#it really shows the progression of their relationship

[felassan]

More from Game Informer: ''A Deep Dive Into Dragon Age: The Veilguard’s Combat, Abilities, Skill Tree, And More''.

The article contained new screenshots of skill trees - one for Level 30 Warrior Rook, one for Level 30 Mage Rook, one for Level 30 Rogue Rook, and one showing the 'pop up info' for the skill Wall of Fire. Going by these screenshots, the 3 specs for mage Rook are Death Caller, Evoker, and Spellblade. I think this is the first time the three specs for mages are confirmed. I wonder, is "Thorne" this Rook's custom first name, or one of the faction-defined surnames?

Text in last image reads:

"- Large circle: Class - Diamonds: Abilities - Medium circle: Major Passives and Ability Upgrades - Small hexagon: Traits - Small circle: Minor Passives and Stat Boosts"

Other excerpts from the article:

"Every single entry reimagines what combat is like and I would say our goal was to make sure we had a system that allowed players to feel like they actually were able to step into the world of Thedas. They're not a player observing from afar – they are inside of this world. Being this authentic world that's brought to life, the combat system needs to support that, so you are in control of every single action, every block, every dodge, every swing of your sword." [...] "During my demo at one point, we use a sword-and-shield Warrior Qunari that hip-fires and aims their shield to throw it like Captain America while hammering down big damage with a sword" [...] "a Mage's firewall that deals continuous damage" [...] "This extends to companions, who, at your choosing, bring three abilities (of their five total) into combat, executed either with quick select buttons or the pause-and-play combat wheel. Every time you rank up a companion's Relationship Level, you unlock a skill point to spend specifically on that companion – this is how you unlock new combat abilities. This extends to companions, who, at your choosing, bring three abilities (of their five total) into combat, executed either with quick select buttons or the pause-and-play combat wheel. Every time you rank up a companion's Relationship Level, you unlock a skill point to spend specifically on that companion – this is how you unlock new combat abilities. " [...] "Passive abilities unlock jump attacks and guarantee critical hit opportunities, while abilities add moves like firewall and spartan kicks to your arsenal" [...] "Busche says BioWare's philosophy with the skill tree is "about changing the way you play, not the statistical minutiae." 

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"If you completely ignore companions in combat, they will attack targets, use abilities, and defeat enemies all on their own. "[Companions] are their own people, "Busche says. "They have their own behaviors, they have their own autonomy on the battlefield, they'll pick their own targets. As their plots progress, they'll learn how to use their abilities more competently, and it really feels like you're fighting alongside these realized characters in battle."" [...] "Busche says there are more explicit synergies, with intentional combos where specific companions can play off each other, and you can queue up their abilities to do just that."

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"Busche utilizes Veilguard's dual-loadout mechanic. As Rook, you can create two weapon loadouts for quick switch-ups mid-combat. As a mage Rook, she uses magical attacks to add three stacks of arcane build-up to make an Arcane Bomb on a Sentinel, a mechanical set of armor possessed by a demon. If you hit the Sentinel's Arcane Bomb with a heavy attack, the enemy will take devastating damage. Once the Sentinel has an Arcane Bomb on it, Busche begins charging a heavy attack on her magical staff, then switches to magical daggers in Rook's second loadout, accessed with a quick tap of down on the d-pad to unleash some quick light attacks, then back to the staff to finish charging its attack. She then unleashes the heavy attack, and the Arcane Bomb explodes in a liquidy whirl of green magic."

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""I've seen [Veilguard's combat] refined over time [and] I love it," BioWare general manager Gary McKay tells me. "I love that balance of real-time fluid action, but also the ability to have the depth in the RPG, not just in terms of pause-and-play, but the depth in terms of how you bring your companions into the battlefield. What are you going to do with their skill points? What's the loadout you're going to use? Everything is about bringing Rook to the center of the battlefield, and I love it."  Former Dragon Age executive producer and Veilguard consultant Mark Darrah feels Veilguard is the first game where the combat is legitimately fun. "What I see in Veilguard is a game that finally bridges the gap," he says. "Uncharitably, previous Dragon Age games got to the realm of 'combat wasn't too bad.' In this game, the combat's actually fun, but it does keep that thread that's always been there. You have the focus on Rook, on your character, but still have that control and character coming into the combat experience from the other people in your party."  I get the sense from watching Busche play several hours of Veilguard that BioWare has designed a combat system that relies heavily on players extracting what they want out of it. If you want to button mash and use abilities freely when their cooldowns expire, you can probably progress fine (although on the game's easier difficulties). But if you want to strategize your combos, take advantage of elemental vulnerabilities, and min-max companions and Rook loadouts, you can do that, too, and I think you'll find Veilguard rewards that with a more enriching experience."

[source]

[ask-whitepearl-and-steven]

You say it before that you won't write the story pass the original finale, I don't mind that you're doing that (your story your rules yk) but Im curious why since I honestly don't remember if you ever gave a reason for that choice

Love your comic btw being keeping up with it for years and Im honestly really impressed (and glad) that you keep up with it for this long. Also love how you write Rose btw really showed her justice and made her one of my favorites characters <3

The reason is pettiness. I'm petty.

90% of people who want me to write beyond the CYM plotline want me to do it because they want to see Spinel. That's what it's allll about. spinel. Where Spinel? When Spinel? Will Spinel be in the comic? I can't wait to see the movie plot happen with Spinel 🙃🙃🙃🙃🙃

And I just. Don't really want to do that.

I'm afraid that's the depth of my reasoning. I don't want to do it. I'm not interested. I don't have any fun ideas for how to flip that. COULd I force myself to write something if I was paid exuberant amounts of cash? Probably! But do I want to do it for free? No!

So it's not happening.

As for those that want to see the plot of Future...

It honestly just wouldn't work. A part of the conflict that happens in future will probably happen for WD!Steven earlier than that anyway. Plus, his progress with his self identity and his relationships with the gems and Connie is just inherently different, and it wouldn't serve Future stuff well. Or rather, it will have already happened.

[kinardsevan]

No but seriously have we discussed the smile in 710, post “god I hope so”? Not the actual smirk, but the way Tommy just kinda fades out of the cheeky smirk into that smile that gives SO much about where their relationship is at? Because Buck totally could’ve been like “okay no, this doesn’t work for me”, and Tommy clearly would’ve rolled with it. But the fact that he’s giving back what he’s being given in that scene, and then it progresses into just the tiniest hint of a real smile, which in my opinion speaks to their relationship.

We’ve already discussed the fact that this scene means they’re comfortable with each other, that they can engage both physically and emotionally without fear of repercussions. But there’s just something to me about how the way the smile changes is Tommy letting a wall down. Like he’s not just being playful with Evan, but he’s genuinely showing that he wants this kind of engagement with him; he wants the emotional connection that runs deep enough that he feels safe enough to show how their flirting actually makes him feel.

Idk man. There’s just something about that 2 second moment in particular that stands out to me. It does SO MUCH for the entire narrative. Really creates some solid building blocks towards the idea that this show is serving us these two not just dating to date, but that they’re falling for one another. Evan with his overnight bag, taking his dad’s support of the relationship in stride. Tommy letting Evan in beyond just the little bits of the real version of himself he gives to the outside world. Dare I say they’re actually falling in love with one another?

I apologize, but this entire relationship IS my Roman Empire.

[shortpplfedup]

We Are Episodes 9-12: They got me, they really got me

My heart has exploded. This show has ruined me. I'm crying on a Wednesday afternoon about a bunch of queer boys all actively doing their best by each other every day. This show is saying 'Your actions matter. Your intentions matter. Your words matter. IT ALL MATTERS.' Also, we unlocked everything about this show by learning two very important backstories: the story of Tan and Fang, and Phum and Fang's family history.

I think this block of eps has been the most explicitly romantic section of the show so far. Bookended by two of the now-requisite-for-Thai-BL change of scenery trips (and man that volunteer camp paid dividends), this was just a great, GREAT bit of Show. One of my favourite things about how the relationships are progressing in this show is that they are allowing these boys to have courtship. Yeah, they might be attracted to each other, like each other, even make out with each other, but there is a gap between 'I like you' and 'I want to be with you' that romance doesn't always explore. Stating your intentions and deliberately and actively wooing somebody still matters. In the West, and especially in the limited western romance we get, sometimes it feels like we've decided it is juvenile and/or old-fashioned, it is somehow uncool, to require declaration, to ask and receive an answer. We have cool-girled (non-gender-specific) our way into the age of the noncommittal extended situationship. This show allows all of these boys to have that bit of romance, to expect it, to require it, and to have that taken seriously.

Phum and Peem had a rocky start, so it makes sense that it would take time and effort for them to get to a place where Peem feels comfortable admitting his feelings for Phum, even if he has accepted them to himself (him letting Khluen down gently was such a nice touch), and cannot keep himself from showing them at every turn. A detail I love is that Phum continues to apologise for the way he treated Peem at the start. He so so sincerely regrets it all, in a believable way, and he does not take Peem's forgiveness as a given at all. Him declaring himself in front of all of their friends and going all out to woo Peem is part of that apology, along with his actual multiple, repeated 'I'm sorry's. And then him going STRAIGHT to Peem when he had that fight with his dad, and Peem dropping all the flirty games instantly because he knew something was wrong...BURY MEEEEEEEEEEE.

Tan finally told his friends the story of him and Fang and EVERYTHING about this show clicked into place with that information. Understanding how and when this all started for them explains not only their entire dynamic, but also draws direct lines from them to every other couple. The rocky start? That's Phum and Peem. Falling slowly over time? Q and Toey. Afraid to ruin the friendship? Totally where I see Chain and Pun landing. And then across this chunk we get to see the interiority of their relationship now, and the DEPTHS of their devotion to and understanding of each other. They truly, madly, deeply love each other, exactly for who they each are. Plus, enthusiastically mutually horny for each other, which is always fun to see.

Q and Toey spend some time here really talking through their history and their feelings, explaining their past actions to each other and laying to rest a lot of their fears and hurts from Q's sudden disappearance from Toey's life and Toey's sudden appearance in Q's. These two were working at cross-purposes and off incorrect assumptions for so long, them finally getting onto the same page thanks to their meddling-ass friends was just a giant exhale. And Q asking Toey to be his boyfriend in the way it all began, at the place it all began put me so very deep in my feels.

They are really letting the Chain/Pun thing build up in the background, in tiny moments and offhand comments, and every morsel we get of them feels like it matters. I'm sure that's part practicality given the reshoots, but Chain and Pun also feel like those friends in the group who turn up married one day when nobody knew they even liked each other. In my Hospital Playlist analogy for this show, they are Ik Jun and Song Hwa, down to Chain's loving indulgence of Pun's tuneless insistence on singing.

The non-romantic relationships in this show continue to be the cherry on the sundae. Q and Peem's friendship, Phum and Beer's friendship, Toey and Matt's friendship, the brotherly love between Fang and Phum, Pun and Mick's himbo bromance, how ride or die EVERYBODY is for Toey, how fully integrated Phum, Beer, Mick, Toey and Matt are into the crew now, the silly fun they have when all the gang's together...I'm so emotional about this. I will give New Siwaj that he has always understood that great romances need great friendships to support them. I haven't always liked how he has put those together narratively, or managed the tonal shifts involved, but this one is just working gangbusters for me.

Four more eps to go and I have gone from thinking 16 eps were too many to never wanting this show to leave me. At the same time, I'm aware that we're moving into the New Siwaj Red Zone (aka the final act), where things often fall apart with him. Still, I'm having such a good time so far I'm choosing optimism. Time to update my couple scores.

Q and Toey: 3.5/4 hearts

Their romantic arc is more or less winding down now I think, and they're moving into cupid role for Phum and Peem. I have so thoroughly enjoyed this journey and look forward to seeing how they work as a team in the final bit!

Phum and Peem: 3.5/4 hearts

These two are ruining me, I am giggling kicking my feet all week thinking about them. Peem saying the ocean was too far when Phum wanted to take him there to feel better, but taking Phum there without a second thought when Phum showed up shaken and sad...NO YOU'RE CRYING.

Tan and Fang: 4/4 hearts

They are the absolute heart of this show. Just rock solid, undeniable, unquestionable. Tan saying in ep 12 he wants to be Fang's safe zone AND his family? Fang shouting out his love? PLEASE CALL ME SINGLE MORE QUIETLY ABEG.

Pun and Chain: 3/4 hearts

There is no heterosexual or even queerplatonic explanation for these two, and so the candle in my window stays lit for them.

[lurkingshan]

Helloooo, Shan! This is a bit out of left field but it’s something I’ve been wondering for a while. BL has developed more as a genre and shown itself to be increasingly sociopolitically aware (whether or not it effectively engages with that awareness beyond marketing is another thing), do you have thoughts on any sort of progression of how women and girls have been portrayed? Or observations on the general state of women and girls in BL? It seems to me their roles have become meatier, not just one-dimensional femme fatales or fujoshi. Or am I projecting a false narrative of genre evolution? 🤔

Hey Megan, thanks for sending! I love an out of left field ask. And I agree with you, I do think there has been a clear evolution in the way women characters are portrayed in BL, and I have been making note of it where I see it.

It used to be that female characters in BL were mostly just there to be antagonists, either as villainous femme fatales trying to break up the couple (like Plern Pleng in TWM) or fujoshis inserting themselves into the main couple's relationship in really inappropriate and fetishizing ways (like Pang in Love Sick). Even the precious few decent women characters from early BL (like Manow from UWMA) are still really only there as side characters who provide support to the boys and/or a bit of comic relief. Women in early BL were either problematic or kind of an afterthought in the narrative.

But more recently there have been BL dramas featuring women who are more fully fleshed out and actually a crucial part of the story. This is not linear and consistent, of course--there are BLs airing as we speak, like Knock Knock Boys and Blue Boys, that are still relying on women as primary antagonists--but there has been some growth. Here are some of the characters I find particularly notable in regards to the role they play in the narrative:

Ae Ri, The Eighth Sense

Ae Ri was a notable character because the narrative set us up to think she was going to be a typical femme fatale. She seemed to like Ji Hyun and we were naturally inclined to assume she would be an obstacle to him pursuing Jae Won, until the show completely turned that on its head and made her a knowing ally instead. It was a delightful surprise and she remained an important support and get a grip friend for Ji Hyun throughout the story.

Nara, La Pluie

Nara is another in the category of the subverted femme fatale trope, but this show took that much further by writing her with so much empathy and making her a fully fleshed out character with her own arc and even the start of a new romance by the end. It is still the best treatment of an ex-girlfriend character I have ever seen in a BL.

Fujisaki/Pai, Cherry Magic

Speaking of trope subversion, let's give a shoutout to these two corrective takes on the fujoshi archetype. Each version of this story did it a bit differently, but the common thread was that Fujisaki and Pai only wanted the best for their friends, and kept a firm line on how much to interfere in their relationship. Fujisaki is gentle and kind, offering small encouragements and nice gestures. Pai is much more of an enthusiastic fangirl so I was a bit weary at the start of her story, but the show used her fannish interests as an opportunity to model respectful fan behavior and I was quite pleased in the end.

Yiwa, Wedding Plan

And of course, I have to mention the current title holder for best female character in a BL, Wedding Plan's Yiwa. She is not only a great character in terms of having a fully formed personality, clear motivations, and a great set of relationships, she is also the engine that drives the entire narrative. I am still kinda amazed she exists.

This is separate but related to the recent increase in GL content and GL side couples in BLs, which is also getting steadily better. And I want both! I want solid GL dramas where the girls own the narrative, and I want BLs to write women better when they choose to include them in the story. I'm encouraged by the progress we've already seen.

[thethiefandtheairbender]

I think it's really hard to go back to a lot of fanon or even canon ships in fandom spaces in a lot of ways after watching Infinity Train and how it handles relationship conflict, tbh.

The first is that they let characters have real issues with each other — actually unhealthy / toxic individual traits and subsequently unhealthy patterns with each other — even when those characters don't know anything is wrong! They think they're fine, fun, healthy, as a dynamic and as a person, the way most people do. And we see either the characters grow and change to have healthier relationships (Ryan and Min-Gi, Lake and Jesse) or spiral into worse versions of themselves until the point the relationship deteriorates (Grace and Simon).

The second thing is that in letting the characters be wrong, the show lets both characters, every time, be wrong. And how these characters are wrong are rarely on purpose! Grace doesn't mean to be controlling, Simon doesn't mean to be so dependent on her. He feels ultra betrayed when she finds out he lied (because she thought he'd murder a child if she didn't, and honestly she was 100% right) and her wanting to protect said child also doesn't automatically make how Grace handled Simon's responses 1) perfect, 2) well communicated, or 3) make her automatically a 'Good' person.

It would be so easy for Infinity Train to just go "one half has all the problems, the other just has to help them through it". That's what a lot of shippers and shipping can boil down to.

And that exact mindset is what's 'setup' multiple times as Lake thinks all she has to do is help Jesse as a passenger, not realizing that her being domineering and Jesse listening to her pretty constantly at first is because of her own issues with identity and agency and is precisely what got him onto the Train in the first place. Or with Ryan and Min-Gi, where the second Min-Gi thinks it's just Ryan's impatience and impulsivity and that he's better / 'more mature' that their progress entirely halts. Grace tries to reason with Simon repeatedly, but he's such a die hard believer in the cult they mutually formed that he refuses to listen to anything else, and lashes out when she stops acting the way he believes she should (ie. ways that keep her tied to him and their dynamic).

Because it takes two people for communication to live and die, it takes two people for patterns to form.

I feel like Infinity Train really opens up into why certain character relationships where a show tries to paint both of them as being in the wrong (*coughs* C*tradora) despite it very much being 99% all on one person's issues can feel so uneven, lacklustre, or underdeveloped bc they just weren't willing to lean in and commit to a Both Sides relationship arc, or the urge to have characters and their relationships be deeply sanitized to the point where the only conflict they have is because of external conflicts and issues that are 'wrapped up' in 1-2 episodes at all times.

Infinity Train goes "no one is meaning to be malicious most of the time, people are just messy and even someone you love deeply or have known all your life can be people you fall into unhealthy patterns with, and it's on both of you to work to get to a better place" and it's like yeah, because that's how real life works 90% of the time. It's refreshing to say the least

[fayeandknight]

Speaking as a professional dog trainer, I want to take a moment to talk about relationships with the human half.

I am really tired tonight and I received a lengthy email from a client that was essentially looking for validation of their efforts. Initially I was annoyed at the prospect of doing a lot of written hand holding. So I sat on answering it for a bit.

In that time I thought about my past self and some of the emails I sent when working with a trainer myself. They are so very cringe inducing now. Needy and desperate to hear that I was doing right by my dog. If that trainer was irritated with me, they never showed it. They always treated me with patience and kindness. And I honestly draw a lot of guidance from those interactions.

I want to give my clients the same reassurance and compassion that I was treated with. It's a cornerstone of my personal approach to dog training.

I did end up writing an equally long email back highlighting their hard work and dedication to their dog. I reaffirmed their progress and cheered them on for future successes. Because even when I'm tired and cranky, I want to give my clients, on either end of the leash, encouragement.

All learners deserve compassion and that absolutely includes the human half.

Anyway, happy training y'all and I hope you take time to be kind to yourself.

[immaturityofthomasastruc]

Honestly when it came down to the Chloe plot the show had a massive problem with telling and not showing, like actually show them trying and failing to help Chloe instead of having the class do nothing for multiple Seasons then claiming they tried

I've said this a lot, but while I understand that the other characters don't have to help Chloe change if they want to, the show keeps trying to run with the idea that they tried really hard but failed in the end.

The most they did was tell Chloe to be nice with Adrien being one of the few people to make actual progress in an episode before it was undone in a way that's supposed to be seen as a funny ending, but makes Adrien come across as lazy for not doing more after Chloe went back to her normal ways.

A character arc that has been talked to death is Zuko's from Avatar: The Last Airbender, but here's one of the things that made it work. Zuko had a mentor in the form of Uncle Iroh. He worked with Zuko to help temper his anger, and when Zuko screwed up, he was willing to call him out. It's what made Zuko's betrayal hurt so much, because he didn't just turn on the heroes, he turned on Iroh.

Nobody really forges that deep of a relationship with Chloe. You could argue Ladybug helped bring out goodness in her, but that relationship was always more one-sided than anything else before the betrayal.

[zweiginator]

all this boy bestfriend patrick content is so yummy. it’s like a fun little au

the drama…the tension…YUM i am eating it up

i have so many thoughts…like does reader get jealous too? when does patrick finally tell her? how does their relationship progress after that?

Patrick is open about his jealousy to anyone and everyone who will listen. He will go on dates with girls to try to take his mind off of the fact that you’re on a date of your own and he will talk about you … the entire time.

Patrick will strategically plan a date around yours, desperate to make you jealous. Your date is running late; you’re sitting alone at a booth when in comes Patrick and his new girl-of-the-week. She’s pretty and you’ve met her before—but something about her is pissing you off today.

And you sit up straighter to wave at him. Since when does he wear nicely pressed shirts and why is his hand on her lower back? But he pretends not to see you.

Patrick actually has a good time on the date; they’re laughing and he holds her hand under the table the whole time. Your date showed up twenty five minutes late and you didn’t really pay attention to him. You were busy counting the amount of times Patrick leaned forward to brush his date’s hair away from her face or feigned a laugh at a shitty joke she made.

The next time you and Patrick hang out you’re a complete brat. Giving him the silent treatment, facing away from him in the car in a way that is so deliberate that it’s pissing Patrick off.

“What the fuck did I do?” He asks you.

You shrug. “Why don’t you go to your girlfriend’s house? It’s rude to hang out with other girls when you’re taken.”

Patrick stifles a smile. “My girlfriend? Who would that be?”

“Don’t play stupid.”

“That girl I took to the Italian restaurant?” He asked, holding his hand out for you to give him a sour patch kid.

You gave him four of his least favorite flavor.

“So you knew I was there!” You shove him. “I knew it. Why did you ignore me?” Now your lip is wobbling and god, why are you acting like this and having a fucking temper tantrum? You were on a date too.

“Sweetheart,” Patrick says, mid chew. “We were both on dates.”

“But she’s not your girlfriend?” You ask. You sound so stupid and desperate.

“No. And he’s not your boyfriend?”

You shake your head, until you realize he’s busy looking at the road and he can’t see you. “No he’s not.”

“I’m supposed to go on another date with her tonight.” Patrick says it like a confession. And it’s scary for him to open up this can of worms. His heart is beating out of his chest but the way your eyes were watering, how big and glassy they are—it makes him think maybe he isn’t delusional anymore.

“Oh.” You say, softly.

“But maybe I should take you out.” You didn’t realize where you were, that the car had stopped. He took you to your middle school tennis courts. There was a tree by a picnic table where Patrick had etched your and his name into the bark inside of a heart, 11 years before. You had never seen this before.

“On a date?” You ask. Patrick rubs his thumb over your hand, nodding.

“Yeah, on a date. I’m going to be honest, if I see you go on another date with one of those douchebags that always asks you out you’re gonna have to bail me out of jail.”

You lean in to give him a kiss, but he closes his lips. “Oh, I’d never kiss a girl before taking her out. That’s rude.”

You slap his arm. “You’re a piece of shit.”

And the thing about Patrick is if you asked his former girlfriends and lovers about him they would say he’s annoying and self-centered and not very romantic. But he is for you. And he uses all of the restraint in his body to wait to fuck you. It’s not like you’re not begging him to. He lasts for three weeks and 5 days before he can’t take it anymore.

[noahsmuse]

close to you - noah x popstar!reader (hc’s)

moodboard inspired by headcannons located -> here !!!!!!! 🪩🎤✨

୨୧ it all started when you mentioned how Bad Omens was one of your favorite bands in a magazine interview and people went CRAZY. bad omens fans eventually found it and started sharing it around, so happy that they share a common interest with an artist they’re very familiar with.

୨୧ this takes noah a few days until he sees what you said as he isn’t on social media as much anymore, i feel like one of the guys would ask if he’s seen it and then they’d show it to him which is how he’d probably find out

-> he had known about you before just from listening one of your songs that has recently blown up and thought it was really good but didn’t think too much about it

୨୧ because you both share the same record label, at some type of party they were throwing is where you both met !!!!! i feel like noah would spot you out first and try to make some type of conversation with you since he remembered about how positively you talked about the band

-> the night ended with you walking out with noah’s number and ever since that night, there wasn’t a single day that went by without either of you having a conversation whether it was via text, call, or facetime. you both also ended up finding out that you had A LOT in common, by the ways you make music, the media you both consume and are really into

୨୧ as your relationship progresses over the phone, the opportunity finally shows itself since you both are on a break from touring, he decides that it’s a perfect time to ask you on a date !!!!

-> he picks you up with some of your favorite flowers in his hand that he had just bought earlier while thinking back to a random conversation you two had on the phone about flowers, opens the car and door for you, and ends up paying for both of the sweet treats & drinks you both order. he’s just such a gentleman and wants to impress you :(

୨୧ and while the date seems to be going well when the two of you end up leaving, your bombarded with flashing lights and cameras all in the both of your faces. noah tries his best to cover you both up the most he can while taking the lead back to his car

-> when he drops you off and walks you back to your house door is also when he officially asks you to be his girlfriend and obviously you accept ?!?!

୨୧ i definitely think that your relationship would be more of a “private but not secret” situation since you’re both in the spotlight with fans and paparazzi everywhere waiting to make a new headline about how perfect you both look for each other :)

-> also along with the “private but not secret” idea, people notice how you wear a lot of his hoodies and shirts in your off time along with some bad omens merch that you’ve either stole from him or that he’s gave you (people also see him wearing your merch & putting some of your songs into his spotify playlists as support for you)

୨୧ he’s VERY protective of you considering how much of a following you and him have combined so he always loves to hold your hand or waist just to make sure you’re safe at all times :)

୨୧ you’ve both definitely helped each other through the negatives about being in the music industry with things like writers blocks, burnouts, insecurities, and doubts throughout your careers

-> (since he’s so talented & amazing) he’d definitely help record, write, and engineer songs for your next album or maybe just for fun because he just loves spending time with you while doing something you both enjoy !

୨୧ he LOVES to come and support you during your performances wither it’s at a festival or during your own headliners !!!! fans usually notice him either sitting side stage or in the grassy areas around the pit where he’ll be watching you, sometimes they see him singing along to your songs and even taking photos & videos of you up on stage, he just loves watching you doing what you enjoy :)

-> and same thing for when you go to their concerts & festivals that bad omens is performing for ♡

୨୧ whenever the both of you start going down a flight of stairs or a hill, he’ll always run in front of you so he can hold your hand to “prevent you from falling” (when really this is just a way for him to hold your hand) because of how you’re usually always wearing shoes with a heel that could potentially harm you

୨୧ you two are like the people’s prince & princess !!! everyone loves you guys & the little “opposites attract” dynamic since you’re usually in brighter colors with sparkles while he’s wearing all black. interviewers are always asking about y’all’s relationship, the fans love you both and everything you guys do is iconic !!!!!!!

🪩 ☆⌒｡˚✧✨

a/n: again, thank you all for the support on my last few posts !!! if you have any requests for something you’d like to see me write, don’t hesitate to send it in ᵔᴗᵔ

[squiggle3worm]

what’s your favorite pjo ship? if you don’t have one, just dynamic in general.

My favorite ship is Percabeth (tho Solangelo is a close second). I really love the progression of their relationship in the og series.

Even in tlt and som there are small moments that show how much they care about each other as friends like Annabeth opening up for the first time in the animal transport truck or the siren scene where Percy learns more about her life desires.

But my favorite Percabeth moments are in botl. I love the scene in the Athena Cabin where Annabeth is crying in Percy's arms thinking that someone is going to die on the quest. The trust she has in him is unmatched like she trusts Percy to fight beside her and she can seek comfort from him. Later in the book at Mt. St. Helens, Annabeth thinks that Percy is going to die, so she kisses him. Percy interprets it as a good luck kiss but its meant as a goodbye but also as a confession. Annabeth wants Percy to know how she feels about him before he dies even if she can't get the words out. Botl showed just how much Annabeth cared about Percy just like ttc showed how much Percy cared about her.

Throughout the series Annabeth thinks that Percy is going to die when he turns 16 but she's still there for him and cares for him the entire time. She thinks she's going to have her heart broken but she doesn't care. Then in tlo, when she knows he's not going to die from the prophecy she makes her move immediately.

The slowburn works so well and it's so nice that Rick took the time to make us love the characters as their own before making them a couple.

HoO and cotg have some great Percabeth moments too but the slowburn of the og series will always be special to me.

Thank you for the ask <3 This was sm fun!

[hillerskaroyals]

good things come in threes

[im-totally-not-an-alien-2]

Halloween prompts year 2 day 27

Danny watched on as Nightwing- his literal soulmate- did an amazing backflip off of a roof, spinning several times in the air before landing gracefully on the top of another building. Nightwing was so graceful and in control of himself and his movements. Danny found himself wondering how Nightwing would move as a ghost.

Heck, how would he look as a ghost? Would he have white hair like Phantom or blue hair like Ember? Maybe green hair like Kitty and Youngblood, but Ghostwriters hair was still black as a ghost so maybe he'd be like that?

Shaking his head he moved to get up from where he had been leaning up against an old chimney, Nightwing having long since left. How should he go about this anyway? He can't just go up to a famous vigilante and be like, "Hi I'm your soulmate. Wanna go out with a complete stranger who has no way of proving anything that they're saying?"

And there was the real issue. If Nightwing asked how he had seen his soulmark Danny could just tell the truth: he had seen it in that nasty fight last week where hoards of ninjas had attacked them and tore up Nightwings suit enough to see it from his vantage point.

But if he asked about Dannys soul mark...well that was harder to explain.

His own soulmark used to be on his torso before he died but after he stepped out of the portal it was gone. As in there wasn't a trace of it anywhere. It was one of the reasons he never went anywhere without a shirt anymore because he knew someone would eventually notice its absence.

He could probably explain it as Phantom to make it more believable but he would have to get Nightwing to know Phantom more for him to trust him.

Which lead back to "how do I introduce myself to him without earning an electrified stick to the face?"

After a phone call with Jazz, where she basically gave him the long winded version of "Just be yourself! You were made for eachother after all." He decided that yeah! He can use his ghostly instincts to guide him! Whats the worst that could happen?

Cue Nightwing and the other bats in the batcave a week later, crowded around a table covered in pictures of captured villians and thugs. All of them were the same. All of them showed a subject laying on thier bellys hog tied, and in a cage with the words "horny jail" etched into it.

The only real connection that all of these lowlifes had was them making crude threats, creepy unsolicited advances, catcalling or otherwise being a creep towards Nightwing.

Conclusion: Nighting either has a fanboy following him around getting in over his head or he has a violent stalker staking a claim

Robin disagreed with his siblings. Clearly whoever is doing this is defending Graysons honor and Damian approves.

Danny thinks he's doing a good job in the "showing soulmate that you are capable of protecting him from weirdos" maybe he should get Nightwing an Anti-Creep Stick of his own...

[pandoratheprocrasticreator]

i havent followed the manga in several months and im not interested in catching up again but has bakugo un-died yet. has deku saved him yet with the power of gay love. or is he still getting open heart surgery. has this boy been getting open heart surgery for the past 8 months.

[dykedvonte]

thinking abt what you said with house viewing Benny as a son and I’m obsessed. Like. The man spent most of his life before the war presumably alone, and then after the bombs fell he was alone again, save for AI he himself devised. Then he decides to pull in some Tribes, and one kid shows promise! So sure, treat him well, train him, groom him to be his protege, then next thing you know UH OH he’s got developing paternal feelings towards this guy. Wanting some semblance of a family when the time has long since passed, yet fostering that feeling all the same seems so accurate for him. Benny meanwhile only views him as a boss, and not a particularly good one at that. makes me wonder how House must’ve felt when he found out about Bennys plans

I view it as House blames only himself for this, cause he kind of does in canon (strap in this is a long one).

When reflecting on the issue of Benny, House chastises himself first and foremost for not acting quickly enough when it comes to priming Benny. He describes Benny as being ambitious, ruthless and capable; compliments coming from a man like House. House has an ego and while he is logical enough to understand there was never any evidence Benny saw him as a father-figure, he lacks the humility to admit he let his own views on his relationship with Benny blind him to the activities happening behind the scenes.

I doubt that House was as aware as he makes out about what Benny was doing, he knew early on but certainly not early enough to stop Benny from hacking and obtaining a securitron along with getting the chip in the first place. I take it he was distracted by all the possibilities he was calculating of Vegas' success and growth with him steering and Benny as the new figure head, not because of any normal affection for Benny but the admiration of his capabilities. It's to be noted that House believed menial incentives (likely caps, booze, basic needs, etc..) were enough to keep Benny tame like the other Chairmen but, as evidenced by the Omertas and Mortimer in the WGS, this is not enough when it comes to more driven Vegas citizens. This implies he still undervalued Benny and created a space in which Benny felt the need to rebel.

House in my eyes is not sentimental in the traditional sense. I can imagine his pride was severely scorned as someone he certainly deemed dumber than him was, albeit only for a little, able to out-gambit him. It would definitely hit home seeing how his brother also betrayed him but I feel like that's why he's so apathetic when he tells the Courier to do as they see fit with Benny. I doubt the way he terrorized his brother brought him any emotional satisfaction other than a "Now who's in charge!" ego boost. Putting that same emotional intensity towards Benny isn't worth it because who does it benefit? Wasted time, wasted planning, and most importantly wasted potential are all he gets from continuing to be hands-on with Benny. I say the closest example is not being able to throw out old toys due to the memories attached but knowing it's necessary as they are broken or just taking up space for new ones, and then asking someone else to do it so you don't need to get caught up in the feelings of throwing something you put so much effort into. It's not Benny House cares about in my mind, not in a way that sounds healthy to any non-emotionally constipated individual, but what he could've represented for him, which is why he so quickly offers the same position to the Courier.

As for Benny's view on all of this, it was a long time coming. Benny didn't and doesn't believe House is a completely shitty boss. He admires what he's been shown and admits House knows how to run the strip, but disagrees with the directions. Ideologically, House is an anarcho-capitalist while Benny is just an anarchist. House wants to run the strip to profit, though money is not what he's concerned with being rich with anymore. Benny wants a free state that he wishes to become a place for the people, except for the Chairmen who would be on top (I like to remind people that Benny's motives were selfish but not for personal gain/power as was it for the people he actually saw as family). Benny was never looking for a father but a future. He was not interested in being adopted, or having the chairmen adopted, as bigger names still overshadowed in House's legacy.

Truly, it's easiest to summarize as House feeling strongly and thinking positively enough of Benny to start incorporating him into the future of Vegas (a huge honor actually) while Benny was so disillusioned by House's ego and indifference that he thought the only way Vegas could be the future is with House gone.

[grinchwrapsupreme]

being super normal about White calling Billy "a dreamer"after the events of Maybe No Go