work.

Frankly put I think it would be a million times more interesting if they weren’t exactly close due to differences in interests and personalities, but that he let Stephen be a kid, and when he got accepted to some of the most prestigious colleges he was stoked. I definitely don’t see him as a backwater hillbilly who wants Stephen to be a farmer rather than a rich doctor-- and that’s a trope I really dislike as well, as it suggests that people from poorer, less educated families living out in the middle of nowhere don’t want to see their children wildly succeed and live their own lives. It’s a real disservice and ugly stereotype of people living in the rural parts of the United States.

I would be much, much more interested in seeing their relationship deteriorate from amicable to non-existent due to the tragedy of Donna’s death. Eugene loses himself in functional alcoholism and Stephen to his studies.

Stephen’s mom:

Name: Beverly is another name that sounds good in the 1900s and a bit outdated for the 50s, though not nearly as much as Eugene. Again, I’m fine with the same name or an updated name.

Personality: There’s very little said about her from what the Wiki says. All I could find is:

“Stephen lost himself in his work and a few years later he was called back home when he heard news that his mother was on her death bed. Her final words to Stephen were to look after his brother Victor.”

So a lot leaves it up to the imagination. In my headcanon, she’s the one that wants Stephen to go to college at one of the more local universities so he can drive back to visit on the weekends, or at least they could drive out to the city once a month. She’s the one that needs a little persuasion about how awesome his scholarships to those fancy universities out east are, but she accepts it and the first year of Stephen’s undergrad works out really well.

Then Donna dies, and nothing is ever the same again. I expanded upon her (and Eugene’s) personalities and my own headcanons of them during Whumptober in the prompt “Scars”, so you can see how I see it all playing out with her and her eventual death there if you want.

Donna:

She has to remain Donna, no renaming for her. Donna’s not too old fashioned either so it can work fine for a 1980′s baby. Basically I’d like her story to remain more or less as it is: Stephen’s back in Nebraska after his first year of college (at 19) and she’s 17 and they just have a jolly good time with a bunch of friends out at a lake, and then she dies in a freak accident.

And the family completely falls apart from there.

Victor:

He’s the one that I’m not sure about at all. I didn’t even include him in my fanfic because he seemed like a third (or fifth) wheel in this particular family dynamic. I realllllyyyy dislike the comic book canon for him, too.

So I’d be fine with him being completely left out of the MCU. However, if he were to make an appearance, I’d be okay with the following:

Older, not younger, than Stephen. Canonically he’s 8 or 9 years younger than Stephen, making him 10 or 11 at the time of Donna’s death. Even if Stephen is grieving, I find it very difficult imagining the MCU Stephen abandoning his kid brother completely to college. I am the eldest in my family and I have a 14 year gap between my youngest sibling; such a thing as one of our middle siblings dying would make me more fiercely protective and want to get closer to my youngest sibling. And while comic!Stephen threw himself into “money money money” due to his dad, in my headcanon Eugene isn’t a completely emotionless prick, so that early influence wouldn’t be present. The breaking of the family occurs due to Donna’s tragedy. A kid sibling being present doesn’t as easily fit the equation with MCU Stephen’s personality. I might be projecting my own fierce love for the baby of the family, but MCU Stephen just isn’t THAT big of a prick. Arrogant for sure, and self-centered and self-important before the accident, yeah. But kid siblings are kid siblings, and that’s another thing altogether.

Much older than Stephen. But I wouldn’t want him to be too close to Stephen either in order for the sundering to be complete. There’d need to be a significant age gap and Victor’s personality would need to be the one that has him pulling away early on, leaving him as a sibling you’d only see once a year, maybe. This would be Victor’s own choice. More importantly, it wouldn’t give Stephen another close sibling connection and the ability to better cut himself away from his parents.

No getting hit by a car and dying immediately after an argument about their dead dad. I mean honestly, talk about insanity. I know things like that might happen in RL, but in this fictional scenario, it feels so over the top to the point of incredulous hilarity. That’s not exactly a mood you want to inspire in an audience.

No getting revived by botched magic and turning into a vampire instead. Who the fuck thought that was a good story idea? I hate this plot. And it’d be horrid for MCU Stephen, who heard “Death gives life meaning” from the Ancient One just before she passed away to go through something like this. Not to mention he’s experienced coming back from death too many times to count, so he’d know just how not-necessarily-great that was, especially as some half-dead creature. Ugh.

No double superhero life. None. Nada. Zip. Probably an accountant or something. Has a wife and two kids. Average life.

He’s just an estranged elder sibling he saw every once in a while as a teenager, lost contact with after their dad’s death, and talked with maybe twice afterwards (including the days after the accident, which would be... interesting).

And that’s my headcanon ramble for today.

#mdcbd #aelaer's stephen headcanon #stephen strange #doctor strange #mcu #ask #answered #meta #long post

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sharkmobster · 5 years

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spider verse coffee shop au??

Anon im sorry i wanted to draw the coffeeshop au but ive been so tired lately so imma just overshare about what goes down bc this au is just (thick tombstone voice) : “everybody’s traumatized bitch lets get you a latte”

• this au is incredibly villain centric bc uhhhhh all i do is think about villains

• its also very aaron davis centric bc time to project my anxiety onto a grown ass man babey!!

• anyway this takes place in a normal world where there’s no superheros or avengers or what have you, everyone’s super average

• like i said this is more or less aaron centric and focuses on him readjusting to society and making connections with other people, and just healing in general. Aaron’s whole deal is that he was wrongfully arrested for defending himself against an off duty cop who was harassing him and ended up with a 10 year sentence (but was let off a year earlier for good behaviour). He’s got a lot of guilt bc of this if only for the fact that he feels like he let down his brother and Miles (who was a small lad at the time).

• Fun Fact! Jefferson was the one that picked up Aaron at the jail when he served out his sentence! The ride back to brooklyn was awkward! but also jefferson loves his brother and even tho they’ve had their falling outs he never once stopped believing that his brother was innocent. Jefferson also made sure to pull some strings and ended up getting an apartment set up for Aaron (even though jefferson and rio were 100% down to open their home to him for as long as it took him to get back onto his feet but of course aaron denied them bc he didnt want to be a burden) Aaron’s grateful but he tends to avoid his own family…a lot….

• it’s ridiculously hard to find a job bc nobody wants to hire an ex convict no matter the circumstances and Aaron’s legitimately about to lose hope when he spots an expensive looking shop nestled in between an old arcade and a knick knack shop

• ‘Vanessa’s Cafe’ is neatly printed above the door in fancy gold lettering. it’s obvious that the owner has serious cash bc the shop looks too damn good and too well maintained to be a regular mom and pop shop. there’s a help wanted sign hastily scribbled on a piece of notebook paper in the middle of the window which is odd since it off sets the professional vibe of the place. But hey it’s worth a shot so Aaron walks in ready to be denied another job only to find the weirdest looking group of people he’s ever seen.

• The first guy that catches his attention is the very large albino man who looks way too stressed out and manic to be working in a coffeeshop, but the job must pay well because he’s very well dressed.

• “Liv, for fuck’s sake! Clean your goddamn station!” he’s whisper shouting? Is that even a thing? oh look at that he’s got a full set of razor sharp teeth. huh. that’s a hell of an aesthetic he’s going for.

• The lady in question isn’t even giving him the time of day, just enthralled by her phone with a smile that looks too peaceful given what’s happening around her. She’s got wild hair tied up messily in a knitted bandana, weird glasses (custom made??) and when she glances up at aaron, her eyes widen in interest like he’s some anomaly to be cracked open. aaron looks anywhere that isnt the wild eyed lady at the counter.

• Theres another big guy that’s hanging around the back, heavily tattooed and lifting stacks of heavy boxes. Aaron takes notice of his prosthetic hand and the tattoo guy takes notice of Aaron.

• “Lonnie. Customer.” The Tattoo guy seems nonplussed about Aaron and walks into the back. aaron assumes that he’s offended him by staring at his prosthetic for longer than necessary which yeah….yeah he’s probably not happy about the staring.

• lonnie’s got a bad case of resting bitch face so he’s glaring at aaron without actually glaring and he’s just rough around ALL the edges so his tones got that nice bite to it as he shouts from across the counter (which is not something you do to a customer but it’s lonnie…..) "Hey! Ya looking for a job, skinny jeans?!“

• Aaron blanches at the idea of working with these people but he is absolutely desperate for a job at this point.

•"Yeah. I just got out of-”

•"Great, you’re hired! We’re speed running this whole introduction thing, string bean.“

•and that’s all i got other than like small details like:

•Peter B Parker owns a ”“’'cafe”“” across from Vanessa’s and its literally just a burger joint that h a p p e n s to sell coffee and Parker will fight you if you call his place a deli ahdhdj

•Liv and May are dating (big shock) and peter b has to constantly deal with seeing his competition over at his place all the time and it’s yikes

• Tombstone and Noir will 100% throw hands on contact. They don’t hate each other tho??? Its weird they just like to fight. gives them a chance to work on their banter i guess. Noir works the coffee machine at Peter’s “'cafe”’ so i guess he’s the “”barista”” of the joint but he drinks the coffee more than the customers do

• Miles and the rest of the spider kids “”“”“"intern”“”“” at the cafe which basically translates to free labor

• spider ham works there but he isnt a pig he’s just john mulaney. i know its weird. nobody actually sees him tho so he’s a complete mystery as to what he looks like so he could be john mulaney you never know. the only person who’s seen him is noir and that’s only bc they’re a thing???

•oh speaking of everyone being gay: everyone’s gay

• Lonnie and Gargan (tombstone and scorpion) are 100% dating but everyone legitimately thinks that the both of them are straight old men despite the fact that they live together, go to work together, hang out afterwards together, and they’re just always together

• lonnie’s daughter (janice) visits every other week (def the product of a divorce he went through years ago) she’s alright with gargan but she’s very distant towards her dad and def has that teen angst phase that she’s going through

• (lonnie can and will talk to you for hours about how much he loves and supports his daughter despite the fact that their relationship is very estranged)

• you can find janice hanging out with the cute blond punk girl at that weird burger/coffee place across the street

• oh gargan’s big and strong despite the fact that he’s missing three limbs, liv works in robotics on the side and constantly tweaks and repairs his prosthetics when they start acting up which leads to them having this weird friendship where they both borrow each other when they need something and dont really expect anything in return (like gargan’s good for getting her supplies and doing heavy lifting when she needs it and liv’s always down to run check ups on gargan)

• oh yeah liv used to be a scientist but immediately lost her license and phd when she started going above some board members heads to buy less than legal things through super illegal sources

.• that’s another thing, kingpin tends to just hire ex cons and criminals to work in his cafe just bc he believes that a person willing to work hard to better themselves deserves a chance to re enter society again.

• like they’ve all done bad things but still ended up with a job at the cafe. aaron fought a cop, liv did some shady deals for an illegal experiment, gargan used to run a drug ring years ago due to personal reasons but once he was free from jail he never dealt with the stuff again, and lonnie killed a dude (allegedly. he never went to jail bc they couldn’t prove anything but hey word spread around quick and everyone knew not to go anywhere near this guy)

• kingpin is in this au btw he’s just……a very depressed man who’s still grieving over his wife and son dying in a car accident

.• he rarely shows up to run the cafe bc its too much for him being in the place that his wife loved and built up from the ground. he used to be the manager after she died but couldn’t handle it and mostly left lonnie to take care of it

• which holy fuck lonnie is trying his best to keep this cafe alive and well and there’s only two other people working there so like its enough to have him scrambling all over the place trying to find more help (thanks aaron)

•miles doesn’t know aaron’s working at the cafe across the street and aaron def wants it that way bc even tho he’s out of jail he hasn’t actually……visited miles yet….. it’s the shame that’s keeping aaron from reaching out to him which is….sad bc miles doesn’t care what happened he just wants his uncle back.

• oh oh one more thing RIPeter used to run the deli across the street but had to leave brooklyn to go volunteer at homeless shelters across the states indefinitely so theres no telling when he’ll be back, so he left the cafe under the guidance of pb parker (peter b parker voice: my cafe now)

•and uhhh thats all i got, like i said this au is just found family trope + the healing we all want + bad people getting redemption which is all the tropes that i love all compacted together in the most cliche au you can imagine!

#itsv #aaron davis #the prowler #liv octavius #doctor octopus #lonnie lincoln #mac gargan #hi i work at a starbucks and it's hell so this is how i cope babey!!#spider verse #spiderman #the life and times of a robot prince

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shielddrake · 4 years

Text

The Monomyth in Video Games (AKA My Longest Rambling Ever)

Tell me if this sounds familiar:

A person who comes from humble beginnings is called to go on an adventure to accomplish something great. He (it’s usually he) may either jump at the call or initially refuse it, but finally goes with the help of a mentor figure. He meets various amazing people and faces a myriad of challenges to achieve his ultimate goal. He confronts the main obstacle, overcomes it, and is rewarded for it. He returns to his home a wiser person, and bestows upon his fellow people the lessons he has learned, to the benefit of all. The End.

Anyone know this? Anyone? Yup, that is a short, short, very short and simplified version of the monomyth, also known as The Hero’s Journey, a narrative device observed by many people but popularized by Joseph Campbell. It has been studied and used by storytellers of various media, ranging from oral tales to books to movies to, yes, video games.

It is one of the most common narrative devices out there, if not possibly the most common, at least historically. I’m sure a lot of us were exposed to Greek myths such as The Odyssey in school (at least, in America we are). JRR Tolkien’s The Lord of the Rings has many of the steps in the early parts of the story, before drifting in other directions once the fellowship separates. Each individual Harry Potter book has its own cycle of The Hero’s Journey. Every. Single. One. Star Wars is still a popular franchise (the more recent criticisms aside) and George Lucas has admitted repeatedly he used the monomyth as inspiration while he was writing the scripts for the original trilogy. So even if you are not intimately familiar with The Hero’s Journey in detail, high chances are you’ve been exposed to it simply through consuming various media.

That’s not to say that using this narrative device is always intentional. I would find it incredibly surprising if Hiromu Arakawa or Hajime Isayama were purposely trying to include monomyth steps in their creation of Fullmetal Alchemist and Attack on Titan, respectfully, or that the creators of the 2019 anime version of Dororo meant to put Hyakkimaru through the paces of The Hero’s Journey, but sure enough, all these have some aspects of the monomyth in them!

Does this mean a story, whether it’s a novel, TV show, movie or video game, has to possess all these steps in order to be considered using the monomyth? No, definitely not. On the contrary, it would actually be a good thing for stories to not require use of all these steps. Telling a story by just crossing items off from a list is bound to create a rather stale experience. What I’m saying is simply that stories will borrow aspects of The Hero’s Journey to make the story compelling. The same goes for order and magnitude. The monomyth is usually presented in seventeen steps, but I don’t feel like they necessarily have to show up in the story in the listed order, nor do the steps have to take up equal amounts of the story-telling experience. Steps four through ten usually are the longest, while the last five or so tend to be rather short.

So, in my apparently endless determination to apply the same techniques used in literary theory and film theory to video games, I would like to go over a couple of video games and how they do or do not apply the various steps of the monomyth. I will go over four video games, noting whether each step is present, how much it adds to the story by its presence or absence, and how well the game represents the step.

I’ve decided to review Final Fantasy VII (because its remake it coming out relatively soon), Dragon Age Inquisition (for another RPG, but not made in Japan), Bioshock (to show this isn’t just an RPG thing), and Psychonauts (because I’ve still got Psychonauts on the mind from my last post). I will also be comparing this to the monomyth found in Harry Potter and the Philosopher’s/Sorcerer’s Stone, The Lord of the Rings, and the Star Wars Original Trilogy.

There will be spoilers for these movies and games, on the off chance that anyone who hasn’t seen or played them doesn’t want them ruined. Do I need to keep putting spoiler warnings on older games? Or for the books/movies? Although I’m also kind of writing this with the idea that you have at least a passing knowledge of these movies, books and games…Oh well, just to be safe: Spoilers Ahead!

This is a really, really long one, so beware. Readers may want to take this in phases.

Let us begin.

1.) The Call to Adventure

First, there needs to be a little backstory established. The hero’s journey usually begins in the home of the main protagonist, more often than not showing the protagonist’s life in its everyday normalcy, which is often put in a negative light, ranging from boring to outright dangerous.

The hero will generally come from rather small beginnings, which is probably why orphans are a common origin story. Luke is an orphan who lives with his aunt and uncle, oblivious to the fact that his father is Darth Vader. Harry Potter is very much the same, living with a borderline abusive family who force him to sleep in the cupboard under the stairs. Frodo is also an orphan taken in by Bilbo, his second cousin (hobbit family trees are confusing). Please note that this does not preclude a hero from learning a parent is alive later in the story (looking at you, Luke).

In addition to this, the hero is rarely someone with much power, authority or money. Being a moisture farmer on Tatooine is apparently not the most noble of professions (though on a desert planet I’m a bit surprised by this), and the Dursleys appear to be middle class at best. Bilbo and Frodo are wealthy by hobbit standards and seem to be higher on the social hierarchy in The Shire, but remember that hobbits mostly reside in the Shire and immediately surrounding areas, so they aren’t considered to be important players in the world of men or elves. They are small both in stature and in society.

For our chosen video games, it’s a little bit up to interpretation of the word “orphan” and what the player decides, but the humble beginnings idea still applies. Cloud from Final Fantasy VII (FFVII) is half-orphaned at a young age when his father dies, but doesn’t become a full orphan until he’s a teenager, when his mother dies during the Nibelheim Incident. We only see this in a flashback, and adult Cloud is a full orphan by the start of the game. By this point, Cloud has fallen from a SOLDIER First Class to a mercenary. So he’s rebelling against the more powerful people in Midgar, or at least is being paid to do so.

The Inquisitor of Dragon Age Inquisition (DAI) may or may not have living parents, depending on origin and player choice. A human Inquisitor probably has living parents, but it’s a bit debatable if an elf, dwarf or Qunari Inquisitor does. At the beginning of the game the Inquisitor loses any prestige they may or may not have had (especially the human noble), and a Carta dwarf, Dalish elf, and Vashoth Qunari don’t have much in terms of power or rank in Thedas anyway. Whatever the case, the Inquisitor ends up being just a simple prisoner for the early prologue part of the story, before being raised up to the Herald of Andraste and eventually to Inquisitor.

Jack from Bioshock is an interesting case. He’s sold by his biological mother, “raised” by Dr. Suchong and Brigid Tenenbaum, and later smuggled out of Rapture to live with adoptive “parents.” He is also an outsider in that he is kind of an unknown factor, given his upbringing, so by the time Jack arrives in Rapture at the start of the game, he is basically nothing but another body that happens to be there. Without Atlas directing him, it is very possible he could have just become another splicer, the crazed and deformed human remnants of Rapture’s human population. Either way, he doesn’t have much in terms of money, power or authority by the start of the game.

Raz from Psychonauts doesn’t fit the orphan archetype, as he clearly has a rather large family, but he is estranged from his father at the very least. We don’t know his relationship with the rest of his family, but perhaps we’ll see more of that in the sequel. Raz definitely fits the humble beginnings archetype though, seeing as a circus performer profession is looked down upon, especially if you ask Kitty or Franke.

The Call to Adventure itself can come in many forms, either through circumstance, a person begging for help, the hero learning about their origin they previously didn’t know, the hero’s own desire for a better life, and so forth. “Help me, Obi-Wan Kenobi. You’re my only hope.” Yeah, that one is pretty clear. Harry Potter gets his letter to Hogwarts delivered by Hagrid, and Gandalf says that Frodo must deliver The One Ring to Rivendell (although in the book Frodo takes a few months just thinking about it before actually leaving the Shire).

For Cloud, the call really comes from both Barret and Tifa, with Barret paying him to help destroy the Mako Reactors, and Tifa pretty much calling in the promise Cloud apparently made to protect her during their childhood. The Inquisitor is basically blackmailed into working with Cassandra and Leliana to rebuild the Inquisition to close the Breach, which the player can either go along with willingly or unwillingly.

Jack…doesn’t exactly have a call to adventure so much as he’s thrown into the adventure by way of mental conditioning and circumstance. The player doesn’t really get how the plane he’s riding crashed and why he ended up in Rapture until later in the game, but he’s basically told by Atlas/Fontaine what to do to help him save his (Atlas’) family. And things just go from there. For Raz, he receives a pamphlet for Whispering Rock Psychic Summer Camp, and being a psychic himself Raz decides to run away from the circus (in an inversion of the normal run away to the circus trope) to attend the camp. I would still like to know who it was that gave Raz that pamphlet to begin with. I’ve heard a lot of different theories. What do you guys think?

2.) The Refusal of the Call

When the hero receives the Call to Adventure, in whatever form it comes in, the hero often refuses the call, saying he or she is not cut out for whatever the adventure calls for or they have something else more important to do. This can be saying you have to help your uncle on the moisture farm, saying you can’t possibly be a wizard, or trying to give The One Ring to the wizard who reveals the danger you’re in. The Refusal is of course short-lived and the hero goes along with the call anyway, otherwise there would ultimately be no plot, or at least a very, very boring one.

Cloud’s Refusal of the Call is short-lived but repeated. He tells Barret that Shinra sucking Mako from the planet isn’t his problem, tells Biggs he’s gone once the job is over, proclaims to the entire AVALANCHE group that he doesn’t care about the planet, and tells Tifa he’s going to let AVALANCHE deal with Shinra and that he’s no hero. It isn’t until Tifa reminds him of a promise he made to her that he actually sticks around the group. All this occurs in roughly the first half hour of the game.

In DAI, a Refusal of the Call is optional based on player choice. The Inquisitor can reject being the Herald of Andraste basically from the word go, with repeated rejections scattered about the entire game. Later, the player can refuse the idea of leading the Inquisition, including for race or religious reasons. All this doesn’t matter, however, as the game continues on with the player’s character being referred to as the Herald/Inquisitor anyway, so the refusal is kind of a moot point.

Bioshock and Psychonauts don’t really have any Refusals of the Call. Raz actually jumps at the chance of going on an adventure, away from the circus, away from his family, who he thinks doesn’t understand him. If anything, the refusal comes from his father, Augustus, who destroys the pamphlet for the camp and forces Raz to practice acrobatics instead. But Jack’s story is the most interesting to me in terms of the refusal, and anyone who has played through Bioshock knows why. Not only does Jack not refuse the call, but also he also literally cannot refuse it. His “Would You Kindly” mental conditioning keeps him from doing so, and I love that it is buried in the gameplay in a way that the player doesn’t even realize the mental conditioning is there until much later. Story and gameplay integrated!

3.) Supernatural Aid/Meeting the Mentor

I’ve seen this step be called alternatively both Supernatural Aid and Meeting the Mentor, depending on who is describing The Hero’s Journey. Campbell called it the former, while the more recent Christopher Vogel calls it the latter. Personally I think these should be separate steps, but they often have to do with one another in some way, so I guess they can go together.

The term “supernatural” is just vague enough that it can mean many things. It can mean magic, divine intervention, magic, genetic manipulation, magic, psychic abilities, magic, aliens, or Force magic, to name a few. Harry Potter and Fellowship of the Rings all have some form of magic (of course), while Star Wars has the Force. FFVII has magic, the ancient spiritual race of the Cetra, and, strangely enough, the alien invader Jenova. Psychonauts has psychics (again, of course). DAI has presumed divine intervention from the Jesus-like figure of Andraste, at least until the Inquisitor enters the Fade and learns it was actually Divine Justinia, who is basically the Dragon Age version of the Pope. The Plasmids that Jack uses throughout Bioshock is more scientific than magical, but it still serves the same function.

As for mentors, some of those are pretty obvious for the books/movies. Luke has Obi-Wan, Frodo has Gandalf, and Harry has Dumbledore. For our chosen video games, it’s a bit less clear. Cloud’s “mentors” might actually be his love interests Aerith and Tifa, depending on how far in the game the player is. Jack has both Atlas/Fontaine and Tenenbaum, for better or worse. Raz actually has several, which is no surprise considering summer camps have to have several camp counselors, but the two major ones are Sasha Nein and Ford Cruller, since those are the ones he spends the most time with and Raz clearly looks up to Sasha as his hero.

For the Inquisitor, that’s where it gets a bit muddy. It would seem like Cassandra starts as a mentor figure, giving the Herald advice and trying to direct them, but quickly takes a backseat once the player character becomes the Inquisitor proper. She doesn’t even show up at the war table anymore, whereas in Haven she does. Is Leliana a mentor? Kind of, but only in the sense that she acts as an advisor, roles that are also played by Cullen and Josephine. Solas? Well, he would like to think so, and you even get minor boosts in approval if you listen to him. Or you could ignore him entirely and piss him off. Andraste? Sure, if your Inquisitor is devout. It’s more up to the interpretation and choices of the player.

4.) Crossing the First Threshold

This is the step where the protagonist basically goes, “I don’t think we’re in Kansas anymore.” (Yes, MGM’s Wizard of Oz also has its own Hero’s Journey!) It is the point of no return, where the hero finally decides to go with the Call to Adventure. It is also in this step that the hero first encounters some of the real world outside of his or her comfort zone. So, this is another step that is kind of more like two steps.

Our movies certainly have this two-part step. Luke decides to go with Obi-Wan to Alderaan after his aunt and uncle are killed by Imperial soldiers, and the cantina scene is his first real interaction with the tougher people that exist in the galaxy, including the skeptical Han Solo. Frodo (eventually) decides to take the One Ring to Rivendell, and The Prancing Pony in Bree exposes the hobbits to full-sized people for the first time, other than Gandalf. Harry Potter also has two, once at the Leaky Cauldron (pubs and inns seem to be a trend) leading to Diagon Alley and again on the Hogwarts Express.

Psychonauts has an obvious Crossing of the First Threshold: Raz enters Coach Oleander’s mind, the Basic Braining level, the first mind Raz ever enters…presumably. It’s possible he entered another mind before then, but it’s not likely.

Jack’s first sight of Rapture kind of acts as a first threshold, for both Jack as a character and for the player, but I also kind of like to think of it as the scene where Jack first sees a Big Daddy defend a Little Sister from a splicer. It gives a bit of foreshadowing that nothing is what it looks like down here, and Jack (and by extension, the player) should be careful about who he trusts. A Little Sister is not a small, innocent creature after all, because there is always a dangerous, hulking Big Daddy somewhere nearby. Atlas is not who he appears to be, and ultimately Jack isn’t either. Instead, they are both people wearing masks, one intentionally and the other completely obviously.

The first attempt at closing the Breach in DAI is a clear crossing, because it is from there that the Inquisition is reborn and the main character becomes the Herald of Andraste. Nothing is the same for the player’s character from that point on. The same goes for Cloud and the gang after the pillar holding up the upper plate over the Sector 7 slums collapses. Most of AVALANCHE’s members are killed and Aerith is captured. It’s not about saving the planet by this point. It’s about saving Aerith and getting revenge. Things just domino on from there.

5.) Belly of the Whale

This step coincides with the previous one. It is the final separation from everything the hero knows and moving into the unknown. Oftentimes it overlaps with a step called Loss of the Mentor, but it doesn’t have to. Consumption by a whale is optional, though use of a metaphorical whale is the more common approach.

Speaking of metaphorical whales, what’s a bigger one than the Death Star? The same place where Obi-Wan dies, leaving the last connection to anything Luke had to his previous life and the one who would help him step into the future. He’s aboard the Millennium Falcon with two other people, two droids and a Wookie, but in reality he’s completely alone.

Another such whale is Moria, the underground kingdom previously ruled by dwarves, but by the time of The Fellowship of the Ring, it is overrun by goblins, orcs, and the Balrog. The fellowship is swallowed by the earth and needs to get out. The price of that, however, is losing Gandalf. Another mentor lost. An even bigger whale is seen later in the books once Frodo and Sam reach Mordor itself, and they have to face even more challenges to get the One Ring to Mount Doom.

For Harry, the whale could be a couple of things. It could be Hogwarts itself, the Forbidden Forest, the Hogwarts Express, the forbidden room on the third floor, or perhaps the trapdoor under Fluffy and the passage underneath…Lots of options here. Now, the mentor figure for this book, Dumbledore, doesn’t leave Hogwarts until near the end of the story, and thankfully he doesn’t die, unlike the previous mentors who happen to be old, bearded, wizard men. He waits until book six to do that.

FFVII kind of has an opposite whale. On one hand, it could be argued that the Shinra, Inc. building could be the whale, and although it certainly could be, I think a more poignant one would be the greater world itself. Once Cloud and the gang escape from Shinra, they leave Midgar and head out into the world, and they don’t return to Midgar until the end of the game. This could also be considered a Crossing the First Threshold.

Again, DAI is about choice, but there are two events that are pretty big whales. The first is trying to recruit either the mages or the Templars to the Inquisition to close the Breach. Whether the player ends up facing Alexius in a dystopian future or fighting an Envy Demon for control in the Herald’s own mind, the main character ends up delving deep into a dangerous situation they have to climb out of. The second time is during the quest line to fight the possessed Gray Wardens and the Inquisitor ends up falling into the Fade. Quite a whale there, the Fade. A giant world that is only supposed to be accessible either to mages or in dreams. This is even more intense of an experience for a dwarf Inquisitor, since dwarves do not dream and cannot be mages in this universe.

Bioshock…well, besides the idea of Rapture itself being a whale (during the game’s opening scenes, we even see a whale swim between Rapture’s towers), I would consider the most likely place to be Rapture Central Control. It’s here that some of the most important game events happen, after all. Jack kills Andrew Ryan, there’s the reveal of Jack’s “Would You Kindly” mental conditioning, and Jack learns he’s actually Ryan’s illegitimate son. Not to mention learning that Atlas, who has been guiding Jack and the player throughout the game thus far, is actually Frank Fontaine, the big bad. He has actually been using Jack this whole time just to one-up Andrew Ryan in their little power struggle. And then Fontaine betrays Jack and sends security bots to kill him, leading to yet another loss of a mentor. That’s a lot to take in during such a short time.

Psychonauts doesn’t have a whale, but it does have a Hideous Hulking Lungfish. Raz has to do battle with her beneath Lake Oblongata, and then enter her mind so Raz can release her from Kochamara’s control. By then, Sasha and Milla have already been kidnapped, under the ruse of “Official Psychonauts Business,” and Ford Cruller is forced to remain in his underground lair near the psitanium so he doesn’t fall into one of his many personalities. So much for help there.

6.) The Road of Trials

The Road of Trials is the meat and potatoes of the story. It’s all the challenges the hero must overcome in order to reach the ultimate goal, whether it’s a big or little one. The challenges themselves may also be large or small, and according to Campbell often occur in groups of three. These challenges prepare the hero for the final encounter at the end of the story.

…Do I really need to go over these in detail for each movie and game I’m reviewing here? It’s basically the plot all the characters go through during the course of the story, ranging from battles, dungeons, travel, magic classes, camp activities, puzzles, and so forth. I’m not going to list each one here. This post is long enough as it is.

7.) The Meeting with the Goddess

This step involves the hero meeting with another character who helps them in some way, whether it’s as part of the hero’s group, by giving an item that is helpful, or just giving good advice. More often than not, this character is one of high ranking: an actual goddess, a princess, a queen, or something of that sort. She may or may not be a love interest, and more modernly she may not be a “she” at all…our examples here though do happen to be female, but I’m just saying this doesn’t have to be the case.

Star Wars is obvious. Luke meets Leia, the Princess of Alderaan who hides the plans to destroy the Death Star in R2D2, first in her hologram and then in person aboard the Death Star itself. Frodo meets Galadriel in Lothlorien, where she allows him (and Sam, in the books) to glimpse into the Mirror of Galadriel to see the possible future of the Shire should his quest fail. She also provides him the phial containing the light of Earendil’s star, which is vital to fighting off Shelob later on. I wouldn’t exactly say Harry Potter has a goddess to meet, but I like to think it’s supposed to be Hermione, since she knows so much and often is the only one who actually knows what’s going on.

Let’s see. FFVII has Aerith, whose big “gift” to the story is giving her life while she prays for Holy to stop Sephiroth’s Meteor. Bioshock has Brigid Tenenbaum, who assists Jack throughout the game if he spares the Little Sisters, and removes part of his mental conditioning so Jack can resist Fontaine. Milla is one of Raz’s teachers at Whispering Rock Psychic Summer Camp, teaching him the Levitation ability, which is arguably the most useful ability in the game.

As for DAI, there are plenty of characters that can play the role of the goddess, but I would argue the most important one might be Morrigan. She tells the Inquisitor about the eluvians and theorizes Corypheus is searching for one as a means to reach the Fade. Although she ends up being wrong, Morrigan also is a candidate for drinking from the Well of Sorrows, and if she does she helps the Inquisitor by fighting the red lyrium dragon during the final battle with Corypheus.

8.) Woman as Temptress

Here’s another misleading title. The Woman as Temptress originates back from Campbell’s research of Greek myths, where the hero is enticed by a female figure: Circe, Calypso, the Sirens, and so on. Today, the “woman” is really just anything that tries to drive the hero away from the path of his journey. This can be power, money, promises, or threats, for some other examples. It can still be a person, but lately that hasn’t been the case.

There is always the temptation of the Dark Side of the Force, although Luke doesn’t really encounter this in full force until The Empire Strikes Back. The One Ring is the temptation itself, and it actually does succeed, since Frodo doesn’t throw the Ring into the fires of Mount Doom. It isn’t destroyed until Gollum bites off Frodo’s finger, reclaims the Ring, and falls into the Crack of Doom while doing a happy jig. Voldemort tries (very briefly) to get Harry to join him and hand over the Philosopher’s/Sorcerer’s Stone at the end of the book (it’s a bit longer in the movie) but that doesn’t last very long.

There’s not exactly a temptation in FFVII, although I guess Jenova manipulating Cloud into bringing the Black Material to Sephiroth at the North Crater is the closest thing. I feel that goes more into the manipulation category than temptation though, but it still functions in a similar way. Bioshock has the temptation of harvesting the Little Sisters to receive more ADAM from them, and thus allowing Jack to obtain more abilities. This can be really appealing from a gameplay perspective, and results in the bad ending of the game if you kill every Little Sister. Alternatively, Tenenbaum compensates you if you spare the Little Sisters, so it’s not the end of the world to resist the temptation.

…Raz doesn’t have a temptation to stop trying to become a Psychonaut. At all. Oleander never convinces him, Loboto doesn’t convince him (their interaction is actually incredibly small in the main game), none of the other campers dissuade him, and he faces all the obstacles in all the different minds with determination. The closest thing I can think of is Lili, who really just tries to give him a realistic view that the Psychonauts are not as important as they once were. I guess the “making out” scene kind of fits here, since Raz is clearing distracted by the idea of kissing Lili and doesn’t pay any attention to what she’s saying immediately after. Linda interrupting them puts an end to that though.

As for DAI…yeah, I have trouble with this one. There really isn’t anything that tempts the Inquisitor in a way that distracts them from the danger at hand. Romance doesn’t do it, power doesn’t do it, money doesn’t do it, blood magic doesn’t do it, demons don’t do it…Yeah, I’ve got nothing. Readers, please help me with this, if possible!

9.) Atonement with the Father

This is the step most people know even if they don’t know the concept of the Hero’s Journey itself, because it is such a common trope used in all kinds of story telling. This can be a father or father figure, and honestly it’s not unusual for this to be replaced by a brother in video games, and less commonly with another relative. This step may or may not be related to the next step, Apotheosis, depending on if the “father” is the source of the main conflict, but it is still one of the major obstacles the hero must overcome. Another thing to note that this step does not have to involve the death of the “father” either.

Let’s face it: Star Wars is one of those films that normalized the father-son conflict dynamic in movies. Sure, it existed before then, but it became a huge thing after the iconic scene between Luke and Vader in The Empire Strikes Back. The conflict doesn’t come to a head until The Return of the Jedi, when Vader finally redeems himself by killing Palpatine and saving Luke’s life, giving his own in the process.

That being said, it’s interesting that the other two movies we’re looking at have more distant aspects of the Atonement with the Father step. It’s not Frodo who has to deal with his father’s displeasure, but Faramir. Is there anything worse than hearing your father admit that he wishes you had died and your older brother had lived? Denethor doesn’t appear to care about Faramir until he appears to have died. This is less apparent in the book, but it’s still there.

Harry Potter has the same thing. Obviously since Harry doesn’t have a living father, it’s kind of hard for him to have a conflict with him. I guess there’s kind of atonement with Severus Snape in the last book, but you have to really, really squint to make it that relationship one of a father-figure and son. …No, that doesn’t work for our purposes. There are issues with fathers with other characters, like Ron, Neville and Draco, but those relationships aren’t really elaborated on until later in the series.

Video games often follow a similar pattern. Conflict with a father or father figure is incredibly common. Raz and Jack both have big issues with their dads, although Raz’s resolution is obviously more positive than Jack’s. Raz actually does atone with his dad, right before the final battle with a giant two-headed father monster in Raz and Oleander’s combined mental world. (If you don’t know Psychonauts, it makes sense in context, I promise.) Jack meanwhile…kills his biological father, although perhaps not willingly considering his mental conditioning. Andrew Ryan is a pretty terrible human being though, so maybe Jack/the player would have wanted to kill him anyway. Maybe.

It should also be no surprise that the father issue doesn’t have to surround the main character, especially since being an orphan is a common backstory, as mentioned in the Call to Adventure step above. The Inquisitor doesn’t really have issues with his/her father, presuming the player thinks the father is still alive, but Dorian certainly takes umbrage with his father trying to use blood magic to change his sexuality. It’s up to the player to either encourage or discourage Dorian from reconciling with his father, so this step is up in the air in that regard.

Another similar conflict that occurs in DAI that isn’t with a father is between Morrigan and Flemeth, although I would hesitate to consider it”atonement,” especially if Morrigan is the one who drinks from the Well of Sorrows, thus tying her to Flemeth’s command. Of course, with Flemeth out of the picture and Solas taking over, I wonder how that connection stands now.

The father conflict is also not related to the main character in FFVII. Red XIII, aka Nanaki, has issues with believing his father, Seto, abandoned his mother and his tribe during an attack by the Gi tribe. In truth, Seto actually sacrificed himself to prevent a backdoor invasion, turning to stone after being hit by several petrifying arrows. Once Red learns the truth about this, he proclaims that his father was a hero and he will protect his home, Cosmo Canyon, just like he did.

And that’s not even getting into all the father issues present in the other Final Fantasy games, plus others in FFVII. Maybe I’ll do another post about that topic another time.

10.) Apotheosis

This is the point the quest has been leading up to. The final challenge. The final battle. The final countdown. The hero takes all they have learned over the course of their journey and applies it to this final challenge. If there’s a main villain of the story, this is the time where the hero confronts them.

This is pretty self-explanatory. Luke Skywalker trusts in the Force, which allows him to blow up the Death Star. Harry Potter decides he wants to obtain the Philosopher’s Stone, but not use it, and that’s what allows him to receive it from the Mirror of Erised. And Frodo has to throw the One Ring into the Crack of Doom to defeat Sauron. That last one is interesting in that Frodo technically fails to do this final task, which is not something we historically see in Hero’s Journeys, but such a failure is becoming more common.

Applying this step to video games feels a bit like cheating considering that a large majority of them have a final boss battle of some kind, and our four games are no exception. Most of the resolution of the main character’s stories coincides with the defeat of the final boss. Jack’s story ends when he is able to reverse his mental conditioning (with Tenenbaum’s help) and he defeats Fontaine, and the Inquisitor’s conflict with Corypheus ends, of course, with Corypheus’ death. The Trespasser DLC for DAI adds more conflict involving what happens after and what the Inquisitor is going to do about their Mark that is slowly killing them, but I feel that’s another story, so it’s beyond The Hero’s Journey of the main game.

However, despite having final boss battles, I feel that Psychonauts and FFVII also have an Apotheosis step in terms of the characters themselves. Raz has to defeat the two-headed mental amalgamation of his and Oleander’s fathers, but he is able to do so because his real father breaks into his mental world and lends Raz his power so he can fight the monster. That reconciliation is more important to Raz’s story than beating the monster. Honestly, Raz probably wouldn’t have agreed to use his father’s strength if they hadn’t reconciled literally just prior to the final fight.

Cloud’s Apotheosis really has to do with coming to terms with his false memories. He never actually joined SOLDIER, instead becoming a grunt in the Midgar army. He was experimented on after the Nibelheim Incident, escaped with Zack, and basically imprinted Zack’s life, experiences, mannerisms and skills after Zack was killed right in front of him. Cloud and Tifa have to sift through Cloud’s memories to figure out what really happened during the Nibelheim Incident, thus returning Cloud to his normal self. Essentially, Cloud has to realize that he is not as strong of a person as he previously believed, and that there’s nothing wrong with being weak. What you have to be is true to yourself. That’s more important than being strong.

11.) The Ultimate Boon

So if the Apotheosis is the final challenge of the journey, then the Ultimate Boon is the reward for overcoming it. This can be material or not, and likewise may or may not be what the hero initially set out to receive or accomplish. The boon can be large (such as saving the world) or small (earning a medal), and it can be public (again, saving the world) or personal (winning a love interest’s heart).

Harry and Frodo both set out to accomplish a task, preventing the Philosopher’s Stone being stolen and destroying the One Ring, respectively, although Harry’s realization that he must do this thing is later on in the story compared to Frodo. They both succeed and are both rewarded. Harry and his friends are basically handed the House Cup at the end of the school year for thwarting Voldemort’s plan, and Frodo and the fellowship save the world, and more importantly for Frodo, save the Shire.

However, Frodo does end up having to leave the Shire and go into the east due to the wounds he acquired throughout the journey as well as the strain of carrying the Ring. In a way, he is rewarded for his journey, but also punished because he didn’t actually accomplish the task he set out to do. He ends up leaving the Shire, his home, which he wanted to save to begin with.

Luke is kind of the same way. He doesn’t set out necessarily to find his father and bring him back to the light. His Call to Adventure had to do with going to Alderaan with Obi-Wan to help Leia, and he is rewarded with a medal at the end of A New Hope for destroying the Death Star. However, his boon really has to do with reconciling with Vader, a conflict that doesn’t begin until The Empire Strikes back, later in his Hero’s Journey. However, this is just a good example of how the boon does not necessarily have to relate to the call.

The boons for both FFVII and DAI are saving the world. It’s good for the world to not be destroyed, after all. Raz’s boon is a bit more personal: He is allowed to join the Psychonauts, which he set out to do, but his relationship with his father is also significantly improved now that the two of them understand one another better.

For Jack, he saves Rapture…sort of. If the events of Bioshock 2 indicate anything, it’s that things really haven’t gotten better for Rapture following Fontaine’s defeat. However, presuming that the player spared the Little Sisters and gets the good ending of the game, Jack returns to the surface world with the cured Little Sisters, who essentially become his daughters. In the words of Brigid Tenenbaum, “In the end, what was your reward? You never said. But I think I know…a family.”

Jack is given the short end of the stick in terms of family and future. His parents are not his real parents, his biological father Andrew Ryan didn’t want him, his mother sold him to Tenenbaum and Suchong as an embryo, and he has no control over himself or his own destiny. Considering it turns out everything Jack knew about himself and his family is a lie, a real family is the best thing he could have received. Jack basically has nothing at the beginning of the game, so the fact that he is able to still build a life for himself and the former Little Sisters is a great reward. Of course, this is thrown out of the window if the player harvests the Little Sisters and gets the bad or neutral endings, so there you go.

12.) Refusal of the Return

We’ve reached the point where the hero has accomplished the goal he/she has set out to do, has received their reward, and now has to go back to normal life that was left behind at the beginning of the story. What? The hero doesn’t want to return to normal life? They prefer the world they’re in now? Yeah, in a strange reversal of the Refusal of the Call, the hero no longer wants to return to their previous life, having earned the boon and learned the lessons they have.

Can anyone really blame Harry Potter for not wanting to return to his aunt and uncle’s house once the school year end? Yeah, let’s go back to the house where he’s treated horribly, has a literal hand-me-down bedroom, and is not allowed to perform any of the magic he has grown to love. Plus his owl is forced to stay in her cage the whole summer. That sounds great! Let’s do that.

Frodo, on the other hand, does return to his normal life in the Shire, but later has to leave because of his wounds and from carrying the One Ring (see The Ultimate Boon step above). It’s not so much that he refuses to return, but rather he is forced to leave again. Luke is kind of the same way. He doesn’t really refuse to return to his family and their moisture farm, it’s that he can’t return to it, because that has been destroyed. His previous life can no longer be. Even if we stretch the timeline to the end of The Return of the Jedi, Luke never goes back to just being a moisture farmer.

Psychonauts only has a half-hearted refusal. At the end of the game, Raz acts like he’s going to go back to the circus, but only for a moment. Once the opportunity to go on another rescue mission comes up, Raz turns to nonverbally ask his father if he can go. It’s more like he’s asking for permission to not return rather than refusing outright.

The Inquisitor of DAI doesn’t return to their previous world either. The life of running the Inquisition doesn’t end when Corypheus is defeated. It continues on until the Trespasser DLC, which even at the end of that the Inquisitor continues their adventure to stop Solas from basically destroying the world in a few years. I’m actually pretty eager to see how the Inquisitor fits in the next Dragon Age game, although the developers have given a 2022 release date, last time I checked.

For Bioshock, Jack really does not refuse to return, symbolically indicated by him leaving Rapture and returning to the surface world. Regardless of whether he brings the cured Little Sisters to the surface to have a normal life or he becomes the splicers’ new leader and brings them to the surface to destroy mankind, he peaces out of Rapture at the first opportunity he has. There’s no refusal to return on Jack’s part at all.

FFVII…okay, I’m again having trouble with this step. Cloud doesn’t really act like he refuses to go back to his previous life. His previous life is actually up in the air, with all his messed up memories and near lack of anything connecting him to his past, either as himself or with his false memories as an ex-SOLDIER. The only person really connecting him to his life before the story is Tifa, and I’m not going to get into the shipping wars about whether he should be with her or the now dead Aerith. That’s a different post. Regardless, by the end of the game, Cloud is more interested in moving forward than going back.

13.) The Magic Flight

In the process of returning to normal life, the hero will often have to flee from some kind of danger. This happens after the hero has received the boon, but before they are able to bring it to the people. If there’s a bad guy that needs to defeating or a task that needs accomplishing, this step often takes place immediately after. Actual flying is not required, but don’t be surprised if it does. The Magic Flight frequently merges with the next two steps, Rescue from Without and The Crossing of the Return Threshold.

Let’s see. Luke escapes the Death Star on a shuttle with his father’s body. Frodo and Sam fly with the Eagles back to safety as Mount Doom is erupting. Harry is knocked unconscious and rescued by Dumbledore from the room containing the Mirror of Erised. Whew. Managed to keep that short.

DAI doesn’t really have this step, because again, the story keeps going even after Corypheus’ end. However, I could argue there are other parts of the game that have a Magic Flight, such as escaping from the dystopian future after defeating Alexius or escaping the Fade after fighting the Fear Demon. These events just don’t happen at the end of the game. FFVII also only kind of has this step too, in the form of the Highwind bringing the party out of the North Crater following the defeat of Safer Sephiroth.

Raz has to escape from his own mind, which is intertwined with Oleander’s in the last stage of the game, and his brain has to be detangled in order to return to his normal self. He’s not really conscious for the process though, so the player doesn’t really see it. As for Jack, this step is really kind of merged with the next two, so we’ll get to those.

14.) Rescue from Without

During the course of the Magic Flight, the hero will be unable to escape the danger they are trying to flee from on their own. Someone (or multiple people) will need to come in and rescue the hero. This is especially true if the hero is injured or weakened in some way, particularly after a rough final battle with the big bad.

As stated before, this one often overlaps with the previous one and the next one. Vader saves Luke from Palpatine’s Force Lightning. The Eagles rescue Frodo and Sam from the erupting Mount Doom. Harry rescued from the attack from Voldemort/Quirrell by Dumbledore and brought to the Hospital Wing for treatment. Yeah, that sounds about the same as before.

The closest thing the Inquisitor comes to being rescued from without, at least at the end of the game, is with the red lyrium dragon, where either a dragon-shifted Morrigan (if she drank from the Well of Sorrows) or the Guardian of Mythal (if the Inquisitor did). However, the red lyrium dragon defeats either Morrigan or the Guardian, and the Inquisitor and the party have to fight it anyway. So it’s an attempted but ultimately unsuccessful rescue.

Raz is rescued by his dad, Augustus, from his own brain, and I imagine Cruller, Sasha and Milla all played a role in separating Raz’s brain from Oleander’s and rebraining him, even though this isn’t shown on screen. Several Little Sisters stab Fontaine to death with their ADAM-collecting syringe, saving Jack from his final blow. It’s a wonderfully satisfying scene and I absolutely love it. FFVII has a rescue of sorts in that Aerith has to basically make the Lifestream rise up to help her Holy spell stop Meteor from destroying the planet. How she manages to do this from beyond the grave is never explicitly explained. It must just be a Cetra thing.

15.) The Crossing of the Return Threshold

So, this step is the final of the triumvirate of the return steps. The hero actually returns to their normal life or their previous home, and distributes the boon they have received upon the rest of the world. This is basically anything that happens after the climax of the story. Exposition explaining what exactly has happened may or may not be included.

Luke returns to the rest of the characters on Endor to celebrate the destruction of the second Death Star, bringing the teachings of the light side of the Force with him. Harry Potter boards the Hogwarts Express to return to the Muggle world. And the hobbits all return to the Shire, although in the books they have to deal with Saruman and the Scouring of the Shire once there.

For Psychonauts, there’s kind of a Return Threshold, but only if you stretch it, and not in the sense that returns Raz to his normal life. Quite the opposite actually. Raz and the gang levitate into the Psychonauts jet that just happens to show up from the ground. Hmm, didn’t Raz say he suspected that Cruller had a jet hiding in his lab somewhere? Oh look! More setup and payoff!

Finally, we come to Jack. After defeating Fontaine, he is finally able to take a bathysphere to the surface again. The player sees this almost immediately after defeating Fontaine, and it occurs regardless of whether the player gets the good or bad ending.

As stated in the Refusal of the Return step, neither DAI nor FFVII really have Crossing of the Return Threshold. FFVII just sort of ends and DAI doesn’t show the Inquisitor returning to their home origins, either in the game proper or in the DLC.

16.) Master of Two Worlds

This step is no so much of a step, but rather a final result of the hero’s journey. It is closely related to the next step, Freedom to Live. We see the hero basically in their final form, having achieved what they set out to do, whether that was the original intention or not. The hero is able to live in both their old and new worlds.

In our chosen movies, Luke is really the only one who is the Master of Two Worlds. He recognizes the darkness that exists in him, but he can overcome it. Frodo, on the other hand, literally can’t become Master of Two Worlds due to his experiences. He has to leave one world (the Shire) permanently for the east.

Harry…really has to compartmentalize his wizard and Muggle experiences, but that has more to do with his family not being willing to accept that magic is a part of him. Obviously his aunt and uncle do not care for his boon (magic) that he brings with him, forbidding him from using it, even without the Statute of Secrecy in place. He can’t really master both worlds in that regard, not until the last book and he reconciles with Dudley. (I’m really annoyed they cut that from the final release of the movies. That badly needed to be shown.) Harry does become a master of two worlds, the living and the dead, in the last book, but we’re looking at the first book alone, and this step isn’t really possible for him due to his circumstances.

Now I have to admit, the only game (on our list anyway) that has this step is probably Psychonauts. Cloud steps away from his false life as an ex-SOLDIER when he admits that it was all in his head, choosing instead to continue to live as himself. Jack either returns to the surface with the Little Sisters and stays there (in the good ending) or becomes the master of Rapture and new leader of the splicers, rejecting his previous life. And The Inquisitor, well, I guess you could say they become the master of both the real world and the Fade, especially since he/she gets progressively better at controlling the Anchor and closing Fade rifts. However, they he/she still remains in the real world as the Inquisitor, until the events of Trespasser at least. These three games have the main character choosing one world over another, so it’s hard to pin them down as “masters” of two.

Psychonauts, however, shows Raz accepts both parts of his life, as an acrobat and as a Psychonaut. This is illustrated excellently during the last platforming part of the game, during Meat Circus, with the rising water and Raz needing to keep up with his mental image of his dad. He uses both his acrobatic skills and his psychic powers to reach the top of the area. And as stated previously, Raz gains his father’s blessing before running off on another mission. Raz succeeds at being a Master of Two Worlds, and this kid is only ten!

17.) Freedom to Live

A follow up of the previous step, Freedom to Live is pretty much exactly what it sounds like. Having mastered both worlds, the hero is allowed to live, as he or she wants, without worrying about any more conflicts…until the story sequel at least. This is the happy ending of the story, presuming the story has a happy ending.

All of our protagonists, both movie and video game, manage this step in one way or another. Luke no longer has the threat of the Sith looming over him, and he can be at peace knowing he helped to redeem his father (and, for now, I’m going to ignore the stuff that happens in the New Trilogy, because that starts up a whole new set of the monomyth). Harry is given the opportunity to go back to Hogwarts for more schooling, and even though his Muggle family disapproves, he knows who he is now and has answers for things he couldn’t explain before. Overall, the end of the first Harry Potter book gives him a new lot in life, and the series continues on with that from there.

And Frodo. Poor Frodo. Perhaps it’s hard to say he has “freedom” to live since he does end up leaving the Shire, but considering that his goal was to save the Shire (and by extension, all of Middle Earth), he succeeds. Frodo had to leave his home, but the other hobbits, including Sam, his closest companion, were able to live without a care. It’s a sacrifice, but one Frodo seems content to make.

As for the video games we’re looking at, well, now Raz has the freedom to pursue his dream of being a Psychonaut without worrying about it alienating his family, his father in particular. Cloud is able to put the past behind him and move forward as his own person, rather than trying to live up to a standard he forced himself to before. The Inquisitor has challenges ahead to be sure, but without the threat of Corypheus breathing down their neck, they have a bright future to look forward to (at least until Solas decides to tear down the Veil, but we’ll have to wait for Dragon Age 4 to see how that turns out). And finally, Jack finally has answers to any questions he had about his life, and with his mental conditioning removed, he is finally allowed to choose his own fate, whether as a despotic leader of the splicers or as a father to the cured Little Sisters.

So there you go. The Hero’s Journey in a bunch of movies and video games. As I said at the beginning of this extensive diatribe, the monomyth is not the only way to tell a story well, and it certainly is not mandatory to make a story good. However, whether intentional or not, parts of the monomyth somehow find their way into the stories we share in our various media. It’s worth looking at for any kind of story, if only to analyze how the presence or absence of the monomyth affects the story, for better or worse. And yes, video games can be a great form of story telling, if developers take the time to create it and players take the time to experience it.

Okay. This post has gone on long enough. To anyone who managed to make it all the way here, thank you for your patience and commitment to reading my ramblings.

#video games #video game analysis #movie analysis #monomyth #hero's journey #spoilers #writing #storytelling

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wheremytwinwatches · 4 years

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[Where My Twin Watches]: Full Metal Alchemist Brotherhood Episode 47

Last time: Winry interrupted Ed’s Sandwich Time, Pride told Al to take a nap, and Bradley got Operation Valkyrie’d. Onwards!

Narrator’s saying how Al was captured by the Goths on Promised Day Eve, and now he’s floating in the Whitespace. Probably not a good sign. A voice (Truth?) tells him to wake up- [Pride]: “It’s too soon for you to die. We aren’t done with you yet. There’s still so much work we have in store for you.” Well. This is going to be a cheerful episode, isn’t it? Episode 47 - “Emissary of Darkness” Way outside of Central there’s a ramshackle village, a bunch of people in rough clothes working the land. Wait why are you asking what the town is called Ed, are you lost? Central is like, clearly visible over the trees. Never mind then, guess this is where Beard’s been hanging out instead of Uncle’s stomping grounds. Sorry dude, but your lunch is getting interrupted by your estranged son and his- I mean, Greedling’s crew. So last time they saw each other it was over Mama Elric’s gravestone while Absentee Anime Father chided Ed for burning down the house. How’s this conversation going to OH SHIT [Beard]: “Edward, I didn’t thi-”

So Beard goes flying from, let’s be honest, a well-deserved punch. I mean we know that he’s on the side of the good guys now, but still. Absentee Anime Father has some explaining to do. Beard’s meeting his son’s new friends ([Lion/Gorilla]: “Ha, no.”), quickly identifies Greedling’s Goth nature and whoosh the Shiny Glasses are back. Eh, this is Beard we’re dealing with after all, guy can’t just give backstory without pulling up his Mysterious Shields. Later that night Beard’s finished storytime, Lion and Gorilla are sitting in shocked silence while Ed struggles with- oooh yeah. He’s spent a large chunk of his life searching for a Philosopher’s Stone to repair his and Al’s bodies, and now learning that he was raised by a “living stone”? Hell, conceived by it. Then Beard offers himself to restore his son’s bodies wat. Oh Leto thank you Ed, the young man’s yelling about how he’s not going to sacrifice innocent souls to fix something that’s their own fault. Beard’s proud to hear his son feels that way. Right, now that everyone’s caught up on the past, what’s going to happen in the future? Apparently there will be a solar eclipse tomorrow that Uncle’s going to “harness for his scheme”. What, is he going to overthrow the Fire Nation? Beard says he needs Ed’s help- [Ed]: “Help you?! Now look here, I’m gonna stop that bearded bastard, but I’m not doing it because you want me to help you! Our best chance at beating this guy is to team up, and that’s the only reason I’m even talking to you right now!” Yeesh. So Ed’s still harboring a lot of ill will towards Beard, storms off after that diatribe as the rest of Greedling’s crew heads off. Except Ed pauses oh yeah Granny asked him to pass on a message, Mama Elric’s final words: [Mama Elric]: “Sorry I couldn’t keep my promise… but I’m dying first.” Argh. And when Ed spins around to keep yelling at Beard, he sees the living Philosopher's Stone staring up at the night sky, crying. Out in the ramshackle village, Ed and the Chimeras are eating while the two men try talking him into giving Beard a chance, maybe ask why he took the Absentee Anime Father route. Ed’s still awfully bitter though, not helped by Greedling jumping into the conversation, pointing out the irony of Ed’s father being his early Quest Item. Ed says there’s more to it than that. Back at the campfire Beard’s thinking about the family picture, when Mama Elric was talking about how someday she’d grow old, that she’d be right there when he left for his Mysterious Mission. But we know how that all turned out. And it has to be said, he’s probably thinking about how he’s one of the most powerful beings in the setting. Maybe he could have healed her illness if he had stayed home? Yes at the cost of using his Philosopher’s Stone blood, but it’s still there. For now, Beard sits talking about how she stayed with him, how he wasn’t there beside- wait. [Beard]: “Tomorrow, ‘Trisha…” DEATH FLAGS WAVE WILDLY Like holy crap, the dude’s sitting by a campfire on his own the night before a big mission, looking at a photo of his dead wife and talking about how he wasn’t around. That’s… wow. Calling it now, Beard’s going to bite it. Taking all bets, I’ll bet Tephi a new book of her choice that Papa Elric will be gone inside of five episodes. The Dramatic String Music is starting up. Ed’s getting red cloth aw buddy why are you going back to your old red cloak? I liked the white outfit, you could have pulled off a good Gandalf.

See, Lion and Greedling agree with me, the Goth of Avarice even calls it flashy. But no, Ed’s all “this may be our final battle”, so he wants to do it in what he considers ‘style’. Fine, just promise no cars this time around. The Greedling Crew’s leaving? What about Beard, the Living Philosopher’s Stone you’re supposed to work with? Ed’s saying that the others can bail if they want ([Greedling]:”Hey now, I’m the boss!”). If they’re after restoring their bodies- [Gorilla]: “These bodies do have their perks. To be honest I really don’t mind staying like this.” [Greedling]: “Hahaha! Yeah, now that’s the spirit!” YES. THANK YOU. So anyway, the Chimeras are all “we’ve got nothing better to do, might as well help save the world” and Greedling’s… not telling Ed why he wants to go back to Central? Eh whatever, after his tiff with Bradley I don’t think he’s going to try and team up with the other Goths again. Wouldn’t put it past him to try and claim the title of Fuhrer in the chaos though. But even if he tries pulling that I think Ling would protest, and he’d have to deal with Roy Mustang (aka the guy who killed Lust) and Armstrong the Great. So yeah, I don’t see that happening. Lion pauses in the road, Ed looks around to see the holdup- Al! Did you get away from… oh no. No glowing red eyes? Walking out a dark, shadowy forest? Seen captured by the Goths and “worked on” by Pride? And yup Ed’s questioning how Al’s here when he was over with Sideburns in the East, and Greedling starts freaking out. Totally-Not-Possessed-Al ever so calmly says he needs to talk with Ed while the Creepy Strings start up, turns towards the forest- Ling yells at Ed to back up. Let me say that again, Ling yells at Ed to get away from the armor. Greed why are you trying to keep Ling from warning Ed? Crap shadows leaking from the armor and SHADOW SPIKES EVERYWHERE, Greedling and the Chimeras just barely dodge before they retract back to the armor, which slowly turns around to face the shocked Crew and then grows way too many eyes. We’ve seen Pride massacre Muggles in the tunnels, hold Riza hostage, chase after Uncle’s counterpart. Now we’ll see him actually fight. Mid-ep pictures of a grumpy Greed and a very unimpressed Grumman. Whaaaa? The Fuhrer’s remains haven’t turned up yet? Why wherever could they HE’S ALIVE DAMNIT. Oh hey General Grumman continues to be competent, he’s personally overseeing the search since he “won’t be able to comfortably sleep at night ‘til I see his corpse with my own eyes”. You go, trope-savvy General. But wait, what about leading the Eastern/Northern forces to Central? Uh. Hmmm. Well. Seems that General Grumman’s conniving extends to his “allies” as well. He just “has” to stay and oversee the search for the Fuhrer, meaning his troops are stuck with him. If Roy and Armstrong the Great make their move now, Bradley’s still-intact leadership (along with Uncle) will capture them. Then Grumman can step in to fill the power gap. [Grumman]: “They’ll take the fall as enemies of the state, while General Grumman will heroically come riding in on a white horse. I’ll let the youngsters dive head-first into danger and do all the dirty work. And then I’ll take my rightful place as leader of this country without any risk.” Holy shit. So Grumman is actually a conniving old schemer who plans to use the good guys to make his own power play. Not quite as bad as Raven, but damnit man I liked you. Thankfully Sideburns suspects Grumman’s motive and is withholding his trust. Back to Greedling’s Crew and Armored!Pride. Greedling confirms that it’s his “oldest brother” piloting the armor now, Pride shows off Al’s sigil. So now Ed has to fight his unconscious brother, and hold his punches so he doesn’t disrupt the sigil. This isn’t going to be easy. But at least he has backup- [Gorilla, hiding behind a tree with Lion]: “Our animal instincts are telling us to stay the hell away from that thing.” [Lion]: “It’d probably be smart for you to run too!” Well, this is the First Goth. It’s not really fair for me to expect them to fight it, even Toad and Boar kept to the sides against Envy. But Ed can still fight, and since he’s a Sacrifice then Pride can’t land any killing blows. Unfortunately Pride knows that, and that people can survive without all of their limbs… Pride’s just standing there as shadow blades strike all around the dodging Ed, who’s talking about keeping the Goth away from the slums. He Earthbends up a wall but Pride just smashes right through it and YIKES thank goodness Ling had his Ultimate Shield or he’d be dead, but Pride just latches on to his limbs and tells Ed to stand down or he’ll hurt Ling and the villagers. But Ed’s smiling? [Ed]: “I think it’s about time I start winning some of these fights for a change!” He transmutes the ground wait there are sparks heading straight toward the village OH! Well, it kinda sucks in the long-term that Ed shorted out their electric grid, but for the short term? No bright lights means… well it would mean no shadows if it wasn’t for the moon and stars. Or not? Apparently the moonlight is so weak that there aren’t any shadows near the forest anymore, all of Pride’s limbs vanish. Ed and Greedling exposit that they can’t see anything in the darkness, but Pride can’t cast without the strong light-source. What’s this about Pride’s shadow? Oh, so he’s controlling the armor by touching the armor’s shadow! Meaning that Pride’s just inside the tree-line, and Al’s armor is free from his influence. Quick, grab it! Oooh, but this means that our heroes are going to have to fight, maybe even kill an apparent child. Yeesh. Anyways, apparently the sky is “completely overcast” so that resolves the moon/star issue nicely. For now, Pride waits- Lion! Haha, looks like their noses are all better after Ed’s chemistry lesson. Holy Leto Lion is just unloading on Pride, the Goth chides him for attacking a child but Lion yells that he knows full well what Pride actually is, along with his animal instincts that are blaring “WRONG WRONG KILL IT BEFORE IT KILLS YOU”. Outside the trees Ed and Gorilla meet up, the chimera says they need to book it. But what about Al? He should be free from Pride’s control now, without shadows to manipulate it should be safe to grab the armor and run. But Gorilla urges caution. Moving along the trees they run into Greedling who’s wondering how they tracked him down LOOK OUT GLUTTONY! So just as Lion’s using his superhuman smell and sight to hunt down Pride, Gluttony’s been used for his enhanced sense of smell to track down Greedling. Who tells Gorilla to start fighting? Dude this is Gluttony, if anything you’re the best equipped to fight him seeing how Ling took the first edition down way back when. Except yeah Greedling doesn’t have the sight or smell to fight in the dark. Fight well, Gorilla! Holy Leto he’s actually fighting well, Gluttony’s getting tossed around- [Gorilla]: “Now for the final blow!” *WHAM* [Ed]: “Why, Mister Gorilla? Weren’t we sticking close to avoid attacking each other?” Ah. Never mind then. Greedling’s thinking over how Gluttony’s got the upper hand in the dark, and they’re all screwed when the lights come back on for Pride. Except ha! Like I said, Ling’s the best counter for Gluttony as he can sense the Goth and beat him once before. Let him CRAP Ling just lost an arm oh right Goth so he could regrow his limb (sorry, souls that got used up for that fix). Wait can Ling access the Ultimate Shield? Let’s come back to that, thankfully doesn’t need it right now as Ling’s fancy Xing martial arts are knocking Gluttony down. Greed even compliments him, impressive. But now Gluttony’s mad, and oh yeah he can do that whole pseudo Gate of Truth thing. Look out for the Eraser Gun! And now Ed’s the one who can’t see the danger, Ling and Gorilla can only talk ominously about “something bad coming”- Flash of someone running by? Beard finally catch up with the group and die heroically? Wait. Wait wait WAIT. Flashes of a speedy figure, metal blades that slice through Gluttony- EASTERN MUSIC STARTING UP OH LETO PLEASE TELL ME FUCK. YES. [Ling]: “I’m glad to see you’re ok. I was wondering when you’d find me, Lan-Fan.” The ninjas are back, baby! With a badass upgrade!

#wmtw #where my twin watches #full metal alchemist #full metal alchemist brotherhood #fmab #fmab 47 #ranubis

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doctors-star · 4 years

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1, 9, 15, 19, 40 (if you would) :)

ta! x

ask me questions

1. describe your comfort zone—a typical you-fic.

easy peasy - i’ve long been compiling a bingo list of my favourite tropes which feature time and again in my work. it would, therefore, contain at least one repressed british man attempting, with difficulty, to emote. it would also require a few characters to love them, and know them, and not mind their terrible repression too much. just unbearable fondness between two lovers, or more commonly three, or between friends in a found family. real self-indulgent softness.

already answered 9

already answered 15

19. stephen king once said that his muse is a man who lives in the basement. do you have a muse?

recent google searches: what actually is a muse i mean i know but also maybe i don’t?? who will free the man in stephen king’s basement

i don’t have a muse. the only extent to which one person inspires what i write is me, at myself, going write this idea, because i want to read it. people (like you, dear heart) give me prompts, but that’s really all.

40. write an alternative ending to [insert fic title] (or just the summary of one).

when pressed, you requested in adoration. i prefer the real ending, which is probably just as well, but here’s another one.

alex’s aunt is a rather magnificent lady: tall, sharp, and feathered with lace at every possible point. he forgets, sometimes, the extent to which she fills a space, and to which his cousins tend to fade into the background, washed out by her aggressive presence.

“it will not do, alex,” she tells him, an excess of cut glass in every bitten word. “i shall not have you here. what were you thinking, seducing miss bexleigh away and not making an honest woman of the girl? she’ll not marry now, if it gets out that she ran off at your coattails and escaped unwed.”

“will it? get out, i mean,” alex says with a guilty flush of worry.

edwina sniffs, turning her dismissive gaze upon her cup and saucer, but her daughter georgiana catches his eye and then, ever so slightly, shakes her head. alex settles a little better; he should hate to cause elsie bexleigh any trouble. “regardless, alex, you must come away at once. there is to be no taking after your mother’s side of the family, you understand? i dare say no-one wanted enough of your uncle laurence to mind him squirrelling himself away out here, but-”

“mama!” both alex and edwina turn in some surprise to georgiana, whose grip has gone terribly tight upon her teacup. alex is glad that peter and ruth are out in town today for fear of their terrible righteous, defensive fury being meted out upon the relations, but that georgiana would turn he had not forseen. “you mustn’t be so rude! alex shall stay here if he pleases; he is a grown man. you haven’t the right to insult his relations and command his actions.”

“and you have the right to speak to me thus?” edwina shrieks. alex is left simply watching the argument unfold between them, powerless to do ought but cradle his rapidly cooling tea in one hand and watch the verbal volleys fly. “i have given you children everything! raised you myself and bought you everything you might need - and this is how i am repaid?”

“we were children then, mama, but we are not now,” georgiana says with astonishing calm. she had always been quiet and calm in alex’s recollection; when not away at boarding school she had kept largely to herself in the library and left miriam to dress and fuss and gossip with their mother. he should not have known such calm strength in her before, nor suspected it angled in his defence. “mama, we have stayed long enough. alex will not go, and nor must he. we shall, therefore, leave him; he has work enough to get on with.”

edwina, to alex’s ever mounting surprise, does go, blustering all the while into the warm summer day. georgiana pauses, however, when he drops an awkward finger into the crook of her elbow and she turns to him, waiting. “i - thank you.”

she tilts her head. “do you know how awful it has been,” she asks conversationally, “with neither you nor miriam at home to bear her? i fear that had been building for some time.”

alex’s heart goes out to his cousin, and despite himself and the inevitable complaints of his lovers finds himself extending to her the same invitation that elsie had so gladly taken up. perhaps his farm shall be made a sort of purgatory, to shake the influence of modernity and especially his own relations.

georgiana laughs, though. “certainly not, alex. i am no farmer, nor keen to become one; i like the town, and its society; i dearly like to dance and see plays; i would be surrounded for my whole life long by tall buildings and their interesting inhabitants. you should not like me here, reading all day and complaining of terrific boredom and unchanging society.”

“but - aunt edwina-”

“worries rather about money, presently. it’s why she wanted you married so well, and away from this rather risky venture. money and status mean security, alex, and she would have you and i quite secure from the vagaries of life, with enough to live comfortably with, oh, let’s say, three children after the deaths of all earners in the house, hmm?” georgiana’s eyes are as aggressively sharp as her mother’s and keep him pinned and awkwardly squirming, as if she’d caught him breaking a favourite vase and lying about it. “she will not like either of us, presently, for working so hard against her best-laid plans for you, but i shan’t need to retire to devon, thank you. i shall be married shortly, in fact - though mama doesn’t know that yet. i don’t know if she shall like him, for he’s a little common and rather silly, but he has a strong and prospering business and he dotes upon me terribly. i could be quite happy with him, and free of my mother in very little time at all.”

“and that is enough?” he cannot help but ask the question - ruth and elsie have shown him just how often women settle rather than succeed. despite their childhood, in which they were not friendly and had little to do with one another, and their present estrangement into a curious familial acquaintance, he would have her do better than settle.

but georgiana nods. “to be loved and free, in the place where one wants to be: can any person ask for better? alex - perhaps we shall not ever be friends, for we are not alike and we are, in truth, barely acquainted, but i do hope for as much for you. i hope you’re happy.”

alex smiles and presses her hand. “i am. i hope you’re at least half as happy as i am; for these people are my family, and i love them dearly.”

georgiana’s smile quirks out of politeness into genuine amusement. her mouth curves like alex’s father’s does in the photograph, and he does love her a little for it - for this shared amusement and history and joy. “i can see that. you’re all smiles - it suits you.”

she is right. ruth and peter come rushing back as soon as the gossip reaches them and finds him, sundrenched, in the doorway, wearing a grin that he cannot, at present, seem to shake.

#ohoho! you thought you were safe to dislike the aunt!#that the cousins were evil-stepsister types!#that i might at some point cease my endless crusade to give one and all a happy ending!#but no get rekt #you asked questions other people had also asked so as reparation you get this chonky boi #this is actually just me flexing the family tree notes i had and then barely used #i shall not be stopped #this is your captain speaking #relentless self-promotion

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monsters-demons-and-ai-oh-my · 5 years

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12, 13, 15, 21 for the SPN asks

Ooohh Okay

12. Most memorable episode?

Oof That’s a rough one um… Well my favorite of recent seasons was actually Jack’s introduction in 13x01 just because it was such a great breath of fresh air from what we expected and IMO we needed it. Also Jack’s actual introduction of his character’s strengths, weaknesses, mentality, and relationships with the other characters was pretty tightly written all things considered.

As for the classics… I… I can’t choose there are so… so many great ones, maybe I’ll make a list of my favorite and least favorite episode of every season if people wanted to read it.

13. Opinions on John?

John is… hmm. John was an abusive ass at times but his character also had depth beyond shitty dad. Writing-wise he was emotional and in his own head, which explained the way he had a tendency to shove away his kids and not consider their needs. Which doesn’t excuse his actions at all but makes him feel real beyond “guy who was shitty because shitty people exist.” He was a talented hunter who loved his kids but not enough to put them above his own grief and emotions and obsession, which was his greatest failure, how he treated his children. Becoming the person Mary would have least wanted to raise her children… instead of letting Mary die like he probably thought…

15. One thing you wish to happen before the show ends?

I think it would be absolutely incredible if we had some kind of flashback to the young Winchesters again, maybe shortly before Sam left for college. I would die if Jack was involved. Maybe through time travel because they’d be around the same age. Just Sam and Dean looking forward to their lives that is the rest of the show, meeting (whether they know it or not) part of the family they wanted/never thought they could have, just… oof.

Also, I want Jack and Claire to interact just… Cas’s “kids” getting into trouble, maybe to do with trying to get Cas back from the empty in a kinda natural parallel to Sam and Dean in the first season with their dad.

I probably will get neither because my wants are kind of specific to what I would love, but…

21. One thing that irks you in the show?

The way their spin-offs fail because the writers and probably the CW are terrified of being original and can’t write female characters without making it weird. Imma go on a tangent…

Like… The first spin-off attempt Bloodlines was awkwardly written and shot to begin with and when you add in the fact the plot seemed a dead ass rip off of a Vampire Diaries/Originals type show and the lead was literally just Sam Lite TM completely with murdered almost fiance and estranged dad. And the other leads were “dude who left his family for college” another “Sam lite” and a werewolf girl who literally referred to herself as “a bitch” and who’s big story was how she didn’t matter at all because werewolves were stuck in the 1950′s when it comes to women (because god forbid you write a plot that doesn’t involve women being treated terribly and victim then you’d actually have to rely on them being compelling characters) apparently and a crap starcrossed lovers subplot that has been done to death, “yOu DiDn’T mEeT mE aT tHe TrAiN sTaTiOn.”

But Wayward Sisters? That’s the one that really irked me. Because they had such a good base with developed characters that had interesting backstories and histories.

But then when they introduced Patience the decided to turn Missouri into a hunter for some reason? Like… part of what made the original series so great is the world had depth, people who filled different roles… not everyone who interacted with the world of monsters had to be a hunter. But they re-conned Missouri into being a kinder John LITE with her son and then turned her son into another John LITE who pulled the “if you leave don’t come back” line with his daughter. Patience herself was wonderful but her backstory was cheapened by turning her family into the Winchester’s LITE. And they could have used that to deepen her character instead.

Kaia, we got a glimpse of something interesting with her backstory her powers and the weight they carried with her and her past (though the badly presented exposition dump with the therapist dumping Kaia’s personal medical history in front of like ten strangers was a total breach of patient privacy law that would have gotten him fired and possibly criminally charge in reality…) But after that moment all the words the writers put in her mouth were “it don’t trust anyone” and random buzz word stuff without real context. Like… you need context, professional writers not using the “show don’t tell” rule you learn in middle school is inexcusable.

And then when the actual backdoor pilot aired… it had some great moments it did. And I think it should have been greenlit. But… the literal quest they wrote for the Wayward Sisters was. “Pop through the portal and find the two bozos who can’t figure out how to walk back through a door five feet away from them.” And they kept having super patronizing lines like “We saved the Winchesters holy crap that’s amazing” when again the plot was “tell some bozo’s to walk back through a door while we shoot anything that comes through that’s a monster. “Omg I shot a monster with a gun, I never thought I could do that?” and “If you brave men can save the world we six women can protect a tiny town lol.” Like… why… why… Let your women be badass and original like you already proved you can!

“Well I guess our pilots keep failing because nothing but our leads are carrying our show” Like BITCHES, let your new leads be something interesting and stop trying to rehash your existing leads by mixing them with other overused tropes and maybe you’d get greenlit. Like I honestly don’t get it? This writing staff has introduced some great characters and interesting plots in recent seasons but when it comes to spin-offs? The moment they start setting them up the writers turn into infomercial characters?

#kylermalloy #SPN #Supernatural #answered ask #Sam Winchester #dean winchester #Jack Kline #Castiel

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thecloserkin · 5 years

Text

fic rec: Are You Mine? and I Want Some More by PoetHrotsvitha

fandom: Assassin’s Creed: Syndicate

pairing: Evie Frye/Jacob Frye

word count: 54k and 50k respectively (one is a direct sequel to the other)

Is it canon: yes

Is it explicit: this is the most explicit material i have thus far reviewed on this blog

Is it endgame: yesssss

Is it shippable: yes

One thing you guys should know about me is I don’t read a great deal of smut. I don’t actively avoid it either, and I for sure consume more smut in the context of fanfic than in professional published fiction because I feel the following quote in my bones: “It wasn’t that friendship needed to be sexualized, it was that erotica needed to be … friendship-ized.” So when I stumbled on this fic that is 80% smut stretched over the thinnest pretext of plot, based on source material I have zero familiarity with, what did I do but fall headlong for this pairing and this story. Bless you, anon who brought Fryecest to my attention, and praise the Lord for modern AUs where knowledge of canon is not mandatory.

Jacob and Evie Frye are twins born into an Assassin family and raised by their exacting taskmaster of a father to take down the Templars. There’s no Templars or Assassins in this modern AU of course, just Evie’s looming A-Levels and their absent academic of a father. Evie’s still the golden child, of course—she’ll follow in their father’s footsteps and get her Ph.D. Jacob is the problem child. He’s already fallen in with the Wrong Crowd, he’s impulsive, he drinks and gambles and mostly solves problems with his fists. His relationship with their dad is hella strained. And because this is supposed to be PWP the author wastes no time in ratcheting the sexual tension up to 11 by having Jacob pick Evie up from her posh school on his MOTORCYCLE, each of them pretending not to be so turned on they could have combusted from desire by the end of the ride. Cool cool cool.

Their relationship begins barreling in a dom/sub direction almost from the word go. Evie is one thousand percent the take-charge, Type-A personality, so the idea is that she needs to relinquish that control in the bedroom, and Jacob is the only one she trusts to dominate her. Because they’re twins and they balance each other out adfkdfkdfjdkfd. The scene in the beginning where Jacob tells her not to button up her blouse while she’s making breakfast, and she actually listens to him instead of ignoring or insulting him, holy shit that was hot. It starts so small but eventually he’s got her wearing a wireless vibrator to class and begging for her “punishment” when she takes it out without his permission because it was too distracting.

I imagine this is what the 50 Shades of Grey phenomenon was about. I haven’t read 50 Shades of Grey myself, but I’ve interacted with people who rave about it and clearly got something out of those books, bad as they were. I’m not trying to compare the quality of this story to 50 Shades of Grey—it’s lightyears superior to that dreck—just that when I finished this fic I had the dazed realization that this was why people read smut.

There’s a throwaway line in Jacob’s internal monologue where he muses “they seem to be going about this backwards,” because he’s buying flowers for her the day after fingering her to a screaming orgasm, and yes I am 100% here for this trope. Ffs he sits with her in the library to keep her company while she studies! He waits for her/escorts her to her one hundred and one extracurricular activities! He’s a really immature 17-year-old and he’d never dream of doing this for anyone else, but when it comes to Evie he becomes suddenly sweet and thoughtful and solicitous. He’s constantly pausing in the middle of sex to ask for her enthusiastic & affirmative consent and reminding her to use the safe word. At the same time he’s madly jealous when anyone else shows a flicker of interest in her and he regularly makes her admit he “owns” her during their role-play. They are each other’s firsts which for some reason is really important to me in these kinds of they’re-teenagers-exploring-their-sexuality setups. This is Evie hitting up the lingerie boutique in preparation for their FIRST WEEKEND GETAWAY:

“I’m going away for the weekend with my-” Evie almost stumbled on the word, “-boyfriend.” What a strange concept.

I AM TRASH FOR THIS INCEST TROPE i love the way she stumbles over that word. Bc that’s not the box that Jacob occupies for her, is it? He’s much more than that. I love the way she alternates between begging him to put it in her cunt and calling him a prat and a shitheel; just because he’s the love of her life doesn’t make him stop being her insufferable little brother. You know what else I’m trash for? ALL the sneaking around tropes. One time while sexting with him in a storage closet at school she’s busted by one of the teachers and only barely has time to lock her phone before he confiscates it.

So the first fic ends with their dad finding the sexts and nudes on Evie’s phone, disowning them both, and Evie choosing to go to University of Edinburgh because their dad knows too many people at Oxbridge. The twins get a flat together and it’s happily ever after. Except no! In the sequel it’s ten years later and Evie and Jacob have returned to the house they grew up in to say goodbye to their dying father, and they’re ESTRANGED OH NO WHAT HAPPENED. Evie has a four-year-old in tow. We find out in fairly short order that the kid is Jacob’s, but Jacob doesn’t find out the truth until we’ve sent him through the angst wringer. The fic is about how they grieve and reconcile and how Jacob learns to parent, and this one is actually like 60% plot and I think I like it even better than the first one. This author’s note really spoke to me:

I’ve read a fair number of sibling incest modern AU fics in a few different fandoms and they all tend to end at “and then they ran away from their families and lived happily ever after/epilogue of sexy fun times possibly with the introduction of hey they've had a kid!”. And I mean I love that, don't get me wrong. But I guess I’m also weirdly preoccupied with the part about what comes after that, because it always seemed far too dreadfully simple an outcome. Normal relationships are rarely that easy, so why would these be? Then again I'm probably putting too much thought into a porn fic, LOL.

DEAR @poethrotsvitha, THIS IS A SIGNED PETITION TO PLEASE NEVER STOP OVERTHINKING THE PLOT OF YOUR PORN FICS. Like, nobody starts fucking their brother unless they really mean it, because the risk of the relationship going pear-shaped and the two of you still being stuck in each other’s orbit because there’s no “breaking up” with family? That’s a big risk. And also why incest pairings feel so high-stakes and I am trash for them, obvs. One of the reasons the dom/sub dynamic is so integral to their relationship was because Evie had a tendency to dictate to Jacob what he “can and can’t do,” and he understandably chafed against it sometimes. It’s what led to their breakup five years ago. And so him taking charge in the bedroom is a kind of counterbalance, and there’s a scene in this fic where she lets him role-play a noncon situation as a way to partly soothe his jealousy.

To a large extent it’s their son who brings about their reconciliation, but their son is also a hyperactive little git who throws a monkey wrench in their sex life, so now instead of hiding their relationship from their dad they’re tiptoeing around a four-year-old. And the big character development that happens on Jacob’s part is him recognizing that Thomas is Evie’s #1 priority now, and there comes a moment where he has to make a difficult decision to prioritize the two of them in his own life, too (by quitting his job and ending a toxic relationship). The other thing I really liked was how Jacob thinks ruefully he could have gone a another round if he were ten years younger, which he’s not, but Evie seems satisfied and that’s what matters. The recognition that he’s not a teenager anymore, and doesn’t have the stamina of one, but he’s also more mature and this time he’ll be able to give Evie what she needs? Oh, my heart. Like I said I loved them being each other’s firsts as teenagers but this, this second chance they’ve got as adults, this is beautiful.

Ok so this is Evie begging Jacob to fuck her in a closet in the middle of their dad’s funeral service??!:

“Please, I just need to forget. Just for a little bit- I need to forget, please-” Oh, God, this was a terrible idea. A terrible idea that she would die before she stopped- she felt like an addict after years of sobriety, pushed by stress and grief to needing that all-consuming high that she'd never quite been able to forget. Her fingers worked at his belt, pulling it open, unbuttoning his trousers to draw the heel of her palm along where he was already hard. “Evie,” he rasped, shuddering against her touch. “Shh,” she said, tucking his pants down enough to pull his cock free, giving it a few firm strokes. “Shh.” If they talked, it would be too real. It had to be rushed and frantic, to feel like it was just the once, to ease the ache in her chest.

And this is after they finish (“if only it could have lasted forever”):

Silently, she turned to let him zip up her dress … There was a warmth against the back of her neck as she felt him draw her hair aside and press a kiss to the sensitive skin, hesitant and uncertain. "Thank you," she breathed into the darkness, listening to the click of his belt as it slid back into place. He just sighed, leaning his forehead against her shoulder, saying a million things without speaking a word.

LEANING HIS FOREHEAD FOR A MILLISECOND AGAINST HER SHOULDER OMFG I AM DECEASED

Ok so to return an earlier point: When you want a canon incest happy ending in a modern setting (as opposed to if you’re both Targaryens) the most popular option is run away and live as an unrelated couple, which necessitates cutting ties with everyone you’ve ever known. This may be more or less difficult depending on the quantity and quality of those ties; unless this is Flowers in the Attic and you’ve literally been locked in the attic for years there’s bound to be people you care about other than your sibling so this is a monumental ask. The Fryes choose option B, “living openly as siblings and keeping the incest on the dl”. This option is not without risk, of course, since exposure is always a possibility, and Evie has to put up with the other moms at Thomas’s preschool eyeing Jacob like a piece of meat. Still, it means Thomas gets to bake cookies with his grandmother, who would not have let Evie and Jacob back in her life if they flaunted the truth. I mean, it’s not that she doesn’t know her kids are fucking, it’s just that a don’t-ask-don’t-tell policy allows everyone’s relationships to remain intact:

She seemed to be struggling to get the words out. “Is Thomas…” There were a few ways that this question could go, as far as Jacob could see, and he didn’t particularly want to deal with any of them. He leaned against the counter, palms rigid against the cold surface. “I’m really tired, Mother.” “I know. I just…” There was a terrible pause. “Are— are you and Evie…” Still facing the toaster, Jacob closed his eyes. He couldn’t muster a lot of fake outrage, but he planned to deny everything anyway. He didn’t care about how plausible it was. It was easier for everyone that way, especially Mother. Before he could open his mouth, though, Mother’s chair scraped back. “Actually, never mind. It’s nothing. Don’t worry about it.”

Every Wednesday Evie (who’s moved back in with her mom) leaves Thomas with his grandma and goes to “book club” which is really date night at Jacob’s. And the two of them get right up to their old tricks:

When he gave her just the slightest nudge upwards with his hips, she finally let a broken whisper rasp out. “I can't- I want- please-” Jacob clicked his tongue. “You know what I want you to say.” She twisted her neck around again, and he could see that her eyes were now glassy with longing. “Huh?” “It's simple— just ‘My greedy cunt belongs to my brother’. “ “I will not."

The process of turning that initial “no” into a “yes” is scorchingly hot so there you go, I love these two, I love this fic, I have definitely seen the light and I'm ready to embrace smut.

#fic rec #jacob x evie #evie x jacob #fryecest #jacob frye #evie frye #poethrotsvitha

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severusdefender · 5 years

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With a Bunch of AUs Combined, I am CAPTAIN PLANET-W8, wrong fandom

(Askbox is too small so I guess it’s time to show my AU spewing username I guess lol 0///0 hi…)

AUs & HCs: NotaMarauder!Remus (Possible Future Snupin) + Jily Didn’t Date-Marry Drunk1NiteStand to make Harry + DiffDads Lily&Petunia + Resurrected FaeLily AU

A Post Idea So Long that it’s almost like a Fic Outline: An AU where Remus was never a Marauder could actually is super interesting, because it has a spiraling implications on canon. Remus, Severus and Lily is like the sweet trifecta of book & magic nerds. Also like, being friends with Remus would drive Sev to research Werewolf remedies and care? Also be Concerned about his friend’s life.

But like, I’m not sure that Lily and Sev would do the exact same thing that the CanonMarauders do (learn to be Animagi and leave the Shrieking Shack w/ Remus even when he’s not supposed to). Maybe Severus trying to make Wolfsbane more accessible/cheaper? Or better yet, both him and Lily approach this like ethical scientists.

But on the other hand as a frequent consumer of Werewolf fiction I don’t really like how traditional and human-centric the version of Werewolves that JKR used in her ‘verse? Like, what is a werewolf like when they’re emotionally stable, feel secure, healthy? Why would they be hostile to humans in general? Why generalized feral hostility? Is it actually ingrained or a result of underlying mishandling of socialization/emotional-social support? Because obviously, Canon!James who turned into a freaking Stag didn’t get eaten so there must be something to the state of Lycanthropy. Is it a possibly segue into being a Skinwalker? Lost or suppressed information?

Would Lupin theoretically be able to keep his mind and not attack his friends or have the choice overall with better, calmer support?

Back to the AU, something that would keep Lily from drifting out of her friendship with Severus could be Remus? I’m remembering that whole, Remus Morality post thing you referenced a while back. And intense loyalty seems like a thing Remus could bring to the table? I’m not sure how else not being a Marauder would affect his personality though. Thoughts?

But since Sirius doesn’t have a Werewolf to Prank Severus with anymore I wonder what would happen then? Would it be more James or Sirius or Peter trying to snoop into where the three go during the full moon nearly every month? How would that spiral? Sev and Lily trying to close ranks around Remus, whom they don’t quite know if Dumbledore is willing to back that horse for too long compared to those with “higher” status like, James & Sirius?

Maybe a part of Sev’s radicalization that drove a spike between his and Remus’ friendship could be Severus trying to court Remus to the Dark Lord’s party? Because they were recruiting both poor and marginalized populations after all, also I *think* Remus is a pureblood technically? I forget. And Remus would’ve gotten so PISSED because he knows that would be condoning/supporting all the bad things people say about Lily, one of his only other very close friends, plus a bunch of other bad things that DEs are doing.

The friendship split between Lily and Severus would be longer, more protracted and hurtful, not just one big blowup and a final death knell slip of the tongue. But Lily and Remus trying to reel their friend back in on top of all their other baggage (they are destined, by social constructs and WW societal standards, for mediocrity, struggle and poverty after all) and Failing. And that hurts.

And when they all graduate, Lily shortly after joins the Order, or is invited because I guess they want skilled people, and Lily Was Exceptional. But she brings along Remus, who James, Sirius & Peter (and an 4th OC or something if we need to replace, but not really tbh) may distrust him because of the thing that happened when they followed? If James /actually/ changed (that Felix Felicis-enhanced talking thing) though he might be not be shitty about it though, but I can’t really imagine Sirius letting it go what with his terrible maladaptive coping mechanisms and all. Remus might get outed among the Order, maybe, idk. That could sow distrust of him, and why they don’t tell when they shove Lily and James into a cottage with their Bastard child together in hiding.

Then it goes like that from canon, Peter is made Secret Keeper, with Sirius as the obvious decoy keeper. Severus tries to curry favor from his grunt position as a DE and accidentally spells the death knell for his estranged friend Lily, is flipped when he finallyyyy realized he’d done super-fucked up and goes to Dumbledore.

Then James & Lily get attacked by Voldie & DEs, James takes a couple DEs down before dying via AK, Lily had been researching a bunch of dark/new magic things to protect herself and her kid (who she deliberated on and eventually decided to keep). She takes a bunch of DEs down, and gives Voldemort a run for his money, but lets down her guard when Peter shows up because up until this point, despite the bad blood in school, she’s known him as a comrade in the Order.

Peter basically cripples her in a surprise attack, and then Voldemort comes up to gloat, monologue and eventually finish the job. Lily spits in his face while dying.

The underlying new ritual/shield/magic-whatever Lily cooked up while in hiding goes on not quite as planned because it overlaps with Voldemort’s accidental-Horcrux making that basically ghostifies him. But Lily still dies the first time.

Cue Sirius getting falsely accused and Azkaban’d, Harry going to the Dursleys because supposed Blood Wards (which actually would be fine with just Harry himself and what he considers home I guess, maybe). Remus gets cut out of the picture because of his financial and career instability, also Werewolfism and other dumb prejudice, so he’s out of the loop and isn’t told about Sev being a flipped spy either.

Cue a few years later, turns out that Lily’s biodad is actually a Fae of some kind that she had minor contact with him through postcards and letters during her life. But eventually, he pitched in on some magical doohickery for the magical design stuff she did while in hiding in Godric’s Hollow. Then everything kicks off again a mostly Amnesiac FaeLily crawls out of her grave and gets a burning treewand branch of a Groot-Arm.

Somehow this culminates FaeLily accidentally getting the band back together and yoinking Harry. Then cue shenanigans and reconciliation and character development/interactions and possibly romantic Snupin and maybe an earned happy ending somewhere because my heart is soft and I’m a total weenie and this post got way longer than I thought it’d be lol. Overall thoughts? Impressions? Anything I missed while stringing these half-baked ideas together? X3

Thanks for reading and responding to so many of my posts. Your takes and posts are always a delight to read! <3333

Part2 of the AU Multi-fecta Thing I Sent Earlier

Some stuff I forgot:

-Tempted to name this Sweet Insane Combo of an AU: 2 Gryffindors and a Slytherin Walk into a Traincar

-Maybe add some shades of the Cons of Cokeworth AU idea (yes I sent that too, I’m literally a neverending fountain of AUs and theories for literally every fandom I get into, it’s a gift). –Lily constantly worries over money (Petunia’s biodad’s the gambler?) and is bitter over the way society is structured, leading her to grow into an excellent, Hard-working Con & Swindler-of-those-that-deserve-it (like how she’s been fleecing James, Sirius, Peter and others for all 7 of her Hogwarts years while trying to maintain good PR without being known as a money grubber or a thief bc Anonymity is Key)

-TBH i feel like she’d just cook up a plan to live with her 2 friends after school because “it’s cheaper” and she figures that they could’ve kept up the Werewolf research stuff easier by being housemates, but hilariously and sadly forgetting to tell said 2 friends about her plans before starting to work her ass off to scrape up as much money as possible. –“We all know Rems would guilt himself into living like a fucking hobo, and Cokeworth is a place where dreams go to die, so of course we’re getting a fucking house.”

-Yanno, then the AU-version of the Friendship split and Voldemort faction gains even more traction with the 1st WW Civil War going on.

-Trawling through the wiki again, Remus’ parents basically isolated him a pretty unhealthy amount I feel (like they probably thought they were doing the right thing at the time, which solved an immediate problem, but ends up compounding into a long-term host of issues)? Which I don’t think did Lupin’s socialization and emotional stabilitygrowth sloshing down into his Werewolf form any favors perhaps?

-So basically Remus refused to move back in with his dad (because he didn’t want to burden his dad I guess), despite him being alive, so Remus living in poverty-plus probably in and out of homelessess as well as the medical and security complications of being a werewolf without access to necessary resources? Also okay I forgot that Remus was a Halfblood too, whoops

-There’s an Irony in that Severus is the most human (species-wise) between the 3 AU Friends, what with Werewolf!Remus and Post-Resurrection Fae!Lily

-There’d be a whole mystery as to the intentions of Lily’s mysterious Fae Parent father(?), which may or may not be good intentions, they just don’t really know atm

…Okay I think that’s it… Whew, thoughts?

X'3

Nice to finally meet you @markala5

ok wow this is a lot. first of all i love it and it feels whole so i don’t know what i can say. it’s the found family trope subverted a little because things fall apart but they get back together when lily is resurrected. and voldemort and his death eaters get to be the big bad. plus dumbledore as the leader of the order who is starting to realise that harry needs to end voldemort and his horcruxes but lily can’t imagine letting her child do that because she’s grown to love him after forgetting him so instead of the golden trio, it’s lily, severus and remus finding the horcruxes but harry needs to die and the three of them are frantically researching a solution but it needs to happen. they send him off in a manner similar to canon except they’re alive and later they see harry’s body and he’s so small and it’s so heartbreaking until he runs from the death eaters.

this au has so much potential

#severus snape #pro snape #remus lupin #lily evans #submission #headcanons #au

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