#march creator of the month

[choicesficwriterscreations]

March Creator of the Month: Bayleedraws-sometimesx

Each month, CFWC highlights one of our talented fanfic writers or artists, and this month’s creator of the month is the lovely @bayleedraws-sometimesx!  The writer is selected at random. More info can be found on the navigation page. Past COTM's can be found here. Center photo by the lovely @bayleedraws-sometimesx!

Quick Links:

Tumblr Blog

How do you want to be known on Tumblr? 

Baylee

More below...

When did you start playing Choices? What was the first book you played? 

I think it was in 2018, and I first played Bloodbound 1. 

When and why did you join Choices fandom?

It was December 2020. I was really struggling at that point; my whole life had changed, and I still hadn't come to terms with it after a year. It was just an escape. 

How did you pick your blog name? 

It’s just my name and what I do. 

Pull up the first post in your archive, and tell us about it!  

It’s just a pfp i did over halloween. It’d me dressed like Sally from Nightmare before Christmas. 

Do you write fanfiction, create fan art, or are you one of those really gifted people who do both? 

I used to want to be a writer. I really love writing stories, I’ve never really written any fanfiction, but technically, I can draw and write. 

How long have you been creating for Choices and for any other fandoms?

It’ll be four years in December since I’ve been creating Choices-related stuff, but ever since I was a little kid, I’d get obsessed with different shows/ characters and write/ draw them. 

What is your favorite Choices book, and what is your favorite Choices book to create for?

My favourite book is definitely Bloodbound. I love drawing BB related stuff because I have a slight obsession with Kamiliah 

Share your first Choices fanfic or fan art that you posted with us. Do you still like it, or would you change it if you were creating it today?

It was a drawing I did for @ao719. I think I would change a lot if I were to draw it now. I don’t really like it anymore, and my style has definitely changed over the years.  I find it really embarrassing looking back at old drawings. 

What is your favorite piece of fiction or art that you created? 

A BB animation (I still haven't finished), but it was really fun writing the story and designing/ drawing everything. 

Do you have a creation that you didn’t expect to be well received, but it was? What about one you expected to do well but found it could use a little more love?

I never expected any animations to do well and was very surprised when they did. I’m really sure that I would like to get more attention. 

If you could only draw one style or type of art for the rest of your life, what would it be and why? 

I don't know. I’m moving into my own flat soon, so I’ve been drawing some scenery pieces I’m going to put up once I’m there. I find them really therapeutic to draw, so maybe that. 

Do you ever recognize yourself in any of your MCs?

Sometimes. 

What element of art do you struggle with most?

Probably finishing the pieces off. By that point I’ve stared at it for so many hours that all I can see are  the problems with it. 

Do you have any neglected work you really want to finish?

Absolutely, I’m going through a lot right now so there’s quite a lot of things that i really do want to finish but i just dont have the motivation. 

If someone you know in real life (who isn’t involved in fandoms) asked to see your work, would you let them? If yes, what would you show them first? 

Maybe. My big brother taught me how to draw, so occasionally, I’ll let him look at some of my drawings. 

16 - Are there any writers (published authors and/or fanfic writers) who influenced your writing or art? Are there any artists that influence you?

I can’t think of anyone published that I looked up to or have really inspired my artwork. There’s definitely people that i know in my life that have. 

Which one of your creations would you like to see fiction written about? 

I have absolutely no idea lol 

Do you write original fiction or create non-fandom art? 

Yeah, I love creating new characters and really animations doing animations of my original characters.

What other hobbies do you have?

A lot of crafty things. I was taught how to sew, knit, and crochet as a kid, and those are things I still enjoy doing now. 

[jinniebit]

every month of 2023 ✨

I was tagged by @strayklds and @lee-minhoe o link my favorite and/or most popular creations from each month of 2023 & then tag some ccs I love <33

I tag @snug-gyu @changbeens @chanrizard @chrizztophers @chanstopher @xuseokgyu @soonhoonsol @wahgifs @noonaracha @agibbangs @minhosblr @seo-changbinnies

January

Most Popular: Danceracha triple kill

Favorite: THIS lino and this caratstay moment &lt;3

February

Most Popular: Hyunho being hyunho

Favorite: HYUNHO

April

Most Popular: Lixie's freckles

Favorite: Lino as Lady Tremaine

May

Most Popular: 5-star Hyunjin

Favorite: smoll jinnie

June

Most Popular/Favorite: Hyunho with babies

July

Most Popular: Him

Favorite: My boys

August

Most Popular: Lino Log 9

Favorite: Kuromi minho and Play with fire hyunjin

September

Most Popular: Sleepy minho

Favorite: minchan , jinnie with jiniret , THIS felix

October

Most Popular: Dance practice hyunjin

Favorite: Seelie felix

November

Most Popular: Hyunho being cuddly

Favorite: THIS felix pt2 and Producer jinnie

December

Most Popular: Maxident trailer

Favorite: Soft jinnie

[anonymous-red-shades]

It's for woman's month, yes but... did we have to carve the Tumblr logo into her head?

[sunshineduo]

o_O

[febuwhump]

FEBUWHUMP 2024 PROMPT LIST

this year's prompts were chosen through a suggestion poll (in which we recevied 2,281 prompts) and a subsequent vote, where over 1,000 people voted for their favourites. the top 29 make up the core prompts, and a mixture of the next most popular - and this blog's personal favourites - have become the alternates

i’m so excited to see what you all create with these prompts, and hope they’re inspiring enough to trigger a whole month’s worth of creativity for you! if you have any questions, please check out the blog's faq before sending an ask, or check out the previously asked questions on the blog!

please note: this year, notifying the blog of completionist status will happen through a google form that will be released closer to the end of febuwhump.

full write-up of prompts and rules under the cut:

FEBUWHUMP 2024 PROMPTS:

DAY 1: helpless

DAY 2: solitary confinement

DAY 3: "bite down on this"

DAY 4: obedience

DAY 5: rope burns

DAY 6: "you lied to me"

DAY 7: suffering in silence

DAY 8: "why won't it stop?"

DAY 9: bees

DAY 10: killing in self defence

DAY 11: time loop

DAY 12: semi-conscious

DAY 13: "you weren't supposed to get hurt"

DAY 14: blood-stained tiles

DAY 15: "who did this to you?"

DAY 16: came back wrong

DAY 17: hostage situation

DAY 18: too weak to move

DAY 19: "please don't"

DAY 20: truth serum

DAY 21: unresponsive

DAY 22: "you weren't meant to be there"

DAY 23: presumed dead

DAY 24: "i'm doing this because i care about you"

DAY 25: waterboarding

DAY 26: "help them"

DAY 27: left for dead

DAY 28: "no... not like this"

DAY 29: not allowed to die

ALTERNATE PROMPTS:

is there a specific day’s prompt you don’t want to fill? here are ten alternatives you can switch them out for!

ALT 1: human shield

ALT 2: "i love you"

ALT 3: found footage

ALT 4: human weapon

ALT 5: cpr

ALT 6: immortality

ALT 7: last words

ALT 8: killing game

ALT 9: lightning strike

ALT 10: last man standing

RULES:

SOFT RULES:

prompts should be answered in the form of whump

creators can produce whatever kind of media they want

you don’t have to complete all the prompts! you can create however much you want to

you can use the prompts after the event ends and can complete them in tandem with any other event

you can post on any platform you want, however this blog will only be sharing those posted on tumblr

if you want to be featured on the hall of fame then you have until the 3rd of March to inform this blog that you completed all the days

if you have questions consult the faq before asking

HARD RULES: (specifically for being featured on the blog)

when uploading febuwhump content to tumblr, please use the tags:

febuwhump (i’ll also be checking febuwhump2024)

the relevant day’s tag e.g. febuwhumpday1, febuwhumpday2…

nsfw (if relevant)

and any trigger warnings that may be important!

you can also tag the blog, @febuwhump

i cannot guarantee your work will be archived on the blog because I have no idea how many participants there will be. a random selection of works tagged in accordance to the rules above will be reblogged every day of february.

[genderqueerdykes]

homeless disabled trans person needs help affording more nights in hotel while government housing program keeps delaying my move in-date

3/11/2024: hello, my name is equinox. i am a homeless severely disabled trans person who is living in a hotel. i have been working with this apartment complex since october, working through a program for low-income severely disabled people who will provide me a rent figure based off of my earned income. because i sell jewelry and accept donations online, they are extremely confused as to how much income i make and have been stalling and delaying the process this entire time.

i was promised a move-in date of Tuesday, 2/27/2024, then 2/29/2024, only to have it pushed back yet again. i already set up the electricity in my name as they requested it of me on the 27th. it is march 11th, and i have no idea of when i will be approved, now.

today, i received this email:

i have given them this information several times over the past few months. i have explained that venmo does not generate statements, and that gofundme does not hold a balance. now i've had to explain that stripe also does not hold a balance, and that tumblr is not a payment gateway.

i have been in a hotel for over a month because of this. i have had to explain this information over and over again and have made no headway. i broke down crying this morning because this has been psychological torture. my hotel room is only $38/night. i have tonight booked, but will need help saving up for future nights, as well as the deposit and if i'm ever accepted at this place:

pay pal: glittergraphicnightmare@ gmail . com venmo: @ equinoxian cash app: $glitterGraphix chime: $Equinoxian

you can also support me here, i sell jewelry as well as zines on my ko-fi:

[theemissuniverse]

MK 1 MEN REALIZE YOU’RE TOUCH STARVED

SUMMARY : Basically they’ve been super busy so they hadn’t been worried about sex until they realize how needy you really are. Fem reader.

WARNINGS : (MDNI)! praise, unsafe p in v, riding, cumming, some other stuff I probably forgot

MASTERLIST

LIU KANG

You were practically starving for intimacy. Your boyfriend, Liu Kang had his hands full with Earthrealm itself and you couldn’t even help him.

Liu Kang had forbid you to get involved in Earthrealm business because in the previous timeline, when Raiden brought you in it you had died. So, he wanted you to continue your normal life.

Though, Liu Kang made sure you were a worthy fighter just by the chance that maybe one of his enemies would try and hurt you. You would know how to defend yourself.

It had been weeks, close to a month. Liu Kang was there emotionally but was not there physically. You knew he was busy but god, did you think he wasn’t attracted to you anymore.

You were reading your book in the living room when you heard the door open. You didn’t bother to look up because you knew it was Liu Kang.

Liu Kang locked the door behind him. “Good evening, my love.” He walked over to you and gave you a kiss on the head. “How was your day?”

“Great until you got here.”

You were a very sarcastic individual so Liu Kang just took it as a sign that you were being sarcastic. Liu Kang sat beside you. “Did you eat today?”

Trying not to be annoyed was hard but you were so frustrated that you couldn’t hold it in. You slammed your book shut and got up from the couch. “I can’t even read a book in my own home.” You marched to your room.

Liu Kang now understood you were angry at him. He just didn’t understand why.

When you walked in the room, you shut the door and locked it. Then you turned around and there you faced the Fire God himself. You jumped back, startled. “I hate when you do that.”

“(Y/N), if I’ve done something wrong then you need to open up. We talked about this.”

That was true. Liu Kang did talk to you about you opening up more to him and communicating with him. It was just hard for you because you never really liked talking about your feelings. Especially embarrassing ones.

You sighed and placed the book on your dresser. “I’m sorry. I shouldn’t have been so mean to you. I’m just…frustrated.”

Liu Kang gently took your hands in his. “Whatever it is, we can face it together. Tell me what has you so frustrated.”

You bit your lip, not wanting to even look at him. “It’s just…you haven’t really…” You trailed off. Lucky and unlucky for you, Liu Kang was a patient man and he waited for you to say it. “You know…and I just feel touch starved.”

Liu Kang now understood what you meant and he could only smile. “I’m sorry, my love. I did not mean to. I am God and because I’ve been alive for so long, I don’t really have the physical needs as you do.” He brought you closer to his warmth. “But that doesn’t mean I can’t take care of you.” Liu Kang gave you a sweet kiss on the lips. “Next time, just ask.”

You smiled shyly. “It’s embarrassing to ask…”

“You should feel comfortable to ask me.”

“Well technically you’re the one that made me so uncomfortable, creator so who’s really at fault here? So ha!”

Liu Kang shook his head and gave you a kiss on the forehead. “You, my one and only, are so strange.”

You were in a panting mess. Liu Kang was on top of you while you laid on your back. Your moans were uncontrollable and you were mad at him again for making you wait so long to feel like this.

Liu Kang watched you pant and he was mad at himself that he made you wait so long to feel this good.

Having sex with a god was always more pleasurable because well, he was a god. It was so much easier to get you to cum. It only took three minutes. Sometimes even two.

“Keep going, love. You’re almost there.” Liu Kang told you.

You made short breaths out as you were close to your release. You felt all around Liu Kang’s chest trying to hold onto something. “Oh, god. Oh Liu. I can’t.”

Liu Kang kissed your lips. He knew that sex with him was ten times more pleasure able than if he were human. “Breathe in and out, my love.” He watched as you took some breaths in and out. He caressed the left side of your face. “You’re doing so good.”

You felt your release close. “I’m so close. Please.”

“I got you.” Liu Kang held onto your thighs and continued to go at his slow and hard pace. “Cum on me, my love.”

You felt the wave of your orgasm wash all over you. Liu Kang didn’t stop until you had came over him completely.

He pulled out of you. Then leaned down to kiss you on your lips. His lips then went to your neck and your shoulder. “Never make me wait that long again.” You told him.

Liu Kang chuckled against kissing your skin. “I won’t, lovely.”

JOHNNY CAGE

You never thought in your life span that you would crave for Johnny Cage but you did. He was your boyfriend now so you should’ve been used to the feeling.

But it had been a whole week. A week that Johnny did not have intimacy with you which you found to be extremely weird. I mean you two would have sex at least five times a week so you could not believe he wasn’t on you.

You had to be the stay at home girlfriend while he made his new movie. You couldn’t even stand being around him anymore because that’s how touch starved you were.

But you were not going to initiate it because he always initiated it and you were not going to give him the satisfaction of how badly you wanted him.

You couldn’t hide your attitude towards him.

You finished making dinner. Johnny was back from work. “Babe! I’m back! It actually was better than yesterday.” He came into the kitchen and set his things on the counter.

Johnny came up behind you and hugged you. He kissed your cheek. “Damn you look hot cooking.”

Yup. You couldn’t hold your attitude back. You pushed his arms off of you. “Clearly, I don’t.” You mumbled under your breath.

He heard you though. He was confused. Of course you were. You were the hottest girl he knew. “What are you talking about, babe?”

You walked away from the stove and got out plates. You set them on the counter. “There’s dinner. I’m gonna take a nap.”

You walked into the bedroom and were about to close the door behind you but Johnny was too fast for you.

Johnny forced the door open and you rolled your eyes at him. You started walking over towards the bed, fixing the sheets while he stood in the doorway. “What’s up with you? Did I do something?”

“It’s what you didn’t do.”

Johnny looked at you completely confused. You were mad that he didn’t do something? “Baby, you gotta help me out here because I’m lost.”

You angrily folded the sheets before turning to look at him. “Are you cheating on me?”

Johnny’s eyes went wide at the accusation. “What?” He stepped closer in the room to close some of the distance. “(Y/N), I’m not cheating on you. What could possibly make you think that?”

You scoffed at him and you turned your attention back on the bed. “I highly doubt that thee Johnny Cage can go a week without having sex.”

That’s when Johnny put the puzzle pieces together. He laughed a little. “Babe, seriously?” He came up behind you and wrapped his arms around you. “Aw, I knew you wanted some of this Johnny Cage.”

You rolled your eyes and pushed him off of you. “No. I don’t. I’m just stating it’s weird.”

“(Y/N), I’ve just been busy with the movie. Nothing weird has been going on. I promise.” He went back behind you and wrapped his arms once again around you. He started to kiss your neck. “If you wanted me, you could’ve just said something.”

“No.”

“Why?”

“Because that’s embarrassing.”

Johnny turned you around so you were facing him. He gave you an amused look. “Oh? So it’s embarrassing when I ask you all the time?”

You crossed your arms at him. “That’s different. You’re a man.”

“(Y/N). Just get your sexy ass in the bed.”

He watched you as you could barely ride him. It amused him a little. You were begging to have him but you were in too much pleasure to ride him the way you wanted.

Johnny didn’t have his hands on you as he wanted to see how far you could go without needing any help.

It wasn’t long.

“Oh my god. Johnny, I can’t.”

“You wanted this babe. You gotta ride me yourself.” He said smugly. He rubbed your nipples a little causing you to moan. “You tell me you love me though and I’ll help you.”

“I love you. I love you so much. Please. It feels too good.”

Johnny chuckled and grabbed onto your hips. He then started to move you up and down at a good fast pace. You weren’t doing any work. “I love you too, baby.”

You moaned loudly feeling your clit constantly hit him over and over again. “Yes. Please.”

Johnny let out a grunt at the new pace and your moans combined. “Damn I missed this.” His right hand traveled lower to smack your ass and then went back to your hip. “I’m never missing out on this again.”

Your hands were on his chest as you rode him. You felt yourself starting to inch close to your release. “I’m almost there. Oh shit. Yes.”

“Come on, baby. Cum on me. You can do it.”

His words made you lose it. You threw your head back. “I’m cumming. Oh god, Johnny.”

Johnny groaned as he felt you cum on him. He helped your ride out your entire orgasm. “There you go. I knew you could do it.”

You tried to control your panting as you sat on him. You didn’t make him pull out on you.

When he saw this, he rubbed your hips gently. “You alright, babe?”

You nodded. You leaned to kiss him on the lips and then you went back to riding his dick again. He moaned. “I want more.”

Johnny had no complaints.

RAIDEN

With Raiden being Earthrealm’s champion it made him quite busy. You didn’t like it. He didn’t have any time for you and you were getting quite touch starved. It had been two weeks.

You were even more pissed when you found out that he was in Outworld helping Princess Kitana with something. Oh, that enraged you.

You were jealous. I mean, Kitana was a princess and you were just some Earthrealmer. You couldn’t really compete with that.

Washing the dishes, Raiden walked into the house. “I’m so glad to be home.” He walked to where you were at and kissed you on the cheek. “Hello, my heart.” He started to rub your back soothingly. “I missed you.”

“Go miss Kitana.” You told him bluntly and pushed him off of you.

He looked at you very confused. Raiden turned off the water and forced you to look at him. “What are you talking about, (Y/N)?”

You sighed a little, feeling bad that you were rude to him. “Nothing.”

“Is something troubling you? You know you can always talk to me.”

You bit your lip, slightly embarrassed at what you were going to say. “It’s just…you haven’t been around to…” Raiden waited patiently to hear you. “Make love with me and I feel like all your attention is on Kitana.”

“Oh, my heart.” Raiden lifted your chin up and gave you a kiss on the lips. “Trust me, I would spend all my time with you if I could but Lord Liu Kang has me going on missions that pertain to Outworld.” Raiden started to kiss your neck with sweet kisses. “I would make love to you every day if I could.”

You sighed happily at the kisses that were being placed on your neck. “I’m sorry. I shouldn’t be so snippy with you.”

Raiden shook his head as he faced you. “You’re frustrated. I understand. Allow me to make you feel better.”

Raiden was eating you out as you laid on your back, his head between your thighs. You tugged on his hair. He licked all the right places and sucked on your clit greedily.

You moaned loudly. His hands were on your thighs and he continued to eat you out like you were his last meal. One thing about Raiden was that he knew how to eat pussy.

“Raiden. Yes. Oh god.”

He lifted his head from your pussy and licked his fingers. He then placed the fingers on your clit and started to rub it in circles.

You moaned louder and played with your breasts. Raiden watched you and licked his lips as he saw you throw your head back.

Raiden leaned over and kissed you on the lips, making you taste yourself. He wasn’t really a big tongue kisser but when he was horny, Raiden was the best tongue kisser in the world.

He licked the bottom of your lip before licking all over in the inside of your mouth. You moaned and tried to use your own tongue but when you did, Raiden wrapped his lips around it and sucked all over it.

You moaned incoherent nonsense and Raiden pulled away. “You look so pretty like this.”

The circles on your clit didn’t stop. You rubbed all over his chest. “Raiden please. I’m so close.”

When you said that, Raiden kissed you one last time. “I can’t wait to taste all of you in my mouth.”

Raiden went back between your legs and ate you out again. You moaned at the harsh licks and the way he sucked on your clit at a steady pace.

“Raiden. Oh god. Raiden. I’m cumming.”

He ate you out through out the entirety of your orgasm. Even to the point when you were done. You tried to push him off of you. “Too sensitive.”

Raiden came up from pussy and kissed you on your breasts. “Come on, love. You can’t give me one more?”

You couldn’t help but give in to Raiden’s words. You nodded and he smiled before going back down on you.

[songoftrillium]

Werewolf: the Apocalypse 5th Edition and the Anti-Indigeneity in the Gaming Industry

reosted with permission from J.F. Sambrano

Dagot’ee!

Shii J.F. Sambrano gonsēē. My nations are Chiricahua Apache (Ndeh) through my maternal grandmother and Cora Indian (Náayarite) through my maternal grandfather.  I am a mixed race Indigenous person, and through my father my heritage is English and Scottish. I am currently residing and doing work in my community on the lands of Lummi Nation. I use both gender non-binary and masculine pronouns, but prefer the former. I have several published works in the TTRPG industry, and am probably most known for my contributions to Mage: the Ascension 20th Edition, Werewolf: the Apocalypse 20th Edition, and the Transformers Roleplaying Game, as well as being part of the Essence 20 development team. Further, I also work in higher education at an Indian college, both advising and teaching Indigenous students across the United States. My passion is education, and I believe that we all learn through play, and that TTRPGs are a valuable source of learning, especially on personal, cultural, and social levels. This has always been what has drawn me to TTRPGs since I started playing M.E.R.P. with my brother in 1996 (and before that HeroQuest), through to my “graduation” into more story-driven games such as those presented in the Storyteller System, until now, where I author and produce my own roleplaying games.

I was also part of the First Team (in-joke intentional) hired by White Wolf Studios/Paradox Interactive via Hunters Entertainment to develop and author Werewolf: the Apocalypse 5th Edition. After several months of work, Paradox Interactive chose to go in another direction in early 2021 (I believe it was either March or April) and in fall of that year, it was announced that Werewolf would instead be taken in house, with Justin Achilli as the Brand Creative Lead and primary author of the book. Going forward I will be describing my experience while I worked with Paradox Interactive, primarily through Karim Muammar, White Wolf’s Brand Editor, as well as the developmental editor for Werewolf. Although I worked in a team, both with hired authors and in-house representatives at Hunters Entertainment, I will not be speaking for the experience of others, except when specifically noting unanimous consensuses, and specific interactions (which will go unnamed) that are particularly relevant. My hope is that by highlighting some of the anti-Indigenous attitudes that are central to the foundational members and leaders of the White Wolf brand, that I can provide opportunities for growth and healing within the World of Darkness TTRPG community, but also in the broader gaming community, where these behaviors and attitudes are rampant. I also want the community to have a better understanding of what this experience is like internally, and the challenges that Indigenous creators, as well as other marginalized creators, are met with when they try to make positive change within nerd and geek communities clinging to inherited white supremacist values, even if they don’t realize they are doing so.

What I do not want to be doing in this article is creating fuel for edition wars.  I believe that both legacy and Werewolf 5th are rife with anti-Indigenous attitudes, and appalling amounts of appropriation. Both versions deserve criticism, I am not defending one over the other, I am only sharing what my experience was like working on the 5th edition of the book. Further, please understand that I was originally going to wait until I had read the final copy of the book, because I wanted to know how much of my work was used (based on previews I already know some was, just not the extent) and whether or not they decided to credit me for that work, and how I was going to be credited.  My belief is that I likely will not be, but I am genuinely uncertain.  Knowing how they handled that would have reframed how I addressed this. But more importantly, I want it to be very clear that even before Paradox ultimately pulled the plug on the Hunters team, I was preparing to exit working on the project based on the experience I will describe below. Not only did I find it frustrating, and personally disparaging, but I ultimately decided I was uncomfortable with my name being attached to the product based on the direction they wanted to go. So while I wanted to know whether or not I would be credited, because it would teach me something about their internal practices, I do not want or need the credit.

Finally, the reason that I decided to speak about this now instead of after having a chance to inspect the final product, was because my personal experience dealing with anti-Indigeneity coming from Paradox was just that: personal.  But since then I have witnessed a throughline of hateful and xenophobic attitudes wielded against Indigenous people across the globe, and we do not deserve this treatment.  I was outraged over the events that led to the segregation of the Latin American fanbase, which culminated from bottom-up criticism about how poorly their people and countries were being defined through World of Darkness products, and ended up with the firing of their Latin American Brand Ambassador, Alessa Torres, because she chose to stand with her community in those criticisms.  I was further appalled when the likeness of Tāme Wairere Iti was shoehorned into the Werewolf book, a blatant example of cultural theft: not only in stealing the literal physical identity of an Indigenous person, but also his sacred tā moko.  When Paradox Interactive issued an apology for this, it felt incredibly hollow to me in the wake of these events, the hateful attitudes I had personally witnessed coming from the top.

Whether from North America, Mexico, Brazil, Argentina, or Peru, or across the globe in New Zealand, not only do Indigenous people deserve better treatment from such a major company, but their Indigenous and Latino fanbases, who have twisted and worked themselves through difficult representation for decades at this point, deserve better.  Apologies are not enough, especially when they come with next to no real change.

Werewolf: the Apocalypse in Context

At the time that White Wolf Publishing began to produce its World of Darkness line, the TTRPG industry was dominated by white men, both as producers, developers, and authors, as well as the main characters in their settings. White Wolf's World of Darkness made an impact at the time, by defying these Eurocentric, patriarchal presentations, first by defaulting to feminine pronouns throughout Vampire: the Masquerade, and then by focusing on Indigenous representation and values in Werewolf: the Apocalypse, and as a young Indigenous nerd, it had a positive impact on me, as I know it has on some other Indigenous people who became fans of the World of Darkness at the time. This was because before opening the pages of Werewolf: the Apocalypse, I had never seen heroes that I could play who looked like me and my culture. It was off, and often offensive, but it was my first experience in which I could directly play a hero who shared my heritage--and I also had more than one option through two different Tribes to do so. This might sound a little like I was cheering for table scraps, but again, at the time, table scraps was more than I had ever seen before.

Werewolf: the Apocalypse 1st Edition was originally published in 1992 via then White Wolf Publishing (not to be confused with Paradox Interactive's White Wolf). From its inception, the premise was interwoven with what its then-authors believed to be Indigenous praxis and representation.  Like many pop-culture presentations of Indigeneity from this time period (see Fern Gully, Dances With Wolves, Disney’s Pocahontas, or in TTRPGs, the NAN from Shadowrun) it was rife with problematic and even offensive stereotyping. The most obvious examples thereof are within the two "Pure Tribes" Uktena, and W****** who I will henceforth refer to as Older and Younger Brother. However, Indigenous inspiration was at the core of the game's spiritual premise as well, where animism and "Totems" are central to the setting and gameplay. The way these concepts are presented is trivializing and dehumanizing, but it is important to acknowledge that the appropriation present in Werewolf: the Apocalypse goes a lot deeper than the two Brother Tribes (even the term "Tribe" was meant to invoke a vision of Indigeneity compared to the previous setting in the line's use of "Clan"). Additionally, there is art throughout every generation of these gaming books that represents humans, wolves, and human-wolf hybrid forms wearing Indigenous regalia, including sacred items such as headdresses, or engaged in sacred rituals such as the Sun Dance. The list of problematic representations goes deep, and my examples only scratch the surface, but it is also important for me to note the positive impact that this had, particularly in the 90's.

Even though the primary contributors to these narratives were non-Indigenous authors, or in one case, a Pretendian, and another, a culturally disconnected author, by the time the Revised (or Third Edition) era of the books came around, White Wolf Publishing was actively engaged in cultural consultation.  While I do not believe cultural consultation makes a big difference on its own, it matters that the attempt was made, to a degree: while these efforts fall short of what needs to be seen in cultural representation, this was still ahead of most other gaming companies at this time.

Hired by Hunters Entertainment

In February of 2020 I was approached by one of the co-owners of Hunters Entertainment to be one of the primary authors for Werewolf: 5th Edition due to my work on other World of Darkness projects, and let's be honest, because I was capable of bringing a much needed Indigenous perspective to a gameline that was rooted in Indigeneity and rotting with appropriation and racist stereotypes. I was overall receptive to the invitation, largely because I was very passionate about the World of Darkness setting overall, and Werewolf in particular, due to the impact that 90's representation had on me when I was a younger gamer. I also felt hopeful that with a really hard rewrite of Indigenous aspects of the game that I could shift a lot of really painful aspects of the game into something that was a net positive for Indigenous representation. I will tell you now, more than anything, I was excited to rewrite the Younger Brother Tribe, because when separated from racist authors, their message is very empowering and real to my lived experience.

That said, I did not agree to join the project without first asking for reassurances. I said that I was not willing to write negative Native stereotypes. I would not use appropriative language, or generally engage in appropriative writing (which meant at minimum that the names of the Pure Tribes would need to change), and most importantly, that I would not not engage in writing that contributed to erasure. While the person who recruited me to work on the project was eager to work with me, he acknowledged that he was not sure he could get everything I wanted to see approved, but also promised to fight for everything I suggested as hard as he could. Additionally, he shared with me that the original setting pitch for W5 involved all of Younger Brother being slaughtered en masse in a massacre. I made it clear that this was exactly the kind of thing that I would not write.  I cannot remember if this was something he suggested to be changed before or after I was invited onto the project, but with some pushback it was changed.  However, I point this out because I want you, the reader, to understand how eager Paradox Interactive was to start with mass genocide and erasure as a foundation to the setting.  All that said, I cannot stress enough that I have had nothing but positive experiences with Hunters Entertainment, and none of the following concerns fall upon them.

The Sword of Heimdall

The first encounter the Hunters Entertainment team as a whole had with problematic guidelines for the W5 draft was the direction that Paradox Interactive wanted to go with the Sword of Heimdall. At the time, the suggestions from Paradox and Karim Muammar were that the Sword of Heimdall was going to represent the new major villain of the Werewolf setting, and that they were to also represent the far-right, fascist direction that Werewolf society so often turned toward. They were meant to be representative of how far the new concept of Hauglosk could take entire communities. However, the Sword of Heimdall was discussed interchangeably with the Get of Fenris as a whole, and more than once Muammar seemed to suggest that every member of this Tribe was guilty of the same attitudes espoused in previous editions from the Sword of Heimdall. Now let's not beat around the bush: the Sword of Heimdall are literal Nazis. They believe directly in white supremacy and don't shy from it. They wanted to cleanse impure elements from the Get of Fenris, including BIPOC people, other non-white ethnicities, women, neurodivergent Garou, and other disabled Garou.

The writing team found this approach problematic for several reasons. The first, and most obvious, was that the direction seemed to want to turn one of the most popular Tribes into a horrific stereotype of its most abhorrent faction. Whether or not Muammar’s goal was to turn them into villains, we could not imagine a world where fans of previous editions would get their hands on this book, and not look for a way to play one of their previous favorite groups, thus creating the issue of making a guide to playing Nazi. Even beyond that, it’s not as if historically there were not players who used the tools of the setting to play Black Spiral Dancers, why wouldn’t this draw people who actually wanted to role-play through these toxic, harmful politics? Further, and while this is less important, it left a bad taste in my mouth, the justification for this major shift in Werewolf lore seemed to change over each pass. At first, Muammar suggested that all Fenrir were Nazis/SoH.  Then, when he was provided with evidence that it was a small faction that was eliminated in the early 2000’s, he started to shift toward the idea that we should not follow the lore. Finally, when every single member of the writer’s team flatly refused to provide what would essentially be “a player’s guide to being a Nazi werewolf” the writing was on the wall about the end of our involvement with this product. More than once, he suggested that we were cowardly social justice warriors for being unwilling to work with this concept, even though there were several attempts to write a heroic version of the Fenrir that were focused on undoing these ills of the past.

Indigenous Erasure in Werewolf: 5th Edition

While the entire Hunters Entertainment writing team was handling the major, glaring issue of Paradox’s fervor to include a major Nazi element in Werewolf, I was personally dealing with the problematic approach to the Indigenous issues in the setting. The largest problem, for me, was in addressing Younger Brother’s issues, the history of non-Indigenous writers creating horrifically racist stereotypes, and what was valuable in the Tribal identity that should be saved and recentered. However, my attempts to do so were thwarted with every approach. I rewrote this Tribe four times, and offered three different versions of it to try to earn approval for a final write-up, but each time there was a lot of negativity directed towards my attempts and all them boiled down to this: Muammar felt that having two Tribes (both Younger and Older Brother) representing the “Indigenous population” was too many, and wanted them to only be focused on Older Brother, and that Younger Brother’s connection to a central, Indigenous identity, was undesirable because “other sources wrote them as having Siberian and European connections” and that future writing on this Tribe would require a lot of sensitivity…suggesting that one, Muammar wasn’t interested in doing the work to handle that level of sensitivity, and further, that he wasn’t interested in including me in future work, since I was involved with doing that at the time.

I want to take a moment to remind you that the work that was put into recovering Younger Brother started with “Let’s Kill Them Off” and at this point, through a combination of convincing and pleading, had been walked back to “They can live, but now they’re not connected to being Indigenous anymore” which is just representative genocide of a different variety. “Kill the Indian in him, and save the man.” It was also explicitly something I said I would not write about going into this project. Ultimately, my efforts did not get much further than this, with some specific exceptions I will cite below.

Karim Muammar’s Anti-Indigenous Positions

Muammar consistently and repeatedly communicated to the team in ways that were condescending and dismissive of our collective accomplishments and capabilities, but from my perspective, no one suffered as much significant derision as I did while discussing the changes I wanted to make to Younger and Older Brother in order to make their representation empowering and exciting.

In the pulled quote from the previous paragraph, I want to point out to you that Muammar, who had the title of Lead Editor on this project, refused to capitalize Native American. Further, he would often redline my work with edits to decapitalize my own uses of Native American, as well as the word Indigenous when referring to Indigenous peoples. While there are plenty of people who might want to argue about this, I will point out that both the AP style guide as well as the Chicago style guide (the one which I am most familiar with in my academic historical work) both call for Indigenous to be capitalized when referring to a people. Further, I challenge anyone to defend the consistent decapitalization of Native American. More importantly, the reason that these are standards in respected style guides, is because the English language has been used historically to oppress and erase ethnic identities, including Indigenous identities. By transforming adjectives into proper nouns, we are declaring that Indigenous and Native aren’t descriptors that can be applied to animals, plants, and soil, but real lived identities and culture groups.

When I was explaining to the Paradox team (which was mostly just Muammar) why it was important to change the names of these two Tribes from the appropriative (and offensive) ones used in the past, Muammar pushed back by defending the previously used Younger Brother name, even after reading my extensive research and explanation about how this would harm Indigenous communities and fans.

While doing so, he also decided that it was appropriate to refer to this entirely Native American tribe by the word “savages” a slur that has been specifically used to dehumanize Native Americans, and then mocked my rewrite that focused on presenting them as stewards of the land using Indigenous methodologies and praxes, instead of the “savage” racist stereotypes they were presented as in previous editions. Further, as in the above quote, even after it was communicated that the use of this term was problematic, he kept doubling-down to use it to refer to the Tribe.

Even though I worked hard to redefine Younger Brother through Indigenous theory, such as place-based theory, relational theory, and communal theory, Muammar either refused to recognize this work, dismissing it as simple, or else simply could not understand the importance of these changes. Either way, the choice is that he didn’t want them to change, or couldn’t comprehend why the change was important because of how entrenched in white supremacist thinking he is. Further, after the massive effort that I put forward to attempt to educate him and the rest of the Paradox team on these issues, the insistence on using offensive terms and belittling my work felt intentional. So let’s talk about the work I did that was above and beyond my job description: free cultural consulting work.

“Sensitivity” and Consultation

I have seen several misunderstandings of my role working on this project going around, so I want to make something very clear. I was hired to work on this project as an author, and nothing else. I was not ever hired to be a cultural consultant. I do not do cultural consulting work. While I feel that there are many creators and companies who hire cultural consultants with the best intentions in mind, their responses often fall short of what is needed, as no one is ever obligated to actually follow the advice of cultural consultants. Further, I think there are also many companies who choose to hire cultural consultants only to say “we did this minimal step, and that is enough” in order to ward off naysayers.

However, anyone who hires me gets some level of cultural consulting for free, because it comes out in my writing–in both what I won’t write and what I choose to center my writing around. In the case of Werewolf 5th Edition, however, it was far more involved than this. I came with a plethora of “I will not write X” because I knew the setting was so problematic.  A short list of my demands besides not being willing to write Indigenous erasure, was that we needed to change the names of the Pure Tribes (and the term Pure Tribe itself), we needed to change the word Totem to Patron, and also the Patrons of the Pure Tribes. We needed to move away from the term Metis for obvious reasons, and we needed to move away from the term Skin Dancers. I also specifically noted that there was a lot of cultural theft happening from the beginning of Werewolf until now that I wanted to address. The only way these issues were going to be addressed was to convince Paradox they were actual issues on the level of PR concerns, because nothing else was likely going to be considered. So in order to achieve this, I put in weeks worth of research, writing, and meetings with top level administrators with Hunters Entertainment so that they could bring this information to Paradox.  I never documented my hours, but I would guess that I did approximately 80-100 hours of what I could only describe as cultural consultation work for free that was outside the contract work I was hired for. Let’s be clear: I did this willingly because I was passionate about the positive changes I wanted to see in this product, because I believed that Werewolf’s historic ills could be turned toward non-toxic representation.

Besides my actual words, such as naming the Ghost Council, and arguably the name Gale Stalkers came from a combination of names I pitched to Paradox after Winter’s Teeth was denied, and several sentences and paragraphs that I have seen so far that appear so close to what I originally wrote that you could imagine they were just edited versions, my largest contribution toward the final version of Werewolf: 5th Edition was this work. The only reason the offensive, appropriated names were changed were because of hours of my work to convince them it needed to happen. The reason that the Gale Stalkers aren’t just dead and gone: again, I pushed against this. The reason that Skin Dancers, Totem, and Metis will not appear as canonical titles? I pushed against their unwillingness to alter these things (see Karim’s defense of Wen**** Tribe name above).

Further, and this is the biggest reason I decided to write this article before seeing the final version of the book, I want to mention that I was also included in discussions with Hunters Entertainment to potentially be part of the art direction team, especially to oversee depictions of Indigenous characters, regalia, and art, to ensure that it would be represented either respectfully or not at all. I decided I needed to speak as soon as possible after the artistic portrayal of Tāme Iti appeared in the Glass Walkers preview without his permission. There are many arguments surrounding this issue and I am not going to address everything, but ultimately, I can tell you that had I remained as part of the art direction team, and saw that, I would have questioned it immediately. Even if I didn’t recognize Tāme Iti immediately, I would have asked what the source was on the depiction of moko in that piece, because I am aware that this is a sacred form of art–and I had already discussed wanting to make sure things like Crinos in headdresses didn’t appear in the book (as had often happened in previous editions, particularly on a certain white-skinned character whose name rhymes with Steals-the-Past).

As time working on this project went on, and I went through rounds and rounds of trying to convince Muammar and Paradox that it was important to not steal Indigenous identities, art, and stories, and that a greater effort needed to be put in powerful and empowering Indigenous representation, and I constantly ran into refusals and criticisms that were clearly hateful toward Indigenous identities and peoples, not to mention the push to represent Nazism as a major part of the game setting, I grew increasingly frustrated and restless with feeling like I was trying to work on a challenging project while also defending my right to exist as the person I am at every turn. Eventually I turned to another Indigenous TTRPG and game creator to ask for advice, and after a long and difficult discussion, I came to the conclusion that I was going to talk to the Hunters administration team and tell them that if Muammar kept using slurs and other anti-Indigenous language and attitudes, I was going to need to step off of this project, because it was harmful to me on a personal level. In furtherance of this point, I have been avoiding doing any contract work at all where I can tell that I am wanted for my specific cultural perspective ever since, because this situation was so harrowing for me.

Unfortunately, before I could have this conversation, after one final draft of Younger Brother and Bone Gnawers (which had its own issues, but that is not the point of this discussion), before we received any other specific feedback, the Hunters Entertainment administrators announced to the writing team that Paradox had decided to take the book in-house, and would no longer need our services.

The main point I would like to leave you with, besides these few specific quotes (out of dozens and dozens) that Muammar made that were anti-Indigenous, is that there is often a big call to have more BIPOC voices in various entertainment industries, so that both our stories, perspectives, and unique views on how the universe and life works, can be included; so that an industry that is historically, harmfully Eurocentric, might turn toward new, healthier, and inclusive directions. And I agree with this call for change, but I implore you to consider the conditions that BIPOC creators often have to work under: doing cultural/identity work and consultation for free as part of being present, being subject to vicious refusals of our experiences and perspectives, and straight-up having slurs lodged against our work. I want to see these changes in the industries we love, including the gaming industry, but currently the people who are in charge, who have the most power, are severely hostile to our work and our perspectives. This is why, for example, works like Coyote & Crow were done with an almost entirely Indigenous group of creators, and led by Indigenous creators, because trying to work for and with this ugly, hateful, and xenophobic group of people is so often exhausting, both mentally and spiritually, and because no good changes end up being made.

I am glad the harmful, appropriative terms were removed from the setting. I am glad I was part of the fight to make that real. I am not so glad that I was treated with hostility and racism by Muammar for the effort and love I put into this work, and I am not so glad that I will certainly be reviled by one of the two communities I did this work for–the gaming community, and certainly the people in power in this industry–and I am also not so glad that I didn’t have the opportunity to properly acknowledge how much of Werewolf’s base themes and setting are twisted and tied-up in Indigenous appropriation without giving the proper acknowledgments.

More than anything, I hope that this story will help you, the fans, realize that there is a lot of darkness in these communities, and they won’t change unless you hold their feet to the fire.

Ánaagodzįįhł

J.F. Sambrano

[gateway-2000]

disabled trans person needs help paying first month's rent after recovering from being homeless for 6 months

hello, i have a post about this on my other blog @genderqueerdykes but i know a lot of people don't know that that's me. i am a physically disabled autistic trans genderqueer person living with schizophrenia, PTSD arthritis, ehler's danlos syndrome, degenerative disc disease, and fibromyalgia. i was living in a hotel paying $40/night for 2 months and have finally relocated into my subsidized apartment after months of fighting. i had to pay a $250 deposit on top of prorated rent for the short amount of time i'm living here in March.

i have also had to pay for food, bedding, cleaning supplies, toiletries, dental supplies, shipping supplies for my business, etc. since moving in so my money is stretched extremely thin.

I need help paying April's rent. My monthly rent is $178/month. I currently have:

$57/$178

if you're interested in helping:

cash app: $ glitterGraphix pay pal: glittergraphicnightmare @ gmail. com chime: $ Equinoxian venmo: $ Equinoxian

[barbwritesstuff]

The moon is full! That means it's time to:

Get vampy.

That was the demo link by the way. I'm sorry if that wasn't clear. I really hope you enjoy.

Update Details

As of the 25th of March 2024

Chapter Seven is complete

Started work on Chapter Eight

Fixed up a few minor errors, bugs, spelling mistakes, etc.

Additional Words: 22,786 (excluding commands)

Total Words: 245,113 (excluding commands)

And, as always, if you like what I do and want to support me, you can get weekly Thicker Than updates by signing up as a supporter on my KoFi page for $5 a month. I hope you check it out. 💙

[multifandomgirl08]

Mini Verstappen Series Masterlist

Paring: Single Dad!Max Verstappen x Fem!Reader

At the end of 2020, Max Verstappen gets the surprise of his life when he finds out that his ex-girlfriend had given birth to a son, his son. A year and a half later Max's longtime girlfriend of 8 months finds out about his son Nico.

This is an ongoing series. I'm always adding to it. The masterlist changes often.

I do take requests for this. If there is anything that you want to see happen in this series just message me in my ask box. All of my normal request rules apply.

Reader Face Claim: Hande Erçel

Total Published Word Count: 46,517 Words

Disclaimer: This work below is fictionalized ideas and stories involving real people but does not directly reflect their thoughts, feelings, or behaviors. Please keep in mind that this is a work of fiction, so enjoy it as such.

𝑅𝑒𝑎𝑑𝑖𝑛𝑔 𝑂𝑟𝑑𝑒𝑟

0.0. Prologue - [December 2020]

Max finds out that he has a son. And it changes his world.

0.1. Be Something You'll Love and Understand [December 2020] Outtakes

He knew that he should have called his mom yesterday but he was still wrapping his head around the idea of being a father.

0.5. The Moment You Smiled At Me - [November 2021]

The evening that started it all for Max and Reader.

1. Mini Verstappen - [July 2022]

You get a small surprise the first time you visit Max’s apartment.

1.5. Girlfriend? - [October 2022] Request

You meet Nico.

1.8. Caught - [June 4, 2023] 18+ Outtakes

Lando swears he knocked before walking into Max's hotel room, maybe he should have yelled before opening the door.

2. Change - [November 26, 2023 + January 2, 2024]

It’s the end of the F1 season. Some things are changing for the Verstappen's.

SMAU #1. The Secrets Out - [December 31, 2023 - January 1, 2024]

It’s the start of a new year. You and Max decide to tell the world about Nico.

3. A Lioness Protects Her Cub - [May 5 - 9, 16, 23, 2024] Request

Reporters are vultures and Max picks out a ring.

4. Day At The Karting Track - [June 15, 2024]

Nico starts karting. It opens a small can of worms.

SMAU #2. Through Max's Eyes - [March 8, July 30 - August 15, 2024]

Max’s Instagram posts about Y/N, and a small life update from the couple.

5. Something Bad, Something Good - [August 17 - 19, 2024] Request

Reader deals with the haters on Twitter, Nico calls Reader Mama. Max claps back at the haters on Instagram like the malewife that he strives to be.

6. Race Day - [September 1, 2024] Request

Nico tags along with Max during a race day in Monza, well as much as he can.

6.1 Wedding Headcanon - [February 2, 2025]

Headcanons from Max and the Reader's wedding. Social Media posts from their honeymoon.

6.5. Give and Take (Kind of Love We Make) - [February 28, 2025] 18+ Request

Max had a plan in his head for the evening. He had mapped out the track before, and intended to keep to his strategy until they got home.

6.7. To Constantly Be Away - [March 10, 2025]

Second race of the season and Max is already having a tough time with the car. Missing his family only makes it worse.

7. From Three to Four - [April 4, 2025]

Reader tells Max that your expecting, he doesn't have the best reaction at first.

8. Stones To Throw At My Creator - [July 2025]

He wasn't his father. He would never raise Nico like that.

SMAU #3. The Verstappens - [January 8, February 2, May 26, December 3, 2025]

Big things happen to Max and the reader in 2025. Moving, getting married, and a little surprise that neither of them were expecting.

8.7 Give Me Eyes To See - [December 7, 2025]

Nikita's first few days at home. Flashbacks to moments from the reader's pregnancy.

8.8 Nikita's First Christmas - [December 24-25, 2025]

Nico's first Christmas with his baby brother.

8.9 Ghost of Bittersweet Memories - [January 25, 2026]

A few of the drivers visit you and Max for the day, and you end up talking with Charles about a woman that he meets at an FIA event. (This is the conversation I referenced in Part 2 of Bittersweet.)

9. Glass Houses - [February 17, 22, 23, 2026]

When Raymond had called you about going and getting lunch, you should have known that something was going on.

9.5. All That I Can Give - [May 10, 2026]

Another Mother's Day and one of Nikita's firsts.

9.7. On Sleepless Roads, The Sleepless Go - [December 2-3, 2026]

It's the early hours of Nikita's first birthday, and you can't help but look back at the day you brought your son into the world.

SMAU #4. A Year in Moments - [February 10, May 28, August 2 & 27, October 21 & 31, 2026]

SMAU #5. - [2027]

SMAU #6. - [2028]

10. The End of An Era - [November 2030]

The days leading up to Max retiring from Formula 1. The Article announcing his retirement. And the last race of his F1 career.

11. Right On Track - [2036]

Checking in with the Verstsppens in 2036.

12. Letters From The Past - [November 17, 2038]

Max and Reader sit down to read the letters that Amelia (Nico's birth mom) wrote.

𝐸 𝒳 𝒯 𝑅 𝒜 𝒮

Pinterest Board

Playlist

Paring Evolution

Timeline

Dividers made by @cafekitsune | Banner made by me

Mini Verstappen taglist: @karmabyfernando, @barcagirly, @sachaa-ff, @iamahallucinationnn, @musingsbyshreya, @glow-ish, @nonsensical-nonsence, @fanboyluvr, @champomiel, @gothicwidowsworld, @lighttsoutlewis, @itsalwaysgay, @minkyungseokie, @mynameisangeloflife, @ursforever129, @aundercover, @bborra, @mindless-rock, @cixrosie, @barcelonaloverf1life, @taylorslovesswifties13, @konsti081, @mellowarcadefun, @smnthnclj, @brekkers-whore, @lpab

[invisobang]

Artist sign-ups opening soon!

For those of you who don't know, Invisobang is a collaborative event for authors and artists. Over the course of several months, authors write fanfics and artists create art for those fics!

If you want to connect with other creators in the Phandom, this is the event for you!

How does it work?

Authors begin writing as soon as they sign up. Their goal is to write a fic with 5000 words minimum, although there is no maximum. Halfway through the event, they anonymously submit a profile of their fic.

Using these profiles, artists pick the fics that interest them the most and submit a claim. Mods will pair up authors and artists based on these claims.

During the second half of the event, authors finish their stories while artists make their art.

At the end of the event, participants share their work during posting week to create a big bang of content for everyone to ooh and aah at!

When is it, and how do I sign up?

Invisobang runs from February 14 to September 7. Author and artist sign-ups are staggered, while beta sign-ups are open for the first half of the event. Each role has a Google Form that will be posted when sign-ups open.

Authors: February 14–March 15 (CLOSED)

Betas: February 14–June 15 (OPEN)

Artists: May 16–June 15 (OPENING SOON)

Anything else I need to know?

The event is hosted through the Invisobang Discord. Participants must have a Discord account and be willing to join.

Artists must be able to make visual art or music, although you can make alternative art if your author is interested.

All content must be made new for the event.

See the Invisobang info doc for information on rules, frequently asked questions, and the event schedule. If you still have questions after that, send it to the blog, or dm a mod (@kinglazrus, @bibliophilea, @strawberrycamel, and @underforeversgrace).

[luciesartblog]

Gilbert Baker (June 2, 1951 - March 31, 2017) was a gay American artist, designer and activist, best known as the primary creator of the rainbow flag. In 1972 Baker was living in Chicago as an openly gay man, he was taught to sew by a fellow activist, Mary Dunn, using these skills to create banners for gay-rights and anti-war protest marches. It was also during this time that he met and became friends with Harvey Milk, an influential gay leader, who challenged Baker to create a new symbol of pride for the gay community.

The first rainbow flags were produced by a team that included Baker, seamster James McNamara and artist Lynn Segerblom. Segerblom, who was then known as Faerie Argyle Rainbow, reports to have created the original dyeing process for the flags. Thirty volunteers hand-dyed and stitched the first two flags for the parade. These original flags flew at the San Francisco Gay Freedom Day Parade celebration on June 25, 1978.

Though many variations have emerged in the decades since, the original design had eight stripes, with a specific meaning assigned to each of the colours: Hot pink for “sex”, red for “life”, orange for “healing”, yellow for “sunlight”, green for “nature”, turquoise for “magic” (though sometimes given as “art”?), indigo for “serenity” and violet for “spirit”.

I’m a little late for pride month, but I got all this done a lot quicker than I expected considering I only started working on it at the beginning of June (though I’ve been planning it on and off for a few years now😅). I did a lot of research and planning for each piece, and there was a lot I wanted to communicate with the project as a whole - it’s been a lot of work, and I challenged myself with a bunch of stuff I’m not familiar with, but I’m really happy with how everything turned out.

Happy pride, everyone, here’s to our community, to all the work that got us here, and to all the progress still to come! 🏳️‍🌈✨🏳️‍⚧️

[febuwhump]

FEBUWHUMP 2023 IS HERE!

the prompts this year were chosen through a suggestion poll and subsequent vote, where over 350 people voted for their favourites. the top 28 make up the core prompts, and a mixture of the next most popular and this blog’s personal favourites have become the alternatives!

i’m so excited to see what you all create with these prompts, and hope they’re inspiring enough to trigger a whole month’s worth of creativity for you! if you have any questions, make sure to check out the blog’s FAQ, or check out the previously asked questions on the blog before sending one of your own!

please note: this year, notifying the blog of completionist status will happen through a google form that will be released closer to the end of febuwhump.

full write-up of prompts and rules under the cut:

FEBUWHUMP 2023 PROMPTS:

DAY 1: touchstarved

DAY 2: flinching

DAY 3: muzzled

DAY 4: knife to the throat

DAY 5: "that's gonna scar"

DAY 6: secrets revealed

DAY 7: made to watch

DAY 8: panic

DAY 9: voice loss

DAY 10: difficulty breathing

DAY 11: fever

DAY 12: "can you hear me?"

DAY 13: forced to hurt a loved one

DAY 14: captivity

DAY 15: self-sacrifice

DAY 16: semi-conscious

DAY 17: silent tears

DAY 18: can't stay awake

DAY 19: "you deserve this"

DAY 20: knife wound

DAY 21: shackled

DAY 22: can't scream

DAY 23: "you'll have to go through me"

DAY 24: bloody clothes

DAY 25: assumed dead

DAY 26: forced to choose

DAY 27: survivor's guilt

DAY 28: "you're safe now"

SWITCH-OUT PROMPTS:

is there a specific day’s prompt you don’t want to fill? here are ten alternatives you can switch them out for!

ALT 1: rope burns

ALT 2: caged

ALT 3: soft words

ALT 4: experimentation

ALT 5: time loop

ALT 6: limp

ALT 7: immortality

ALT 8: found footage

ALT 9: natural disaster

ALT 10: inferno

RULES:

SOFT RULES:

prompts should be answered in the form of whump

creators can produce whatever kind of media they want

you don’t have to complete all the prompts! you can create however much you want to

you can use the prompts after the event ends

you can post on any platform you want, however this blog will only be sharing those posted on tumblr

if you want to be featured on the hall of fame then you have until the 3rd of March to inform this blog that you completed all the days

HARD RULES: (specifically for being featured on the blog)

when uploading febuwhump content to tumblr, please use the tags:

febuwhump (i’ll also be checking febuwhump2023)

the relevant day’s tag e.g. febuwhumpday1, febuwhumpday2…

nsfw (if relevant)

and any trigger warnings that may be important!

you can also tag the blog, @febuwhump

i cannot guarantee your work will be archived on the blog because I have no idea how many participants there will be. a random selection of works tagged in accordance to the rules above will be reblogged every day of february.

[genderqueerdykes]

homeless disabled trans person needs help paying for hotel, storage unit & phone while government assistance housing program keeps delaying their move in date

March 21st, 3/21/2024: hello, I'm equinox or Johnny, I'm a severely multiply disabled trans person living in a hotel right now due to not being able to afford apartments on the housing market right now. i have a guaranteed apartment through a government assistance program, but their compliance team keeps delaying my move in date because they cannot figure out how to calculate my earned income because i am self employed. they have been running me in circles asking for the exact same information for six months and have been becoming increasingly more condescending and rude as I've pointed out that they're asking for information i physically cannot provide, like "bank statements" for GoFundMe, a fundraiser website that considers all money earned personal gifts, and tumblr bank statements.

i haven't been able to get my hormones in weeks.

i was promised to move into my apartment on the 7th, then the 11th of this month, and it was requested of me to put the electricity bill in my name so I could get moved in as soon as possible. I did this and now i have a $20 electric bill in my name because they've delayed for so long. my unit has been sitting empty for 6 months and now I'm expected to pay for the electricity that is running in a 1 bedroom apartment I'm not living in.

i have been homeless for 6 months straight. i have been living in my hotel for 2 months. my hotel has been without WiFi for a month which forced me to get a Tracfone with a data plan so I can do my job and communicate with this apartment complex via email. i unfortunately need to buy more data because this has taken so long. most of my possessions including large portions of my stock and shipping supplies are in my storage unit, of which the $78 bill is due in 3 days.

the hotel I'm staying at is normally $40/night but the prices are skyrocketing this weekend because this is a very cheap hotel due to its low rates. i can't afford any of these nights independently of each other, let alone altogether, and it's Thursday and i haven't heard a single word about my move in date.

i have been depressed and crying for days, i cracked a tooth from clenching my teeth and i haven't been sleeping due to stress and nightmares. anything helps. thank you for taking the time to read and support and share. everyone has kept me housed for 2 months so far. i owe you all so much

PayP al: glittergraphicnightmare@gmail.com

cash app: $glitterGraphix

venmo: @ Equinoxian

chime: @ Equinoxian

[atthebell]

Mariana just became the 10th most followed streamer on Twitch with 9.34 million followers, just surpassing Pokimane, and I wanted to share some highlights from the article Stream Charts wrote up on him & on the Spanish-speaking Twitch community!

At the end of 2023, Streams Charts named ElMariana the fourth-most-watched Latin American streamer of 2023, having recorded 28.89M Hours Watched for the entire year. Not only is the creator highly watched, but his community is also one of the most active on Twitch. Earlier this month, we scoured Twitch chats across the platform to determine which streamers had the most active chats on the platform. ElMariana ranked within the top 5 channels by Active Chatters and was the only Spanish-speaking streamer to rank so highly by this metric.

Here is a chart from the most-watched Latin American streamers article (note: these particular stats include all platforms, not just Twitch):

You can see Mariana is in fourth place, just above Rivers and Roier at fifth and sixth respectively.

From the original article:

ElMariana is now the second Latin American Twitch streamer to rank within the top 10 most followed channels, falling behind Colombian juansguarnizo in 8th place with 11.17M Followers. Critically, the departure of pokimane and the arrival of ElMariana has tipped the scales for the biggest demographic of fans on Twitch. With ElMariana taking 10th, the top 10 most-followed Twitch channels are now majority Spanish-speaking. 

Super interesting! Below is the chart of the top ten most-followed Twitch channels, again from the same article:

6/10 of the most-followed streamers are Spanish-speaking, and two of them (ElMariana and juansguarnizo) are Latin American. The other four create content in English and from either the US or Canada.

I'll also note that Stream Charts does not include Brazil in their Latin American stats; they do separate stats for Brazil (Cellbit took 7th place if you're curious).

The article also mentioned QSMP:

This success only continued to snowball in 2023, when ElMariana was invited to the QSMP Minecraft server in March, becoming one of the original creators to join. Exposed to new creators and their audiences, the Mexican content creator continued to grow his brand and by the end of 2023, he was one of the biggest names in live-streaming throughout Latin America.

All in all I think it's incredible that Mariana has gained such a following, and that Spanish-speakers have blown up so much on Twitch. I'm hoping to see further linguistic diversity on the platform and in online content generally.