#if you want a compelling and subjectively good character

[casscainmainly]

thank you so much for answering my ask! and so fast too, haha, don't worry about deleting it that stuff happens <3

i'm just curious though, im kinda new to dc and i mostly know stuff from tumblr (ive started reading comics from reading lists tho!)

since you're a cass fan, what makes you think dick is the fav? i love them both ofc but just tryna improve my understanding of the dynamics between the family. i've heard that cass and damian are the favorites? and jason? though apparently jason is only in fanon and ahh im just kinda confused im so sorry for the stupid questions

Trust me, no question about comics is stupid!! It's impossible to know everything (and I'm relatively new myself haha), so don't feel bad about asking anything. Plus I love answering asks :)).

Anyway, fantastic-nonsense's post here covers about all of why I think Dick is the fav. In case you don't wanna go there, here's one of the panels:

From Infinite Crisis #6. As clear an answer as we'll ever get, I think.

The question of 'who is Bruce's favourite?' is always subject to personal interpretation, though. Lots of factors - what a person has read, which character they like, what interpretation they have of Bruce - go into who someone thinks is Bruce's fav. Sometimes it's not even a question of pure canon, but a question of theme. Which character being Bruce's fav is the most narratively compelling? To me, that's Dick - their relationship has the most history, the most depth, and frankly I prefer one of Batman's successors (who to me is Dick or Cass only) being his favourite.

Cass being the fav is compelling too, but not as compelling to me as her not being the fav. Her story, her quest to break free from White men's expectations (both David and Bruce's), makes me not want her to be tied to Bruce's love too much. So while there are great canon reasons for her being the fav, I don't think it's a necessary or even particularly interesting angle for Bruce-Cass.

I actually haven't heard many people argue for Damian being Bruce's fav (it's usually Dick or Cass in my circles), which goes to show how much opinions vary haha. Damian has great reasons too - his entire death/resurrection has strong Bruce-Damian moments - but this is the least interesting fav kid pick to me. He's been raised to think of himself as Bruce's fav, and his arc is about undoing that belief in legacy, being the heir, etc. So being Bruce's fav doesn't do much for him. Having the only bio kid be the fav isn't that interesting either.

Jason definitely is the most fanon-y pick, though Jay being Bruce's fav is genuinely interesting. It's just that Bruce's love for Jason is a lot about the dead kid he used to be, and also half of why Jason is so obsessed with Dick is because he knows Bruce is obsessed with him. So in a roundabout way my preferred Jason-Dick dynamic hinges on Jason not being Bruce's fav. But I'm not well-read on Jason, I think some Jason fans might have good reasons for him being the fav.

These are all my interpretations of these characters, and the fun about reading comics is growing to develop your own opinion about questions like this! To me Bruce's fav isn't a strict right/wrong answer, I'm like one well-written meta away from changing my mind. But I hope this clarified my thoughts on the question!

[eggbagelz]

gale voice here feel the pulse of the magic in my heart that will eventually be the end of me. im on my knees before you like an animal showing its belly. im in excrutiating pain bc of the contact with the magic in my heart but please dont take your hand away please dont stop touching me

[writing-with-sophia]

Storytelling Techniques

A good storytelling method is essential for writing good fiction. There are many storytelling techniques that can be used to create engaging and memorable stories. Here are some common techniques you can use in your stories:

Use sensory details: Including sensory details in your story can help your audience imagine the scene and get emotionally invested in the story. For example, you can describe the colors, sounds, and smells of a place or event.

Build tension and suspense: Tension and suspense are important for keeping your audience engaged and invested in your story. You can create tension by introducing a conflict or challenge that the characters must overcome.

Foreshadowing: Foreshadowing is a technique used to hint at future events in the story. This can create anticipation and keep your audience engaged.

Use pacing effectively: Pacing refers to the speed at which the story unfolds. Make sure to vary the pacing to keep your audience engaged. For example, you can slow down the pacing during emotional or reflective moments, and speed it up during action scenes.

Show, don't tell: Instead of simply telling your audience what is happening in the story, show them through vivid descriptions and actions. This can help your audience feel more immersed in the story.

Use metaphor and simile: Metaphors and similes can help create vivid descriptions and comparisons in your story. They can also help to convey complex ideas in a more accessible way.

Flashbacks and flash-forwards: Flashbacks and flash-forwards can help provide context for the story and create tension. Make sure to use them sparingly and at appropriate moments in the story.

Use humor: Humor can be a powerful tool for engaging your audience and making your story more memorable. Just make sure that the humor is appropriate for the tone and subject matter of your story.

Suspenseful chapter endings: Ending chapters on a suspenseful note can help keep your audience engaged and eager to read on.

By using these techniques and others, you can create a compelling and memorable story that will engage and entertain your audience.

If you want to read more posts about writing, please click here and give me a follow!

[serpenlupus]

About Wyll and his horns (and what they mean)

Let's say I was writing a part of my Tav's story with Wyll directly connected to the dialogue he has during the tiefling party, and while struggling with this bit, I've realized there's quite a few misconceptions floating around. I felt compelled to add information to the table that might clear them, so here we go.

First, what exactly happens to Wyll when he disobeys Mizora in act one? Well, he doesn't get turned into a devil, he certainly doesn't get turned into a tiefling, he's not a half fiend, not a demon, none of that. Wyll stays human, but he has horns and red eyes (and other features we can't see on his model as of now).

(Everyone has their race listed, Wyll's remains "Human")

This is because when a warlock fails to uphold some part of their contract they can suffer a certain number of consequences, Wylls is “The character grows horns, a tail, or some other devilish features that can't be removed by any means short of divine intervention. As long as these marks persist the character detects as a fiend when subjected to Detect Evil and Good spells or similar magic.” ( from Baldur's Gate: Descent into Avernus, page 214)

And I’ve come across some people that think it wasn’t so bad of a punishment, that he was being racist towards the tieflings, or just not being justified in being upset after having his body forcibly changed against his will. I think they are missunderstanding just how insidious Mizora’s actions were, and here I just want to give some context to maybe bring a better understanding to the situation. Your conclusions are up to you.

Gonna start by using a not exact analogy, but I think it’s going to make the explanation easier. Stick with me for a minute.

Remember Jack Sparrow in Pirates of the Caribbean? He had a branded “P” on his arm that marked him as a pirate. A murderer, robber, criminal, etc. in the eyes of the society he was a part of. What did Jack do to earn the branding? (if you don’t know this I suggest you look up the “people aren’t cargo mate” scene) He refused to transport slaves and later freed them, and Beckett had him marked as punishment.

Then, in the first movie, he saves Elizabeth, a woman he didn’t know, from drowning. Right after however, when Norrington sees he has a branded “P”, he’s like “alright, off to jail with you, and then hanging”, no other option crosses his mind. Again, Jack doesn’t know Elizabeth, isn’t indicated to think he is going to be rewarded for helping her, he just sees a drowning person, sees that no one else is going to help, and chooses to save them. That is a pretty selfless/good aligned thing to do, for no other reason that he was the one able to do it, yet the branding in his arm overrides any good action he could ever do, marking him as a criminal for execution and no further thought.

In a way, that’s what Mizora did to Wyll; she forever visibly branded him as someone that has made deals with devils, and that in the world of DnD is a VERY BAD THING. Personally I really like the mod that gives him more devilish features, but at the same time I think there was something clever about choosing to leave him looking more human. He can’t be confused with a tiefling, he doesn’t have the ears, the claws, the tail, all those features that characterize them. He looks kind of uncanny, and that would be like a red flag for anyone in that world. (Beyond the already existing hate for tieflings that I’m not gonna tackle on here because it’s a complicated thing that deserves its own post). And Wyll wants to do good, he wants to help people, to be a positive force in the world so, so badly. This dude got abducted by a nautiloid, got tadpole’d, and the first thing he did right after that was come across the Tiefling refugees and be like “Oh you need help? No worries let me teach you self defense. Oh you being attacked by goblins? Let me blast them real quick”. His way of saying fuck you to all the awful things that have happened to him is being aggressively good and kind. Mizora knows this very well, wants to see him suffer for her amusement, wants to remind him he can't escape her claws, so her choice of punishment was to forever taint his future interactions with mistrust and suspicion. Some people can go real fast from “oh thank God they saved me” to “oh no, are they gonna rob me, are they trying to trick me, are they in cahoots with the ones that attacked me first?” just because of outward appearances. Especially in DnD world. And that deserves its own conversation, but we're focusing on Wyll here.

(Mizora, when I catch you Mizora)

“Well, maybe he shouldn’t have made a deal in the first plac- - “ He was seventeen, alone, preyed upon by Mizora and put in an impossible situation. Please PAY ATTENTION to the story you’re witnesing.

Anyway.

About the tieflings. I know it’s easy to think his words can be derisive towards them, but it’s less about the horns and more about his body being changed against his will. Imagine instead that he got half his face burned, or something that disfigured him. I think his feelings at the moment were closer to that, and yeah they are pretty insensitive words to say to someone with a similar condition (horns or disfiguration), but when feelings are fresh and raw like that it’s easy to say insensitive things. Not saying it was ok for him to say them, but there was no malice in his words. I’ve also seen some people share that they think Mizora wanted to change him more to make him unrecognizable to his original self, the Wyll Ravenguard kid, and I think there is some truth to that too. She wants to make sure that Wyll remembers that he belongs to her, there's no question to that.

(MIZORA, WHEN I CATCH YOU MIZORA)

Whether the Tieflings refugees would feel unsettled by Wyll or not? Yes. In a way, they would. From reasons aside from the ones I explained above, remember that these specific tieflings come from Elturel. If you didn’t pass the History check or don’t remember, Elturel is a city that was literally ripped from the land and dragged to Avernus, First layer of hell (it left a hole on the ground and everything) because their mayor made a deal with the Archdevil Zariel some decades back in the timeline. He sold the souls of all its citizens and the city itself.

This was probably one of the worst times of their lives. Some even got captured and forced to participate in the blood War, like Dammon as a mechanic. And after Elturel got returned to the surface, the tieflings lost their homes because they reminded the other citizens of the literal Hell they’d just gone through, and they kicked them out. And remember, they met and saw Wyll as a human, and then saw him with horns. It’s not unreasonable to think that by looking at him they would be reminded of all the events that led them to the awful situation they’re in. Because of someone that was making deals with devils, just like Wyll. Even if his situation is completely different. And Wyll knows that, that’s why he tells you the tieflings are unsettled by him and chooses to stay away during the party.

It was never just about the horns.

And I know Wyll calls himself a devil but I think it’s because it’s the closest thing he looks as; devils are a whole different race with their own intricacies, although humans can be turned into devils ONCE their souls go to Avernus and they start climbing the power hierarchy there (Mizora and Raphael are cambions/ half-devils btw, which is a different thing,  there are plenty of videos exploring those details more in depth).

Do I think Larian should have made some of this information clearer/easier to access? Maybe? but to be fair, it's a game focused and dedicated to a crowd that was already somewhat familiar with the source material, that blew up waay out of what they originally expected to reach. Hopefully they’ll add some clarifications like they did to other quests. 

Anyway these are my two cents to the conversation, have a nice day, and don't hesitate to add your two cents if you feel like it!

[tokutaiseichan]

B's-LOG October Issue's Tokyo Debunker Character Interview Translations

It's finally done~~~!!!! Me and @kurosagileo worked hard on it so I hope everyone can enjoy it too! Also big thanks to @tzutako for providing the raws of the interview!

Credits:

Translation: @kurosagileo (Frostheim, Vagastorm, Sinostra), @tokutaiseichan (Jabberwock, Hotarubi, Obscuary, Mortkranken) Raw Provider: @tzutako

FROSTHEIM

Jin

Incantation: Bianerus Effect: Commands have compelling power over others.

Q: What is your favorite subject? A: People who don’t understand Anomalous Information Studies have no right to talk about anomalies. That’s all. 

Q: Do you have any concerns with missions? A: …. If you’re talking about the mission, contact Tohma.

Q: What’s your favorite place on campus? A: The dorm balcony. Having a smoke there is especially nice. 

Q: Where would you like to go if you have your R&R permit approved? A: Should I go to my vacation home in Niseko and take a nap? …. It’s not impossible. Hey Tohma, get the helicopter.

ーーーーー

Tohma

Incantation: Argeas Effect: Vibrations can be transferred to distant places through materials like walls and floors.

Q: What is your favorite subject? A: I’m very sorry, but nothing in particular. Darkwick’s subjects are a bit unique, so I can just barely keep up.

Q: What is good about your house? A: It’s thoroughly cleaned and furnished to be pleasing to the eyes. Also, the elegant Frostheim students, perhaps.

Q: Do you have any concerns with missions? A: With the assistance of a uniquely talented master and the perceptive juniors, there are no concerns at all. The captain isn’t feeling well? No, that won’t be a big deal. 

Q: Where would you like to go if you have your R&R permit approved? A: If I get an R&R permit approved…… let’s see. For example,  how about going out to a nearby mountain and going trekking. That’s surprising? Hahaha…… Of course I mean it. 

ーーーーー

Luca

Incantation: Iggnaim Effect: Invokes an invisible barrier.

Q: What is good about your dorm? A: The atmosphere is similar to my hometown and it’s comfortable. And then, the air on the premises is so clear that at night there are times when you can see the Aurora. If I’m here, I feel like my soul is in harmony with nature. 

Q:  Do you have any concerns with missions? A: Actually, I want to be sent on a higher ranking mission. I train every day to make that wish come true. Definitely someday…… I will be able to subjugate a demon with my hands. 

Q: Where would you like to go if you have your R&R permit approved? A: I want to go to a restaurant that Kaito said “All the Japanese boys like.” If I remember correctly…… it was called Jiro style ramen. Since there’s not a restaurant like this in my hometown in England, I’m really looking forward to it. 

Q: What do you think about the ghoul(s) in your house? A: From the day I transferred to this school, Kaito was my first friend and has been a really good friend to me. I’m also very grateful to Tohma for all the help. Now, all that’s left is for Jin to fulfil his duties, but….

ーーーーー

Kaito

Incantation: Unknown Effect: Unknown

Q: What is good about your house? A: Hm…… my house, on the surface, is a symbol of authority! Or that’s what’s said. Honestly, commoners like me feel out of place… they’re all always trying to get the upper hand, I can’t stand it. 

Q:  Do you have any concerns with missions? A: Nonono, firstly I’m concerned that the mission itself even exists!? I just want to live a peaceful and fun school life!!

Q: Where would you like to go if you have your R&R permit approved? A: Um… wait a sec. I think it was featured in Men’s An’a*, but…. ah, yeah yeah! The number 1 for classic dating spots ranked…….. the Tokyo Skytree!!! [*Possibly a parody of An An magazine]

Q: What do you think about the ghoul(s) in your house? A: Hm…… the captain and vice captain honestly feel like they live above the clouds….. Rumor has it the two of them are colluding with Darkwick, I heard they’re doing something nasty. Eh? Luca? …… I don’t know that bastard with an unrivaled face. 

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VAGASTORM

Alan

Incantation: Yagsal Olbasa Effect: Specifics unknown. It seems to be a very dangerous ability.

Q: Do you have any concerns with missions? A: ……The path he chose, will it lead closer to the truth? I keep asking myself that.

Q: What’s your favorite place on campus? A: A fishing spot. Since it’s in the forest, no one usually comes there. How do you get there from the main building……? ….. I won’t know until I go back to the dorm.

Q: Where would you like to go if you have your R&R permit approved? A: Mount Hotaka. Ah, it’s in the Northern Alps. It’s definitely far from here, but…… I’d take the car so it’s not a problem. 

Q: What do you think about the ghoul(s) in your house? A: We’re just some random people who obtained power by chance. But, clawing their way up like their life depends on it…… those guys have that kind of nature. 

ーーーーー

Leo

Incantation: Haxs Effect: It can enhance hearing, allows far away sounds and sounds being shielded to be heard.

Q: What is your favorite subject? A: No~thing. You just have to memorize the textbooks. It’s so easy it’s boring. I had high hopes because it was supposed to be specialized study of anomalies. 

Q: What’s your favorite place on campus? A: The bath. When I enrolled, there wasn’t even a bath in my dorm’s shower room. I had to use my own money to remodel. It’s honestly ridiculous, right? 

Q: Where would you like to go if you have your R&R permit approved? A: The club. Since I entered Darkwick, I haven’t been able to go out at all. I’m so stressed I’m gonna go insane. 

Q: What do you think about the ghoul(s) in your house? A: No matter how you look at it, Cap is a himbo. Eh~, Sho…….. he’s my slave, I guess♡ 

ーーーーー

Sho

Incantation: Spurno Effect: Unknown

Q: What is your favorite subject? A: Nothing really……. ah, but Anomalous Combat is still better. Since I get to move my body, it’s a good stress reliever, y’know?   

Q: What is good about your house? A: What’s good about it? …… Since there’s a garage, bike maintenance is easy. That’s it. 

Q: Where would you like to go if you have your R&R permit approved? A: There’s a famous restaurant in Nakame that’s famous for its delicious broth. It seems like a creative Japanese restaurant. I’d like to go there once. 

Q: What do you think about the ghoul(s) in your house? A: Ah…. Leo’s the kind of guy you just can’t get rid of. How should I put it… we’ve just been hanging out together for some reason since middle school. Mido-senpai…… I never know what he’s thinking. That guy, he’s the type that doesn’t have enough words, right? 

ーーーーー

JABBERWOCK

Haru

Incantation: Bahnti Effect: Can freely reduce gravity effects on his own body.

Q. What is good about your house? A. You can feel healed and refreshed by numerous adorable anomalous animals! You'll even get a full hospitality service from Jabberwock's very own handsome ghouls!! What do you think, dearest customer? Would you like to come and try?!

Q. Do you have any concerns with missions? A. Hmm... I don't mind going for missions but there's no one to watch my kids while I'm gone. Even when I tried using an automatic feeder, the less domesticated critters just won't get used to it...

Q. Where would you like to go if you have your R&R permit approved? A. That reminds me! Recently Ren told me that I "looked like someone who wanders around Don Quijote late at night." When I looked it up, apparently it's a store chain that sells various useful appliances! Now that's music to my ears~ 

Q. What do you think about the ghoul(s) in your house? A. Both Ren and Towa have a nice build so I think it's better if they try to make use of it. If they make the most out of those muscles, they'll be much more reliable... Hm? This sound......... Oi, Towa! Hoooold your horses~~~~~~!!

ーーーーー

Towa

Incantation: Unknown Effect: Unknown

Q. Do you have any concerns with missions? A. ~~~~? ~~~~!

Q. What’s your favorite place on campus? A. ~~~~𝅘𝅥𝅮

Q. Where would you like to go if you have your R&R permit approved? A. ~~~~~~~~𝅘𝅥𝅮

Q. What do you think about the ghoul(s) in your house? A. ~~~~𝅘𝅥𝅮 ~~~~!!

ーーーーー

Ren

Incantation: Raothtas Effect: Specifics unknown. According to Ren himself, it's a rather useless power.

Q. What is good about your house? A. Nothing. It smells... and it’s gross too... I'm the one who wants to ask if there's anything good to say about this sorry excuse of a dorm. 

Q. What’s your favorite place on campus? A. At Darkwick, the only place where I can just lounge freely and do my own thing is my room... Well, it's nothing out of the ordinary; I'm just playing some mobile games and watching some movies...

Q. Do you have any concerns with missions? A. I have a lot: Sagara is being too loud, Sagara is being too pushy, and Sagara is being too. Damn. Loud.

Q. Where would you like to go if you have your R&R permit approved? A. Anywhere as long as that clown isn't there is great...... Oh, right. There's also this movie theatre in Shinjuku called Musashinokan. I want to go there... Huh? I'm going alone of course. Isn't that obvious.....

ーーーーー

SINOSTRA

Taiga

Incantation: Malab Effect: Unknown

Q: What is good about your house? A: Ah~? It’s getting money out of greedy small fry customers and unskilled dealers, isn’t it? Gyahaha!

Q: Do you have any concerns with missions? A: Whenever I go on one, I get hungry right away…

Q: Where would you like to go if you have your R&R permit approved? A: Macao. 

Q: What do you think about the ghoul(s) in your house? A: Lulu gets so angry every day, I could never get bored of it~ …… Ah~? Shinjo? Who the fuck is that? 

ーーーーー

Romeo

Incantation: Tiris Effect: Can turn objects into bombs.

Q: What is good about your house? A: This casino that can barely keep running has no good points. At best, it’s just a place to make a little money

Q: Do you have any concerns with missions? A: Hmph, that WTWUT, isn’t it obvious!? Wall to wall useless trash!

Q: Where would you like to go if you have your R&R permit approved? A: When I have some free time, I want to go to South Korea. Ha……. if I don't earn more, there won’t be enough funds for that……….. 

Q: What do you think about the ghoul(s) in your house? A: I’m fed up with my boss. No matter how often I say the same thing, it’s a WOE. Ha? “Waste” “of” “effort” obviously. Then, as for Shinjo, I’ll be giving him a thorough education from now on, and we’ll see how he turns out. 

ーーーーー

Ritsu

Incantation: Acimo Effect: His body becomes as hard as steel and heavier.

Q: What is your favorite subject? A: There’s something to learn from every subject, but my best subject is, of course, Anomalous Law. Instead of the basic Six Codes, the subject deals with special cases, like how the Anomalous Investigation Institute and Darkwick regulations handle legal proceedings surrounding anomalies. 

Q: What’s your favorite place on campus? A: There’s no location in particular, but the restaurant on campus called the Mystery Diner is a good choice. Since it is always deserted, it is a good location for client meetings. 

Q: Where would you like to go if you have your R&R permit approved? A: If I get permission to go out, I would like to go to the opera. Before entering this school, I often went to the New National Theatre in Tokyo with my mother. Bizet’s “Carmen” is recommended for beginners. Do you understand French? 

Q: What do you think about the ghoul(s) in your house? A: I have come to the conclusion that it is futile to try to change the violent behavior of the captain, Taiga Hoshibami, as well as the vice captain, Romeo Scorpius Lucci. From now on, I will defend them and certainly win the Laurel Crown. 

ーーーーー

HOTARUBI

Subaru

Incantation: Talnandio Effect: It's said to be a power that allows him to communicate with the "Tsukumogami" that resides in objects, but...?

Q. What's your favorite subject? A. Favorite subject... I guess you could say I like Anomalous Biology the most. Professor Hyde's lectures are always so interesting, I can't help but to be all ears whenever he talks...

Q. What’s your favorite place on campus? A. Lately I've been enjoying my lunch at the second floor terrace of the main school building. It's an easier place to stay for me compared to the ever-crowded cafeteria.

Q. Do you have any concerns with missions? A. Hotarubi normally doesn't really have many chances to go through difficult missions so I don't really... Oh, but if I must say, perhaps I rely too much on Haku... I feel awful for being such an undependable captain.

Q. Where would you like to go if you have your R&R permit approved? A. Shibuya...... I suppose? I've been living all my life in Tokyo but the truth is, I've never been there. Not even once. O-oh, no! Please don't mind me! I really just mean that I hope I'll get the chance to go some day......! I'm… not too good with crowds.

ーーーーー

Haku

Incantation: Unknown Effect: Unknown

Q: What is good about your house? A. Let's see... It feels humid everyday thanks to the rain and the building is so old that it’s probably on the brink of collapsing. Haha... I guess it's always easier to complain, huh. Despite everything, this place does give me a sense of tranquillity. Perhaps because the atmosphere is similar to my family's home.

Q. What’s your favorite place on campus? A. Can I choose a place from our dorm? Then I'd recommend the open-air porch of our guest room. Enjoying a cup of hot tea while your eyes feast on Hotarubi's esteemed garden一it's one of a kind experience.

Q. Do you have any concerns with missions? A. I don't really have any particular complaints... scratch that. There's one. Our dorm is a little understaffed. Well, I guess there are some who can help out—but asking them would be a little troublesome. We already have someone who can keep this place lively, you see.

Q: What do you think about the ghoul(s) in your house? A. Another difficult question, huh. Let's see... Subaru is a very capable leader. His only flaw is that he always tries to carry everything by himself. As for Zenji... how do I say this... being around him cheers me up. I'm grateful to him for that.

ーーーーー

Zenji

Incantation: Unknown Effect: Unknown

Q: What is good about your house? A. I'm so glad you asked! As a matter of fact, our esteemed Hotarubi house is an ensemble of chic, peaceful, and artistic boys and girls!

Q. Do you have any concerns with missions? A. Uh-hmm? Let's see... Concerns, concerns... if I must say something then I suppose it's how Haku seems to like working all by himself? Oh, but it won't be a problem! I'll simply put more work to help him...... from the shadows, that is.

Q. Where would you like to go if you have your R&R permit approved? A. Of course! Immediately to the left side as you start ascending Natsume-zaka from the Waseda intersection一there, proudly stands a black granite monument inscribed with the words "The Birthplace of Soseki Natsume"... It's my dream to be able to touch that monument.

Q: What do you think about the ghoul(s) in your house? A. If I were to describe Subaru as anything then... he's someone with a heart of glass... On the contrary, I can't help but notice Haku's tactless conduct. He ought to learn to be more mindful if he's going to call himself my manager.

ーーーーー

OBSCUARY

Edward

Incantation: Unknown Effect: Unknown

Q: What is good about your house? A. There are a lot. For starters, it's far removed from the boisterous campus and nobody dares to interfere with these grounds. But the best part is how there's no sunlight. I'm a vampire, you see. So a dorm that is always engulfed in night time is a comfortable place for me to live in.

Q. What’s your favorite place on campus? A. My own room would be the best place, after all. I can watch Youtube anytime and the Nishikawa bed that Rui picked is exceptionally cozy. What do you think? Would you like to try sleeping on it with me?

Q. Do you have any concerns with missions? A. I have no such concerns since I don't go on missions. Cough cough..... Aah, pardon me. The cold I caught last month still hasn't gone away, you see. Will it be okay to excuse myself soon?

Q: What do you think about the ghoul(s) in your house? A. I'm envious of how those two are so young and full of energy. When I was around their age, I....... oh dearie me. It's quite an old tale so I have completely forgotten about it.

ーーーーー

Rui

Incantation: Unknown Effect: By blowing a kiss, he can send a wave of energy with anesthetic effect一temporarily relieving pain and fatigue of the target.

Q. What's your favorite subject? A. Ehh~~~? I haven't been going to classes though~~~...... I don't even remember what subjects they’re teaching here. I try not to go to the campus building as much as possible, after all.

Q: What is good about your house? A. Most of the room interiors are hand picked by yours truly so I can recommend all of them~.... Ah! But only cute girls are allowed to stay the night!

Q. Where would you like to go if you have your R&R permit approved? A. Hmm~.......... If I can go out without worrying about curfew then I'd like to go shopping at Daikanyama and then go home after enjoying a pleasant meal at Yebisu Garden Place Tower~☆ Well, I can't really go out into crowded places though, so everything is just a pipe dream! Ahaha!

Q: What do you think about the ghoul(s) in your house? A. It's such a pain how Ed barely has any life skills to save himself. I'm practically nursing him at this point......... As for Lyca~..... Huh? That one is pretty much like taking care of a kid.... Oh, c'mon! What do they take me for?!

ーーーーー

Lyca

Incantation: Ramsochisa Effect: Allows him to know the location of his target and follows them no matter where they go一provided that he recognize their scent beforehand.

Q. What's your favorite subject? A. Hmm.... I don't really understand but everything is so fun!

Q. Do you have any concerns with missions? A. I told everyone that I'm fine doing missions on my own but they keep worrying about me.

Q. Where would you like to go if you have your R&R permit approved? A. .... I want to see Neros. I still don't know where he is though...

Q: What do you think about the ghoul(s) in your house? A. Exactly what I call them: a Moth-Eaten Casanova and a Blond Gigolo. I'm a human too so why won't they put me in the same house as Suba and his friends?!

ーーーーー

MORTKRANKEN

Yuri

Incantation: Agnihaet Effect: Hyperstimulates his brain cells so that it allows him to solve complex calculations and logically process informations in a matter of seconds.

Q: What is good about your house? A. Hmph! Other than the fact that it houses this genius doctor, Yuri Isami, do you really think there’s any other redeeming qualities about this house… No, about Darkwick at all?! Of course not!

Q. Do you have any concerns with missions? A. Thanks to all those brute germs from other houses destroying each and every anomaly, I never have enough specimens to use for my experiments!

Q. Where would you like to go if you have your R&R permit approved? A. Now that we’re talking about it, it’s almost time for me to buy clothes for the next season. Where am I going to buy them? Why, at the Nihombashi Takashimaya Shopping Center of course!!

Q: What do you think about the ghoul(s) in your house? A. Are you referring to Jiro, assistant and patient to the genius Yuri Isami? Well, he still needs a lot of training, you see. He lacks knowledge, skills, experiences, and education. That is to say, he’s 100 years too early to become a doctor of my caliber.

ーーーーー

Jiro

Incantation: Unknown Effect: Unknown

Q. What's your favorite subject? A. Anomalous Medicine, I suppose. But since I specialize in infectious disease, I usually research papers and materials that aren't included in the curriculum on my own.

Q. Do you have any concerns with missions? A. If I were told about the mission schedule in advance, I can prepare to increase my medication dosage from the day before. Oh, but everything will be fine as long as Yuri is there to give me immediate treatment if something happens.

Q. Where would you like to go if you have your R&R permit approved? A. Nowhere in particular. Or rather, I don't really know where I should go.

Q: What do you think about the ghoul(s) in your house? A. Okay... The only other ghoul is Yuri, though. He's my attending doctor. If it wasn't for Yuri, I may be as good as dead now. I feel grateful to him, to put it simply.

[batmanisagatewaydrug]

You seem like an incredibly well read person, plus someone with a lot of insight into intimacy because of your work. So, in light of your romance book reviews, which are an absolute highlight on your patreon, do you have any insight into what is needed/suggested for a good romance novel?

g o d this is so fucking hard and also really fun to chew on. I want to preface this by saying this is ENTIRELY subjective and based completely on what I *PERSONALLY* find that I enjoy in a romance. this isn't, like, an objective guide on how to write a romance that doesn't suck. that doesn't exist because people like different things, and I'm speaking from one perspective.

also I should say that my preferred flavor of romance novel is solidly contemporary. I haven't read many historicals, certainly not enough to opine well on them, I don't do those mafia dark romances or whatever the fuck, and I've barely dabbled at all in any kind of fantasy romance, whether they're full high fantasy or witchy urban fantasy stories. (although I'm about to do one of the latter next month, you can vote for a book on my patreon rn!)

having gotten all of those caveats out of the way, here's some shit I like and dislike:

there are exceptions to this but broadly, I prefer a POV for everyone involved in the relationship. to me a romance where we're only seeing events from the POV of one member of the relationship automatically makes it seem like one person matters more in a dynamic where everyone should be of equal importance. also, god, if the plot's really going to hinge on not knowing what's going on in one partner's head suggests that miscommunication is going to be a pretty critical part of the plot, and I hate that shit. TALK TO EACH OTHER. I'LL KILL YOU.

on that note, there needs to be an actual compelling reason why the characters can't be together, okay? the #1 driving tension of every romance is "why the fuck can't they be together yet" and you BETTER have a good answer. whether it's interpersonal or external forces, if there's a very easy solution to what's keeping them apart then your characters look dumb and I'm bored. one of the most frustrating romances I've ever read involved two characters who were mutually attracted to each from the JUMP, who refused to act on it because they were coworkers (neither of them in any position of authority of the other, nothing unprofessional or inappropriate about it) and they were "only" living in the same state for A YEAR. A FULL YEAR !!! shut up. get a grip and kiss each other.

now, having said that: whatever your bullshit reason is for these two characters to be interacting with each other, you need to COMMIT to that shit so hard that I, the reader, will feel silly for even questioning the logic. the worst offender I've ever seen on this front is D'Vaughn and Kris Plan a Wedding, which pulls its protagonists together via a reality TV competition and then just... promptly loses any interest in really dealing with the actual realities of being filmed 24/7? it's insanely distracting how little the book engages with its central hook, and was a huge point deduction for me. whereas you have, like, The Bride Test, a book with a premise that skirts dangerously close to a little bit of human trafficking but embraces the whole premise so wholeheartedly that you completely forget about the potentially horrific elements in there. who cares that Esme was bribed here with the promise of a green card if she seduces a man she's never met? there's whimsy happening! we've moved on! it's literally fine and she's in no danger except the danger of a BROKEN HEART.

this one is going to seem SO obvious but like. I need them to be actually like each other. I'm not saying they can't be mutually bitchy while they grow to like each other or anything, they don't have to always be NICE to each other, but there are so many M/F romances where the dude is just flat out fucking MEAN and condescending to the girl until he decides he wants to fuck her. and sometimes even after that! stop it! after a certain point I don't want her to fuck him I want her to run him over a car!!!! there's suuuuch a line between "guy I butt heads and exchange banter with but could fuck if we just got to know each other" and "man who hates me and is for real fucking bullying me."

"kisses only," "doors closed," whatever term they use for a romance novel without any sex scenes on page, I don't like it. listen: I know that they're not everybody's cup of tea, and I FULLY recognize that a lot of romance novel sex scenes are unfathomably cringe. and yet, I need them. partly because they're funny, but also because if this book wants me to be invested in the developing relationship between two adults who are supposed to be WILDLY sexually attracted to each other, then I want to see the damn sex. no matter how many bad similes or unfortunate adjectives it entails. and if you're not going to show me the sex, don't you dare have the characters gushing about how great it is. I'll be the judge of that, thank you very much. (I'm looking at you, Sorry, Bro.)

related: there's this thing that I call "Horny Wolf Syndrome," which is derived from this tweet:

initially I used it to refer to when previously sweet-tempered male romance protags inexplicably started talking like horny wovles during sex scenes - "LET ME SEE YOUR PRETTY CUNT ON MY COCK" and the like - but now I more generally use it to refer to scenarios in which characters of any gender completely dispense with their established personality while they fuck in order to fulfill a more broadly appealing, one-size-fits-all sexual fantasy. I hate that shit; if your characters act like completely unrecognizable people during sex, you didn't write very strong characters. one of my favorite things about writing sex scenes is that it's so SO interesting to see how their the characters' personal quirks translate into a setting that's very different from most other contexts, and it's deeply disappointing when authors take the easy route in favor of some pornhub dialogue.

one of the things that actually won my most recent read, Raiders of the Lost Heart, a HUGE amount of points with me was how frank the female lead was about initiating sex for the first time. it was completely in character for her and felt really different than any other book I've read, and honestly? it was a breath of fresh air.

[physalian]

The Dos and Don’ts of Giving and Receiving Constructive Criticism

Some of these should be painfully obvious and yet. They come from experience.

Receiving feedback:

Do

Understand that a criticism of a character’s thoughts, actions, morality, and choices are likely not a criticism of you as an author, unless the character is an author insert

Understand that they are being paid to critique how successfully you told an entertaining story, not pander to your trauma dumping

Understand that critiquing a book’s success as an entertaining story means that how much you yourself connect with or love a character or scene or plotline is irrelevant if it doesn’t make a compelling narrative

You might have written your book for yourself. Your editor is a different person with their own human biases and perspectives. If you just want to pay someone to stoke your ego, make that 100% clear up front.

Stand up for yourself and clarify where necessary if some details were overlooked or if explaining outside the narrative can better contextualize anything confusing or lacking detail.

Stand up for yourself in what feedback you are expecting, and what degree of criticism you’re willing to endure. An editor can let more or less of their own views show depending on what you ask for.

Stand up for yourself if your editor delivers inadequate or useless feedback. You’re paying them for a job, and you deserve to have it done properly.

Try to separate dislike of a book from dislike of yourself. It’s not easy, but the goal is to fix your book that you’ve already spent a lot of time writing, and they’re only trying to help.

Remember that your author insert is subjected to the same level of criticism as any other character, and that you asked for this.

Keep an open mind and be prepared for feedback that you don’t like, because you can’t please everyone. Your editor should be able to tell you whether or not a scene or character, or plotline works separate from their own personal tastes.

Don’t

Argue with your editor over their religiosity or lack thereof and insist that adhering to genre expectations means they “worship the god of [genre]”. (really, argue with your editor over anything like this, e.g. their own sexuality, religiosity, gender, socioeconomic status).

Argue with your editor while still expecting more work from them as if your aggression will in any way positively impact their perception of your book.

Insult your editor’s intelligence for not understanding your jargon and attempts to sound smarter than you are.

Get mad when your editor sees right through your BS and calls it like they see it, specifically your self-insert Mary Sue protagonist.

Insist that the solution to better understanding your book is for that editor to do extensive homework on your niche topic. If it’s a niche book for niche audiences, hire an editor who’s already knowledgeable about that niche topic.

Equate a bad review and opinion of the book with unprofessionalism. These can overlap, but they are not interchangeable.

Forget that your book is probably meant for leisure and entertainment, and your audience is under no obligation to read “until it gets good,” when they can go do literally anything else. Your first job is to entertain, if you write fiction.

Giving Feedback:

Do

Pay attention to your client’s wants and needs and expectations. If they’re more sensitive to bad feedback, do your best and stay as objective as possible. You can’t please everyone, either.

Helpful feedback includes an explanation of why an element needs work and how it can be improved. Saying “I hate this” with nothing else helps no one and just makes the author feel bad with no direction of how to make it better.

Communicate beforehand how much of your own personality your author wants from you. Do they like personal opinions and your personal reactions to the text, or do they want it as impersonal as possible and solely focused on the structure of the narrative? This might avoid a mess.

Remember to leave notes of where things worked well to balance the criticism. Even a simple “this is good” highlighting a line or a paragraph or two helps keep authors motivated to keep writing. I firmly believe that no book is completely unsalvageable.

Make it painfully clear with no room for debate that criticism of a character is not criticism of the author, unless it's an author insert, in which case the author absolutely asked for it.

Make it clear that you are just one person and these are all suggestions, not laws.

Don’t

Let your own personal opinions cloud your judgment of whether or not someone with different tastes could enjoy the book.

Unless given permission, get too personal with the narrative and reach beyond what’s written on the page.

Do more than what you’re paid for. You’re an editor, not a therapist for the writer’s trauma dumping.

Forget to wrap up all your thoughts in a condensed format that the author can reference, as opposed to endlessly scrolling through the manuscript trying to summarize your points for you.

Walk away with absolutely nothing positive to say about the manuscript. Even if it’s awful on every front, the writer still tried and that deserves merit.

This is from my personal experience beta and sensitivity reading, and dealing with other beta and sensitivity readers. We are all human and these jobs are not one-size-fits-all and there aren’t really hardline rules as every author, editor, and manuscript is different with different needs.

Just some things to keep in mind.

But also, for the authors who do write self-insert Mary Sues: You are in for a very rude awakening if you expect anyone other than yourself to adore your book with zero criticism. If you really just want someone to proofread and look for typos, tell them.

[deconstructthesoup]

Thinking about it now, I think the thing that was kind of a curveball for me about Nerdy Prudes that's obvious in hindsight is that... Grace and her parents have a very loving relationship.

Don't get me wrong, Karen and Mark are still exactly the type of people who I wouldn't want to meet in real life. They're super conservative, they're ridiculously set in their ways, they think that seeing PG movies and carrying each other's books is scandalous, and the lessons that they've instilled in her daughter have clearly messed her up---she thinks that touching herself and lying to the police is the worst thing that she could've done even after she unintentionally gets Max killed and then covers it up, and something as inane and subjective as her virginity is what she cherishes above her family, which is insane. But honestly, I did expect Karen and Mark to be unbelievably strict towards Grace, and for her to be visibly tired with all the pressure.

Instead, Karen and Mark think that Grace is their little angel who can do no wrong. They're clearly worried about her once she starts acting off, and Mark actually seems vaguely easygoing for the Chastity standards in terms of letting her off. Even though their values are messed up, and they're pretty much the reason why Grace is the way she is, they're sweet and supportive.

Which makes so much sense for Grace. Obviously she wouldn't be so high-strung and uptight if she resented her parents. Obviously she wouldn't parrot everything they say if they were horrible to her. She has to have a great relationship with her parents, or she wouldn't be Grace Chastity, Nerdy Prude. Beyond that, that gives the relationship nuance! Karen and Mark can have unhealthy values that messed Grace up and made her go off the deep end over one sexual fantasy, and they can also absolutely adore their daughter and implicitly trust that she's doing what they think is right! It doesn't have to be a clear-cut "they're bad parents" dynamic! They can be good parents to Grace while also having failed her in some very key ways! This is fascinating!

And maybe this is just because they're played by Curt and Kim, who just make every relationship they play better, but it works. It really works. It makes the entire Chastity family so much more fascinating, because it's even more compelling imagining a scenario where Grace goes through positive character development and has to tell her parents that what they taught her is wrong. Can you imagine how hard that would be? Telling your parents, who have been nothing but loving and supportive to you for your whole life, that you're having doubts about what they taught you---and dealing with the very real possibility that all of that love and support could go away once that's out in the open? After years of having an open and honest relationship with them?

Would Karen and Mark not love Grace anymore if she was no longer her teacher's pet, straight-laced, prudish self? Would they kick her out? Would they try and change her? Or would they listen to her, and take the time to be better?

We don't know, because they're complicated. On the surface, they're stereotypical, but peel back the uber-Christian jargon and the 1950's sitcom attitude, and you have two individuals who clearly love each other, and their daughter, very much. Is that love conditional? Who the hell knows? Until Nick and Matt answer us, all we have is speculation!

And that's so! Damn! Fun!

[guujikaroko]

I went to read Ratio's messages again and:

He encourages Stelle to enroll on Veritas Prime, a.k.a his very own alma mater, for REALSIES. Not only that, but:

He's willing to personally recommend her. P e r s o n a l l y.

And that's kinda surprising, in a good way. Like, I know Ratio isn't a condescending prick that thinks himself above others (or, well... There's a lot more to him than the condescension, is what I mean to say), but he looked at Stelle and saw potential in her. Veritas Ratio, the man who'd rather wear a fucking plaster head in front of his students because he's allergic to dumbassery, looked at Stelle, our resident unhinged raccoon, and saw enough potential to personally encourage and oversee her pursuit of knowledge.

Look at this! He's genuinely interested in her worldview and her opinions! He doesn't consider a waste of time to discuss topics with her! He spent the entirety of this message batch simulating a debate with her and sharing knowledge on the subject!

Again, it's not like I thought Ratio was incapable of any of this, but I never imagined that he'd be like that with the Trailblazer either. It's surprising, but in a very pleasant way? Like, "wow, I wasn't expecting this dynamic to be so genuine but it is and I like it". Honestly, I'll never not be impressed by Ratio and his particular ways of showcasing kindness to others/seeking companionship. He's such a compelling character.

Oh, and this is my favorite message batch of his. He feels tired by the monotony of his projects and he decides to relax by... Humoring Stelle? He goes and says "Hey, think of something you want and I'll make up a project" and Stelle, huge dork that she is, goes "Make me a cool weapon!" and "Make the Express move forever!" and he just... Does it? Sends a project of transforming the Express into a mecha?? Says he wants to disassemble the Express to figure it out???

It feels like I'm rambling for nothing but this is truly disarming to me. It's easy to dismiss Stelle as a goofball (and she very much IS a goofball) but Ratio actually takes her seriously and seeks to nurture her progress. Beyond that, he honestly likes to entertain her ideas and thinks that hearing her out is a positive thing.

If I had to describe their relationship, I'd say it's all very cute, in a pure and wholesome way, and I cannot believe I'm using these words to describe Veritas freaking Ratio out of all characters. This gotta be a new kind of brainworm.

[unhealthyfanobsession]

I saw a post recently about how fandom tends to explode when the original subject matter hits at a specific intersection of interesting but not really good. Because if something is good there’s no need for “fix it’s” and no feeling of unresolved arcs which are the primary drivers of fandom content.

And I can’t stop thinking about it.

I’m in a book club and without fail the best books spark the least conversation. We will all say it’s 5 stars but then DON’T have much to say past a twenty minute praise session and then we move on. Satisfied. Meanwhile, my friend and I often go on hour long rants about ACOTAR even though we both agree the books aren’t actually good in our opinions - but that leaves SO MUCH TO TALK ABOUT! Plot holes to dissect and out of character behaviours to be confused by and so. Many. Fix. Its.

Earlier this year I finished a different fantasy series that was SO GOOD! I genuinely loved it and I ran to A03 only to be shocked that there was nothing because it’s a pretty popular series. But then I realized … I didn’t feel compelled to write anything about it either. I was satisfied. And where I wanted to see more of this one character I found out there was another book coming about them and I WANTED to wait to see what the author did because it was GOOD.

And then I realized that often the people in a fandom are bonded by frustration with the original content and it’s rare to find someone in fandom who genuinely loves the original and has few complaints (these people exist and I am always in awe of them but they are less common) Fandom, I think, is often born out of a lack of trust in the creator of the original content.

Thank you for coming to my Ted Talk

[waterlilyvioletfog]

10 CDramas I Enjoyed Enough To Recommend!

1. Nirvana in Fire (2015) — 5/5 ���️ 54 Episodes. This is genuinely as good as its reputation. It is a political palace drama and it is insanely compelling. My mom agrees that this is good. You can watch it on YouTube, but I recommend watching on Viki (which you can sign up with for free) bc cdramas on YT can have weird issues with audio + I’m pretty sure the versions available on YT are heavily edited to cut out Zhang Zhehan.

2. The Untamed (2019) — 4/5 ⭐️ 50 Episodes 🏳️‍🌈 Owns me. Censored BL low-xianxia setting. None of my family believe me about how good it is because they keep seeing out of context episodes and scenes. The Untamed is something you have to just sit through. It is a boiling frog situation. Beats out #3 despite being of lower quality (look. Those special effects…) because this is my best friend my silly rabbit my blorbo my love. My stinky cheese, even. Netflix, YouTube, and Viki.

3. A Journey to Love (2023) — 4.5/5 ⭐️ 40 Episodes. A mixture of court drama, wuxia adventure, and romance. So so so many dramas WANT to be this show, to balance court politics and wuxia shenanigans and epic romance but, frankly, only AJTL manages to perfectly balance all of its genres, plots, and characters. I cried watching the end. I watched this on YouTube, but it’s also on iQIYI.

4. Love Between Fairy And Devil (2022) — 4/5 ⭐️ 36 Episodes. Xianxia romance. Despite outward appearances of trite banality and overdone tropes, this show is gorgeous, insanely compelling, and will sit with you. My mom calls this “the fairy show :D”. Suffers in pacing towards the end, but sticks the landing. Netflix, Viki, iQIYI.

5. Word of Honor (2021) — 4/5 ⭐️ 36 Episodes 🏳️‍🌈 Wuxia adventure censored BL. Lead actor Zhang Zhehan is… a bit of a touchy subject, but I still consider this one of the best cdramas I’ve watched and I do still recommend it. Like LBFAD, pacing suffers in last quarter, but sticks the landing. Netflix, YouTube, Viki.

6. Lost You Forever S1 (2023) — 4/5 ⭐️ 39 Episodes. Xianxia reverse harem romance. Now that description may not sound compelling. But. Idk how to tell you this but I’m insane about this drama. Is it ~good~? I honestly can’t say. I’m insane about it. S2 is probably gonna be a flop and kill my love for it but for now? We’re riding high, baby!! YouTube, Viki, probably iQIYI.

7. The Rise of Phoenixes (2018) — 4/5 ⭐️ 70 Episodes. Court drama/romance. Actually you know what I DON’T recommend this. But like I DO need people to watch it so I have people to talk to about it with 🥺 Watching this is an exercise in masochism. It is gorgeous. It is insanely compelling. Watch like. The first 50 episodes because pretty much the rest of it is just [muffled screams]. Apparently it’s coming soon to Viki which is good bc it’s not on Netflix anymore 🙃

8. Couple of Mirrors (2021) — 3.5/5 ⭐️ 12 Episodes 🏳️‍🌈 1930s Shanghai censored GL romance. Hardly the highest quality, but it’s really fun, and you know what. Does a thing have to be good, historically coherent, and have two full seasons? Is it not enough for a show to be about lesbians??? Who are wanted for murders they may or may not have committed??? YouTube and Viki.

9. New Life Begins (2022) — 3.5/5 ⭐️ 40 Episodes. Fluffy court romance. Is this actually good idek I haven’t re-watched at all. What it is is a solid, serviceable, fluffy little het court romance with Feminism 101 undergirding it all. I liked it perfectly fine. There are many kinds of women and they should all be happy and free to pursue their passions!! Women who are friends!! And you know what? So true, cute little cdrama. So true. YouTube, Viki, iQIYI.

10. The Starry Love (2023) — 3/5 ⭐️ 40 Episodes. Xianxia romance. For the most part, a lighthearted comedic romance drama. It’s cute. It’s fun. It is sometimes comically low-quality, but it’s mostly charming and I like the visuals in general. The main pairing, while fun, doesn’t interest me as much as the secondary pairing or the friendship/sisterhood aspects of it. YMMV with this one. Viki and YouTube.

Honorable mention— The Blood of Youth (2022) Probably better overall than at least a few of these entries, but I’m just still so sad abt my favorite character dying :( Could be gayer.

[zsakuva]

What would Xanthus, Elias, and Issac think about morality (as they seem to be the more morally ambiguous characters)? Like how do they feel about the concept of ‘doing the right thing’? They have all expressed the willingness to kill if necessary, but what that was a point of conflict with listener? What if morals in general were a point of conflict between the character and listener?

Morality as a shared concept is not universal, and is only derived from values that individuals and societies uphold. All three characters have their own subjective definitions of it, as well as their own standards and limitations they perform within.

Xanthus has lived four lifetimes and has seen things others couldn't dream of. His perception of the world has changed through the centuries, and this knowledge informs him of what actions he takes and how he views others. As a vampire, this surpasses human beliefs and values that may seem trivial to him.

He'll risk more because he's immortal, he'll do what he wants because he can compel people, but he's not unrestrained. Xanthus is calculative with his kills and his prey. He knows to rein in his hunger because missing people and dead bodies drained of blood alerts hunters. He knows who to befriend or compel for his own gain. In ways, Xanthus could be considered one of the most objective characters if faced with a hard situation as his own emotions aren't normally a part of the decision.

Concerning Love's morals, I think they're somewhat thrown out the window because they're dealing with a supernatural being who knows more than they ever could. It's hard enough to wrap your head around a person living for more than 400 years, but it's even harder to sift through all those conflicting morals around the world from societies that have come and gone.

In contrast, Elias, as the youngest carries morals from his parents and those around him. Killing for self-defence. Fighting to show his power. He was taught the way gang members are supposed to act even though he didn't want that life in the first place. He understands the brutality and violence of the life he lives, and twisting his own morals would undoubtedly keep him alive.

I think Barista understands that considering what they've currently been through. But this all depends on what their own morals are.

Isaac is also a product of what he was taught and witnessed. His morals in the beginning were developed from his mother who taught him patience and good virtues. But his life events twisted that, and his morals changed along with it. The 'right thing' does and doesn't exist for him; many of his clients want outcomes that require illegal means to get or do, and he has little problem doing this. It all depends on what will be sacrificed and if he's okay with dealing with that loss, whatever it may be.

Pickle likely has similar morals to Isaac considering what they've been through. But again, it all depends where they draw the line.

Someone's morals won't be tainted with murder if they believe it. Others may think killing an insect goes against their morals. What is right and wrong is a huge topic of discussion and extremely divisive, but I hope I was able to shed some light on these characters for you!

[bats2102]

ACOWAR set up an Elain+Lucien Book

ACOWAR is Elucien coded. This book lays out all the major plot points, characters, and powers that will shape the relationship between Elain and Lucien. As I revisited ACOWAR, I couldn't help but notice a ton of textual evidence hinting at a final pairing between them.

For those who disagree that Lucien demonstrates any traits that correlate to a mating bond, I encourage you to actually look at Lucien’s behavior and actions through the ACOWAR novel. And if you are not interested in re-reading the novel, that’s okay I brought receipts. 

This analysis will provide compelling evidence of the Elucien connection and illuminate how ACOWAR lays the groundwork for their future storyline. Below are the main areas that will be explored, each accompanied by corresponding headers.

Early Mate Behavior 

Lucien’s introspection and selflessness

Primal mate behavior and the BOND BONDING

Parallels between their “souls” and characters

Lucien’s Devotion to Elain

The Internal conflict regarding bond

Future plot/story

And for good measure: Amren thinking Lucien is also Hot AF (ACOWAR edition)

Early Mate Behavior 

Lucien demonstrates mate behavior early as page 10 in ACOWAR by showing concern and determination to find Elain, whom he believes is being kept by Rhysand. Feyre, however, counters Lucien's determination by dismissing the significance of the mating bond between him and Elain. She argues that the mating bond is merely a physical reaction and implies that Lucien's actions are driven by instinct rather than genuine emotional connection to Elain. Feyre tries to undermine the legitimacy of Lucien's feelings by suggesting that he's being controlled by the bond and doesn't truly know Elain.

In response, Lucien challenges Feyre's perspective by drawing a parallel to her own situation with Rhysand. Countering that if that were the case it would apply to her bond to Rhys as well. He questions whether her relationship with Rhysand a physical reaction is also just, implying that their bond might be more than Feyre is willing to acknowledge.

“Despite what Jurian implied regarding how my sisters will be treated by Rhysand, I had told him, despite what the Night Court is like, they won’t hurt Elain or Nesta like that—not yet. Rhysand has more creative ways to harm them. Lucien still seemed to doubt it (ACOWAR pp.10)”

Lucien breathed, “Where is he keeping her?” I knew who he meant. I shook my head. “I don’t know. Rhysand has a hundred places where they could be, but I doubt he’d use any of them to hide Elain, knowing that I’m aware of them.” “Tell me anyway. List all of them.” “You’ll die the moment you set foot in his territory.” “I survived well enough when I found you.” “You couldn’t see that he had me in thrall. You let him take me back.” Lie, lie, lie. But the hurt and guilt I expected weren’t there. Lucien slowly released his grip. “I need to find her.” “You don’t even know Elain. The mating bond is just a physical reaction overriding your good sense.” “Is that what it did to you and Rhys?” A quiet, dangerous question. But I made fear enter my eyes, let myself drag up memories of the Weaver, the Carver, the Middengard Wyrm so that old terror drenched my scent. “I don’t want to talk about that,” I said, my voice a rasping wobble. (ACOWAR pp. 12-13)

Lucien's strong commitment to Elain's safety, is not solely driven by their bond it is also powered by his past experiences and concerns about Rhys's reputation. Unable to confirm Elain's well-being, he fears she may be subjected to the Night Court's dark reputation, intensifying his urgency to locate her. We know as readers that elain is not being harmed in her stay in NC, however Lucien has only known NC to be a place of horror thus the inability to confirm Elain's safety leads Lucien to contemplate the possibility that the Night Court's notorious reputation is being imposed upon her, adding an extra layer of concern and urgency. 

“She is my mate and in my enemy’s hands—” “I’ve made no secret from the start that Elain is safe and cared for.” “And I’m supposed to believe you.” “Yes,” I hissed. “You are. Because if I believed for one moment that my sisters were in danger, no High Lord or king would have kept me from going to save them.” He just shook his head, the candlelight dancing over his hair. “You have the gall to question my priorities regarding Elain—yet what was your motive where I was concerned? Did you plan to spare me from your path of destruction because of any genuine friendship, or simply for fear of what it might do to her?” I didn’t answer. 

If you are going to re-read a portion of the novel, I implore you to read pages 145-150 (Kindle edition) of ACOWAR. This portion of the novel really provides a look at character dynamics, Lucien’s loyalty, themes of trust and betrayal, and foreshadows future conflicts. Lucien argues that he NEEDS TO SEE elain safe, and he was willing to stand up against his perceived enemy the NC to ensure that is achieved. From his perspective, he likely sees parallels between the Night Court's actions and Tamlin's treatment of Feyre. Rather than escalating tensions or reacting rashly to the complexities of the mating bond, Lucien opts for a measured response: "There is a longer story to be told, it seems (ACOWAR pp.146-147). This response defuses the immediate tension and allows for further discussion without further antagonizing Rhysand. Lucien's choice to stand down and patiently await the chance to see Elain underscores his unwavering commitment to her well-being and his understanding of the delicate circumstances at hand, showcasing his loyalty and depth of character.

Lucien’s introspection and selflessness 

And you know what Lucien does next, he listens to Feyre’s story. He actively listens to her story, willing to acknowledge and understand her expirences while reflecting on his own role, he doesn’t dismiss her words or react indifferently: 

“So, I told him. All of it—the story that perhaps would help him understand. And realize how truly safe Elain was—he now was (p.149)

“I hadn’t realized I was a villain in your narrative,” Lucien breathed. “You weren’t.” Not entirely. (P.150)”

This shows a level of introspection and self-awareness on Lucien's part, as he acknowledges the possibility that his actions may have been seen in a negative light by others. (Which I could argue almost all characters in the series do not reflect on the consequences of their actions and their effect on others. So pro self-reflective Lucien!)

When Lucien request Feyre to tell him about elain. He takes Feyre’s assessment of her sister in this passage “Elain would put on a hat and gloves and kneel in the dirt, weeding. She acted like a purebred lady in every regard but that (ACOWAR pp.13)” and runs with it. He LISTENED to Feyre’s description of elain so closely that he knew she would wear gloves when she gardened and considered in the next book (ACOSAF) that it would be a suitable gift to give her gloves, that is thoughtful, and I will not argue otherwise. 

Furthermore, when this man is telling Feyre how he was SA during calanmai, rather than focusing on himself in regard to this traumatic expirences, he is worried of what elain will think of this situation. Lucien was SA and his thoughts were still centered to the care of elain.

But Lucien … “You took Ianthe into that cave on Calanmai?” He wouldn’t meet my gaze. “She insisted. Tamlin was … Things were bad, Feyre. I went in his stead, and I did my duty to the court. I went of my own free will. And we completed the Rite.” No wonder she’d backed off him. She’d gotten what she wanted. “Please don’t tell Elain,” he said. “When we—when we find her again,” he amended. (ACOWAR pp 33)

Primal mate behavior and the BOND BONDING (just evidence of their bond, for those who want to invalidate it)

“But Lucien’s attention went right to the hallway toward the back, his nostrils flaring as he scented Elain’s direction. And who she’d gone with. A low snarl slipped out of him— “Relax,” Rhys said. “Azriel isn’t the ravishing type.” Lucien cut him a glare. (p.254)

“It felt … strange,” Elain breathed. “Like you pulled on a thread tied to a rib.” Lucien exposed his palms to her. “I’m sorry.” Elain only stared at him for a long moment. (pp.301)

“There’s a bond—it’s a real thread,” he said, more to himself than us. “And?” Mor asked. Lucien ran both hands through his long red hair. His skin was darker—a deep golden-brown, compared to the paleness of Eris’s coloring. “And I got to Elain’s end of it when she ran off.” “Did you sense anything?” “No—I didn’t have time. I felt her, but …” A blush stained his cheek. Whatever he’d felt, it wasn’t what we were looking for. Even if we had no idea what, precisely, that was. “We can try again—another day,” I offered. Lucien nodded but looked unconvinced. (p.302)

Being the one to trust elain’s visions and act upon them. Also, everyone else being concerned about their bond if something happened to him.

He only glanced at Elain, whose face was again a calm void while she traced a finger over the embroidery on the couch cushions. “Yes. Let me help in whatever way I can.” Even Nesta seemed relatively concerned. Not for him, no doubt, but the fact that if he were hurt, or killed … What would it do to Elain? The severing of the mating bond … I shut out the thought of what it’d do to me.

Lucien is the one to ask for a healer to see elain, he recognizes that elain went through trauma, LUCIEN WAS the one who verbally acknowledge elain went through trauma. 

“It wouldn’t hurt to have a healer look her over. Externally and internally.” I was tired enough that I could barely summon the breath to ask, “Do you think the Cauldron made her insane?” “I think she went through something terrible,” Lucien countered carefully. “And it wouldn’t hurt to have your best healer do a thorough examination.” (pp. 288-289)

And you know who thinks Elain’s mate will help her??? MADJA, Why? Because their souls connected

“Does she need further help?” Nesta said through her teeth. The ancient healer jerked her chin toward Lucien. “See what he can do. If anyone can sense if something is amiss, it’s a mate.” “How.” The word was barely more than a barked command. I braced myself to warn Nesta to be polite, but Madja said to my sister, as if she were a small child, “The mating bond. It is a bridge between souls.” 

What if Lucien was a gift from the cauldron?? 

“But what if the Cauldron gave something to Elain?” Nesta’s face drained of color. “What?” Equally ashen, Lucien seemed inclined to echo Nesta’s hoarse question. (p.336)”.

Parallels between their souls and characters

Elain and Lucien’s characters parallel one another and complement each other so splendidly. Lucien being the son of the high lord of day, and elain character first appearing in ACOWAR in a “suite filled with sunlight” in a “chair before the sunniest window (p. 154).” 

Elain is further associated with LIGHT and SUNSHINE, through the novel:

“Even wasted away by grief and despair, Elain’s beauty was remarkable. Hers was a face that could bring kings to their knees. And yet there was no joy in it. No light. No life. (p.246)”

The frustration. “What can I get you, Elain?” Only with Elain did she use that voice. But Elain shook her head once more. “Sunshine.” (p.302)

Well would you look at that, elain HERSELF thinks she needs sunshine.

They are both social beings who require light to feel alive: 

“Weeks of cloistering Elain had done nothing to improve her state (p.248)”

They both have eyes that allow them to see things that are hidden to others: 

“What makes you think you could find her?” Rhys asked. Not rudely, but—from a commander’s perspective. Sizing up the skills Lucien offered against the risks, the potential benefits. “This eye …” Lucien gestured to the metal contraption. “It can see things that others … can’t. Spells, glamours … Perhaps it can help” (p.339)

In the following passage Elain displays agency by taking control of the situation and proposing a plan of action to address a potential threat. She actively engages in decision-making and asserts her autonomy by insisting on speaking to the individual herself, despite objections from others. Similar to Lucien, who just left to find the individuals from elain’s visions and serves as an emissary and prioritizes the protection of his people. Elain steps forward with a plan to negotiate with a potential threat to ensure the safety of those seeking sanctuary.

Elain considered. “I can speak to him.” “No,” I said—at the same moment Nesta did. But Elain cut us off. “If—if you and … they”—a glance at Rhys, my friends—“come with me, your Fae scents might distract the dogs.” “You’re Fae, too,” Nesta reminded her. “Glamour me,” Elain said—to Rhys. “Make me look human. Just long enough to convince him to open his gates to those seeking sanctuary. Perhaps even let you set those wards around the estate.”

Elain also remembers that Lucien was the one to seek out the individual from her vision: “And even with the truth laid bare … none of us told him that Lucien had gone after her. Elain seemed to remember, though. Who was hunting for that missing queen.”

Both characters' aversion to violence highlights their compassionate and empathetic personalities, as well as their desire for peace and harmony. While they may find themselves involved in conflicts due to external circumstances, they both harbor a deep-seated discomfort with the inherent violence of such situations, reflecting their shared values of empathy, kindness, and a preference for peaceful resolutions. The repetition of this in the interaction where Elain reveals she only stabbed the enemy, not made the killing blow, underscores her aversion to violence and her reluctance to engage in battle, mirroring Lucien's own distaste for violence.

“Will—will many of these soldiers die?��� I cringed, but Nesta said, “Yes.” I could almost see the unspoken words Nesta reined in. Your mate might die sooner than them, though” (p.485)

The sound as both armies collided … I didn’t have words for it. Elain covered her ears, cringing.

“Well, I never want to fight in another battle as long as I live, but … yes, I’m in one piece.” A faint smile bloomed on Elain’s lips (p. 675)”

Devotion to Elain

This man is devastated by Elain's mental state. Since the bond is a profound connection between two souls, and based on the text, Elain currently doesn't know how to block the bond, it's crucial to consider that every emotion Elain experiences is could also be felt by Lucien. Given her current unwellness, imagine the agony of being told she's fine and safe, only to witness her as a mere "hollow" version of the person described to him, likely feeling every ounce of the despair she's currently enduring.

Lucien was standing in the doorway. And from the devastation on his face, I knew he’d heard every word. Seen and heard and felt the hollowness and despair radiating from her. Elain had always been gentle and sweet—and I had considered it a different sort of strength. A better strength. To look at the of the world and choose, over and over, to love, to be kind. She had been always so full of light. (ACOWAR p. 156)

(Side note: elain being described as light again when at her best)

He saw her in this state than decided that he would be willing to subject himself to Rhysands control and the NC in order to be near her. 

“This house is warded against winnowing, both from outside and within. There’s one way out—the stairs to the city. It, too, is warded—and guarded. Please don’t do anything stupid.” “So, am I a prisoner?” I could feel the response simmering in Rhys, but I shook my head. “No. But understand while you may be her mate, Elain is my sister. I’ll do what I must to protect her from further harm.” “I would never hurt her.” A bleak sort of honesty in his words. I simply nodded, loosening a breath, and met Rhysands stare in silent urging. 

Lucien is acutely aware that Rhysand intends to exploit Elain's presence in the Night Court to manipulate him. And we know that this is indeed true as evident from Rhysand's own admission, "I trust in the fact that we currently have possession of the one thing he wants above all else (p. 195)," which underscores Rhyland’s strategic mindset. Recognizing Lucien's unwavering commitment to Elain's safety, Rhysand leverages this vulnerability to exert control over Lucien's actions. Moreover, Rhysand manipulates Feyre's perception of Lucien, exploiting her concerns and emphasizing his own ability to sway Lucien's decisions. This manipulation is evident in Rhysand's question to Feyre, "If he got Elain away, back to Spring or wherever … do you believe, deep down, that he wouldn’t sell what he knows? (p.195)." This inquiry serves to sow doubt and uncertainty, further solidifying his hold over Lucien and Feyre's perception of him.

Now from pages p.675-68 there are many important points between elain and Lucien but given how long this already is I will focus on a few. Following the battle, Lucien’s concerns regarding elain’s wellbeing are immediately demonstrated by ensuring her condition. Lucien acknowledges her contribution and shows understanding, indicating a supportive and encouraging dynamic between them. This is shown through Lucien acknowledging that elains visions were correct, the loss of her father, and her contribution to the killing of hyburn. During this elain invites Lucien to velaris (with encouragement of Feyre, she is still the one who said it), and are later seen in close proximity of one another. They are seen walking side by side or falling into step with each other, and there’s an unspoken understanding between them where they seem to intuitively know how to support each other without needing to verbalize their feelings. So, no I do not agree that they are ill suited or do not like being in each other presence, I believe it to be more complicated than that. 

Internal conflict regarding bond

To be honest, I'm just going to ask you to read pages 248-254. If you can read this, look into Lucien's thoughts, and believe that Lucien does not demonstrate mate behaviour and that Azriel is the character who understands and has undying devotion to Elain, then you're missing important components illustrated of Lucien's feelings. 

Lucien's concern for Elain is palpable as he observes her deteriorating mental and physical state. He feels her pain and suffering deeply, evidenced by his internal turmoil and desire to alleviate her suffering. Despite the risk of facing Rhysand's wrath, Lucien ventures out to seek a moment of respite, yet his primary focus remains on Elain's well-being. In the context of Lucien's guilt regarding Elain and his past relationship with Jesminda, there's a significant emotional burden that he carries. Lucien's guilt could be manifesting in his interactions with Elain, leading to moments of hesitation or emotional distance as he grapples with conflicting emotions. He may struggle with feelings of inadequacy or unworthiness, believing that he's not deserving of a mating bond with elain due to his unresolved feelings regarding Jesminda death, for which he holds himself responsible. Lucien's guilt regarding his mating bond with Elain and his past relationship with Jesminda adds layers of complexity to his character and relationships.

The highlighted passages below offer a crucial moment in the narrative, revealing the complex dynamics between Lucien and Elain and hinting at future storylines. His unwavering belief in Elain's abilities and the importance of her visions is evident as he volunteers to pursue the truth behind her latest revelation. 

As they are left alone together, the potential for significant developments in their relationship becomes apparent, as the deliberate departure of the other characters to create a space for Lucien and Elain to engage in a private conversation, the contents of which remain unknown. The deliberate departure of other characters creates a private space for Lucien and Elain, foreshadowing what could happen if provided the space to properly explore their mating bond. 

Before departing, Lucien shares a silent exchange with Elain, their gazes locking in a moment with Lucien’s filled with unspoken longing and sadness. Despite the palpable connection between them, neither Lucien nor Elain vocalizes their emotions, leaving the true nature of their bond ambiguous. Lucien's failure to glance back at Elain and Rhys's departure symbolize the unspoken barriers and uncertainties surrounding their relationship. This poignant moment highlights the intricate dance of emotions between Lucien and Elain, setting the stage for deeper exploration in future narratives.

“There is a reason why Elain is seeing these things. She was right about the other queen turning old, about the Ravens’ attack—why is she being sent this image? Why is she hearing this queen? It must be vital. If we ignore it, perhaps we’ll deserve to fail.” Silence. I surveyed them all. Vital. Each of them was vital here. But me … I sucked in a breath. “I’ll go.” Lucien was staring at Elain as he spoke. We all looked at him. Lucien shifted his focus to Rhys, to me. “I’ll go,” he repeated, rising to his feet. “To find this sixth queen.”

“And for once, my sister rose to her feet and came toward us, the three of us not so subtly heading upstairs. Leaving Lucien and Elain alone. It was an effort not to linger atop the landing, to listen to what was said. If anything was said at all.

Before that dark wind swept in, Lucien looked back. Not to me, I realized—to someone behind me. Pale and thin, Elain stood atop the stairs. Their gazes locked and held. But Elain said nothing. Did not so much as take one step downward. Lucien inclined his head in a bow, the movement hiding the gleam in his eye—the longing and sadness.”

“And when Lucien turned to signal to Rhys to go … He did not glance back at Elain. Did not see the half step she took toward the stairs—as if she’d speak to him. Stop him. Then Rhys was gone, and Lucien with him. When I turned to offer Elain breakfast, she’d already walked away.” (p.345)

Elain's conversation with her fiancé Greyson reveals the complications of her feelings regarding Lucien and the mating bond. Initially, Elain expresses uncertainty and confusion about her desires, admitting that she doesn't know what she wanted when she returned to Greyson. This passage with her literal fiancé illustrates her internal conflict (There is no evidence that elain wants to reject Lucien in the text of ACOWAR). Greyson's refusal to accept Elain's bond with Lucien further exacerbates her emotional turmoil, as she struggles to reconcile her mating bond with her desire for a conventional human male. 

Elain’s internal struggle to assert her agency and autonomy in the face of external expectations and societal norms will be important in her character development. Elain's initial denial and resistance pave the way for a journey of self-discovery and growth, where she must confront her fears and insecurities before embracing her true identity and forging a deeper connection with Lucien.

Graysen swallowed. “Did you think you could come back here—live with me as this … lie?” “No. Yes. I—I don’t know what I wanted—” “And you are bound to some … Fae male. A High Lord’s son.” A different High Lord’s heir, likely, I wanted to say. “His name is Lucien.” I wasn’t certain if I’d ever heard his name from her lips. “I don’t care what his name is.” The first sharp words from Graysen. “You are his mate. Do you even know what that means?” “It means nothing,” Elain said, her voice breaking. “It means nothing. I don’t care who decided it or why they did—” “You belong to him.” “I belong to no one. But my heart belongs to you.” Graysen’s face hardened. “I don’t want it.” (pp. 499-500)

The following moment marks a significant turning point in Elain's life as she realizes that her connection with Lucien has severed her ties to her previous human existence. Foreshadow the complexities and conflicts that may arise in Elain and Lucien's relationship, as well as the internal struggles Elain will face in reconciling her human past with her fae future. 

“So, Elain silently cried, the tears so unending that I wondered if it was some sign of her heart bleeding out. Some sliver of hope that had shattered today. That Graysen would still love her, still marry her—and that love would trump even a mating bond. A final tether had been snapped—to her life in the human lands. Only our father, wherever he was, remained as any sort of connection.” (p. 503).

Future plot:

Anyways ACOWAR set up elain and Lucien’s future plot lines. Through introducing koschei, elain’s vision, vassas curse (Lucien=spell cleaver, elain=discovered vassa), Tamlin and spring court (after all elain does think the WORLD needs more garden (p.693)) Eris and Lucien’s dynamic, discovering Helion is Lucien’s father, elain mourning her father (Lucien and him knew each other), elain and Lucien discovering their magic (their eyes) ... ect... 

And if you want to argue that Azriel has any major role in these plot lines I encourage you to read ACOSF and HOFAS as there is ample evidence that the characters and plots introduced in those novels are more centre to his and Gwyn’s character (I can bring more receipts... as essentially ACOWAR set up nessian and Elucien, and ACOSF set up gwynriel and Mor+em). It is crucial to analyze the plot lines beyond the lens of mere smut and romance, as this narrow focus undermines the depth of storytelling Sarah J. Maas has woven into the narrative. By broadening our perspective, we can fully appreciate the intricacies of the plot and explore the multifaceted dynamics that extend beyond the relationship between the MMC+MFC. 

And finally, while I can acknowledge that all these points are directed to an elain and Elucien book. SJM will still and will always have the final say.... 

Amren thinking Lucien being Hot AF (ACOWAR edition)

Even fucking Amren thinks Lucien is hot af.

But it was Amren who said from the floor, “You should kill Beron and his sons and set up the handsome one as High Lord of Autumn, self-imposed exile, or no. It will make life easier.” “I’ll take that into consideration,” Rhys said, striding toward her while I remained with the others. (p.159)

[graciereadshannigram]

hey fam, welcome to the March roundup of the best hannigram fics i've read this past month! i read close to 60 fics total, and these were the cream of the crop.

as a reminder: the ingredients for a five star rating typically (but not always!!) include some combination of a.) believable characterizations of both Hannibal and Will, b.) compelling plot and/or character arcs, and c.) high quality smut.

that being said, my judgment of the aforementioned ingredients is powered almost exclusively by vibes and as such, is incredibly subjective.

and if you have any recs of your own for me, PLEASE SHARE.

(Inaugural roundup can be found here)

anyway, in no particular order, let's go!

~

Title: Bones of My Bones (& Flesh of My Flesh) by everyday_forever Word Count: 15,759 Summary: When Will & Hannibal reunite in Italy at last, Will doesn't fear becoming Hannibal. He knows he already is Hannibal. However, Will feels as if he's a derivative of Hannibal, made in Hannibal's image, from Hannibal's own raw material. He doesn't feel like he's Hannibal's natural equal. Will thinks the only way he can forgive Hannibal is by claiming a piece of Hannibal in return, and choosing to make it a part of himself. He has to eat him. And Hannibal is all to happy to let him.

As far as I'm concerned, this IS canon. Truly some of the best canon-compliant characterizations of them that I've read. This is absolutely what would have happened if Will hadn't tried to kill Hannibal after leaving the Uffizi Gallery. It was perfect. And so them. And obviously, mutual cannibalism. *chefs kiss*

Title: Do you feel the hunger, does it howl inside? by merrythoughts and ReallyMissCoffee Word Count: 261,929 Summary: It's been weeks since the Fall. Since Will had leaned against him, the wild scent of blood thick and cloying on the air, and had taken them from the top of the cliffs. And for every second of every day since, Hannibal has been calmly dealing with the fallout of his decision that night: Life over death. Will had intended them to die, had allowed himself a moment of weakness, of desperation. Perhaps the last act of an exhausted soul. Yet Hannibal had denied him.

I am being dead serious when I say that this fic changed my brain chemistry and managed to do something that several years of therapy had not. I wanted this to go on forever (there IS a sequel!) and did my very best to savor it instead of plowing through the entire thing in a single day. Check the author notes if you're unfamiliar with these two writers–the format took me a couple chapters to get used to, but clearly it wasn't a big deal for me.

Title: Sensational by bigfootghostdick Word Count: 39,607 Summary: Franklyn’s obsession with Hannibal Lecter truly knows no bounds. His obsession only grows worse after being fired as Dr.Lecter’s patient. Feeling slighted by Hannibal's rejection, Franklyn follows him home one evening only to stumble upon something that he never expected to see. Who’s that dark-haired man locking lips with Hannibal right outside his front door? Overcome with jealousy, Franklyn decides to seek revenge on his tenth psychiatrist. How? By selling the photos he took of them to Freddie Lounds.

Listen. I love a good jealous!Franklyn, especially when Hanni and Will firmly put him in his place. Sue me.

Title: The Stress-Sex Connection by shotgun_sinner Word Count: 48,090 Summary: When Will gets out of the BSHCI, he resumes therapy with Hannibal Lecter. His stress levels are through the roof, and Hannibal makes an offer that Will doesn't turn down. Hannibal assumes he's going to take Will to bed and make love to a fragile man, shy and delicate. Will enjoys taking Hannibal to bed, and proving him wrong. OR the story where Hannibal is shocked to find out that Will is a profiler in the streets, but a demon in the sheets.

I was sold on the last line of the summary, "Will is a profiler in the streets, but a demon in the sheets" because it actually got a good cackle out of me, and then who would have guessed! Essentially porn with feelings, but I loved.

Title: hold me, kiss me, rip out my tongue by multifandom_fanfic_writer Word Count: 18,005 Summary: Will notices things. He notices a lot of things, can’t turn it off. Some of these things are about Doctor Hannibal Lecter. He watches Hannibal watching him eat. He watches the touch on his elbow lingering, possessive. He watches Hannibal's eyes darken when Will pulls his hair and fucks his throat hard.

Okay, so I'm realizing that a lot of my five star fics this month were pretty smutty, but I make no apologies. That being said, I did find the characterizations of both Will and Hannibal to be very compelling, and it had the added bonus of Will getting to rub it in Alana's face that Hannibal chose him not her.

Title: Ligare by InfiniteCrisis Word Count: 8,280 Summary: Will's never gone down on a man before and is feeling nervous about it. His solution: tie Hannibal up first. Hannibal has no complaints.

Initially shied away from this one because Will essentially drugs Hannibal to knock him out and fuck him for the first time, but I PROMISE Hannibal knew exactly what Will was doing and allowed it. However, if that isn't your thing, this won't be for you.

THAT BEING SAID, my honest reaction after this was, "fuck fuck fuck, dom!Will might be my new favorite." Bonus points for it being the first in a series, and the rest is equally good!

Title: Oboedire, Implorare, Vovere by InfiniteCrisis Word Count: 18,715 Summary: At the end of Ligare, Hannibal said Will should "test" his willingness to submit to him. Will takes him up on that, and the results are more than either of them expected.

As I said, the rest of the series was SO GOOD. This was basically off the charts hot.

Title: To the Devil His Due (His Due is You) by everyday_forever Word Count: 26,3319 Summary: Will Graham is in the Baltimore State Hospital for the Criminally Insane, courtesy of one Hannibal Lecter. And Will wants payback. He threatens Hannibal with a reckoning. And then Will has a terrible and wonderful idea- he opts to get back at Hannibal and make him jealous by pursuing a sexual relationship with Dr. Frederick Chilton. Feeling emboldened, Chilton sends the audio recordings of him and Will together to Hannibal to boast of the new development in Will's 'therapy.' Hannibal knows at once Will is the mastermind behind it all. Hannibal is most displeased with his manipulative albeit cunning boy. Chaos ensues. Will continues to manipulate both Chilton and Hannibal in order to make Hannibal jealous. Will has entered into a dance with the Devil after poking Hannibal's beast and Hannibal is eager to teach Will a lesson and remind him who he belongs to...

HEAR ME OUT. Prior to this fic, I had never considered Will/Chilton. Ever. Let alone reading a fic where most of the on paper smut is ChilWill. And yet here we are. Hannibal was just so present through it all, given that Will was only screwing Chilton to get at Hannibal (although, I liked that there was some genuine affection between Chilton and Will, it wasn't completely callous), and it just all combined to be an excellent fic. Sue me.

Title: Trope: Fake Date (Hannigram AU) by TigerPrawn Word Count: 4,207 Summary: Will's possible promotion is relying on his superiors thinking better of him. One way to do that is to take his omega to the upcoming cocktail party. Only problem is, he doesn't have one, having to rely on one sent by an agency. He wasn't quite expecting Doctor Hannibal Lecter.

Fluffy first meeting AU, nothing more nothing less. I just love seeing them happy!! (sometimes, lmao)

~

And that's a wrap on this month! See ya next time!!!

[snowblack-charcoalwhite]

I think the best indicator of "love" is screen time and development the characters are getting. Aemond is definitely not loved, perhaps not even liked by this team. He was sidelined in s1 after Driftmark as well, the show never explored the aftermath for him, ignored his trauma, barely showed relationship with his mother etc. But in s1 Aemond was still a compelling character who stood on his own, now in s2 they write him like an afterthought, it feels like they would have left him off screen if he wasn't needed for the plot, they don't develop him, but the audience sees him occasionally so people remember he exists. His sole reason to exist is to be a worse version of Daemon who gets the same character traits except for Daemon's depth and interactions.

It really sucks and imo it also hurts Ewan as an actor, because after all the hype and PR he got, people had their expectations only to see that he was heavily sidelined for... literally everyone else. And now people are criticising Ewan's acting, but what is he supposed to do when his appearances are so short and he isn't given any meaty scenes? Like you can't seriously compare Tom and Ewan's material yet people do this and say Ewan is a bad actor. Olivia's sad eyes are constantly on screen, it's getting tiresome and repetitive, but hey, they need her to have a chance at Emmys. Same with Emma and Matt, they'd rather show Daemon walking around for 10 minutes then give Ewan an extra second. The battle of Rooks rest could have been his moment, but no, it's Fabien who gets the spotlight out of the Greens. Anime villains can't show any emotions apparently! Aemond can only appear on screen for 2 minutes per episode max. This is downright disrespectful, HBO used Aemond and Ewan for promo, tricked fans into thinking Aemond will have a prominent role, but the show treats Aemond and Ewan terribly. People on social media say they want to watch HOTD just for Aemond because he looks cool and I almost want to say it's not worth it because he is barely on screen lmao. And the writing is awful. The showrunners and HBO had an iconic character in the making but they're boring morons.

Hello!

I have to agree on the point about the complete and utter disrespect with which HBO and the writers have dealt with Aemond and Ewan this season. Actually, basically all of the characters have been subjected to the exploitative treatment and used to either push the show's agenda in a very crude, dumbed down form or to straight out bait the audience to gain more views. Olivia plays a double part of "a terrible mother"/"a victim of patriarchy" (to make Rhaenyra look better/to hammer home the "women good men bad" point) with a default "I'm about to cry" face (she even kind of joked about it herself during one of the promo interviews). Emma so far has been playing another crying/disrespected/constantly in need of saving or standing up for victim of patriarchy. Matt this season gives a master class in playing the walking collection of psychological issues (and not in a good way) - but he at least has something to actually act out. The latter also goes for Tom though Aegon has been really dumbed down - plus sometimes it feels like his main purpose in the show is to evoke pity in viewers. Phia has been amazing with what she was given but overall storywise Helaena doesn't fare that much better than last season - she is still barely a character. Fabien has been talking a lot about Criston's loyalty to Alicent (and this loyalty was shown to us in season 1) but we have yet to see the actual proof of this loyalty in season 2.

But Aemond IMO takes the cake as far as the disrespect towards the character and the actor is concerned. It really feels like HBO after introducing this character with so much potential for development (and the coolest design to boot) played by a very talented actor with a really powerful screen presence just used Aemond for increasing the show's popularity and selling merch - and after that used Ewan during the promo campaign knowing full well that a lot of people have been intrigued by him and interested in learning more about him. Is it possible that no one at HBO had been aware about the way Condal&Co treated Aemond's storyline and how heavily he was sidelined before the season was released? I don't think so.

Anyway, even if HotD has robbed Ewan of an actual opportunity to fully show his acting abilities, at least it has brought him a certain amount of fame and popularity (including interest in his previous projects). People (directors and studio execs among them) now know who he is and what kind of range he has (based off the way he has been playing Aemond and the way he played his other characters). So, after all, some good has come of it.

[goblincow]

CATS or What Is This RPG or Setting The Table

So I just heard about CATS courtesy of the good folks in the PlusOneExp discord server. CATS was written by Patrick O'Leary for the 2016 200 Word RPG Challenge.

It's nice and short (200 words even) and it's a compelling formula for the classic What Is This TTRPG segment that warrants a page at the front of every good RPG book.

I find it particularly interesting that this is imagined as a micro-RPG in its own right, a table activity for the start of game night that sets out to address what I have always found to be the most painful aspect of playing any TTRPG (besides tedious and arcane character creation rituals – I'm looking at you 5e PHB 👀): the friction that arises from players having discordant, conflicting, contradictory or incompatible expectations during play.

We can formulate the basic strucure of CATS in a variety of ways: Concept/Aim/Tone/Subject Matter, What/Where/When/Who/Why/How, Premise/Overview/Goals/What You Need, etc. all of which can be applied in two immediate directions:

In a What Is This RPG section, these are just codified methods for teaching the player/reader (more of my thoughts on the player/reader here) how to read and communicate everything that comes next in a way that's both more focused than a blurb (which might basically constitute the Concept/Premise/Hook) and more comprehensive than an elevator pitch.

As a launchpad for table play, these structures guide the conversation to establish the pillars of the shared fiction, and I especially appreciate CATS for the fact that it ends on Subject Matter. It could be the consequence of a tortured acronym, but having set the stage in every other way it seems appropriate to hop into safety tools as the final as the final negotiation before play, once all context is provided but nothing is yet set in stone.

That's all he wrote on CATS.

In THE PERILOUS PEAR & PLUM PIES OF PUDWICK I wrote a conversation guide to the meat of the adventure on pg. 11, following an introductory segment of the game that functions as a session 1 prologue of sorts before delving into the hexflower "dungeon" microsetting, inciting incident et al. It's interesting for me to look back at the way I structured this from the perspective of CATS.

If you're curious about TPPAPPOP and want a sneak peak of what you can expect, here's that segment from pg. 11, Inside The Tree:

Resources: the insects of the tree live in darkness and have varying weird diets – you might decide that tracking resources like light and food is important, or maybe at this scale adventurers can survive on the honeydew, leaves and strange meats that the insects eat. Sights and Sounds: footsteps might sound like earthquakes, voices like distant thunder. What are the twitches and mannerisms of the chittering language of insects? How does artificial light disturb the denizens of the tree? Setting and Tone: to adjust the game to your group's preference, you might lean into the existential conflict of intruding on and potentially dooming these fledgling societies, or downplay the crawling horror of an insect world to allow its cuter side to shine through.