#is posting this something i should do?

[thefishdeath]

Uhm. Tornado moodbord

[reikacchan]

don't give up

[kelddaa]

I was plagued by a vision

[inkskinned]

probably time for this story i guess but when i was a kid there was a summer that my brother was really into making smoothies and milkshakes. part of this was that we didn't have AC and couldn't afford to run fans all day so it was kind of important to get good at making Cool Down Concoctions.

we also had a patch of mint, and he had two impressionable little sisters who had the attitude of "fuck it, might as well."

at one point, for fun, this 16 year old boy with a dream in his eye and scientific fervor in heart just wanted to see how far one could push the idea of "vanilla mint smoothie". how much vanilla extract and how much mint can go into a blender before it truly is inedible.

the answer is 3 cups of vanilla extract, 1/2 cup milk alternative, and about 50 sprigs (not leaves, whole spring) of mint. add ice and the courage of a child. idk, it was summer and we were bored.

the word i would use to describe the feeling of drinking it would maybe be "violent" or perhaps, like. "triangular." my nose felt pristine. inhaling following the first sip was like trying to sculpt a new face. i was ensconced in a mesh of horror. it was something beyond taste. for years after, i assumed those commercials that said "this is how it feels to chew five gum" were referencing the exact experience of this singular viscous smoothie.

what's worse is that we knew our mother would hate that we wasted so much vanilla extract. so we had to make it worth it. we had to actually finish the drink. it wasn't "wasting" it if we actually drank it, right? we huddled around outside in the blistering sun, gagging and passing around a single green potion, shivering with disgust. each sip was transcendent, but in a sort of non-euclidean way. i think this is where i lost my binary gender. it eroded certain parts of me in an acidic gut ecology collapse.

here's the thing about love and trust: the next day my brother made a different shake, and i drank it without complaint. it's been like 15 years. he's now a genuinely skilled cook. sometimes one of the three of us will fuck up in the kitchen or find something horrible or make a terrible smoothie mistake and then we pass it to each other, single potion bottle, and we say try it it's delicious. it always smells disgusting. and then, cerimonious, we drink it together. because that's what family does.

[sophies-junkyard]

I’m in the South. I’ve got ears to the ground. Republicans are SWEATING at the prospect of Kamala being nominated. They’re not sure Trump can beat her.

Let’s prove them right.

[kathaynesart]

REPLICA PLAYLIST

MUSIC UNDER CUT

I have been receiving requests for any songs that inspired Replica, so here, have my personal playlist. Sorry it’s not Spotify/Soundcloud but they don’t have some of these songs available so uh… guess you’re stuck with YouTube vids. For fun I'll include my personal titles for them (which might give a few hints of what to expect in the future/end).

Replica Main Theme - “Die for You” by Grabbitz Like Father Like Son Like Brother (Omega and Shelldon) - "As Above So Below" by Alistair Lindsay Mikey's Theme / The 1st Vision - "Suzume no Tojimari" by Nanoka Hara Military (Mad) Dogs / Central Park Colony - "Imperium" by Madeon Shanghai - "Icarus" by Madeon Boom Goes the Donnie-mite (Mikey/Donnie vs the Sweeper) - "The Red Zone" by Mitsuoto Suzuki The Day the Sky Bled Red - "7 Seconds Till the End" by Nobuo Uematsu Going Out Like a Boss (Raph and Leo) - "Agape" by Nicholas Britell Remembering the Right Way (Mikey and Leo) - "The Souls of Many" - by Alistair Lindsay Mystic Hands / The 2nd Vision - "Am I Dreaming" by Metro Boomin x A$AP Book 2 Trailer - "Sea Dragon" by Covet 7 Years Later - "Iron" by Woodkid Leo's Theme / Attack on the Labor Camp - "Ego Death" by Polyphia Omega's Theme - "Touch" by Daft Punk Flat Lines (Omega Alone) - "Die Toteninsel Emptiness" by 1000 Eyes Spear - "Monsters" by Tommee Profitt Final Protocol - "The Kraken" by Katie Dey Rise / Epilogue - "Close in the Distance" by Masayoshi Soken & Tom Mills

I will admit, it's a little embarrassing since you can easily see the patterns of what I've been listening to for the past year or two. I swear I listen to more than just videogame OSTs, these songs just jive well with the story and I often find lyrics distracting when brainstorming scenes. Regardless, the music I listen to is such an important part of my creative process and some of these songs really defined the scenes I now have locked in my head. So I figured it was only fair to give them the credit they're due.

I will continue to add to this playlist, and will note in comic updates when one of these songs is applicable!

[auden-dahn]

"D-Don't worry about me! Focus on helping the little one, okay?" 🌠 panel redraw of @laikascomet

[bedforddanes75]

im not american but some of you guys are just fucking stupid ong what do you MEAN youre not gna vote because you disagree with like one part of what youre voting for. like okay me when im fucking thick

[heybaetae]

maknae line + gestures of love 🫰🏼💋🫶🏼🌹🤟🏼 happy birthday @jkvjimin! ♡

[zephyrchama]

I wonder if humans and demons in Obey Me! might have different taste receptors and experience taste slightly differently. Not for all things, but for really random stuff, like how some people irl enjoy cilantro and others think it tastes like soap.

Lucifer trying to pridefully power through the dinner MC made for him and failing because he's already gone through five drinks trying to mask its taste, and MC is getting suspicious.

"What is this incredibly sour vegetable? I've never tasted anything so... acrid."

"You mean the sweet potato? Are you saying this sweet potato is what's making your lips pucker?"

"There's absolutely nothing sweet about this potato."

[sweetnsour-stuff]

Emmet spotted in the Lumiose City Catacombs

[californiatowhee]

old fashioneds and tipsy daydreaming

bonus: the subsequent drunk texting

extra bonus, if you made it this far: what happens next, in fic form (spoiler: Phoenix and Miles kiss)

Behavioral Phenomenon | Phoenix/Edgeworth | 2.5k

[daily-odile]

sorry i was gone for a while i just got back from the mountains

[inkskinned]

the thing is that they're so fascinated by sex, they love sex, they can't imagine a world without sex - they need sex to sell things, they need sex to be part of their personality, they need sex to prove their power - but they hate sex. they are disgusted by it.

sex is the only thing that holds their attention, and it is also the thing that can never be discussed directly.

you can't tell a child the normal names for parts of their body, that's sexual in nature, because the body isn't a body, it's a vessel of sex. it doesn't matter that it's been proven in studies (over and over) that kids need to know the names of their genitals; that they internalize sexual shame at a very young age and know it's 'dirty' to have a body; that it overwhelmingly protects children for them to have the correct words to communicate with. what matters is that they're sexual organs. what matters is that it freaks them out to think about kids having body parts - which only exist in the context of sex.

it's gross to talk about a period or how to check for cancer in a testicle or breast. that is nasty, illicit. there will be no pain meds for harsh medical procedures, just because they feature a cervix.

but they will put out an ad of you scantily-clad. you will sell their cars for them, because you have abs, a body. you will drip sex. you will ooze it, like a goo. like you were put on this planet to secrete wealth into their open palms.

they will hit you with that same palm. it will be disgusting that you like leather or leashes, but they will put their movie characters in leather and latex. it will be wrong of you to want sexual freedom, but they will mark their success in the number of people they bed.

they will crow that it's inappropriate for children so there will be no lessons on how to properly apply a condom, even to teens. it's teaching them the wrong things. no lessons on the diversity of sexual organ growth, none on how to obtain consent properly, none on how to recognize when you feel unsafe in your body. if you are a teenager, you have probably already been sexualized at some point in your life. you will have seen someone also-your-age who is splashed across a tv screen or a magazine or married to someone three times your age. you will watch people pull their hair into pigtails so they look like you. so that they can be sexy because of youth. one of the most common pornography searches involves newly-18 young women. girls. the words "barely legal," a hiss of glass sand over your skin.

barely legal. there are bills in place that will not allow people to feel safe in their own bodies. there are people working so hard to punish any person for having sex in a way that isn't god-fearing and submissive. heteronormative. the sex has to be at their feet, on your knees, your eyes wet. when was the first time you saw another person crying in pornography and thought - okay but for real. she looks super unhappy. later, when you are unhappy, you will close your eyes and ignore the feeling and act the role you have been taught to keep playing. they will punish the sex workers, remove the places they can practice their trade safely. they will then make casual jokes about how they sexually harass their nanny.

and they love sex but they hate that you're having sex. you need to have their ornamental, perfunctory, dispassionate sex. so you can't kiss your girlfriend in the bible belt because it is gross to have sex with someone of the same gender. so you can't get your tubes tied in new england because you might change your mind. so you can't admit you were sexually assaulted because real men don't get hurt, you should be grateful. you cannot handle your own body, you cannot handle the risks involved, let other people decide that for you. you aren't ready yet.

but they need you to have sex because you need to have kids. at 15, you are old enough to parent. you are not old enough to hear the word fuck too many times on television.

they are horrified by sex and they never stop talking about it, thinking about it, making everything unnecessarily preverted. the saying - a thief thinks everyone steals. they stand up at their podiums and they look out at the crowd and they sign a bill into place that makes sexwork even more unsafe and they stand up and smile and sign a bill that makes gender-affirming care illegal and they get up and they shrug their shoulders and write don't say gay and they get up, and they make the world about sex, but this horrible, plastic vision of it that they have. this wretched, emotionless thing that holds so much weight it's staggering. they put their whole spine behind it and they push and they say it's normal!

this horrible world they live in. disgusted and also obsessed.

[linipik]

Witches ✨

[casscainmainly]

Gender and Sexuality in Batgirl (2000)

While Kelley Puckett's opening run on Batgirl (2000) deals with Cass experiencing human connections and human life outside of fighting, issue 37 onwards takes a hard turn into gendered experiences. For sure there's some problematic elements (Cass gets sexualised a LOT more), but Horrocks' run does explore Cass' view on gender and romance in an interesting way. I'll be focusing on issues 37 - 57, essentially Horrocks' run but including guest writers (Gabrych, for instance, is our starting point). By the way I'm not a gender studies expert so feel free to disagree with any of these readings.

Riot Girls

Issue #38 (written by Gabrych) opens with this Batman conversation, which sets up Horrocks' run perfectly. Cass has never experienced a close female friendship (Babs is more mother/daughter) until Stephanie. Yet Bruce strikes a nerve here: she's not like you, and she never will be. He tells Cass something she already suspects - there's something she lacks that Stephanie has. (Bruce is, ironically, trying to say that Stephanie's the one lacking, but that's not what Cass hears).

This leads into the iconic Steph-Cass conversation:

Steph reveals she's had a baby, and this is Cass' reaction. She realises how much she doesn't understand about her body, romance, and gender in general. Stephanie has "finally beat [her] at something." She has experienced 'girlhood' in ways Cass can only dream of.

At the end of the issue, Stephanie asks if Cass thinks "he's right" (referring to Bruce), and Cass says yes. By siding with the male perspective (Bruce, or the he), Cass falls out with Stephanie, losing her first female friend. The whole of Horrocks' run should be understood in the context of this issue, with Cass searching for an understanding of her gender/sexuality.

The Superboy Saga

When Babs takes her on vacation, she makes Cass put on a bikini. Cass ends up meeting Superboy, getting grossed out, and delivering this excellent speech. It's Cass' first proper encounter with the male gaze, and it's especially disquieting for her because a) she knows the power of vision and b) she's brushing up against sexism and systemic injustice, something she hasn't really experienced before. She's encountering a power that can't be defeated with fists, and she is struggling to understand it.

She eventually does kiss Conner, and decides to take a trip to Metropolis. The decision occurs after this panel. Cass' desire to be with Conner stems from her desire to understand these feelings of passion, to want/need and be wanted/needed by others. The top panel here is interesting, too; she sees sexism playing out with other people ("check me out, girls!" / "Jerk."). Her anguished expression indicates she's having trouble reconciling the harmful forms of passion (top panel) with the sweeter forms of love (bottom panel).

At the end of the Superboy saga, Cass learns to distinguish between her romantic and platonic feelings. This taking place after the fallout with Stephanie (who explicitly repudiated her friendship) makes this extra intriguing - Cass calls the creature they're fighting "lonely," clearly meant to show insight into herself. Without Steph, she felt 'lonely', thus sort of falling into this relationship with Conner. Conner, however, is unable to fulfil that loneliness. Which leads us to...

Bruce Wayne Strikes Again

I noted in my other post how Bruce is super disapproving of Cass' love life. While it's hilarious, it genuinely impacts Cass' ability to express her sexuality freely. Here, Bruce pits Cass' sexuality against Batgirl; he implies that these attempts to understand herself harm her vigilante career. The way Cass responds ("I want to. I need to") is strikingly similar to the passions panel ("I want you. I need you"). Instead of being directed to another person, Cass directs her passions to Batgirl as a career. She's sliding back into her early mindset where Batgirl was all she was.

Again, another contrast between her and Stephanie: Stephanie fought for recognition in the suit, but Cass has to fight for an identity outside of it.

The Tai'Darshan Tale

But the real motivator for Cass' sexual awakening is, of course, Tai'Darshan, the semi-racist-caricature metahuman terrorist from Tarakstan. He flirts with Cass constantly, and makes a lot of gendered references ("easy, girl," "I don't understand why a woman like you," he calls her "beautiful") (#39, #40). He is the first significant character to take an interest in Cass as a girl, and without his flirting Cass probably wouldn't have kissed Conner (she kisses him after fighting Tai'Darshan twice).

Tai'Darshan does a big tornado thing and Bruce, intent on not letting him kill, knocks him aside, killing him. I'm low-key mad about this plot point, but that's okay 'cause so is Cass! In an echo of the Steph-Cass situation above, Bruce entirely disapproves of Tai'Darshan, but Cass likes him. Unlike with Stephanie, however, Cass doesn't side with Bruce. Instead, she keeps her feelings "secret" from Batman. It's the start of their relationship fracturing, as well as the start of Cass prioritising her own feelings and self-development over Bruce's perception of her.

No Soul

After all of this boy drama Cass understands romance a bit better, but is still in the dark about her gender. When a woman tells her she has "no soul," Cass goes to Barbara, who tells her the following:

Barbara connects 'soul' with Batgirl and femininity. Cass believes her, putting on Barbara's old suit (which one panel associates with "girl power!") and heading into the streets. What's interesting is that to achieve girlhood, Cass discards her suit in favour of Barbara's. Once again, there's this belief she's not 'feminine enough'; she's not like other girls, and she never will be.

But the suit obviously doesn't match Cass' fighting style, and in the end Cass returns to her old one. We get this great speech from Babs:

Cass is asleep here, but I do think she's learning that there's no 'right way' to be a girl - that she doesn't have to be Stephanie or Conner's girlfriend or Batgirl or Barbara, but just Cass.

The Dick Debacle

Cass gets hit with a drug called 'Soul' and has these hallucinations. This mostly male group sexualises her, criticises her for being sexual, calls her ugly, calls her hot; Cass is visualising the overwhelming contradictory standards applied to women everywhere, a compression of all her experiences thus far. Even Babs has fallen victim to pushing Cass towards stereotypically feminine experiences, and Cass' anguish is not so much at these people but at the patriarchy she's finally beginning to understand.

Dick, in particular, seems to represent this anger:

Finding out Dick broke Babs' heart seems to be the final straw. Here, her hallucinations paint her rage as feminine; the devil repeatedly calls her "girl," and Soul is being peddled by an all-female group who were 'tired of being girlfriends'. Then Cass kicks Dick out a window.

The Dick incident represents a culmination of her negative gendered experiences, beginning from her fallout with Steph and ending with another one of her close female companions (Babs) being hurt by a man.

Fallout

In the final issue before War Games, Cass essentially loses both Barbara and Steph (after making up with her and seeing her as Robin). I just like the parallel between Cass looking at Barbara as she leaves, and Stephanie looking at Cass - in a way, this is the most 'like' Stephanie Cass ever gets.

There isn't really a satisfactory conclusion to the explorations of gender or sexuality in Horrocks' run, or even in Gabrych's after. I think there's a lot to explore and I hope whenever Cass gets her next solo they look into all this a little further!