the “you remember my name right?” bit is funnier in the anime because I don’t think he told Laios at all. Like in the manga he introduces himself when he first meets Laios, but in the anime he just never mentions his own name so I really think Laios genuinely hasn’t heard his name yet.
Edit: people are saying that Laios DID say Kabru’s name at one point so I’m gonna rewatch and try to confirm or deny this and I apologize if I lied to… *checks notes* 800+ people 🫡
Edit to the edit: I rewatched both episodes and (at least in the English dub) Laios is never told and never says Kabru’s name
Also I don’t necessarily see this as a bad thing the anime did that the manga did right I just think its funny that Kabru, who forgot to introduce himself because he was fangirling, is like “hey do you remember my name?” And Laios, who has never heard this man’s name, is like “Uhhh yeah man totally!”
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The revisionist history of these live action remakes needs to be studied. The amount of people who are saying the PJO movies and the M Night Shyamalan movie that shall not be named are better than the current live action shows is absurd. People immediately shut down at the prospect of changes to the plot, get mad at exposition, then get mad when they don’t pick up on story lines and characterization. Then they say that the objectively terrible cash grab movies are better than the new shows where creators obviously love the source material and want to pay homage to it. And don’t get me started on the terrible treatment both casts have received, ESPECIALLY THE CHILDREN! People need to grow up. Im not saying you have to like the shows but saying theyre worse than those movies is wild.
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I’m sorry but can you imagine the impact Isaac’s death had on the rest of the gang. No one knowing what to do but watching Arthur change. Arthur losing himself, drinking constantly, going through episodes of uncontrollable rage to being emotionally vacant, where he asks Hosea (post-Bessie) if he’ll ever feel anything again. Nights where they think they can hear Arthur crying in his closed tent, and there’s an unspoken fear they could lose him. Fear that Arthur is going to die with his son, whether it’s drinking or increasingly reckless missions where it feels like he’s not trying to dodge bullets, or if one day he’s going to go off on a hunting trip and be found months later as a corpse with a gun still in his hand.
But he somehow pulls through. Recovers, or represses the grief enough to masquerade as okay. Starts smiling again.
John not understanding how devastating that grief could be until he’s holding his own son - a tiny fragile baby and knowing he already loves him too much. He doesn’t know how to be a parent, he doesn’t know how it’s possible to love something so much. He does know he could never be as strong as Arthur, because if anything happened to that tiny baby he wouldn’t be able to live. It’s terrifying, knowing something so small could destroy him. So he puts up walls: maybe it's not his baby. Still loves him. Tries to avoid Abigail and the baby. Still loves him.
He has to leave. Before that baby kills him.
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not only is Hannibal a “would you love me if I was a worm” type of girl but he also says shit like “I just feel like you’re mad at me” when Will turns away after cuddling for a bit, but it’s because he got too hot and his back hurts from being folded like a lawn chair earlier
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my piece for the Hemisphere: a Witch Hat Atelier seasons themed zine! thank you for having me! they're having a leftovers sale until stock runs out 🖋🍀🌷🍁❄🌧 WIPs + inspiration board + symbolism under the cut!
got some requests to put this on my inprnt! the site has sales very often & you can grab it as a small or big size print.
I had a pretty good idea of the composition from the get-go. I took inspiration from art nouveau (primarily Alphonse Mucha), German fairy tales, and some 1920s perfume ads. I wanted the girls to look like fairies, akin to The Root Children by Sibylle von Olfers.
Olly just didn't work out in this drawing due to time restraints. I do love him very much though.
I actually kinda stopped making illustrations like these (including the TGAA/DGS tarot card + TGAA/DGS zine pieces a while back) because they were starting to get very hard on my arm, as I had an RSI (repetitive strain injury) a few years back during school. (Not putting the onus on the zines at all ofc! I genuinely love working with zine projects! it's def a me thing WAHAHAHA. my style was getting too anime and too detailed for my liking and everything was just taking forever to finish ngl. but I didn't have time to experiment with a more simple style outside of all of my deadlines)
I think that realizing you need to stop is okay. It's something that Shirahama teaches us in her story and I want to learn to take it to heart.
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MILD SPOILERS AHEAD
(for those who havent read the story I guess)
each character's symbolism:
- Coco - spring, clovers - Coco is the quintessential spring girl, and I wanted her to symbolize new beginnings, and oh boy did Coco bring a big one. The four leaf clover in particular symbolizes luck and good fortune - to some characters, Coco may have brought fortune, to others her presence brings misfortune, take that as you will.
- Tetia - summer, gladiolus - the name "gladiolus" comes from the Latin word "gladius", meaning "sword", based on the shape of the flower. you can interpret it as "you pierce my heart", perfect for a girl like Tetia, who has a contagious energy, with a romantic and grandiose nature.
- Agott - autumn, marigold - I read somewhere marigolds symbolize strength and power, perfect for our little magical powerhouse Agott. They can also symbolize jealousy (yellow flowers in particular have this association), which reflects on her rivalry with Coco in the beginning.
- Riche - winter, snowdrop - The white color of snowdrops has a strong connotation to innocence, which reflects on Riche's wish to stay a child forever. It can also symbolize rebirth and new beginnings (like Coco's clovers), as the snowdrop is the first flower to bloom in the spring, when the snow has not yet melted. I wanted the concept of "rebirth" to associate with Riche's friendship with Euini, and of his sort of "rebirth" into a new being.
- Qifrey - he does not have a flower per se, but as the caregiver and educator of the four girls, he represents the rainy season - precipitation being the one thing that binds all of these seasons together. (Note some areas of the world do not have a rainy season like where I live). I think somewhere along the line I wanted to put hydrangeas behind him, to really bring out the "rainy" theme, but the thought probably got lost somewhere in translation...
- bg flowers - honestly I just picked whatever. white lily, daffodil, hydrangea, zinnia, tulip
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something new about aziraphale that i’m getting emotional over on this fine night (no one is shocked): i cannot stop thinking about the first scene of season 2. specifically i cannot stop thinking about the fact that even then, in a moment where both he and crowley even looked younger due to their innocence / lack of doubt or questioning just yet, aziraphale is already doing somersaults to worry for those around him. he doesn’t even KNOW this angel, and the idea that crowley could get in trouble for asking questions shouldn’t occur to him yet, but he’s still so burdened by anxieties and doubts for other peoples’ well-being and conditioned to protect others at his own expense (not to mention eerily close to seeing through Heaven for what it is). aziraphale is so fundamentally good, worrying about other people and caring about them before the very idea that bad things could happen to a fellow angel SHOULD have ever crossed his mind in the first place. and to me that disproves all notions that aziraphale is naive, because he’s been tragically aware since before the Beginning— and before crowley. which makes moments like the post-Job “what does that make me” scene even sadder because by all accounts, if aziraphale was familiar with what it’s like to doubt and worry before the Fall even happened, before he ever should have known what those things were, then he should have been one of the angels to fall, right? Wondering and doubting and worrying about things leads to a Fall, right? Only he didn’t. In a world in which there’s a line dividing doubtless, brainwashed, “happy” angels from doubtful, too-curious-for-their-own-good demons, aziraphale might just be the loneliest being in existence. he’s quite literally the sole person (that we know of) who stayed an angel but is forced to carry a burden that never should have been his, that NOBODY around him in Heaven has to carry. and he can’t ask about it because now he knows for sure where asking questions leads you, but he probably doesn’t understand why he has to carry that burden in the first place. the one he’s been carrying it since before Earth was even created.
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