100 trans/genderqueer musicians
Bands
Against Me! (rock, folk punk) (x)
The Oozes (punk) (x)
The Hirs Collective (metal, grindcore) (x)
GEL (hardcore punk) (x)
Urn (hardcore punk) (x)
The Black Dresses (noise pop, hardcore hyperpop) (x)
Party Ghost (rock) (x)
Lagrimas (hardcore punk, scream punk) (x)
Doll Skin (rock) (x)
Dazey and the Scouts (rock, indie) (x)
G.L.O.S.S. (hardcore punk) (x)
Dog Park Dissidents (punk rock) (x)
She/Her/hers (rock) (x)
Deli Girls (hardcore electronic) (x)
Dream Nails (punk rock) (x)
Sarah and the Safe Word (rock, dark cabaret) (x)
Pinkie Promise (punk rock) (x)
B. Fraser (emo) (x)
Newgrounds Death Rugby (emo) (x)
Scowl (hardcore punk) (x)
Feminazgul (black metal) (x)
Sports Bra (dream pop, light rock) (x)
Club Sofa (indie pop) (x)
The Cost ov Living (grindcore, harsh noise) (x)
Kuromy (punk) (x)
The Sonder Bombs (indie, pop) (x)
Lidocaine (rock) (x)
I'm letting unseen forces take the wheel (cybergrind) (x)
Gum Disease (punk) (x)
Cam Girl (rock, trash rock) (x)
Gully Boys (grunge pop) (x)
Arcadia Grey (sparkle punk) (x)
Schmekel (folk punk) (x)
Destructo Disk (punk rock) (x)
User Unauthorized (hardcore punk) (x)
The Spook School (indie pop) (x)
Pinkshift (emo) (x)
Glass Beach (emo) (x)
Butch Baby (light rock) (x)
VIAL (indie punk) (x)
Sister Wife Sex Strike (folk punk) (x)
homewrecker. (metal, hardcore punk) (x)
Mega Mango (indie rock) (x)
Keep For Cheap (prarie rock) (x)
Steam Powered Giraffe (cabaret, steampunk) (x)
Thotcrime (grindcore, cybergrind) (x)
Whirlybird (indie pop) (x)
Kampsport (hardcore punk) (x)
Um Jennifer? (alt-rock, punk) (x)
Scarlet Demore (alt-rock) (x)
HappyHappy (folk, folk-punk) (x)
Queen Zee (punk) (x)
Grumpy Plum (slop pop) (x)
Cheap Perfume (punk) (x)
Pollyanna (power-pop, rock) (x)
Ballista (metalcore) (x)
Faetooth (fairy doom, metal) (x)
Lacerated (death metal) (x)
Fortuna Malvada (hardcore punk) (x)
Peach Rings (bedroom power-pop) (x)
Solo Artists
Laura Jane Grace (rock, folk punk) (x)
Left at London (pop) (x)
ZAND (pop, ugly pop) (x)
Ada Rook (hardcore electronic) (x)
Ms. White (pop) (x)
Rett Madison (indie, folk) (x)
Murder Person for Hire (folk) (x)
Backxwash (rap, industrial hip hop) (x)
LustSickPuppy (electronic, rap) (x)
Babylungs (electronic, rap) (x)
Human Kitten (folk punk) (x)
Harley Poe (folk punk) (x)
Ewy (emo, folk punk) (x)
Averstaskta (instrumental) (x)
Andie Schoen (indie) (x)
Elliot Lee (dark pop, electronic rock) (x)
Urias (hip hop, ballroom) (x)
Twink Obliterator* (cybergrind) (x)
Rio Romeo (cabaret punk, indie) (x)
Knife Girl (art pop, indie) (x)
Alexander James Adams (folk) (x)
Starmaxx (pop) (x)
Sofya Wang (pop, alt-R&B) (x)
Boy Jr (indie/alt pop) (x)
Medusa (revenge pop, hip-hop) (x)
Mal Blum (singer-songwriter, folk) (x)
Gina Young (riot grrrl) (x)
Petra Fiyd (indie pop) (x)
awfultune (bedroom pop) (x)
Quinn Hills (alternative pop) (x)
Femtanyl (electronic) (x)
Vivivivivi (electronic, glitchcore) (x)
Lilac Boy (glitchcore) (x)
Rosie Tucker (indie rock) (x)
Ryan Cassata (singer-songwriter) (x)
Pain Chain (noise, synth) (x)
In Love With A Ghost (electronic, lo-fi) (x)
Alice Longyu Gao (hyperpop) (x)
Prophetic Nightmares (ambient synthwave) (x)
Saint Wellesley (indie folk) (x)
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the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.
capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.
now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.
and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.
and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.
and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".
it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"
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the best way to luffy’s stomach is through his heart (or something like that)
a four page one piece fancomic in which luffy and law talk about luffy’s stomach
page 1
panel 1: a top view of luffy and law sitting in grass. luffy is leaning back on his hands with his legs outstretched. law sits crosslegged between them. they are both looking down at the hole in luffy’s abdomen, where law has used his devil fruit power to remove his stomach. “whoa! cool!” says luffy, while law hums, “hmm… interesting.”
panel 2: a close-up of law’s hand holding luffy’s stomach in its cube-like container. “it looks surprisingly average,” law says, “for a bottomless pit.”
panel 3: “isn’t it weird?” luffy asks. he is sitting with his back to the viewer, but his smile is still visible as he leans into law’s space. law is still crosslegged, holding the stomach, and he looks vaguely uncomfortable as luffy keeps talking. luffy says, “that thing can make food stop looking like food and start looking like poop! huh. wonder how it does that…”
page 2
panel 1: law looks off to the side, sweating and kinda grouchy. knowing he’ll regret this, he mutters, “i… know how… at least for NORMAL humans.”
panel 2: the back of luffy’s head takes up most of the panel as he demands, “what?! i wanna know too!” law grits his teeth and shouts back, “you’re just gonna fall asleep!” and luffy yells, “nuh-uh!”
panel 3: luffy grins widely, throws his arms out to the side, and flops onto his back in the grass. he’s loudly yelling, “tell me! tell me, traffy!”
page 3
panel 1: law is visible from a low-angle, as if from luffy’s pov on the ground. he sighs, “fine. here’s how it works.”
panel 2: this panel looks similar to the previous, but its slightly darker, with gray bars at the top and bottom, narrowing visibility to show luffy’s eyes are closing. law continues, “the stomach has two main functions.”
panel 3: law is now barely visible through the gap. luffy is almost asleep. law says, “the first, as YOU know, is the storage of food.”
panel 4: the background is completely dark, and law’s words trail off, “the second is—“
page 4
panel 1: a large, top view of luffy lying on his back in the grass. his arms are thrown wide still and his eyes are open. he has just jolted awake, saying, “hmm?” off-screen, law complains, “i don’t know WHY i bothered.”
panel 2: law accuses, “you didn’t listen to a word i said.” luffy sits up, his lips pursed and eyes narrowed because he’s a terrible liar. he says, “sure i did,” dragging out the “sure.”
panel 3: luffy breaks into a grin and proudly declares, “it’s a mystery!” law cuts him off with a “NO,” his speech bubble literally dripping with disdain.
panel 4: the silhouette of luffy and law sitting side by side. law is whapping luffy on the head with a light fist. law says, “idiot…” before bonking him. luffy yells, “hey!” but he is laughing, and a small “heh” shows law is too.
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SO what i would've done in my epic perfect ending to the umbrella academy is:
EITHER
- ok, if we must do the downer ending where they sacrifice themselves to save the entire world and must no longer actually exist. what would've been a lot more satisfying and clever in addition to that is: the umbrella academy comics exist in the new world.
Claire is the writer/artist mastermind behind the series, because she has this strange near-memory of someone once telling her these bedtime stories about a group of dysfunctional but endearing superheroes. she assumes it must've been her imagination, but still, there's a resonating echo of love.
boom. our brellies live on and get to learn and grow and be happy in some way, even if it's in fiction.
OR
- when Five is talking to all the versions of himself in the Five Diner, he first thinks it's the whole family that's the problem with the timeline and yeah, that they'd need to die so everyone else could live, but then!
the other versions of him tell him that no, it's not the whole family that's the wrench in the gears of the universe. it never has been. it was him.
this whole time, he's been looking for answers in every direction but within. he was the only variable he hasn't considered, the last unknown.
more specifically, it was him leaving his family that broke the timeline and caused the curse of the inevitable apocalypse.
that led to the Commission, to the Kugelblitz, to the Umbrella Effect/Keepers Cult - to every possible bad ending, in every timeline Five and Lila ever saw.
so, uh... maybe after a conversation with Diego and Lila if they wanted to resolve that whole situation more.... maybe after a conversation with Viktor (Five's childhood best friend, despite the show literally always forgetting about that)...
Five gets on the timeline train one more time, then jumps back to the day he ran away. maybe he's young again but with all his memories intact, because he's figured out how to control that now, maybe he just tells his younger self not to mess with time travel or leave home.
either way, Five goes back to dinner. then he grows up with everyone.
Ben doesn't die, because Five being there helps save him somehow. Klaus gets better, Allison learns to let go, Diego and Luther reconcile, and Viktor has a best friend to tell him he's always been special, and help him sort out his powers properly.
Lila and the other Sparrows and Jennifer are still alive in this version of events, they just grew up differently, in different places and circumstances. they all find their way to the Hargreeves, because of course they do. Allison has Claire. my beloved Grace is there.
Reginald dies, and they dance at his funeral. the world doesn't end eight days from then, or any time after that.
the show ends with the gang dancing to I Think We're Alone Now, but they're in the same room this time, all together in their old house, and everything is the way they've always deserved.
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