#i will talk more about the characters on their own individual posts. probably.

[addysfandomdump]

I've mentioned my Inverse AU a couple times in the past but never went into depth about it. This post will change that.

What's the Inverse AU? It's basically an AU inspired by the anti-personas in Archie Sonic, like Scourge, Rosy the Rascal, etc., but in a different direction.

Basically, almost every part of a Sonic character is the opposite. Sonic, the fast, agile, snarky, rebellious Hero of Mobius, is now Static, the slow, stiff, stone-cold, authoritarian Dictator of Suibom.

More info about other characters under the cut 👇

Static, as mentioned before, is the Dictator of Suibom. She spends most of their time cooped up in her castle, ruling Suibom with an iron fist from the comfort of their bedroom. She is cold, cruel, and indifferent to the suffering of their people; selfish, only caring about her own comfort at the exploitation of others.

Ivy Plantkin, (-Ivo Robitnik) known to the underground as the Chicken Woman (-Eggman), is the leader of the Chicken Coup, a powerful army of nature-loving mages fighting to reclaim land from Static's rule. Ivy is the most brilliant of those mages, both kind and competent.

The Meteres Twins (kilo "meter"), Key and Loe ("ki-lo" meter), known collectively as the Heads (-Tails) are living proof that two heads are not always better than one. If anything they're even stupider when they're together. They're Static's personal guards, two weirdly tanky 8 year olds that Static finds sooo goddamn annoying.

Annie Thorn (-Amy Rose) is the estranged wife of Static. She was forced into a marriage with Static for purely transactional reasons. She fucking hates it.

Anklette (-Knuckles) is just Rouge the Bat in Knuckles' body. Sly, smooth, sociable, and selfish, with a penchant for stealing.

Shimmer (-Shadow) is the cheeky and charming host of "Shimmer's Spotlight," Suibom's number one TV show. He's also Suibom's number two assassin, who's down horrendous for Static and does pretty much all his missions for her. Born in the countryside to the Plantkin family, a terrible accident led him to discover a thirst for blood that hasn't been quenched since.

Tired of writing detailed character bios. Speed round! Rosary (-Rouge) is a modest, plainly-dressed nun with no interest in material possessions and hates lying. Iota* (-Omega) is a peaceful nature spirit who's basically Baymax. Blizzard (-Blaze) is a chaotic terrorist with ice powers. S.O.O.T. (-Silver) is a weapon of mass destruction buried 200 years ago, only to be reawakened again.

And of course. Small the Cat. A vicious predator with an 99.99% kill rate. He's Suibom's number one assassin. Toady is the one victim he's never been able to kill, preventing him from having a 100% kill rate.

*Not really satisfied with this name for Inverse!Omega. Prone to change.

[pomefioredove]

Hiii!! Could you possibly do headcanons of overblot boys + adeuce with a s/o who likes to collect figures or like manga or something along those lines? Also I love your writing you’re awesome sauce. feel free to delete or ignore if you don’t wanna do it!! I understand :3

<3<3 ofc

*ੈ✩‧₊˚ collector! reader

type of post: headcanons characters: riddle, ace, deuce, leona, azul, jamil, vil, idia, malleus additional info: romantic or platonic, reader is gender neutral, reader is yuu

looking at... [vaguely gestures to Heartslabyul] all that, I can't imagine Riddle has any grounds to complain about knick-knacks or clutter. he literally lives in a minimalist's worst nightmare. he also gives the impression of a collector of odd trinkets. like stamps or antique tea cups. grandma vibes. probably gets you a nice display cabinet for your things

*ੈ✩‧₊˚

Ace is a sixteen year old boy who balls and thinks of himself as a lady's man. and, I mean, he loves you, but you can tell what he's about to say before he even opens his mouth. weeeeeeb... then he saves up all year just to gift you that one ridiculously priced figure for your birthday. like I said, he loves you, he just has a very... defensive temperament

*ੈ✩‧₊˚

I feel like Deuce is a really good listener (or, at least, he knows how to be quiet when you're talking, unlike a certain other Heartslabyul first year), even if he doesn't quite get it. besides maybe Jack, he's the most willing to watch your favorite shows with you, read your mangas together, hear about each individual trinket you own... even if he still doesn't understand. it makes you happy <3

*ੈ✩‧₊˚

Leona is more of a meh guy. "what do you want, a cookie?" is probably in his top ten favorite expressions. things to say when he doesn't care about something. and. listen. he cares about you, he does, but he's not really the type to pretend. he'll let you talk about your collection, though. as long as you're happy with him, you won't seek out Idia and become completely intolerable (his words, not mine!)

*ੈ✩‧₊˚

Azul is having flashbacks to all the junk that Jade and Floyd hoard. but, hey: at least your collection isn't of broken toasters or wild mushrooms. he can respect the pride you take in your hobbies, and the care you... wait, how much does all this cost?

...yeah. okay, he understands. definitely not toasters or mushrooms. your room is practically a museum

*ੈ✩‧₊˚

[Jamil voice] "once you're done playing with your toys will you come help me clean up the lounge"

no, he doesn't get it. you haven't said how much all of this costs because you think he might have a heart attack if he saw the numbers, and you keep your belongings tidy enough for him not to stress. so he doesn't complain

(and also because he knows they mean a great deal to you)

*ੈ✩‧₊˚

[Vil voice] "once you're done playing with your toys will you clean up the lounge" lol

he's not exactly jumping for joy when you spend all your allowance on plastic merchandise and picture books. I mean, he's already had to lend you his winter coat, and there was that week you had to stay at Pomefiore because the water at Ramshackle was out... but making purchases seems to make you happy, so he begrudgingly accepts it

there are worse hobbies to have, after all. [side-eyeing Rook]

*ੈ✩‧₊˚

I don't even want to write Idia's part. I'm afraid he'll materialize in my room and start fangirling over this (rip idia shroud you would have loved x readers)

but seriously, he's been recommending you his favorite mangas and animes and games. he probably buys you authentic figures that are thousands of thaumarks on a whim 'cause you kinda like the character. very sweet. very thoughtful. when should I book your wedding. etc

*ੈ✩‧₊˚

you'd think that Malleus would be astonished? WRONG this guy lives with Lilia "hip with the kids" Vanrouge. who is not only a hoarder, but someone who most certainly has a shelf of manga and figures from his favorite games somewhere in the cavernous hole he calls a room. Malleus has probably gotten him one for his birthday (after the 5 hours it took for him to figure out how to buy things online). so like. it's no big deal to him. if you ever mention wanting new manga or figures or... anything... he will give you twice the amount of thaumarks necessary. he's like that

[crimeronan]

i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!

(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)

listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.

but the things discussed in the post Can and Should improve your execution!

you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it

BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.

so i have outlined some basic important concepts about polyamory.

MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun

future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.

i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)

sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.

here we go:

compersion!

compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.

compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.

by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.

i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.

it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.

(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)

if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.

metamours!

a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.

the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.

there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.

the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."

(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)

of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)

open versus closed polyamorous relationships!

i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown

google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).

this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.

an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.

some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!

with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.

i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.

feelings for multiple people!

i was gonna tack this on to the previous section but decided it warranted its own lil bit.

a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.

this is perfectly fine!

the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.

for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"

some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!

some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)

or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)

i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.

like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?

that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it

alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?

it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.

i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad

first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:

how does each pair act when alone?

how do they act differently alone compared to when they're with their third partner?

are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?

if so, what are they?

are there any boundaries or hard limits within this dyad that aren't shared with the third partner?

if so, what are they?

partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?

(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)

what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?

what problem do These Two Specifically need to solve in the story before their relationship will work?

how is that problem DIFFERENT from the problems being solved within the other two dyads?

doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.

those questions should be enough to get you started, i hope

then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?

but the main goal is to figure out how to Differentiate each relationship!

a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.

(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")

AND FINALLY.

if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)

you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.

polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.

seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.

in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.

[tritoch]

Have you got any thoughts to share about Sphene? I saw your post about how misrepresented FFXIV’s female characters are, and I’ve been hoping to see anything more than the typical “Evil AI colonizer etc.” or “Tragic woman who can never change ever” or “Wuk Lamat’s girlfriend”. Maybe our interpretations will differ but I’ll be happy if you can provide anything more complex than those.

Sure! Throwing all this under a read-more for anyone who hasn't finished 7.0 yet. I think I'll probably expand on this more later but wanted to get initial thoughts down. (Note after writing: I meant this to be brief but uhhhh brevity is not my strong suit sorry. This take just sort of ends abruptly because I realize I'm rambling.) Again, spoilers through the end of 7.0 MSQ.

I think Sphene is the sharpest work the game has done yet in casting the antagonist as the noble double of the protagonist (a well it returns to a lot with Emet, and Zenos, and Golbez, and...). But because the protagonist here is Wuk Lamat and not the Warrior of Light, that's also a much more defined and interesting role. To me, Wuk Lamat is, above all, the Righteous Queen, who rules thoughtfully, wisely, and justly, and whose claim to the throne is justified by her moral clarity. Sphene, in turn, is also a wise and good queen, one who undertakes all her actions with her people first in her hearts, a sense of compassion towards all, and a clear eye for the consequences and costs of her intended course of action. And it leads to utter disaster, for her, her people, and the people of Tural. That rocks!

The first half of 7.0 is about justifying the fact that Wuk Lamat's going to be Dawnservant. Wuk Lamat is compassionate, curious, wise, and open-minded. She wins over rebels and malcontents not by asserting her authority or by strength of force, but by taking her obligations to them (as her subjects) seriously. She knows many of her subjects personally and takes a great interest in their lives, and she respects even those who openly oppose her.

And everything Wuk Lamat does, Sphene does to 11. Wuk Lamat respects her subject peoples and is curious about their cultures? Sphene forcibly annexes Yyasulani, but goes out of her way and expends Alexandria's limited resources to enable the remaining Xak Turali to live in their accustomed way if desired (…to the extent allowed by the new permanent lightning storms and the internal conflicts caused by regulator adoption). Wuk Lamat cares about her people not just in the abstract but as individuals? Sphene visits sick kids, knows them by name! Wuk Lamat understands the burden of rulership is too great and cedes half her power to her brother? Sphene recognizes her own weaknesses and makes a deal with the devil to keep Alexandria's culture alive! Wuk Lamat is willing to die for her people? Sphene will forcibly traumatize herself into being a better queen, if that's what rulership demands.

For an expansion that spends the first half being like "wow isn't this perfect candidate for the crown so likable and humble? wouldn't it be nice to be ruled by a good king?," it sure is funny that the final boss is THE QUEEN ETERNAL and she hits you with attacks like LEGITIMATE FORCE and ABSOLUTE AUTHORITY and ROYAL DOMAIN. This, to me, is Sphene's role: she complicates and questions the themes we've developed in the first half. Most importantly to me, she makes us ask: what is devotion to a people or culture even worth?

There's a thing I kept thinking of constantly during Dawntrail, not because I think it directly influenced the game in any way but because the parallels were so stark and startling. It's Jonathan Hickman's New Avengers #18 (2014). Truthfully, I'm not a big comics guy; I only know this sequence because Ta-Nehisi Coates cited it as inspiration for his Black Panther run on Twitter once (I also didn't read TNC's run, I was following him for politics talk). Forgive me, comics people, if I get any details wrong. The parallels are almost comical, though. It goes like this:

A superhuman secret society formed of some of the smartest heroes (and villains) in the land re-forms to oppose an existential threat caused by incursions from other dimensions that threaten to cause literal collisions between Earth and its alternate dimension counterparts. Seeing no other alternatives, they undertake work on a weapon to destroy these other worlds. T'challa—king of a fictional hyperadvanced nation called Wakanda, and also the superhuman Black Panther—meets with his ghostly predecessors, the previous Black Panthers/kings, for he fears the moral stain on his soul and the souls of the people of Wakanda, if they survive explicitly by killing their alternate counterparts, will be too heavy to bear. His ancestors are not impressed.

To them, there is no question at all. A king's duty may be complex in the execution, but it is simple in its conception. Your people come before all others. Always. This is, must be, the fundamental ethic of a good king. To do otherwise would be a betrayal of the social order on which this imagined good monarchy is built. In a situation like this, the only option is to do what you must to protect them. "Will there be a cost? Yes. Might the universe burn? Let it. . . . You will kill them all if it means Wakanda stands. The golden city must never fall."

"I will do what I must" is Sphene's guiding principle. It is so important to her that when she recognizes that her sentimental attachments are making her waver in her duty, she severs them entirely, sacrificing her whole identity to the throne. It is also implicitly Wuk Lamat's position: she has no choice but to fight Sphene because to do otherwise would be to fail to protect her people. In fact, it's briefly even sort of the Warrior of Light's position, as when you tell Sphene before her trial that you understand what you must do, which is shut her down to protect others.

(One quick thought about the Warrior of Light: one cool thing about the antagonist this time being a double in a more exact way than Emet or Zenos is that it means other characters get a chance to relate to her differently than Wuk Lamat. The Warrior of Light, for example, is pressed into her service immediately upon your first meeting as the Queen's Champion, there to defend her if need be against all evil. This role is further affirmed by both robot Otis and Endless Otis, who essentially hand off their role as her knight to you, and reinforced when you flash back to the "might I call upon your aid" moment right before the end. Except, of course, you are loyal not just to her, but to the principles she represents, which her own acts betray, and so your ultimate act of aid is to essentially pass judgment on her and execute her. In a sense, you become the internal safeguard that a political system is supposed to have to protect against this very issue, and which Alexandria explicitly lost when it cast out/forgot Otis. Very Voeburt/ShB tank quests, it owns.)

But really, it's Sphene who embodies this sort of grim logic best. Aside from her transformation into the Queen Eternal, it's also why she suggests you simply become Alexandrians. It's the only way for her to reconcile her values and worldview, which have backed her into a corner where preserving Alexandria has come to mean a maximalist declaration of war on all life outside its borders because the kind of absolutely pain-free life she envisions for her citizens is completely unsustainable.

In this reading, one of Sphene's main beats is to unsettle what has preceded her in MSQ. In nearly all respects, she shares your values. She prizes life, is curious about other cultures, believes in the greatest good for the greatest possible number. But she is also a queen, and therefore irrevocably (in her eyes) tied to her state. Gulool Ja Ja and Wuk Lamat (and Koana) are the mythical wise rulers, thank god--but what if Wuk had inherited a Turali state that wasn't desperately in need of cross-cultural understanding, but one in a state of war? What value would her deep love for the people of Tural have held then? Sphene says, it would have held no value. If the survival of your people means harming the innocent, you harm the innocent. Kingship allows for no alternatives.

But she also concedes, in the very next breath, that she is still kind of wrong. Because what happened here was not inevitable, despite her programming (a brief note: to me Sphene being programmed is exactly the same as Emet being maybe-tempered, it's a fantasy gloss on the idea of social and cultural education. "I was programmed for this" is really no different from "I was trained and educated for this"), because the truth is that this kind of thoughtful, principled devotion to the state and its people is also a form of sentimental attachment, in the end. One that is maintained not because it is natural, and necessary, but because the monarch, too, likes it, and gets something from it.

In so many ways, in so many senses, the monarch is the state. Kings and queens may fancy themselves merely a reflection of their people's needs and desires, but of course even a cursory glance at history will tell you that far more often, states reflect their rulers. Sphene and Wuk Lamat both suggest that their conflict was inevitable, but was it? Or is the truth, as Sphene glancingly acknowledges here, that she turned her own fears and desires into the same policy goals that led to this tragedy? And if so...what does that say of our Good Queen, Wuk Lamat? Perhaps this could be different if they met earlier, says Wuk Lamat. But when? When did Wuk Lamat ever not love her people so dearly that she would not have sacrificed herself for them, or caused mass death for the sake of their survival? When did Sphene not believe the Endless to be people, or the preservation of Alexandria to be the most important thing? Maybe she means "had we met before you met Zoraal Ja," but of course, we the player actually saw their meeting. And we know that Sphene even then was not the hapless naif she'd like to pretend. She always knew exactly what she was doing.

We know the price of this kind of thinking, this Hobbesian view that states are engaged in a struggle of all against all. Living Memory lets you walk through it. To preserve Tural, we exterminate the Endless. We befriend them, learn about their lives, promise to remember them, and then we destroy them and their homes, leaving nothing but a bleak blank landscape and the sound of wind. This is what Sphene would have done to Tural and Eorzea. Indeed, it's what she's already doing to the people of Yyasulani, because no amount of well-intentioned aid can make up for trapping people under the dome for 30 years and systematically eroding their culture through the resonators.

To me, this is what makes Sphene really work, that way she has of forcing Wuk Lamat and the player to commit the same kinds of sins she has. We'd like to think ourselves better than her, but of course, we've already reconciled with and integrated Mamook's brutal eugenicist regime back into Turali society well before we ever met Sphene. At the end of our long "wow isn't having a wise queen cool???" expansion, we are met with "Legitimate Force" and "Absolute Authority" and see them for what they truly are: nothing but tools of violence. No longer does the idea of the Warrior of Light hanging around Tural as Wuk Lamat's advisor have the same attraction, now that we have been reminded of the way the putatively unquestionable logic of kingship can ultimately lock even the wisest and kindest rulers into a path of war and exploitation and destruction.

I think Sphene is FFXIV's most interesting and nuanced depiction yet of a leader. She really, truly, wants nothing more than to save her people and protect them from pain. But even seemingly loving and compassionate goals like these can readily lead us down dark paths. She's a "hard men make hard choices"-type character, a noble but misguided opponent, but as a loving and elegant fairy queen instead of a grizzled knight or extremely sad man. She fucking rocks.

[triglycercule]

i think the creators in the undertale multiverse is SUCH a creative concept and even though it's fourth wall breaking it's so amazing that it deserves to break the fourth wall

everytime other medias and games or stories break the fourth wall it's either taken unseriously (like pinkie pie from mlp or family guy cutaways) or people shit on it for being out of place and just a deus ex machina or something (hi3 i will NEVER hate you for including the players in the final arc) but the undertale multiverse completely subverts that. actually the entire MULTIVERSE is BASED on the concept that people are willing to make media and art and writing and that is what keeps these ocs and worlds and creations going and alive

the utmv isn't even a real thing. like it's not a fandom that spawned from a book or a movie or a show or game or comic. ok well it technically is but the undertale fandom and the undertale AUs fandon are two different things i think. like undertale aus ofc came from undertale but that's a whole seperate branch of things and sometimes those aus have NOTHING to do with undertale (looking at you dreamtale. and others.)

but the fact that a whole seperate branch of a fandom was created just because people wanted to expand on one tiny game and had so much love for it that it spawned this clusterfuck of a fandom is just so amazing to me. i don't think any other fandom has THIS extensive of a multiverse with aus where the people holding the pencils and typing words are so heavily engrained into the lore (ink and error i will forever love you for being aware of creators I AM AWARE OF YOU TOO!!! I LOVE YOU!!!!)

in other fandoms there's a strict canon for medias but in the utmv a lot of aus are just a brief concept and maybe some charactization and that's it (dusttale ily 4 this. dusttale is peak fiction). and if you like the concept enough you can make another concept based on it. and if someone else likes your au enough they might make another au based on it or write headcanons for it. and it's so cool that this fandom is kinda self sustaining in a way. undertale's probably never gonna get another update or game and even though deltarune has its connections its a completely seperate thing. but somehow the fandom is alive and still pumping out tons of amazing content

and the fact that we control all of these character's actions is so daunting but also so cool. like these characters do these things because we basically script them to do. we as creators are the ones drawing the angst or writing the shit posts. if a character is self aware of the creators that's just because we MADE them aware. so are they really aware or are we just pretending that we are. if a character is powerful that's just because we made them powerful. if a character hates the creators we made them hate us. if a character destroys aus we make them do that. but they don't actually feel that way or do those things, that's just what we tell them to do and i think that's really cool

ive yapped a lot about this topic (i still have so much more to say) but i'll hold it back and just talk about one last thing and that's headcanons and interpretations. I LOVE PEOPLE'S INDIVIDUAL INTERPRETATIONS!!! I LOVE PEOPLE'S HEADCANONS FOR CHARACTERS!!! i love seeing how other people think the mtt (or other characters but i am a murder time trio fanatic) would interact or how they would act. i love seeing people's dumb comics of them bickering or making out (errrmmmmm) because it's all different. all these people came up with their own ideas and thoughts on how to expand these relatively basic concepts and it's all different because everyone's different and gone through different things <333

all in all i love you undertale multiverse. this fandom is one of the most unique i've ever had the joy of being in and i hope it never dies out (if it dies out what will happen to all of the amazing creations and worlds and people we've made 😕😕😕 ink will be sad. so pls don't die utmv)

[raven-at-the-writing-desk]

Yo! Good morning/evening, hope you are fine^^💝. I wanted to ask you a question but I was afraid that it may bother you or something (you know..that feeling when you are scared that you might disturb someone or being an unwelcome person) but yeah I will ask you since i was serious about your answer for some time now so I hope I'm not annoying you or something *feel free to answer only if you wish^^. You seem to know the characters pretty well, you are quite capable and great at reading and understanding them, one of the things I'm serious about is what do you think would make someone qualified enough to be with malleus? Do they have to be of the same species?certain Reputation, stature or traits?(sorry can't help it since I can't rest until I know everything about what interests me and figure it all out😅). Thanks for giving me some of your precious time I really like your blog, you're amazing💜

No worries, you’re not bothering me at all ^^ I love to talk about my hyperfixations www

Now, I know a lot of fans (particularly on the EN side) like to ship Malleus with their OC and especially with Yuu so I want to first make it clear that my response is NOT meant to invalidate those Malleus shippers. Whatever I say here is based on my own interpretation of canon lore (and let’s be real here, TWST won’t ever confirm if anyone is romantically interested in Yuu because it might not work with how some players view their own relationship with that character). In fanon, anyone can be with anyone, but in canon there are very specific in-universe rules and expectations laid out for Malleus so these are what I will be referring to.

I also want to emphasize that the final traits I discuss in this post do NOT reflect Malleus’s personal tastes or views. He has little say in what kind of an individual his spouse would be, so his own preferences are not speculated about or taken into account here. The traits I will be bringing up are based on what I believe the lore implies are the desirable traits for those marrying into the Draconia royal family.

We got it? Good 👍 Read more below the cut!!

Firstly, I’m completely disregarding the ideas of “Malleus can love whoever he wants to love”, “Malleus can scare people into accepting who he loves”, and/or “Malleus can change the law so he can marry who he loves” (a la Sultan from Aladdin or through some other Disney magic or logic). Here’s why:

In general, those solutions for “high stakes issues” are too simple, and that has never been how Twisted Wonderland tackles complicated problems. Just look at every single OB boy’s backstory. They’re so complex that they aren’t totally resolved by the end of their books; these problems persist and are long term things each of them are working on addressing. This is also true of the politics TWST introduces to us; Leona for example explains how there is social pushback and resistance to the idea of infrastructure reform because the culture of the Sunset Savanna stresses harmony with nature. This has made it difficult for them to adopt new technologies because real politicians in their world have to seriously weigh their cultural values with their health and societal progress. The only time there are really easy solutions are in events or vignettes where the emotional stakes are not super high, but who Malleus marries is, in fact, super important since this will entirely change the life of a main character and his country.

With that first bullet point in mind… No, Malleus cannot love whoever he wants to love. Certainly, he may feel affection for another but he can never truly be with them. He is royalty and the only heir to the throne of Briar Valley. It follows that he is expected to marry for political reasons/to better his nation. This is a non-negotiable obligation for him.

Rather than saying, “Malleus cannot scare people into accepting who he loves”, I think it’s more accurate to say Malleus knows he probably shouldn’t. I mean, yes, he may be upset about his S/O not being accepted by his people but I feel that is discrediting a lot of the loyalty he has for his own country. As a kid he may have thrown tantrums when he was upset and potentially harmed staff, but as a 178 year old he has a much better understanding of decorum and maintaining it in spite of his own grudges. For example, even though he personally dislikes Leona he still commands Sebek to apologize to him because, at the end of the day, this could harm Briar Valley’s relationship with the Sunset Savanna. That’s not to say that Malleus can’t be petty (he definitely is)—but implying he would be petty toward basically his entire country just because they would disapprove of the one he loves?? (We know this would likely be true because Sebek’s parents faced similar backlash when they got together.) I feel like his own sense of awareness and responsibility for his country, crown, and people would override that. As an example, Malleus states that he has never been in a car before because the senate would be against it and often kept Malleus in the castle. Someone of his power could easily ignore them and sneak out and do whatever he wanted, yet the dialogue implies Malleus didn’t. He obeyed his political advisors even when he was younger and arguably much more immature. Malleus might not like certain decisions made about his life but it sounds like he ultimately complies with them.

Continuing from the previous point, let’s say for the sake of argument that Malleus does scare everyone into line. What about his public image and the mental health of his S/O? Maybe Malleus can frighten people to not talk out of turn to his face, but he cannot control what people whisper about him behind closed doors or to treat his S/O well or like they actually like them. Not only would they be alienated (away from their own home and forced to adapt to a new one) but they’d be treated oddly by others too. What kind of reputation is that for Malleus? To be a tyrant king who throws a hissy fit anytime someone talks about his partner in a way he doesn’t approve of? With a spouse who is not at their best mentally because of the constant ostracization? (This is similar to what Leona experienced in his childhood.) I don’t think Malleus would want to subject anyone to that kind of life, especially not one he loves. And again, this attitude would be the vast majority of his people. It’s not like it can be avoided or resolved in an easy manner, especially when the people of Briar Valley have proven to be against change.

Lastly, Malleus would not change the law so he can be with whoever he wants to. To begin with, I doubt this is a unilateral position the senate would approve of. But okay, let’s accept that Malleus is royalty so his power overrides the advisors’ power. So he effectively just changed a law for a very selfish and personal reason rather than changing something to actually benefit his people. That doesn’t feel in-character for him, not when Malleus seems to understand that it is the duty of those in higher status to help those below them rather than themselves (see: Riddle’s Suitor Suit vignettes. Malleus has acted selfish before, yes (who remembers Endless Halloween Night? His Dorm Uniform vignettes? I do.)—but never at the cost of changing the status quo of his country. (Book 7 is not included here because he’s in a very distressed emotional state then; this “new law” scenario posits that Malleus is in a normal state of mind.) This is a major change—change which Briar Valley, its people, and most importantly, Malleus, are not ready for. You think there wouldn’t be social pushback against this? From a society that has become complacent with its own way of life and is still isolated from the rest of the world? That Malleus, someone who struggles greatly with accepting life changes himself, could enact such a big change so easily? (On a more technical level, you don’t just pass a law and it instantly becomes tangible or real, there is a process of approval and then implementation.)

Additionally, it’s made clear in Ghost Marriage that “[Malleus] cannot enter into an engagement lightly”, which is why Sebek goes in his place. Eliza, the Ghost Bride, is royalty (er, albeit dead) but it seems that royal status is not enough to qualify as his partner. Maybe this is because she’s dead and doesn’t have anything of value for Briar Valley (no land, no people, no political power), but it could also mean that the partner has to be given the thumbs up by other parties.

All that being said, here are some of the conditions I think would have to be met for Malleus’s future spouse:

Has to be someone of equal or at least high status. This means they also have to be a royal or at least of nobility. This appears to be true of Malleus’s dad, who is referred to as a duke.

Because of how self-contained Briar Valley is + nocturnal fae having beef with diurnal fae, I imagine his partner would have to also be a nocturnal fae. This would also solve the MASSIVE lifespan difference between fae and non-fae because at least fae would be far closer to each other even if their lifespans fluctuate but subspecies.

Someone suited to rule by his side. Being married into any royal family is no joke—it comes with the expectation that you will contribute somehow, and the partner should be fully equipped to enter the world of politics with him.

Piggybacking off the last point, I think mental fortitude is also a prerequisite. This is because being a politician (navigating the social climate both within your country and outside of it, keeping your people and colleagues happy, maintaining public approval, managing laws, dealing with potential attempts on your life, etc.) can be very stressful and can hurt those who are faint of heart or not prepared for the responsibility. Leaders have to make tough calls at the drop of a hat, and they have to be ready for it.

Has a lot to offer in terms of benefits to Briar Valley as a country. This could be in terms of resources, connections, and/or political savvy. This appears to be true of Malleus’s dad, who acted as a diplomat for Briar Valley.

Vetting and formal approval from the senate. lmao good luck with that

Has to be able and willing to have a child. They at least need an heir to the throne to succeed Malleus. (However, knowing how exclusionary and conservative as heck the senators are, I doubt they would accept anything but a biological child 💀)

Preferably someone with powerful magic or is skilled at magic already so as to lessen the chance of “tainting” the bloodline with a weak mage or a non-mage.

I believe that Briar Valley would prefer someone with old fashioned values like them, not someone pushing for massive reform. They have a culture that is resistant to change and a history of fighting for resources with outsiders, so if Malleus’s new spouse tries to introduce a bunch of technology or open its borders to other countries (even if they have good intentions), the people + the senate may oppose them. His father is implied to be open-minded, but he at least understood that such change isn’t reasonable without time and effort dedicated to the endeavor.

All that being said 💦 I think that this topic is actually less about what Malleus as an individual wants and what his country, his people, and, yes, even his asshole senators, want. This is basically an arranged marriage situation so that their country can maintain power and relevance. It’s about the collective and what Malleus must do for their perceived security and prosperity.

[epickiya722]

You know what, let's talk about it. I have thoughts on 268, specifically the "end" between Yuji and Sukuna.

(Jumping off this post and this one.)

Maybe because I'm a fan of both (with Yuji being overall favorite), but I don't see how anyone can be a Sukuna fan and hate Yuji. Especially after 268.

After everything Sukuna has done to him, Yuji still has empathy for him. He connects with Sukuna while holding him as he (Sukuna) fades away (assumingly, I'll get to that).

The scene does start off like Yuji's final confrontation with Mahito (chapter 132 for reference). Yuji looking down at his enemy in his defeated form, says his name and then "I am you", but in reverse.

To me when Yuji says that "You are me", he's telling Sukuna that they are one in the same, that Sukuna could have been Yuji had he had a different life. He's letting Sukuna to accept that, that he is human just as much as when Yuji told Mahito he is no different from the curse.

With Mahito, Yuji was trying to deny, deny, deny until he accepts that "Yeah, we are the same". That's what he wants Sukuna to do. He wants Sukuna to be the Yuji here.

However, it's to see that Sukuna is human and there's value in living. How you die doesn't matter, it's how you live that does. He wants Sukuna to have that second chance even if Sukuna doesn't deserve it.

Let's be real, out of all the characters it is Yuji who came to understand Sukuna the most, probably even more than Sukuna himself.

And I don't think Yuji just gets that him and Sukuna are one. He also gets that humans and curses are one and as such should the idea of humans and curses coexisting is what he accepts. Yuji is the embodiment of an enlightening.

Visually pleasing, I do like that when Yuji speaks here, he still has his facial injuries, his hair slicked back and even his eyes still have the rings. He looks like his own version of Sukuna here. To me, it brings more meaning to his "You are me" line because the last Sukuna sees isn't just Yuji, but also a different version of himself that he could have been.

And at first, it did seem odd (I'll use that word) that Yuji didn't keep the scars he had from that final fight, but it made sense to me because he does have RCT and most of the Cursed energy he was using did go into his techniques and Domain.

But also, a visual reminder that he is still Yuji.

I think about how some of the fandom sees Yuji as the next Sukuna, but I don't think is ever something the mangaka had planned.

Yes, Yuji Itadori is Ryomen Sukuna and Ryomen Sukuna is Yuji Itadori.

But also, they're not each other.

They're still two different beings, two different individuals. They're opposites just as much as they are alike.

Yuji without his scars that would have made him look like Sukuna is a visual reminder that at the end of the day, he is still him.

He was born with his life already planned for him and now he can live how he wants to because he has value in himself and in living.

Yuji Itadori will always be Yuji Itadori.

Not a cog, not a vessel. But Yuji Itadori.

☆

Rereading the posts I linked above and thinking about how their souls are so intertwined that the other characters had to be careful about their plans around Yuji, I remembered a post I wrote way back when about how "it would be so funny if Yuji was Sukuna reincarnated".

Thinking about all that put together what if Yuji is?

Just hear me out.

Remember when Sukuna said he "doesn't feel anything"? Well, what if Yuji is that "anything"? He's the piece of Sukuna that Sukuna didn't feel, the "humanity and empathy". Sukuna doesn't have to feel, Yuji does it for him.

Yuji is that regret, despair, genuine happiness, concern and other forms of emotions that Sukuna can't bring himself to feel.

Now, I do want to bring up something else. A part of me has a feeling that Sukuna isn't really dead. Technically, with Yuji being him and vice versa, metaphorically he isn't. But also... we didn't actually see him completely disintegrate.

It cuts to Yuji's eyes.

Here, it could be Yuji just watching Sukuna fade away completely in regret. Or could be him being anxious over a decision he may have been about to make and said decision he could have gone through with it.

Maybe he ate what remained of Sukuna just before he was completely gone? Maybe that small piece that was left in his hands?

I know, I know. There's this bit here when Uraume is shattering like an icicle hitting the ground.

But what if that final piece of incarnated piece of Sukuna died when (hypothetically) Yuji ate it?

Just me now! I've said it before plenty of times, but I don't expect anyone to agree with me or even think I'm right about this.

Overall, 268 so far has reminded why Yuji easily is my favorite JJK character. He's compassionate, even when he doesn't have to be. He's a fighter, but not to indulge some enjoyment. It's to help. He will sacrifice physical parts of himself, even his humanity just so he can do his job as a jujutsu sorcerer. He's selfless, a strength and a weakness.

Yuji is just a perfect balance of flaws and strengths that define him that I admire.

[icyrambles]

the cassettes are a group of characters where if i think about them for too long i start to get physically ill.

because i really like the cassettes. they're really fun and i adore the concept of a guy who happens to have a gaggle of goons to do his dirty work. the combination of making them actual cassettes who live inside of soundwave (and/or blaster but this is gonna be a soundwave cassette focused post) is really interesting.

unfortunately most bits of canon (and fanon to be entirely honest) do not treat the cassettes as actual beings with their own thoughts, feelings, and personalities outside of "soundwave's little guys."

for the sake of clarity i will only be talking about the continuity that i have the most experience with, that being idw1 and my post will mostly be talking about those versions of the characters. i've been told that the cassettes feature more prominently in the g1 marvel comics but i haven't quite gotten around to reading those in depth so i won't be discussing those.

back on topic.

i always feel so disappointed at the actual cassettes as characters. they're often sidelined into being background characters and the majority of the time when they show up in fics they're never majour characters, just background guys to pad out the cast. i'm honestly not gonna judge fan writers and fan artists too harshly because most canon sources don't really feature the cassettes as actual characters worthy of having attention paid to them.

idw1 is specifically the continuity where i feel a bit sick whenever i think about the cassettes because they go through sooooo much shit and it's never brought up. like okay, laserbeak, buzzsaw, and ravage are mostly chill. obviously they probably have the whole beastformers are lesser beings thing going on but they're overall the most well rounded of the cassettes. (ravage especially since he's actually allowed to be a character outside of soundwave)

rumble and frenzy are were my stomach starts to like... explode. because they didn't get a choice in being soundwave's cassettes and it's never brought up, ever. megatron basically tells them that they're gonna be reformatted and neither party ever brings it up. like do rumble and frenzy just tolerate soundwave because it could be so much worse? do they genuinely respect soundwave and fight beside him because they want to see him succeed in a similar manner as the beastformers? like... phase 2 shows them reformatted again into motorcycles and they seem okay with it, like neither of them seem to be hung up on no longer being cassettes.

but also i have issues and problems with rumble and frenzy always being shown as a package duo. like i think they're a fun combo, especially as siblings because i adore platonic relationships but most pieces of canon treat them as interchangeable. like it's an ongoing joke in the fandom that they swap paint colours to fuck with people and in actual canon sources they don't have consistent colours so it's harder to actually treat them as genuine individuals. and that makes me soooooo mad. i don't like it when twins/duos in media get treated as a weird conglomerate individual with two names. it's boring and it's lazy and i wish it would stop happening.

side tangent. i hate what how skybound treats the cassettes. like okay yeah sure it's fun to see soundwave go "you hurt my ravage" but what about his other cassettes. either rumble or frenzy is dead and soundwave just doesn't fucking care? does he play favourites, boy i sure would like to know but daniel warren literally fucking said that he killed off one of the twins because he found the colour debate to be annoying and that grinds my gears a bit. if you don't like them, don't fucking include them or idk, have mike spicer, the colourist, keep their palettes consistent.

and skybound also treats ravage like an object. he's not an actual character with thoughts and feelings and emotions, he's a fucking toy for soundwave to moon over whenever warren needs soundwave to be less of an asshole than shockwave. like yeah sure, soundwave being so desperate to get ravage repaired in skybound is good for his character but that dynamic, where ravage has no actual dialogue and no actual personality outside of "soundwave's cassettte" makes him so much less interesting to me. skybound is getting a small benefit of the doubt because there's only 11 issues so far, but i will critique it to all hell because any emotional tension involving ravage and soundwave falls apart for me because ravage could easily be replaced with literally any other cassette. he's not special and the comic doesn't do anything to make me genuinely care about soundwave and his relationship.

tangent over. i'm going back to talking about idw1.

specifically it's time to talk about the fucking elephant in the room that i'm always thinking about whenever soundwave's cassettes come up; ratbat.

now to preface this little rant of mine. ratbat sucks. he's a terrible person who actively believed and contributed to the oppression of millions of cybertronians. he used soundwave as nothing more than a tool and proved himself to be a slimy scumbag with the few moments that he was on screen.

however, that does not stop me from feeling just a tad bit bad for him considering how soundwave treats him. it's one thing for the decepticons to murder the whole senate, those characters don't really matter in the long run, they're nameless, they never get brought up ever again and the story just doesn't care about them once they're dead.

but ratbat is different because rather than killing him, soundwave shoves his dying spark into a cassette body and for all intensive purposes, turns ratbat into his slave. because ratbat doesn't get a choice, he doesn't get the ability to say no. he just has to be toted along and do whatever soundwave tells him to do and that alone makes my opinions on idw soundwave.... well they're not great. because later stories treat idw soundwave like he's a good guy, he's the dude who wants to make the decepticons what they were originally, he wants to be done with cybertron's bullshit.

and i have to sit there, fist clenched, wanting to grab him by the fucking shoulders and ask "WHAT ABOUT RATBAT? WHAT ABOUT THE GUY WHO YOU LITERALLY MADE INTO A SLAVE FOR AT FOUR MILLION YEARS AND WHOSE DEATH YOU DIDN'T HAVE ANY REACTION TO WHATSOEVER? DOES LIBERATION AND EQUALITY ONLY MATTER WHEN IT COMES TO GUYS WHO DIDN'T PERSONALLY FUCK YOU OVER?"

ehem, anyways, yeah i do not like the fact that idw just brushes over the fact that ratbat is not willingly soundwave's cassette. they do not ever focus on the fact that soundwave stuffed his former employer's spark into a completely different frame and then proceeded to do exactly what ratbat did to him for around four million years. and then didn't react whatsoever to ratbat dying.

like in early idw1, ratbat doesn't have any dialogue. he's a nothing burger character like all the other cassettes. but idw phase 2 specifically makes him a political rival. he's the guy in charge of the cons (along side shockwave to some extent) and then prowl fucking orders arcee to kill ratbat and no one ever talks about him ever again...

i have complicated emotions regarding ratbat because the story really wants you to see his treatment and go, yes, he deserves this treatment, he's evil and he was mean to soundwave and therefore he deserves to be imprisoned by another and used as a weapon for four million years and once he's dead we'll never talk about him ever again.

and i don't think that's fair. ratbat should've been a crucial character to soundwave after he died. soundwave should've had a moment in phase two where he realises that the decepticons have been terrible from the beginning, that he was actively a part of that terribleness, and he should've made the active decision to change the decepticons into something that stands for equality and freedom and peace.

i'm gonna move onto ravage because i feel so bad for ravage. he got shafted hard. oh the one hand, i love mtmte ravage, i adore seeing the cassettes in environments that don't involve soundwave because it means the writers have to actually care about them as more than just little guys that soundwave bosses around.

unfortunately, ravage goes from being soundwave's little guy to being megatron's little guy in mtmte. which like... okay, fine, megatron needs a guy who he can bounce off of and ravage fits that role pretty well (though i'd argue that having megatron potentially bounce off of an autobot whose morals are a bit lax is much better than simply having a decepticon who already likes him.)

but the point is, ravage, rather than being his own character who has thoughts and opinions, only exists to be a buffer for megatron. the devil on his shoulder if you will, trying to see and understand and coax megatron back into being the fearsome leader he was before. and it works to some extent, ravage getting fatally injured is literally what prompts megatron into ripping the djd to shreds. but unfortunately, that's ravage's only real purpose in the story. we don't see him interacting with any other characters means that he's entirely dependent on megatron for any insight to his character development. nautica is an exception but i have my own issues with the fact that she treats him like a pet upon first meeting him and like... to my knowledge she never really gets over that whole cute kitty aspect of their relationship.

and this makes me so mad because ravage is really interesting. he's older than most of the characters on the lost light and should reasonably be a fascinating insight to how beastformers are treated and discriminated against during the pre and post war eras. but instead he's relegated to a side character who gets murdered to further the arc of megatron, a character who sort of forgets about ravage as soon as lost light starts. this isn't helped by megatron's character arc being rushed and happening mostly off screen but ravage's death feels so unnecessary to me. he would've been much better had he been forced to be separated from megatron for most of lost light.

and unfortunately this is much the same for most other continuities. transformers prime my forever detested treats laserbeak like a fucking drone. it doesn't have any voicelines, it's just a little creature hooked up to soundwave's chest. (i haven't read the books because i cannot be bothered with aligned continuity and also if i have to go to external sources of canon beyond the original show to get key character information, it probably wasn't too important to begin with)

earthspark is fun in season 1, i'm happy that frenzy and laserbeak are allowed a few moments of time outside of soundwave but they're very minor characters and unfortunately ravage isn't much of a character considering he can't speak (which is weird because laserbeak can) and only gets a few scenes throughout seasons 1 and two.

cyberverse only has laserbeak and once again she/he (i don't think they state their pronouns) only exists to be soundwave's little guy.

tfa soundwave is so nothing burger that i genuinely forget that he exists 90% of the time. so his cassettes, as to be expected, not characters and just random objects to be played around with.

my point in all this is that the cassettes deserve better. they deserve to be actual genuine characters who are treated as more than just set pieces for soundwave and the other decepticons. i hope that in later transformers series, the writers give the cassettes the opportunity to shine.

[pinovapie]

DRDT Headcanons!! (1/idk)

Decided to post some headcanons for various characters!! (there might be some mild projection on my favourites lol) idk if i'll do more for other characters?? Also, sorry for less Teruko HCs,,, i meant to do 5 for each but uh,,, you can tell who my favourites are i guess??

Also, disclaimer, these are headcanons!! I wrote these before Chap 2 Part 2, they may be disproven and become out of date in the future!!

Under a read more to not clog up space,, also TW: (unintentional) Self harm

Ace:

He grew up on a farm.

His parents had a ton of kids in the hopes that at least one would be successful. Whoever got the best test results/ won an award/ has the highest salary (based on age, idk how old Ace's siblings are) was the favourite and showered with attention.

This meant Ace and his siblings grew up willing to literally and metaphorically shove eachother face first in the mud to be the favourite child. There was a lot of sabotage, insults and threats constantly.

He struggles to form meaningful friendships due to trust issues.

He'll hold a grudge for years. He probably still despises and talks shit about some kid who stole his chair when they were 6 or something.

He used to love animals until one day he woke up and the world was more terrifying than he remembered. The comforting bark of a dog is now a horrifying sound that sends him spiraling with panic.

He's overly sensitive to light and sound.

He chews his lip, bites his nails and scratches his arms/wrists when bored or uncomfortable. Maybe that's why he always wears gloves, to do less damage?

Nico:

Sometimes when it's too much they'll go non verbal. They're fluent in sign language as a result.

They sometimes judge the things people name their pets. They'd never say it out loud but they think certain pets have really stupid names.

They struggle with tone, often coming across as sarcastic and fed up when they're being genuine.

If they get postively overwhelmed (like flustered due to compliments etc.) they make cat noises instead of speaking (like meows, chirps, etc.). They find in really embarrassing.

If they are in a downward spiral, they'll grip something (their cloak, hair, a soft toy, etc.) and just hold on to try and ground themselves.

Nico took a couple skirts from the dress-up room to wear in private.

In a non killing game au, they'd join Rose in painting more frequently. They end up preferring watercolours though.

They may have a journal where they might talk shit about certain individuals in the class.

Teruko:

Despite her trust issues and bad luck with relationships, she's a romantic at heart. It may take a while for her to admit her feelings but she'd like someone to give her flowers and take her to dinner just as much as anyone else.

She likes horror films because she can experience the thrill without being in danger. I think she'd also like those rollar coaster simulators since an actual rollar coaster would probably be too dangerous with her luck.

She loves sliced cheese because she can avoid having to cut cheese with a knife. Similarly, she'll spread spreads with a spoon because it's less risking than with a knife.

Due to constantly moving, she owned a couple of those plastic picnic sets (the plate, bowl, cup sets) and had to wash them frequently. As a result she's secretly super grateful to Hu and Eden for cleaning after meals because it's one less thing to worry about.

She had to remind Charles to seperate his dark and light washing a couple times, even after the initial explanation of washing machines.

Levi:

He's on the Asexual spectrum. Like he'd never consider it himself but if his partner wanted to, he'd be comfortable with it because he likes making his partner happy.

He's usually trying to keep the peace but he will argue with friends or customers if they try to pick/buy a god awful outfit.

He worked at a boutique before becoming a personal stylist. He kept giving customers unwanted fashion advice that made their outfits the talk of the town. Word spread and after a little while people started showing up for the advice.

Does not understand humour or sarcasm at all.

He's fond of baby animals but would never hold one out of fear of hurting it.

In a non killing game au, he'd probably find out peoples fashion preferences so he can get them suitable clothes as presents.

He's probably the only cast member to politely listen to Veronika's rambles without wanting to throw up. He'd probably get roped into movie nights after Arturo and Ace triple locked their doors to avoid such movie nights.

Various people have caught him raiding sweet foods (sometimes even just eating sugar straight out the bag) at like 3am on multiple occasions.

[the-sage-libriomancer]

i’ve been watching One Punch Man, and i do appreciate that ONE makes sure to balance class differences (in terms of status, not money) pretty evenly. a lot of class-centric stories, especially in shonen, pick one of two extremes: make all the characters high-ranking individuals with low-ranking npcs as cannon fodder, or make all the lower-ranking MCs rise to the top while high-ranking characters sneer. The first one paints the high-ranking characters as the only people worth talking about; the second one makes the low-ranking characters seem like plucky underdogs who deserve their positions more than the high-ranking ones.

but One Punch Man has a point to make about hierarchies - namely, that people can be good and bad no matter where you are in the pecking order - and unlike a lot of other shonen works, he puts his money where his mouth is. sometimes you get selfless, heroic Class S heroes (Genos, Bang), and sometimes you get selfish, arrogant Class S heroes (Metal Knight, Tornado). sometimes you get altruistic, hard-working Class A heroes (Smileman, Lightning Max) and sometimes you get self-centered, opportunistic Class A heroes (Snek, Dark Gatling). sometimes you get Class C heroes who are willing to sacrifice themselves to save others (Muman Rider, Chain Toad), and sometimes you get Class C heroes who’d rather chase after recognition and fame at the expense of other heroes (the Tank Top brothers).

and in the middle of that you have Saitama. possibly the most powerful man alive, easily the most powerful man in the Hero Association, and yet he's ultimately just a c-grade hero trying to make his way up the ranks like everyone else. he does want to earn a higher rank, but only because it's a goal to pursue (and probably because he's lonely and conflates attention/notoriety with human connection, but that's a whole other post). and yet it's been shown multiple times that even in the face of an opportunity to raise his rank, when it comes down to it, Saitama will always pick helping others over being a hero. he'll lean into ugly rumors about being a lying cheater if it helps Class B heroes get the recognition they deserve. he'll save people who insult him (Suiryu), people who are taking advantage of him (King), people who obviously deserve whatever karmic punishment he's saving them from (the butt-chinned kid). he treats everyone equally, regardless of rank or wins/losses ratio, and judges them on their own merits - not by how powerful they are or how high their rank is, but by how well they treat him and others.

One Punch Man stands out because ONE is determined to go the extra mile in showing that status simply doesn't matter to real heroes. it's not a matter of what rank you are - it literally is just how you choose to conduct yourself. you get bad apples in every bracket, but you also get real gems who defy all the negativity that builds up between ranks and genuinely try to help. you can tell ONE really thought out his deconstruction and subsequent reconstruction of the class/status divide and power scaling issues that are so prevalent in shonen manga, and as per usual with his works, it makes for a thought provoking read.

[stormikitty]

Vaggie's Past

I've seen tons of fics and tumblr posts with 2 different ideas about Vaggie's past. 1 being that she had a human life before she became an exorcist angel, and the other being that she grew up in heaven and was raised by Adam and Lute and the other exorcists. Idk which 1 I like better, but I have headcanons for both. And I've sort of imagined conversations for how the other characters would find out?

1:Vaggie had a human life:

Charlie: Hey Vaggie? Are you heavenborn, or a human soul?

Vaggie: it's complicated? When a human soul becomes an exorcist, the first part of their training involves magic induced amnesia. They're forced to forget everything about their lives including their own name, and they're given a new 1. I know I was a human at some point, but I don't remember anything. Some things stick, like languages, and some strong feelings about certain things even if there's a lack of context for it, but I don't remember who I was or any of the people I might've known. Every earthborn exorcist has maybe 1 vivid memory from their life, but it never actually tells them anything about who they used to be or who they know. I think that's to make it easier to erase any individuality more quickly and make us forget if any of our morals didn't originally align with what exorcists do. Turns us into perfect soldiers quicker. If I remembered my real name, I probably wouldn't be going by the 1 that Adam gave me. He literally named me after a vagina.

Chalie: *hugging Vaggie*

Anyone else who heard this: ...

2: Heavenborn Vaggie:

Vaggie: I was never a child.

Angel Dust: What did you just come into existence fully grown or something?

Vaggie: No, I still had to grow and develop like anyone else would.

Husk: Then you were a child.

Vaggie: I was raised to be the perfect soldier since the moment I was born. A soldier isn't allowed to be a child.

Everyone: WHAT?!

Charlie: Why didn't your parents protect your from that?

Vaggie: A lot of exorcist angels are born from flowers instead of other angels. I was 1 of them. I was raised by exorcists and grew up with exorcists.

Alastor or Angel Dust: You were born from a flower? Like Thumbilina?

Husk: They took away your childhood?!

Vaggie: Yeah. I had to be a grow up almost as soon as I could start walking and talking.

Nifty: What was it like being raised by exorcists? Other than the fact that you weren't allowed to be a kid?

Vaggie: I was surrounded by high standards and expectations I had to meet and not allowed to have much if any individuality. Exorcists aren't even given names until after their 1st extermination. They have numbers until then. Also, you know how exorcists have those black stipes on their wings? Those don't appear until their 1st extermination either. Also I was taught to value loyalty and strength more than anything else. Loyalty goes above strength, but not by much. And the second I showed even the slightest hesitation to follow an order, I was cast out of heaven in probably 1 of the most brutal and painful ways possible by 1 of the people I trusted the most. So there's that.

Everyone: *ready to throw hands with some exorcists again*

Charlie: *crying*

Nifty: ... Wanna build a pillow fort and watch cartoons?

Edit: I reread the post and realized it said "gown up" instead of "grow up", so I fixed it. I would appreciate if people pointed things like this out to me in the future.

[that-ari-blogger]

The Coven System

There is something fascinating about the Coven System as a story mechanic. Specifically, this post will talk about how they are introduced in Covention. There's some nuance here.

Let me explain.

SPOILERS AHEAD

First up, let's establish some themes. The owl house is about freedom of expression. This should be pretty obvious. This episode goes out of its way to explicitly state this pretty early on, so you have that in the back of your mind.

"I get it Eda. Covens bad, individualism good. But I'm still figuring this world out. So, I'm going to go in there and make up my own mind."

There's a pervading attitude in specifically media analysis of "I'm going to throw a collection of big words at you to show how I am right" and the people that say this could be right, but they don't dwell on why. Knowing what something is called doesn't really do anything in something like this and reducing things to "Good" and "Bad" without explaining what that means is unhelpful.

To be clear, I'm not disagreeing with Eda here, the coven system is bad. And I'm not against big words (Half of my personality is an obnoxiously obscure vocabulary). But good and bad have no inherent, quantifiable definition. You have to define the parameters you are using. That's what this episode as a whole does. It explains, and it demonstrates.

Enough waffle. What are the covens?

Put simply, they are boxes to exist in. You align yourself with one idea and have to embody that idea for the rest of your life. It's restrictive, but that's not the selling point. The selling point is:

"Acceptance? Comradery? A sense of belonging? Covens sound incredible." "Watch closely, Luz."

The coven system works on social rules. You want acceptance? You need to conform. And even the existence of the Tiniest Cat Coven backs this up. The Boiling isles don't care how you conform, they just care that you can be easily defined. Hence why they add labels to everything, including those outside of the covens. Eda is a "wild witch". Lus is "the human".

The sigil system is a pretty decent metaphor for this, in order to be accepted, you have to lose some of your magic, some of what makes you you.

But there is one exception to this rule. The Emperor's coven. The best of the best can keep all of their magic. If you are good enough, you can keep some of your identity. But in exchange, you must wear a mask, disguise your face. It's conditional acceptance, and it's not acceptance of you, its acceptance of your abilities. Even Lilith is introduced wearing a mask.

Now, one thing that struck me during this episode was how it makes a concerted effort to show how similar the Emperor's coven and the wild witches are. That way their differences are shown more dramatically. These begin superficial. Both can cast all kinds of magic, both have a Clawthorn as their leader, both back a child in what could probably be a life-or-death event. But then the similarities become more underlying. Both are impulsive and cheat their way to victory.

I said impulsive there, and I meant it. But you might be confused. Lilith doesn't strike most people as impulsive. But that is an act, a mask, you might say. She makes a concerted effort to be the holier than thou character, but it literally only takes a handful of rhymes to get her to act how Eda wants her to act. And remember the beginning of the episode? How does Luz convince Eda to let her go to the covention? With flowery language. There are some parallels here that are starting to get obnoxious.

So, what point am I getting at here? What are the differences between the wild witches and the Emperor's coven? The coven would lead you to believe that they are the only place where you can be accepted. But the wild witches provide that for each other, and they don't have to earn it. The answer, when you look closer, is freedom. In the Emperor's Coven, you are not free to be yourself, you give up your individuality, and your autonomy, which in my opinion, are not the kinds of things you want to relinquish.

Ok, I need to talk about this scene, because it's really cool. The key word here is acceptance. The reason Luz starts to break down Amity's walls is because she is kind. She doesn't call Amity to change her ways in some big monologue, she is just nice to her, and accepting. And that acceptance comes from a place Amity wasn't expecting it to. Amity has been raised to think that acceptance came from skill, that if you were good enough, people would be kind to you. That's why she's so hell bent on joining the Emperor's Coven. And yet here is Luz, after Amity had cheated, showing her dignity and respect.

Luz doesn't begin antagonistic towards the Covens, but the rivalry begins here. Luz is the opposite of the emperor, and by extension, the antithesis of the covens themselves.

Previous - Next

[crooked-wasteland]

i feel like that clip gets worse the more i think about it. like;

1. why does charlie treat baxter like a replacement for sir pentious? why is she treating one of the only patrons she had a connection to (at least a hell of a lot more of a connection then she has with angel,) as if hes easily replaceable? like, i know its supposed to be funny because they roughly fit the same trope of "wacky evil guy who makes evil stuff", and it IS funny.. when i dont actually think of the implication of how charlie is treating sir pentious in memory through the way she talks about him after he was killed right in front of her. its like they thought about how funny the joke would be before they thought about charlie and sir pentious's relationship in s1, and just went with that so they wouldn't have to write charlie acting any different. which sucks, because charlie legitimately mourning him would be a GREAT conflict for the main character to have in s2. tbh they still might do that so they can have their cake and eat it too, but i dont know if itll feel sincere after that scene with her and baxter.

2. does she know sir pentious is alive in heaven? how could she know? nothing about the way she speaks in the clip makes me think so, but at least if she knew he was actually okay and redeemed, you'd resolve the issue of her trying to replace some guy who died defending HER hotel with his life, and the issue of her having no reason to redeem sinners after learning heaven is corrupt and seemingly wont let in even the sinners in that deserve redemption. because replacing someone in a cast whos technically still living in heaven isnt nearly as bad, and his existence alone would probably be proof enough alone to motivate charlie to keep trying to redeem sinners, which would be especially satisfying after her faith in heaven would understandably be broken after the trial and the extermination coming right to her hotels front door. so knowing that, this is probably whats NOT going to happen

3. why is she specifically even trying to replace sir pentious anyway? is it a coping mechanism after her loss of him? its obviously comedic so we're not supposed to take it seriously, which means the writers probably wanted to make a joke about how obviously baxter is going to be the replacement for sir pentious's role at the hotel, god i wish we had seen them interact together at a voxtech con in a competition like in vivs old post pilot series pitch in 2019 but i'd argue its a joke at the expense of charlies character development. the way she acts in that clip is something i'd expect from s1 charlie, but not s2 after everything that happened to her.

i think s1 had the issue in general of making things funny or fun over making them make sense for the characters in context, so its not surprising to see that issue happen again. it's just slightly more infuriating when you remember hazbin was supposed to be the serious show compared to helluva, but now hazbin has way too many mean spirited or dumb jokes at the expense of its own characters youre supposed to automatically care about, just for comedys sake, and helluva became the soap drama nobody asked for.

Absolutely! I side stepped my own opinions as I genuinely wanted to see what others had to say, and @tommycorriander pretty much hit that nail on the head for my interpretation of the narrative. The biggest issue is how the first season elected to prioritize things happening over their characters and their relationships. We never actually see the cast grow close over the season, we are simply told that's what happened.

But by mixing together Pentious and Baxter, my first inclination was that, yes, outside of superficial characteristics, Charlie cannot connect to sinners. They are all the same to her, and based on her character being so broad and general in her appraisal of Sinners, it definitely feels like she doesn't see them as individuals.

And the travesty is that if the show actually went in that direction, I would eagerly welcome it. I would love to see some self-awareness from the writers and a character with a legitimate flaw of personality; not just "she made a mistake, but her heart is in the right place" contrivances that have riddled all of Medrano's work. I would love to see that story of Charlie being forced to change as a person, and I would probably love Charlie as a character as well if the show went this route. Instead, good characters just do bad things but with good intentions. Instead of good people actually being complicated creatures with some genuine flaws of character that they are always working to mitigate and be better.

Characters who are working to be good people feel like good people. Those that just act good with no effort feel conniving or disconnected and apathetic. They feel fake and vapid. Having it be a genuine effort would do so much in giving Charlie some ounce of depth.

[pumpkinsplots]

Writeblr Intro

Hello, writeblr! I finally caved and got tumblr, mostly because I love rambling about my wips and hearing other people ramble about theirs and all of that lovely stuff, so this seemed like a great platform to do that. With that being said, I plan on posting about my wips and ocs, as well as art related to those things, so if that interests you at all, I’d love to see you stick around. Also feel free to call me either Pumpkin or Maria, it’s entirely up to you!

About my writing

I’ve found that I really enjoy writing in a variety of genres, so hopefully at least one of my wips will tickle your fancy. Though I’d say a common thing for me is that I really like to world build, so my wips tend to be sci-fi, fantasy, or magical realism of some variety. Anything where I can put my own spin on the setting is something I’m bound to enjoy writing about.

I write in third person, usually with multiple povs, and I really enjoy character driven stories.

I often like to have a wide variety of ages in the cast, and if I had to pick a favorite trope it would be found family, so that’s usually present to some degree in my stuff.

Tonally, I always include light-hearted moments here and there, even if the wip is very bleak. It provides some levity, and I think it makes the painful stuff hit a lot harder. This is probably partially why I put some thought into each character’s sense of humor.

Most of my wips are geared towards older teens and adults, but I’ll get more into content warnings when I talk about each individually, because it really varies.

I’m one of those writers that kills off a lot of characters, so this is your warning not to get attached /j

I’m demisexual, so at least one character being on the ace spectrum is like a requirement for me at this point.

I’m a plantser, and pretty bad at staying motivated to actually finish first drafts.

About my wips

Falling Up

Falling Up is a sci-if story set in the future where Earth is a utopia where inhabitants experience little to no hardships throughout their lives. The deceased are replaced with AI created to replicate them, and everything is automated to the point where people no longer need to work to make a living. This lack of struggle results in dull, perfect lives and skewed morals. The people crave entertainment, even if it means making others suffer for it. Quasdom, a miniature man made planet initially intended to be used to separate deviants from the rest of the perfect society, is used as a catalyst for entertainment. The people of Quasdom believe that those on Earth are superior to them, and that Earth is a place where any wish can come true. This leads to the tourney, a death game between groups of ten on Quasdom, being viewed similarly to winning the lottery. The winning team gets to go to Earth, after all. Being chosen for the tourney is the luckiest thing that can happen to you. There’s no hard feelings between participants, death is completely painless, and the afterlife will welcome any participants to a better life than they previously had. There’s nothing to fear, so smile and put on a show.

A large cast and lots of character deaths

An exploration of why we get so attached to fictional characters, and how fiction can have an impact on reality

Probably going to be a trilogy

Content warnings include language, some unsettling themes, depictions of mental health issues, and generally things that are more psychological. Despite it being a death game, there’s no gore, like at all. The people on Earth may be desensitized, but they aren’t accustomed to seeing blood, so the tourney is designed with that in mind

Facade

Facade is set in a world where the living world and the spirit world coexist. Due to some actions by the main antagonist, about 20 years prior to the current story, spirits started getting aggressive and sort of going haywire. They possess any person they can, turning the individual into an uncontrollable killing machine. The best defense to this was the invention of a certain kind of mask that prevents possession, and masks quickly became widespread. Since there’s no known way to reverse spiritual possession, the only solution is to kill those that are unfortunate enough to meet that fate. A group led by an anonymous vigilante known as K9 seek to find a way to reverse possession. Many enemies are made along the way, and there are countless obstacles to face.

Its setting is based on Singapore and set in the 90s, though there are many creative liberties taken

The wip is currently pretty no plot just vibes

Themes about individuality vs equality

Content warnings include language and some sexual content

Facade: After Dark

While Facade is currently no plot just vibes, developing the characters led to me thinking of the plot for a prequel. Is it a self-indulgent novella about two of the characters I love? Yes, absolutely. In summary, it’s a romance novella about the the relationship of Leijing and Iris, and their struggles in navigating the wild world of Facade. They have vastly different upbringings and experiences, but their differences bring them together in more ways than one.

I have so much backstory for this pre-established couple and I couldn’t think of a good way to incorporate it into the main story without cutting a bunch of it, so boom it’s a prequel now

I’ve found that working on a wip that’s more low stakes and simple is really fun—I tend to get stressed about my more ambitious plots, so this wip is a great change of pace

Leijing is demisexual with little interest in anything sex related and Iris is an omnisexual sex worker, and the story explores how a world obsessed with all things sex can effect both more sex-negative and sex-positive people

Content warnings include language, explicit sexual content, and potentially triggering subject matters. This is my only wip where it’s strictly 18+!

Lights Out

Sunlight is the essence of life. Without it, the world would wither away. However, a dangerous new life form of unknown origin festers in the light. With long, elegant glimmering limbs, high intelligence, picturesque precision, and a craving for flesh, these organisms pose a major threat to humanity. But for some odd reason, these creatures refuse to step into any area where the sun doesn’t touch. Much of humanity takes to the shadows, building elaborate underground tunnels for civilizations and doing what humans do best—using their resources and ingenuity to adapt.

Has two protagonists that butt heads but start to develop a father daughter dynamic. A young adult girl who’s from the underground and unknowingly part of a cult, and an older man with one leg who’s so stubborn he’d rather fight and die than flee to the darkness

Lots of creepy cult imagery and themes about religious trauma

So much banter of course

Content warnings include language, disturbing imagery, and gore

If you’ve made it this far, thanks for reading! Asks, comments, tag games, and messages are always appreciated, and I’d love to hear about your wips as well!

[deathmetalunicorn1]

Hello, how are you doing, and have you eaten yet? I found your post when I was looking for ror post and I really love the Isekai cafe reader!

Can I please request when the first time these ror characters first find her restaurant? They probably expecting a threat, but instead find it is a restaurant run by reader. After talking to reader and finding out about how the place come to be, they ordered a dish/beverage/dessert, which ends up as their favourite food/drinks/dessert but they end always visiting not only for the food because they were worried for reader being alone in the restaurant all day and tending to a lot of people.

Poseidon, Hades , Odin and Thor for the Gods

Adam, Lu Bu, Jack, Buddha and Sasaki for the human side please!

-You couldn’t help but smile, looking around your restaurant, it was such a warm and cozy feeling, there were seats everywhere, a fully stocked kitchen will all sorts of toys, and now all you needed was customers!!

-When the front door appeared all over Valhalla, some in seemingly random places, like in the center of a large field, many thought that it was an enemy attack, as the magic was unknown, even to someone like Odin who was so well versed in magic!

-Many approached the various doors cautiously, not all at the same time of course, weapon in hand, preparing for a fight on the other side of the door.

-When they opened it, they weren’t expecting to see a restaurant. They were even more shocked when you, a child, walked out from the kitchen, beaming brightly at them, “Welcome to my restaurant!”

-They couldn’t understand it, how could a child like you perform teleportation magic like this, how were you running a restaurant by yourself, and where was your family?!

-With each question they had another lined up! Nothing made sense!

-They knew that you had died, as you wouldn’t be in Valhalla otherwise, but when asked by Odin, your first guest ever, “What is this place?” you just beamed brightly, your hands on your hips, “This is my restaurant, this is what I got for my wish when I died!”

-That… did very little to clear things up but you ushered each guest to a table, asking if they wanted anything to eat or drink after providing them with a menu.

-It was one thing for you to be running this restaurant on your own, but when you took their order, something they made from more shock than anything, they didn’t anticipate you going into the kitchen and cooking it yourself!!

-He couldn’t help but peek into the kitchen, worried about you, but you looked like a pro, like you had been doing it for years!!

-The food was immaculate, the plating was stunning, the taste was out of this world, it was unlike anything they had ever had before!

-You were stunned to learn that your guests were actual gods or people from history, historical figures and warriors, and that your doors were opening all over their home of Valhalla!!

-You were in disbelief, meeting these new and strange individuals, who became regulars, getting pretty much the same thing each time they visited, except for Loki, who got something new each time, as he wanted to taste many different dishes.

-The doors never seemed to appear in the same place, but they appeared each day, so you got new people all the time.

-There was only one rule for your restaurant, no fighting- which made your place a neutral zone, there would be no fighting, or you would ban them, then they couldn’t enter ever again!! They couldn’t miss out on food this good and seeing someone so bright and warm as you.

-As time went on and you gained more customers day by day, except for the two days off you take a week, you gained so many new friends, you had never imagined having this many friends before, but you wouldn’t trade it or your restaurant for the world!

-They also learned of your past, how you had died so young, and you were given this restaurant, and you would remain inside it, being unable to leave, until you found a family you would feel safe with.

-You just had no idea that it was much closer than you thought!

-Poseidon- Gambas al Ajillo with various white wines with mini fruit tart for dessert

-Hades- Filet Mignon with various wines with Opera Cake for dessert

-Odin- Buttered lobster roll with Filet Mignon and honey toast for dessert

-Thor- T-bone steak with baked potato and chilled ale

-Lu Bu- T-bone steak with a full rack of beef ribs, no veggies and no sweets

-Adam- apple pie a la mode with caramel drizzle

-Jack- apple and cheddar pie with hot tea; sometimes will get a chicken pot pie

-Buddha- various desserts, will try several different types with each visit

-Kojiro- Unadon (grilled eel rice bowl) with melon bread for dessert

[sleepinginmygrave]

⋆˚࿔ jupiter's aquarium 𝜗𝜚˚⋆

300 followers celebration<3

welcome to jupiter's aquarium!!

thank you guys so so much from 300 followers omg, i can't believe so many individuals are following me and interested in my silly life hjjhjjh i love you guys so much<33

𓇼 ⋆｡˚ this will end on the first of july! (i think, probably)

𓇼 ⋆｡˚ this is heavily inspired by @urbanflorals' event because it was just too gorgeous hjgjhh (i really hope it doesn't bother you oml)

𓇼 ⋆｡˚ you can request as many as you want! (just keep it reasonable hjhhjh)

𓇼 ⋆｡˚it might take me some time to fullfill your request, please be patient! i also probably won't answer them in order, i'll just answer some when i have the time :]

𓇼 ⋆｡˚ this is for followers and mutuals only<3

intro post

welcome to our aquarium!! what creature do you wanna see? let me show you what we have!!

⋆｡˚[ sea creatures ]⋆｡˚

⇢ ˗ˏˋ {eels} ࿐ྂ i'll make a small pinterest board inspired by you

⇢ ˗ˏˋ {sturgeons} ࿐ྂ i'll recommend one or a few musical artists/songs i like for you

please precise what type of music you listen to!

⇢ ˗ˏˋ {moon jellies}࿐ྂ i'll make you a moodboard or a stimboard for whatever you want

please precise what you want the stim/moodboard to be about! it can be inspired by you, a character, an animal etc (also precise if you want a stim or a moodboard!)

⇢ ˗ˏˋ {octopus} ࿐ྂ i'll (try to) draw you something!

please tell me what you want me to draw! it will be shitty btw, please don't pick that /j this one is probably the one that'll take me the longer tho, just so you know

⇢ ˗ˏˋ {manta rays}࿐ྂ i'll talk to you about whatever's happening in my life (or just yap about my hyperfixations really)

(i am an Oversharer when it comes to my own life so this is great because i'm allowed to yap hehe)

⇢ ˗ˏˋ {tropical fishes}࿐ྂ i'll assign you an animal based on you/your blog

⇢ ˗ˏˋ {turtles}࿐ྂ i'll tell you three things i associate with you

⋆｡˚[ sharks ]⋆｡˚ (mutuals only)

⇢ ˗ˏˋ {blacktip reef sharks}࿐ྂ i'll tell you what we would do together if we met irl

⇢ ˗ˏˋ {whale sharks}࿐ྂ i'll write you a letter :>

⇢ ˗ˏˋ {lemon sharks}࿐ྂ i'll assign you one of my favorite animal!!

the same as tropical fishes tbh but more personal :3

queue ; 13 visits to go

we hope you had a nice time observing our residents!! thank you so much for passing by<33 don't hesitate to come back!!

again thank you guys so so much, i'm so glad for all the friends i made here<33

⋆｡˚tagging⋆｡˚

⋆｡˚@urbanflorals ; tysm for letting me use your event as an inspo, i almost copied the presentation hjhgjhghh it's so so gorgeous

other moots!!; @bloophasarrived @starmanbutitsregulusblack @aesthetic-writer18 @this-is-me-lolol @in-the-sweet-november-rain @daydream-of-a-wallflower @ev-enhotterthanyou @silence-between-seconds @skeelly @thedvilsinthedetails @marylily-my-beloved @a-wondering-thought @a-beautiful-fool @sceirlose @hansenesque @holdmyteaplease @rorythinks @niallermybabe

(i don't have the energy to tag a lot of people sorry, also please tell me if you didn't wanted to be tagged!!)