NO!!! DID THEY ACTUALLY COOK THAT CARROT THAT WAS CLEARLY ALIVE
THIS LITTLE GUY
rip lil buddy.........
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lived my whole life in guilt bc i thought i was responsible for people's feelings. newly realizing that other people are responsible for their feelings and reactions, even if they make it seem like i'm the problem. a lot of the time it really has to do w them and their own emotional regulation. i can't keep thinking i'm not allowed to have space bc of other people's insecurities. like i literally refuse to dim myself. other people are responsible for their feelings just as i'm responsible for mine.
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
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oh thank god
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With the best of your writing or drawing ability, how do you sum up Twisted Wonderland Book 1 till Book 6?
I'm so sorry to make you wait so long for such a stupid joke
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The Hades and Persephone AU
So! It had been a coincidence. One of the Rouges Cass had been chasing down had dropped a stray Bullet Casing, and she had managed to miss it as she ran after them. All they could hear through the Comms was her startled yelp as she tumbled 3 Stories, directly onto her Back.
Batman had rushed to the scene, hoping that his daughter was still alive, but when he got there he came across a very different sight. A Tall, shadow covered Knight Carrying Cass in his Arms. Before he could do anything, the Shadow Knight turned away and walked deeper into the Alleyway, were a Lazarus Green Portal stood waiting.
Batman could only watch as his critically injured daughter was kidnapped by some sort of Dark Armored Demon. And into a Portal glowing with the same light as a Lazarus Pit no less.
When he returned to the Cave, Bruce immediately contacted Constantine. Within the Hour, Constantine had arrived and had been lead to the scene where Cass had been taken.
"Well, I don't know what you did to catch their ire but it seems like Orphan was kidnapped by a Realms Being." He explained, "And by the looks of it, by the Right Hand of the Ghost King himself. How did you manage this?"
"Where can we find her?" Asked Batman in a Hard Tone. This was his Daughter, and she had just been kidnapped by Royalty from another Realm. He didn't know why, but they were going to pay.
"Well, the Ghost Zone is a treacherous Realm. Ordinarily I would advise against even considering going there, but I know you will either way."
Constantine gave them Directions to a small town in Illinois, where supposedly a pair of Techno-Mages had managed to open a Permanent Portal the the Ghost Zone. They would have all the Weapons, Armor, and Transportation he would need to venture into the Zone.
Finding the Tecno-Mages was easy (though they preferred the term Ecto-Biologists), and surprisingly convincing them that they needed their help was even easier. Once Batman explained that his Daughter had been kidnapped by a Being from the Zone, they offered their help immediately.
"We understand, if it had been one of our own Kids who had been kidnapped, we would be doing the exact same. If only we could get into contact with our Son, he has connections in the Zone that may be have been useful, but he's been busy for the past few days."
After a day of preparing, the Team was ready to delve into this alternate dimension to save their Missing Family Member.
...
Meanwhile Cass is living out her Mythologically Accurate Romantic Fantasy (I have a headcanon that Cass adores myths). She was basically Kidnapped like Persephone, except it was under very different circumstances.
Basically, David Cain had made a deal with the Previous Ghost King. David would be given access to Fresh Lazarus Pits for the League, and in return the Ghost King would be given his daughters hand in marriage upon her Death. And while Cass was technically still alive, her Near-Death Experience had drawn enough Ecto to her that it pushed her Liminality past the point of Human Limits. She was no longer technically Alive, so the Contract had activated.
Thankfully, when Fright Knight noticed his new Queen-To-Be's condition, he had rushed her to the Far Frozen to be healed. Then he brought her to the Castle and had informed Danny of the development.
Now, Neither of them was really ready to be married, but a Contract like that needed to be canceled by the one who made it. And Pariah was still locked in his Box. So, they had delved into the Ghost Writers Library to see if they could find a Loophole.
And Study Dates have never been so fun.
Even though she isn't ready to be married yet, Cass still thinks that Danny is kind of cute. And she likes his goofy little smile, and his slightly glowing eyes, and his smooth white hair, and-
Oh, that Persephone comparison might have been a little more accurate than she thought...
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[OLD ART ALERT] A COLLECTION OF SCENES FROM THE GILLIONS CATSCRATCH ARC THAT BROUGHT ME GREAT JOY. i love fishy chips especially when its just gillion being delirious and violent and hostile
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"Louis acting like a pimp to Armand" And what is a pimp exactly? Quickly. And, oh so sexual trauma survivors can't engage in kink now without it being all about that? Pet names? They can't be submissive anymore? Consensually? Sexually healthy? Be serious. I'd hardly say there's much power difference between them during all this anyway, except that Louis is freer than Armand and it's been putting a strain on their relationship. Louis wants more from Armand, and less of this 'being his past' for them both, and so helping Armand with this could fix that. It's healthy to want to help your partners get out of a rough patch?
I mean, the whole exchange was very clearly set up as a "I want to help you" after such a great moment of vulnerability Louis feels just how much Armand is desperate for it. Louis called Armand so they could work out a plan together.
And the bit with the umbrella was Louis' way of asking 'are you willing to listen to me?' and Armand said yes by unfolding it. Louis goes on and explains, Armand is allowed to argue against it, but Louis makes his point. And then he gives Armand a way to make his own choice in it too. Armand's already decided 'I want you, more than anything else in the world', but Louis still asks after if he's sure of his choice, and with a name, Arun, that is the one of his fullest agency, running the point home. Honoring the situation Armand calls Louis Maitre - as a way of being like 'I'll do as you've said then'. To make this work he's going to have to give Louis some of the control, yes. But it's the first time such a role is ever established, and it was his choice to do it. So so what if they do it in a very suggestive way? They can't like doing that? I think it's them having fun.
I struggle to find how Louis is being overly domineering here when really he's giving and offering Armand the most agency he's ever had. Same with finding it manipulative. The manipulation was more earlier in the episode I think, when he was stringing him along, giving mixed signals. He's no longer toying with him like that. Louis might be pushing Armand, leading him on to make a decision, but he doesn't mean bad by it.
But back to this pimp thing. I find it frankly offensive that this is where people are going with this. I get it, but to run with it being the case is, on many levels, wrong.
Louis told us episode 1 this was the only sustainable line of work to support his family and keep their standing, at the time. It was never his choice to be doing this either but his blackness allowed no other options. He did what he did so his family could stay in that house and maintain all their same comforts. It gave him privileges most black men didn't have at the time that he wanted to maintain and even have more of. Anyway, it doesn't and had never defined him the way 'being good at running things' had. And in that case he just likes having that kind of control where he can get it, which makes sense.
The world is what placed that kind of role onto him of what he was allowed to be able to run, not himself. And on that he actually treated the sex workers he employed well and respected them enough to give them more opportunity.** He recognizes they don't have much in the way of options either.
Louis employed sex workers, yes, but he didn't subject them to abuse, (like how Armand was)*. He didn't oversee things in a way that would go against their consent (see; episode 1 again)**. Sometimes a job is just a job. And Sex work is work.
Armand's particular past with sexual abuses may strike a particular cord with Louis, given all that, but the very last thing either is thinking is that Louis' pimping Armand out here. This is merely their decision as companions, and had nothing to do with adding another line in a laundry list of selling Armands body out to people at the command of someone else. Armand rescinds some of his control to Louis' wishes, because he wants him, and he trusts him, that's all.
If you aren't allowing Armand that choice, and are doubtful it's fully his, you're putting him right back in the box of being defined by his abuses. Putting him back into that space where he isn't given any agency over what he does. (Which is exactly opposite of what the intent of this scene is for)*.
*: (edit) added for clarity.
**: (strike through) numerous people are saying I'm misremembering these points so disregard it. (Thought he was siding with Bricks, it was the other way around). (Technically one aspect of those opportunities were for getting around the law). I don't have a perfect memory, it happens. Let's not get mad about it. Doesn't change much of the point which is that Louis, now, Louis then, was always considering more about the running things and for stated purposes. So I guess I'd say he may only have respected the SWers enough sometimes for what allowed him to do that, and there are moments he certainly expressed remorse over the fact, but he has a great deal higher respect for Armand that is genuine. It's incomparable. Please read my added notes in the tags, it should address most other concerns.
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The Extremely Serious and Scientific Legolas Fandom Hair Colour Poll:
What colour hair do you picture in your head for your personal mental image of Legolas of the Woodland Realm? (Not necessarily which one you think is more or less "canonical"; rather just what you see in your head when you're reading something.)
Ideally, you can also share when and how you were first exposed to Lord of the Rings in the tags or reblogs, and what you think most influenced your mental image.
No I'm not procrastinating from writing stuff, go away.
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I'm a little bit insane about how in novel canon the whole xiyao ending where Jin Guangyao wants to die with Xichen, who accepts, which then makes jgy change his mind and pushes him away at the last second isn't actually explicit. A lot of adaptations chose to make it so but in the novel this is all VERY up for interpretation.
Here's what actually happens in the text: Lan xichen stabs jgy, jgy moves away from lan xichen, xichen follows him, wwx realizes jgy is about to open the coffin and calls "watch out!" to lan xichen. Jgy unseals nmj, pushes xichen away, nmj kills jgy and they are both dragged into the coffin which is sealed again.
Here's what wei wuxian, our narrator, thinks is happening: Jin Guangyao wanted to lead lan xichen to his death out of revenge for stabbing him. Lan Xichen, unaware, simply followed Jin Guangyao to try and stop him from getting away. Wei wuxian's warning came too late, but Jin Guangyao- for an unknown reason- changed his mind at the last second and pushed lan xichen out of danger before lan xichen had any idea of what was going on.
Here's what most fans as well as the teams behind several adpatations think is happening: Jin Guangyao leads Xichen to nmj's coffin to die with him, Xichen accepts, because of this acceptance, proof xichen still cares for him, Jin Guangyao pushes him out of harm's way. Wei Wuxian just doesn't get that gay people who aren't him or Lan Wangji exist.
Here's what ALSO MIGHT BE HAPPENING: Jin guangyao wants to die in a different way than he is currently dying. Maybe he's afraid of what'll happen to his body after his death like he was scared for his mother's, maybe he wants to confront nmj one last time now that there's nothing more for him to lose, maybe - if he can't take her body with him- he'd at least like his final resting place to be where he buried his mother. Lan Xichen thinks he's trying to get away and follows but Jin Guangyao, who despite everything doesn't want him to die, pushes him away. Xichen doesn't know what happened until it's already happened. What he would've wanted if he had known remains up in the air.
Or, alternatively: Jin Guangyao's reasons are as above, but unbeknowst to Wei Wuxian, Xichen DOES know what jgy is about to do and either misinterprets this as an invitation to all die together, or inidividually decides he, too, is done, and wants to join his sworn brothers in the grave. To Jin Guangyao this has nothing to do with Lan Xichen, and he still doesn't want him to die, so he pushes him away against Lan Xichen's wishes.
Every single one of these interpretations is unhinged and they are all supported by the original text. It's like a choose your own adventure of tragic gay endings.
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very sad still see the saria/silence divorce headcanon still going around
have you ever tried to consider that they never dated before lone trail because it would be unrealistic with the timeline and the events and also because it would be overshadowing the actual truth of why they couldn't get along
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I just realized that Ekaterin Vorkosigansaga's maiden name is Vorvayne because the structure and nature of her and Miles's romance are heavily inspired by Sayers's Wimsey novels, in which the romantic heroine is called Harriet Vane.
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