#just so thankful this is happening

[mod2amaryllis]

cat fight cat fight cat fight

[unforth]

Gentle reminder that very little fandom labor is automated, because I think people forget that a lot.

That blog with a tagging system you love? A person curates those tags by hand.

That rec blog with a great organization scheme and pretty graphics? Someone designed and implemented that organization scheme and made those graphics.

That network that posts a cool variety of stuff? People track down all that variety and queue it by hand, and other people made all the individual pieces.

That post with umpteen links to helpful resources, and information about them? Someone gathered those links, researched the sources, wrote up the information about them.

That graphic about fandom statistics? Someone compiled those statistics, analyzed them, organized them, figured out a useful way to convey the information to others, and made the post.

That event that you think looks neat? Someone wrote the rules, created the blogs and Discords, designed the graphics, did their best to promo the event so it'd succeed.

None of this was done automatically. None of it just appears whole out of the internet ether.

I think everyone realizes that fic writing and fanart creation are work, and at least some folks have got it through their heads that gif creation and graphics and moodboards take effort, and meta is usually respected for the effort that goes into it, at least as far as I've seen, but I feel like a lot of people don't really get how much labor goes into curation, too.

If people are creating resources, curating content, organizing the creations of others, gathering information, and doing other fandom activities that aren't necessarily the direct action of creation, they're doing a lot of fandom labor, and it's often largely unrecognized.

Celebrate fan work!

To folks doing this kind of labor: I see you, and I thank you. You are the backbones of our fandoms and I love you.

[valeriapryanikova]

This season, on Hermitcraft...

(speedpaint)

[wispscribbles]

I love your ghost design. I wanna squeeze him :⁠^⁠)

If no hug then why hug-shaped???

[bowenoke]

[aunmenosheteroenespanol]

2.12 Chimney Begins - 2.09 Hen Begins - 2.16 Bobby Begins Again - 7.04 Buck, Bothered and Bewildered

Tommy's family arc

[uncanny-tranny]

I recall saying this before, but it bears repeating:

There could be a billion trans people in the world and it still wouldn't be a bad thing because being trans is not a bad thing. Even if the rate of people discovering they are trans is "disproportionate" to trends from decades ago, that is not a bad thing. In fact, it's a natural consequence for there being more trans people being able to stay alive, and, overall, being able to live in a slightly more tolerant world. You'd only see that as a bad thing if you actively didn't want trans people to either live or live a life that facilitates wellness.

[8pxl]

since AI has gotten prolific posting art on social media has been so fun 🤪

[canisalbus]

✦ 2023 summary of art ✦

[inkskinned]

sometimes we just need someone to pay enough attention.

for the longest time i had been trying to read The Lord of The Rings. everyone had sung the praises for it, over and over. i'd seen clips of the movie and it seemed like it could be fun, but actually reading it was fucking horrible.

my parents had the omnibus - all the books squished into one big tome - and in the 4th grade i started sort of an annual tradition: i would start trying to read TLR and get frustrated after about a month and put it back down. at first i figured i was just too young for it, and that it would eventually make sense.

but every time i came back to it, i would find myself having the exact same experience: it was confusing, weird, and dry as a fucking bone. i couldn't figure it out. how had everyone else on earth read this book and enjoyed it? how had they made movies out of this thing? it was, like, barely coherent. i would see it on "classics" list and on every fantasy/sci-fi list and everyone said i should read it; but i figured that it was like my opinion of great expectations - just because it's a classic doesn't mean i'm going to like experiencing it.

at 20, i began the process of forcing myself through it. if i had to treat the experience like a self-inflicted textbook, i would - but i was going to read it.

my mom came across me taking notes at our kitchen table. i was on the last few pages of the first book in the omnibus, and i was dreading moving on to the next. she smiled down at me. only you would take notes on creative writing. then she sat down and her brow wrinkled. wait. why are you taking notes on this?

i said the thing i always said - it's boring, and i forget what's happening in it because it's so weird, and dense. and strange.

she nodded a little, and started to stand up. and then sat back down and said - wait, will you show me the book?

i was happy to hand it over, annoyed with the fact i'd barely made a dent in the monster of a thing. she pulled it to herself, pushing her glasses up so she could read the tiny writing. for a moment, she was silent, and then she let out a cackle. she wouldn't stop laughing. oh my god. i cannot wait to tell your father.

i was immediately defensive. okay, maybe i'm stupid but i've been trying to read this since the 4th grade and -

she shook her head. raquel, this is the Silmarillion. you've been reading the Silmarillion, not the lord of the rings.

anyway, it turns out that the hobbit and lord of the rings series are all super good and i understand why they're recommended reading. but good lord (of the rings), i wish somebody had just asked - wait. this kind of thing is right up your alley. you love fantasy. it sounds like something might be wrong. why do you think it's so boring?

[official-crab-posts]

hey everyone, i know this is a silly gimmick blog but i feel i need to clarify that zionists aren't welcome here. people who think the violence in gaza right now is in any way justified or proportional to october 7 and support the genocide being committed against palestinians need to get off my blog. leave.

people who use this situation as an excuse to be antisemitic also need to get the fuck out of here. it is never okay to be antisemitic and trying to use your support for palestine as a shield is pathetic. i dont want you around and i do not like you. when i find you i will block you. save us both some time and just unfollow me right now.

i just wanted to make my position clear. free palestine. 🇵🇸

[vcrnons]

WE ARE LIKE FLOWERS THAT BLOOM IN MAY. RAINDROP ON ME, ON ME.

[im-totally-not-an-alien-2]

It started back when he was 16.

His parents found out about him and Vlad thanks to the fruitloop being an idiot and practically outing them both. Danny was so lucky that he had planned for a situation like this. He had go-bags ready with a few changes of clothes, a thermos, some weapons, a star projector, lots of money from Sam and enough medical supplies to make a hospital jealous.

It was a good thing too, after crippling the GIW and destroying all the gear they and the Fentons had they destroyed their research and everything ghost related. Vlad at this point was already dead so he wasn't much of a concern.

Dannys had landed in an alley in a new dimension, only problem now was the parting shot his mother gave him on his back. Due to the placement of it Danny couldn't reach to treat it properly and he didn't know anyone in this dimension who could help him.

Thats when his ghost sense went off. He groaned, hoping he wouldn't have to fight a new ghost in this state when a man in a red helmet (Mask?) walked up to him and motioned for peace.

"I'm not going to hurt you." The man said gently, "I just wanna look at that injury, maybe help."

Danny stared at him. He didn't feel anything off about the guy and Danny prided himself on being a good judge of character. "Okay." He scooted himself around so his back was exposed to the stranger.

"Wow, you're really not from around here." Danny stiffened, had he been tricked? The man made no moves to hurt him, just got to work tending to his wound. The man was swift, and aside from the slight sting of an ointment he didn't recognize there was no pain at all.

Once Danny was all patched up the guy made to leave, "Wait!" Danny called out and the man halted, "Who are you?" The man turned his head to look back at him, still facing away from him, "Red Hood."

As it turned out, Red Hood was the new up and coming crime lord who everyone was talking about. He came seemingly out of nowhere and was making a lot of waves in Gothams underbelly. Gotham...so this was Dannys new haunt.

Danny wanted to protect it but...he wanted to protect Red Hood even more. So when he heard about Red Hood forming a gang he made a decision. He gathered up materials to make his own supervillian outfit- basically an all black outfit with a long hooded coat and combat boots- and to add the finishing touch he put on a all white gas mask that he had made himself, complete with a voice modulator, night vision, heat vision, etc. If Hood ever wanted him to prove it was him he could make his mask glow using his ghost powers. Not that it was needed. Hood seemed to be able to sense him in a similar way that Danny could but in a much much smaller range.

With that being said, hoods men didn't trust him at first, which was fair considering he just started randomly appearing at their operations and helping them out...by force usually. They weren't sure what to make of him but Danny didn't want to go through the usual goon enlistment process as Hood would want to know his name and face and everything else and Phantom was...well a phantom.

Danny liked to hide, even in plain sight. He couldn't deny the little game of cat and mouse they had was fun. Hood would try to follow him home or track him or get him to take off the mask and Phantom would dodge his attempts every time.

It took a while, but Red Hood did eventually come to trust him, going so far as to make Danny his right hand man after 3 years of working together, though that may also be because he had rarely failed any of the tasks Hood had given him.

Maybe thats why he never told any of the bats about him. He had picked up that there was something between Hood and the bats but he never could figure out what it was without prying into his bosses personal life. Still, it was rather shocking when Red Hood showed up one day with a large red bat symbol splayed across his chest.

It also made him look at how freaking chiseled his boss was. He couldn't count how many times he had to drag his eyes away from his abs and chastise himself for thinking that way.

Danny was in love with a man whos face he would never see. But that was fine. He was happier standing by this man's side and yearning than he ever was back in Amity and it wasn't like Hood knew his face or name either.

-----------

He felt like a halfa though an incomplete one. He had a core but it felt hollow, like the soul was forcibly removed somehow and only emotions remained. Hood gained a bad reputation for flying into a monstrous rage but was always calm when Danny was near, a fact that even Red Hood himself seemed to pick up on.

Hood began to fall for his second in command pretty quickly, always trying to feed him and take care of him (as is his love language) while Danny was openly obsessed with assuring Hoods safety and well being even going so far as to use his powers (that no one knows about) to overshadow a computer and hack into the bats systems to make sure Hood was okay after a prolonged period of him being MIA.

The bats are freaked but Danny being Danny gets lucky and they always seem to miss his trail by a hair. Lucky ghost.

Things start going sideways when Fenton tech starts showing up in this new dimension only for Danny to find out his parents have remade the portal and are looking for him. The bats are being hunted by his parents and and the now rogue government agency the GIW. Danny tries to explain things to Hood without compromising his own secrets but once the newest Robin gets captured and Hood freaks Danny puts everything on the line to go rescue the stabby bird.

[daily-odile]

head pats...

[dragonpyre]

Heyyyyy heard you had the idea for an au where Jason thinks he's a clone of the real Jason? Cool idea, can I hear more about it??

Ok, SO

Basically the premise is Jason has some weird fucked up version of Cotards Syndrome and also is massively dissociating cuz holy shit the amount of the trauma that boy has.

But after coming out of the pit, he realizes present him and past him are almost two entirely different people. They react to things differently, he’s far easier to anger (a symptom of PTSD), he can’t really remember parts of his old life, and when he does, it doesn’t have the same emotional connection he remembers it used to. Also, people don’t come back to life. Ever (Superman excluded).

All of which leads him to the conclusion of “I’m a clone of the deceased Jason Todd”

Because, apparently being a clone of a dead boy is easier than admitting to severe untreated PTSD…

[mummer]

just saw asteroid city last night, pls explain the proposed significance of the kiss!!

answering this publicly hope thats ok! cant do a readmore im on mobile *****asteroid city spoilers below beware*****

i dont remember anyones names so this is gonna sound partly unhinged. okay so the edward norton playwright and jason schwartzman actor (not character, in the black and white parts) are lovers right. tbh i thought this was kind of a gag and forgot about it. but later we find out that the playwright died 6 months into the production. i didnt make the connection that THAT’s why the actor-jason has to suddenly leave the stage and freaks out backstage about how he’s not sure he’s Doing it right. hes not talking about acting!! because he himself is literally grieving his lover while he’s playing a character who’s grieving his wife written by his lover so obviously it’s too much!!! actor-jason is trying to find meaning in his death through his writing but there isnt any meaning in death [gerris drinkwater voice] which is what the play is trying to say anyway. he doesnt think he’s performing grief right even in his own life!!! (and tbh it’s the 50s so he wouldnt be able to perform grief publicly anyway!!!!) the play starts with a car accident… anyone would search for some hidden meaning there, some sign…. so when he talks to margot robbie outside it’s not really about finding the CHARACTER’s motivations it’s about the actor himself being able to process the playwright’s death! and adrien brody director was probably also dealing with that too (him and norton seemed to be good buddies) so the whole “sleeping backstage” thing gets a bit sadder maybe? maybe everyone else got this in the theatre and im just stupid lol but crazy making stuff to me!!! the whole story is about sublimated gay grief that cannot be expressed?!?!

the tweet that caught me onto this was here which posits that the playwright’s death was a suicide but i think that’s pretty stupid and unnecessary because the whole thing about the play asteroid city is that death is random and meaningless. im pretty sure that’s what the alien represents— a shocking and absurd event that isnt outright evil or menacing, not something anyone can predict or make sense of, it’s just a thing that happens to you out of nowhere, it doesnt mean anything. he’s a little black figure, he’s death! giving and taking! aagh