#job related websites

[textfromthelookout]

Did you hear of the news?

I have. :(

Everyone else has their tributes so, here, a summary of my experience with Dragon Ball.

I was in fourth grade art class. A kid had the February 2005 issue of Shonen Jump, back when Shonen Jump was still physically printed here. I recognized Atem on the front cover because the Blockbuster around the corner from our house had DVDs (I think they were DVDs and not VHSs then since I distinctly remember it having a menu and special features) of some of the later episodes of Duelist Kingdom and my brother and I watched them on repeat. So I was like oh, hey, what's this? They make books of that stuff? I don't remember the conversation but the kid ended up giving me that issue, and I took it home with me.

There were a LOT of significant, groundwork things happening in that issue, now that I think about it. We were just beginning to see Sanji truly in action against Pearl. The Dark Tournament was in it's early stages still with Roto fucking around and finding out against Kurama. Sakura shears off her hair in a move that rearranged sexualities the world over. The reason Atem was on the cover was because Yu-Gi-Oh Millennium World was just debuting its first and second chapter. Bleach wasn't even serialized yet. And Dragon Ball, of course, was also there, about a hundred and fifty chapters ahead of everybody else.

Keep in mind that this was my first experience with manga, period. So my very first experience with Dragon Ball opened on this:

and ended on this:

Yeah. Truth be told, at the time Yu Yu Hakusho piqued my interest more than Dragon Ball (a guy fighting with plants? how creative!) but I never did forget these chapters. I thought the art style was so different from the others.

At some point after this, probably between several months and a year and a half, the TV happened to be on one evening when Toonami was airing Dragon Ball Z. Oh hey, I said, I recognize that art, I know those characters. So I hung around and watched some of episode 281. Two things about watching that episode stick with absolute crystal clarity in my mind to this day. Firstly: Buu choking Vegeta out with his arm freaked me the FUCK out as a child. I could not tell you why I had a fear reaction to it but hey, there you go. The second is this:

Specifically I remember 'You died once. If anything happens to you now, you won't exist anymore. There'll be nothing I can do to bring you back.' Not precisely word for word over the years, but Schemmel's tone of voice on this particular lineread. If I had to guess I'd say it was because at that point in my life, uh, death was kinda permanent? So wait, what do you mean died ONCE. Doesn't that apply to everyone?

This still wasn't enough to get me super invested in it though, it just didn't seem like something that would appeal to me that much. So a couple years go by, I don't think about it all that much, and then of course, TFS hits the scene and drops DBZ Abridged. So you know. As a shithead middle schooler with a shithead sense of humor I thought it was the best damn thing since sliced bread. (My biggest character flaw is that I still think a lot of Season 1 is genuinely funny)

And that was really the extent of my interaction with the franchise for the next several years. Say what you will about DBZA but they did manage to put it all together such that someone who had a nonexistent concept of what the original context was could grok it with not a lot of effort. Some time in high school, I think I was around 15, I decided to bite the bullet and read all the manga, as much to increase the funny factor of DBZA as sheerly for the sake of being able to say I had. Stick it to the other weebs, y'know. Now they can't say I didn't know anything about good anime. This was unfortunately at a time when all that was available online were dirty poor-quality scans and questionable translations, but read it I did. I went 'yep, that sure is about what I expected', and proceeded to get on with my life. GT came and went, I looked up and saw Battle of Gods coming out and went 'oh hey that's still a thing huh', kinda was peripherally aware of all the divisiveness of Super as it was happening, didn't really pay it much attention, just stuck to DBZA and quite a lot of wiki-ing.

And then, this time of year about three years ago now, in the middle of conversation with @prophecydungeon, Dragon Ball somehow came up. Something to do with 'Even though I'm not hugely into DBZ's story or whatever Toriyama does have some great character designs' (yes I was referring to Vegeta and Future Trunks at the time, no i will not stop being predictable, yes i am a parody of myself). They eventually brought up the DBS Broly movie and said, and i quote: 'that was a solid 1.5h of unbelievably fun and wacky animation'. Having seen the Gogeta vs Broly part of it on twitter and been like 'damn that animation's kinda off the hook actually, good for them good for them', my response was to be like. Oh word? I've got a spare hour and a half to kill, sure, fuck it, why not, time to watch DBS Broly.

I think that movie was precision crafted to hit me in the hyperfixation, if we're being honest. Opening on a solid 20 minutes of Lore and Worldbuilding and then having most of the rest of the runtime being mindless slobberknocker fun by way of some of the hardest animation flexes ever? I was done for.

In summation. I have been aware of Dragon Ball for a lot of my life, in that its presence was pervasive and enduring as I grew up. I may have been late to the game of actually wholeheartedly enjoying it, but enjoy it I do. Dragon Ball is the roots of a vast tree of anime, and in reading it I began to understand why that is. I respect it for that, and I love it for that. My current fixation may have shifted, but as far as time devoted to one individual thing goes... it took me a year and a half to watch my way through all of the anime and read all of the manga. ALL of it. So there's something good in there, I'd say.

[odlaw]

need more job places to just be like "hiii we got your email/application/whatever thanks" so i can delude myself into believing they at least opened it.

[pinesepia]

I am so sorry that half of the comments and reblogs on your clankie art are from an angry homophobe

Dude that was so funny this mf @brodasmontoy spent a whole hour whining and pissing their pants about a picture i drew of some dolls i can see the timestamps of every reply and reblog 😭😭😭

[linguenuvolose]

Why am I getting emails from my old job the week after I stopped working there?

[elsjobproject]

....

That better not be his actual name!

[giftedpoison]

I think the worst thing about dipping into the live entertainment industry after dreaming of it for years and only just now figuring out how and in what field.

Is the waiting around. Like I just finished my first ever gig. And my next gig runs August - October. So between my last gig and that one I'm just bouncing off the walls like please this is all I want to let me touch it again!!

And I can't fill time with other gigs because those gigs are all gonna interfere with my next gig so I'm just sitting here frothing at the mouth. (it literally ended up meaning I volunteered to be a runner at my local pride fest later this month. Which isn't what I want to do per say but its something to do that's like adjacent.)

I am mentally compiling leads for jobs after the next gig, but no ones hiring for end of year stuff yet. So it's just a list of companies I want to check back on later and pray I find a job that they'll hire me for.

[ohcorny]

In your view/experience. is the rate of "incompleteness" among webcomics more or less the nature of online personal projects as a whole? Or is there something specific to webcomics like laboriousness, audience expectations, relative medium infancy or whatnot?

well for one thing webcomics has changed significantly in the last ten years. it used to have a much lower barrier for entry, just get a smackjeeves account or set up a website with a wordpress plugin. starting a webcomic when i started my webcomic vs starting a webcomic now are totally different experiences.

so i can only speak to people who started their webcomics roughly ten years ago. and roughly ten years ago a lot of us were a whole lot younger with a lot more time and energy to spend on a comic for free. this part is probably still somewhat true for new artists.

but then you get older. your ideas change. your skill develops and the old stuff isn't as good. or you don't have as much time, you got a day job. unless you're one of like five people on earth your webcomic is not paying your rent. you need to make money. your shoulder hurts. you're 30 now. you're struggling to make updates on time between whatever else makes you happy and what else you need to do to live. you wrote this story when you were 21, you don't relate to it anymore, you have different ideas, you've grown up, your audience has noticeably dropped off from the peak, social media managing is hard, you have to go to work, you're so tired, all the time.

it's a lot of things.

[demisexualnathanvuornos]

Canon Aces 250/?: Maël Le Gall (Miguel Vander Linden) Skam France 12x1 The First Time (2023)

[latestform]

https://www.latestform.org/

[waugh-bao]

[hypertextdog]

YOU -- mm i want a fat man on me gaystyle but with clothes on

FURRY INCLINATION [Medium: Success] -- Any *animalline traits* to him, two-legs?

SENSATION -- That would do nicely, texturally speaking...

YOU -- not for now, but i'll keep that in mind.

POSTER'S GAMBIT [Easy: Success] -- Yes. YES. It's the perfect emotion. Everyone wants -- even if not that. So generalize, blogsman. Ambiguate. With this, you can finally build your *viral empire.*

BROAD APPEAL [Hard: Success] -- With your crowd: three faves, and a flirtatious re-blog from some fur-fag. Eight if the bitcoinette or the not-lycanthrope touches it...

POSTER'S GAMBIT -- Try again. We're *this* close to another "you have to let 'denny's parking lot at 3am' go."

YOU -- mm i want big men on me gaystyle #gay #mlm #lgbt #asexual

SENSATION [Medium: Success] -- But it's not about "big" -- "big" alone is nothing. Non descript. You crave *plasticity* -- you want to feel him pushing through, between your fingers...

FURRY INCLINATION -- Oh, yes. Sounds *sonft,* two-legs.

SENSATION -- *Really* sonft. If we must say it that way. And so *heavy* on our supine body, too. I almost wonder if we could...

New task: Administer the *auto-hand-job.*

SENSATION -- Yeah.

POSTER'S GAMBIT -- NEVER MIND THEM. Never mind any of that. You're almost there. Keep going, blogsman. *Earn* the U.R.L.

BROAD APPEAL [Hard: Success] -- Thirteen faves, four reblogs. None flirtatious -- none you think.

YOU -- what's missing?

BROAD APPEAL -- What do you think?

YOU [Impossible: Success] -- the *sapphic* factor.

BROAD APPEAL -- Exactly right. I *told* you I'm named this way for a reason...

HIGH SCHOOL G.S.A. -- Do it for Erin. And Michaela. I wonder if they're still...

BROAD INTUITION [Medium: Success] -- They're not.

YOU -- mm i want big men or women on me #lgbt #ambiguously queer

HIGH SCHOOL G.S.A. -- Ah-ah-ah.

BROAD APPEAL -- And about that word "big" ... you know what has to happen.

YOU -- but that's the core of it to me, kind of.

POSTER'S GAMBIT [Easy: Success] -- And to the fur-fag sector.

BROAD APPEAL -- A sector is nothing. We want the *website* in our hands. Even the proponents of Astarion, and the proprietors of "best girls"...

YOU -- Yuck.

BROAD APPEAL -- I know. But they're the only way.

VANITY [Easy: Failure] -- God, we'll be on *Ellen.*

BROAD APPEAL -- Enough of that. She's out.

YOU [Impossible: Success] -- mm i want anything at all #lgbt #ambiguously queer #asexual

POSTER'S GAMBIT -- STOP THERE. YOU'VE FOUND IT, BLOGSMAN. QUICKLY -- BEFORE WE BOTH FORGET -- TYPE IT UP AND POST.

BROAD APPEAL -- The known numbers don't go high enough. You've found a ticket out of here -- out of *Massachusetts.*

SHIVERS -- IN 2027, A METEOR THE SIZE OF A KLEAN KANTEEN WILL LAND IN THE CENTER OF ROXBURY AND LEVEL BOSTON WITH ITS ZETTA-JOULES OF IMPACT ENERGY. TOO SMALL AND TOO QUICK FOR EVEN M.I.T.'S OBSERVATORY-BOYS TO DETECT.

POSTER'S GAMBIT -- More important things than that are happening -- and sooner, too. Type it up, blogsman. This is the easy part...

YOU -- You type: "mm i want anything at all #lgbt #ambiguously queer #asexual."

SENSATION [Hard: Success] -- Stop. Go back. It's dishonest.

BROAD APPEAL -- This was never about you -- you were only ever the basis on which *this* could be constructed. If that...

POSTER'S GAMBIT -- Post it, blogsman. Make the world relate to you.

YOU -- You hit: "post."

YOU -- The progress bar reaches -- reaches -- completes. A green light indicates success.

POSTER'S GAMBIT -- YES. YES... Oh, I suppose we should have waited for *optimum posting hours.* It doesn't matter now. It's done -- and the onslaught faves will begin rolling in catastrophically in three... two...

POSTER'S GAMBIT -- In three... two...

Thought gained: Any day now...

POSTER'S GAMBIT -- Don't worry, blogsman. Just keep checking your phone -- the *wi-fi* here is *bunk,* anyway.

VANITY -- And once it does -- Ellen.

[directactionforhope]

"Starting this month [June 2024], thousands of young people will begin doing climate-related work around the West as part of a new service-based federal jobs program, the American Climate Corps, or ACC. The jobs they do will vary, from wildland firefighters and “lawn busters” to urban farm fellows and traditional ecological knowledge stewards. Some will work on food security or energy conservation in cities, while others will tackle invasive species and stream restoration on public land. 

The Climate Corps was modeled on Franklin D. Roosevelt’s Civilian Conservation Corps, with the goal of eventually creating tens of thousands of jobs while simultaneously addressing the impacts of climate change. 

Applications were released on Earth Day, and Maggie Thomas, President Joe Biden’s special assistant on climate, told High Country News that the program’s website has already had hundreds of thousands of views. Since its launch, nearly 250 jobs across the West have been posted, accounting for more than half of all the listed ACC positions. 

“Obviously, the West is facing tremendous impacts of climate change,” Thomas said. “It’s changing faster than many other parts of the country. If you look at wildfire, if you look at extreme heat, there are so many impacts. I think that there’s a huge role for the American Climate Corps to be tackling those crises.”  

Most of the current positions are staffed through state or nonprofit entities, such as the Montana Conservation Corps or Great Basin Institute, many of which work in partnership with federal agencies that manage public lands across the West. In New Mexico, for example, members of Conservation Legacy’s Ecological Monitoring Crew will help the Bureau of Land Management collect soil and vegetation data. In Oregon, young people will join the U.S. Department of Agriculture, working in firefighting, fuel reduction and timber management in national forests. 

New jobs are being added regularly. Deadlines for summer positions have largely passed, but new postings for hundreds more positions are due later this year or on a rolling basis, such as the Working Lands Program, which is focused on “climate-smart agriculture.”  ...

On the ACC website, applicants can sort jobs by state, work environment and focus area, such as “Indigenous knowledge reclamation” or “food waste reduction.” Job descriptions include an hourly pay equivalent — some corps jobs pay weekly or term-based stipends instead of an hourly wage — and benefits. The site is fairly user-friendly, in part owing to suggestions made by the young people who participated in the ACC listening sessions earlier this year...

The sessions helped determine other priorities as well, Thomas said, including creating good-paying jobs that could lead to long-term careers, as well as alignment with the president’s Justice40 initiative, which mandates that at least 40% of federal climate funds must go to marginalized communities that are disproportionately impacted by climate change and pollution. 

High Country News found that 30% of jobs listed across the West have explicit justice and equity language, from affordable housing in low-income communities to Indigenous knowledge and cultural reclamation for Native youth...

While the administration aims for all positions to pay at least $15 an hour, the lowest-paid position in the West is currently listed at $11 an hour. Benefits also vary widely, though most include an education benefit, and, in some cases, health care, child care and housing. 

All corps members will have access to pre-apprenticeship curriculum through the North America’s Building Trades Union. Matthew Mayers, director of the Green Workers Alliance, called this an important step for young people who want to pursue union jobs in renewable energy. Some members will also be eligible for the federal pathways program, which was recently expanded to increase opportunities for permanent positions in the federal government...

 “To think that there will be young people in every community across the country working on climate solutions and really being equipped with the tools they need to succeed in the workforce of the future,” Thomas said, “to me, that is going to be an incredible thing to see.”"

-via High Country News, June 6, 2024

--

Note: You can browse Climate Corps job postings here, on the Climate Corps website. There are currently 314 jobs posted at time of writing!

Also, it says the goal is to pay at least $15 an hour for all jobs (not 100% meeting that goal rn), but lots of postings pay higher than that, including some over $20/hour!!

[reasonsforhope]

"Nouabalé-Ndoki National Park in Brazzaville, Republic of Congo has a lot to celebrate.

The park, which celebrated its 30th anniversary on December 31 of 2023, also shared an exciting conservation milestone: 2023 was the first year without any elephant poaching detected.

“We didn’t detect any elephants killed in the Park this year, a first for the Park since [we] began collecting data. This success comes after nearly a decade of concerted efforts to protect forest elephants from armed poaching in the Park,” Ben Evans, the Park’s management unit director, said in a press release.

Nouabalé-Ndoki National Park was developed by the government of Congo in 1993 to maintain biodiversity conservation in the region, and since 2014, has been cared for through a public-private partnership between Congo’s Ministry of Forest Economy and the Wildlife Conservation Society.

Pictured: Nouabalé-Ndoki National Park. Photo courtesy of Scott Ramsay/Wildlife Conservation Society

Evans credits the ongoing collaboration with this milestone, as the MEF and WCS have helped address escalating threats to wildlife in the region. 

This specifically includes investments in the ranger force, which has increased training and self-defense capabilities, making the force more effective in upholding the law — and the rights of humans and animals.

“Thanks to the strengthening of our anti-poaching teams and new communication technologies, we have been able to reduce poaching considerably,” Max Mviri, a park warden for the Congolese government, said in a video for the Park’s anniversary. 

“Today, we have more than 90 eco-guards, all of whom have received extensive training and undergo refresher courses,” Mviri continued. “What makes a difference is that 90% of our eco-guards come from villages close to the Park. This gives them extra motivation, as they are protecting their forest.”

As other threats such as logging and road infrastructure development impact the area’s wildlife, the Park’s partnerships with local communities and Indigenous populations in the neighboring villages of Bomassa and Makao are increasingly vital.

“We’ve seen great changes, great progress. We’ve seen the abundance of elephants, large mammals in the village,” Gabriel Mobolambi, chief of Bomassa village, said in the same video. “And also on our side, we benefit from conservation.”

Coinciding with the Park’s anniversary is the roll-out of a tourism-focused website, aiming to generate 15% of its revenue from visitors, which contributes significantly to the local economy...

Nouabalé-Ndoki also recently became the world’s first certified Gorilla Friendly National Park, ensuring best practices are in place for all gorilla-related operations, from tourism to research.

But gorillas and elephants — of which there are over 2,000 and 3,000, respectively — aren’t the only species visitors can admire in the 4,334-square-kilometer protected area.

The Park is also home to large populations of mammals such as chimpanzees and bongos, as well as a diverse range of reptiles, birds, and insects. For the flora fans, Nouabalé-Ndoki also boasts a century-old mahogany tree, and a massive forest of large-diameter trees.

Beyond the beauty of the Park, these tourism opportunities pave the way for major developments for local communities.

“The Park has created long-term jobs, which are rare in the region, and has brought substantial benefits to neighboring communities. Tourism is also emerging as a promising avenue for economic growth,” Mobolambi, the chief of Bomassa village, said in a press release.

The Park and its partners also work to provide education, health centers, agricultural opportunities, and access to clean water, as well, helping to create a safe environment for the people who share the land with these protected animals. 

In fact, the Makao and Bomassa health centers receive up to 250 patients a month, and Nouabalé-Ndoki provides continuous access to primary education for nearly 300 students in neighboring villages. 

It is this intersectional approach that maintains a mutual respect between humans and wildlife and encourages the investment in conservation programs, which lead to successes like 2023’s poaching-free milestone...

Evans, of the Park’s management, added in the anniversary video: “Thanks to the trust that has been built up between all those involved in conservation, we know that Nouabalé-Ndoki will remain a crucial refuge for wildlife for the generations to come.”"

-via Good Good Good, February 15, 2024

[renthony]

On "Consuming Content"

Every now and then a post crosses my feed that follows the vein of, "you have to do things other than consume media or else you'll be a dumb person who doesn't know anything about how the real world works and does nothing but pointless fandom stuff."

I hate those posts for three major reasons, not counting the inherent ableism and classism of "you must have approved Smart People hobbies or else you're worthless" rhetoric:

You don't know what people do or talk about outside of what you see on their social media. Responding to fandom communities on a fandom-driven website as if all these people are one-note cardboard cutouts of people is asinine. In many cases this genre of post feels like repackaged 2012 tumblr "not like other girls" and hipster discourse. Yes, yes, you think you're better than everyone else on this website because your hobbies are less mainstream, more morally pure, and have greater intellectual merit, we get it.

What do you even mean by consuming content? As someone who purposely avoids using the phrase "consuming content" because I find the term too vague to be useful, please be more specific. Are you including every single form of media engagement and art enjoyment? Are you just talking about mainstream TV and film? What about novels? Plays and scripts? Nonfiction books and instruction manuals? Do you mean to imply that going to a book club is a worthless non-hobby? Are you including academic reading? Are you including going to the art museum? Going to the theatre, concerts, or other performances? Taped liveshows? Watching sports events on TV? Are you including news media? Are you including YouTube tutorials about how to do various tasks, crafts, or other hobbies? Are you including trade magazines? Are you including industry publications in various fields? What constitutes "content," and what constitutes "consuming" in this discourse? Define it. "Consuming content" is a nothing phrase that people use to mean multiple different things depending on what they, personally, judge as valid media. It's a buzzword at best, and when the same buzzword can be used to describe both "idly scrolling social media" and "reading and discussing a book," it's a meaningless phrase.

As an artist and author, if engaging with media is bad and worthless, am I supposed to conclude that making it is equally worthless? If "consuming content" is a bad, lazy, worthless, fake hobby, what makes creating art a worthwhile pursuit? If I am constantly being told as an artist that engaging with media isn't a worthwhile pursuit in its own right, and the people who want to engage with my art are just brainless fandom losers, what incentive do I have to make that art anymore? Furthermore, to everyone reading this paragraph and thinking, "that's not what content creation is," I refer you to bullet #2: If the phrase "make content" can be used to mean "low-effort posts made to advertise cheap and useless products" as well as "being a novelist" or "getting a gig as a writer on a TV show," it's a meaningless phrase.

None of that is even getting into issues such as the way influencers are preyed on by both brands and targeted harassment from trolls. Influencer culture has major issues, but boiling those issues down to "stupid vapid young people who are too lazy to make real art or get real jobs" (which is a mindset I see frequently online) is unhelpful. So many people pursue influencer deals because they're living in poverty but are skilled at various social media and advertising related tasks, and just like any worker, they're being exploited because they need to eat. Labor rights for influencers are a huge topic that entertainment industry unions have been actively discussing and working toward. (Related links for further info: [x] [x] [x] [x])

"Consuming content is not a hobby" is a worthless statement unless you define what you mean by both "consuming" and "content." Quite frankly, you also need to define "hobby," because if you're putting requirements on what is and isn't allowed to be a "real" hobby, you mostly just seem like you're moving goalposts and defining "worthwhile hobby" as "hobby I, personally, think is good." Use more specific language to articulate your actual problems with the entertainment industry, the art world, influencer culture, or whatever else you're actually upset by.

Media and fandom can involve any number of enriching, satisfying hobbies that take up a perfectly acceptable and healthy space in someone's life. If you aren't into it, go find hobbies you do like and stop policing how other people spend their precious free time in this nightmare hellscape of a world.

[genderqueerdykes]

after this website decided to attempt to ban porn and ns fw content, it's honestly become a nightmare to navigate as an asexual person w/ sexual trauma. because next to no one uses the mature filter, or tags things as ns fw or even ns ft for fear of having their content or blogs taken down, it means that tumblr has returned to the wild west of random porn flooding your dashboard with next to nothing you can do about attempting to filter it out again

it's not great for a lot of people in general, even outside of asexuality; people with jobs who browse tumblr in their down time, people who have or work with kids, people who spend a lot of time in public, people who are often at religious establishments or events, children and teenagers- there are load of children who lie about their birth date in order to sign up for just about any website ever, the amount of minors are on here is staggering. this is not good many people in general.

as an asexual person with a long history of sexual trauma, i struggle to navigate my dashboard or even certain tags right now. even the act of tagging certain posts will have tumblr suggest 'related' tags that are nsf w even if you are tagging things something simple like "ftm" or "enby" or "butch lesbian". it's great that other people are flourishing and embracing their sexuality, but it comes at the cost of making this website very difficult to browse for asexual people and people with sexual trauma

my heart goes out to the rest of you who are absolutely exhausted and triggered by this. again it's wonderful for the people who enjoy it, but because of how strict the tagging and filtering systems are on this website and how easy it is to get your entire blog deleted just by having a single thing flagged as mature, this website has gotten significantly worse at actually filtering the content they set out to remove in the first place.

[theambitiouswoman]

How To Network 🤝📱💬

Have a Plan: Because everyone is important, it's really important to know what you're good at. Before you go to any networking event, figure out what you're good at – like things you can do well, what you know, and the people you know. Plan what you want to talk about, especially how you can help others, either now or later on.

Start with Who You Know: Talk to people you already know, like friends and colleagues. Ask if they can introduce you to others.

Go to Events: Attend conferences, seminars, workshops, industry meetups, and social gatherings related to your field of interest.

Use Social Media: Make profiles on websites like LinkedIn or Instagram to meet people in your niche online.

Elevator Pitch: Create a concise and engaging intro that highlights who you are, what you do, and what you're seeking. This way you can make a strong first impression.

Ask Good Questions: When you talk to someone, ask questions that show you're interested in what they're saying.

Provide Value: Networking is a two-way street. Offer your expertise, assistance, or connections to others whenever possible. When you start paying attention to what people can do, you might see that one person could help another person. Try to introduce people who you think have something valuable to share. When you make these good connections, you're helping the networking event go well. This will help you establish a good reputation and create strong relationships.

Say Thank You: After meeting, send a message to say you enjoyed the talk.

Follow up & Follow Through: If you said you would talk to someone later, make sure you actually do it and let them know you're still happy to help. If you promised to introduce one person to another, take a moment to make that introduction.These small things really matter to people, and just one introduction could make someone's life better.

Meet Different People: Don't just talk to the same kind of people. Meet people from different jobs and places.

Never dismiss anyone as unimportant: Don't think someone is not important just because of their job title. They could know important things or have helpful friends you wouldn't know about if you didn't give them a chance.

Join Groups: Be part of clubs or groups related to your work. You can meet more people there.

Be Yourself: Just be you. Don't pretend to be someone else.

Learn New Things: Keep learning about your interests. It helps you have better conversations.