Aphrodite: And I was like why are you so obsessed with me?
Hephaestus*chilling*: Who wouldn't be?
Aphrodite*blushing*
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Saw a post talking about Tristamp Knives reluctancy to admit he loved and still loves Rem. But it was from a proshitter so I deleted the rb and now I will use my own opinion🫶.
From my understanding I think Knives really did love Rem before and after finding Tesla. I think he still loves Rem.
He holds his hand out to her on the crashing Seeds ship. He clearly made his decision on wiping humanity but Rem was his one exception. And she didn’t choose him back.
So I look at Knives in the finale and I see again, another example of the denial of his own feelings. Rem made Vash and Knives ‘sick’. She’s a blight on his mind just as much if not more as she is on Vash’s mind. Cause he still plays the piano like Rem taught him no?
So here comes the explosive feelings, the internal conflict because Knives does love Rem. And he won’t let himself admit that. He can’t. She’s a human, (and she left him).
So naturally, Knives projects this onto Vash. Vash being obsessed with Rem is a reality he can accept. ‘He’s completely moved on from her after all. Vash is holding him back’ /s
Alas Knives believes he’s completely fine. He believes it’s his brother who has to let her go when really I’m sure even the mere sight of her in Vash’s psych almost made him fall apart. He can’t just his feelings though, so naturally he wipes every memory of her off the face of the planet🫶
I’m rambling mostly and this is midnight thoughts but a huge chunk of Tristamp Knives is simply just denial and projection onto Vash. (Because I’ll never forget him calling Vash a coward when he is the one driven by fear). Another example of how that finale had very little to do with Vash to begin with.
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doylist explanation for why Gidel is only in Fellow's non-idle lesson animations: probably something about space constraints and making sure two sprites in one seat aren't covering anyone else when they're not in focus
watsonian explanation for why Gidel is only in Fellow's non-idle lesson animations: he snuck in and is hiding from the teachers, don't give him away 🤫
(I've reached my limit of unsuccessful attempts at pulling them before I need to save keys for Halloween, so I've been living vicariously through youtube videos...but the fact that Gidel just pops up from under the desk to wave his arms around happily is really testing my resolve. D: I'm gonna die when they finally get to do alchemy...)
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DPxDC Idea
Danny working at Wayne Enterprises as some sort of engineer, uses the in-house app for all his blueprints and stuff
He starts getting notes from a coworker in-app, and assumes its this annoying older guy in his department who constantly undermines him because of his age, despite his education and past achievements (i feel like in this AU the Fentons react well to the reveal and they work together on a number of non-lethal ecto inventions that have Danny's name attached to them)
Except one day his coworker mentions never using the app, and Danny suddenly realizes there's only one other TD he could've been arguing with in the notes of the app
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I really enjoy how Edwin subverts the expectations for his character archetype. Usually, if you had a character that was a mousey unpopular teenager who'd gotten bullied to death, they'd be shy and laden with insecurities, easily steamrolled by characters with more force of personality -- but instead, by the time you meet him in the show, Edwin's ego is basically bulletproof.
He is entirely confident in himself, and comfortable being himself, free to be as fussy, effeminate, and old-fashioned as he likes, because the only person whose opinion of him he gives a fuck about is Charles, and Charles thinks everything about Edwin is brilliant and he can do no wrong. Thirty years of Charles's radical acceptance has allowed him not only to be himself, but to be himself fearlessly.
And I think that's beautiful. :)
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listen there really was just something about how in the book, snow’s 3-page descent from hesitant lover boy to deluded mfer happens entirely in his mind. lucy gray gives him no indication whatsoever that she suspects him, that she’s going to leave or betray him. he’s just sitting quietly in the cabin waiting for her to return when that seed of calculated suspicion, which he has needed to survive the capitol, takes a hold of him and chokes the life out of any goodness left inside him. it really drives home your terror as a reader that “oh my god did he kill her? did she escape? what happened to her? why would he even think that?” in a way that when the movie had to adjust for visualization it lost some of that holy shit this guy has lost it emphasis.
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