#living and the dead

[blackswaneuroparedux]

Tradition means giving votes to the most obscure of all classes, our ancestors. It is the democracy of the dead. Tradition refuses to submit to the small and arrogant oligarchy of those who merely happen to be walking about.

G.K. Chesterton

[sictransitgloriamvndi]

REQUIESCAT

TREAD lightly, she is near Under the snow, Speak gently, she can hear The daisies grow. All her bright golden hair Tarnished with rust, She that was young and fair Fallen to dust. Lily-like, white as snow, She hardly knew She was a woman, so Sweetly she grew. Coffin-board, heavy stone, Lie on her breast, I vex my heart alone She is at rest. Peace, Peace, she cannot hear Lyre or sonnet, All my life's buried here, Heap earth upon it. AVIGNON.

– Oscar Wilde

[hack-saw2004]

platforming palestinian joy is just as important as sharing the suffering they're enduring during this genocide. despite continued displacement and bombardment, you cannot steal their joy and spirit. happy birthday to this sweet baby 🖤🇵🇸 may they grow up to see a free palestine

edit: @saffronlesbian made a video description for this post!!

[vd: a screen recording of a tweet from the 20th of April 2024 with 2.5 million views, from Ruhi @/ruhi_hi. the caption reads, "This video of this little Palestinian angel celebrating his bday in a refugee camp" followed by three emoji of a smiling face with teary eyes. the video clip is 11 seconds long and shows a one-year-old baby seated on the sandy ground, smiling hugely and clapping his hands while people sing to him from offscreen and a large cake is placed in front of him. stuck into the top of the cake is a decoration that reads "happy birthday" in english. the video has the tiktok handle @/ibrahim.jamal99 visible in it. /end vd.]

[dystopiansocietystraw]

when i tell you i had an aneurysm

[dolybun]

this is so true

[reasonsforhope]

Sometimes you just have one of those moments where the progress we've made as a culture get thrown into stark relief. You look at something and go "Holy shit, that would never have happened when I was a kid."

Today, I had one of those moments when I realized that the teenage boys I'm working with are just. genuinely, openly enthusiastic about going to Build-a-Bear for their outing.

These are sixteen and seventeen year old boys! They just had a whole conversation about what to name their "cute", mostly new squishmallows! They're genuinely excited that they're going to Build-a-Bear this weekend and asking other kids to pick up specific accessories for them!!

Holy shit, that never would've happened when I was 16. None of the boys would have dared to be visibly interested - and neither would most of the girls! There would have been a million gay jokes and "Haha, you're a girl" jokes and "What are you, a baby?" jokes. Teenagers weren't even supposed to care about anything back then!

Less than 15 years later, and I'm watching three 17 year old boys treat all that as not even worthy of comment.

So let's call that a reason for hope. Even when the kids aren't alright, in some ways apparently they are alright. Go Gen Z, honestly. It's so lovely to watch you guys just openly doing and saying stuff that, when I was a teen, would've been a social death sentence.

[aangarchy]

Ok now we're just taking the piss right? Right?

Once again this sort of thinking is removing a fundamental character arc that makes this story what it is. A big part of Aang's journey, especially in season 1, but tbh it does return in later seasons too, is accepting that he is the Avatar, and that he's the only one who can end this war. During the whole first season he is in complete denial about who he is and what he's supposed to do, which is why in most of this season there's no sense of urgency, and then once Aang gets faced with a very real, very close deadline he panics. This makes it even more brutal when in season 3, after accepting this responsibility, he gets faced with the reality of failure. He runs away again, this time not because he doesn't want responsibility, but because he knows how heavy his responsibility is and he doesn't want to burden anyone else with it. Removing the first aspect, aka running away and denying responsibility, it in turn also removes the heavy emotion from his later arc.

It keeps surprising me that people who claim to be such fans of the original seem to completely miss the point of most of this story? Like how could you look at Sokka learning about women's rights, Aang learning to accept responsibility, and Katara's motherly warmth which happened because how young she was when she had to step into a motherly role, and think "well we should remove that." You're taking out all of character development and going purely off of plot (which isn't gonna be nearly as good without the character development!)

Atla is probably one of the most analyzed and picked apart story, has one of the most long running loyal fanbases, people are STILL making thinkpieces about this show, and you manage to still misunderstand so much???

[calamitywoman]

hey, my boyfriend and i saw you from across the tea shop and really hate your vibe. square up.

[that-one-weird-cloud0]

Danny: *just chilling on the couch while being very still™️ at the Wayne Manor*

Clark: *comes to visit*

Clark: hey Bruce?

Bruce: yes?

Clark: why is there a dead child in your living room?

Bruce: what 0-0

Danny: oh shit

Danny: *starts up heartbeat* better?

Clark: *even more freaked out*

[bluerosefox]

Kidnapped Persephone Style

Me: *tossing prompt idea up and down in the air before chucking it into the Void we call the internet*

Jason is dating Ghost Prince (not yet King) Danny and goes on a really awesome and romantic date on his day off. He forgot to tell the fam though. So when Red Robin comes to give Jason an update on some entil, he watches in muted horror as Jason is 'kidnapped' by a glowing entity in black armor and a nightmare looking horse (Danny is a bit busy doing paperwork, so he had his Fright Knight pick Jason up) off of a Gotham rooftop and into a green portal, while the knight had proclaimed Jason as their future Kings 'intended'..

No one on coms is ready for Tim to yell out

"I THINK JASON JUST GOT KIDNAPPED PERSEPHONE STYLE!!"

[blackswaneuroparedux]

The past is not dead, it is living in us, and will be alive in the future which we are now helping to make.

- William Morris

[texaschainsawmascara]

Sophie Dahl, The Face 1997

[batpham-kills]

Something's... Off about the Fentons and their son's friends.

They seem to have been the last people to see Vladimir Masters, owner of DalvCo, and know of his whereabouts, yet refuse to reveal him or his location. They also seem to be taking full advantage of his absence, taking over his company and profiting from it and living in his castle in Wisconsin.

They always seem to have some kind of excuse as to why he's not around.

"He's on vacation! Oh, where? Um, Antarctica."

"You just missed him, actually. He was here a few minutes ago. Yeah, in this random dirty alley as I was being mugged. We discussed... Alleys."

"Yeah, he lives here. I know his room is super dusty. He just likes it like that."

Although Tim Drake sees the absence of Vlad Masters as an absolute win (Tucker Foley is much less creepy), he still sees that this requires an investigation. After all, a missing CEO is big news, especially when the last people to have seen him seemed to have had major beef with him. Could they have... Murdered him?

-

Or: Vlad's taken a nice little trip to ghost prison. The Batfam think Vlad's disappearance was a result of the Fenton family murdering him.

[yashley]

The Mighty Nein Reunion: Echoes of the Solstice 

[dolybun]

when I'm sad I get so fucking poetic

[alwaysthequietones]

You're the brave man? I am. But maybe you can call me dad.