#i've been thinking about this quote a lot since i read the book

[st-louis]

michael robidoux, men at play: a working understanding of professional hockey, mcgill-queen’s university press, 2001.

[msbluebell]

How We Fall For People Like James Somerton

We're all joking, but this James Somerton thing has me really fucked up.

I wasn't a huge fan of James. I saw a few of his videos and liked them. In the ones I saw he was calm and explained things straightforwardly and even the one or two times he said things against white women...well, that's language I've been seeing on Tumblr since I joined back in my tweenage years. I thought it was just a dismissive joke pointing out a frank reality.

I didn't watch him too much. Just a few videos. I kept meaning to watch more, but I didn't because sometimes I wanted something easier. But I regarded him sell because of how informed he seemed.

And that's the thing, isn't it? He SEEMED informed. He spoke confidently and sometimes quoted queer sounding articles and I trusted him blindly. And why? Because he was giving me information that SEEMED well researched.

Illumanaughtii too. I WAS a consistent fan of hers before other youtubers came out. Because she presented information really well and I like hand drawn characters and because she read academic sounding quotes. I trusted her and her information was stollen. And I feel like a fool for ever having trusted her now, but at least her stollen facts were apparently accurate. Maybe.

James though, he straight up lied. Todd in the Shadows went through a lot of effort to expose those lies. He did so much research that I didn't bother to do. And he admitted he only did it because he happened to know people more informed than him that noticed the lies and went down a rabbit hole.

And maybe if I was more involved I would have noticed. But that's beside the point. what's getting me is I didn't bother to check myself, I just blindly trusted.

And the worst part is I can see why it happened.

I work.

I work, and then I get home, and when I get home I stress. I stress about work I have to do tomorrow, or classes, or finding a new job that actually pays a livable wage. And to escape that stress I go online to AO3, or tumblr, but especially Youtube.

Because I like youtube, I like to have noise in the background while I work. I like to listen to things while I read. And some of the time it's ASMR videos, or watching someone cook something. But mostly? It's history things or video essays.

And when I'm working, or reading, I'll hear a fact, and I'll look up, and I'll think "Huh, that's interesting to know, I didn't know that." And I won't think anything about it.

Because I'm busy, or I'm tired. I'm tired from work, and I don't want to do more work. Or sometimes it's mental health. This is my coping mechanism. I'm trying to learn things, do something to distract myself. I'm not looking to disprove things.

In other words I'm lazy. Or, if I'm being kind to myself, I'm tired.

Maybe if the topic was something I was an expert in I would have noticed. I'm a former ballerina, I'm a failed history major dropout. Maybe if he'd said something like "Holodomor never happened" or "Boudica is a Finnish folk hero" I'd have noticed. Maybe.

But he didn't, and I didn't notice. I assumed he did the work, and why?

Because surely a gay man wouldn't spend hours on youtube talking about Queer history if he wasn't passionate. Because he, a queer man, would surely know about queer history. Surely he wouldn't want to spread lies and hate. And he's quoting from books and articles so why wouldn't I trust him?

My trust was blind and unfounded.

And now I'm reeling from that. I'm reeling because I'm starting to feel like I can't trust a lot of people. How can I listen to any Youtuber casually now?

I can't, I never should have assumed I could.

Now every informative video feels like I need to do tens of hours of research just to be sure what I'm hearing is true. I feel like I can't trust anything unless I do.

James Somerton took my trust.

And it's not only that either. That's not what scares me the most. It's that there are THOUSANDS of people like me. Millions like me. Who are learning something from a video or a tweet or a tumblr post from someone they assume is an expert and are blindly trusting because they assume they can trust it. They don't intend to do their own research because they're tired, or don't know how. And that scars me. I was a history major, I studied tyrants and misinformation and the rise of propaganda, and I, with all my tools to notice, was still blind.

You cannot blindly trust a video, you cannot blindly trust a tweet, you especially cannot blindly trust a tumblr post.

YOU ARE NOT IMMUNE TO PROPOGANDA

[quartzalynlove]

Dating Johnny Cage Would Include

Pairing: Johnny Cage (mk1) x reader

Summary: hcs about dating our favorite movie star

Warnings: none

A/N: I've got so many Johnny ideas running around this head

Alright let's cut to the chase

This man's love language is gift giving

Jewelry, clothing, shoes he's buying it all for you

You know in Iron Man 3 when Tony bought the giant Christmas bunny for Pepper? Yeah expect something like that from time to time

But he's also very sentimental and will buy you things he knows you love/will make you happy

That book you've been talking about reading all year? He'll surprise you with it on a random Tuesday just to see you smile

And don't be a collector or something

You like mugs? Funko pops? Magic the Gathering?? He's the sole sponsor of your collection

His net worth may be in the millions but nothing he owns is worth more than pure joy on your face

Speaking of your face he's constantly trying to get you on the screen

Whether you think you have talent or not Johnny just wants your perfect being captured on film

"C'mon, doll, I found auditions for a lead in a rom-com. You'd steal hearts on the big screen!"

Lord knows you've already stolen his

The man's a huge kid and nerd at heart so if you're also a movie buff he'll be on cloud nine

He hasn't had many people to talk to about the magic of entertainment since his mom when he was younger

The two of you would lose track of time talking about the good, the bad, and the cheesy of movie history

This also means he will talk and flirt with you almost exclusively in movie quotes

And if at any point you start thinking they're cheesy he'll switch it up with an expression bc he knows they always make you laugh

While he is silly, nerdy, and impulsive Johnny also values quality time with you

He wouldn't trade his job for anything in the world but sometimes it's a lot

Sometimes he just needs a movie night you

Nothing but the two of you cuddled on the couch, a bottle of wine, and the entire Star Wars saga

He could never thank you enough for supporting him and in turn he fully supports you in all of your passions

Imposter syndrome and insecurity are not allowed in the house

For every flaw you see in your work he will list 10 things he loves about it

"I know it's hard not to feel like this, but even when you can't believe in yourself, I'll always be your cheerleader."

Where's his favorite place to kiss you? Where isn't

It all depends on which part of you looks most kissable at any given moment

He'll kiss your lips, cheek, forehead. He'll even kiss your stomach totally unprompted.

Got freckles or beauty spots? He's abt to become a problem

In his eyes, you're walking cinema that he can touch, taste, and love. He wouldn't miss a second of you.

Bottom line: Johnny's happiness in life is bringing joy to the world and you're no exception

The smiles of millions of his fans at Cage Con is only equal to one of yours

[anghraine]

thatinsufferableb-st-rd said:

@anghraine so i have read the books multiple times and am an avid fan of the movies. I enjoy both for what they are. I think the main difference is that Peter Jackson was very open about what they chose to cut and why from anything I've ever seen. They even have Sam give a nod to the book readers by saying "by rights we shouldn't even be here". No I'm not happy about what they did with Faramir and Glorfindel got jipped, and I would have lover to have seen Elronds sons but at the end of the day there were acknowledgments of what and why. Rings of Power to me has always come off as hiding from any criticism by using the shield of "well if you don't like it it's because you don't like POCs in it". To which I genuinely could not give a fuck less, like there are so many branches of elves that went different ways so that could make sense within what Tolkein established. But don't hide behind that when your writing is just "Sauron is evil. We know. And we know she knows. But we have to make it seem like she's the only one who Has A Clue so we must all try to shoo her off to make a plotline"

@lesbiansforboromir has already correctly and politely pointed out that you are doing the very thing we were criticizing in that post—intruding on ROP fan discussion to unfavorably contrast the show to the Peter Jackson films, while also applying a degree of scrutiny to ROP that the Jackson films are rarely subject to in a remotely comparable way and could not bear. Frankly, @lesbiansforboromir is nicer and more restrained than I am about this, but you chose to tag me as well, so I'll also respond.

We (lesbiansforboromir and I) were talking about being excited about costuming in S2 of ROP and disliking the fandom meltdowns over ROP's costuming looking (somewhat) different from the films' aesthetic. Since it had already come up in their discussion, I added that I'm not convinced by the anti-ROP contingent framing their seething hatred of the costuming and design as just caring so much about fidelity to Tolkien's vision. I pointed out that Tolkien fandom broadly cares far more about their preferred, film-influenced aesthetics than Tolkien's actual descriptions and gave some specific examples of this.

There's been a lot of talk, for instance, about how the universally long, flowing hair for Elves preferred by the fandom and used in the films is actually totally canon according to Tolkien even if it's rarely mentioned in LOTR proper. This is inaccurate. Galadriel's brother Aegnor is typically depicted in the fandom/film-preferred style rather than per Tolkien's description of his hair as "strong and stiff, rising upon his head like flames" (indeed, in general neither Aegnor nor anyone else is ever depicted this way, and this description rarely shows up in the lists of "no it's about ethics in adaptation" Tolkien hair quotes).

Tolkien repeatedly describes Elvish, peredhel, and Dúnadan women as wearing their hair bound up in braided coiffures with jeweled hair pieces/nets rather than loose and flowing à la the films and the fandom. Nobody cares, any more than they care about Tolkien's description of Arwen's clothing as soft, grey, and noticeably devoid of ornamentation apart from a belt and netted cap (i.e. the opposite of her highly elaborate film costuming and typically loose, unbound, uncovered hair in the films and most illustrations).

Meanwhile, my fave Faramir's hair is nowhere near long enough in the films or most art to mingle with Éowyn's as Tolkien describes. It's usually also depicted as blond, reddish, or brown rather than black as in the book; in Tolkien's LOTR, all described Gondorians have dark or black hair, with the only difference in coloring being that some Gondorians are dark-skinned and some are pale. Again, almost nobody in the fandom cares about this when they're going on about costume design and casting to reflect Tolkien's vision, and male Gondorians are overwhelmingly depicted with short or shoulder-length hair in the films and in Tolkien illustrations.

Popular depictions of Gondor, including the Gondor of the films, very rarely reflect Tolkien's description of Gondor's aesthetic as similar to ancient Egypt, the Byzantine Empire, and the Roman Empire. Film Gondor has, at most, extremely vague allusions to Byzantine architecture amidst the general and deliberate westernization of Gondor's design—as just one example among many, Tolkien's explicitly Egyptian-based design for the royal crown of Gondor is converted to a generically western European-style crown in the films and overwhelmingly in the fandom.

I then pointed out that it's been very noticeable that ROP haters tend to have a powerful double standard wrt fidelity when it comes to the Jackson films. For over 20 years, most film fans have been constitutionally incapable of tolerating even slight criticism of the films without jumping in to defend their greatness and condescendingly explain the most basic elements of adaptation. (Yes, we know film is not the same medium as text, we know changes are part of adaptation to another medium, we all know that, we all know that a word-for-word adaptation would suck and never be made, this is not new information and does not make the PJ films' every choice a good one.) Yet most film LOTR fans who vocally despise ROP display none of the charity towards ROP that they demand for the films (demand even from someone like Christopher Tolkien, a dead man the entire fandom is deeply indebted to, whose dislike of the films still leads to regular attacks on his character from Jackson film stans).

This hypercritical yet hyperdefensive tendency in the fandom is neatly illustrated by the fact that you responded to a conversation about the double standards in evaluations of ROP's costuming vs the films' to go on about how ROP is objectively bad for reasons entirely unrelated to costuming, how you're totally not racist (something nobody was talking about), and to quote you directly, "Like the show was just Bad." Truly, an incisive critique. Meanwhile, your concessions with regard to the Jackson films are mainly about extremely minor and defensible omissions like removing Glorfindel and the sons of Elrond rather than the serious and fundamental problems that lesbiansforboromir and I have with them, or even the ways they do pretty much the exact same things you're lambasting ROP for.

I mean, if we're going to talk about action hero Elves in ROP vs the Jackson films, what about the action hero-ification of Legolas in the films? He was described by Tolkien himself as the Fellowship member who accomplished the least, so super badass battle-skateboarding Legolas hardly represents fidelity to Tolkien's vision. Why should that get a pass while film-stanning ROP haters seethe about ROP!Galadriel being too special, even though Tolkien described her as one of the most special Elves to ever live and specifically as remarkably athletic and insightful?

Meanwhile, film Gimli is reduced to comic relief, the only dwarves taken seriously are conventionally hot ones in The Hobbit films, and Frodo's expressions of strength and fortitude are consistently removed to glorify other characters. Film Gondorians were deliberately designed to seem like useless tin soldiers (which they are in the films, as well as whiter and blonder than Tolkien wrote them) rather than the physically imposing and highly effective fighting force of the book. ROP imagining Elvish rituals upon approaching Valinor that aren't based in Tolkien canon but don't directly conflict with it is absolutely trivial compared to the films' handling of Denethor and Faramir.

The point is not that you, personally, are not allowed to like the films or dislike ROP despite all this. Many people do love the films, including most of my followers. They do have their strengths, though they are extremely racist and few film fans will acknowledge this without soft-pedaling it in some way (esp, since you brought it up, given the context of the truly unhinged degree of racism that has accompanied much of the broader discourse around ROP).

The point is that film fans who hate ROP are constantly showing up in our conversations to be "well actually ROP is just objectively bad, unlike the films, because the show has failings that are also in the films but it's totally different there because of the contents of Peter Jackson's soul" or whatever. The point is the absolutely glaring and obnoxiously hypocritical double standard of defensiveness about the films and obsessive nitpicking of ROP that leads to ROP haters continually going on rants to ROP fans that are unwelcome, uninvited, and usually (as in this case) irrelevant to what was even being discussed.

[f-t-e]

I started watching SUPERNATURAL in November 2020. I know, I know. My partner and I had been isolating alone since March. The timing felt right. I went though a wild amount of upheaval and trauma over the next year and SPN was there for me through it all. It was THE show at THE time and it kept me afloat when I needed it the most. Since November 2021 I've written just about 110,000 words of SPN fanfic, a number that seems unbelievable to me, and that too has been a real blessing to my creative life, no matter what haters say. (why didn't I write my own novels in that time? Because I have a hobby, Karen, and I love it.) And I've read about 500000x that much fanfic, which has been the biggest blessing of all. (ETA: oh right, if you want to read my fic, you can find my stuff here, I wrote a fic where Dean reads books. Lots of books.)

I know I'm a nobody in this fandom but I thought on this, our #DestielDay, I would submit my own humble rec list. I've curated this very deliberately: every fic here has just about 4000 hits or less (most under 3000) and all were published in 2020 or after. So, sort of a rec list for some lesser known and newer fics, something you maybe haven't stumbled on yet. Especially thank you to @jewishcharliebradbury, her rec lists gave me a place to start back in the day and I have tried to model the depth and quality they brought to their lists. I tried to link to everyone's tumblr, but if I missed one, let me know.

Most of all, thank you to everyone who has EVER created something for this fandom, from 2005 to 2023. I am so thankful and, honestly, honored to be among your number. You're not supposed to be cringe and say a show saved your life...but SUPERNATURAL saved me, it really did. See y'all when the movie/reboot drops, to quote Ryan Gosling in The Notebook: IT WASN'T OVER, IT STILL ISN'T OVER. And I'm glad.

-----

Finale Fix-It & S15 and Beyond

What The Moon Was Saying by Amiril (@runawaymarbles)

This is hands-down one of the coolest “Dean Rescues Cas from the Empty” fics I have ever read and the concept is brilliantly structured to mirror the literal and metaphorical things Dean needs to give up and let go to get free. Every scenario is very satisfying and they make sense, is there any better feeling? Dean is very open in this, but in a believable way that still has edges. And, oh, the reunion is so good. Plus all the family stuff. Just excellent, exactly what you want in a fic like this: lovely, well-written, smart, fulfilling, all the pieces clicking, the show but better.

Awake and Annoying by skycruise

I love the use and passage of time in this one, it has some real impact, and I love the way Dean gets into the Empty (so smart, fits just right) and what I REALLY love in this one is the way it lets Dean be really clear-eyed and honest about his relationship with Sam, both the strengths and the weaknesses. And the last line, very clever and moving inverse of one of fandom’s favorite things. 

Living the life you chose by allthismusic

THEEEEE post finale Sam Winchester-Outsider-POV this fandom needs. Sam is absolutely awesome in this, the most believable, loving, realistic mix of “I knew all along” and “I had no idea” versions of Sam, landing somewhere I think that’s really true and in character. It fills in and develops so many gaps and silences in what the show let Sam know in the absolute best way. Best Brother Sam is a weakness of mine and he really shines here, there for Dean in the best ways but also coming into his own, I love it so very much. (this author also has a very great 2022 Big Bang fic, hugely recommend that one too.)

your ear to the wound that whispers by EmandFandems (@lazarusemma)

Who doesn’t love a HANDPRINT FIC?!? And boy this is such a good one. It follows Dean and his thoughts on the handprint from the first touch all the way to fixing the finale and it simply buzzes with longing and desire, tenderness and rawness. It’s great insight in lot of ways into Dean’s journey. It’s short but fulfilling and oh that very perfect last line. (this author also has a lot of great Jupernatural content.)  

Somewhere Off in the Dark by magickastiel 

Another awesome fic that traces Dean’s shifting/growing feelings for Cas from when he shows up in his hotel rooms to a HEA fix it after canon. Dean, again, is handled so deftly in this one, his confusion and sorrow at all the times Cas is slipping away from him all the way through the things he won’t let himself know. He feels really true in this one, sharp and tender in the best Dean ways. Also it has an agonizingly romantic end, you love to end up there.

Pins and Feathers by theskywasblue (@buttherewasnogod)

This author has so many freaking good SPN fics, omg it was almost impossible to pick just one to include on this list. Go treat yourself with their entire list because there’s so much good stuff there! But this one, oh I am a sucker for a finale fix-it that lets Dean be this tender. While I LOVE fics where he just jumps right into Cas’s arms (and write them lol) I also feel like this is so true to Dean too: that “maybe I misunderstood, maybe I shouldn’t say anything, maybe he doesn’t still –” And on top of all that, it’s a “they go the beach” fic and it gets the details of it so right, sand in your toes and all. Tender, amazing slow-burn, real, hot, full of heart and longing and everything unspoken and just waiting. Very satisfying!

i loved you first by kalmialatifolia

A set of four short fics that create an entire world of feeling and emotion. These feel like little whispered stories told under the covers, very atmospheric. There’s one very sexy one, a haircutting one (so good) and they’re just intimate. All together a great set and did I mention they’re in the “Cas saves himself” genre which is mmmm an underrated treasure.

no other faith is light enough for this place by anonymous 

A fix-it fic that has a particularly unique and beautiful visual of both how and why Cas comes back. The mechanics behind it are fairly standard but the way this author creates the visual of it, the sheer emotion and force behind it and how it happens, it really stood out to me and stuck with me. It’s Dean being brave enough to really feel and the way that just blossoms – lovely, aching, full-tilt wonderful.

 no proof, one touch by TakeThisWaltz (@watchinghimrakeleaves)

One thing I absolutely cannot get enough of is fic where Cas is hiding out from Dean in heaven. It just hits. And the only thing better is Dean chasing him down and the WAY he does it in this fic, methodically and – well the method (sobs) it is so endearing and OBVIOUS and gives Dean a chance to shout in all the best ways. This one is just real sweet and kind of goofy and if they have to be in heaven, I want them to still be these same two dorks.

Stay by redbrickrose

This is a post S15x18 from Cas’s POV and I think it’s very true to where he would be in the moment of getting yanked out of the Empty: resigned, hesitant about what he has in front of him, still a little in shock. And then. And then. Sweet and simple and Dean gets a chance to say, say, say it. This author has a good post series AU and a lovely little spate of S15 codas, all good. And then wrote this in real-time in the week after 15x18 Despair and right before 15x19 Inherit the Earth aired (could you just sob over the possibilities?!) and then hasn’t wrote anything since and that’s a shame but, like, yeah I get it.

like a one-two punch by Muir_Wolf (@muirmarie)

Don’t you love a short fic that feels like it’s a whole novel? This goes AU after 14x20 Moriah but it is a truly delightful twist on how Chuck could’ve reacted there and it makes Dean sharp as a knife, which is one really resonant image woven through this fic. Great imagery here and so many clever solutions for the lazy plotting of S15, including simply one of my all-time favorites in any fic ever solutions to Cas’s deal (genius) and getting rid of Chuck. Brilliant like a puzzle box yet still full of so much fucking joy.

maybe i like pleasure pain by tothewillofthepeople (@kvothes)

The fact that this was written in October 2023 and is so agonizingly good fills my heart with joy and tells me Destiel will never die lol. Cas, in particular, is great in this – he’s having a hard time adjusting to being in a body and with all the fuzz of the world. I love fics where Cas struggles with coming back from the Empty and this uses a really unique approach to it: Cas facing sensory overload and not knowing how to feel but wanting it all. Lovely, hot, Dean is just right in this too.

Earlier Canon (pre S15)

Proverbs 13:12 by starlingcas (@angelcasendgame)

Many might say I am biased because Renu has beta’ed everything I have written in the SPN fandom and they can read my brain and make everything I write better. But it’s not just that. Renu has done something beautiful and delicate in this fic, which is about Dean and Cas getting trapped in a net together (forced proximity trope, yes please) and weaves a web of its own; pulling you in just as they are pulled together. This is set mostly in early S14 (before fixing the finale in the most heart-healing way) and captures that feeling so well. There’s so much that’s unsaid between them yet still conveyed and Renu absolutely nails that, along with the tender longing that was always there. This is a fic to relish.

you may tire of me (as our december sun is setting) by deludedfantasy

You know how the show just sometimes is like “uh so anyway uh then Cas…uh…left.” and it just doesn’t make one lick of sense? FINALLY FINALLY a fic where Dean says “I’ll go with you,” and then goes because he actually would do that. This is a post Tombstone fic so it is exactly where/when he WOULD go and it is tender and hesitant and aching in just all the ways it would be between the two of them at this time. It’s about needing to keep someone in sight, it’s about having another chance to say something so important, it’s slow and soft and just right for the characters in this place. I could read this one about 100 times.

the anatomy of flightless birds by cowlovely (@dollhousemary)

This fic is basically the way you feel when you get all cozy and snug underneath your favorite blanket. This is a domestic-life-in-the Bunker S9 fic where everyone behaves like they are in character and not just like they have to get Cas off screen because the writers panicked. You’ll just want to curl up in this fic and savor it the way you wrap your fingers around a hot beverage on a very cold day, there’s no better way to describe it.

virtue by JenTheSweetie

I think I’ve read this about 100 times and it still gets me everytime? It’s a five things fic about Dean and Cas hooking up and it’s all you’ve ever wished for. This is set in an amorphous S8 and it is not just agonizingly hot but also romantic and very funny. It feels really in character! Sam is hilarious, Dean is clueless but bowled over and letting himself be swept up, Cas is delighting in every second and smarter than he lets on and it ALL feels fated and lovely and sexy and just splendid. (this author only has 3 SPN fics but they are all so good and if you try sometimes, well you just might find is an absolutely brilliant deconstruction of Dean learning the differences between “needing” and “wanting.”)

Romance at the Motel 6 by shelia_amour 

This fic makes me feel like Stefon from SNL. This fic has everything: Cas and Sam pretending to be married, just the right amount of jealous Dean, Dean randomly pretending to be married to Cas, Dean realizing maybe this isn’t so fake after all, motel vibes, Cas in Dean’s clothes, Cas getting bee slippers. If you are not sold on this already, we are very different people. So good, aches just right. (set in a kind of “whenever” of canon, but I like to put it somewhere in S8.)

que sera sera by Purple_Starflower (@hauntedpearl)

The epitome of how fanfic unfolds for us all the things that COULD happen. You can’t PROVE to me Dean and Cas never snuck off to snuggle and feed Dean’s touch-starvation early in S13. I had to check when I finished because I just couldn’t believe this fic was under 4000 words because it feels so full of touch, longing, the things unspoken, and all the ways Dean was reaching, reaching, reaching. The best kind of ache, and everything by this author is lovely. 

the hard edge that you’re settling for by lesspopped (@trekkiedean)

This is some S10 Demon!Dean that made my stomach hurt and my heart ache and I absolutely loved it and I absolutely hated it and it all felt so REAL with who Demon!Dean was and could have been. There’s a TW for mildly dubious consent in this, but to me, Cas was so agonizingly true to who he was/where he was at this point in canon too. This fic is gloriously, claustrophobically intimate. I say unbearable because as a reader you know that this closeness, this intimacy, is what Dean wants/craves/deserves but can only give himself as a demon and the author does an exquisite job at getting all that across. Hurts so good! 

four of swords by sundryvillians (eurythmix) (@perenial)

Can the world ever have enough post 12x12 fic? The answer is, of course, no. Dean and Cas bake bread and in the soft space of creating something with their own hands, get so close to the words Cas said. It’s about healing and anger and making something just because you are so tired of everything breaking. If that alone isn’t enough to convince you, let me also throw in this is another one of those “possible off-screen moments in canon” that gives them something honest and tender and raw and it feels so very possible. 

Fifteen Prayers From the Faithless by koyas_cat

Short, achy, that sweet sting. A set of prayers for Cas from the beginning to the end, full of all the things Dean doesn’t let himself say outloud and just reflecting the changes in their connection over alllll the years. So good.

[specialagentartemis]

We talk a lot about reading comprehension and misinformation on this website, but learning how to slow down, assess sources, and fact-check is a skill. A skill a lot of us have not been called on to demonstrate since high school, but a skill that's vitally important in the modern world.

I'm in graduate school for the social sciences (anthropology) - critically assessing sources is part of the skillset we are taught. I've had people ask on my post about historical misinformation, "How can I only reblog things that are true? How can I tell?" And it's a good and important question!

A couple core questions to ask, about history, science, or current events, are:

Who is saying this?

Where are you seeing this information? Is it a legal scholar, a historian with a PhD, a museum curator, an on-the-ground activist, a rando twitter poster, a Mormon conspiracy theorist? For scholarly questions, look for people with PhDs and published articles; for questions of current events, look for what people who are actually there are saying and showing.

Who agrees with them?

Can you find articles from other sources corroborating this, or is it just one guy who is saying this? Conversely, do you see anyone disagreeing and correcting this information? Who?

Does this person have an ideological bias that might cause them to discount conflicting information?

Everyone has biases, of course, but some are obvious. A lot of revisionist American history is put out by Mormon groups to try to prove the literal truth of the Book of Mormon; ditto for history that seeks to prove various things in the Bible. It may be easy for us to laugh at that, but a lot of tumblr revisionist history involves inventing gay historical figures out of flimsy sources because we want it to be true. Is there a reason that the person making this claim might want this to be true? This doesn't necessarily make it false, but it does mean you have to require more robust claims.

What sources do they cite?

Do they cite well-documented research or well-provenienced archaeology? Do they have photographs of what they're claiming happened? Or do their claims rely on nameless, dateless, "I can't show you my sources yet" or "I swear I heard about a guy..." Do they cite any sources or is it "just trust me bro"? Are those sources that they do cite reliable, or are they circular? Do the sources they cite actually say what this person is claiming they say? Are they cutting out half of a quote, or ignoring conflicting evidence presented in the same source?

Is this conspiracy theory thinking?

Is this making claims that an individual or a group is secretly hiding information from the general public? Is it blaming one individual or group for widespread societal problems? Is it claiming that the only reason this isn't common knowledge is because Somebody is suppressing it? Is it claiming that the solution to a complicated political problem is actually simple and everybody knows it but people just don't want to do it for nefarious reasons? That's conspiracy thinking, and it's almost never as clean or easy as the claimant wants you to believe.

Just because someone is saying something confidently doesn't necessarily make it true, but also, just because you don't like something doesn't necessarily make it false. Ask these questions when you see a claim that makes you feel angry - or makes you feel righteous. Look for journalists, scientists, historians, legal scholars, who present their credentials and their sources. Look for multiple independently verified news reports or scientific articles. Determining The One Truth about things is not always easy and sometimes not possible, but asking these questions helps you assess what you're reading critically and evaluate claims.

[one-squash-one-end]

I wrote a giant Raven Cycle analysis

Hi! Over the last year or so I've been working on a sort of essay about various themes in the raven cycle series, and I finally finished it a few weeks ago.

It is titled: "Why I love The Raven Cycle - An excessive analysis of the themes of friendship, queerness and growing up".

And since tumblr loves its meta (and bc I love peer validation) I've decided to start uploading it bit by bit here, making this the masterpost (if I can figure out the logistics of the linking lmao, bear with me)

(beware of spoilers up to greywaren starting at like 3b!)

Introduction

What even is the Raven Cycle?

Trust me, the characters are queer as fuck and I can prove it a) Blue Sargent b) Gansey c) Adam Parrish d) Ronan Lynch e) Noah f) Henry Cheng g) Honorary mentions

The Gangsey is a polycule

Analyzing the reoccurring themes a) Friendship b) Being a teen/growing up c) (Found) Family d) Magic (as a metaphor) e) Further themes I appreciate

Drawing a conclusion

Click here to start with the introductory parts!

1. Introduction

So here’s the thing: I love fiction almost as much as I love my friends. There’s something deeply comforting about the escapism, even if the book actually makes me want to scream and throw it on the floor (only one book has been thrown so far, I promise!).  Fiction is a healthy thing to occupy my thoughts with: headcanons! Quotes being on loop in my brain! Just fandoms!

And for me, if I am hooked on a book (series), it does not even need a good plot where a lot of things happen. In fact, I would say that my enjoyment of a book is made up of 30% plot and about 70% characters and vibes. If the characters are bland, if they do not make me feel much emotion, it likely won’t be more than 4 stars (additional info: I am way too nice rating books!). I really, really need to love the characters, to be able to relate to some aspects of them, or it just won’t become an obsession.

Since I have already started explaining that a bit, let’s look at this question: What is important to make a book special to me? 1. I need to cry reading it. 2. I have to think about it often, even weeks to months after having read it. 3. Obviously, I need to love the characters. 4. I need to be in the fandom! This can be hard with some books, but the internet is a whimsical space allowing you to find at least a small number of people who are obsessed with a work of fiction to a similar extent as you are.

Now, why am I elaborating on this so much? It’s because The Raven Cycle did all that for me. It is my favorite comfort book series at the moment, for all those aspects mentioned, but of course I cannot just leave it at that. No, I wrote a whole-ass analysis on headcanons and some of its themes. You’re welcome.

2. What even is The Raven Cycle?

The Raven Cycle is all I adore and live for (next to my friends). So, naturally, it’s a book series, specifically a four book young adult contemporary fantasy series by American author Maggie Stiefvater. The books in question are: The Raven Boys (2012), The Dream Thieves (2013), Blue Lily, Lily Blue (2014) and The Raven King (2016), and yes I will admit that the publishing dates are a bit of a red flag. There is also the very relevant follow-up series called The Dreamer Trilogy (Call Down The Hawk, Mister Impossible, Greywaren), but it’s a lot less easy to get into that here as I do not know these entire books by heart, so I’ll stick to the original tetralogy here.

To stick to red flags, the books are set in the fictional Henrietta, a rural town in non-fictional Virginia, US, in the 2010s. However, that doesn’t really say *that* much about the plot, so let me summarize that really quick, because I can do better than the official synopsis! (Or let’s pretend I can.)

Blue Sargent comes from a family of psychics, yet she does not have any powers of her own. Even worse, she is a bit of an amplifier for the others, meaning she is always somehow but never directly involved in the business. As if that isn’t enough for an identity crisis, every psychic she has ever met has told her that her kiss would kill her true love. Yikes.

But because she is that amplifier, she comes to a church watch on St. Mark’s Eve, where psychics see the spirits of those to die within the following year. It’s important business, but to her it’s really just staring into the dark. Until she does actually see a spirit: That of Gansey. Of course this is not a coincidence. No, to add to this teen’s mount of problems, there are only two reasons why a non-seer would see someone’s spirit: They are their true love, or they killed them. Or, in Blue’s case, maybe both.

The aforementioned Gansey is Henrietta’s Golden Boy, the son of politicians (read: he’s fucking loaded). He does not run with the Republicans though, he runs with dead Welsh kings, meaning he has been searching for the probably dead, presumably sleeping Welsh king Glendower (*1350; †1416; yikes) for the past like seven years. Why the fuck would he do that? Well, legend says that he will grant a wish to whoever wakes him, and our favorite PTSD-ridden guy really wants that favor.

Aiding him are fellow Aglionby students Adam Parrish, Ronan Lynch and Noah Czerny, plus Henry Cheng, though only a lot later in the series, but I really did not want to leave out that menace (affectionately) here. The paths of Blue and the boys cross because of Gansey’s search for Glendower, plus the fact that Blue works at a popular pizza place, but that’s a lot less whimsical. And, well, there’s the implication that Gansey might also be her true love, but perhaps she just kills him because of his bad fashion sense, it would be justified. Anyway, in true Famous Five fashion (Ronan is the dog; I won’t elaborate, the girls that get it, get it) they are of course not the only ones searching for the king, so it’s not completely a wholesome friend bonding activity all the way through.

Be prepared for: friendship and growing up, lots of treasure hunting, family mysteries, magical forests, illegal and slightly distasteful activities (our favorite of course), but most of all, heavily queer-coded (or even canonically queer) characters. Be Gay, Do Crime.

[frociaggine]

anon! I see you! same for the other anon I got 3 weeks ago and left on read — I was trying to decide how to phrase this.

I'm not publishing these in full because I'd rather talk about cool fandom theories I like instead of singling out specific takes I don't agree with.

The one thing I really feel like saying publicly re: TLT fandom discourse is that I think we could all benefit from, like, taking a step back from invoking Tamsyn when it comes to discussing theories or interpretations. I think the tone of the discourse and the fandom as a whole would be a lot healthier if we just agreed that we're getting a lil' bit silly with it, which is 100% what Tamsyn wanted when she started writing, anyway.

There are many fandom posts that EYE would find very compelling if they were presented as "This is a cool idea I had and the lenses through which I choose to engage with this story and these characters..." but often take the tone of "This is CLEARLY what the author means to do, listen up..." — with the implications that people who see things differently are getting a bad grade in lockedtomb reading, and then it stops being fun and it starts getting pretty hostile pretty quick.

I think a lot about Tamsyn's quote "I am writing for my younger self and it would be disgusting of me to try to teach her anything." That's the spirit in which I think it's most fun to engage with her writing. She's an excellent author and her books have a lot going on and many angles you can look at... but they aren't flawless, and she can't have accounted for all the theories the fandom is coming up with. I think we should stop trying to look at these books as though they are That Serious, and give ourselves more credit that maybe we're coming up with stuff the creator never considered, and that doesn't mean your stuff is less valid, but it does mean you shouldn't flex on other fans because you see it and they don't. From everything we know about Tamsyn, she'd probably be the first to say "It's not that deep, unless you want it to be."

For comparison, I've been in ASOIAF fandom for 15 years and we haven't had new material for almost as long and silly theories and renewed interpretations are flourishing every month, and nobody gives a fig about what GRRM was really trying to say because maybe the author's intention isn't the ultimate value of a work, and the author is dead anyway.

IDK. I think we should all get a little sillier with it. I've been guilty of some Not Silly in the past, though hopefully not much, but ultimately I'm here to have fun and so are most people. Especially since TLT is still ongoing, and many interpretations WILL get debunked, we're probably just better off now putting less stock on authorial backing to avoid disappointment later on, and to have more fun as a fandom during the #alectopause.

ANYWAY my askbox is always open specifically to get silly with it. I haven't hornyposted about lyctor sex in a while

[yuikomorii]

am I the only one who thinks that Yui/MC is just a stand in for the player? like, her personality is tame and vanilla, enough so that anyone willing could fit into her position quite easily. Not forgetting to mention you can change the MC's name in the games, and she has no voice in the games. And because that there is no canon ship in otome games in general, because who the MC ends up with depends on who the player wants her/themselves to be with (in Ayato's case, it's only that he's like the standard, the poster boy). So, ever since it came out, I've been in the fandom: I've played all the games, read the manga, interviews, and everything, and especially the drama CDs (which make you feel as if they're talking to *you*), and I came to this conclusion. So you learn particular things of the MC/Yui, for example, her preferences that shape her as an independent character, e.g., having her own quotes, her merch, but still, she just gives me that impression. *This is why I also find Yui-bashing to be ridiculous; after all, her character is basically built to be subdued, so the players can fit in her shoes*— is what I think. Thank you for listening. I really do want your (non biased) thoughts, for this has been bothering me for quite a while, :)

// I honestly believe all heroines are made to be a stand in for the player, because that’s how otome games work.

Yui is a 2012 heroine, therefore it makes sense why she doesn’t have as much uniqueness or personality as newer ones. Nevertheless, I would like to point out that a bunch of Japanese players DON’T actually relate to her that much. They mostly like her because she’s cute and dumb, and they find that entertaining.

On the other hand, there are a lot of avid otoge players who find her too “stupid and mean” for a heroine. I agree with the stupid part, but despite her moments of random bitchiness, I don’t find her as bad as they say. Yet, maybe they played more otome games than me, so their expectations are higher.

I wouldn’t really call her tame or vanilla though. She’s also one of the thirstiest heroines imo, given that she keeps thinking about wanting more sex even after doing it a few hours ago and so on. There’s also an ending in which she cheats for pleasure and then starts being happy when getting railed as a punishment, therefore she might seem innocent, but there are a lot of kinky things going on inside her head. :”)

Other than that, I agree that she appears as a quite plain character, but it can’t be helped, since the LI’s are the ones made to stand out more through their writing in otome games. To me she’s fun, but she might come off as not flashed out to others, which is to be expected from a heroine.

I also agree with you when it comes to the CD dramas and interviews talking about the player, instead of Yui as a whole, because those are supposed to be the most “yume” materials. Rejet confirmed Ayato as the mainstay of the story in some books and magazines, which means that in the official universe, he ends up with Yui, but this doesn’t mean people can’t ship themselves with him or can’t replace Yui with themselves. My friend has an OC and she used to post screenshots of some routes, yet a lot of people kept asking her stuff such as: “Do you hate Yui?” or “Why do you never talk about Yui?” only because the sprite was turned off and the name was changed.

People should let others go through their own otoge experience. After all, otome games were produced like that for a reason. If you want to play as the heroine, that’s good and valid! If you want to play as yourself or your OC, that’s just as good and valid!

[dilscft]

I'm a non book reader only watched the show when does Jelly happen and when does she describe her love for him? I've heard the third book is a fanfic a bad one at that so if I do read it I'll consider book 2 the ending hope it's a happy one for my ships I love them both. I get why people are annoyed with Belly constantly going from one to the other but that's not in the books right? I wish she would only choose and love Jeremiah I'm getting stick of Conrad's shit since season 1 he reminds me of those toxic male leads from movies like After not that extreme of course but similar.

There are spoilers for books!!

I just finished book 2 and loved the ending because Belly finally lets go her obsession and love for conrad. Here's the quote I've loved about it:

She literally says that she's not gonna be the only one who says sorry and runs after the person. She finally realizes her worth.

And her description for boys is very different. Ij case of conrad, it is read as some kind of obsession and idolization of the person. And she excuses him always. Like he literally went to his ex in 2nd book, but suddenly this is not considered cheating, but when Jeremiah did the same, he's some kind of villain... Belly is literally the only one who puts on effort and conrad acts only when Belly is with someone else. I know he's been going through a lot, but if he's not ready for a relationship, just don't start it.

And then after realizing what kind of shitty person he is, she realized that she made a mistake for taking him, that she idolized about her and conrad too much, when in reality it wasn't what she has imagined. She came to the conclusion that she should have brought Jermeiah cause he would never do that to her:

She never felt that she was loved fully by conrad. She says this in book 2, I think. He's been crazy about her, but with her, it was usual, nothing exciting for him. Also, it felt like that cknrad just lived that belly liked him. I just feel like it.

And in book2, Jeremiah kisses her and she literally says that the kiss was something she has never experienced cause it was so damn PASSIONATE LIKE HE WAS DROWNING AND SHE WAS AIR, WHILE SHE NEVER FELT LIKE THAT WITH CONRAD!!!!

Also this is the end of book2. Look how she says that Jeremiah is her past, present and future. She says it's true love. While her love for conrad is described as something childish, she says that it's not good love and it's just one time thing cause this type of love will only hurt you!!!

Team jelly till my last breath!!!

Book3 really feels like a bonrad fanfic. I just started it, but the way characters act are just out of character. Jenny Han just wanted to force bonrad into our throats🤢

[bobparkhurst]

a totally unbiased (no) and mostly serious (i guess) spoiler-free primer

I've seen a bunch of posts floating around encouraging people into the fandom, or HBO War people looking for a new fandom/show to sink their teeth into. Here's my effot to add to the propaganda, because I've been in this fandom since Nov '22, it's delightful here and I always love a new SASRH friend to chat to.

tl;dr: it's a lot of fun

premise & setting

SAS: Rogue Heroes is the story of the founding of the original* Special Air Service (SAS) of the British Army during WW2. It centres three of the initial founders, David Stirling, Blair 'Paddy' Mayne and Jock Lewes. Two of other men credited as founding the SAS, Bill Fraser and Georges Bergé also feature. Bill Stirling, David's older brother and integral to the founding of the SAS, will feature in series 2.

Series 1 is 6 episodes long, covering events from the North African campaign from May '41 through Jan '43. Series 2 has been filmed and will move the action to Europe.

Based largely on the book, SAS: Rogue Heroes by Ben Macintyre.

*it was disbanded in Oct '45, and reformed in '47, ultimately leading, through various machinations, to the modern day SAS.

historical accuracy

Somewhat more fast and loose with history than Band of Brothers, The Pacific or Masters of the Air, but not bad enough to send historians spiralling into deep despair, with one very important caveat: the depiction of Paddy Mayne. More on him and this in a moment. However, it has generally been well received. Damien Lewis (the author and historian, not the actor) said "...it's reasonably realistic. It tells a great yarn. I think they've used some artistic license, I can understand why they've done so to a certain extent... Generally they've got the equipment and the kit bang on, I think they had some very good advisers." (here)

There are some weird timeline issues, which I think is caused largely by odd pacing and editing. I'd not worry about this too much, otherwise you'll break your brain. Likewise, liberties have been taken with the geography, which I think is a bit more heinous, but ymmv.

characters: lads lads lads lads lads

after the first four, these are in no order of importance, before anyone gets on at me about their favourite. i also appreciate there are other characters but this bit was already getting really long.

david stirling (connor swindells) - the dreamer

Arrogant, manipulative, clever, charismatic bastard. David Stirling is fueled chiefly by daddy issues and an inferiority complex a mile wide. Connor Swindells walks a beautiful line between swagger and vulnerability. He does not let things like "common sense", "safety precautions" or "understanding the implications" get in the way of doing important things like flinging himself out of a plane in the middle of the desert or talking his way into army bases armed with nothing but crutches and chutzpah.

blair 'paddy' mayne (jack o'connell) - the madman

Paddy Mayne my BELOVED. Character of all time. He's a drinker, a fighter and abhors a bully. For most of the show, we see him at his most desperate and most angry and arguably most violent. HOWEVER, he's also a highly intelligent, sensitive, compassionate poet and voracious reader; if there's a bunch of poetry being quoted, it's probably Paddy doing it. He loves so very deeply. His depiction in the show is a bit of a bone of contention with family and historians - some people read him as being depicted as a violent thug only, and that's not what the real Blair Mayne was like. Which is simultaneously true and not true. Blair Mayne was an incredibly complicated man.

The other contentious-to-some point is that the show does deliberately suggest his queerness, something Jack O'Connell has talked about in interviews. Some people have taken issue with this. Either way, for those who saw the sand wrestling gifs and wanted to know if SASRH was just queerbaiting, the answer is no, actually. But don't expect anything explicit on this front.

Jack O'Connell looks like he's having a fucking fantastic time.

jock lewes (alfie allen) - the creator

In real life, Jock Lewes was nicknamed "The Wizard", how great is that? David, Paddy and David met in training and are referred to in show as "the Three Musketeers". He is basically the mediator between Paddy and David, which sounds dull, except Jock is also batshit and clever and scary. He makes all the lads do intense marches in the desert without water, but is never willing to ask someone to do what he wouldn't do. Trouble is, as mentions, he is batshit so his standards are VERY VERY HIGH. He also has a fiancee, Mirren, whomst he loves very much and their relationship is so tender and brings me to tears on the regular.

eve mansour (sofia boutella)

Eve works for French Military Intelligence and quietly drives a lot of action behind the scenes. She's a totally fictional invention for the show and I'd be madder about it if Sofia Boutella wasn't being gorgeous and smart all over the place. She is focused on the goal and is generally just. Queen.

dudley clarke (dominic west)

Not so much a member of the SAS as the guy who helps Stirling bring this plan to fruition. He's great fun, charming and affable, and just as dangerous as anyone else. Dudley Clarke doesn't get enough credit, I think.

mike sadler (tom glynn-carney)

Mike Sadler my OTHER beloved. I joke about Mike coming to fix all the stuff around my flat that doesn't work and it's because he's singlehandedly the most competent member of the entire SAS, I think. His introduction scene is the sexiest thing on the entire show. He only gets introduced in episode 3, but in my heart we have six seasons and a movie with him. He's a member of the Long Range Desert Group and knows more about navigating the landscape than anyone. The LRDG are barely part of the show (save for Mike) and are well worth looking up.

IRL Mike Sadler actually only passed away this year, at the age of 103.

eoin mcgonigal (dónal finn)

Most of what Eoin's around for in SAS: RH is to hang out being impossibly beautiful and being ride or die for Paddy Mayne. Dónal Finn and Jack O'Connell created the most beautiful relationship told in touches. Drives me mad. He's also the first one who really understands who Paddy is beyond the brash and violent front. Eoin McGonigal is certainly a creature.

bill fraser, johnny cooper, reg seekings, jim almonds, dave kershaw, pat riley

(stuart campbell, jacob mccarthy, theo barklem-biggs, corin silva, bobby schofield, jacob ifan)

Look, there are a lot of lads and I can't do them all justice. Some of these folks get a lot more to do than the others, and they're all distinct characters in their own right. There are two matched set duos, Reg & Johnny (enemies to lovers, 150k) and Jim & Pat (do not seperate). Jim & Pat were Jock's crew prior to the SAS and the way he gets them to join is basically by saying "hey, there's a really stupid and dangerous thing i want to do, you in?" and they do this:

each and every one of them is as bad as the others.

augustin jordan, georges bergé, andré zirnheld

Free French paratroopers, who Stirling is reluctantly forced into accepting into the SAS by Eve and Clarke. TBF, this is where SAS: RH really starts playing with history, though it serves the narrative well enough. Show!Augustin Jordan was a former professor of Philosophy at La Sorbonne, and is also a tall dark haired man, so you can see how Paddy Mayne is gonna struggle.

I had to use the sand wrestling gif here (that's augustin), you've probably seen it. It's a surprisingly interesting character scene, would you believe.

There are several other named characters, but I'm running out of energy.

other stuff

OK, so I've lost my thread here a bit. SAS: Rogue Heroes is fun, first and foremost. It really does fall down on the side of "Cool Boys Doing War", so if that's not your thing, maybe you'll not enjoy it. I personally do. And I think it does have some further depth to it than that, even if that's where it comes back to. I've never seen Peaky Blinders, but apparently it's a bit like that? IDK.

While it's very violent, I don't think it's as brutal as the HBO War shows. It's a much more heightened kind of drama, so there's a step removal I think, from the really visceral. That said, it's still a war drama, and it does feature some very nasty business.

soundtrack

it's mostly hard rock and if you don't like this, idk what to tell you. i fucking love it. once again though, mike sadler gets the best of this. you'll know it when you see it.

the fandom

The SAS Rogue Heroes fandom is small but it is mighty and it genuinely is very friendly. There is a Discord if you like, but you don't have to do it if Discord is not your thing.

While the overriding popular ship is Paddy/Eoin, Paddy/Augustin and Reg/Johnny are also wildly popular. That said, we are fond of a rarepair in this fandom, and I personally have embarked on a mission of shipping Mike Sadler with every other character. Everyone's very encouraging of wild ideas and aus, anything's welcome.

A few people are writing OCs, and that too is great. I encourage more of that! I don't think I've seen any x Reader yet, but never say never.

Come join us!

a brief suggested further reading

you really don't have to do any of this, but like, some of you are nerds, i get it. i also got a lot of other recs, but these are some good starters. you can hit me up for more, it's all good.

SAS: Rogue Heroes by Ben Macintyre

SAS Brothers in Arms: Churchill's Desperadoes - Damien Lewis

SAS: An Illustrated History of the SAS - Joshua Levine

Speed, Aggression, Surprise: The Untold Secret Origins of the SAS - Tom Petch

One of the Originals: Story of a Founder Member of the S.A.S. - Anthony Kemp & Johnny Cooper (Johnny Cooper's memoir and imo, if you read nothing else, read this)

The Phantom Major: The Story of David Stirling & the SAS Regiment - Virginia Cowles (this was written in 1958. There is a "rebuttal" biog, The Phoney Major by Gavin Mortimer, which also contains a lot of info, but I find Mortimer's bias against Stirling incredibly difficult to stomach. Difficult.)

Paddy Mayne - Hamish Ross (honestly, I'd not bother with other biogs of Blair Mayne unless you want to do a lot of reading around and getting cross)

Special Forces Brothers in Arms: Eoin & Ambrose McGonigal - Patric McGonigal (this is so personal and so beautiful, I cried several times reading it. written by Eoin's great-nephew. Ambrose, Eoin's older brother was part of the SBS, Special Boat Service, who are ALSO very interesting)

Gentleman Jim: The Wartime Story of a Founder of the SAS and Special Forces - Lorna Almonds-Windmill (another biog by a family member, this one is gentle and told with love)

Joy Street: A Wartime Romance in Letters - the published correspondence between Jock Lewes and Mirren Barford. A slightly different kind of book, but gosh. It really hits.

...and that's all I got for you right now. I could talk about this show for days though.

(forgot to add: my SAS RH blog is @regseekings, I posted this on here for the HBO war fandom)

[willowmaidsworld]

Good Omens s3 clue

I realised I never posted this, although I made it ages ago! So here y'all go!

This is going to be long, and I hope it will make sense. Please bear with me to the end, I will eventually get to the Judgement Day, Armageddon, Death (and four horsemen of Apocalypse) and I will mention goats.

I noticed this tiny clue when watching s2ep3. Aziraphale drives to Edinburgh and the Bentley plays classical music. But not just any classical music – it’s Danse Macabre by Camill Saint-Saëns.

I am a musician and I've played this piece in the past, so I knew there was a lot of symbolism to uncover. And that thing is deeper than I thought. I will be speaking about some music theory, but I will try to make it as understandable as possible. 

I think it would be best, if you listened to Danse Macabre: https://youtu.be/…zrJ 

I would like to speak once more about the scene in which Danse macabre appears. Aziraphale is driving to Edinburgh in now a yellow Bentley, and he even has his "car sweets". He is quite satisfied. And he plays this, certainly dark-themed, music. It is a major contrast. 

Danse Macabre, "the dance of death" is a memento mori. Memento mori is a theme we see in art, and it originated in medieval times as reaction to the plague. It should remind us of our own mortality. “Memento mori” literary translates as "remember death". And mark my words, do remember death!

The composition uses tritones, a special kind of a music interval. (Interval is the tonal distance between two tones, you can play the tones together and/or separate.) Tritone is seemingly dissonant because it uses seemingly inharmonious tones. (You can hear tritones just at the beginning, the violins play it.) Because of its dissonance it was called "the devil in music" and was considered forbidden and associated with Hell/demons/death.

Since the music piece and the poem is based on the theme of Memento mori, I had to look into it as well. Turns out Danse Macabre was inspired by a poem by Henry Cazalis. Here is the poem: https://oxfordsong.org/…bre Memento mori doesn't only remind us of death and our mortality, it also reminds us, that everyone's equal in death. Henry Cazalis, the poet, writes: Long live death and equality! The poem is called, of course, Danse Macabre, but I found that it is also called Égalité - Fraternité (when reading stuff about it in French). This is a reference to the French revolution motto: Liberté, Égalité, Fraternité (Liberty, Equality, Brotherhood), but Liberty is missing. Is there then no Liberty in death and we are all doomed to obey someone's will, The Ineffable plan? (Good Omens book and season one also deals with topics of free will, look at Crowley and Anathema. She has been doing only the things her dead ancestor told her to do, she overcomes it in the end. I think it nicely illustrates the problematic of a free will. And Crowley values free will a lot.)

Memento mori says one thing - remember death, no one can outrun it. And there I would like to get back to season 1, because who else we meet here than Death itself.

Death is one of the Four Bikers/Riders/Horsemen of Apocalypse. But I always thought Death has a higher rank than the others. If you think of it, War, Pollution and Famine all lead to one thing- to Death. Why would you need all three then? Isn't Death qualified enough to do its job? Also, rewatch the scene where Adam and his friends battle them! War, Pollution and Famine all get destroyed by the flaming sword. But not Death- it spreads its wings and says (quote from the book): "You cannot destroy me. That would destroy the world." And later he adds that they are never far away. And he flies of. He isn't destroyed.

Death didn't appear in season two and I think people are starting to forget it, but Memento mori! Remember Death!

I would also like to remark that Neil Gaiman says the whole story is plotted out and that he has done this with Terry Pratchett. In every Discworld series book (the magnum opus of Sir Terry Pratchett), apart from two or three, there is the character of Death. And I think it would make sense that Death would appear in Good Omens as well, after all, it is also Pratchett's book. I think we might see Death returning in season three, because the Day of Wrath/Last Judgement/Armageddon is coming. And this music piece could serve as a literal memento mori - remember Death, it has not exited the scene yet. (A lot of Pratchett's humour is based on puns, and this seems like a joke/plot twist he would try to use. It's my personal opinion based on how I know his style from his books.) 

And what's next? Armageddon is coming, the Day of Wrath is here! Both sides are pretty eager to do this ending-of-the-world thing and after all, it's what they have been trying to start from the begging of the show. It was delayed by Gabriel's "disappearance", but things are now getting into motion, I think. 

But back to the Danse macabre, because it (surprise surprise!) has quite some things to do with the Judgement Day. In the middle of the composition Cammille Saint-Saëns uses a musical theme from a different work, a Gregorian chant called Deis irae ("Day of Wrath").

Here is a link to Wikipedia page about the chant, you can listen to it there. (I didn't find any recording on YouTube, only other musicians using the quite popular words of the chant and not the actual music.) https://en.m.wikipedia.org/…rae 

About the chant itself. It is written from the point of view of a sinner/normal person, and it describes how the Last Judgement shall be. Before dealing with the themes of the chant itself, I would like to say, that Saint-Saëns has used the Deis irae in a major key. Allow me to do a quick music theory intermission.

You can play in two keys, major and minor. These are, if I oversimplify things, sets of notes with different intervals. The melody, played one tone at a time, can be used in both major and minor key. The melody isn't the thing that determines the key of the song, the tones played with it do. And depends on what tones you use, you either get major or minor. Major is (in western culture) associated with happiness and good things, while minor with sadness. (It's not always like that, but for the sake of understanding we are going to pretend it is.) Now, the Deis irae is usually written in the sad minor key. Saint-Saëns decided to use the happy major key with this depressing chant, once again creating contrast. I'm stumbling over contrasts more than usually, so this may be important. End of the intermission. 

In the third and fourth strophe of Deis irae, it's described how the sound of a trumpet will sound everywhere and the Death will resurrect all dead creations to be brought to the Judge. (Death is back again and resurrecting, that sounds familiar, where have we seen that before?)

In the fifteenth strophe, the writer, a sinner, prays for this: Put me with the sheep and separate me from the goats, guide me to the right side! Goats again, there they are! This strophe of course references the chapter 25 in the Gospel of Matthew, the Separation of sheep and goats. Sheep go to the right and goats to the left. I think the side symbolism is pretty clear in Good Omens. Right is the righteous side and left is the sign of sin. And we also know how Crowley cares about the goats. There is also the Jewish tradition of scapegoat. Either way, goats are connected to Crowley, their symbolism of being “on the left side” is clear. This interesting bit can play part in Armageddon.

In the fifth strophe of Deis irae the Book, that is exactly and perfectly worded and that will judge all world, appears. And this book is no other than The Book of Life.

We know about Book of Life from the season 2, Micheal threatens to force "extreme sanctions" (erasing them form the Book) upon anyone who knows about Gabriel. 

Enter a fan theory I read: Nor Heaven or Hell actually have the Book of Life, we never see it on screen. This was mentioned in a tumblr post, and I will probably never be able to dig it up from the depths of the internet, so remember this is not my theory. (Although I find it very interesting.) The post continues and remarks, that when Crowley in the first episode of the second season learns about the Book and the "extreme sanctions" from Beelzebub, he doesn't bat an eye. He is pretty calm and doesn't seem surprised. (He literary says: "That will teach them a lesson", man, we're talking about being wiped from the earth's surface completely!) The writer of the post thinks, this is because Crowley knows that Heaven doesn't have the book and he knows where it is. The writer claims, it was Crowley, who took it as a little souvenir before his Fall, and later has hidden it in Aziraphale's bookshop. ('Cause one single book will definitely stay hidden in all those piles of old books.)

I think this is really interesting because of Crowley’s reaction. He knows what Aziraphale is risking, and he loves that angel, yet he seems so calm. When the bookshop burned down in the fifth episode of season one and Crowley thought Aziraphale died, he went feral: he was angry and furious, and he was destroyed by the fact that he has lost Aziraphale. He mourns and gets drunk. Nothing of this happens in season two! 

So, what are my thoughts on season three? It will get really dark and serious, the Armageddon is coming, after all. I think we will see Death return and the Book of Life will appear. The goats may not be used literally, like on screen, but I think we will get some metaphors.

In all of this, I tried to say one thing. All of the cards are laid out, we have all of the clues. It would be pretty cheap trick to use some ineffable "deus ex machina", that's not Gaiman's and Pratchett's style.

I think everything is now foreshadowed; we have been given all the information. We just haven't made the links in-between. Given the uproar the second season has caused, I think people are forgetting the first season a bit. But it must end with what it started with.

I think we should look at both seasons equally and try to pick up as much as we can, after all the third season will not be based solely on the season two...

We have all the clues, now it's Neil Gaiman who plays an ineffable game of his own devising, a poker that nobody has the rules for and the dealer, Neil himself, is smiling all the time. Ineffable, indeed. If you ask me, he's enjoying it bloody-well.

[beartrice-inn-unnir]

Book ask #4

4. What book/series/author do you think has most heavily informed who you are today?

I’ve had a few different authors whose works really sunk in my heart and soul and moral code. However, by far my most explicit guide (like quoting it in my head when dealing with something) has been Lois McMaster Bujold.

I first read her Vorkosigan saga starting when I was fifteen and just kept learning from Miles’ mistakes and Cordelia’s aphorisms and Ekaterin's realizations. It all really stuck with me - I kept rereading a lot of the books through college. But it's been a bit since I reread any of the early series books, I should do that again.

I've mostly been reading her World of Five Gods books for the past few years. Those are also spectacular, but I'm not sure if I've reached the same level of incorporating the text into my psyche that I did with the Vorkosigan books. I still think about how to convince someone to do something in terms of "raising the pressure vs lowering the wall" (Miles convincing Nikki to come out of the bathroom and go to school in Komarr). Raising the pressure on someone who already feels pressured rarely helps. Offering something that makes taking action a little easier can be much more helpful.

So cheers to Lois McMaster Bujold and the Vorkosigan Saga. Those books rewired my brain at exactly the right time and I'm still grateful.

[blueboyluca]

Lately I've been feeling a huge need for emotionally intelligent, empathetic and thoughtful content about dog training and care. I feel very fragile at the moment and this sort of thing, while also kind of painful in a way, has been helping me be forgiving to myself and understanding to the dogs in my life. I can't get my thoughts straight to write out anything in detail, but I can share the resources themselves.

This episode was soothing. Christina is a beautiful and gentle speaker and her insights are incredibly valuable. I appreciate her desire to stay out of the limelight, but I do wish I had regular access to her thoughts so it's a bit of a shame she doesn't do social media or anything like that.

Choice quote: "Oftentimes I want to raise my hand and be like, can we evaluate this carceral mindset? And I get looks and I think, cool, not the time, not the place. This is not the space, like, shift gears, let it go, try something else."

This post was a really useful reflection tool. I don't identify as a crossover trainer, since I never trained dogs before, but I still relate because I was raised in a punishment first society regardless of dogs. Even as someone who came to dog training committed to R+ from the outset, it still takes rewiring and relearning and reconfiguring to not default to punishment.

Choice quote: "We humans believe that anger is an appropriate response to being wronged. I agree. There is a lot in this world to be enraged about. The problem is directing that rage at dogs and other beings we control. We are encouraged to believe that dogs are morally wronging us, and that appropriate responses are anger and punishment."

I found so much value in this two-part podcast from Animal Training Academy with Michele Pouliot. She had so much wisdom about how to effectively help people and change minds. And sometimes that means being frustrated.

Choice quote: "When we start working with a dog that's never had positive reinforcement training before, you're right, what's the first thing we do? We build a reinforcement history so that dog trusts us, enjoys being around us, and as soon as we have that relationship we can ask more of them... just because a person called you and made the appointment doesn't mean you have a relationship yet... It's the same as training the dog, you have to build the history."

I'd love to find some more media like these. I've been downloading a bunch of new dog books again, but so far none of them are quite scratching the itch I've got. I wish I could read something like The Secret History of Kindness again, that was one of those rare books that had a profound impact on me.

[soracities]

Your account is absolutely wonderful.. I am assuming that it takes a lot of time and dedication to absorb so much art... I find myself drifting away, always exhausted from my job... So I guess my question is what do you do for work and how do you stay inspired?

most of my time is spent child-minding and while that has left me with very little time to read and watch the things i want--and can be quite exhausting in and of itself--i think there is a little trade-off in that children keep you attentive to the world around you in a way you would not otherwise be, if only because you have to be that attentive to answer all their countless questions. so in a sense there is some inspiration i glean from that.

otherwise, i think this blog sometimes does give off the impression that i'm more well-read than i actually am; in reality, i dance on the surface of a lot of artworks but am passionate about maybe a tiny handful of works, and maybe, like, two painters. i have a "to watch" list that far exceeds my lifespan given that i actually watch, maybe, 3 movies a year. i have finished one (short) book since 2023 started and it took me six months to read that. the books that i've managed to read over the years, i've read chiefly in bursts and almost always in time periods where i was lucky enough in that i didn't have much to occupy me; even then, i'm aware i didn't read as much as i could have done with the time i had, but i'm also the kind of person who cannot devour book after book endlessly, either--i have a very clear saturation point, after which i need to do something different.

i think this blog, more than anything else, is a kind of repository of all the little fragments of thoughts or books or the world that interest and catch me and that i want to keep, but what i actually spend time with and dive into makes up an absolutely miniscule fraction of that. there have been long months (and years) where i did not have it in me to maintain any kind of sustained attention to reading or poetry, but i think the ability to do so is a huge, often unacknowledged, priviliege that requires not just time and economic security, but also mental clarity. i'm saying this to stress that what you feel, especially with whatever demands your job makes on you, is entirely normal and not anything to be ashamed of: the toll bills take, that laundry takes, that cooking and cleaning and countless other errands take are not to be underestimated when you go into them already sapped of most of your reserves in the first place.

it's something i've felt quite often (and still do); carving out the time to read as much or as often as i would like to does require dedication which i do not always have the energy for. but i think for me, to answer your question regarding inspiration, especially during the times when i'm not reading anything, inspiration is in paying as much attention as i can to the world around me, no matter how tiny the details are. there's a quote by william stafford where he talks about the ability to have "one vivid morning" and then "chain myself to it for fifty years". i don't have any set "philosophy" on life, but that is one thing i have always lived by: i still remember a single razor of light i saw on the railway tracks one morning a year ago which caught me by surprise, or the time on the bus when the setting sun filled the top deck and i knew then by the colour of it that summer was coming, or when i got up close to a patch of damp moss to see all its tiny little hairs more clearly, or one afternoon five years or so ago when i bought some loose pears from a corner shop and they were the sweetest, most-melt-in-the-mouth-juiciest pears i'd ever had....i can obsess over the light through a window over and over and over again no matter how often i see it. my mother put some lilies in a vase in the living room a few weeks ago and the entire time i was enraptured with how the scent hit me everytime i'd come into that room. even after more than a week they still enraptured me; each time was like i discovered them all over again and that brightened my mood so immeasurably.

for me inspiration is chiefly about recognizing the things that bring me joy and then holding them as closely as i can. there's a game i've started playing if i'm on a long bus trip where i take the number of a random bus stop i pass and if it's lower than 2020 i google what events happened in that year and pick the one that interests me most: if i'm going to be on my phone anyway, i will be on it in a way that aligns with what i already enjoy (FACTS!) and won't drain me (social media). when i don't have the energy to finish or even pick up a book, i'm subscribed to sites like Aeon, Ordinary Plots, Diaries of Note, or grieftolight on instagram (shoutout to forever beloved @firstfullmoon doing the lord's work with that account, truly), or podcasts i like, which allow me to read or experience little bits and pieces here and there without the pressure or anxiety-inducing commitment. if there is a poem i love i try to spend as much time with it as i can, which often just takes the form of me writing it down (by hand, usually-- that part is important) into a ledger of poems i keep which i can return to whenever i want, underlining my favourite parts or just rereading what spoke to me (i also love going to exhibits or museums (which, luckily, are mostly free where i live) or taking note of all the random bits of street art i see)

a year or so ago i also started, and this has changed my life, to copy down some of my favourite quotes i've reblogged onto little cue cards and stick them on the wall by my bed. some are poems, some are bits of novels or scraps of philosophy, some are motivational tidbits, but all of them are things i want to be reminded of. it helps me remember the lines i most want to keep and also grounds me in an odd way, but more than that, it just makes me happy. if i'm doom-scrolling, or having a rough evening, i can turn to that wall and read the things that mean most to me.

i don't know if any of this helps, and i'm conscious of not putting these out there as a cure-all because i'm very aware of how quickly, and how easily, this society and its set-up can drain you. i am, though, a staunch proponent of approaching art (any kind) and your engagement with it from a place and a pace that is true to you, before anything else, and that includes taking into account your own circumstances and what would bring you the most enjoyment within the means you have available to you: sometimes that's a 20 minute radio interview about blackholes, sometimes it's counting how many birds you pass as you walk through the park, sometimes it's 150 page novella it takes you half a year to finish. whatever it may look like, center your own pleasure first. i hope this can give you something, anon ♡

[nerdalmighty]

What are your top picks for your favorite Good Omens fanfics? 👀

-AnnTickwittee

Oh my dear AnnTickwittee, THANK YOU for this ask. There are a bunch of great ones out there but here are some I've loved recently! Also, everyone PLEASE feel free to leave more recs in comments or reblogs or tags! I LOVE a good fic!

Weirdly, most of my faves were written before S2 premiered - PLEASE recommend me some good S2 stuff, and ones you'd consider staples in the GO fandom - I've missed out on a LOT of great content - help me find it/catch up! (Note: All fics listed below are COMPLETE and feature happy endings.)

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1. The Rose and the Serpent by @brightwanderer | Rating: M | Status: Complete | Chapters: 12 | Word Count: 55,795 | Published: 2020-05-31 | Completed: 2020-08-15

Summary: AU, retelling of “Beauty and the Beast”. Quite honestly, sending Aziraphale off into the forest to be held hostage by a giant snake in a cursed castle isn’t even the worst thing Gabriel’s ever done to him, and at least it means a change of scene. But then neither the snake nor the castle turn out to be quite what he’s expecting…

My Review: Fave fave FAVE at the moment! I discovered this one from this tiktok, fully thinking it was going to be a silly little romp and was instead met with beautiful prose, adorable banter, and moments that literally made me go "AWW" out loud (which I NEVER do). I meant to read a few chapters per night before bed and then accidentally read the whole thing in one go. I stayed up until 4am reading and then woke up 4 hours later STILL thinking about it. Aziraphale is the perfect lead in this one, with Crowley as the wily yet lovable snake that lives in a cursed/enchanted castle with some familiar faces. CLASSIC pining ensues. The author does a great job of world building and character development and I find myself wishing I could read it again with fresh eyes. It's beautiful and adorable and I can't recommend it enough. Favorite quote: "'I love him,' he said. 'Let me in.' And the gates swung open before him."

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2. a lighthouse (burning) by @books-and-omens | Rating: M | Status: Complete | Chapters: 12 | Word Count: 108,477 | Published: 2022-03-26 | Completed: 2023-06-13

Summary: In good weather, one can see the lighthouse at the Rock from the shore: a dot on the horizon, a distant star flashing red and white and red again. It’s been dark for a fortnight, of course—ever since the incident that every newspaper had breathlessly written about, that the paper-boys on the corners had shouted themselves hoarse over. This is where Aziraphale is headed: it is his duty, after all, to find out what happened, to make sure that the beacon can be safely lit once again. He does not expect Crowley to follow him to the windswept isle, to the lonely lighthouse at what could just as well be the edge of the world. Crowley follows him anyway.

My Review: THIS ONE! This one is a good old fashioned mystery! The humans believe this lighthouse is haunted, especially since its last three keepers vanished without a trace, but Aziraphale and Crowley know that can't possibly be the case. As such, they decide to investigate for themselves. It's an adorable slow burn period piece that had me weeping at certain points with twists and turns abound, and I really liked how the author handled the mystery and lore! Deep lore is tough to do convincingly and I found myself believing everything the author said. I can't tell you how thrilled I was when I KIND OF clocked what the author was going for with their mystery. Their explanation for everything was far better than anything my monkey brain could have come up with. Also that S2 ep of OFMD that featured a lighthouse in the beginning came out after I read this fic and I got all giddy thinking about Aziracrow here. I literally don't think I'll ever see a lighthouse again and not think of this gorgeous fic. EDIT: Also, here's a YouTube video that appeared in my recommended shortly after I read this. It's super interesting that disappearances like this have happened in real life 😱

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3. If We've Got Nothing (We've Got Us) by @kedreeva | Rating: G | Status: Complete | Chapters: 4 | Word Count: 19,897 | Published: 2019-06-17 | Completed: 2020-03-02

Summary: Two months after the failed apocalypse Aziraphale finds the first dark feather growing in his wings. A story about middle grounds, ineffable plans, and what happens when the world doesn't end.

My Review: Another fic I found on Tiktok. The edit itself was so gorgeous I decided to give it a go and was not disappointed. It was written before S2 was even announced so it takes some liberties with fanon (Crowley was Raphael in the canon of this world, etc), but it's a lovely, relatively quick read. Crowley and Aziraphale are on their own side, finally, and soon, others join their ranks. All while God watches from afar. The prose is beautiful and I come back to the tiktok all the time (I saved it onto my phone lol). It was also fun to go back and rewatch the tiktok after reading and realize that the editor stitched together parts from each chapter into something new and amazing. It's not a romantic fic, not in the way the others are; it cares more about the aftermath of an apocalypse and shades of gray and how the universe came to be in the first place. I love the POV of God reminiscing on creation and thought it was very well written. Absolutely loved this one! (@anntickwittee, this was the fic I was referring to in the tags of this post, which is probably what prompted you to leave this ask in the first place! 😊)

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4. All That's Best of Dark and Bright by @hope-inthedark | Rating: T | Status: Complete | Chapters: 1 | Word Count: 5,648 | Published: 2020-06-22

Summary: When Crowley drops a bomb on a church, Aziraphale falls in love with him. This should be a secret, but unfortunately, Aziraphale's never been much good at keeping them.

My Review: A one-shot expanding on the 1941 minisode (2019) BEFORE the S2 minisode canonically expanded on it. Recap: Aziraphale's just realized he's in love with Crowley (thank you Michael Sheen for that AMAZING acting choice) and this fic is the author's interpretation of what might have happened after the show cut away from the burning church. I was floored by how many parallels made it from this fic into the actual show both directly and indirectly (Aziraphale says "Not as such" at one point and I'm pretty sure I burst into tears and/or yelped loudly). It's got a good bit of angst to it, the same kind from S2 that makes you scream "WHAT ARE YOU DOING! HE'S RIGHT THERE!" with a happy ending that helped heal my shattered heart. I definitely cried reading this one (affectionate). It's extremely fluffy at the end which EYE LOVE, so if that's your thing, I highly recommend! Favorite Quote: "'I’m afraid I’m quite terribly in love with you,' Aziraphale said unceremoniously. Crowley, who had been in the process of sitting up, promptly fell off the sofa."

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5. the two shepherds of uruk by lupinely | Rating: E | Status: Complete | Chapters: 1 | Word Count: 24,963 | Published: 2023-10-09

Summary: After Aziraphale goes back to Heaven with the Metatron, Crowley reflects. And 4,400 years ago in 2407 BC, in the city of Uruk in ancient Sumer, he and Aziraphale fall in love with humanity, and each other. - “What are you doing here?” asked Aziraphale. Crowley lifted an eyebrow and felt himself start to smile. “I should ask you the same. What are you thinking, coming here with your wings out and the blessed light of Heaven raining down upon you? You’re scaring the mortals.” Aziraphale blushed. Crowley dutifully looked away. It felt disrespectful not to.

My Review: This one-shot is a love letter to history and humanity. I think I found it on twitter? Unfortunately I don't have a link to the tweet or the author's tumblr. What I really love about this one is that the author adds footnotes like the original Good Omens book does. You can absolutely feel the love and care that went into writing and researching for this particular fic, which I can really appreciate as a fellow writer. (For all my Bildad the Shuhite stans out there, this story takes place after, but the vibes are VERY SIMILAR. If you even care.) Crowley and Aziraphale are in Uruk to keep an eye on the humans as they try to build a structure tall enough to reach God (the Tower of Babel). Theoretically, they can both return to their respective sides, but opt to stay on earth (with each other) for 10 years to watch the construction unfold. Pining ensues, NSFW ensues, and as the author puts it, "now featuring Aziraphale as a little country girl tending her sheep ♥" I highly recommend if you want to be sucked into another time period/biblical story and feel MANY different feelings (with a happy ending!)

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I have more bookmarked that I could absolutely recommend if anyone is interested, but these 5 are just the ones that have stuck out to me the most recently!! Believe me, I could go ON, but this post is long enough for now.

If you DO read any of these, please chat with me about them, I'd love to hear your thoughts! Happy reading!